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When New York theatrical producer Joseph Papp decided to bringGilbert and Sullivan to Broadway, he added typically broad, bold strokes to maketheir singular operetta format meaningful to 1980s audiences.In ThePirates of Penzance, Papp had a story that offered a mixture of potential action and comedy that was less arcane than other G&S chestnuts, which Papp's production underlined by playing up its antic conflict betweenits hapless, titular pirates and the citizens of Penzance, the Cornish town targeted for plunder.Adding to the new production's mainstream allurewas the theatrical debut for erstwhile country-rock siren Linda Ronstadt asthe virginal Mabel, along with a plum role for another putative popheartthrob, Rex Smith, as the "good" pirate, Frederic.

Naturally, such amendments piqued complaints from self-appointed G&S purists, for whom the duo's original satirical edge and theatrical innovation were obscured (if not ossified) by their canon's patina of respectability.Happily, for the rest of us, Papp's cheeky revisionsare generally on the money, and this 1983 film version preserves them with unusual fidelity.Instead of opening up his production with location shooting or intricate editing, director Wilford Leach savors theartifice of its stage sets and hokey, colorful costuming, celebrating thegenre's proud theatrical legacy.

The cast, meanwhile, tears into the farcical plot with elan, led byKevin Kline as the Pirate King, a role perfect for his skill at lampooning masculine bravado (not to mention his underexposed, generally strong singing).Broadway veteran George Rose proves the very model of themodern Major-General Stanley, and Angela Lansbury, added to the film's castfor marquee value, again shows her mettle as the ditzy maid, Ruth. Ronstadt justifies Papp's gamble, having trained rigorously to meet Sullivan's acrobatic melodies--indeed, this project marked her commitment to grow beyond rock, confirmed with her subsequentexploration of classic pop with arranger-conductor Nelson Riddle. --Sam Sutherland ... Read more

Reviews (78)

Not Classic G&S, but Great, Nonetheless
This version of 'Penzance' isn't in classic Gilbert and Sullivan style. However, I fully enjoyed it.
Angela Lansbury plays Ruth very well. She incorporates a Scottish accent, giving her role a very homely and authentic feel. Her voice is superb.
Kevin Kline's Pirate King probably steals the show. He has a certain wittiness to his role, while at the same time being, plainly, stupid. Probably, he is the funniest out this, all in all, very funny movie.
George Rose plays Major General Stanley very well also. In his rendition of the perpetual classic, "I am the Very Model of a Modern Major General", he is topped by none other. The version is slightly adapted from Gilbert and Sullivan's original, with a presto-agitato ending flourish.
As Mabel, Linda Rondstadt has great vocals, reaching every high note perfectly. I noticed, though, her acting skills were highly below par.
Tony Azito plays a very comical Sergant. His vocals are a bit too nasally and over-comic, but his acting is flawless. All of his movements seem to flow together very well forming a VERY funny carachter.
All in all, this is probably the best version of 'Pirates' out there. Everything meshes very well. Buy it!!!

A Delightful Romp
Unlike a previous reviewer, I am a long-time Gilbert and Sullivan lover who loved this movie--I first saw it some 15 years ago, and I waited for many years for it to come out on video. Needless to say, when I finally bought a VCR, I bought this as soon as I could find it.

The three key roles in Pirates are the Major General, the Pirate King, and the Sergeant of Police. All are well cast here. Tony Azito has a bit less vocal heft than a true Savoyard would like in the Police Sergeant's role, but he is superb at the physical comedy the role demands. George Rose is a superb Major General (that's, in Anna Russell's immortal phrase, "the little man who prances around and sings the patter song.") Best of all, Kevin Kline turns in a terrific performance as the Pirate King, showing once again what a wonderfully versatile actor he is.

Of the rest of the cast, Linda Rondstadt and Rex Smith, as the young lovers, are good. As Mabel, Rondstadt's job is primarily to sing with gusto, which she certainly does. G&S purists may be annoyed by Smith's casting as Frederic, since he does not have the pure tenor voice the role calls for, but he acquits himself well in the comic moments.

All in all, this is a movie to be enjoyed over and over. And for any of you out there who don't like it, a suitable penalty has been prepared. Something with boiling oil in it, I fancy. Yes, boiling oil or molten lead.

The Slave of Duty
Kevin Kline who has performed in such diverse productions as "Hamlet" and "A Fish Named Wanda" gleefully buckles and swashes through the role of the Pirate King in Joseph Papp's 1983 movie of "The Pirates of Penzance." He's not a bad singer, either. If you prefer a slightly more British version of this Gilbert and Sullivan character, the Pirate King was once played by Prince Charles when he was a boy at Gordonstoun School in 1967. However, I don't think a movie was made of the Gordonstoun version.

Broadway veteran George Rose is the very model of a modern Major-General, and Angela Lansbury, added to the film's cast for marquee value, mugs a ditzy path through her role as nursemaid-turned-pirate. Linda Ronstadt is a suitably sappy Mabel, and her suitor, Rex Smith is a sexy ex-pirate, although I didn't particularly care for his crooning falsetto.

This is a very lively production, whatever purists might have to say about Papp's borrowing of the 'matter' trio from Ruddigore and Josephine's first act ballad from "H.M.S. Pinafore," not to mention a scene from 'Pinfore' which is turned into an operetta within an operetta at the climax of this movie. Even those of us who are not particularly fond of Gilbert and Sullivan can enjoy this 'Pirates' for its roguish, romping energy (Kevin Kline is a heckuva dancer, too) and spectacular sets. Except for George Rose and Angela Lansbury, the singing is a little hard to understand, but if you really need to understand all of the words get one of the Stratford Festival versions.

This 'Pirates' is too much fun to pass up.

fabulous production of a G & S classic
Anyone who enjoys the wit and merriment of Gilbert and Sullivan will adore this marvelous production. The cast is superb, with Kevin Kline giving us one of his most delectable performances, playing the Pirate King with bravura and remarkable athletic ability. Rex Smith is wonderful as the handsome Frederick; he has a gorgeous tenor voice, with a charming vibrato and fine timbre.
Linda Ronstadt is a cute and demure Mabel, and as her father, the Major-General Stanley, George Rose is a riot. His of course is one of the most famous fast-patter songs ever written, "I Am the Very Model of a Modern Major-General", and he makes the most of it. Other notable performances are by Angela Lansbury as Ruth, and Tony Azito, who is a terrific dancer, as the Sergeant.

The staging and choreography are top-notch, and I'm especially fond of the sets, which look like three-dimensional paintings, contrasted by usually having running water in each scene. Lovely cinematography (Douglas Slocombe) and excellent direction by Wilford Leach make this one of the best G & S films ever.
Gilbert loved to parody the conventions and society of his time in his lyrics, and Sullivan did the same with grand opera. There are sections of "Penzance" that spoof Verdi's "Il Trovatore" and "La Traviata".

The official premiere was in 1879 in New York City, and the opera still sparkles with cleverness, its silly plot devices are still inanely funny, and the characters still lovable.
The subtitle to the opera is "The Slave of Duty", and the story concerns a boy who was mistakenly apprenticed to pirates by his nurse, who hard of hearing, thought her master said "pirate" instead of "pilot"; when he meets Mabel, feelings, sense of duty, and being born on February 29th (one of those silly plot devices !) collide, and chaos ensues.
This performance, based on the N. Y. Shakespeare Festival production, will thoroughly delight anyone who appreciates Gilbert and Sullivan, and Kevin Kline fans will love to see yet another facet of his talent. Total running time is 1 hour and 52 minutes.

Pleasingly fun
Pirates of Penzance is a truly special production to be sure. The comical performance by Rex Smith makes up for any poor singing, Linda Ronstadt's graceful tones and beauty adds a gentle touch and Kevin Cline took even my Father by surprise with his athletic movement and deep tones. But I can not possibly leave out the policemen, they did a remarkable job as well and gave the later half of the video the spark it needed.
Alright, I will admit my Mother left the room after half to read her emails and my Father was nearly asleep, but neither hurdles stopped me from watching it more than once everyday for over a week until I had to return it to it's anxious owners. Over all, though I'm no expert, I consider it a must see for anyone who simply wants to sit back enjoy a laugh and maybe even sing-a-long. ... Read more

Reviews (1660)

Pirates Treasure
Whenever I found myself on a family vacation at a Disney theme park, one of my favorite attractions, was always Pirates of the Caribbean. When I heard that mega producer Jerry Bruckheimer was going to make a film, based on the ride, I was more than a bit skeptical. It's hard enough sitting through some movies, based on TV shows, Comics, or books, let alone one born out of a ride. How would Brucheimer and director Gore Verbinski pull off the seemingly impossible. Things turned out better than I, or most folks for that matter, figured that they would.

