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Jim Jarmusch's 1991 ensemble comedy turns a gimmick into a revelation. The story begins in Los Angeles one evening at 7:07 p.m. A talent agent (Gena Rowlands) gets into the back of a taxi driven by a sullen, chain-smoking young woman (Winona Ryder), and over the course of their bumpy conversation, Rowlands's character becomes convinced that the cabby would be perfect for a particular part in a movie. Meanwhile, at that very moment, taxi drivers in New York, Paris, Rome, and Helsinki are all having unique encounters with a variety of fares, breaking through that invisible social barrier between the front and back seats of their cars, often to absurd or touching effect. Among them are cabby Roberto Benigni's ranting confessions to a priest, Armin Mueller-Stahl's relinquishing of the wheel to a stunned Giancarlo Esposito, and Isaach De Bankolé's relentless discussion of sight and sex with an angry, blind woman (Beatrice Dalle). What emerges is a chain of brief intimacies (not always welcomed by the characters), like a number of matches lit simultaneously across the globe, flickering brightly for a few short moments. This popular work by Jarmusch helped confirm his reputation as a fiercely independent filmmaker of rare perception, rigor, and classical sensibility matched with original thinking. --Tom Keogh ... Read more

Reviews (30)

OFFBEAT, POIGNANT FIVE-STORY COMEDY
Tom Waits' music helps establish the mood of the streets in cities, empty of its day people. Seemingly, the minds of Jim Jarmusch's night people are affected by all of the dreams and nightmares surrounding them. NIGHT ON EARTH creates a lonely, romantic mood similar to Jarmusch's "Mystery Train," a film about wanderers in nighttime Memphis.

NIGHT ON EARTH presents us with slices of life in five cities played out by taxi drivers and their passengers at twilight through dawn. A Los Angeles casting agent (Gena Rowlands) tries convincing a tough young female cabbie (Winona Ryder) that she should have a career in the movies. In New York, a black passenger (Giancarlo Esposito) is convinced his driver (Armin Mueller-Stahl), who had just immigrated from Germany, will never find Brooklyn without help. In Paris, a taxi driver from the Ivory Coast throws out two tipsy African diplomats from his cab, then picks up a self-assured, tough and sexy young blind woman. In Rome, a cabbie (Roberto Benigni) burdens an aging priest by "confessing" his sexual perversions; causing the priest to have a heart attack in the back seat. Problem: what to do with the dead priest? Meanwhile in Helsinki, an icy snow covered winter dawn surrounds three drunken passengers as their driver decides who has the most tragic story to tell.

The film opens somewhere in space, zooming in on LAX airport in Los Angeles at exactly 7:07 PM. Jarmusch is mainly concerned with character; with relationships that form. For example, he throws together in a taxi a tattooed, gum-chewing, chain-smoking young cabdriver played to the hilt by Ryder, and the elegant Hollywood casting executive Rowlands who decides she'll cast her for a movie. But Ryder character announces, "I've got my life all mapped out," hoping to work her way up to mechanic. "There must be lotsa girls who want to be in the movies. Not me," she instructs the presumptuous and bemused talent scout. Nice!

Moving from Los Angeles, Jarmusch creates a global feeling of kinship. As the film progresses eastward around the world, we will hear Spanish, German, French, Italian, Finnish and even a little Latin. The film's literal and figurative vehicle remains the same: the inside of a taxi moving through a the empty streets of a great city in the middle of the night. Maybe the New York segment is the funniest. Mueller-Stahl's German cab driver lets passenger Esposito, who insists on driving himself home to Brooklyn to admireingly do so. On the way, they encounter anmd pick up Esposito's foul-mouthed sister in law, Rosie Perez as the shrill counterpoint voice from the back seat. Each man (the German named Helmut and the cool black guy who is Yo-Yo) argues that the other one has a rediculous name.

In Paris an Ivory Coast, African taxi driver gets up the nerve to ask his blind young woman passenger what sex is like for her: what's it like to make love with someone she can't see? Then he asks her what she thinks about colors. Without a hint of self consciousness, she abruptly responds that she knows more about colors and sex than he ever will! "I can do everything you can do," she assertively answers and announces that her entire being is involved in whatever she does. Retorts the skeptical cab driver, "Can you drive?" She shoots back, "Can you?!"

Jim Jarmouch offers us offbeat comedy and pathos at their best.

A true unsung classic
Night On Earth is often described as a "slice of life", but it is more accurate to call it a slice of time, cinema temporal rather than cinema verite. Unlike the new novel, in which the timeline of a story is chopped up like a piece of film and re-spliced out of order, Jarmusch's little masterpiece pulls apart five simltaneous events which take place in different time zones and presents them sequentially. The new novel technique gives the impression that ordered time is merely a psychic convention, that life is ultimately fragmented...by allowing us to experience five simultaneous taxi rides, from 7 pm in Los Angele to 5 AM in Helsinki, Jarmusch shows us the unity, rather than disconinutity, of life across time. It is a bit like what I imagine the astronauts felt in viewing the Earth from the Moon.

I find Night on Earth to be a tremendously comforting and human film...it is five small vignettes, each describing it's own particular emotional, as well as temporal, moment. Winona Ryder's turn as a gum snapping chain smoking tomboy taxi driver to Gena Rowland's high powered call-phone addicted Hollywood agent is priceless.. Roberto Benigni delivers one of the most hilarious comic performances of a legendary career in his portrayal of a chronically self-narrating lunatic careening through the deserted streets of Rome. Despite the differing feeling-tones of each story, a tender shared sense of the commoness of experience, what Latinos would call "sympatico", prevails. This movie is a masterpiece of the best sort of non-cloying sentiment.

See the film...

fun flick
Watch this one with friends. The Italian part had me laughing so hard I hurt.

Oh. My. God.
If you haven't seen this 1991 classic comedy, see it now.
The premise is that we follow events during one night in taxis in several places around the world: New York, LA, Paris, Rome, and Helsinki. The best, by far, the one I always think of first when someone mentions this incredibly funny and touching film, is the one set in Rome with Roberto Benigni as the taxi driver. He gives this rambling monologue sort of a confession about lambs and pumpkins and sex that you HAVE to see the movie to appreciate. There's a priest in the back seat getting more and more 'cardiac challenged' by the specific nature of this confession. It's a marvelous set piece, and I always rewind and watch that sequence at least 2-3 more times. It is just as funny on the 3rd viewing as it was on the first.
Top notch.

A Great Night on Earth
I watched this film late at night, when every sane person is supposed to be asleep, out of their cars and in their beds. Life still goes on, however, for the taxi-drivers who move people from one quiet location to another in the wee hours of the night. The locations are quiet, but the people are not, and the dialogue in this movie is humorous, meaningful, and real. A temporary bond is formed between passenger and driver (sometimes the roles are even reversed, as in the New York vignette featuring Helmut Grokenberger and YoYo, played by Armin Mueller-Stahl and Giancarlo Esposito, respectively). Armin Mueller-Stahl, born in 1930, may be relatively unknown to American audiences (as opposed to, say, Rosie Perez), but he did play Vertikoff in the George Clooney flick "The Peacemaker" (1997). Who is the stranger at the wheel who is responsible for bringing one home? What kind of person drives late at night, waiting for the dispatcher's call to a new address? A passenger has to pay him or her at the end of the ride, but there is still a feeling of gratitude, and even affection, towards this gruff conveyor of souls. "You're a good man, Mika," the half-drunk, initially hostile, Finnish workers tell their driver (played by Matti Pellonpää) at the end of their journey. Or a battle of wits takes place, as evidenced by the Paris vignette. Ivorian actor Isaach De Bankolé (who also appears in Jim Jarmusch's "Coffee and Cigarettes") is great here as a luckless "taxiste" whose prying questions are turned against him by his blind passenger (played by Béatrice Dalle). Roberto Benigni is of course hilarious, and does here what he does best: rapid, hilarious dialogue with a lot of gesticulation and wide grins. He and the actor who plays the priest (not a bishop), Paolo Bonacelli, have been co-stars before: on the Benigni vehicle "Johnny Stecchino."
I am really looking forward to the time when "Night on Earth" is made available on DVD. ... Read more

