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    $129.95 list($14.99)
    1. The Sacketts
    2. Conagher
    $4.97 $4.95
    3. The Train Robbers
    $19.98 $15.25
    4. Drums Along the Mohawk
    5. Hondo
    $37.99 list($4.95)
    6. Fort Apache
    $9.95 $2.50
    7. Shane
    $11.59 list($19.99)
    8. My Name Is Nobody
    $23.75 list($14.98)
    9. The Good Old Boys
    $9.99 $6.38
    10. Return to Snowy River
    $49.99 list($14.98)
    11. Evil Roy Slade
    $6.75 list($14.95)
    12. You Know My Name
    $685.90 list($99.98)
    13. Centennial Vols 1-12
    $20.00 list($9.94)
    14. Last of the Dogmen
    $9.94 $2.65
    15. Red River
    $74.95 list($14.95)
    16. The Frisco Kid
    $41.99 list($19.99)
    17. The Hanging Tree
    $13.99 list($14.95)
    18. The Three Godfathers
    $42.95 list($19.99)
    19. Ride the High Country
    $12.96 list($14.95)
    20. Calamity Jane

    1. The Sacketts
    Director: Robert Totten
    list price: $14.99
    (price subject to change: see help)
    Asin: 6302256682
    Catlog: Video
    Sales Rank: 1249
    Average Customer Review: 4 out of 5 stars
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    Louis L'Amour's easy voice with its gentle rhythm sets the tone and pace of the film in a spoken introduction to this loping, rambling three-hour-plus TV-movie adaptation of his novels The Daybreakers and Sackett. Sam Elliot stars as the elder Sackett, a nomad hunting and trapping in the mountains who happens upon an ancient treasure. Tom Selleck and Jeff Osterhage are his younger siblings, forced to leave home to avoid a Hatfield and McCoy situation. As the Sackett brothers wind their way across the Midwest prairies and mountains we join them on cattle drives and gold hunts, in gunfights and fistfights, and in a climactic showdown as they find their place in the world. This 1979 film rambles and meanders like a lazy river winding through a beautiful landscape of peaks and plains and forests, punctuated by the occasional gunfight and enlivened by a story that celebrates both the open range and the taming of the towns. Elliot looks almost young but flashes his savage eyes behind a thick black beard, while Selleck's easygoing manner is backed up with a stony-faced determination. The excellent cast includes a veritable who's who of Western character actors: Glenn Ford, Ben Johnson, Gilbert Roland, Gene Evans, Jack Elam, Slim Pickens, L.Q. Jones, Mercedes McCambridge, and Pat Buttram. Followed in 1982 by The Shadow Riders, which reunited the three stars and even a few members of the supporting cast in a tale of three different brothers. --Sean Axmaker ... Read more

    Reviews (8)

    5-0 out of 5 stars The late Louis L'Amour wrote this

    This is a three hour, two disk barn burner. The late Louis L'Amour (Lamoore) wrote half a library full of Westerns and a few contemporary novels. He churned them out like there was no tomorrow, but he knew of what he wrote. He had been a cowhand, miner, merchant seaman, circus roustabout and a few other things. I think that he said he'd been a U.S. Marine, too, bless his heart. He did the narration on this film.

    L'Amour did a bunch of books on the Sackett family of Tennessee, and this is a sort of compilation of some of them. Tell Sackett is the oldest brother (Sam Elliott), Orrin is the middle one (Tom Selleck), and Tyrell was the youngest (Jeff Osterhage). All played their parts very well. The bad guys included (but were not limited to) Jack Elam, Slim Pickens and L.Q.Jones. Mercedes McCambridge played Ma Sackett. Gilbert Roland played a Spanish (read Mexican) land-owner who the anglos were trying to push off his land in the new territory of New Mexico.

    I liked the way everyone played their parts, but particularly Sam Elliot, when he was strolling drunkenly down the main street of Pugatorie, singing quietly to himself in his deep bass, "That's the way she goes, first your money and then your clothes..." just before he caught the guy who was trying to roll him, and shaved him with an Arkansas toothpick with a foot-long blade. Shaved his mustache clean off!

    This is a wonderful L'Amour Western. I hope you like it as much as I did.

    Joseph (Joe) Pierre

    author of Handguns and Freedom...their care and maintenance
    and other books


    5-0 out of 5 stars Response to Disappointed
    I am watching a very fuzzy VHS recording from the early 90's and basically all I am getting is the audio, I decided I wanted it all and visited this site to purchase a copy of the video (hoped DVD) and encountered this review which I couldn't resist responding to. The movie follows what I remember of the L'Amour books (about to pull out of storage) which took their own sweet time in describing the characters & scenery. I admit, I didn't watch the whole recording, but from what I heard I thought it followed true to tradition, as well as a movie could.

    2-0 out of 5 stars Disappointing.......
    I've had this video for several years, and watched it again last night, after a break of about a year. I am a die hard fan of both Louis L'Amour books, and western movies, and thought a Louis written movie with this strong a cast would be totally first class.

    Wish I could say it was. It's too long by about a third, which gives it a plodding, almost boring feel in places. It's obvious why this excessive padding had to happen. This was a TV project, not a theatrical movie, and they had to make it long enough to cover two nights viewing. With a few exceptions the actors seem to be pretty much just going thru their paces, waiting for somebody else to seize the moment. The one exception to this was Glenn Ford - he did a superb job. Of the other actors, Sam Elliot was probably the most believable.

    The movie is very predictable for the most part. The obligatory love interests for all 3 Sacketts, for example. Then there is the final showdown: 3 good-guy brothers, with best buddy, take on the bad guy brothers, accompanied by numerous backup bad guys. In and around the livery stable, no less. Did the Sacketts change their first names to Wyatt, Morgan, and Virgil, with Doc thrown in for good measure? Then all four good guys stroll triumphantly down the street, side by side. Couldn't see Gary Cooper anywhere, tho.

    Also a good part of the script is devoted to building up the racist, rich Anglo as number one bad guy, and the suspense builds as he prepares for war against the Spanish speaking citizens of Santa Fe. Then a couple of his hired guns sing like canaries to Sheriff Sacket and racist rich Anglo bad guy is meekly led off in handcuffs by the Feds, and this entire plot switcheroo happens and is over within about a minute. Soaring plot line ends with a resounding thud. And his more beautiful than life blonde daughter? One of the Sackett love interests? What happens to her? Left standing on the sidewalk as daddy is led away........ Hollywood abandoning a damsel in distress? Heresy.......

    Most disappointing, tho, for me, was the lack of attention paid to historical accuracy, especially for a Louis project. Model 1873 and 1892 Winchesters in 1869? Don't think so.....

    It IS well filmed, with gorgeous settings. All in all, this is an ok movie, but could and should have been so much more.

    5-0 out of 5 stars The Sacketts
    I personally knew Louis L'Mamour and have ever book that he has ever written. The reason I'm trying to order this video now is because I have litteraly worn out the original I got when it first came out. I also have all the other videos that were based on his books but I feel like The Sacketts was on to the best based on his book. From the Four Corners where most of his books were written about an avid fan from Southwest Colorado. ... Read more

    2. Conagher
    Director: Reynaldo Villalobos
    list price: $9.94
    our price: $9.94
    (price subject to change: see help)
    Asin: 6302182840
    Catlog: Video
    Sales Rank: 1261
    Average Customer Review: 4.61 out of 5 stars
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    The Old West comes to life in this taut, searing bloody tale of crime and vengeance starring Sam Elliot (Mask, Sibling rivalry) as Conagher and Katharine Ross (Butch Cassidy and the Sundance Kid, The Graduate) as Edie. Year: 1991 Director: Reynaldo Villalobos Starring:Sam Elliot, Katharine Ross, Barry Corbin ... Read more

    Reviews (18)

    5-0 out of 5 stars Saddle Bum
    When Louis L'amour suggested to Sam Elliot that he should read Conagher, a novel he wrote, I doubt he ever envisioned it would result in becoming an instant classic western. Sam Elliot befriended Louis L'amour while filming The Sacketts, a movie based on another L'amour novel series. Unfortunately, L'amour died before Conagher was filmed; I'm sure he'd have been pleased with the results.

    After reading this novel as well as viewing the movie several times I would surmise that they are both equally extraordinary, but I like the movie better. It is a very rare occasion when a movie can hold up to the book it's based on; much less surpass it in quality and interest.

    Conagher (Sam Elliot) is a drifter, working wherever enough money or a warm bed and a meal can be had. His job with the stagecoach and fate brought him to Mrs. Teal (Katherine Ross), but it was something else that kept bringing him back. Through his drifting, he made a few enemies of folks who swayed to the other side of the line between good and bad. He was always true to the brand he rode for though, and sometimes his honesty caused him to be outnumbered, but never outfought.

    When something, like this movie, has so many good parts that make up the whole, a resulting masterpiece can often not be avoided. Elliot, the greatest living western actor, was able to co-script this movie, based on his friend Louis L'amour's novel, and star opposite his wife Katherine Ross (whom he finds love with in the story). The movie is a perfect balance of drama, action, and love blended beautifully into an accurately portrayed frontier western.

    5-0 out of 5 stars Excelent Western, Sensitive character study,
    Sam Elliot has been in a lot of junk movies, but he himself is a GREAT actor, as intense as DiNero and as subtle as meryl Streep, when the writing is solid and the role actually gives him Something to do.This is a story about 2 sensitive people coming to terms with each other on the frontier. The chemestry between Katherine Ross and Sam is amazingly nuanced, no doubt a tribute to a very happy marriage.Her stoic lonliness and his sensitive reticence is heart breaking. The writing is solid, with no flaws. It's films like this that allow both of them to exercize their substantial talents, its a shame Sam is not in more Sam Elliott vehicle films that maintain the nuanced finesse and literary merit of this film. Too often he's dropped into a pop cult machine made mediocre action film as a macho icon: he has great moments in almost every film he's in, but he needs to be in more handcrafted, literary vehicles, and work with directors like Altman & Scorsese. Connagher is Sam's best film to date. the supporting cast is quite fine, Sam & Kathryn are brilliant.

    5-0 out of 5 stars "You couldn't hurt Conagher with an axe."

    Format: Color
    Studio: Warner Home Video
    Video Release Date: May 11, 1994


    Sam Elliott
    Katherine Ross
    Gavin O'Herlihy
    Daniel Quinn
    Barry Corbin
    Ken Curtis
    Cody Braun
    Anndi McAfee

    Conagher was written by Louis L'Amour (Lamoore) about life in the West around the end of the 19th century, with trouble with the Indians, rustlers, and a widow woman (Katherine Ross) tryimg to raise her children on a hard scrabble farm. Conagher comes to their aid.

    L'Amour was a student of Western history. He understood the common man, having worked as a cowboy, circus roustabout, merchant seaman, boxer and served in the U.S.Navy. He was also a prolific writer of Western fiction, among other things.

    This is not the first L'Amour story that Elliott has played in. He also performed as Tell Sackett in The Sacketts, which was an amalgamation of several of Louis's stories in that series on that family.

    This story of Conagher was one of his good stories, which you will find typical of L'Amour's writing...good entertainment.

    Joseph (Joe) Pierre

    author of Handguns and Freedom...their care and maintenance
    and other books

    5-0 out of 5 stars A lover of Western American history
    Only a few westerns have become true favorites of mine over the last 40 years. Conagher ranks with the best of them. Why? The movie was not filmed in a movie lot specially made for movies, like Universal Studios or Old Tucson. But rather, you could say it was filmed 'on location' in a rugged, true-to-life environment that honestly represents what it was really like in the Old West. The Teal cabin and the surrounding country, the ranch of Seaborn Tay, the town - all have that authentic realism that lend excellence to the movie. Often in the film the lighting in certain scenes appears lacking as compared to other films in the genre. But actually, this is what gives the film a special feel, a special ring of realism. It's because you feel as though you are really there as a bystander, watching this drama play out right in front of you in the same way it would appear in real life. The direction of the film by Rebaldo Villalobos is superb and the performances by the actors are absolutely memorable. The musical score couldn't have been better because the selections chosen for the soundtrack apply perfectly and leave an indelible impression on the viewer. I don't know what Sam Elliot would think about this, but I believe this film is his best, most memorable performance of his career, bar-none. His rendition of Conn Conagher imprints Sam Elliot on my mind for all time - he IS Conagher. I don't think he has played characters in any of his other films that have struck me the way that Conn Conagher has in this one. But this is not to detract from the other performers in the film: Catherine Ross, Gavin O'Herlihy, Daniel Quinn, Barry Corbin, Ken Curtis, Cody Braun, Anndi McAfee, and the rest - they've all portrayed believable characters that make for a very enjoyable, memorable film that you will want to watch again and again over the years because it brings something special to the heart. Don't pass up the opportunity to see Conagher if you haven't seen it yet - you'll never regret it.

    5-0 out of 5 stars TALL IN THE SADDLE


    3. The Train Robbers
    Director: Burt Kennedy
    list price: $4.97
    our price: $4.97
    (price subject to change: see help)
    Asin: 6304457286
    Catlog: Video
    Sales Rank: 405
    Average Customer Review: 3 out of 5 stars
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    Three cowpokes band together with a feisty widow to recover a cache of stolen gold. John Wayne meets Ann Margret and you'll keep guessing who meets whose match! Year: 1973 Director: Burt Kennedy Starring:John Wayne, Ann-Margret, Rod Taylor ... Read more

    Reviews (3)

    4-0 out of 5 stars A Late Duke entry
    The Train Robbers is a late film of the Duke's, but it is still an entertaining film. Directed by Burt Kennedy, the story follows a widow who hires Wayne to escort her to a cache of hidden gold that belongs to her recently deceased husband. Joining Wayne are a couple of old friends who come along. There are not any identifiable bad guys except for a nameless group of gunman making their own go at the gold. This is not a great John Wayne western, but it is not the worst. Still very entertaining.