Captain Jack Sparrow (Johnny Depp)loves living on the high seas as a pirate. His world is turned inside out, when his mortal enemy, Captain Barbossa (Geoffrey Rush) steals his ship, later using it to attack the town of Port Royal. During the onslaught, Barbossa decides to kidnap Elizabeth (Keira Knightley), the daughter of the town's Governor. Her childhood friend Will (Orlando Bloom) is determined to save her--he and and Jack team up--to reclaim both the ship and get the girl.

A big reason, that the film exceeded my expectations, was due to the inspired performance from Depp. Once again, he proves his versatility, and becomes the character. The role allows him to show off his rare comedic side and he really runs with it. The rest of the cast is up to the challange as well...but clearly having lots of fun in the process. Verbinski fills the screen with plenty of action and great effects, but at no time do these elements overtake this pirate tale. Everything falls into place very nicely. I was a bit surprised by the film's running time though, at 2 hours and 23 minutes, I thought some of the pacing could have been just a tad tighter--just a minor quibble if I may...

The folks at Disney and Bruckheimer must have known what they had in the film. The 2 disc DVD set is loaded with some fine extras, for both the technical film buff and the casual viewer. For me, the three audio commentary tracks, are the highlights of the the entire set. The commentary by Verbinski and Star Depp is the most interesting though. Depp seems relaxed and not as one demensional, as I've seen him in the past, doing interviews for his other work. For the second track, actors Keira Knightley And Jack Davenport, have the most fun. Davenport is very witty and keep things light. Recorded separtely and added in on this track are comments from Bruckheimer to balance it out. The final track brings together writers Stuart Beattie, Ted Elliot & Terry Rossio and Jay Wolpert (Wolpert adapted the 2002 version of The Count Of Monte Cristo also recommended) for a look at the writing process.

Disc two starts out with a lively 37 minute look behind the scenes called aptly enough "An Epic At Sea: The Making of "Pirates of the Caribbean: The Curse Of The Black Pearl". I mentioned the film's running time before--so to my surprise there are no less than 19 deleted and alternate scenes that were wisely trimmed or cut altogether.5 addtitional featurettes explore filming and life behind the scences--"Moonlight Saranade" scene progression, "Fly on the Set" looks at some of the specific scences as they were being shot, "Diary of a Pirate" is a behind-the-scenes look with cast member Lee Arenberg (best known for playing a alien Ferengi on the Star Trek spinoffs The Next Generation and Deep Space Nine), a Producer's Diary with Bruckheimer as your guide, and the
"Diary of a Ship" Video Journal. Some of these work better than others, in terms of content, but are still worth a look. Next up there is the well researched primer "Below Deck" - An interactive and fun History Of Pirates. An 18 minute segment from January 1968, as part of the TV show "Walt Disney's Wonderful World of Color", where Walt himself gives us a tour of the ride that inspired the film. It is very cool to have something like this as part of the set. A very extensive still gallery and a 3 minute blooper reelthat works once but not beyond that are here too. Finally, there are some really cool DVD-ROM Features for your PC: "Moonlight Becomes Ye" is an Effects Studio that allows you to create some magic of your own,there's even more history on the ride, a Virtual Reality Viewer, Scriptscanner & Storyboard Viewing Modes.

Who knew that a film, based on a ride, could be this much fun and entertaining? Pirates...is recommended with **** and a half stars

Blockbuster of the Summer DVD of the Winter
THE MOVIE
Movies about cursed pirates died out and flopped decades ago but this movie is brings new enthusiasm the pirate genre has been looking forward to. This is a great popcorn flick that has really put the Swash back into Buckling
This action/ adventure/comedy is loosely based on the ride at Disneyland. Although the similarities are somewhat few and far between this is probably a good thing as it escapes the Disney marketing attempt feel.
The extremely well chosen cast could never be better with Johnny Depp brilliantly playing the light-hearted mostly-drunk pirate Jack Sparrow (sorry Captain Jack Sparrow). He provides most of the comedy in his one-liners, lucky escapes and defiant bragging. The romance is between the kidnapped Governors daughter Elizabeth Swann, (Kiera Knightly) and Will Turner (played wonderfully by man-of-the-moment Orlando Bloom) who comes to her rescue. The typical cursed pirate, Captain Barbossa of the titular 'Black Pearl' (played by Geoffery Rush) is the all round bad guy shouting traditional pirate phrases.
The CG (done by Industrial Light and Magic) is literally ground breaking with cursed pirates turning from skeletal to flesh as they battle in and out of moonlight. This gives both an eerie and astonishing effect.
To round off there are action scenes galore with numerous sword fights and canon fire which are amazing and really keep the film up to speed.
THE EXTRAS
No DVD is complete nowadays without extras. With a full extra disc there is quite a lot to keep one amused for hours. There are three commentaries, which really depend on what you want to get out of a commentary the first is with Gore Verbinski (director) and Johnny Depp, which is surprisingly quite dull mainly thanking various people for hard work. If you are looking for trivia then the partial commentary with Jerry Bruckheimer (producer) or commentary with scriptwriters is for you, but the one I found the best is the commentary with actors Kiera Knightly and Jack Davenport (who plays Commodore Norrington) This commentary is also partial but is the funniest. The partial commentary is something I have never come across before but is quite an advantage, as you don't have to watch the whole film again and listen to people drone on about scenes that weren't really important to them.
The downfall I felt to this DVD is the interactive menus which if you just want to get the film to play means time is lost waiting for menus to load.
Back to positive and the second disc holds loads of good stuff. The first I checked out was the blooper real with the actors messing up, which you don't quite often get to see. The bad thing about this is that it was only 3mins. There are 19 deleted scenes, which I didn't really feel were very interesting so it just as well they stayed deleted.
There are many different featurettes on this disc. The ones I'm liking the most is the Epic at Sea, Diary of a Pirate and Fly on the set which are all on the set interviewing actors etc. which prove very interesting and in depth. There is also "Walt Disney Wonderful World of Color" which shows a bit about the ride for all who haven't been on it.
The last line is I think this is a wonderful movie and the DVD really compliments it well.

Incredibly entertaining
Johnny Depp plays Cap. Jack Sparrow, a pirate on a mission to get his ship back. Orlando Bloom plays Will Turner, a sword crafter out to save his secret love Elizabeth Swann played by Keira Knightley. With the help of a crew of misfits, they embark on an adventure that they won't soon forget.

Hilarious moments with incredible special effects, this movie will not disappoint you.

And then they made me their cheif...
This film shines like aztec gold! Johnny mad a superb Captain Jack Sparrow! It is my favorite movie EVER!!!!! Keira and Orlando made a cute couple, Geoffrey was cool, and Jack (the monkey ^-^) was adorable, but I must say, Depp stole the movie! Influenced by Keith Richards and Pepe Le Pew, he made a hilarious (and slightly drunken) Sparrow! 5 stars, MUST see! If you don't like it you need a medication.

I Want to be Saved by These Pirates!
Awesome movie filled with action, adventure, and romance! ... Read more

Reviews (73)

A Disney Great
I recently rediscovered this film in our video collection. I loved it as a young child and still love it now!

Disney's Robin Hood is so funny! There is plenty of silliness for kids and great humor for adults. I find something new to laugh at with each viewing. My favorite line, however, has to be Prince John's "Hiss! Hiss! You're never around when I need you!" (Hilarious in context, I promise) Portraying the characters as animals works well for the film. It makes the story (a classic itself) more accessible to children. The score is simple, but superb and the songs are delightful. Although, as a University of Illinois fan, I am slightly miffed at the use of 'On, Wisconsin!' for Lady Kluck's football-esque run past a score of King John's guards. This is a great story told in classic Disney style.

Although frequently overlooked, I consider this to be the best film version of Robin Hood and Disney's best movie. Enjoyment is guaranteed.

OO-DE-LALLY, golly! What a movie!!
The first movies I can remember watching as a kid are Robin Hood and The Jungle Book. It makes me very curious to read some of the reviews on here that claim that this is a "lesser known" Disney movie, yet so many people have given testimonials about being an adult who still loves this movie. Well... here is my suggestion - buy this movie, a package of microwave popcorn and stake out a spot on the couch with a kid you love and introduce them to this timeless classic!