Amazon.com

This somewhat unpleasant 1992 sequel to the blockbuster Home Alone revisits the first film's gimmick by stranding Macaulay Culkin's character in New York City while his family ends up somewhere else. Again, the little guy meets up with colorful people on the margins of society (including a pigeon woman played by Brenda Fricker) and again he gets into a prop-heavy battle with Joe Pesci and Daniel Stern. The latter sequence is even worse than the first film in terms of violence inflicted on the two villains (director Chris Columbus, who also made the first film, can't seem to emphasize the slapstick over the graphic effects of the fight). The best running joke finds a concierge (Tim Curry) at the swank hotel where Culkin is staying trying and failing to prove that the boy is on his own. --Tom Keogh ... Read more

Reviews (60)

You guys give up? Have you had enough pain? "Nevahhhhhh!"
What kind of idiots do you have working here?
"The finest in New York."
- This is just an idea of the great writing & acting in Home Alone 2:Lost In New York. This is the second of 4 movies by Chris Columbus. Lil' Kevin McCallister gets caught up in more trouble again in this sequel to Home Alone.
Home Alone 2:Lost in New York starts with the Christmas Pageant where young Kevin manages to get himself in a bit of bother with Buzz who manages to make Kevin look like a laughing stock in front of many parents. Buzz then makes a very phony,but convincing apology to the family who accept it (as idiots).As he brings this apology to an end,he calls Kevin a "troutsniffer". The acting in this film is pure brilliance,especially the parts of the two "Wet Bandits" played by Joe Pesci & Daniel Stern.This film is such a hilarious film especially with great actors such as Joe Pesci,Daniel Stern,Catherine O'Hara,Tim Curry,Rob Schneider & not forgetting the fine young actor Macaulay Culkin. If you like Home Alone 2:Lost in New York then you are bound to love Home Alone.Although Home Alone 3 & 4 are not worth seeing as they are not the originals with Macaulay Culkin & the original Bandits

"He's Done it Again"
this is the best movie ever! if you liked the first one then you will definetly love this one no matter what! Little Kevin has done it again-he's all by himself again but this time in New York around christmas time. at first he is really happy that he is in new york without his family who are in Florida (where there is no christmas trees)after getting in a fight with his older brother (Buzz) and then in a fight with the rest of his family. But he soon learns that he wants his family to be with him after reuniting with the wet bandits (Marv and Harry). But on the way he gets in trouble with the Plaza hotel (New Yorks most exciting hotel)and he saves DUNCANS TOY CHEST from being robbed. and he also meets a couple of friends that at first scared him.on christmas eve his mom finally finds him at rockafella center and the family is all together. this is by far my favorite movie because (1) it takes place in New York (2)it takes place during christmas time and (3) the story is great!

Kevin McAllister Strikes Again!!!
This movie is too FUNNY!!!I love the Second Home Alone Movie as much as I like the 1st one.My favorite part the movie when Kevin sets up those Boob Traps for the 2 Burglars.And gets the wrong that goes to New York & Kevin gets sparated from his family again.This movie is the best,I gotta get this movie!!!

A brilliant sequel
Ok, so Home Alone 2 is very similar to Home Alone, but that's what's so brilliant about it. I think that the this film is better than the original, mainly because of the superb addition other characters make to the movie. Tim Curry is brilliant in this.

So yeah, if you like Home Alone, you'll love Home Alone 2. It rocks!

Best Movie EVER!!
This is the best movie of all time!!! Although the first one was EXCELLENT, this one is a little better. When Kevin gets separated from his family, he winds up in New York City, where he gets into some mischeif. BEST MOVIE EVER!!! I recommend this movie for everyone! Macaulay, YOU ROCK!!! ... Read more

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By now, Tom Hanks and Meg Ryan have amassed such a fund of goodwill with moviegoers that any new onscreen pairing brings nearly reflexive smiles.In You've Got Mail, the quintessential boy and girl next door repeat the tentative romantic crescendo that made Sleepless in Seattle, writer-director Nora Ephron's previous excursion with the duo, a massive hit. The prospective couple do actually meet face to face early on, but Mail otherwise repeats the earlier feature's gentle, extended tease of saving its romantic resolution until the final, gauzy shot.

The underlying narrative is an even more old-fashioned romantic pas de deux that is casually hooked to a newfangled device.The script, cowritten by the director and her sister Delia Ephron, updates and relocates the Ernst Lubitsch classic The Shop Around the Corner to contemporary Manhattan, where Joe Fox (Hanks) is a cheerfully rapacious merchant whose chain of book superstores is gobbling up smaller, more specialized shops such as the children's bookstore owned by Kathleen Kelly (Ryan).Their lives run in close parallel in the same idealized neighborhood, yet they first meet anonymously, online, where they gradually nurture a warm, even intimate correspondence. As they begin to wonder whether this e-mail flirtation might lead them to be soul mates, however, they meet and clash over their colliding business fortunes.

It's no small testament to the two stars that we wind up liking and caring about them despite the inevitable (and highly manipulative) arc of the plot. Although their chemistry transcended the consciously improbable romantic premise of Sleepless, enabling director Ephron to attain a kind of amorous soufflé, this time around there's a slow leak that considerably deflates the affair. Less credulous viewers will challenge Joe's logic in prolonging the concealment of his online identity from Kathleen, and may shake their heads at Ephron's reinvention ofManhattan as a spotless, sun-dappled wonderland where everybody lives in million-dollar apartments and color coordinates their wardrobes for cocktail parties. --Sam Sutherland ... Read more

Reviews (480)

Caviar Garnish
This is the second remake of "The Shop Around the Corner". The first was Technicolor musical called "In the Good Old Summertime" which starred Judy Garland. References to Miss Garland's most famous film "The Wizard of Oz" abound in "You've Got Mail" (Meg Ryan hanging ruby slippers on a Christmas tree and reading the book "The Scarecrow of Oz" while ill, the song "Over the Rainbow" being sampled throughout and sung in its entirety at the end, etc.) In addition to reminding me of the two previous versions, I was also reminded of "Pillow Talk". In "Pillow Talk", Doris Day and Rock Hudson, who hate each other, fall in love over a party line without either realizing who the other is. Here, it's Meg Ryan and Tom Hanks falling in love over the Internet. The plot is lightweight and predictable, but the performances more than make up for that. Dabney Coleman, Jean Stapleton, Greg Kinnear, and indie-queen Parker Posey are all brilliant, and although neither of the leading rolls are much of a stretch for Hanks or Ryan, they are at least likeable and have more than enough star power to make this picture work. The script is light and funny, and this film is sure to please if you don't ask it to be more than it is.

The best romantic flick I've ever experienced.
There are a couple of things this film has going for it. First is the chemistry between the on-screen characters. There's a reason Hanks and Ryan were casted for this flick- it's because audiences (including myself) like to see the sparks between these two people. They were a great team in Sleepless in Seattle, and it's pretty obvious the 'magic' is still there.

The soundtrack to this movie is absolutely incredible. Harry Nilsson is perfect (the puppy song, over the rainbow), and the rest of the songs fit so well with the mood of the movie at all times. Sinead O'Conner's addition (I think it's called the lord must live in NY city) adds to the mood I talk about later, and Carol King's Anyone At All is one of the best romantic songs I've ever heard/played.

The mood to the movie is always incredibly upbeat- which is strange- most movies have their lulls or depressing moments. This movie, however, never gets itself in that rut. It's always very very cheery and bright. Although some may hate that, I can do nothing but appreciate the change of style. Everytime I watch You've Got Mail, I just think, "I WANT TO GO TO NEW YORK!!!"

Overall, the movie just makes you feel good. It's one of my favorite movies, and is certainly my most favorite romantic film. Even techies won't get annoyed, because thank goodness the focus isn't aol or anything of that matter.