    Joining Wayne are Ann Margaret, Rod Taylor, Ben Johnson, and even Ricardo Montalban in a small but funny role. Taylor and Johnson are great together with plenty of laughs between them throughout the movie. Even though this may not be the best Duke western ever, it still deserves a DVD release like so many other of his movies that have been released recently. This is a good western that deserves a watch if for nothing else than the twist at the end. Very entertaining!

    2-0 out of 5 stars Wayne light!
    One of the later Wayne westerns is pretty thin on action and excitement.It's from the time where they more or less stopped making westerns - until the revival with Kasdan's "Silverado". This one is really clinging to a straw.

    3-0 out of 5 stars Standard late Duke fare....
    This was by no means a Duke classic, but standard fare for his later westerns. It was about a group of men helping a widow recover hidden gold she was told about by her late husband. Hot on their trail are 20 bad guys after the loot. A real twist ending and some great explosions and outstanding scenic backdrop. Too bad this is not avail in widescreen. The Duke in his standard tough as nails ex-cavalry role. It's not as bad as it's reputation but I think it could have been better if they gave the bad guys some characterization and persona. But instead they are just shown as 20 faceless riders every now and again. No speaking roles in the whole lot. Better than Rio Lobo but not as good as Chisum, The Shootist or The Cowboys. ... Read more

    4. Drums Along the Mohawk
    Director: John Ford
    list price: $19.98
    our price: $19.98
    (price subject to change: see help)
    Asin: 6301798708
    Catlog: Video
    Sales Rank: 2673
    Average Customer Review: 4.38 out of 5 stars
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    Reviews (13)

    5-0 out of 5 stars Relatively Early, Excellent John Ford Movie
    Relatively early, I say, because I think Ford really hit his stride in the 1940s once he started his John Wayne cavalry pictures.

    "Drums Along the Mohawk" is a wonderful treatment of an era curiously left alone by most American movie studios, the Revolutionary War. Henry Fonda is a farmer on the Mohawk River in upstate NY, who brings home a "city" bride, Claudette Colbert. Much of the early part of the film is her adaptation to this backwoods life, so different from her father's home. Colbert's character is emblematic of the original settlers of the American continent, who left familiar ways behind them and set off into an adventure undreamed of. Bit by bit, her citified ways have to be jettisoned if she is to be a good wife to her honest and plain-speaking husband. Gradually their smaller domestic drama is engulfed in community concerns as the Revolutionary War whips up the warpath of the Indians surrounding the colonists, and they must fight for their very existence as that new concept, Americans.

    There are some really pricless episodes in "Drums Along the Mohawk", such as when Fonda holds his newborn baby for the first time, Colbert goes into hysterics at her first encounter with an Indian, Edna May Oliver confronts Indian braves invading the sanctity of her home, and someone has to get word out of the beseiged fort to the soldiers for relief.

    You'll be very glad to see "Drums Along the Mohawk", I assure you.

    5-0 out of 5 stars A Revolutionary War classic
    Drums Along the Mohawk is a very good movie about a period in American history that not many movies have been made about. Set during the Revolutionary War, the story is about two newlyweds and their new life in the Mohawk Valley. The couple is trying to establish themselves with a home and farm of their own, but are interrupted when the British and the Mohawk Indian tribe begin to raid all along the valley. The settlers must deal with the raiding Indians while also trying to survive. There is plenty here for fans of Henry Fonda also. The action scenes are excellent, especially the attack on the fort. However, it is also very effective when the characters talk about a battle and how horrible it was rather than the viewer actually seeing it. An enjoyable film that is still very good!

    Henry Fonda and Claudette Colbert play Gil and Lana Martin, the newlywed couple struggling to survive. Both are very good and believable as husband and wife. This was a good period for Fonda when he made The Grapes of Wrath around this time. There is an excellent supporting cast, most notably Ward Bond as Adam, Gil's friend and neighbor, Edna Mae Oliver as the widow Mrs. McLenard, who puts up Gil and Lana when their house is destroyed. She has some incredibly funny scenes especially when some marauding Indians invade her house, but she refuses to leave even as they drag her out on her bed. This is an excellent movie with a great cast and excellent story. Do not miss this Revolutionary War classic!

    5-0 out of 5 stars Still the best movie about the American Revolution ever made
    There are relatively few movies about the American Revolution. I think this is due to the fact that the American side lost most of the battles of that war. The battle at Saratoga, the surprise attack at Trenton, and the siege of Yorktown are part of the short list of American victories, and except for the occasion television movie or mini-series, they are rarely touched upon. Consequently, "Drums Along the Mohawk" remains the best of American movie about the revolution even though it was made before World War I and even though the redcoats are not really involved in the fight.

    "Drums Along the Mohawk" does not start off as a movie about the American Revolution. Instead it begins as a movie about settling the frontier, which, at that point, was upstate New York. The focus is on a pioneer couple, newlyweds, Gilbert (Henry Fonda) and Magdalena (Claudette Colbert), called Lana. Martin is a farmer who brings his bride to the Mohawk Valley where their home is burned out by Indians allied with the British. The couple are taken in by neighbors after that happens and Martin joins the militia, but the settlers are going to need more men than that to fight the Indians and save the fort from attack.

    Based on a novel by Walter D. Edmonds the screenplay for "Drums Along the Mohawk" is by Sonya Levien and Lamar Trotti, although William Faulkner worked on it without receiving credit as well. Edmonds' history novels were all set in upstate New York and "Drums Along the Mohawk" is about the warfare between the settlers and the Six Nations of the Iroquois allied with the British. The Battle of Oriskany in 1777, fought in a forest, was a American victory although their commander General Nicholas Herkimer (Ralph Imhof) died of his wounds in one of the moving scenes of the film.

    This was the third film that John Ford made in 1939, following "Stagecoach" with John Wayne and "Young Mr. Lincoln" with Fonda; his next film would be "The Grapes of Wrath." Colbert and Fonda are the stars, but they are upstaged by several members of the supporting case, such as Edna May Oliver as Mrs. McKlennar and Arthur Shields as the Reverend Rosenkrantz. The old lady has such an iron will that she can make Indians take her bed out, with her in it, while they are burning down her home, and the reverend has a memorable scene in which he eases the suffering of a tortured settler. Fonda is young and earnest, while Colbert comes to terms with what it means to be living on the American frontier in troubled times.

    More than anything else "Drums Along the Mohwawk" is about people coming to the realization that they are Americans, an interpretation more than amply justified by the film's final scene. These are not the Sons of Liberty living in Boston and dealing with the King's troops and all those burdensome taxes. These are small families living out on the frontier for whom the idea of the United States of America was as odd as a flag with thirteen red and white stripes with a circle of white stars on a blue field. Perhaps it is because it takes place off the main stage that "Drums Along the Mohawk" manages to hit the right notes.

    5-0 out of 5 stars five star films
    Put it out on DVD and I will definitely buy it! How much longer do we have to wait to see some of Miss Colbert's other great work, especially those wonderful comedies like The Egg and I and No Time For Love, made available and on DVD?

    4-0 out of 5 stars Lavish colour production from Hollywood's Golden Age
    "Drums Along the Mohawk" was one of many lavish classic productions released in 1939 and marked the first real venture by Director John Ford into classic movie status. This production is lavish in all departments from the lush colour photography which even in 1939 was still only employed on a handful of productions, to the beautiful on location photography utilised throughout the story, to the many exciting action filled sequences employed around which the storyline is structured.

    "Drums Along the Mohawk" tells the rather simple story of Mohawk Valley farmer Gilbert Martin who courts and marries refined city bred Lana Magdalena (Claudette Colbert)and brings her back to the valley to begin a new life as a farmer's wife in the untamed American wilderness. What ensures is a story of hardship in the face of the unpredictable environment, attacks from Indians, the revolutinary war, and in carving out a new world and new way of life. Much of the story focuses on Claudette's characters efforts to adjust to this strange and foreign new environment and to make a home for her new husband and she succeeds admirably in the task. It has often been stated by critics that Claudette was far more suited to sophisticated urban comedies and always looked far too modern a screen personality to fit into period productions. While she certainly had no peer in that area she is highly effective in historical roles as witnessed by her great work in "Cleopatra" and "The Sign of the Cross". In "Mohawk" she displays all the fear and uncertainity of moving to a new land and leaving behind her all that is familiar. While her makeup and pristine outfits throughout tells us this is indeed a Hollywood production I believe it is one of her more appealing performances combining equal measures of doubt about what she has done moving to the wilderness, to a longing to build a happy life with her husband. Henry Fonda an actor who I normally find fairly bland and unexciting on screen performs very well in this production playing the role of Gilbert who works like ten men to clear his property, often under very trying circumstances, and set up a workable farm with which to support his family.

    Claudette Colbert by 1939 was at the peak of her popularity and success and that same year turned out what I feel was her greatest film performance in the classic "Midnight". At the time of release of this film Henry Fonda was also enjoying a triumph in "Jesse James" with Tyrone Power so it was easy to see why this film was also a great success upon release. As with most Epic productions of this type the supporting cast adds greatly to the overraul impact of a film and "Drums Along the Mohawk" had two of the best in Edna May Oliver and John Carradine. Oliver a superb character actress had the important role of Mrs. McKlennar and the character embodies all the standard qualities that she always brought to her film roles, a no nonsense flinty character with a deep down heart of Gold. Her big scene where her home is invaded by rampaging Indians is a delight to witness as she almost bosses them out of destroying her home! John Carradine a regular performer in these Fox productions is also effective in the devious role of Caldwell who is out to further his own ends no matter what it takes.

    The beautifully staged action sequences of this film are terrific and really add to the excitement of the piece. The attack on the fort and the destruction of the farmers properties are two of the highlights and are staged to the maximum effect that only John Ford could bring to such things.

    Overraul "Drums Along the Mohawk" is an engrossing piece of cinema both from its more personal representations of settlers moving into a hostile land and making a new life, to the standard excitement of the action western type of film complete with Indians, besieged forts and spectacular scenery. In all these respects "Drums Along the Mohawk will not fail to both impress and entertain. ... Read more

    5. Hondo
    Director: John Farrow
    list price: $19.98
    our price: $19.98
    (price subject to change: see help)
    Asin: 6303192254
    Catlog: Video
    Sales Rank: 502
    Average Customer Review: 4.21 out of 5 stars
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    Although scarcely seen in its original 3-D, and entirely out of sight for a decade and a half after its producer-star died, Hondo has maintained a high rep among John Wayne fans--and it wasn't even directed by Howard Hawks or John Ford. (Actually, Ford did shoot some second-unit stuff while visiting Wayne on location.) Half-breed Hondo, companioned only by an antisocial dog, tends to be more sympathetic toward the Apaches than toward the white society he occasionally scouts for. He falls into uneasy friendship with a New Mexico farmwoman (Geraldine Page) whose husband deserts her for long stretches, and whose son (Lee Aaker) is blood brother to the local Apache chieftain. A good, spare frontier tale--Louis L'Amour via James Edward (Angel and the Badman) Grant--in which danger and solace come in unexpected ways. John Farrow, who did direct, brings it in at a lean 84 minutes. Page was Oscar®-nominated for this first film role. --Richard T. Jameson ... Read more

    Reviews (24)

    2-0 out of 5 stars Even John Wayne can't save this movie
    Hondo has all the makings of a fine movie....great actors and an interesting story line. Unfortunately, it falls short. John Wayne gives a good performance as Hondo Lane, a half-breed Apache turned gunfighter turned Army dispatch rider. However, director John Farrow should have been tortured by the Apaches for turning what could have been a great film into little more than a typical western movie matinee. The scenes are choppy and a couple leave you wondering why they weren't left on the editing floor. Also typical western movie flaws -- John Wayne carrying a 94 Winchester lever action more than twenty years before it was introduced, people setting up horse and cattle ranches on land that could barely support a few goats, Indians patiently waiting for the settlers to circle their wagons and then riding around them like targets at a shooting gallery, and the inside of Geraldine Page's cabin looking like a photo spread from Ladies Home Journal. And speaking of neatness (as one other reader's review accurately pointed out), everything looks too clean. Only actor Ward Bond as Buffalo Baker looked the part. Comments on accuracy aside, this movie gets only two stars for three reasons - bad direction, bad direction, bad direction!

    4-0 out of 5 stars An effective western.
    Based on a Louis L'Armour novel this movie contains a pretty standard western plot: a frontier scout risks his life during an Indian uprising. It is notable for the fact this is one of those John Wayne films that is rarely shown on TV, and only became available on video four or five years ago. It also is a western that marks the development of a more sympathetic attitude towards the American Indians by Hollywood. Make no mistake the Duke and the cavalry are presented as the good guys; but their opponents, the Apaches, fight because the whites broke the treaty. The Apache leader,Victorio, mourns the loss of his sons killed by whites, and even Duke's Hondo remarks that the Apache way is a "good way of life."

    I have to agree with an earlier review that the direction is a little spotty. The screen sometimes blacks out between scenes which gives the impression that the film is about to go into a commericial break! However, the action scenes are fantastic especially the Duke's barroom brawl, the blood-right duel, and the thrilling chase from the Apaches. The ending, though, is cliched with the settlers circling their wagons and the Apaches obligingly riding around them just begging to be shot. Overall, this is a very entertaining, and fast-paced western.

    5-0 out of 5 stars John Wayne's forgotten western classic
    This exciting and colorful 3D film was released over 50 years ago and remains an enjoyable action adventure today. With its distinctive peppermint-striped titles, "Hondo" is John Wayne's film and he is the title character who rides out of the desert to come to the aid of a young woman and her boy at their isolated ranch against the backdrop of Apache smoke signals and war drums. Hondo Lane is drawn to the plain yet steely Angie Lowe who is also interested in the dusty stranger but refuses to leave her ranch, instead choosing to wait for her ne'er-do-well husband who has abandoned them to their fate in Apache land. The film has a matter-of-fact approach in the relationship between Lane and Angie, and although there is tension between them in the beginning, Angie is convinced of the stranger's sincerity and is keenly aware that Johnny enjoys the man's presence on their ranch. Johnny's character is a key part of the film's plot as both Lane and Apache leader Vittorio seek to guide him towards manhood with the values of their very different social mores. The Apaches are presented as a fierce but proud people, as personified by Vittorio, who adopts Johnny as a blood brother because of the bravery and courage he displays in protecting his mother from the menacing sub-chief Silva. The battle scenes are exciting and colorful, with the blue and yellow cavalry colors contrasting with the dusty, brown-skinned calico-shirted warriors mounted on all manner of striking ponies against bright blue skies and thick, fluffy clouds. The sound effects during the battles, of whistling bullets and whizzing arrows striking their targets, are realistic and superb. The movie was filmed in Camargo, Mexico, an arid desert country studded with isolated, cone-shaped mesas, and the music score has a heroic quality that smoothly underscores the action sequences.