It is true that the extras are not as great as those on other Disney DVDs (this is a GOLD Collection DVD remember), but are you really buying the DVD for the extras, or for the movie itself? Note to reader: if you answered "extras", then go rent this, rather than buy it. You'll be too disappointed by the one song sing-a-long, storybook option, and brief 16 question quiz to really enjoy your purchase. However, despite being a colorized version of the original, you might get a kick out of the 1933 Mickey cartoon "Ye Olden Days".

Robin Hood is a well-known old English legend, based in part on actual historical people, places and medieval life (ex. King Richard, Price John, Nottingham, caste system, etc). Sounds like a mini history lesson disguised as Disney entertainment! *wink* Older kids might be interested in comparing the Disney version of the story to other film and or book versions of Robin Hood. I know it sounds like I am analysing this too much, but having written a paper on this exact topic for a college english class, I know what I'm talking about. You can't ask for a better assignment than watching a Disney movie, eh?! :)

For whatever reason you choose to watch this DVD, and at whatever age you are, you will love this movie and it will become one of your favorites!

The Best
This is one of the BEST Robin Hood films ever made! I caught this one on Disney when it first came out. I loved the silly king and the goofy vile snake. Such a great classic film. Memories to be made with this one.

A breakthrough in Anthropomorphic characterization!
Disney's version of "Robin Hood" was a breakthrough in the use of Anthropomorphic or "humanized" animals in animation. It was the first time any animation studio created an all-animal cast playing roles usually reserved for humans in a full length movie. It holds a unique place in Disney Animation just for this reason.

Believe it or not, this movie's influence has been far-reaching on the design and stories of later animated movies (Don Bluth's "The Secret of NIMH", Disney's own "Lion King"), many animated television shows ("Ducktales", "TaleSpin"), comic books, video games (Nintendo's "Starfox"), Asian Anime and the growing "Furry" Fandom on the internet today.

The 70's were a uninspired and directionless time for Disney Animation and "Robin Hood" shows the effects of this. The animation is flat and looks cheaply done due to the use of Xeroxing the pencilled animation onto cells instead the precise but expensive way of hand tracing. Some of the animation where characters are dancing was directly copied from "Snow White" and "The Aristocats". When Sir Hiss stares hypnotically into Prince John's eyes for a few seconds - its the same exact animation you saw in 1967's "The Jungle Book". This reuse of animation was fine for Hanna-Barbera and other low-budget TV animation companies but a travesty for Disney which created and set high standards with their animation in the 1930's through the early 1960's (and thankfully recapured some of those standards in the 1990's).

Some characters are recycled from other Disney movies - Little John and Sir Hiss are carbon copies of the Jungle Book's Balloo the bear and Kaa the snake. The songs besides Roger Miller's "Oo-De-Lally" (which was sampled and sped-up for the popular Radio Disney staple "The Hampsterdance") just aren't that memorable or very good. Add to that the direction is very pedestrian with little style or "zing" - typical of most Disney films of the period.

Despite all these flaws the movie is still one of the most charming, fun and entertaining of all of Disney's 1970's output. The biggest reason is the great cast of voice actors - they sound like they were having fun making this movie and their enthusiasm give the characters "life" when the animation doesnt. Peter Ustinov almost steals the movie with his voicing of Prince John. The story is one of the better adaptations of the Robin Hood legend and the script is well paced and full of funny one-liners that might go over the head of young kids but adults will enjoy.

Disney's DVD version is a huge improvement over the old VHS tape from the 80's - but there are still scenes where the colors look washed out from a faded print. Also the movie's soundtrack is still in the original mono. Besides the original trailers and the classic Mickey Mouse short, the extras are only for the kids and not die-hard animation fans. I wish Disney would have spent more time and money for this reissue, restored the color, add archival footage, interviews and remixed the audio for 5:1 stereo like they have done for "Cinderella" and "Sleeping Beauty". This classic movie deserves better than a basic bare-bones presentation.

Awsome!
This is a very good movie. My sister and i really enjoyed it. It is not the modern day war etc. movies it is a nice classic movie with a cool plot.
It is awsome. ... Read more

Reviews (140)

The BEST action/adventure film ever made.
Errol Flynn at his best...swashbuckling at its best...action and adventure galore. This film is simply the best of the genre. The casting is perfect, from Flynn in the best role of his career, to Herbert Mundin as Much the Miller's son. The 3-strip color photography remains as vibrant today as when it was released 61 years ago. The dialogue between Flynn and Oliva de Havilland, between Flynn and Basil Rathbone, between Flynn and Claude Rains, is always lively, always fun. And Miss de Havilland's costumes are absolutely gorgeous, as is she.

The film moves, never stops, and you are never bored. If you watch this movie alongside Kevin Costner's ill-advised Robin Hood, Prince of Thieves, you realize why one should never try to improve on perfection.

As the New York Times said in its original review in 1938, this film entertains everyone from 8 to 80. No argument here!

The Greatest Robin Hood ,Flynn now a fantastic WB DVD set!
Warner Brothers (WB) Studios has begun meticulously digitally restoring its action classics of the 1930's & 40's under the "Two Disc Special Edition" Series. This 1938 TECHNICOLOR (awesome) film "The Adventures of Robin Hood" starring Errol Flynn, Olivia deHavilland, Basil Rathbone & Claude Rains is still the best rendition of this fictionalized English tale.

Warner Brothers has given us with this 2 Disc set the complete movie theatre experience circa 1938. DISC 1 - First we get a complete "Night at the Movies" program. Introduction by film critic Leonard Maltin explaining for your 10 cent investment what you got in a 1938 movie house. Next the entire continous show with; coming attraction, news reel, Bugs Bunny Cartoon, short subject feature and then the main feature, "The Adventures of Robin Hood". This is a totally ingenius idea!!! Also on Disc 1 - you have 12 Errol Flynn movie trailers and finally an indepth feature commentary by film historian Rudy Belhmer.

Disc 2 - Includes 3 hours of everything about Robin Hood, the movie, the stars, documentaries, cartoons, and a most informative documentary about TECHNICOLOR and why even today it still was the best color process ever.

I love this fun filled DVD set. My hat is off to Warner Brothers for their dedication to the golden age of Hollywood and bring back the grandest of movies for us to see again & again better than their original release. Enjoy.

great movie ....second DVD is amaaazing!
This is more a review of the package than the movie , which is a classic and extremely well presented on disc one....vivid colors , crisp images....not a complaint there....and the bonus features are very good....a comprehensive set of Errol Flynn movie trailers...WB night at the movies....(an exhausting Rudy Belmer commentary track that will have you gasping for air).
the SECOND disc is just ridiculous in its amount of archival coverage..
a wonderful documentary on the movie
a great feature on the history of Technicolor....
two very fun looney tunes cartoons with a Robin Hood theme...
outtakes from the movie!
home movies shot during filming!
a long lost Errol Flynn movie about yachting..
and a positively thrilling short film about archer Howard Hill...
and more.
HOURS of fun and informative viewing on disc two alone!
Warners should be congratulated for such a comprehensive set ....buy this and encourage them to keep this type of content coming!!!

Errol Flynn: Truly The Sheerwood Forest outlaw
One of the Greatest action/adventure films of the 20th century. The epic swashbuckling adventure of one of history's greatest heroes.the dashing Errol Flynn as Robin Hood or as they also call him "Sir Robin of Locksley" was perfect. He was what a swashbuckler should be and probably the greatest of all swashbucklers. Basil Rathbone and Claude Rains were brilliant as Robin's foes, Sir Guy and Prince John. Oliva DeHavilland was glamorous as the love of Robin Hood, Maid Marian. My Favorite scene was Robin and Sir Guy's sword fight during King Richard's return. Flynn and Rathbone two of cinema's sword fighting experts. I love the sound of sword clangling. If your looking for a classic film or a swashbuckler film, this is a great one. Because this a film that created Pirates of the Carribean, "Long Live King Richard."

The Kids Loved It!
This was one that our boys (ages 7 and 10) watched with their grandfather, who caught it in the theatres when it first came out. It's hard to say who enjoyed it more! A fun, spirited and utterly charming film, this one has aged beautifully. Everyone loved the bonus features, too. The DVD transfer is exceptional. Add some popcorn, and you've got a wonderful mulitgenerational hit that will enchant the whole family. ... Read more

Reviews (362)

Rousing swashbuckling tale
This is not your Father's Zorro, and Antonio Banderas does a fine job as the masked avenger (and according to the Amazon.com trivia section, the first Hispanic to play this role). Banderas plays the second generation people's hero in Southern California, just prior to Spain's ceding of the land to Mexico.

Anthony Hopkins is a great second (who is actually the first) Zorro, a/k/a Don Diego de la Vega, a Mexican land baron and freedom fighter. After escaping decades later from prison, Hopkins escapes from prison to seek revenge on the no-good governor (well played by a smarmy Stuart Wilson) the man who killed his wife and stole his daughter.