Bouquets of sharpened pencils, indeed
Here's the main and completely irrelevant reason to love this movie: New York City in the fall. Honestly, it should have no bearing whatsoever on the plot, but it does -- and it's impossible not to fall in love with the bright, sunshiny, orange-leaved sheer beauty of the city encapsulated in this movie. Without even resorting to shots of Central Park in all its glory (and really, who can resist that?), "You've Got Mail" takes you on a lovely scenic tour of the Upper West Side, Starbucks and all. Who can resist the street fairs, the parks, the stores, the dock? It's picture-perfect, and if it's a bit surreal, I won't admit it: New York really is rather lovely in the fall.

Aside from making me want to run away to the Big Apple and work in the children's section at Fox Books, "You've Got Mail" also features Meg Ryan at her most adorable ("Aren't daisies just the friendliest flower?"), Tom Hanks at his most charming, and a terrific supporting cast (Greg Kinnear and those typewriters!). The story, a modernized little "remake" of "The Shop Around The Corner", is more fairy tale than realism -- two people fall in love over email, in war in real life, and however can such a thing be solved -- but it's an enchanting story nonetheless. In a time when romance on the web seems all-too-seedy and in reality, sometimes frankly dangerous, this little tale of two people sharing their most intimate thoughts long before they share a single glance is like a breath of fresh air. Sure, the technology's a little faded, but the magic's still there.

I know, I know...
I know what you're thinking. Tom Hanks, Meg Ryan, Greg Kinnear. You think you're too good for this movie, don't you? It's the sappiest, dumpiest little half-a-flick ever reared by Nora Ephron. Romantic comedies suck. Do I paint a correct picture, or do I exagerate? Well I think you're just cinematically jaded.

Yeah, that's right! I said it!

A lifetime of Vietnam movies and tragic love stories has left you too cynical to enjoy a simple romance between two adults. Teenagers getting into car crashes, mothers being diagnosed with breast cancer, murderers who you like despite the fact that they're pure evil. These are the cinematic icons that appeal to you, yes? Well what about hard-edged bookstore manager and idealistic bookshop owner? What about oddly-principled boyfriend who owns two identical typewriters? What about...uh...Jean Stapleton? She was funny, right?

Look, the point is it doesn't suck and don't judge it just because it's a Hanks/Ryan romantic comedy on par with "Sleepless In Seattle" (Which was a good one too, by the way).

Although, I still prefer the original "Shop Around the Corner" with Jimmy "Not Bow-Legged" Stewart.

Clever!
This is an excellent updated version of "The Little Shop Around The Corner" with anonymous penpals using email instead of the letters used in the original with Jimmy Stewart and Margaret Sullivan. Meg Ryan and Tom Hanks,as always,make a great team. ... Read more

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Tom Hanks was a relatively unknown TV actor with a sitcom as his biggest credit when relatively unknown director Ron Howard (best known for his own sitcom acting) cast him in this surprise hit. It made stars of Hanks, Daryl Hannah, and John Candy and an A-list director out of Howard. Hannah is a mermaid who comes to Manhattan in search of Hanks, the guy she has twice saved from drowning. Hanks runs a business with his lovable blowhard brother (Candy), whose goal in life is to have a letter published in Penthouse. When this perfect woman shows up, Hanks can't believe his luck and plunges into a dizzyingly romantic relationship, unaware of her sea-water secret. But the mermaid needs to soak and unfurl her tail from time to time, which leads to complications, including her capture by the government for scientific study (what else?). Hanks is winningly charming and Hannah is a perfect match in this enjoyably high-spirited comedy, though the biggest laughs belong to Candy. --Marshall Fine ... Read more

Reviews (36)

A movie that made a big splash
"Splash" was a big hit when it first hit the screens back in the 80's and it's still fairly popular today. A man (Tom Hanks) that has been waiting to find the right woman for a long time finally finds her. But there's one problem that he doesn't understand until he really gets to know her, she's a mermaid (Daryl Hannah). How will a man and a mermaid work it out and stay together?

"Splash" is a real entertaining movie and it's not all drama. It tells a story of true love and it does have a lot of drama in it, but it also has a little bit of comedy to it in some parts, and most of that is credit to one of the best comedy actors ever, John Candy, who plays as Tom Hanks's brother. If you like good movies, I definitely recommend getting "Splash." It's bound to make a big splash while you watch it.

One Of My All Time Favourite Comedys!
I will never forget the first time I saw the movie "Splash". It was in California 6 years ago and I watched the tape with my cousin. I thought it was so creative and the acting was so good. It was also a very humorous and did have a few sad parts in it, but all in all, I still liked it and watched it as many times as I could on TV because it was on alot. I then ended up buying my own copy. Ok, enough about me, let me tell you a bit about the storyline

Tom Hanks plays Allen Bauer, a single bachelor who is looking for a love. After a boating accident, he is rescued by a mermaid (Daryl Hannah) and falls in love with her and names her Madison. For he thinks she is a normal, everyday American woman, he has no clue he is dating a mermaid who has 6 days to have legs and not fins!!! Of course this film has lots and lots of surprises, it never tires me out when I watch it!

What a film! No wonder why it is a classic! Rated PG for Language.

SWEET, FUNNY, ROMANTIC, ORIGINAL, WHAT ELSE CAN YOU ASK FOR?
Usually when I hear "an 80's comedy" I really hear "a silly, gross, stupid comedy"...but not this time my friends, because "Splash" is one of the funniest films of the 1980s. You see, it really has it all: funny jokes, tender moments, romance, an intelligent script, and a very charismatic cast.

In "Splash" we can see a very young Tom Hanks (in his comedic period), a promising Darryl Hannah (she didn't quite reach stardom, but in this movie she is great), a hilarious John Candy (in one of his finest and funniest performances), and Eugene Levy, he plays a wacky and clueless scientist.

"Splash" is a movie that effectively combines comedy with romance and fantasy, perhaps the movie succeeded so well because the people involved in the film were youthful and energetic, and they put their hearts in the making of "Splash". This movie is highly recommendable.

Hilarious romantic comedy
I just watched Splash over the weekend on video, for the umpteenth time and I have to say is one of my all time favourite comedies. It still has me laughing out loud and makes me want to weep over the romantic scenes.

A young Tom Hanks plays Allen Bauer, a fruit wholesaler who has just been dumped by his girlfriend. He goes off to Cape Cod one evening after getting drunk and is rescued by a naked beautiful girl (Daryl Hannah) when he falls into the sea. The naked beautiful girl later arrives in New York at the Statue of Liberty in search of Allen whom she also saved from drowning many years ago when they were children. Allen immediately falls for her and spends the happiest days of his life steaming up his appartment and seeing the sights of New York. The only problem is the naked beautiful girl (now named Madison) is in fact a mermaid but Allen doesn't know this.

She has six whole days to stay with Allen and then she must return to the sea. Allen thinks that Madison is an illegal immigrant and offers to marry her so that she can stay with him. She refuses at first and then accepts his offer but before she can tell him her big secret she is exposed to the whole world by a scientist (Eugene Levy) that she is a mermaid. Allen is shocked and backs away from Madison but later realises his mistake and with his brother (John Candy) and the help of Eugene Levy they save her from imprisonment by the scientists.

John Candy who plays Allen's playboy brother is absolutely hilarious. His character is literally larger than life. The comic timing between Tom Hanks and John Candy is spot on. Daryl Hannah is also great as the mermaid who learns to be human in literally a few days. There are some brilliant laugh out loud scenes such as when Daryl Hannah is at Bloomingdales watching television for 6 hours to educate herself in the English language and when she's in a restaurant eating lobster including the shell. There are some great lines aswell such as when Allen mentions about getting married and having children and Madison innocently asks what kind.

Splash is a timeless comedy and is highly recommended to all those who love a bit of romance along with a good laugh.

Lealing

A "Slash" of a Romantic Comedy!
Here's a true piece of Hollywood Candy, a sweet as they come! An 8-year old boy falls off of a tour boat at Cape Cod and is saved from drowning by what appears to be a little girl mermaid. The boy never forgets about what happened that day, although everyone insists he was hallucinating.