    5-0 out of 5 stars Hondo Rules
    As the great Al Bundy said "Your life is meaningless compared to Hondo"

    4-0 out of 5 stars Great flick...but this is a flat print of a 3-D movie
    HONDO is an excellent western, featuring terrific performances by Wayne and Geraldine Page. The VHS release in welcome, but the film is compromised a bit here since it is robbed of the original stereoscopic 3-D presentation. It is one of the better 3-D movies (in fact, the only one to win an Oscar (G.Page).

    Don't confuse the awful red/blue 3-D TV showings in the early 90's with the original polarized (clear glasses) isn't the same thing at all and the TV version looked nothing like the original 3-D did.

    Try to catch this one at a 3-D revival sometime, to experience the movie as intended. ... Read more

    6. Fort Apache
    Director: John Ford
    list price: $4.95
    (price subject to change: see help)
    Asin: B00004RFF8
    Catlog: Video
    Sales Rank: 1558
    Average Customer Review: 4.59 out of 5 stars
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    Reviews (17)

    5-0 out of 5 stars "IF YOU SAW THEM, THEY WEREN'T APACHE,"
    is arguably one of The Duke's best lines (Michael Herr referenced it in his Vietnam War best seller DISPATCHES, making it a prophecy). John Ford's cavalry trilogy is a great body of American film, all three works have their individual moments that distingush their own lasting perfection. FORT APACHE has the classic Ford/Wayne elements: action, dialogue, a great supporting cast both Ford and Wayne knew how to play (Ward Bond, Victor McLaglen). Henry Fonda is brilliant as the pompous, ego maniacal Colonel Thursday and Victor McLaglen's drunken buffonery is classic. FORT APACHE is a ride into film greatness.

    5-0 out of 5 stars A great American film
    Director John Ford's first entry in his "cavalry trilogy" is this excellent film about life on a military outpost far from the glamorous theaters of the Indian Wars in the American west. The film is about character development of the officers and enlisted men on the post, family relationships and the class distinctions among the military social order. Henry Fonda dominates this film with a wonderful interpretation of a bitter, unhappy colonel who feels he has been shunted aside by an ungrateful military hierarchy to an isolated desert outpost to fight Apaches, an assignment he considers beneath him. John Wayne's Capt. Kirby York gives the film just the right balance between the two men who have very different viewpoints about fighting Apaches and respect for their fierce adversaries. The concerns of the wives of officers and enlisted men are also explored in the daily routine at Fort Apache and their fears are touchingly portrayed as their men march at dawn one morning to do battle with Cochise's warriors in an attempt to force the venerable chief to return to a reservation that is run by a corrupt, morally bankrupt Indian agent. The original black and white print is superb and is much better than the colorized version available on video. Richard Hageman's music is reflective and melancholy.

    5-0 out of 5 stars This Ford still works.
    I'm out of my element with this film. I normally don't review black-and-white classics, because I'm too cynical to view the big studio releases of yesteryear with an open mind. All of them are contrived and somewhat sappy; I watch them and envision a cherubic Mickey Rooney looking on while eating chocolate chip cookies and drinking milk. "That's a swell show, Dad!"

    But I like John Ford films. And I really like FORT APACHE, despite the movie being a stereotypical product of its time. Why, you ask (or mutter indifferently)? Because this film actually depicts some range for Henry Fonda and the Duke himself. Fonda plays a very unsympathetic role, while John Wayne steps out of character (for him) to play a compassionate second fiddle. And Ford's experiment works: the two actors pull off exceptional performances; their on-screen chemistry is riveting.

    Tension--that's the motor that drives FORT APACHE. A new disciplined, disgruntled, by-the-book colonel (Fonda) arrives at a remote Arizona outpost; immediately, he is at odds with the fort's seasoned and weathered captain (Wayne). The captain, who possesses a deep respect for a band of Apache that has left the reservation, has the loyalty and affection of his men; the colonel is looked upon as an unwelcome intruder and resented as a martinet. The two officers wage a battle of wills that ultimately has Fonda using an unsuspecting Wayne as a ploy to draw the Apache back for a surprise attack--a strategy that produces deadly consequences.

    This is good stuff, further enhanced by some outstanding supporting roles, including Ward Bond, Pedro Armendariz, and Victor McLaglen. We're even treated to a grown-up--yet still annoying--Shirley Temple. Kudos to John Ford for creating a good-looking film that successfully had Fonda and Wayne step outside their respective boxes. FORT APACHE, despite its "Aw, shucks" big studio smarm, is solid entertainment.
    --D. Mikels

    4-0 out of 5 stars Four and a half stars, actually...
    A truly excellent western, one of the all-time greats; the only reason it's not a full 5 stars is there are a few which are marginally better, such as "She Wore a Yellow Ribbon" and "Shane".
    Both Henry Fonda and John Wayne are cast against type here, and both prove what great actors they are. Fonda plays a stubborn, excessively proud army commander (loosely based on General George Armstrong Custer) furious at being sent to an outpost in Arizona to fight the Apache, complaining they're not even the "tough" Indians. Wayne is a looser, kinder man more adjusted to living in the middle of nowhere, beloved by his men, and holding much more respect for the Apache since he's dealt with them many times. Fonda insists on using the Apache's trust of Wayne against them, luring them into a trap to force them back onto the reservation. Wayne does his best to stop it, but the forces are already at work and there's little he can do. The ensuing massacre (remember, this tale is based on the exploits of Custer) leaves Wayne with the dilemma: tell the truth about Fonda, or go along with the typical "national-hero" myth that has developed around his death?
    This is not your typical western. The cavalry aren't the bad guys (as they would be portrayed 40 years later in "Dances With Wolves"), but the Indians aren't exactly the bad guys, either. Their treatment on the reservation at the hands of a corrupt American government, providing them with scant food to survive but plenty of rotgut whiskey to demoralize and destroy them, is clearly presented. The Indians (portrayed here mostly by Mexican actors) are justifiably angry as their trust in "the great white father" is betrayed over and over. They are presented as intelligent strategists; they offer Fonda a legitimate chance to sit down and talk, but when they're betrayed yet again they go on the offense and, incredibly, they don't lose the fight. This was a western far ahead of its time, and since it was directed by the great John Ford it isn't just a moral tract: it's a beautifully-photographed and expertly-acted drama that pulls you in and teaches you something at the same time. Great stuff.

    5-0 out of 5 stars A wonderful movie
    This was the greatest movie! Anyone would like it~! I would tell anyone/everyone to see it! You should add this great one to your westerns! ... Read more

    7. Shane
    Director: George Stevens
    list price: $9.95
    our price: $9.95
    (price subject to change: see help)
    Asin: 0792107683
    Catlog: Video
    Sales Rank: 1208
    Average Customer Review: 4.57 out of 5 stars
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    Consciously crafted by director George Stevens as a piece of American mythmaking, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters." While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvelous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, who gives one of the most amazing child performances in the movies; his parting scene with Shane is guaranteed to draw tears from even the most stonyhearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton ... Read more

    Reviews (93)

    4-0 out of 5 stars Farmers vs. Ranchers
    Shane is the title of the movie and the main character of this well-made Western. Alan Ladd plays the stranger who arrives in a Western community where a range war between farmers and ranchers is about to play out. The farmers' leader is Joe Starrett, played by tough, reliable Van Heflin. He wants the farmers to stay, to stand up to rancher Rufe Riker and his hired hands.

    Riker tries to buy Starrett out, but Starrett won't go. Then Riker hires a gunman - Wilson - played by Jack Palance. He's as mean as they come and he verbally goads one of the farmers into trying to "draw" on him. Wilson(Palance) kills the farmer without blinking.

    The farmers are about ready to give up. But when Riker sets fire to a farmer's home as the community gathers to bury its dead, the farmers vow to "play one more hand." Riker sends men to Starrett's ranch to tell him that Riker wants to see him. But Shane stops Starrett by physically knocking him out. He knows that he must go into town to "talk" to Riker.

    Civilization is fast approaching on the Western range. And Shane is going to hasten that change by going into battle against Riker.

    5-0 out of 5 stars Western Classic
    Shane might well be the greatest western ever made and a true American classic. Recently in a New York Times article, Woody Allen of all people considered it the best American film of all time. The movie is about a mysterious stranger who unexpectently comes into a homestead family's life and helps in their battle against a greedy landowner who is threatening them to move off their land. Alan Ladd stars in the title role and he exudes an air of calm control and dark mystery. Shane is an expert gunman and a skilled fighter, but he doesn't want any trouble. He tries hard to avoid a fight in the local saloon, but no matter how hard he tries, trouble finds him. The homestead family is played by Van Heflin, Jean Arthur and the young Brandon De Wilde. Mr. De Wilde is excellent as a wild-eyed youngster who grows to idolize Shane. Mr. Heflin plays the strong, defiant landowner, but also loving husband to his devoted wife, played tenderly by Ms. Arthur, and his son. He stands by his new friend Shane, when the other homesteaders want him to leave when they feel he's stirring up trouble. A young Jack Palance is menacing as an icy hired gun hired to drive the homesteaders off their land. The showdown between him and Shane is a tense and taut showdown. Director George Stevens captures the breathtaking beauty of the American Old West. Shane was nominated for several Academy Awards, but failed to win any. Despite that fact, it remains a brilliant film worth repeated viewings.

    3-0 out of 5 stars Revisionist History as Entertainment
    A lone rider approaches a family ranch. He observes a gang riding up to order the owner off his land. There is an economic conflict between a big land owner and small ranchers who are bringing in Jersey cows and working the land for agriculture. The big land owner wants to eliminate competition from small businesses; his government contract shows his political connections. The film shows the use of barbed wire, the invention that put an end to the open range. The settlers go into town for supplies. A barroom brawl occurs when Shane is attacked; Joe Starrett joins in to help his hired hand. Tavern owner Riker sends to Cheyenne for a hired gun, Jack Wilson, for a final solution to the homesteader problem.

    The settlers gather for a July 4th celebration. They hear of Riker's hired gunfighter. That evening Riker show up to make a final offer to Starrett: join him for a good price, and abandon the other small ranchers. This offer is refused. The next day the gunfighter insults Torrey to force a duel, and kills him. Joe Starrett announces he will go into town next, without waiting for the other settlers. The question is: shall the people be oppressed and swindled by a rich powerful landowner? (Most of the large ranches were owned by corporations from back East.) Some of the small ranchers decide to abandon their claims. Yet they have the right to settle and farm the land. "This country wasn't made for just one man." The burning of one home makes the settlers decide to hang on for a while.

    Riker makes an offer to draw Starret to his place (for an ambush). Calloway turns up to warn Shane of this trick. Starrett's wife argues for giving up and moving out now. (Credible?). Shane tries to stop Starrett, and they fight in the dark (to hide their body doubles?). Shane wins and leaves to keep the appointment, and force a final showdown. Shane successfully resolves the problem of Jack Wilson, then Riker, and moves on to new territory. [This avoids any retribution by Riker's allies.) {This film uses the dime-novel fantasy of a "fast-draw", which did not occur in historical records.]

    This story is loosely based on the Powder River war. In reality, the settler's militia drove off the armed gang hired by the large landowners. The large ranchers tried to get rid of small ranchers by passing a law that gave them sole rights to all cattle in the state! Read the chapter in William Weir's "Written With Lead" for more details. "Unhappy are the people who want a hero."

    2-0 out of 5 stars Two stars. One for each time it put me to sleep.
    Don't get me wrong, folks ,I am A HUGE fan of classic Westerns! This one, it just doesn't make it for me. Don't even get me started about Alan Ladd's "tough but gentle" potrayal of Shane. Ladd is unconvincing to this reviewer not only in the tough guy category, but his dramatic side is very, very "Ward Cleaver." AND THAT KID!!! That blasted kid. Joey, played by Brandon De Wilde. Good gawd, if he wasn't the most annoying little snot that came out of Hollywood. (before the debut of Pauly Shore) "Shane, are you gonna shoot that man? "Shane, are you gonna let me look through your Playboys?" I spent half the film (before I fell asleep) hoping Shane would say, "Come here, Joey, and help me change the wheel on this stagecoach" and have a little "accident." Joey's absence from the second half of this movie MAY have kept me awake. (but I doubt it.)

    5-0 out of 5 stars miscast but still legendary
    SHANE is among the most renowned westerns in motion picture history, inspite of the miscasting of Alan Ladd in the title role. many other more accomplished actors come to mind of whom could have assumed the role, and many of these were offered the role. however it was Alan Ladd who was awarded the role.

    Ladd was a formidable actor and delivered a fine performance inspite of the other more accomplished actors who may have given better performances.

    regardless of Ladd in the role of SHANE, the movie was legendary and considered a true classic to this day. the other actors, which include: Van Heflin, Jean Arthur, Brandon De Wilde, Emile Meyer and Jack Palance all gave stellar performances. however it was George Stevens, a director whose name is synonymous with great filmmaking who was solely responsible for the renowned success of this truly legendary western classic. a true masterpiece. ... Read more

    8. My Name Is Nobody
    Director: Sergio Leone, Tonino Valerii
    list price: $19.99
    (price subject to change: see help)
    Asin: B000007O5U
    Catlog: Video
    Sales Rank: 2592
    Average Customer Review: 4.31 out of 5 stars
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    Album Description

    Canadian DVD release for 1974 spaghetti-western inspired by Sergio Leone who produced, starring Henry Fonda & featuring a soundtrack by Ennio Morricone. Also known as 'Il Mio Nome E Nessuno'. 2000 release. ... Read more

    Reviews (59)

    4-0 out of 5 stars Quick Draws......
    This review refers to the WHAM! DVD edition of "My Name Is Nobody"......