Bandaras, a low-life bandito becomes urbane and a proficient warrior at the teaching of Hopkins, and then becomes transformed by a positively bewitching Catherine Zeta-Jones. Their interplay gives the film its romantic, and often sensual edge.

Lots of swordplay and general excitement, as we recall from Douglas Fairbanks and Disney's Guy Williams. The movie moves quickly (but bogs down for awhile 2/3 of the way through. Happily, it picks up the pace through the end.

Nice scenery. When we see the sign of the return of Zorro, via a blazing Z cut into a hillside , it is positively thrilling. A stirring script which fits the film well. More than enough humor (such as the scene in the confessional, or one of several chased of Zorro by the troops) for the purpose of lessening the tension which is well added by a malevolent Matt Letscher.

As one says, it is a grand throwback. As another said: That's entertainment!

...They make the sign of the Z...
This film is the most recent Zorro film. It stars the young Hispanic Antonio Banderas and the intelligent actor Anthony Hopkins. THis may be the first time that a true Hispanic has played Zorro in an American film.
In 1820, Spain has lost California to Mexico. But Rafael Montero (Stuart Wilson) the Spanish govenor, is determined to kill his nemisis Zorro. The fox again foils Montero's plans with the help of two young orphans, one of whom he gives a medallion. Somehow, Montero learns that Diego de la Vega (Anthony Hopkins) is Zorro. Diego's wife is murdered by Montero's men, his hacienda burned, Montero robs him of his child, and Diego is sent to prison. Defeated but determined never to surrender, the enraged fox promises the govenor that he will never be rid of him.
Twenty years later, Santa Anna has become worse than Montero, and people vanish without a trace. The orphan who helped Zorro, Alejandro Mureita (Banderas) and his brother are caught by Montero's man Capitan Love (Matthew Letcher) who beheads Alejandro's brother. Meanwhile, Deigo escapes and sees that Montero has raised his stolen child Elena (Catherine Zeta Jones). Diego sees Alejandro. The two men form an alliance. Diego trains Alejandro in the art of the sword, the whip, riding a horse, and athletic ability. Alejandro tries an exlpoit as Zorro but is rejected by Diego. In the end, however, the new fox earns his mask. Diego now seeks revenge on his nemisis, Montero, while the new Zorro tries to free the people.
This film extends Zorro's legacy. However, in the future I am sure we will see more films with Zorro being Diego. One line with this film seems to hold more emotion than the rest.
DIEGO: "Rafael! You'll never be rid of me! Never!"

New Zorro, New Age
I have never been a huge fan of Antonio or Jones until I saw this film. With its breathtaking scenery, action and atmosphere it makes you love zorro again! A new zorro for a new age! Very well done film with superb acting. The dvd is full on with excellent picture quality and sound.

Zorro No Longer a Hero
Zorro, the hero of Pulps, movies, books, comics and television, has a new movie out. Antonio Banderas, on Larry King Live, mentioned that he hoped this movie would help to keep alive the spirit of the only Spanish super-hero (he in not the only one nor was he at the time of the interview). Well, I think it will do much to keep the name alive but not the spirit.

Anthony Hopkins is Zorro, the Fox. After years of struggle, Spain is pulling out of California and leaving it to the Mexicans. But Zorro slips up and the evil Governor tracks him down, kills his wife, steals his daughter and throws him in prison. Twenty years later Don Diego (Zorro) hears that the Governor is back. Minutes later he has escaped from prison (what was he waiting for?) and is destined to run into Antonio Banderas. After their meeting, Don Diego trains Antonio to be the new Zorro. The rest of the movie involves the plan to create the Independent Republic of California by buying it from Santa Ana with gold dug out of its soil and stamped to look Spanish. Mexico is willing to make the sale because of their war with the United States (it is now 1841).

If you are looking for a fun swashbuckling adventure, then this is definitely the movie to see. If, however, you want to see Zorro, you might find yourself a little disappointed. Gone is Zorro, the defender of the common people and the innocent. In his place is, not one, but two, Zorro's who are bent on personal vendetta's and enlightened self-interest. It is actually Don Diego's daughter who helps some enslaved Mexicans near the end of the movie.

The transition from one Zorro to another takes the Fox out of the wealthy and privileged and makes him a commoner. The new Zorro is also a thief (in a wonderfully fun scene the young Zorro steals his horse, a very serious crime at the time). Having Zorro break so common a law seemed wrong to me. To have Zorro flaunt the breaking of laws meant to worsen the lives of the commoners is another thing entirely. But in this movie Zorro does not taunt authority. He plots against it, to be sure, but for his own reasons and not for the good of the people.

As this movie has two Zorros, there are now also two villains to be defeated (one each). The elder Zorro still has his old nemesis to contend with while the younger Zorro has made a personal enemy of Captain Love, a young Cavalry officer who seems to be in the wrong country. Both villains are vile and easy to hate. This make the personal vendettas a little more palatable as well as making the ending a lot more fun.

The other main problem with this film is that Zorro loses. Zorro never loses. but in this film Zorro loses big time. He loses his wife, his home, his daughter, his name and twenty years of his life. Granted, he briefly regains his daughter but gone is the hero who can laugh in the face of danger and triumph brilliantly.

The last thing I wanted to mention is that, probably due to the controversy over the new Jeffrey Irons film, Zorro is no longer married to his wife Lolita. Her name has been changed (how dare they) to the more common Esperanza. I can understand the concern of some but Don Diego won the heart of Lolita before the Roaring Twenties. As in the Nabakov novel, Lolita is a valid name before it was turned into an adjective. Next thing you know people are going to try and get Disney to change the name of Bambi because they think it is a girl's name (Bambi was the prince of the forest).

So, if you want to see The Mask of Zorro because, to you, it means an exciting swashbuckling movie, you will really enjoy this one. But if you want to see the movie to watch the continuing adventures of a hero that has entertained all generations since his debut almost eighty years ago, part of you will be disappointed in what has happened to the character.

ZORRO MEETS ZETA JONES
THE MASK OF ZORRO is a rousiing, energetic, exciting romantic swashbuckler movie, reminiscent of all those great Fairbanks and Flynn movies.
Antonio Banderas is a perfect Zorro, starting off rude and crude, ending up flamboyant and gallant. His injection of humor and the way he rolls his eyes is a definite good addition to his role.
The ever amazing Anthony Hopkins shines in his role as the first Zorro, whose life is ruined when his wife is killed and his daughter taken away from him by his cruel enemy. It's rare to see an action hero over the 50 year mark!
Catherine Zeta-Jones is breathtakingly beautiful and is wonderful in her role as Hopkins daughter, feisty, yet adolescent in her yearnings for the masked man.
Stuart Wilson is vile and irreprehensible as Don Metero, the head villain, and he plays it to the hilt.
Matt Leschler as the Captain is even worse, his dashing good looks hiding a psychotic imbalance.
The whole movie is superb; James Horner's overlooked Oscar score is beautiful, including the closing credits duet by Tina Arena and Marc Antony of "I Want to Spend My Lifetime Loving You."
This is a fun, enjoyable and uplifting kind of movie. ENJOY! ... Read more

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Among the most exciting of MGM swashbucklers, Richard Thorpe's 1952 Ivanhoe stars Robert Taylor as the medieval hero of Sir Walter Scott's novel. Returning to England from the Third Crusades, Ivanhoe is steadfast in his determination to raise the ransom for the captured King Richard (Norman Wooland), but the effort is full of peril. First is Ivanhoe's reunion with his estranged father (Finlay Currie), a Saxon who hates the Norman king and refuses to give his son the money. Then there's Ivanhoe's unpopular rescue of a wealthy Jew, Isaac (Felix Aylmer), from anti-Semites, and the subsequent decision by Isaac's beautiful daughter, Rebecca (Elizabeth Taylor), to pay Ivanhoe's entry fee in a tournament. (The strapped knight seeks the tourney's cash prize.) Wait, it gets worse: two of Ivanhoe's closest associates (played by George Sanders and Robert Douglas) collude with Richard's evil brother, Prince John (Guy Rolfe), to discredit their friend and steal away Rebecca and another woman, Rowena (Joan Fontaine)--who also fancies Ivanhoe--for themselves. Yes, the situation looks grim, but surprise appearances by a couple of legendary hero types toward the end help level the playing field. Nonstop adventure to make one swoon, Ivanhoe is a gorgeous treat and reasonably faithful to the Age of Chivalry. Things worked out so well for this film, Thorpe and Taylor got together the next year to make Knights of the Round Table. --Tom Keogh ... Read more