Years later, now a man (and played by Tom Hanks), another trip to Cape Cod brings a dejavu: Hanks falls off of a tour boat and is rescued by an all grown mermaid (played by Daryl Hannah). Could it be the same mermaid that saved him when he was a boy? -- The mermaid has normal legs when kept dry, but once douced with water, the legs turn into fish finns. Hannah is able to conseal her true identity, until a "bad guy" exposes her. There are complications, but eventually everything comes up roses.

One great scene is where the grown up mermaid spends 6 hours in the electronics department of a store, and learns the English language fluently by watching tv non-stop. Cute! -- This film is very entertaining and helps us feel compassion for anyone who is somehow different from what society considers the norm. The somewhat predictable ending is beautiful! Highly recommended, especially to the hopelessly romantic cinema enthusiasts out there!***** ... Read more

Reviews (48)

The Muppets Take Manhattan and then Give it Back
The best Muppet Movie ever? It is a debate that rages on still today. Let's simplify the debate a little, by clearing one thing up. There are only THREE Muppet movies. I don't like to count the ones made after the tragic passing of the magical Jim Henson. His general spirit is missed in them, not even mentioning he not only provided the voice for Kermit the Frog, he WAS Kermit the Frog. That was him, that scrappy, intelligent, witty little frog...that was Jim Henson, and nobody could ever replace him. So that leaves three Muppet movies to choose from: The Muppet Movie, The Great Muppet Caper, and The Muppets Take Manhattan. As I child, I always felt a special connection to The Muppets Take Manhattan, seeing as I had it on tape and I watched it constantly. As I grew, I would see the others, and I liked them, but I felt they never measured up to my favorite, The Muppets Take Manhattan. It all starts in college: The Muppets are graduating, and they're putting on their stage show, and everybody loves 'em. Kermit announces after the successful show that the Muppets are going to take their show to Broadway. Kermit and his buddies ship off to New York, encountering obstacles and splitting up, missing each other and then finding each other again. BUT WHERE'S KERMIT? He's been hit by a car and he's lost his memory! Then he starts to work for an advertising agencies with other frogs! He adapts to his surroundings. He doesn't know where or who he is. But soon, Gonzo finds him, and the show goes on and it's a smash! But that wedding scene...every time it comes on I can't hold the tears back. My God it's magical. It'll change you inside! It's the BEST MUPPET MOVIE EVER!

Another Great Muppet Classic For ALL Ages
If you like the Muppets, you don't need to be reading this review. Just buy this classic Muppet movie. If not, I'll try to give you a glimpse of the great show this really is.
All the Muppets have just got out of college and now all leave for different destinations and job. They all split up, but Kermit tries to get them all on Broadway meanwhile with their show "Manhattan Melodies". My favorite scene in this film is when Miss Piggy is spying on Kermit and another lady Kermit is talking to. Kermit gives a hug to her, and Miss Piggy, who is being teased by some contstruction workers bend a bar of metal and then starts denting metal. It's really hard to explain, but it is absolutely hilarious. You have got to buy this DVD! I also recommend "The Great Muppet Caper", "The Muppet Movie", "Muppet Treasure Island", and "Muppets From Space".

The Muppets Messed-up DVD
The Muppets Take Manhattan is the third Muppet film and although not the strongest, it's sure to entertain the entire family. The story follows the Muppets on their quest to get their show, "Manhattan Melodies", produced on Broadway. It's a terrific story that hits at the core of what the Muppets are all about, namely putting on a show. Sure the music isn't as memorable as that in the first muppet movie (except "I'm Gonna Always Love You"), but you can't help appreciating the lengths to which the Muppets will go to entertain you. Singing chickens? Got 'em! Frogs with hair? Check! Unbelieveable action sequence? Of course, and it's unbelieveable in more ways than one! A Muppet staple is the cameo and they abound in this film. Everyone from Liza Minelli to Art Carney sets some screen time. Joan Rivers is particularly funny in her over the top make-up scene with Miss Piggy. For all you Trekkers, Gates McFadden even appears as a secretary to a con man!

The film is great entertainment, but this DVD has problems. First of all the digital tranfer isn't that good. Plenty of older films like Fantasia look stunning on DVD, but not this film. There is a graininess to the picture that can be discracting and artifacts abound. Sound is presented in only a mono format. Was the original film released this way? I don't know, but if so some mention should be made on the packaging, otherwise it feels like we're getting ripped off. On a positive note the film is presented in both a formatted and widescreen version. As for the other bonuses, there is a strange feature called "Muppetisms" that I can't really figure out. They are minute, minute and a half long segments featuring one or two muppets just goofing off and benign wacky. Not too sure what it's all about, but it was fun to watch - once. By far the best bonus feature is the interview with Jim Henson. He talks a bit about the making of the film, how decisions are made and such. It's an incredible peek into the creation of a Muppet film. There is one glarig problem though - the chapter stops are just little minute or so long bits of the interview. To see the whole thing you have to continually stop and start up again. It's a big mistake and makes watching the entire thing quite a chore.

My final word on this edition is buy it for the widescreen version of the movie only. The transfer isn't that good, the bonuses aren't that great, but the film itself is a real treat. Not the strongest Muppet film, but not the weakest either. If you have the video and don't care about widescreen, you can easily (and sadly) pass on this DVD. If not, pick this up for a fun romp around Manhattan that you and your family are sure to enjoy again and again.

THE MUPPETS ROCK!
I saw this movie, when i was a child, about 14 years ago.
I looked everywhere for a long time trying to find it on dvd.
Finally, thanks to amazon i found it! very cute, funny and good family entertainment for the whole family.
i'm 23 years old, and i LOVE THIS MOVIE! perfect for anyone who likes comedy!
way to go jim henson!

Funny and delightful, but not the best Muppets movie
I grew up with the Muppets, and it's impossible not to love them. They still make me laugh (especially that Swiss chef), and what can you say about Kermit the Frog? He's a legend, pure and simple. The Muppets Take Manhattan is great fun, as the gang reunites to take on Broadway and become stars, but there just seems to be a little something missing here. Maybe it has something to do with the fact that all the players go their separate ways over the course of a big chunk of the film - I don't know. It's still a great movie that children of all ages should enjoy, but it's not my favorite Muppet film. Certainly, one thing in this movie's favor is the fact that, in 1984, Jim Henson was still alive and well, and his collaboration with Frank Oz makes this a vintage Muppets motion picture.

As the film opens, the Muppet gang are graduating from college, and the big show they put on for the school is such a hit that they decide to go to New York and take their show to Broadway. It is a decision that helps keep everyone together, but even Kermit the Frog has a hard time getting any Broadway producers to sign a show featuring song and dance performed by a frog, a pig, a dog, etc. When hope is all but lost, everyone decides to split up and live their own lives - they feel as if they have been unfair to Kermit by depending on him alone for so long. Kermit vows to stay and sell the show, and he can't way to get the gang back together. Luckily, Kermit has developed a friendship with a fashion design student/waitress and gets a job at a diner (which also features a funny and delightful little group of rats). Kermit's new three-phase plan to sell the show offers a lot of comedy but doesn't exactly pan out the way he would like. Then he has to make things right with a certain someone who has been stalking him. In the end, of course, everything works out for the best - but not before Kermit completely disappears for the two weeks leading up to opening night.