    Who is faster on the draw than the legendary gunslinger Jack Beauregard(Henry Fonda)?.....NOBODY! (Terence Hill). That's Who! This is the most delightful western, that the whole family can enjoy together(there is some mild violence and language).

    Jack Beauregard who has made quite a name for himself with a gun, just wants to slip away quietly on a slow boat to Europe. But it's easier said than done. There are others who would rather see him dead and young gunslinger Nobody is hired to do away with Jack. Nobody is so taken with the his idol though, that not only does he want Beauregard to live, but wants his legend to live on in history as well. The pair become the Odd Couple of the 1890's and you'll have a fabulous time watching their antics.

    It is filmed in the wonderful "Spagehitte Western" style. Based on an idea by Sergio Leone("Fistful of Dollars" et al), directed by Tonino Valerii, and with a fabulous whimsical score by Ennio Morricone. It has all the great western landscapes, camera work, and some terrific acting.

    I was very confused when I was shopping for this DVD. I knew this edition was an import only but I was confused as to how many versions there were.The tech info here says the studio of release is Pid, yet most of the reviews that mentioned the name of the studio refered to it as WHAM. But I really like this film alot, so I went ahead and ordered it. The image of the case here is the same as the one I recieved, but does not say Pid anywhere on it, and is WHAM!. So I just want to clear that up in case anyone else was wondering the same thing. And by the way, it's a decent DVD transfer as well.

    The DVD is very good. The sound is excellent. I wasn't sure what to expect as there was no info here or on the box as far as the sound was concerned. My DVD player decoded it at DD2.0, and the music as well as the dialouge was crisp and clear. Every little detail(like Fonda getting a shave) was distinguishable. The picture was clear and good for the most part. There were times when it seemed a little grainey, and also the colors seemed somewhat dated. But the widescreeen (1:85:1) was great and it was a nice view. As far as extras, you won't find too much, but there is some. You can go to "soundtrack" and listen to the music from your favorite scenes. There are also bios on Henry Fonda, Terence Hill and Ennio Morricone (no filmographies though), and there is a theatrical trailer as well.

    If you have seen this and know you like it, I would say this DVD is a good buy. If you have'nt seen it but love these kind of spaghetti or comical westerns, you'll love this one! It's a keeper!
    Happy Trails...Laurie

    5-0 out of 5 stars Funniest Western Ever
    I have seen many comedy westerns including Cat Ballou, Blazing Saddles, and City Slickers. None have made me laugh harder than "My Name is Nobody". Henry Fonda plays a retiring gunfighter, Jack Beauregard, for the law while Terence Hill plays a comedic young gunfighter, Nobody, for good. His methods are quite different and should keep you in stitches more than once. The scenes at the Circus can't be beat. Although he is proficient with a gun, you never see him kill anybody to make his point. Did I mention the musical score by Ennio Morricone is great? As mentioned in a good review, laurie's boomer views, you can play just the soundtrack. I love Morricone's happy go lucky intro song , My Name is Nobody, and all the western themes that dramatize the scenes with Beauregard. I do hope this will be released on DVD in the US and for a lower price. The import quality lacks a little to be desired so I am hoping for a better transfer of the master in the future. The WHAM! version menu is overly red and the Bio has Henry Ford instead of Fonda as the name, but the bio is correct. The DVD is decent quality with a only a few screen glitches and the sound is good. The occasional graininess can't be helped since the original VHS quality was no better and probably the master print wasn't sharp. I don't regret getting the DVD since this is a great movie and my VHS is wearing out.

    5-0 out of 5 stars Nobody beats nobody ...
    You will not go wrong with this jewel. Even if you've never seen an Italian western, you will find this one addictive. The only bad thing about this movie is that there is no sequel. This one is the epitome of a spaghetti western. I've enjoyed it time and time again! I 100% agree with all the reviewers remarks on this one.

    5-0 out of 5 stars Incredible Scope
    In another review I mentioned this was the funniest Western, but to avoid losing votes on it I had to write another review to mention that the scope is amazing as well. Fans of movies like "How the West Was Won" and "Once Upon a Time in the West" will enjoy it as well. The realism of the movie sets and performances make you believe you are actually seeing this dramatic change in the West from watering hole and cowboys to ranchers and towns. The West is becoming civilized and Henry Fonda as Beauregard is the old ways and Terence Hill as Nobody is the new. I really wish I had pointed that out in my other review. This movie goes well beyond being just a great comedy. It is like he wrapped "The Magnificent Seven" with "Shrek". Sometimes incredibly dramatic, sometimes downright goofy, but always magnificent.

    5-0 out of 5 stars My Name is Nobody - Terence Hill & Henry Fonda
    One of my all time favorite comody Westerns! Lots of laughs and funny wit from Terrance Hill and an awesome performance from Henry Fonda. Even my teenage kids love this one!!! ... Read more

    9. The Good Old Boys
    Director: Tommy Lee Jones
    list price: $14.98
    (price subject to change: see help)
    Asin: 6303477143
    Catlog: Video
    Sales Rank: 1407
    Average Customer Review: 4.91 out of 5 stars
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    Reviews (11)

    5-0 out of 5 stars IN THE SPIRIT OF MONTE WALSH
    Tommy Lee Jones brings the Elmer Kelton western classic to life with The Good Old Boys. Like Monte Walsh, the story follows a tried and true cowboy's nostalgic efforts to hold on to the only life he knows. Even being roped down in order to help his brother keep his homestead and an appealing lady friend aren't enough to make Huey Calloway (Jones) settle down.

    A wonderful movie, The Good Old Boys features terrific performances by Jones, Sissy Spacek, Francis McDormand, Sam Shepard, Wilford Brimley and Matt Damon.

    A cameo performance by Larry Mahan, one of the greatest rodeo cowboys ever, adds some wonderful spice and authenticity,

    As Jones rides off into the sunset, like Tom Selleck in Monte Walsh, the hope and the dream that cowboys will continue to ride is very artfully expressed.

    Where in the heck is the DVD for this one?

    5-0 out of 5 stars A Bitter-Sweet Reunion with Inlaws and Outlaws
    My Love for Tommy Lees Jones talent is ever on the increase. One would have to understand that when this Super Star takes on a project, It will sparkle, and bring you too tears in all the right moments. The national reviews were shy to say the least concerning this great art. Way to go Tommy Lee. Now concerning the story; Huey, a good ol boy, Cowboy, Rake and rambler, Returns home. West Texas,after two years of seeing the country and raising hell the way cowboys of old do. He is not recieved by his two loving nephews as he had anticipated. All the reasons why are found in perhaps one of my favorite scenes of the movie/ Eve [Francis McDormond] and Huey [Tommy Lee] enguage in a most tender scene, in the bitter-sweet. Tommy Lee, Sissy Spacek, Matt Damon,Francis McDormand,Jimmy Don Cox,Wilford Brimley,Sam Shepard, All Deliver. Other great scenes make it all happen, This one approaches a real old Time Tear Jerker. Now one of my favorites. I rented,Now I Will Buy....

    5-0 out of 5 stars One of the best
    Tommy Lee Jones had the sense not to change anything about Elmer Kelton's great book. This is a simple story well told. The scene with the dog had me laughing so hard there were tears in my eyes.

    5-0 out of 5 stars Cow-boy to cowboy Movie
    As a born and raised cow puncher from Arizona I know for
    a fact that this is a well done true to life movie with rancher tommy Lee Jones playin' the part so real it purt neared is real! Im a head injured ( by a gate envolvin a cow) old boy now tryin to make livin makin saddles. this movie gets me
    a goin!

    5-0 out of 5 stars Tommy Lee Jones and Elmer Kelton - What a combination!
    TLJ does a superb job of both acting and directing. The entire cast is wonderful, but not enough credit is given to Elmer Kelton, a great western writer. What Sam Elliott has done with Louie L'Amour, TLJ does with Elmer Kelton. A story without diabolical killers, crazed lunatics, super heroes, terrible corporations, mass killings, ... and the other ingredients that are so common, these actors, directors, and writers have told a great story of the time of change in the west. A real story with heartache, humor, sweat, and tears, and have done it without vulgarity. Awesome!! ... Read more

    10. Return to Snowy River
    Director: Geoff Burrowes
    list price: $9.99
    our price: $9.99
    (price subject to change: see help)
    Asin: 6302481791
    Catlog: Video
    Sales Rank: 934
    Average Customer Review: 4.38 out of 5 stars
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    Australia's breathtaking Victoria Alps set the backdrop for this spectacular epic saga. Tom Burlinson and Sigrid Thornton, two of Australia's brightest film talents, star in a fast-paced, action-packed story of a stormy romance caught up in a violent feud between landowners. Acclaimed actor Brian Dennehy (LEGAL EAGLES, COCOON) gives a gripping performance as the powerful patriarch determined to keep them apart. Visually unforgettable and packed with rugged adventure and masterful stuntwork, RETURN TO SNOWY RIVER is a thrilling and memorable film! ... Read more

    Reviews (34)

    5-0 out of 5 stars The Man from Snowy River is Back!
    The man from Snowy River is back! After a few years trying to earn money to marry Jessica Harrison (Sigrid Thornton), Jim Craig (Tom Burlinson) returns to Snowy River. But he finds that a lot of things have changed. The succesful ranchers and bankers want to buy up all of the land of the beautiful Australian mountains where he was brought up. He also finds that Jessica's father, Harrison (Brian Dennehy) wants her to marry Alistair Patton (Nicholas Eadie), son of landowner Patton Sr. (Rhys McConnochie). With a sort of silent feud between the landowners and the mountain men going on, Jim and Jessica must decide if they're love is worth firing up the feud even worse.

    As most of the cases, I prefer the first movie to "Return to Snowy River" though I think they both deserve 5 stars. One of the reasons is I enjoy the first one more is that Kirk Douglas played Harrison in the first movie. Yes, Brian Dennehy was superb in that role, I still like Kirk Douglas.

    All right, to the fine parts of the movie. Beautiful and magnificent scenery of the Australian mountains! Excellent acting by all actors and actresses, the suspense, action, and adventure will keep you on the edge of your seats! And Tom Burlinson sure know how to ride when he performs some pretty cool stunts while riding horses. Especially the earlier part of the movie where he proves that he can certainly ride better than Nicholas Eadie who plays the part of the jealous bad guy for Jessica's affection.

    I recommend this movie along with the first movie, "The Man from Snowy River". These movies are classics and one of the family movies I watch at home. Can't be missed!

    5-0 out of 5 stars The Man from Snowy River is Back!
    The man from Snowy River is back! After a few years trying to earn money to marry Jessica Harrison (Sigrid Thornton), Jim Craig (Tom Burlinson) returns to Snowy River. But he finds that a lot of things have changed. The succesful ranchers and bankers want to buy up all of the land of the beautiful Australian mountains where he was brought up. He also finds that Jessica's father, Harrison (Brian Dennehy) wants her to marry Alistair Patton (Nicholas Eadie), son of landowner Patton Sr. (Rhys McConnochie). With a sort of silent feud between the landowners and the mountain men going on, Jim and Jessica must decide if they're love is worth firing up the feud even worse.

    As most of the cases, I prefer the first movie to "Return to Snowy River" though I think they both deserve 5 stars. One of the reasons is I enjoy the first one more is that Kirk Douglas played Harrison in the first movie. Yes, Brian Dennehy was superb in that role, I still like Kirk Douglas.

    All right, to the fine parts of the movie. Beautiful and magnificent scenery of the Australian mountains! Excellent acting by all actors and actresses, the suspense, action, and adventure will keep you on the edge of your seats! And Tom Burlinson sure know how to ride when he performs some pretty cool stunts while riding horses. Especially the earlier part of the movie where he proves that he can certainly ride better than Nicholas Eadie who plays the part of the jealous bad guy for Jessica's affection.

    I recommend this movie along with the first movie, "The Man from Snowy River". These movies are classics and one of the family movies I watch at home. Can't be missed!

    5-0 out of 5 stars The Snowy River Movies are awesome!!
    I've seen both 'The Man From Snowy River' and 'Return to Snowy River' and loved them both. They are wholesome movies to watch with a lot of action, but not violent. Whenever we had sleepovers these were the movies to watch. I definetly recommend watching 'The Man from Snowy River' first though. The scenery is beautiful, the cast is great, Kirk Douglas playing double roles is always good. The story line, and if you love horses this is a movie for you. It's a movie for all ages and both guys and girls. It's not a total 'chick flick' or a 'guys' movie.

    1-0 out of 5 stars Return to Snowy River
    THis move WAS very exciting BUT it was also a terrible one as at least ONE horse was REALLY killed in the filming. They tripped the little buckskin horse and he did not survive his tumble down the hill!

    2-0 out of 5 stars A Letdown
    Like many sequels, it disappoints. Tom Burlinson and Sigrid Thornton did nice work as the lovers Jim Craig and Jessica Harrison. Brian Dennehy stepped ably into the shoes of Kirk Douglas as Harrison. The scenery is glorious and the action and riding quite cool. Notable was Jim Craig's unique demonstration around the skill at arms course after meeting his new rival.

    So, what is the problem? It simply lacked the movie magic and spark and, perhaps, storyteller's art which made the "The Man from Snowy River" a success. I have watched "The Man from Snowy River" many times over many years, and still love it. I have watched "Return to Snowy River" perhaps twice. ... Read more

    11. Evil Roy Slade
    Director: Jerry Paris
    list price: $14.98
    (price subject to change: see help)
    Asin: 6305837562
    Catlog: Video
    Sales Rank: 2255
    Average Customer Review: 4.91 out of 5 stars
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    Reviews (22)

    5-0 out of 5 stars Funniest Movie Ever Made
    This cult classic has finally made it to video. Every western movie cliche is lampooned in this made for TV movie starring (among others) John Astin, Milton Berle, Mickey Rooney, and Dick Shawn-- with cameos by then unknown actors such as Ed Begley, Jr, Penny Marshall, Pat Morita, John Ritter, and Dom Deluise.