Reviews (11)

Very Good Rendition of the Sir Walter Scott Classic Tale!
Robert Taylor and Director Richard Thorpe team up for their first of two (Knights of the Round Table in 1953) epic tales of noble knights and beautiful damsels in this well made adaptation of the 1819 Sir Walter Scott classic, nominated in 1952 for three Academy Awards, including Best Picture. It is, of course, the classic retelling of one man's, Wilfred of Ivanhoe, quest to restore Richard The Lion-Hearted (Norman Wooland) to the throne stolen by his evil brother, Prince John (Guy Rolfe). But with all it's feats of derring-do, this version is also a tender tale of love. Robert Taylor stars as the intrepid Saxon knight-errant Wilfred of Ivanhoe, who is charmed by not one fair lady, but two; the stunningly beautiful Rebecca (Elizabeth Taylor) and the stately Saxon princess Rowena (Joan Fontaine). In striking contrast to this romantic feast, there is the malevolent Sir Brian De Bois-Guilbert (George Sanders), Ivanhoe's deadly enemy and constant threat. This film features some very authentic looking and spectacular fighting sequences and is sure to become a favorite film of students of 12th-century English history. Filmed entirely on location in Great Britain, this movie is very rich in detail, including costumes and weaponry. Very representative of the Metro Goldwyn Mayer classics, this is a very good film somewhat typical of the film making of this decade, but still good enough to be enjoyed in modern day. If you somehow missed this one, give it a look; An excellent movie !!!

Very Good Rendition of the Sir Walter Scott Classic Tale!
Robert Taylor and Director Richard Thorpe team up for their first of two (Knights of the Round Table in 1953) epic tales of noble knights and beautiful damsels in this well made adaptation of the 1819 Sir Walter Scott classic, nominated in 1952 for three Academy Awards, including Best Picture. It is, of course, the classic retelling of one man's, Wilfred of Ivanhoe, quest to restore Richard The Lion-Hearted (Norman Wooland) to the throne stolen by his evil brother, Prince John (Guy Rolfe). But with all its feats of derring-do, this version is also a tender tale of love. Robert Taylor stars as the intrepid Saxon knight-errant Wilfred of Ivanhoe, who is charmed by not one fair lady, but two; the stunningly beautiful Rebecca (Elizabeth Taylor) and the stately Saxon princess Rowena (Joan Fontaine). In striking contrast to this romantic feast, there is the malevolent Sir Brian De Bois-Guilbert (George Sanders), Ivanhoe's deadly enemy and constant threat. This film features some very authentic looking and spectacular fighting sequences and is sure to become a favorite film of students of 12th-century English history. Filmed entirely on location in Great Britain, this movie is very rich in detail, including costumes and weaponry. Very representative of the Metro Goldwyn Mayer classics, this is a very good film somewhat typical of the film making of this decade, but still good enough to be enjoyed in modern day. If you somehow missed this one, give it a look; An excellent movie !!!

MGM's Superb Version Of The Sir Walter Scott Classic
There have been many versions of Sir Walter Scott's classic 1819 swashbuckling story "Ivanhoe", over the years but few of them come near MGM's well crafted and rousing 1952 version that reteamed the two Taylors (Robert and Elizabeth), for the second time. This version benefits greatly from being filmed on location in England, taking full advantage of the nature terrain which gives this film such an authentic feel and flavour. It marked another late career triumph for veteran MGM star Robert Taylor who was fresh from appearing in the blockbuster "Quo Vadis", in Rome when MGM sent him this time to England to take the lead role of Sir Walter Scott's heroic character fighting injustice in the medieval England of Prince John. This film has everything the swashbuckler fan could ask for, daring sword play, a beautiful leading lady, wonderous recreations of 12th Century England, and stunning action sequences filmed on the largest outdoor Castle set ever constructed by MGM while it had a studio in England.

The adventure story of the dashing knight Wilfred of Ivanhoe who champions the cause of the absent King Richard the Lion Hearted while he is away with the crusades is well known to most school age children but this film version is no mere comic book characterisation. Robert Taylor found a real niche late in his career playing these hero's of early English history and in "Ivanhoe",he is perfectly cast as the dashing knight who not only fights the wrong doers trying to steal King Richard's throne, but finds time to romance two beautiful women in Saxon princess Lady Rowena (Joan Fontaine), and the lovely young Jewess Rebecca (Elizabeth Taylor). The opening of the film finds Richard's throne usurped by his younger brother the wicked Prince John (Guy Rolfe). While returning from the Crusades Ivanhoe discovers that King Richard far from being dead as his brother would have the country believe is actually being held for ransom in Austria. Returning to England Ivanhoe finds the Saxon's under siege from Prince John and on a visit where he attempts a reconciliation with his estranged father Cedric (Finlay Currie)he sees first hand the work of Prince John and his follower Sir Brian de Bois-Guilbert (George Sanders). After an attempt is made to rob one of his father' guests the elderly jew Issac of York (Felix Aylmer) Ivanhoe becomes acquainted with his beautiful daughter Rebecca who pledges her jewellery towards King Richard's ransom. Entering a jousting tournament hoping to win the prize money to free Richard, Ivanhoe comes up against his mortal enemy Sir Brian de Bois-Guilbert and is heavily wounded. He is taken to Rebecca's house to recover however Sir Brian not only seeks to destroy Ivanhoe but wants to take the lovely Rebecca as his own. In an attempt to flee Prince John's forces both lady Rowena and Rebecca are captured by Sir Brian who takes them to the Norman fortress where he imprisons both Isaac of York and Ivanhoe's father Cedric. Ivanhoe gives himself to Sir Brian in return for the other release but he is betrayed and imprisoned with the others. Sir Brian however hasn't counted on the Saxon's revenge and soon the castle is undersiege. Despite an attack which sees the castle taken by the Saxons Sir Brian manages to escape with Rebecca who is then put on trial for supposed witchcraft. When it looks like Rebecca will be burned as a witch Ivanhoe arrives to her defense and offers to settle the verdict by one to one combat with Sir Brian. During the fateful contest Sir Brian is killed and just in time King Richard arrives home to claim back his throne displace the usurper Prince John. The conclusion sees Ivanhoe reaffirm his commitment to the lady Rowena despite his obvious attraction to the younger Rebecca.

Nominated for an Academy Award in 1952 for Best Picture this was one of MGM's biggest productions for the year and no expense was spared on sets, colour photography and action sequences. Robert Taylor was so successul in this role that MGM assigned him to play Sir Lancelot in "Knights of the Round Table", the following year to be also directed by Richard Thorpe. Rarely has Elizabeth Taylor appeared more beautiful than as the young heroine Rebecca. Hers is an interesting role which thankfully presents a sympathetic jewish character into the story. Elizabeth herself never wanted to do this film and was always scathing of her own performance here passing the entire film off in interviews as "just a big medieval Western". That really doesn't do the film justice as it is first rate entertainment of the old school. George Sanders and Guy Rolfe make superb villians and Sanders indeed manages to breath extra dimension into what could have been simply a one dimensional villian with his playing opposite Elizabeth Taylor in particular. The spectacular jousting scenes and the siege of the Norman castle are sequences rarely bettered in these type of films and every effort was made to give the film the correct period feel. The costumes by Roger Furse and art direction supplied by Alfred Junge really enhance the atmosphere and authentic historical look of "Ivanhoe" making it one of the better thought out historical adventures from the 1950's decade.

First class entertainment is provided all the way by MGM's "Ivanhoe", and as an example of what the studio could produce even as it went into decline in the 1950's it is top rate. The two Taylor's would never appear together again on film but they make a most interesting screen team and "Ivanhoe", boasts the sort of supporting cast in Joan Fontaine, George Sanders , Emlyn Williams and Finlay Currie that makes me wonder where the equivalent talent is in Hollywood today. Enjoy Robert Taylor fighting evil in 12th Century England in this wonderful version of Sir Walter Scott's immortal "Ivanhoe".

Same Category as The Adventures of Robin Hood
Why is this movie not released on DVD???? Does the studio have any plans on releasing soon???