This film boasts a number of cameo appearances by well-known personalities: Dabney Coleman, Joan Rivers, Gregory Hines, Linda Lavin, Art Carney, Elliott Gould, Liza Minnelli, Brooke Shields, and many others (including a pre-Star Trek: The Next Generation Gates McFadden). Some extra special guests from a certain street everyone knows and loves also show up for the big finale. As always, the Muppets themselves steal the show, and there are some really comical scenes of physical humor as well as funny dialogue. You even get to see what the gang might have been like if they had all met as children. By all means, watch and enjoy The Muppets Take Manhattan, but I think there are better Muppets movies out there. ... Read more

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Spike Lee made a splash in the independent film world with his debut feature, an inventive low-budget romance with a strong-willed heroine. Nola Darling (Tracy Camilla Johns) can't decide among her three boyfriends: serious but sweet Jamie (Tommy Redmond Hicks), self-centered clotheshorse Greer (John Canada Terrell), and goofy, wisecracking bike messenger Mars Blackmon (Lee). Within this loose story line Lee launches into a character study of Darling and offers a slice of black urban life rarely seen on the screen. According to Lee's published diary, he interviewed dozens of women and gathered feedback on screenplay from female friends, and his efforts show. Nola is an unapologetic, sexually independent character who resists the efforts of the men in her life to change who she is to please them--the wonderful concluding twist thumbs its nose at romantic conventions and givesNola her due. Lee combines direct address and documentary techniques with a simple, often elegant narrative style to create a multilayered portrait of Nola and her men and question perceptions and conventions of sex, sexuality, and relationships in the modern world. Though somewhat primitive in the light of his more accomplished works, this first feature introduces Lee as a fresh voice and a creative force to be reckoned with. --Sean Axmaker ... Read more

Reviews (5)

I've gotta have it
Yo Spike, you've gotta be kidding what's the hold up. Can ya help a brother out and see what you can do to put your (baby) on DVD. This is a high crime. This movie was (is) a straigh-up winner. I heard that you didn't particularly like it, but we your fans think it's great. Sometimes the man in the mirror is blinded by the new kids on his block. Your other films are great also, but this one has its own place in history. Great script, great acting, the whole enchilada. Please do the right thing and help me and others complete or DVD collection. Thanks

PUT THIS MOVIE ON DVD NOW
This is the film that gave Spike Lee his rise. It is a brilliant first film. Why is the movie viewing public having to wait for the release of this historical film on DVD and for that matter why is Girl 6 not on DVD. Every Spike Lee film ever made should now be available on DVD. She's Got to Have It on DVD NOW!

Spike Lee's first movie.
The first thing you will notice that makes this movie special is
that is shot in black & white. It is the story of three men vying
for the attention and affection of 1 woman. As the story unfolds
it's a question of "Who's Zoomin Who" And who if anybody will ride the "Freeway Of Love". This is not a typical date movie,
but if you choose to watch it with you main squeeze. Don't scratch where it don't itch. In other words, you could wonder where they are and who they're with when their not with you.
But don't ask. This was Spike debut as actor and director.
For a movie made on a shoestring budget,the plot, though slow at
times, kept me interested.

good debut
mars do you do you know? this line and other lines have been used endlessly.spike lee was on to something and this film showcases a genius in action.three diffrent men trying to win the affection of one woman.

Unhibited sex from a black female's point of view.
I rented this movie because I read Spike Lee's The Best Seat in the House book (an excellent book) and it contained several dialog quotes from this movie (Mars Blackmon and Jamie Oversteet talking about the NBA). I specifically rented it to hear the line about Larry Bird. I was pleasantly surprised by the movie. It was ahead of its time and showed an attractive black female with three admirers vying for her affection. She was not afraid of sex and had no intentions of hiding what she wanted. I paid attention to the soundtrack because I know Spile Lee's father composed the film's music and it was very good. I also liked how Spike Lee (Shelton Jackson Lee)cast his sister Joie in the film too.

I loved Spike Lee's book and enjoyed this film. I had no idea he was that knowledgeable about the NBA and I loved his tales about Pippen, Miller and the 69-70, 72-73 New York Knicks championship teams. ... Read more

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Charlie Chaplin is in glorious form in this legendary satire of the mechanized world. As a factory worker driven bonkers by the soulless momentum of work, Chaplin executes a series of slapstick routines around machines, including a memorable encounter with an automatic feeding apparatus. The pantomime is triumphant, but Chaplin also draws a lively relationship between the Tramp and a street gamine. She's played by Paulette Goddard, then Chaplin's wife and probably his best leading lady (here and in The Great Dictator). The film's theme gave the increasingly ambitious writer-director a chance to speak out about social issues, as well as indulging in the bittersweet quality of pathos that critics were already calling "Chaplinesque." In 1936, Chaplin was still holding out against spoken dialogue in films, but he did use a synchronized soundtrack of sound effects and his own music, a score that includes one of his most famous melodies, "Smile." And late in the film, Chaplin actually does speak--albeit in a garbled gibberish song, a rebuke to modern times in talking pictures. --Robert Horton ... Read more

Reviews (34)

Encore to Charlie, the Little Tramp
Chaplin's Modern Times leaves us awed with various noteworthy marks. First of all, Chaplin endeavored to make his second sound film following City Lights (1931), in spite of the wide-conquering trend of talkie. Not only the background music but also occasional sound effects bring out the brilliance of the director. Second, even after two decades since his silver screen debut in 1914, the performance of Charlie the Little Tramp and Chaplin's directing had been matured, not faded, like a good wine. Those laughing spots fairly spread in the entire film proves it. Last but not least, you can never forget this film for the moment when the long-time silent Little Tramp finally open his mouth to sing!--for the first and final time, unless you count The Great Dictator (1940), the following film and another masterpiece of Chaplin. --After all those struggles, Charlie gets a job at a cafe, where his adventure partner the Gamine (Paulette Goddard; Chaplin's wife at that time) works as a dancer. Charlie is to wait and sing. As he can't remember the lyrics when rehearsing, the Gamine helps him writing the lyrics on his cuff for a cheat sheet. A fanfare goes and the Little Tramp marches in the floor stage performing an eccentric dance until he dances so hard that the cuffs are blown away. He frantically and desperately searches for the cuffs and the Gamine says (in the spoken title) "Sing! Never mind the words!"-- It is well known that Chaplin was the last resistant against talkie claiming the universality of silent films. What he performed in this "Titina" sequence, singing in the stateless language (still obvious it is conjured up with a few languages such as French or Italian) and storytelling by his brilliant pantomime. The audience in the film reacts the same way as we do: get a nice-surprise, laugh and applaud. With its theme song "Smile", composed by Chaplin, the performance of Charlie the Little Tramp is definitely one of the highlights of this film. Play it again, Charlie!

My favourite of this first series of Chaplin reissues.
It helps that Modern Times is one of Chaplin's best films, period, running a close second behind City Lights (I hope that's next on the re-release list). And happily, unlike The Gold Rush, which was ruined by awful sound choices, the Modern Times DVD offers a clean transfer of the film with all the beloved original elements intact as far as I could see and hear, plus a host of extras.

The film itself is the most briskly paced of Chaplin's feature-length films. And his writing is sharp, unhindered by the sermonizing which permeates his last works. The dilemma facing our Little Tramp this time is something all of us can relate to: For the first time, we see him thinking ahead, wanting to have a future, to form a family, and working towards that end. Chaplin's physical-comedy skills are at their peak: Witness the extended takes of the rollerskate scene, and the factory assembly line. Even if the 18fps (sometimes 16fps) film speed made everything look faster than it really was, it's still impressive physical co-ordination requiring flawless execution, since Chaplin rarely edits using coverage.

In Modern Times we see one of the first truly well-rounded Chaplin heroines. The radiant Paulette Goddard was Chaplin's best leading lady, her high spirits and lively presence being a much better foil for Chaplin than the starry-eyed icons of perfection that were Georgia Hale, Edna Purviance, or Virginia Cherrill. She just has more star quality and brings a quirkier, more animated personality to Chaplin's films, balancing them nicely.

And the gags -- some of the best in the Chaplin canon. The eating machine always has me rolling on the floor; the nonsense song is terrific (the DVD offers a "karaoke" version which, though a novelty, does tell us finally what the lyrics actually are); and all the machine gags are fast-moving gems.

The bonus materials include a long outtake and several documentaries. "Chaplin Today" features guests Luc and Jean-Pierre Dardenne, the French filmmakers behind the film Rosetta, and though their film-historian banter is not entirely to my taste, they do bring up some insights that I hadn't observed about Modern Times.

In all, a great release, and a great DVD to have for movie nights. It's a wonderful presentation of a comedy classic.

'Where's the Boss?'
Caught between the cog wheels???