    Evil Roy Slade falls for Miss Betsy Palmer who tries to reform Slade, unsuccessfully. Slade even tries to change his name. "Evil John Ferguson? Nah. Evil Lee Rich, yeah, that's good, that's good."

    Dick Shawn plays the "Paladin" type character, Ding Bell, hired to put an end to Slade. Rumor has it his outfits were created by Liberace's personal wardrobe designer.

    Bing Bell likes to sing and play his guitar as he rides along to "keep my mind off the smell of the horse".

    The puns and one liners come so quick and often, that you will probably miss half of them the first time through. But that's OK because you will want to watch this film several times.

    This film is great fun for the whole family.

    5-0 out of 5 stars The Search Has Ended!
    I had been looking for a copy of this video for years. I had first viewed this movie while I was in high school and it was a movie made for TV. It is probably the funniest movie I have ever watched. When I watched it again, I was laughing so hard, I fell off the couch! My daughter enjoyed watching it, and so have all of the people who have watched it. I am now waiting for this to come out on DVD, so that I can buy another copy, in case my VHS doesn't get returned or simply wears out.

    This movie was made in a time when family-viewing films were more common. I would place it into the same category of many of the Disney films of the era.

    A gunfighter is attempting to reform himself for the love of his life. The Evil Roy Slade trys real, real hard to become a member of society. My favorite scenes are when he becomes a shoe salesman. People working with the buying public will understand his frustration with the customers.

    Again, a wonderful, funny look at life for the entire family.

    4-0 out of 5 stars Decent Western Parody
    Evil Roy Slade is a decent parody of Westerns. Evil Roy is literally a truly evil villain so much so that as a baby he was spurned by both Indians and wolves alike and wound up being raised by vultures.

    Evil Roy Slade ranks 4 out of 5 stars because while the movie is funny, it is also overly goofy and quite implausible overall. It is also predictable.

    5-0 out of 5 stars Jeez I have finally got a copy
    This film cannot be bought for love nor money over here in the U.K. So finally after something like 25 - 30 years of searching I have finally got a copy coming from the States(thankfully my VCR is NTSC compatable).
    I only have ever seen this film once when I was about 10 or 11 back in 72/ say it has stayed in my memory ever since says a lot about it!!! I thought it was the funniest film I had EVER seen (and still do), and though I never ever saw it again I was always scouring the TV listings .... the closest I got to seeing it for a second time was whilst holidaying in Canada..I saw it listed but we could'nt get the T.V. station!!!
    I have to agree with the other reviews at Amazon (I have read every one!!) and say this has to be the best comedy film ever made, and although I was only small when first watching it the film has stuck with me throughout my life. At last my friends who thought I was nuts will get to see it!!!
    Can't wait!!!!

    4-0 out of 5 stars stubby finger, tapping out your code......
    John Astin at his best. Mickey Rooney and Henry Gibson are a riot as well. even Milton Berle is memorable. Get it, grab a root beer, grab the kids and laugh together. ... Read more

    12. You Know My Name
    Director: John Kent Harrison
    list price: $14.95
    (price subject to change: see help)
    Asin: B00002E24S
    Catlog: Video
    Sales Rank: 7904
    Average Customer Review: 4 out of 5 stars
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    Cromwell, Oklahoma, 1924: an oil boomtown full of saloons, cathouses, mud-and-crude-oil streets, bootleg whisky, and gun-toting roughnecks. Technology had overpassed the Old West, in the form of Model T's and oil rigs, but the mentality had stayed much the same. Add to that a population that's a bit tweaky from a combination of cocaine and morphine that had been going around, and you have a recipe for trouble. Enter Marshall Bill Tilghman, a contemporary of Wyatt Earp. Tilghman had made a silent film, The Passing of the Oklahoma Outlaws, and on the strength of his reputation had been called into service as chief of police in the hopes of restoring order to a lawless community. In this fact-based story, Sam Elliott plays Tilghman, a larger-than-life character who was one of the last of a dying era. Many Prohibition agents became renegades in the '20s; Tilghman's nemesis was Wiley (Arliss Howard), a rogue agent strung out on drugs and dealing in bootleg liquor himself. Howard's performance is as overwrought as Elliott's is restrained; together the two offset each other well. The flinty Elliott brings a measure of warmth to his role, especially in his relationship to his wife and kids; he's perfectly cast as the man on the cusp of a new age. As a modern-era Western, You Know My Name rises well above its made-for-cable roots to stand as a good character study and action picture. --Jerry Renshaw ... Read more

    Reviews (6)

    5-0 out of 5 stars The Greatest of Us All
    This movie depicts the final days of my distant relative, Bill Tilghman. Tilghman enforced the law from the 1880's, as Marshal of Dodge City through the Indian Territory days in Oklahoma to statehood and Roaring '20s gangsters.
    At 70, he was about the only man left alive who had tamed a wild cowtown. The Governor called on him to bring law and order to Cromwell, the oiltown known as "the meanest town in Oklahoma." He did it, though did not live to see his work totally completed.
    Sam Elliott does a wonderful job of portraying this lawman who was better known in his day than the Wyatt Earps and such we are familiar with today. While a few cinematic prerogatives were taken, William Kent Harrison stayed pretty close to history and clearly did a lot of research. He beautifully depicts the wonderment of an old West lawman coping with gangsters in T-model Fords and ignoring the ethics that characterized even such desperadoes as Bill Doolin in the 1890's.
    Particularly interesting were the vignettes of Tilghman's 1915 movie, "The Passing of the Oklahoma Outlaws," which he and many of the people who were really there starred in.
    In the early 1900's, famed lawman Bat Masterson was asked about the old lawmen of the West. Without hesitation, he said "Tilghman was the greatest of us all."

    5-0 out of 5 stars Very Inspirational
    I loved the portrayal of a tough honest lawman who also showed a deep understanding of human nature. He was also a very warm family man. The way he handled the young man who wanted to become his assistant and how he became a role model for him while he was alive is interesting. I like certain westerns and this was a good one. I think Sam Elliott should have been aged a little was too obvious that a young man was wearing props to make him look much older. I recommend this feel-good movie for a general audience.

    5-0 out of 5 stars One of the Great Modern Westerns
    Sam Elliot is without a doubt the best modern western actor today. As with all his movies, he gives a stunning performance. While filled with a few historical flaws, it shows the general theme of Bill Tilghmans life. I admit that it would have been more interesting if they showed his earlier life and involvment with the likes of the Doolin gang. Some may say that is lacks a good plot, but the movie is a true story.

    3-0 out of 5 stars you know my name
    Most of the reviews of this movie say it has a lousy plot, what few critics probably realize,however, is that it is a true story (some liberties were taken of course.). I am Bill Tilghman's great-great granddaughter, and I had some problems with the story, too, mostly in what they chose to portray. I think that the early days of Bill Tilghman's life were much more interesting than the last few months. It's too bad they didn't focus more on the material in the "Passing of the Oklahoma Outlaws" movie that Bill made with his partner, Benny Kent. Unless the audience knows a lot about Bill Tilghman, they wouldn't understand the "flashback" sequences. I also think Sam Elliott was mis-cast ! I have spoken to many living old-timers that knew Bill - they say he was a very unassuming and quiet man. He wasn't a tough guy at all. Still, I was glad the movie was made - many people never read history unless they've seen the movie first !

    2-0 out of 5 stars Good cast, lousy script
    Sam Elliott's portrait of Marshal Tilghman is splendid as ever his performances as a westerner are. But the script is really lousy. After a thrilling start sequence and a surprising film-in-film-montage the film is lacking the necessary straightforwardness that, e.g., "Last Stand at Saber River" makes a 5-star-western. There's lot of talking and too little action. Best example: the scene when riding Tilghman is chased by a car with gangsters. The car simply crashes downward a hill. There's no thrilling tension in that sequence. The authors and director John Kent Harrison were not able to turn the conflict between old-fashioned lawman Tilghman and the modern, organised and law-protected crime into a entertaining duel. It's a pity: A lot of good ideas and a stunning Elliott performance wasted by uninspired filmmakers. ... Read more

    13. Centennial Vols 1-12
    list price: $99.98
    (price subject to change: see help)
    Asin: 0783215126
    Catlog: Video
    Sales Rank: 3653
    Average Customer Review: 4.95 out of 5 stars
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    A remarkably ambitious and engrossing project, this 1978 televisionminiseries ran 26-and-a-half hours, cost a then-enormous $25 million, and involved 4 directors, 5 cinematographers, and somewhere in the neighborhood of 100 speaking parts. Based on James Michener's panoramic bestseller about the settling of the American West--as reflected in the history of a fictionaltown called Centennial, Colorado--the story begins in the late 18th century and ends with a typical 20th century conflict over land usage.Centennial, however, largely concentrates on various memorablefrontiersmen, trappers, Indians, ranchers, cowboys, and farmers from longago. Richard Chamberlain shines as the pioneer Alexander McKeag, RobertConrad does some of his best work as French-Canadian Pasquinel, andperformances by Alex Karras, Chad Everett, Sally Kellerman, Raymond Burr,Richard Crenna, David Janssen, and Dennis Weaver effectively add to atapestry of adventure, tragedy, violence, and dubious Western progress.Produced at a time when TV networks were in the throes of acknowledgingAmerica's history of racial injustice, the program paints a starklyvillainous portrait of opportunists exploiting and destroying Indians in the name of manifest destiny. While the project's great length might make onewary of diving in, Centennial is the sort of carefully paced dramathat makes one care about the intertwined destinies of unique characters and how they illuminate America's past. --Tom Keogh ... Read more

    Reviews (55)

    5-0 out of 5 stars Magnificent epic equals magnificent story
    As a longtime fan of James Michener I have enjoyed many of his works but none of them has been so well represented on film as Centennial. The book was super but was erratically paced and jumped back and forth in history. The miniseries, however, is wonderful. The casting of the characters was right on in both the main and supporting roles. Robert Conrad gave his best performance as the complicated French trapper Pasquinel. Richard Chamberlain was the perfect Alexander McKeag and Gregory Harrison did a terrific job in his ability to cope with his character's aging from a inexperienced farm boy to a likable everyman to an aging hero. Michener's story explores the discovery of the west and shows us heroism and cowardice, greatness and pettiness and is a superb history lesson which everyone will enjoy. The series presents this story in the form of characters you will grow to like, admire, love, hate and remember. People I've watched the series with have shown deep emotion and cried through the depiction of the Indian massacre (actually the Sand Creek Massacre but renamed for the story). They came to admire Dennis Weaver as the cattle drive boss R.J. Poteet and the young cowboys he helped turn into men. You will see characters grow and change. You will identify with many and feel sad as they age and die. Throughout, however, you will be entertained and you will have a greater appreciation of the people who framed the American West.

    3-0 out of 5 stars Memorable, if overlong western epic
    The mammoth western epic "Centennial" has always deserved a storied place in television history.

    This ambitious effort, based on the James Michener novel of the same name, attempts to cover the history of the state of Colorado, from the days of the Native Americans to the political/environmental dealings of modern times. Clocking in at 24 hours, it's probably safe to say that rarely has so much effort been put into the television medium. Unfortunately, "Centennial" would have been better served to cut it's running time in half.

    The first five episodes of "Centennial," dealing with the settling of the American frontier and the eventual clash between pioneers and Native Americans, are some of the finest hours ever produced for television. This 1978 miniseries provides an early sympathetic view of the Native American, from the appealing chief Lame Beaver, played convincingly by Michael Ansara, to his daughter Clay Basket sympathetically played by Barbara Carrera. Throw into this mix the stormy relationship of trappers Pasquinel (Robert Conrad) and McKeag (Richard Chamberlain), and you have great drama on the untamed frontier. Their lives, and the rustic, changing world in which they live, makes for terrific historical fireworks.

    Of course, Conrad's performance as Pasquinel, a colorful and memorable character if ever there was one, is one of the finest of his erratic career. As soon as his character leaves the film, there is an emptiness to the drama which is never quite replaced. And this emptiness damages the overall memory of this western epic.

    Episode five, which details the disturbing true-life incident of the Sand Creek Massacre, in which hundreds of Native Americans were brutally murdered, is probably the last hurrah of "Centennial." The film soon switches gears to detail ranching life, farming struggles and the Depression. But the sense of wonder and awe seems to disappear, as the film wallows in a series of cliches (Brian Keith as the town sheriff is almost laughably bad) which resembles poor soap opera. The characters are not as multi-dimensional, and certainly not as inspiring.

    "Centennial" rebounds somewhat during the twelth and final episode in which the valid question is raised as to what type of industry is best for the state of Colorado -- living off the land as our ancestors did, or mining the countryside for its resources. David Janssen is superb as a ranch owner and descendent of Pasquinel. His brooding intensity practically washes away the bad taste left from the frustrating boredom of the previous four episodes.

    "Centennial" boasts one of the most extraordinary casts ever assembled for a motion picture. Almost too many to mention, some nods of respect must be given to Conrad, Chamberlain, Janssen, Chad Everett, Richard Crenna (in a particularly villainous role), Carrera, Lynn Redgrave, Gregory Harrison and Dennis Weaver (absolutely terrific as trail boss R.J. Poteet).

    Appropriate kudos must be given to the beautiful cinemaphotography and the exciting musical score of John Addison.

    "Centennial," essentially is a television history of the United States, from the early settlers to modern times. No stone is left unturned in this epic journey, and if the ambition was a bit more than these filmmakers could actually achieve given the restraints of the budget and the limitations of its marathon length, one can forgive these starry-eyed dreamers for losing steam during the final episodes.

    Based on the first five episodes (11 hours) alone, "Centennial" is one of the finest works in television history. As a whole, the film sputters to a three-star rating. But for patient viewers, there are many diamonds to discover in the rough, unforgiving land known as "Centennial."