A Beautiful Movie
I saw this movie in 1952 when I was 7 years old. Years later I bought the Laser disc and am dismayed there is no DVD.There have been many swashbuckling movies but this is the best. It is a ripping good story, poignant as well. Beautifully filmed! Robert Taylor Joan Fontaine and Elizabeth Taylor are superb-as is George Sanders. I have shown this film over and over again to my children and they love it. It is romantic without being vulgar. It has plenty of action" without being gruesome. It has character. And lest I forget a wonderful musical score. ... Read more

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Alexandre Dumas's classic tale of fraternal squabbling makes a more than satisfactory transition to celluloid with this 1976 made-for-television swashbuckler. Viewers familiar with the more recent Leonardo DiCaprio version may be stymied at first by the non-MTV pace and the rather unhip presence of Richard Chamberlain in the lead role(s). This well-lensed actioner overcomes a somewhat pokey first half to emerge as a terrific adventure, complete with plenty of derring-do, some sharply pointed dialogue, and a wonderful performance by the incomparably malevolent Patrick McGoohan. Rousing fun for burgeoning rapscallions of all ages. Director Mike Newell would later find success in a different genre with Four Weddings and a Funeral. Ian Holm, Louis Jordan, and Ralph Richardson round out the embarrassingly rich supporting cast. --Andrew Wright ... Read more

Reviews (9)

ONE IS CRUEL - THE OTHER IS A JEWEL -WHO WILL RULE?
THE MAN IN THE IRON MASK, is the most exciting of the Alexander Dumas classics. The multi-talented Richard Chamberlain, gave one of his finest performances playing dual roles - King Louis XIV and Philippe, twin brothers with totally different identities and destinies. Chamberlain showed his dazzling acting range, portraying the evil, mean-spirited, cruel Louis, who is absorbed by his own pleasures; while simultaneously portraying his kind and generous twin brother, Philippe, who has been hidden away in prison, encased in a miserable iron mask. The tall, lean, actor is ideally suited to play royalty, with his regal bearing, commanding voice, and ability to wear with dignity, the lavish royal period costumes, with their ruffles, wigs, capes, and plumes. The actor's tour de force comes in the movies climactic scenes, when Philippe must pretend to be Louis. He was brilliant, playing a character who must act like another character, when he himself has created both characters. The actor's beautiful face, should never be hidden behind a mask of any kind, for Chamberlain makes full use of his facial expressions to grip our emotions, when he first meets his Queen Mother. The face bespeaks the tragedy he has suffered; in his eyes, we see the loss, regret, and deep despair. This emotionally charged scene is delivered powerfully by the savvy and classy actor, bringing his audience to tears as they behold his deep sorrow. This great story held me captive and spellbound as the cast of fine actors, led by the ever-inspiring, incomparable, Richard Chamberlain worked their magic. As this classic thriller reaches its climax, one brother will ascend to the throne, the other will be imprisoned for life. One is calculating and cruel, the other a gentle and generous jewel ......which one will rule?

Good, Sober Realization
I just like the story line. The ending emphasizes the "what goes around comes around" idea.

Excellent scripting, acting, and dialogue
In an age where action is becoming more important than story, this version of The Man in the Iron Mask has refreshingly excellent acting and dialogue.

Chamberlain did well in this movie in his dual role, and equally well the other TV movie he made at nearly the same time, The Count of Monte Cristo. Patrick McGoohan and Ralph Richardson could not have been more perfectly cast as the dishonest Fouquet and the scheming Colbert, respectively, and the acting all-around was superb.

The score was decent, but entirely forgettable. The action scenes will excite no one, as all fighting is done with obviously plastic swords, and very little dramatic dying goes on. Most of the action and fencing goes on in court, which the ensemble cast (thank God) proved fully capable of doing.

And that, of course, is where this film really shines: at the court of Louis XIV. The pomp and cruel subtleties are conveyed very well, and the unattentive viewer will probably miss a lot. The royal 'we' is employed unselfconsciously by Newell, whereas the latest adaption seems hesitant to use such a little-known speech mannerism with the "uneducated" public. In one particularly well-done scene, Fouquet reveals to Louis that his brother, Philippe, is still alive. While initially respectful to the King, Fouquet asserts his power over Philippe, and thus over Louis, culminating in sitting down while Louis remains standing, normally something that Louis might be fickle enough to execute someone for.

If you want great acting and story rather than great action, this movie comes highly recommended.

Great Story, Scenery And Acting,
I didn't read the book yet. So I can't say how this movie compares to the book. I felt the Dicaprio version was fairly good. But I honestly prefer this version. This movie is not exactly Mel Gibson's "Hamlet" or Peter O Toole's "The Lion In the Winter." But it is a wonderful classic to be enjoyed and treasured. The scenery and outfits are both beautiful; but the images in this movie are fairly nice. The actors carry out their roles with great life and dignity. Chamberlain does well at portraying both the tyrant and suffering innocent. McGoohan is excellent as the king's effective servant. (Despite his evil nature, he does carry a charm, and at times it is easy to like him.) The humiliated wife of Louis XIV portrays her sorrow and frustrations well. In Mel Gibson's "Hamlet," Ian Holm portrayed the bumbling not so intelligent Polonius. But in this movie, he shows that he can also portray a shrewd, capable, and intelligent plotter. This movie is proof that action has it's place, but it is the script writing and acting that make the movie. Although there is not much action, the story is never boring. Even comical moments are well placed here and there. For those of you reading this, it may interest you to know that in reality, the mask was soft velvet; he lived in lush accomodations; he was very well treated and given anything he asked for; his guards were even known for being very respectful to him. To top it off, scholars are undecided as to whether the velvet masked man was of royal blood. Some actually think he was a playright! But if we are willing to forget historical reality, this movie is a timeless classic. ...

A really good movie
I've never read the book, so this movie seemed really good to me. I don't know if it's accurate to the book or not, but I liked what I saw. Richard Chamberlain did a wonderful job, along with Patrick McGoohan as the evil Rouquet. It's very exciting and at the climax of the movie when the true king must be chosen, it's very nerve-racking. I recommend this movie to anyone who likes historical fiction and excitement. This was a great movie. ... Read more

Reviews (15)

Kelly is the greatest D'Artagnon since Fairbanks
And in my opinion, no one has done it better since. When I first saw this movie as a child, I fell so in love with Gene Kelly that I never recovered! (Oh, sure, I flirted with Paul McCartney for a while, but I came back to Gene!!) As far as I'm concerned, no one but Douglas Fairbanks (that's Sr., not Jr.) could even touch Kelly's performance in this, for pure graceful athleticism. Michael York and Chris O'Donnell look like a couple of cows compared to Kelly's speed and grace. Oh, yeah, and did I mention that Lana Turner is stunning in this, and Vincent Price is a delightfully nasty Cardinal Richelieu, or that Angela Lansbury is unbelievably beautiful as the Queen of France? This would go on my list of the 100 best movies ever made!!

a good film.
This version of, "the Three Musketeers," with June Allyson, Gene Kelly, Van Heflin, and Lana Turner, is colorful, romantic and filled with adventure. It's really well down and well worth seeing. Also it's great for kids, as my little cousin, love it. I think it deserves many stars, and it really lets all the actors and actresses shine in the roles, and all have an equal part in the film.

Brave,drunken and foolish Muskeys.
The three Musketeers is a good movie.They serve the King,Fight Cardinal guards,and always suave to the ladies.They still have emotions,and sadness.The plot of the movie starts out,happy and carfree,and at times,a comady.And then in the end,a tradegy.Very sad and frighting.All throughout you will learn to love those muskeys!
D'artangan(Jean Kelley) is a young man that lived in a small town of Gascony, All his life he wanted to leave his home to become a great Musketeer,for the King.Finally His wish was granted.His father wrote a letter of reconition,for him to the Captain of the Musketeers,mougnsier Treville.His father tells him to never take a insult,fight for his honor....
By acident he bumps into one,gets tangled in a cloak,insults the honor,of three Musketeers.They all chalenge him to a duel. Three Duels in one afternoon!I bet you can guess who the three Musketeers are.Athos,Porthos and Aramis! They meet up at the grounds to fight D'artangan without knowing they all wanted to fight the same person.Athos goes first,when their most hated enemys show up,the Cardinals guards.The Cardinal had a rivalery for power with the King.Their men had one too! D'artagan becomes fast friends with Athos,Aramis and Porthos when he decides to fight at their side. ...and wins!
D'artagan even finds his love Costance.At first she thinks him mad,but after saving her,she sucumbs to him,so their kissing comes blissfully.He has never been more happy until Constance imforms him he must save the Queens honor(I won't give spoilers)in a dangerous situation! He's consents and soon persuades his friends to come along! As Athos says:Why wait till the lasts drop gone from the bottle? So begins the real story.
Those Musketeers are brave and smart but they have their faults amd hopes that in the end has efects on their lives.. Athos loves wine,and often gets giddley,happly drunk.D'artangan finds out that it may be more to his drinking than just for fun.A terrible,sad secret that has haunted Athos for years!
D'artagan gets carried away by puppy love too often...with Milady De Winter! Who Does the Gascon choose?
Porthos and Aramis don't do as many mistakes,But each have their hopes.Porthos hopes to marry a rich widow,and Aramis wants to become a priest.
I'm closing this review with the hope I did not reveal too much. The ending is not entirly happy,I warn but it's a great movie about,actions have their end,Friendship,Romance,vengence,humor,and evil. The best version I've watched so far. ALL FOR ONE AND ONE FOR ALL!