If you are suffering from work woes, this film is a great one to watch. A co-worker at my last job recommended this film to me. We worked for one of those genome companies, some of us working in a production capacity, doing the same repetitive tasks ad nauseum. The, (in real life), multi-talented Chaplin in this film is a simple-minded factory worker who spends his day going through the same motions over and over again. He does get lunch breaks, but of course his day at work is not without its mishaps. Funny that a 70 year old film about modern times is still not dated.

This film was made in 1936 during the Great Depression, a time when money and bread were scarce, many people feeling the effects. The story line for this movie reveals some of these circumstances, but as Chaplin lives through them, as when he is forced to drink rum bursting out of casks shot by robbers of a department store, one of whom was a previous co-factoryworker, you can't help but laugh, and as the song says, 'just smile'.

One of the golden gems of Charlot
Modern times was a smart comedy in the previous years to WW2.
Charlot made raptures images in several sequences.
Our unlucky or disadapted little man , definitively wasn{t made for working with the industrial process. This kinetic introduction in the middle of the complex mecahnism of machine systems is a issue to develop unforgettable laughable situations. The sense of alienation in front the no ending belt , causes in him an insane loss of the reality. And the machine who feeds you without waste of time for your employers is a classic.
Obviously Charlot inspired himself in Metropolis, the bitter nightmare of Fritz Lang from 1927. (Watch for instance for the employer who works around the machine control) .
So our beloved anti hero goes out from this the factory to the hospital and over and over he tries to get a job but he fails , by one reason or another.
In the middle of the film will appear a deep inspiration. The eternally beauty Paulette Godard represents exactly that weird mix teenager-woman who will work out as link for him later.
He is a guy with good feelings. He acts always as humanity benefactor but the long arm of the fate runs behind him and the results are not succesful.
The sequences in the dinner hall with the chicken that never comes to the impatient client is a masterpiece. Literally it's a funny coreography dance in the purest sense of the word.
Smile ; no matter what's wrong with you. We'll keep ahead , overcoming all the possible obstacles.
A remarkable film and one of the landmark pictures of this timeless genius.
Haven't you seen it? Make yourself a favour and buy it as a gift for you or your wife or fiancee or kids. This film will never dissapoint you , at least in the next three hundred years.

Getting Chaplin
Until I saw "Modern Times" I only knew Chaplin from clips and impressions rather than from his films. I didn't see the talent. I understood that he parlayed his popularity into power and control over his work and that he made a huge contribution to American cinema. But I found Chaplin the performer, cloying and sentimental.

After watching "Modern Times" however, I understand why he is one of the great performing talents of the 20th century. The film is nearly silent and mostly a series of comedic set-pieces, each one a virtuoso display of Chaplin's boundless talent.

What struck me most in watching Chaplin was both his ability to come up with a routine; strapped to an eating machine, skating blindfolded in a department store and amusing hardened diners as a dancing waiter and executing the concept with grace, humanity and humor. It is also a great testament to his acting that we never question Chaplin's "little tramp" an average, slightly ludicrous character who has amazing talent that deeply undercuts his character's supposed mediocrity.

My other surprise was how effective and nuanced the satire is in "Modern Times." Chaplin's little tramp is the perfect protagonist in a story about the perils of automation and technology. The little tramp is never defeated and always optimistic. He is like a cartoon character in that each travail is new and he doesn't carry with him the baggage from the previous experience. But he is also terribly human; frail, self absorbed, eccentric and resilient so that we the audience don't feel the oppressive weight that automation and technology has upon the working person. Without a strong, human protagonist, the attack against modern society could seem more global and distancing. Instead we witness the pain from an individual perspective that connects to our own lives. ... Read more

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Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious"is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk." Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is uncontestable he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater."

The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson ... Read more

Reviews (115)

Annie Hall has truly stood the test of time. And I loved it
I have a confession to make.

Until now, I've never seen a Woody Allen movie.

Boy, I sure was a "miss out".

Annie Hall, made in 1977, is a classic. Why, oh why, did I wait so long?

First of all it's a story, and a very funny story at that, about a New York Jewish comedian, played by Woody Allen and his WASP girlfriend, played by Diane Keaton. It pokes fun at many social mores that we take for granted and I found myself laughing throughout. There's the New Yorker who never learns to drive, the mid-westerner who orders a pastrami sandwich on white bread with mayonnaise (which seems almost grotesque to a New Yorker like me), the pretentious movie critic, the neuroses of modern romances, and the differences between the New York and Los Angeles way of life.

The film runs along at such a fast pace that there is almost no time at all between funny moments. And, to make it even better, there are some wonderful film techniques. For example, while Diane Keaton and Woody Allen are talking about photography, there are subtitles on the screen about the physical relationship that they are really thinking about.

If the film were made today the phone calls would have been made on cell phones. But surprisingly, that is the only detail that might be changed. Annie Hall has really truly stood the test of time. And I loved it.

Quintessential Woody, in arguably his best form..
Plenty of reviews here claim this is Woody's best and I'm hard-pressed to differ: chronic New York neurotic/comedy writer Alvy Singer can't commit to anything except his own misery and falls in love (and meets his match in psychoses) with Annie Hall (Diane Keaton in her Oscar-winning role), the Waspy flibbertigibbet who wants more out of life but she's not sure what. Oscars also for Allen's direction, his screenplay (co-written by Marshall Brickman) and Best Picture. Look quickly for Jeff Goldblum's cameo ("I forgot my mantra") at Paul Simon's So. Cal. Party, John Glover in a flashback party scene with Annie, Shelley Hack in a sidewalk scene, veteran character actor Tracey Walter and Beverly D'Angelo in the sitcom tape Roberts is sweetening with a laugh track in an edit bay, Woody's longtime friend and future producer Jean Doumanian in the coke scene, and at the film's end Sigourney Weaver (trust me it's her, but it is in a long shot and no dialogue) as Alvy's latest girlfriend. Best reaction shot: Allen with Keaton and Walken in a car after Walken has proclaimed his sudden urges of death. Also, I too wish I could do what Allen does in shutting up a movie-line pontificator like he does with media expert Marashall McLuhan.

A superb and passionately funny film between the hot cold relationship between two people. Woody Allen delivers the goods in this terribly witty and romantic film, Diane Keaton matches his quality too. Expect to see neurotic behaviour from Allen as we get a firm grasp of the two main characters as their relationship develops. For me, this is an absolute pinnacle film of it's genre and should not be missed.

Brilliant!
Woody's self searching and unique form of humor make this a brilliant movie. Diane Keaton is the perfect co-star.

I saw this last year after not seeing it since it came out in the late 1970's...still just as fresh and wonderful. I just wish my wife liked Woody Allen humor as much as I do.

Not His Best but Still Very Good
People just adore Annie Hall. I like Annie Hall. Manhattan and Hannah and Her Sisters work better for me but I can think of about a billion worse ways to spend 90 minutes than watching Annie Hall. Even though I'm not particularly charmed by it, I freely admit Annie Hall is better than 98% of all American movies ever. Funny, smart and endearingly offbeat. Certainly worth the going price.

Because we need the eggs
Ok, let me get this one thing out of the way: when I was 12, Annie Hall beat Star Wars for the Best Picture Academy Award, and I was not a happy kid. However, time can do funny things...

I first saw this picture a few years later, with my first real girlfriend (hi, Lisa!) on the revival circuit. I found it witty and intelligent, as I have with most of Woody Allen's films. I have to say that, to my 16-year-old mind, it still didn't make a huge impression. Twenty years and a failed marriage later, however, I think I can honestly say that I now get it.

Annie Hall is, to me, Woody Allen's greatest triumph as a filmmaker and a storyteller. It's a bittersweet, often hilarious recounting of a relationship from its start to its inevitable end. We see Allen at his most honest, at times brutal examination of himself and his destructive approach to relationships as he plays Alvy Singer, a funny, neurotic comedian (not a great stretch for Woody, granted). All the angst, the neuroses, and manic phobias that at first seem so idiosyncratic and charming, eventually become tiring and sad. Here is a man who is so attached to his psychoses that he would be an empty shell without them, and we see the painful fact of this in his reflections of previous relationships and marriages throughout the course of his adult life. Ultimately, this is a character so galvanized by his fears and phobias that he is simply incapable of managing a complex adult relationship, one free of paranoia and anxiety and this is his tragic downfall. In short, he is a small child trapped in the body of a small man.