    5-0 out of 5 stars PLEASE HURRY WITH THE DVD!!!!!
    THIS A REAL WINNER.........

    5-0 out of 5 stars DVD NOW PLEASE!! C'mon Universal!
    In my opinion the finest mini-series in the history of TV. Universal Home Video must give this the attention it so richly deserves!

    5-0 out of 5 stars Centennial
    This TV series was screened once in the UK on Sunday afternoons. It was an epic of it day. It was and is a must view program for all the family. Once you start watching you'll be hooked. The first 3/4s of the series are definately the better part. There is lots of lush scenery and a stronge flowing story with plenty of action.

    We seem to have been waiting for ever for it to come out on DVD anyone any idea who we can chase? The money is burning a hole in my pocket. Obviously this is based on the video ... Read more

    14. Last of the Dogmen
    Director: Tab Murphy
    list price: $9.94
    (price subject to change: see help)
    Asin: 6303951031
    Catlog: Video
    Sales Rank: 782
    Average Customer Review: 4.78 out of 5 stars
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    Despite an irritating, tacked-on voice-over narration that somebody must have thought was necessary to make sense of the story (it wasn't), Last of the Dogmen is actually a very moving and magical film. Tom Berenger plays a Montana bounty hunter who helps an anthropologist (Barbara Hershey) search for the descendants of a Cheyenne tribe who disappeared in the 1870s. What the two find in a remote mountain stretch is an entire community of Cheyenne who have kept themselves cut off from the modern world. A Dances with Wolves parallel emerges as the white outsiders gradually fit in, but Last of the Dogmen stands up just fine without comparison to any other films. As in Kevin Costner's Oscar-winning movie, however, there are ways in which this film captures a similar sense of yearning, mystery, and loss. --Tom Keogh ... Read more

    Reviews (68)

    5-0 out of 5 stars I loved this movie!
    This movie just sort of snuck up on me. I was having a bad day, and it was on TV, so I thought I'd give it a chance. And it turned out to be *just* the thing to pick me up from my doldrums.

    A very, VERY sweet movie that is interesting, gripping, has some mystery, romance, and is fine for the whole family. Highly recommended.

    Beautiful scenery (I always love beautiful scenery) and two wonderful main characters. Tom Berenger is a grumpy, reclusive and rather shy tracker who get sucked into a very unusual quest -- to find a lost Native American Tribe. He is wonderful in his roll -- he does "grumpy but lovable" better than most other actors I can think of.

    Barbara Hershey is fantastic too. Beautiful, brainy, capable, dedicated and a perfect compliment to Berenger's character. I really admired her in this film.

    I won't reveal too much of the plot here, but it is a delightful film, and I highly recommend it. Maybe a little on the longish side, but I wouldn't have it any other way. One of my favorite movies to date.

    5-0 out of 5 stars MAGICAL MOVIE
    I don't usually watch westerns but when my father told me about this movie, and I saw the awe that filled his eyes, I knew I had to watch it. I did and I was enchanted by everything about it. I loved the performances of Tom Berenger as the tormented Lewis Gates, Barbara Hershey as the bookish anthropologist Lillian and especially, Zip, the scrappy little bob-tailed dog that had so much personality! I also enjoyed Wilford Brimley's narration throughout the movie - it was entirely believable because he is so down to earth. The story is slightly implausible, bordering on fantasy - a bounty hunter and an anthropologist find a "lost" tribe of Cheyenne Indians living in an incredibly remote area of Montana. But the movie is so well done you find yourself wishing it were true. The actors who potrayed members of the lost tribe - especially the man who played Lone Wolf - were extremely authentic without being caricatures or stereotpyes. And the music - this movie wouldn't be as good without that marvelous music. And last but not least, the scenery. The mountains, the rivers where the escaped convicts and later Lewis run for fresh water - made me wonder if such a place really exists. This is a must-have movie best viewed when you are in need of hope and a reason to feel good about the world. And sometimes I wonder if Lillian and Lewis "lived happily ever after" with that lost tribe. I sure hope so!

    5-0 out of 5 stars Excellent
    I had purchased the VHS of this movie on a whim, thinking my husband would like it. He likes anything "Western". I found myself totally absorbed in this movie. The theme was different than I expected, but I was not disappointed. I would recommend viewing this movie to anyone with an interest in the West and its history. Tom Berenger is one of my favority actors, anyway.

    5-0 out of 5 stars Modern Day Western With A Century Old Feel
    This review refers to the HBO DVD edition of "Last Of The Dogmen"...

    "Last of the Dogmen" is a beautiful story that takes my breath away everytime I watch it. It's one of those films that even if you start out viewing it alone, pretty soon, you'll find the rest of the family gathered around simply because one glimpse of the scenery,one paragraph of the dialouge,one look at the story and it's got a hold on you.

    It's a modern Western, with all the romantic adventure of one that may take place 100 years ago. Lewis Gates(Tom Berenger) is a bounty hunter hired to track three deadly criminals who have escaped deep into the "Oxbow" of the Montana wilderness. As he follows their trail, he begins to uncover a 100 year old mystery. One of the clues is an arrow that could only have been used by a tribe of Cheyennes that existed over a century ago.
    He can't let go of what the possibilities may be and convinces the beautiful Dr Lillian Sloan(Barbara Hershey), expert in Native American culture, that there may be something incredible out there. Their search begins as they try to uncover the past, and what they find is a way of life too beautiful to be spoiled by modern day man and it is up to them to save it!

    It's just an incredibly beautiful film that interweaves the search for the past with Gates' own ghosts from his past. The friendships formed,the evolving romance, the cinematogrpahy, the musical score, and the heartwarming story all combined for a wonderful film.
    Even "Zip" the dog(played by "Zip"), will be tugging at your heart.Berenger and Hershey worked beautifully together, and Steve Reevis and other American Indian actors were not only wonderful but lent a great deal of realism and authenticity to the film...Bravo!

    The DVD presents a wonderful widescreen picture, taking in all the majesty of the Rockies. The DD5.1 is very good. The sounds of nature and the modern day sounds of helicopters and such, are quite a contrast to behold in surround sound.The DVD also has some nice features. It may be viewed with the sound in either the Theatrical version, or the Director version. Both are in DD5.1, and the main difference I found was that the Theatrical version has the captivating narration by Wilfred Brimley,and the Director's version does not. There is the option of Director(Tab Murphy) commentary, and it also provides subtitles in English, French and Spanish for those needing them.There are other features that include, cast bios and costume sketches as well.

    If you liked "Dances With Wolves", give this one a try. I can not say enough good things about it. If you have already seen it, you will enjoy it again on this DVD. It's for Western lovers, adventure lovers, romance lovers and anyone who just wants to get lost in a good story for a couple of hours.It is rated PG(there is some violence and mild langauge)

    Happy trails and enjoy.....Laurie

    5-0 out of 5 stars A neglected gem of a movie
    When this movie was released in 1995 alongside other competition, it flopped due in part to it's main idea, a movie about Indians. But it was never given a fair shot and by this review I hope to change that. The basic plot of the movie is very simple but very interesting. What if there was a lost pocket of Cheyenne in the wilderness of the Northwest? This question brings together two very well developed characters, Tom Berenger as a lonely tracker/bounty hunter with his sidekick dog Skip, and Barabara Hershey, a professor of Native American history. A relationship builds between the two and they are taken in by the native Americans. But, they leave a trail, and are followed by the local sheriff who hates Gates (Berenger's character) and would love to see him in the slammer. A lot of effort and thought was put into this movie, making it not only epic and romantic but also thought provoking and insightful into what we can and should do for the Native Americans. The question I mentioned above is asked later in the film, answered and ends with one of the most spectacular conclusions rivaling that of the Shawshank Redemption. The musical score by David Arnold who has worked on many films including the most recent James Bond movies, is very sweeping and majestic with a lot of romance. I loved this film and I would recommend it to pretty much anyone. ... Read more

    15. Red River
    Director: Howard Hawks
    list price: $9.94
    our price: $9.94
    (price subject to change: see help)
    Asin: 6304429754
    Catlog: Video
    Sales Rank: 272
    Average Customer Review: 4.66 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential video

    Talk about epic grandeur! This magnificently photographed account of the first cattle drive on the Chisholm Trail has everything you could ever want in a western: gunfights, stampedes, Indian attacks, hangings, betrayal, revenge, romance, glorious scenery, and a towering performance by John Wayne that prefigured his definitive portrayal of the bitter Ethan Edwards in John Ford's The Searchers eight years later. Tom Dunson (Wayne) adopts a young boy, Matt (brilliantly played as an adult by Montgomery Clift), whose family has been massacred by Indians. Years later, after Dunson has become a successful rancher, mentor and protege have an acrimonious falling out during a grueling cattle drive and go their separate ways, with Dunson vowing to kill Matt. Red River is a true classic and unquestionably one of the greatest westerns of all time. --Jim Emerson ... Read more

    Reviews (41)

    5-0 out of 5 stars THE cattle-drive movie
    Having weighed-in on _The Culpepper Cattle Company_, I have to genuflect at the altar of THE cattle-drive movie-- _Red River_.

    This film pre-dates _The Searchers_ by about eight years. The lead character, Tom Dunson, is a sort of prototype for Ethan Edwards. This is John Wayne without sentiment or schmaltz, until the final scene which differs from the story on which the film is based, and which jars a bit.

    That being said, _Red River_ still stands as the definitive cattle-drive movie. Wayne/Dunson builds an empire but then must head the herd north on a drive that simply _has_ to get through-- despite conflicts with nature, rustlers, Indians, and between Dunson and his men, including his adopted son, Matthew Garth.

    Wayne is cast against his own stereotype as Dunson and comes across as a hard and unlikeable character. Walter Brennan as his sidekick, Groot, nearly steals the show just as he did (again) in Hawk's _Rio Bravo_. Montgomery Clift does a passable job as Matthew Garth, but is outclassed by John Ireland as Cherry Valance, the gunfighter turned cowhand.

    The rest of the cast is outstanding. You need only look at the cast list to appreciate the fine ensemble company that Howard Hawks put together for this movie. This is also on of Dimitri Tiomkin's finest musical scores.

    Finally, I agree with Maltin on this point: beware edited and abridged copies of this film. Anything less than a 133 minute running time should not be bothered with.

    "Take `em to Missouri, Matt!"

    3-0 out of 5 stars A Flawed Western
    For an hour and 20 minutes or so, Red River is a great western (even with such embarrassing moments such as Wayne killing the Indian and discovering the bracelet he had given his girl, the stuttering cowboy who is killed in the stampede, etc.). It boasts a stunning Dimitri Tiomkin score, terrific B&W photography by Russell Harlan, a wonderful performance from Montgomery Clift, a powerful (if typically one-note) performance from John Wayne ... and then Joanne Dru enters the story and it basically falls apart from this point on. She is so completely incompetent that she manages to almost sink the film! Her dialogue is, admittedly, terrible (Hawks bragged that he wrote most of it!), but her line readings are so terrible that it just makes the awkward dialogue even more awkward. The ending is absurd, a complete build-up to a deadly collision and it ends up a rather weak fist-fight. Perhaps, had Wayne's performance included emotional shadings, the ending might have worked, but since he is so one-note hard and uncompromising throughout, not for one moment do I believe the final sequence. In the original Borden Chase novel, the character dies at the end. It should have happened here, also (same major flaw in Wayne's The Searchers, too). On top of which, the John Ireland character is built up as a major challenge to Montgomery Clift, but this is simply dropped halfway through. Indeed, the Ireland character is allowed to fizzle out. The auteur theory is what keeps critics from analysing this film from a more objective viewpoint. But it is very watchable and its strengths certainly outnumber its weaknesses.

    5-0 out of 5 stars Black and white sensation!
    John Wayne's Red River is one of the most exciting and classical westerns of our century. So, if somebody hates black and white, screw them, it's their problem. Don't even review the product, genius! Alongside The Searchers, this is one of the Duke's landmark films. Also, John Wayne was our ultimate hero, prevailing in every gunfight and every story. His acting AND his strength certainly prevail here. Also filled with action packed gunfights and suspenseful scenes. The ending is fine.
    The DVD transfer is nothing special, and somewhat grainy at times. MGM DVDS are not known to be the best DVD makers on the market. To shape up this classic western, expect a Criterion Collection re release and enjoy!

    5-0 out of 5 stars An American Treasure
    In the rich history of American film, this piece of work by Howard Hawks makes the short list. It has been used as a template for any filmmaker wishing to make a Western, and further, it is one of those rare pieces of culture by which a society defines itself. If you needed to demonstrate to a foreigner what the American character is all about, you could show them this movie.

    As a Western, it certainly has it all: cowboys killing Indians, men leaving women for the call of the trail, gunfights, stampedes, love, betrayal, and finally redemption. It is also gorgeously filmed, beautifully written, and well acted throughout. And finally, it stars John Wayne, an actor that towers over today's crop of male actors like an oak over weeping willows.

    This film also stars Montgomery Clift as the surrogate son that eventually challenges Wayne for control of the drive. In terms of acting styles, Clift and Wayne were about as different as two actors could be: Wayne seemed always to act on instinct and charisma, while Clift was one of the young Turks through the 40's and 50's, a proponent of a new style of acting - the method developed by Lee Strasburg (one can easily imagine Wayne giving his crooked sarcastic grin over the very idea of a "school" where young people learn acting). Yet, casting these two together works. By all reports, the two hated each other at the beginning of the production, but had developed an actor's respect for one another by the end of filming. Wayne, after watching Clift in one of his scenes, was quoted as saying something like "damn, that little queer sure can act."

    John Wayne, for his part, goes toe-to-toe with the new school of internal acting and more than holds his own. His portrayal of a powerful, unbending man who slowly descends into bitterness and hate is a real treat to watch. His performance was, to use a phrase Wayne would have hated, multi-layered and very, very skillful.