Gene Kelly and swordplay. Doesn't get better than that!
I have loved this movie for years. Clean dialogue, exciting action, great acting and Gene Kelly with a sword! Keenan Wynn, Gene Kelly, Lana Turner, a tortured Van Heflin--all of the great actors of that day--a very young Gig Young--ah, for the good, old days of fun, laughter, excitement and chivalry! Hollywood doesn't know how to make them this good anymore and this movie is a must see!

Six Stars
I found this movie on TV one night after falling in love with the story of the Musketeers, and nearly threw a fit when my dad made me go to bed in the middle of it. It has certain aspects that the 3musketeers/4musketeers movies leave out suchs as hints to Arimis' background and the fact that all four Musketeers had servents. A six-star movie! ... Read more

Reviews (6)

Errol Flynn Shines As Legendary Lover!
THE ADVENTURES OF DON JUAN was intended as something of a 'comeback' film for Warner Bros. resident 'bad boy', combining the heroic elements of 'ROBIN HOOD' and 'THE SEA HAWK' with Flynn's well-established (by 1948) reputation as a hell-raising womanizer. Unfortunately, the color production was not a box office hit, but the comic adventure is today embraced by his many fans as one of his best roles!

It was not an easy film to make, as Flynn's carousing and frequent disappearances stretched the filming out by months, and forced frequent reshooting. Director George Sherman, cinematographer Elwood Bredell, and editor Alan Crosland often had to 'cut-and-paste' snippets of many takes to achieve a decent performance from the star, and careful lighting had to be used to play down the increasingly obvious effects of the star's hedonistic lifestyle. (The opening sequence, and closing scene, featuring then wife Nora Eddington, were shot nearly a year before the remainder of the film, and the change in the Flynn's physical appearance is clearly evident.) At 38, the star, who always hated being called a 'pretty boy' (to the extent that his home had no mirrors) was aging rapidly, and badly.

All this being said, Flynn tried to give the film his best he could. It had been a landmark film for his friend/mentor John Barrymore, in the first Warners' film with sound, employed for music and special effects only, in 1926 (THE JAZZ SINGER would introduce 'talkies' a year later). It reunited him with friend and frequent costar Alan Hale, who, at 56, was still a popular character actor, and whose son, Alan Jr., was starting to make his mark around town (he would eventually be best known as the Skipper in 'Gilligan's Island'). The script for DON JUAN passed through many hands, including uncredited help by William Faulkner and Robert Florey, with the end result being marvelously funny, tongue-in-cheek, and swashbuckling, to boot! The score, by the legendary Max Steiner, became an instant classic, and would be reused, years later, in George Hamilton's ZORRO, THE GAY BLADE. This was a film which, despite Errol Flynn's self-destructive lifestyle, had enough talent involved to still stand up as one of the better films of the 1940s.

The plot involves roué Don Juan, tossed out of England after breaking up a 'diplomatic' wedding (a VERY funny scene), returning home to Spain to find evil Duke de Lorca (the sublimely nasty Robert Douglas) controlling weak King Phillip, and taxing the population to near starvation, with only the beautiful Queen Margaret standing in his way. Flynn quickly dispatches a de Lorca press gang, earning the Count's hatred, and the Queen's attention...and Don Juan finds himself truly falling in love, for the first time, with the youthful monarch (played by the radiant Viveca Lindfors). Assigned as a fencing master at the Academy, the legendary lover draws the ire of the Queen by stating his feelings for her, then is manipulated into another disastrous diplomatic blunder, involving, of course, another woman. On the run, he discovers de Lorca's ultimate scheme (manipulating the Crown into war), and with the help of the students of the Academy, he must save the King and Queen.

Featuring a great early appearance by Raymond Burr (as a de Lorca henchman), and a stirring final duel between Flynn and Douglas (expanded from the 1926 version, and featuring an astonishing climactic stairway jump, performed by stuntman and future 'Tarzan' Jock Mahoney), THE ADVENTURES OF DON JUAN is a gloriously adventuresome romp. Sadly, it didn't save Flynn's flagging career, but it certainly has earned a place among his classic films!

very good!
Errol Flynn is perfect as the romantic figure Don Juan. This is a must see film with adventure and romance. It's colorful and one of Flynn's best.

The Greatest (Next to Robin Hood)
Errol Flynn's Robin Hood is one of the greatest adventure films ever made. But after you've seen it again and again, you wish you could see the same thing only different. And that's what Don Juan is. We still have the incomparable Flynn at his best, we still have the fights and the swordplay, and a bunch of Flynn's acolytes storming the old castle (this time they're not men in green tights, they're men in black swordsmen tights, but what the hell). It's "almost" a remake of Robin Hood, and that's why it's so terrific. If you loved Robin Hood, you'll like Don Juan. And if you like Don Juan and haven't seen Robin Hood, well, lucky you, you're in for one of filmdom's supreme achievements.

A Classic Swashbuckler
"Adventures of Don Juan" was Errol Flynn's last memorable swashbuckler before his sad decline. A loose remake of John Barrymore's "Don Juan" (1926), this 1949 production is colorful escapism on a grand scale -- abetted by lavish sets, Oscar-winning costumes and a fine Max Steiner score. Flynn's deterioration is somewhat evident, yet this dissipation seems appropriate for the debauched Don Juan. The light-hearted romanticism of "The Adventures of Robin Hood" is replaced by a darker and sometimes brutal tone. Robert Douglas and Raymond Burr are appropriately slimy villains, while Viveca Lindfors' Queen of Spain is not easily won over by Flynn's charm. Admittedly, the film is a bit dialogue-heavy and one can see how Warner Brothers saved a little money through its occasional use of stock footage. However, these flaws are more than compensated by first-rate action sequences and sword duels -- particularly the climactic confrontation between Flynn and Douglas. Though only a moderate success in American theaters, "Adventures of Don Juan" remains a solid swashbuckler and a classic of the genre.

Flynn's Last Great Swashbuckler
"The Adventures of Don Juan" was Warner Brothers' last big investment in Errol Flynn. Their resident bad boy had long ago used up any goodwill he might have had with the studio -- goodwill based primarily on Flynn's power at the box office. But in the late 1940s, Errol Flynn's star was on the wane, and the studio was beginning to take a hard and skeptical look at their one-time box office bonanza.

In an attempt to rekindle some of the old fire, Warner Bros. produced "The Adventures of Don Juan," in which Flynn plays the title role. His Don Juan is world-weary, a man for whom all the loves and swordfights and scandals are beginning to wear him a bit thin. But the most compelling aspect of this Don Juan's character is his sense of humor. Flynn brings a humorous, tongue-in-cheek element to the character that is extraordinarily appealing.

The film is lush and well-appointed. There are times when Flynn shows the effects of years of hard drinking and womanizing, but for the most part he is strikingly handsome. Stunt doubles were used extensively for him, particularly in the final duel scene. In the shot where Don Juan leaps down a long staircase and lands on top of the villain, future "Yancey Derringer" star Jock Mahoney performed the leap.

"Don Juan" did poorly in the United States and fabulously well in Europe. Its cool reception at home convinced Warner Brothers that Flynn was no longer a bankable commodity, and considerably less money was spent on his films in the few years he had left under his contract.