This is not, however, one of Allen's Bergmanesque forays into introspection. The knee-slapping hilarity of many of the scenes help draw us into his world and the relationship he has with Annie (Diane Keaton, marvelous as always), his friends, his family, and the world around him. A particular favorite is when, on their first meeting, Alvy and Annie exchange basic getting-to-know-you small talk, and their hidden meanings and anxieties are shown to us in subtitles. Other scenes involving a movie-line blowhard, a lost mantra, and Annie's decidedly white-bread family are the stuff of legend, and they never fail to bring a smile to my face.

Though this film is nearing thirty-years old, it shows no sign of aging. The themes are familiar and universal; who hasn't fallen desperately in love, only to feel the painful tentacles of fear come creeping in the moment they've opened their heart for all the world to see? This film will never lose its place in my heart as one of the best films I've ever seen. ... Read more

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Nora Ephron wrote the brisk screenplay for this 1989 romantic comedy, director Rob Reiner made a nicely glossy New York story (very much in a Woody Allen vein) out of it, and Billy Crystal's unstoppable charm made it something really special. Crystal and Meg Ryan play longtime platonic friends who keep dancing around their deeper feelings for one another, and Bruno Kirby and Carrie Fisher are their respective pals who fall in love and get married. Ryan doesn't get a lot of funny material, but her performance is typically alive and intuitive, and she more than holds her own with Crystal's comic motor mouth and sweet sentimentality. Reiner is on comfortable ground, liberated from the burden of making serious statements in the lead-footed manner of subsequent features.--Tom Keogh ... Read more

Reviews (184)

This movie is a classic
For me, this movie rates number one among romantic comedies. I have watched it dozens of times and each time I laugh and cry as if it is my first time watching it. The story is so endearing.. How a man and woman meet and dislike each other, mature and "find" each other again only to end a great friendship and finally realize they love each other and marry. I don't feel that Billy Crystal or Meg Ryan have been able to equal their performances in this movie with any other film. They have great chemistry and through the entire film, you hope that someday they will realize how they feel for one another. Bruno Kirby and Carrie Fisher are equally entertaining. Whenever someone asked me what my favorite Romantic Comedy is, my answer is always When Harry Met Sally.... If there were a "Hall of Fame" for movie genres, this movie would be it. If you want a good laugh (and cry) this movie is it.

It Had to Be You
This movie has been a favorite of mine back in highschool when I first saw the film either on HBO or Television. It also has personal meaning as well, not in the romantic way as some might have the film in their lives but just in a fun eventful personal way.
The movie is about the single life, dating, and the age old question "Can woman and men just be friends?" The movie stars my personal favorites Meg Ryan and Billy Crystal who are perfectly paired up together in this film. Meg plays Sally who's I guess the more positive, healthier (speaking from the film of course) of the two where as Billy is completely different he's deep and depressed. They meet each other on the trip to New York City where they want their lives to start after college. Then ironically keep meeting a couple years later...the final time they meet he's seperated and she and her boyfriend break up. The movie continues to go into the question, in a way its a hopeful movie for the romantics and other words it could give relationships like this a false impression as Nora Ephron explains in the Documentary of the Film. But nonetheless its a hopeful and very cute romantic comedy. It also stars the wonderful Carrie Fisher and Bruno Kirby. Who are great as Sally and Harry's best friends in the movie. Its fun romantic and witty. And great for both men and woman I believe. It'll be up to you to decide if woman and men can be just friends :)
The soundtrack is great. It's all performed by Harry Connic Jr. to give it the classic touch. With the hit tune "It Had to be You." And many more classic songs.
The DVD has tons of goodies. I'll ignore the fact that it doesn't have a full screen selection as well. But let's move on it's got a great behind the scene's documentary fully on how the idea was scripted, when people came on board such as Nora Ephron, Meg Ryan, Billy Crystal and so on. It goes through who had the idea for what, and how each of them relates to the characters they play. To even how the music was picked for the film and so on. They also have the movie trailer and trailers for other movies by Rob R. as well as the music video to "It Had to be You" With Harry Connic Jr., Billy Crystal and Meg Ryan. There's also commentary by Rob R., Billy Crystal, Carrie Fisher and cast and crew which I still have yet to view and go through but I can't wait. This will always be my first classic romantic comedy and how I came to adore Meg Ryan and Billy Crystal. I'm sure both men and woman will love this movie :)

My favorite movie of all time!
This movie is the perfect movie to make you laugh. I watch it every year somewhere between Thanksgiving and Christmas. I love the scene where they pick out a Christmas tree. It draws you into New York the way Sex and the City does. Billy Crystal and Meg Ryan were perfect for their roles--I've never liked either of them more than in this movie. Many great quotes came from this movie.

A unforgettable romantic comedy . The best of eighties!
Billy Cristal and Meg Ryan are in their peak craft. They made a punch comedy with the challenging question: May two friends of different sex to be great friends without falling in love?
This is a the premise who will allow to Reiner and this cast to make a delightful and sugestive film.
Obviously you will find traces of some films of Woody Allen , but this picture in particular breathes in the purest sense of the world. This is a love story with many laughable and smart situations that (jokes apart), will let you thinking.
Believe me if I say that since Two for the road (Stanley Donen) and Forty carats (Milton Katselas) I'd never seen a film so original and so well made. The orgasm sequence is now a classic!.A film that blends the charisma and the beauty of Meg and the hyper fast mind of Cristal, never can fail. Don't you?
Acquire this one. It's a cult movie.

Funny.
Billy Crystal as Harry and Meg Ryan as Sally starred in this crowd-pleasing romantic comedy.

I was really surprised that I enjoyed this one, usually I don't like Billy Crystal but there was some excellent dialogue in this film that helped him out, Meg Ryan looked great (when she didn't have an awful '80's perm - note to ladies on here - it looks really dumb as do ugg boots and jeans that show off your butt cleavage or fat rolls).

I really wish the whole "I'm having what she's having" statement was not said as I've had to endure countless cheesy commercials based on this scene but all in all had some fun with this one.

That said, too many f words, about 8, and too much of the fornicating already, try getting to know someone properly first then marrying them as a lifelong commitment before sleeping with them

Also, you can have platonic friends of the opposite sex, and unless you've got a lust problem you won't be thinking about bedding them all the time.

Thanks for reading, and come out of them you lustful demon!! ... Read more

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Like a soda pop left open all night, Bueller seems to have lost its effervescence over time. Sure, Matthew Broderick is still appealing as the perennial truant, Ferris, who fakes his parents out and takes one memorable day off from school. Jeffrey Jones is nasty and scheming as the principal who's out to catch him. Jennifer Grey is winning as Ferris's sister (who ends up making out in the police station with a prophetic vision of Charlie Sheen). But there's a definite sense that this film was of a particular time frame: the '80s. It's still fun, though. There's Ferris singing "Twist and Shout" during a Chicago parade, and a lovely sequence in the Art Institute. But don't get it and expect your kids to love it the way you did. Like it or not, it's yours alone. --Keith Simanton ... Read more

Reviews (282)

Twist and Shout
What would a typical day be if you always got away with everything? Check in on Ferris and you'll have some idea. John Hughes, master of 80s teens dramas like Breakfast Club and Sixteen Candles created an eighties film icon when he brought this film to the screen. The film is filled with old fashioned film and theatrical techniques, that to the youth of the day, was interpreted as new and cutting edge... Ferris (Matthew Broderick in the role he was born to play) spends a lot of time talking directly to the audience as his character would be the only one in the film with the guts to let anyone else see... He is surrounded by his beautiful girlfriend Sloane (Mia Sara) and browbeaten buddy, Cameron. Although Sloane's role is pretty thankless, Cameron is the most troublesome character; it is the film's weak link even with a sufficient performance by Alan Ruck. Cameron is at times the anti-Ferris, someone who lives in constant fear of his father and authority in general. Ferris is so popular that he gets two antagonists to his adventure, his sister Jeannie (Jennifer Grey) and a school administrator played by the wonderful Jeffrey Jones. He is always willing to have every joke at his expense. One of the unwritten stars of this film is the beautiful city of Chicago, providing many of the great outdoor scenes. In fact, Ferris commands the attention of thousands of Chicago parade watchers and turns them to celebrate his whim to the strains of "DANKE SCHOEN" and TWIST AND SHOUT. This is one of the most rewarding, mindless scenes in recent history. The DVD nicely accentuates the English pop soundtrack and the video transfer is great. One drawback is one of the most boring audio commentaries in recent memory from the director John Hughes.