    Other performances to watch: the ever-faithful Walter Brennan, one of the greatest character actors of all time, is perfect as Wayne's partner/friend. It is in watching Brennan's reaction to Wayne's increasing dementia that we see how far off track he's gone. John Ireland also is a standout as Cherry Valance, the pistoleer, who is full of casual grace and menace. As if all the above wasn't enough, the great Harry Carey is onboard briefly as Mr. Melville, radiating authority.

    Every film lover should own this film and watch it at least once annually.

    Every American should treasure it as a source of national pride.

    One note: this is one film that simply demands a better DVD treatment. The picture and sound isn't bad, but it isn't widescreen, and there are absolutely no special features. C'mon, Criterion Collections, where are you? --Mykal

    4-0 out of 5 stars Mutiny on the plains
    Howard Hawks' 1948 RED RIVER is an ambitious, sprawling, epic western. It's on a number of top-100 lists, and it belongs there.
    The movie tells the story of cattle rancher Tom Dunson and the first drive along the fabled Chisholm Trail. It's based on Borden Chase's "The Chisholm Trail"
    The movie hits the ground running. Within the first five minutes there's a romantic leave taking, an indian attack and a burning wagon train. The romantic parting of Dunson (John Wayne) and his intended is a key incident in the development of this bitter and hard-driven character. Dunson and Groot Nadine (Walter Brennan), who left the wagon train with Dunson, are joined by a survivor of the massacre, Matt Garth - who, fourteen years later, will become the quick-drawing Montgomery Clift. The shocked boy is leading a cow, Dunson and Groot have a surviving bull, and with this bovine first couple they make for the open land south of the Red River.
    Fast forward 14 years and Dunson has 10,000 head of cattle and a depressed, post-Civil War southern economy that can't afford to buy them. They must drive them to Missouri and sell them to the more prosperous northerners or face ruin. During that drive Dunson descends to near insanity and Matt ascends as a moderating influence and, apparently, becomes the only one who can successfully lead the men and cattle to market. Without giving too much away, something happens on the drive that will drastically change Dunson's and Matt's relationship and jeopardize both of their lives.
    It's pretty heavy stuff, and John Wayne is rock solid great as the troubled Dunson. This is one of the greatest roles in the career of a sometimes under-rated actor. Montgomery Clift is fine in his screen debut.
    Walter Brennan's Groot is a marvel. That guy was such a good actor. Like all good sidekicks, and Brennan was the best, Groot is part court jester and part moral barometer. It helps that he plays most of the movie without his upper teeth in, too. Brennan was always better when his mouth was half empty.
    There are some images that will stick with you for a while. Thousands of cattle crossing the Red River, a midnight stampede with a couple of hair-raising rescues. And there's a neat little bit with an angry John Wayne striding down a long street crowded with cattle - Wayne doesn't break stride, of course, and the cattle move out of his way like a longhorn Red Sea parting for an angry Moses.
    For the most part the script is well written, and there's enough amusing scenes (usually including Brennan) to keep the whole thing from collapsing under it's own weight.
    For instance, when Dunson and Matt are deciding who's to go along on the drive, Dunson excludes Groot (bum leg.) Groot mutters to himself like a live-action Popeye while Dunson and Matt continue their conversation. A distracted and exasperated Dunson finally says:
    Dunson: What are you saying? I can't understand you. Where's your store teeth Matt bought you?
    Groot: They're in my pocket.
    Dunson: Well, why don't you use them?
    Groot: 'Cause they whistle. I use them for eating.

    Then there's the Joanne Dru character, Tess Millay. It doesn't help that her first appearance occurs in the third scene. One hour and forty-one minutes into the 2:20 movie, by my clock. My guess is the scriptwriters didn't want to clutter up the action with a romantic subplot until absolutely necessary. Fair enough, but it means that Millay's and Matt's romance has to be telescoped severely. Basically they meet, fall in love, and part in a day. It stretches an audience some. Worse, Dru as an actress simply wasn't right for the part.
    One of her character traits, as written, is to talk and keep on talking when something worries or frightens her. She does this to negligible effect. It's a role that seemed to have been custom written for Jean Arthur, who always could blabber on to good effect, who could always drop her voice down to a husky purr or have it emit an abrupt squeak for maximum dramatic effect. Unfortunately Arthur was nearly fifty when this movie was made, so I guess casting her as a romantic lead opposite the young Clift would have, uh, added an strange and unwelcome dimension to the movie. Dru, in one of her earliest roles, just doesn't have the chops to carry off the role convincingly. All things considered, I think this piece of miscasting is more Hawks' fault that anyone elses. Anyway, I shaved a point off because of it.
    I don't normally notice bad transfers, but there are a few dark night scenes in RED RIVER that look like someone lit a Fourth of July sparkler. And, less forgivable, my new factory-sealed-from-a-reputable-national-outlet retailer did NOT contain the advertised four page booklet. Finally, I've played the movie twice so far, and each time the start up menu screen doesn't appear until AFTER the movie is over. ... Read more

    16. The Frisco Kid
    Director: Robert Aldrich
    list price: $14.95
    (price subject to change: see help)
    Asin: 6302816408
    Catlog: Video
    Sales Rank: 687
    Average Customer Review: 4.83 out of 5 stars
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    Gene Wilder takes his most unusual role, a naive 19th-century rabbi sent from his native Poland to the fledgling Jewish community in San Francisco, in this warm-hearted comic adventure. The trusting soul is easy prey for the con men and criminals who prey on the immigrants arriving in the Philadelphia port and the rabbi, beaten but unbowed, continues his trek West solo: broke, underequipped, and hopelessly lost. Harrison Ford, fresh from Star Wars, is the roguish outlaw who adopts the determined traveler and the two become unlikely friends as they make their way through one scrape after another. Wilder makes a sincere and sympathetic hero, his faith and courage seeing him through one crisis after another, and fresh-faced Ford makes an endearing scamp of a bank robber. The meandering adventure, overlong at two hours, takes its time as the duo traverses the gorgeous American countryside and end up in the bustling Barbary Coast San Francisco of the Gold Rush era. Legendary hard-edged action director Robert Aldrich (Kiss Me Deadly, The Dirty Dozen) brings a gentle touch and easygoing humor to this family-oriented adventure, but old habits die hard. While staying within PG parameters, Aldrich adds a little grit to the Old West fistfights and gunfights. --Sean Axmaker ... Read more

    Reviews (30)

    4-0 out of 5 stars Long Lost Comedy Gem
    I am sure there are those of you out there that remember this comedy-western form the late 70's. For those of you that don't, I highly recommend this movie. Gene Wilder and Harrison Ford star as an unlikely pair traveling across America in the Old West. Gene Wilder plays a rabbi trying to get to San Francisco for his own wedding. On the way he is robbed by some two-bit thieves. He teams up with Harrison Ford and the two embark on a series of humorous mishaps as they try and get back the rabbi's stolen goods including his Torah. The movie really has some funny moments and even if you are not a big western fan this movie will leave you highly entertained. It will leave you with a "feel good" attitude when the end credits roll. The dance number with Gene Wilder and some Indians is absolutely classic. The movie is a must for Gene Wilder fans. I feel this is one of his best movies. Watch The Frisco Kid today!

    5-0 out of 5 stars My favorite buddy movie!
    I love "The Frisco Kid". It's very funny with Gene Wilder's endearing performance as the rabbi who is in way over his head and Harrison Ford doing a great job as the rabbi's very frustrated guide and protector. It's also a very moving story about friendship, faith, and loyalty. I can't say enough good things about it.

    5-0 out of 5 stars Frisco Kid
    I think this was a great movie (one of the greatest western flims) and should be made into a DVD.

    5-0 out of 5 stars Excellent
    I agree that this is a great movie.
    I'd like to mention, besides the good acting and directing, the wonderful work by the late composer Frank DeVol on this film.
    A pity that the theme was not released on any media.

    5-0 out of 5 stars The Frisco Kid
    I agree with the others, put "The Frisco Kid" on DVD already! ... Read more

    17. The Hanging Tree
    Director: Delmer Daves, Karl Malden
    list price: $19.99
    (price subject to change: see help)
    Asin: 6302751136
    Catlog: Video
    Sales Rank: 6752
    Average Customer Review: 5 out of 5 stars
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    Reviews (33)

    5-0 out of 5 stars The Hanging Tree
    This is one of my very favorite Gary Cooper movies. It is a western and beautifully photographed. A very good story, with great supporting roles. I have asked for this movie for several years now. I would rather not buy a used movie. Why is this movies not available to buy on DVD. I'm sure western lovers as well as Gary Cooper fans would love to be able to buy this movie. It's not even shown on television. It's been years. Please, please put in a word for me to whoever has the power to re-release this excellent film!!!

    5-0 out of 5 stars Why no response?
    Rather than add my identical comments to those already made relative to this outstanding movie, I'd like to know why there has been no response. What sets this movie apart from other great movies readily available to view on television or to buy? I, too, have been waiting a long, long time. When will we get an answer? Why hasn't Turner Movie Classics ever shown it? When will someone ever answer our questions? Why High Noon, for example, and not The Hanging Tree? Answer please!!!

    5-0 out of 5 stars fabulous movie
    I have wonderful memories of this movie. The Hanging Tree is up there with High Noon. Please will someone put this great western on D.V.D. Its a beautifully filmed picture and Carl Malden plays a wonerful villian.

    5-0 out of 5 stars A Must See Film
    I was first able to see this film on TV in 1990. I had heard about it for years, but had not seen it until then. After seeing it I had to have it for my personal collection. I tried to find the film on VHS. It was many years later that it was finally released to video. I recomend this film to any one who wants to see an excellent story, with excellent actors, excellent music, excellent film work and something worth keeping and to share with friends. A film that can be watched over and over. I hope it will be released to DVD soon. I believe that DVD allows everyone to see early films exactly as they were viewed in the theater when first shown.

    5-0 out of 5 stars Fantastic, under-appreciated movie
    I saw "The Hanging Tree" when it was first released, many years ago,and I was absolutely taken with the movie: the actors, the scenery, the story. The song. I heard Marty Robbins sing it (at my request) at a club about 6 years later. I have only seen the movie on TV once, and that was years ago. It should be on DVD. Wonderful movie. ... Read more

    18. The Three Godfathers
    Director: John Ford
    list price: $14.95
    our price: $13.99
    (price subject to change: see help)
    Asin: B00005A1VE
    Catlog: Video
    Sales Rank: 422
    Average Customer Review: 4.58 out of 5 stars
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    It's hardly shameful that The Three Godfathers ranks as the slightest John Ford Western in a five-year arc that includes My DarlingClementine, Fort Apache, She Wore a Yellow Ribbon, Wagon Master, and Rio Grande. The source, a Peter B. Kyne story both hard-bitten and sentimental, had already been filmed at least five times--once by Ford himself as Marked Men (1919). The star of that silent version, Harry Carey, had recently died. This remake is dedicated to him ("Bright Star of the early western sky") and proudly introduces his son, Harry Carey Jr. (who had already appeared in Howard Hawks's Red River--as did his father--but we won't quibble).

    Just before Christmas, three workaday outlaws (John Wayne, Pedro Armendáriz,Harry Carey Jr.) rob a bank in Welcome, Arizona, and flee into the desert.The canny town marshal (Ward Bond) moves swiftly to cut them off from the wells along their escape route, so they make for another, deep in the wasteland. There's no water waiting for them, but there is a woman (Mildred Natwick) on the verge of death--and also of giving birth. The three badmen accept her dying commission as godfathers to the newborn. Motley variants of the Three Wise Men, they strike out for the town of New Jerusalem with her Bible as roadmap. It becomes increasingly apparent that saving the child's life will cost them their own.

    Ford's is the softest retelling of the tale; in place of Kyne's bitter/triumphant final twist, he adds a very broad comic postlude. Elsewhere, the nearly sacramental treatment of the mother's death is followed by an extended gosh-almighty sequence of the banditos reading up on childcare. But it's all played with great gusto and tenderness--especially by Wayne, who's rarely been more appealing. Visually the film is one knockout shot after another. This was Ford's first Western in Technicolor, as well as his first collaboration with cinematographer Winton Hoch. What they do with sand ripples and shadows and long plumes of train smoke is rapturously beautiful. It's also often too arty by half, but who can blame them? --Richard T. Jameson ... Read more

    Reviews (12)

    5-0 out of 5 stars One of my favorite westerns!
    It's amazing how a simple idea can be so powerful if it's handled well. This film shows 3 men wanted by the law who promise a dying woman they will care for her baby. They are menaced by an unforgiving desert, indians, and a total ignorance of how to care for a baby. All of which provides fertile ground for some good humor and great character development. Wayne is tough as usual but shows loyalty, honor, and a tenderness with the baby that is truly touching. One of my favorite John Wayne films.

    5-0 out of 5 stars heroism, with sweet & tender sentiment
    There are many reasons not to miss this beautiful 1948 film: It's exquisitely directed by John Ford, The cinematography by Winton C. Hoch is remarkable, John Wayne is looking and performing at his absolute best, and my personal reason for owning this video, the wonderful Pedro Armendariz, who is magnificent in it.

    It's a sentimental tale of 3 bandidos with hearts of gold, completeing a promise they made to a dying woman to take care of her baby, and it's so well written and lovingly made that it never gets corny. This is good old fashioned entertainment, and entertaining it is, as these heroic good/bad men are chased by the sheriff and his posse across the desert, with a Bible as their map. John Ford made many inspirational films, and this is one of my favorites.

    4-0 out of 5 stars read and you will find out
    a good and a very good ending. some good acting by wayne. it is an underrated this one you will never forget it.

    5-0 out of 5 stars Heartwarming John Wayne / John Ford Classic!
    All the positive comments you read here about this film are true. This is a sleeper film in the Warner Brothers' MGM catalog that is way, way overdue on DVD.

    This classic western stars John Wayne, Pedro Armendariz, Harry Carey Jr and Ward Bond -- the usual John Ford suspects. Ford strikes a balance between action and sentimentality, directing this simple story in a straightforward fashion with a great sense of pace. It's really good fun. This is Ford's first color film and cinematography by Winton Hoch looks really rich and with enough sand to make you wish you had some lemonade.