But in the intervening years, "The Adventures of Don Juan" has earned a huge following among Errol Flynn admirers and movie buffs as well. It is a grand, humorous and thoroughly enjoyable jaunt with the King of the Swashbucklers, and one that should not be missed. ... Read more

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Footnotes in movie books are likely to reduce this swashbuckling adventure down to a simple description: it was the first movie to star Leonardo DiCaprio after the phenomenal success of Titanic. As such it automatically attracted a box-office stampede of Leo's young female fans, but critical reaction was deservedly mixed. Having earned his directorial debut after writing the Oscar-winning script for Mel Gibson's Braveheart, Randall Wallace wrote and directed this ambitious version of the often-filmed classic novel by Alexandre Dumas. DiCaprio plays dual roles as the despotic King Louis XIV, who rules France with an iron fist, and the king's twin brother, Philippe, who languishes in prison under an iron mask, his identity concealed to prevent an overthrow of Louis' throne. But Louis' abuse of power ultimately enrages Athos (John Malkovich), one of the original Four Musketeers, who recruits his former partners (Gabriel Byrne, Gérard Depardieu, and Jeremy Irons) in a plot to liberate Philippe and install him as the king's identical replacement. Once this plot is set in motion and the Musketeers are each given moments in the spotlight, the film kicks into gear and offers plenty of entertainment in the grand style of vintage swashbucklers. But it's also sidetracked by excessive length and disposable subplots, and for all his post-Titanic star power, the boyish DiCaprio just isn't yet "man" enough to be fully convincing in his title role. Still, this is an entertaining movie, no less enjoyable for falling short of the greatness to which it aspired. --Jeff Shannon ... Read more

Reviews (168)

As much fun as the book...
Movie adaptations of books are prone to disappointment - But not so with this film adaptation of "The Man in the Iron Mask," the third book in the Musketeer trilogy by master Alexandre Dumas.

Unlike the earlier "Three Musketeers" released by Disney (featuring Oliver Platt, Charlie Sheen, Chris O'Donnel and Kiefer Sutherland), which was aimed at a younger audience, "Iron Mask" is aimed at a more sophisticated adult audience. It aims past the raucus swashbuckling (although there is plenty of action to satisfy) and strives toward deeper character development in an almost introspective manner. From d'Artagnan's severe sense of duty to Aramis' penitence to Athos' alternating joie de vivre and ennui to Portos' fatherly love, with an underlying religous tone, the "Iron Mask" underscores the human struggle toward virtue and a supernatural code of morality.

The cast, including Jeremy Irons, Gabriel Byrne, Gerard Depardieu, John Malkovich and DiCaprio) is superb - with the exception that Malkovich's characteristic American accent seems out of place juxtaposed to the more British and French tinge of his fellow musketeers; and, more importantly, that the young DiCaprio (who has since matured) has yet to 'come of age' as an actor in this movie. The direction by "Braveheart"'s Randall Wallace is outstanding, with good cinematography and composition, well-planned pacing and a well-written and edited screenplay adaptation of the work.

Of course, the credit to the success of this movie is that the original work by Dumas is a page-turner literary classic! I highly recommend reading the complete trilogy: "The Three Musketeers," "Twenty Years After" and "The Man in the Iron Mask."

For hands-down the best translation of a Dumas work to film, I highly recommend "The Count of Monte Cristo," featuring the excellent Jim Caviezel.

Not Perfect, but Interesting
This movie is not unlike its central character(s) -- twins separated at birth, developing in two different directions. There's the movie for the squealing teens -- basically Leo DiCaprio, in all kinds of costumes, doing his cute-as-a-button routine as both hero and villain. Then there's the movie for everybody else -- a somber, complex story full of superb middle-aged actors who finally find honor and redemption at too high a cost. The two sides of the movie do fit together -- DiCaprio is a surprisingly good actor when he has the likes of Malkovich and Gabriel Byrne feeding him his cues -- but the fit is never perfect. The old guard side of the story is slow-paced at times, because it develops a personal plot line for every single Musketeer, but it gets there in the end. If you like the movie the first time, a re-watching will bring up new and interesting nuances. The best thing in the film (if you're not female and 17) is John Malkovich, whose version of Athos jumps believably from homicidal obsessive to loving father figure without ever touching middle ground. The movie is too flawed to be called 'great,' but what it does well it does very, very well.

True to Dumas
I have read the entire Musketeer series. This version closely tracks its written counterpart. It was well acted and involved the viewer in both the comedy and pathos Dumas was expert at entertaining his readers with. I was actually surprised by diCaprio's performance. I thought he showed great versatility in playing the dual roles. I loved Jeremy Irons in the role of d'Artagnan and I really liked Depardieu too in the role of Porthos. I have played my copy several times for guests in my home. It is a movie that engenders thought about good and evil and shows that, sometimes, it is important to do the right thing --- just because it is right to do.

Starry show for "Man in the Iron Mask"
"THe man in the iron mask" is probably best known for being DiCaprios first film after Titanic, and probably all that itll be remembered, or thanked for. The plot is twisted like much of Dumas' novels in recent film adaptions (such as "The Count of MOnte Cristo")but is still a good film to watch, once you can look over some imperfections in the various actors accents and very television-like twist at the end, that does pose as a suprise to a viewer, whether s/he has read the Musketeer novels or not.
The costumes and scenery are georgous. The huge budget shows not only in the starry cast on show, but in the quality of the interiors of Marseilles and the country side exteriors for Philippes transformation and training. The acting is spontaneous although it plays like a pantomine at times (such as Depardieu's consistent farting and incompetence with three women at one time. Malcovich mid-west accent and Iron's noble countenance somehow match (similar to "Dangerous Liasons" with Close and Malkovich)and Byrnes tragic/romantic/hero passes not exactly for the D'Artanian of the popular screen, his Irish accent also is another mix in the bake.
The directing makes the most of all that is on offer (such as the musketeers charging into musket fire, elaborate chase scenes on the kidnapping of the king and the squalor of the Bastille) and the music complements each scene beautifully that it stands out.
"Man in the Iron Mask" is overall a good film, not a landmark adaptation, but good entertainment of a better quality.

Really fine movie
I bought this movie only recently and really liked it.
I thought EVERYONE was utterly convincing and excellent especially Leo who plays both evil and innocent equally well.
However does anybody note here that something is brought in that was in no other version and not the book : Dartagnan is the father of the king and his brother?
Hmmmm.
But EXCELLENT FILM and I recomment it. ... Read more

Reviews (6)

Nelson Eddy and Jeanette McDonald

This film was made in 1940 when Nelson Eddy and Jeanette McDonald were at their peak. Both singers could emote. They didn't need to swallow the microphone as they do today, with their thin, breathy style of singing, depending upon technology to be heard.

The story revolves around a French Duke who, during the revolution, gives up his title, frees his bonded servants, and heads for New Orleans by ship, posing as a servant(footman). On the voyage he meets Jeanette McDonald, where a love/hate relationship develops. He is sold as a slave,takes over the ship, is shipwrecked on an uncharted tropical island, and their relationship takes the inevitable course.

This is a musical, and so McDonald and Eddy regale us with several songs. it is no wonder that they were such popular singers. They actually harmonized, in those days. Refreshing, indeed.

Joseph (Joe) Pierre

author of The Descendants of Thomas Pier
and other books

A PRIME MACDONALD & EDDY MUSICAL.
A beautifully filmed version of the famous 1928 Hammerstein-Romberg operetta. In 1789, the Duke de Vidier, a young French aristocrat, renounces his claim of nobility to further the cause of the revolution by freeing the bond servants in New Orleans. While posing as a deported servant named Charles Michon, the Duke sails on a New Orleans bound ship where he meets the spoiled Marianne de Beaumanoir.......Naturally the above roles are filled by none other than Nelson Eddy and Jeanette MacDonald, respectively. The working title of this film was LOVER COME BACK, and it was sometimes broadcast on television as PARISIAN BELLE. An earlier 1931 version starred Grace Moore and Lawrence Tibbett. Buster Keaton and Nat Pendelton can be seen very briefly as bondsmen. The wonderful score includes such perennials as LOVER COME BACK TO ME, STOUTHEARTED MEN, SOFTLY AS IN A MORNING SUNRISE & ONE KISS. The steamboat scenes were shot at Santa Catalina Island by Clyde de Vinna.

A beautifully done film.
They don't make them like this anymore. This is one of Jeanette and Nelson's best films. Their are some really lovely and memorable songs, and a good storyline. I highly recommend this film.

New Moon
This movie is truely beautiful. The costumes, The photography, the lighting, and the music. This is my favorite of the MacDonald, and Eddy movies.

INCREDIBLE MUSIC AND PERFORMANCES
A classic musical romantic comedy. Jeanette MacDonald and Nelson Eddy were at their superb best. Their onscreen chemistry while always good peaked in this movie. The supporting cast is also excellent. While the story is romantized the yearning of people for liberty is presented well. The costumes and sets were all beautiful. The only serious flaw is that the movie was presented in black and white. ... Read more

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As first lines go, Scaramouche's is irresistible:"He was born with a gift of laughter, and a sense that the world was mad."This exuberant period adventure is pretty irresistible itself--even more than Captain Blood and The Sea Hawk, likewise derived from Rafael Sabatini novels.Within more or less one day in pre-revolutionary France, devil-may-care Stewart Granger learns he's the bastard offspring of a nobleman, gets orphaned, realizes he's fallen in love with his sister (Janet Leigh), swears t