Be sure to stay through the closing credits... Bueller? Bueller? Bueller?

Absolutely hilarious!
In "Ferris Bueller's Day Off", Matthew Broderick plays Ferris Bueller, a high school teenager who enjoys slacking off and cutting school is his favorite hobby. One brilliant day in his hometown of Chicago, Ferris decides to cut school again (even though he has already missed school nine times), and tries to show his sick best friend, Cameron Frye (Alan Ruck) and girlfriend, Sloane Peterson (Mia Sara) how to have a good time and just how to be laid-back with life. Ferris can easily fool his parents (Cindy Pickett and Lyman Ward) into believing that he is really sick so he can stay home from school. But when his sister, Jeanie Bueller (Jennifer Grey) and school dean, Ed Rooney (Jeffrey Jones) find out that Ferris has cut school, they both try to make his life as miserable as possible in their own ways. And it's up to Ferris to enjoy his day off and get home before his parents come home from work.

The cast is brilliant...this is probably Matthew Brodderick's best role to-date. Director John Hughes did an amazing job, as usual. The script is well-written and extremely funny. "Ferris Bueller" is a classic high school film that everyone should own. However, the DVD lacks terribly; the only bonus feature is a commentary made by John Hughes. And the DVD is available in wide screen format.

I highly recommend "Ferris Beuller's Day Off".

Score:
100/100
A+

Great director's commentary
This remains one of the most entertaining director's commentaries available.

Nice
Good movie. Wish I was like him.

Awesome movie
This movie is one of my all time favorites. Who hasn't seen this movie? It rocks! Funny and clever from start to finish. The commentary is great too. ... Read more

Amazon.com

This 1986 comedy out of Australia is so old-fashioned in its romantic charm that one can't help but wonder what it would have looked like with Clark Gable and Carole Lombard in the leads. On the other hand, it's hard to imagine anyone besides Paul Hogan as the title character, a laid-back Aussie tracker who shows an American reporter (Linda Kozlowski) around bush country, then accompanies her to New York City. Sure, Hollywood has done the fish-out-of-water scenario to death in the last 20 years, and while this film has sufficient sport with the gimmick, it is largely driven by the principal characters and their developing love affair. Hogan cowrote the script and director Peter Faiman evokes the goofy, enchanted air of screwball comedies. The climactic scene, set in a subway station with scores of bystanders witnessing a conversation about relationship commitment, feels like vintage Capra. --Tom Keogh ... Read more

Reviews (29)

A great Australian movie.
After finding out how Australian bushman Mick 'Crocodile' Dundee survived a Croc attack in Australia's Northern Territory, New York reporter Sue Charlton takes him to New York City, USA, to experience life in the big city. Directed by Peter Faiman, 'Crocodile Dundee' stars Paul Hogan as Mick and Linda Kozlowski as Sue and features a catchy music score by Peter Best. You'll love 'Crocodile Dundee.'

The movie that made Paul Hogan a star
Paul Hogan has a few great movies, but "Crocodile Dundee" is the one that got him started. A woman (Linda Kozlowski) takes a trip to Australia and seeks the famous Crocodile Dundee (Paul Hogan) and begins doing her job as a reporter. She becomes interested in Crocodile Dundee and his antics in the Land Down Under such as how skilled he is at killing crocodiles. As a matter of fact, she invites him to come to New York City with her because he has never even traveled anywhere before.

Before long, Mr. Dundee is making friends in The Big Apple without really meaning to. I guess you could consider "Crocodile Dundee" a romantic comedy, but it's also a lot like an adventure movie. Parts of the movie are hilarious such as what Mr. Dundee does when he suspects that someone who is dressed up like a woman isn't really a woman and when he scares some hunters away by making them think that the animal they're hunting is shooting at them.

"Crocodile Dundee" is a fun movie to watch and it's interesting to see how Mr. Dundee is going to survive in the big city when all he's ever known is life in a small part in Australia. I recommend anybody who likes classic movies to get "Crocodile Dundee."

Funnneeeee!
It's old (1986) and it's schmaltzy and old-fashioned, but Crocodile Dundee is still worth watching if you missed it first time around. Paul Hogan, fresh from Down Under, is so perfectly cast that it quickly becomes apparent that he's not really acting at all: this is just who he is. He plays a relaxed Aussie tracker who shows an American reporter around his native bush country, then accompanies her to her own turf in New York City. It's the old fish-out-of-water theme, and Hogan and co-star Linda Koslowski (whom he later married, in real life), play it off perfectly.
Pure confection, but also pure fun.

Outstanding Movie!
This was one of the more entertaining movies that you will ever see.A news reporter from New York played by Linda Kozlowski
goes to Australia and discovers Crocodile Dundee ably played by
Paul Hogan. She takes him to New York.The show is then on.He is
able to see the many sights and sounds of New York City. His
reaction to some of these situations is very humorous and helps
to make this a very good movie.You are able to recall some of
the humorous moments as a result of Crocodile Dundee and New York
Any time someone thinks of Australia Crocodile Dundee will pop
into your mind.The newspaper reporter-heiress winds up falling in love with Dundee.An awesome movie that you will enjoy.

Mick "Crocodile" Dundee first visits the Big City
"Crocodile Dundee" is the entertaining 1986 film that made Paul Hogan, the Australian television star whose tourism commercials for the country that is a continent introduced Americans to the idea of throwing another shrimp on the barbie. This movie follows "the innocent abroad" tradition, in which a naive person from a distant land (or planet) arrives in the big city and experiences the foibles of modern civilization through saner eyes. Besides the Australian accent, the twist is that Mick "Crocodile" Dundee can more than hold his own against the pimps, muggers, and fiances that would make lesser mortals back down or run away.

The premise is that New York City reporter Sue Charlton (Linda Kozlowski) goes Down Under to interview the colorful crocodile poacher who lives out in the outback. He shows her the lay of the land and does a few impressive things, including saving her life, and turns out to be as colorful as anyone could hope. She then decides to bring him back to NYC and unleash him on the unsuspecting population. The New York sequence is where all of the good bits in the film come and Hogan's easy charm and sense of comic timing makes almost all of the bits work. It is hard not to like Mick Dundee and it is not surprising that a romance pops up between him and the reporter.

The only problem is that the on-screen chemistry between the two leads is the weakest part of the film. Yes, I know that Hogan divorced his wife and that in 1990 he married Kozlowski, but whatever was happening off-camera did not translate onto the screen, which is not unusual: just think about "Bennifer." It can be done, if you are Spencer Tracy and Katharine Hepburn, but all of the warmth and charm in the Hogan and Kozlowski pairing is on his side of the equation. The result is that the final scene of the film is rather unsatisfying, even with the incessant drumming music reminding us this is dramatic. We are supposed to be caught up in Mick and Sue, but it is the two guys on the subway platform who steal the scene.

Still, "Crocodile Dundee" is an entertaining film about a big kid in a bid city (with a big knife) whose reputation would be slightly more enhanced if it had not spawned a couple of sequels, which deluted the charm of the original. Going back to the outback or putting Mick Dundee in Los Angeles instead of New York is enjoyable, but it is just more of the same and there is never quite as good the second time around. ... Read more

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