    Maybe Warner's busily restoring this film to its original pristine 35mm real 1948 Technicolor glory and researching the vaults for behind-the-scences extras? Maybe they'll even toss in a pdf of the original story by Peter B. Kyne and the film script? It would be great if they included the original 1916 silent film with Harry Carry Sr.

    "3 Godfathers" is a natural for the Christmas season as it's a film the whole family can watch. Did I say it's way overdue on DVD?

    4-0 out of 5 stars Love Duke, love this movie
    I'm giving this four stars instead of five simply because five stars is reserved for true masterpieces - for films virtually without flaw. This film is flawed, but oh so wonderfully lovable. I won't bother to retell the plot, as others have already done a better job than I can, but I will just say what I love about it.

    The performances: Pedro Armendariz & Harry Carey Jr. are wonderful. I think of the scene where Pedro steels his resolve and heads into the tattered covered wagon to help deliver Mildred Natwick's child; his face reveals a wonderful mixture of dread, awe, responsibility, resolve, strength, determination... And John Wayne is at his irascible, lovable best - at turns impatient and scolding, tender and understanding - truly avuncular. He is clearly the leader of the group, and being 6'4" of John Wayne, he commands (and gets!) most of our attention, but never in a way that diminishes the other two men or moves them too far into the background. The relationship between the three characters is wonderfully drawn and complementary; obviously they all had great chemistry together.

    The story: The desert is a harsh and unforgiving place, but this film shows that even in the desert you can find redemption. Robert Hightower's soul is in a spiritual desert and it is for this reason that he must be the one to bring the baby to New Jerusalem. He has to find his own redemption and his own peace walking with God, which the other two men already seem to have. I know some may not share in the Christian faith that John Ford obviously had and thus may find the symbolism in this film heavy-handed, but I for one think it lent a great deal of emotional depth. Every soul is longing for something more, and for something greater than itself, and though I know little about Ford as a person, it seems to me that he knew this something more can only be found in Christ. There is so much more I could say about the symbolism in this film - the water, for example, that the men are constantly craving and aching for - think of the Samaritan woman at the well in the Bible and what Jesus tells her (John 4). This is a highly spiritual film!

    It is also at times highly comic. The funniest part, and one I could watch over and over again, is when the men are puzzling over what to do with their godson. Just the sight of John Wayne holding the tiny infant in his huge hands is downright sweet and endearing. Then the Kid pulls out Doc Meecham's book of baby advice, advice that prompts JW to say he wouldn't trust a "sick polecat" to the good doctor's care. One of the things the doctor suggests is rubbing the baby down with olive oil or clean lard. Pedro finds some axle grease, and the next thing we see is Wayne's huge hand dipping into the yellow grease and "greazing" the tiny baby's body, a sight that strikes the characters as funny as it strikes us. But it's much better seen than described so I will leave off. Suffice it to say that this is a highly enjoyable film that moves easily between sad & funny moments, and one I will be turning to often. ... Read more

    19. Ride the High Country
    Director: Sam Peckinpah
    list price: $19.99
    (price subject to change: see help)
    Asin: 6302032245
    Catlog: Video
    Sales Rank: 5225
    Average Customer Review: 4.67 out of 5 stars
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    Next to The Wild Bunch, this may be director Sam Peckinpah's best movie--all the more extraordinary because it was shot almost a decade before his big breakthrough. Peckinpah cannily cast two aging stars of cowboy films--Joel McCrea and Randolph Scott--in their only film together, playing a pair of over-the-hill cowboys who take a job guarding a gold shipment on its journey down from a mining camp. A reflective tale about two men past their prime, looking back on the paths their lives have taken and the choices they've made, it features a stirring finale and terrific performances by McCrea and Scott. It also features, in her first movie role, a very young Mariette Hartley. Look quickly and you'll see Warren Oates, James Drury, and L.Q. Jones. --Marshall Fine ... Read more

    Reviews (12)

    5-0 out of 5 stars Spectacular Western
    Joel McCrae stars as Steve Judd, an ageing lawman reduced to taking odd jobs in the rapidly civilizing west of the late 1890s. Taking a job transporting gold from a violent mining camp in the High Sierras, Judd hires two men to help in the job, one a friend(Randolph Scott) from law days gone by. The two assistants plot to steal the gold as soon as they are hired and the action gets thick from there. Vital to this movie is the display of Judd's moral code. Judd may be a man just barely hanging on, a supurfluous man in the New West, but he's kept his manly virtues- his strength of character, his wisdom, his courage, and his dignity. However humbled by his circumstances, Judd is a man worthy of emulation. He is a true hero. END

    5-0 out of 5 stars One of the very best...of all time
    When this film came out in 1962 I went with my Dad to see it at the movie theater. Its images, its words, its story have remained with me ever since....

    Sam Peckinpah's RIDE THE HIGH COUNTRY is one of the finest western adventures in cinematic history. Everything---the superb acting from old time veterans Randolph Scott and Joel McCrea, the crisp and pointed dialogue, the camera work (and film editing), and the never-overdone elegiac underlay of farewell and warning, not just about the "old west" of the motion pictures (of the 1930-1960 period), but about the reality of the American frontier and the American spirit--adds up to excellence.

    If two actors truly symbolized the Old West of public imagination, certainly those actors were Randy Scott and Joel McCrea. How fitting that RIDE THE HIGH COUNTRY should be their "so long, pardner" to the genre! In 1962 the classic Western was dying, the genre changing, just as America was changing. The spirit of American innocence and optimism was subtly being transformed--while we longed for the return of Randy Scott, Gene Autry, Hopalong Cassidy, and moral certainties, Vietnam would soon make us a nation of cynics and skeptics. Thus, RIDE THE HIGH COUNTRY is more than just a salute to two great Western actors and their farewell to that enduring American film creation the classic Western; RIDE THE HIGH COUNTRY tells us, through two of the most admired cowboy actors of all time, about ouselves, about changing American society, and presents us with a classic morality tale. Steve (McCrea)Judd's remarkable words to Gil (Scott) Westrum, when Westrum gently suggests they might skip out with the gold they are charged with transporting, says it all: "All I want to do is enter my house justifed." It was the classic, optimistic American dream that motivated the pioneers of the old West just as it did the pioneers of Virginia or Massachusetts, the foundation of our society "to enter our house justified," to make a just and fair life for ourselves in a new land. RIDE THE HIGH COUNTRY reminds us, this one last time, of our original national purpose, and shows us the pitfalls along the way--not just temptation but the "times" that threaten us.

    In the end Westrum (Scott) returns (repents of his deviation from the moral course) to Judd's rescue...and Judd's response is: "I knew you would [return] all the time." Perhaps it is indeed too late, for Judd dies, alone, in one of the most amazing scenes in all cinema. Does his fervent dream of a "house justified" die with him? Does the older America of undbounded optimism and a moral code disappear with his departure and the end of the western frontier---and the end of "old time" Westerns? Peckinpah does not answer, and we are left to ponder. But one thing IS certain...we are never the same after watcbing this marvelous film.

    5-0 out of 5 stars Peckinpah's Masterpiece
    After a lengthy apprenticeship in the theater and TV, this was Sam Peckinpah's second feature, and the only one that completely fulfilled his talents as a director. Joel McRea and Randolph Scott (finishing their sterling careers in a blaze of glory here) joust over right and wrong, money and honor in a parable about two men bringing a gold shipment from the mines to a bank. Ironically, they are brought to the brink of destruction not by greed but by the torments of young love, something of which they only have dim memories. Peckinpah, who was an accomplished TV scriptwriter, reportedly augmented N.B. Stone's original story with his own touches. The pacing and changes of mood, the action scenes, the great dialogue are all masterfully handled and speak of a very talented artist still more interested in his material than in himself. Sadly, this didn't last; Peckinpah's next feature, "Major Dundee", was a fiasco, and although he created many great moments in a dozen more films over the next 20 years, he never again pulled it all together over the course of an entire project. By the by, "Ride the High Country" is certainly worthy of DVD treatment.

    5-0 out of 5 stars Great in all respects.
    The opening scene of this movie fooled me. I thought the movie was going to be a Western comedy set in the city. I was wrong. The character interaction, dialog, and scenery are first rate. Even the soundtrack is stirring to the point that it moves your soul. The conversations between Joel McCrea and Randolph Scott reminded me of my own personal life. The ending is stirring. One of my favorite Westerns of all time.

    5-0 out of 5 stars Peckinpah directs McRae and Scott in this classic western
    MGM thought they were producing just another B-Wesern when director Sam Peckinpah made this 1962 movie, but "Ride in the High Country" turns out to be a classic of the genre. Aging ex-Marshall Steve Judd (Joel McRae) is hired to transport a load of gold from a mining camp to town. He hires his old friend, Gil Westrum (Randolph Scott) and a younger one, Heck Longtree (Ron Starr) to help him guard the gold. Westrum tries to convince Judd to steal the gold, but Judd refuses. They attend the wild wedding of Elsa (Mariette Hartley), who ends up running away with them, having fallen for young Heck. While the groom's family comes after Elsa, Westrum and Longtree try to steal the gold. Judd stops them and vows to bring them in for trial. But when the in-laws catch up with Judd, Westrum returns to help out his old friend in one last gun battle.

    "Ride the High Country" is about the death of the Old West. This film was supposed to be the last film for both Scott and McRae, although McRae changed his mind afterwards. Peckinpah presents a natural Western, in settings far removed from the Monument Valley splendor we associate with John Ford. Both the dialogue and the performances represent that realism as well. The final scene between Scott and McRae is as touching as any this side of "Shane." Of course, Peckinpah goes on to deal with the end of the Old West in a more different fashion in his classic "The Wild Bunch." But I really think this is the better Western once you get past all the bloody violence of the other one. ... Read more

    20. Calamity Jane
    Director: David Butler
    list price: $14.95
    (price subject to change: see help)
    Asin: 6300269566
    Catlog: Video
    Sales Rank: 4495
    Average Customer Review: 4.77 out of 5 stars
    US | Canada | United Kingdom | Germany | France | Japan essential video

    This 1953 musical is very much a vehicle for Doris Day, in the title role, as a wild cowgal who can outshoot and outsing any boy on the range. When an actress arrives in Deadwood and uses her feminine charms on Jane's secret love, Wild Bill Hickock (Howard Keel), Jane tries to mend her tomboy ways. Not exactly up to the feminist code of honor, this is still energetic and Day is very perky. Of course, one could almost detect a homosexual undercurrent with the cross-dressing Jane, but this was Hollywood in the 1950s, so we best not. This won an Oscar for Best Song--"Secret Love," by Sammy Fain and Paul Francis Webster. --Rochelle O'Gorman ... Read more

    Reviews (57)

    5-0 out of 5 stars How the Wild West was Sung!
    Doris Day is an absolutely fabulous Calamity Jane. I can't describe how wonderful this movie really is. I grew up watching Calamity spout insult after insult and enjoyed it, but now after many years I still love this movie. As an adult I can't help but fall completely into the love story and the beautiful songs but part of me still enjoys the fastest mouth in the west.
    Day plays opposite Howard Keel, probably one of the handsomest cowboys ever the set foot in the Golden Garter Saloon. Calam describes Wild Bill Hickok (Keel) as a seven year itch, but admits that's its awful fun scratchin'. Together Calam and Bill help to keep a would be actress from Chicago from getting herself killed, keep Deadwood's saloon from closing, and realize that underneath they really love one another. The musical numbers are staged perfectly and Doris Day sings song after song without hesitation and does it while wearing a deer skin suit. Howard Keel's rendition of "My Heart id Higher than a Hawk" makes me go weak at the knees, and the characters will dance right into your heart. A can't miss for either Keel or Day fans.

    4-0 out of 5 stars "Take Me Back To The Black Hills"
    Two years ago, I began to rent a musical whenever I went to the video store. I started with the ones that I had at least heard of and then moved on to others (the workes still think I deranged). "Calamity Jane" was my first meeting with Doris Day, and I fell in love with this actress. This movie, completely historically inaccurate, is wonderful. It has everything without the vulger lanuage or sex scenes of today's movies. My one problem with this movie is its attitude and treatment of women and minorities (the Dakota Indians). This movie, if taken only for fun, music, and with a grain of salt--is absolutley delightful. My favorite part of this movie is the music. As the one songs says, "Take Me Back To The Black Hills." --Becky, 17 yearold girl

    5-0 out of 5 stars Fun western musical!
    As tomboy Calamity Jane, Doris Day is entertaining and funny. In order to get noticed by leutenant GilMartin, Jane changes her deerskin leather for silk and high heels. Unfortunately for Jane, GilMartin has his eyes set on the newcomer actress Katie Brown. But all isn't lost for Jane because she manages to impress her handsome best pal Wild Bill Hickock (Howard Keel) with her new feminine look.
    Fun musical numbers and great chemistry between Day and Keel.

    5-0 out of 5 stars Just Blew In From The Best DorisDayest Movie In The West
    I watched this movie recently again and I love it so much. I love all doris day Movies and I own all 39/39 of her movies but I will have to say that this is my favorite out of all of her films. Doris Day was dynamite as Clamity Jane and Howard Keel was excelent as Wild Billy Hicock. This is a great movie it focuses around Calamitys lieing and 2-timing. And how even though she won't admit it the man she really loves is Wild Billy who has a crush on A Singing Sensation that Calam brings to town but at the end of the film Calam and Billy you guessed it they get themselves hitched. This movie also includes great songs from the old west like. Just Blew In From The Windy City. Secret Love. Black Hills. and a lot others. This movie is a movie you and your whole family will enjoy so buy or rent a copy tonight and share it with your whole family.

    4-0 out of 5 stars The Doris Day Show.
    Very much the star of the show, Doris Day carries "Calamity Jane" with all the perkiness and spark one could possibly imagine. Jane is more manly than most of the men in the show, and although one could read a lesbian subtext into the film, that was most likely not the intention of the writers or the star. Still, this is a fun, albeit slightly cornball western musical, and one of Day's greatest film roles. ... Read more

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