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1. Star Trek - Deep Space Nine, Episode 103: Trials and Tribble-ations
Director: Victor Lobl, David Carson, Gabrielle Beaumont, Robert Legato, Robert Scheerer, James L. Conway, Alexander Siddig, Avery Brooks, Jonathan Frakes, LeVar Burton, Michael Dorn, Allan Eastman, Jonathan West, Andrew Robinson, Reza Badiyi, Cliff Bole, Anson Williams, Tony Dow (II), Michael Vejar, Rene Auberjonois
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Average Customer Review: 4.9 out of 5 stars
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A rousing tribute to the original Star Trek's most popular episode, "Trials and Tribble-ations" is a triumph of clever plotting, technical achievement, and pure, unadulterated fun. Like "The Trouble with Tribbles" from 29 years earlier, this fifth-season episode is an instant classic, beginning when a surgically altered Klingon (Charlie Brill, reprising his role from "Tribbles") uses a Bajoran Orb of Time to travel back over 100 years to prevent his past-tense capture by Capt. James T. Kirk. Undercover time travelers Sisko, Dax, Odo, Worf, O'Brien, and Bashir track the Klingon's scheme on the Enterprise-A and the Tribble-infested space station K-7, turning this two-series hybrid into a nostalgic valentine, with DS9 characters digitally inserted into original "Tribbles" footage. With re-created sets, ships, and costumes, "T & T" mines hilarious gold from its Trek-savvy premise, including the mysteries of Klingon physiognomy, Starfleet snoops whose names are anagrams of "Mulder and Scully," and enough in-jokes to delight vigilant Trekkers everywhere. --Jeff Shannon ... Read more

Reviews (29)

5-0 out of 5 stars The Best of DS9 ...
Episode 103 Trials and Tribble-ations is the best DS9 episode ever made....and more! The episode transcends DS9 blending arguably one of the best Star Trek "Original Series" episodes -- Trouble with Tribbles -- with charachters from DS9 and Next Generation.

The cinematography is superb as clips from the original episode are seamlessly integrated into this episode. And by "seamlessly integrated" I mean 2 things: technically speaking, and from a plot perspective.

This episode is at once nostalgic, original, filled with drama and humor (mostly Dax's comments, but comments by Sisko and others as well.) The fight scene is particularly well-done and stands as probably the best scene of the episode.

Oh, it's so good to see Kirk and Spock again, but it is all fresh and new and exciting in the context of this extremely well-done DS9 episode. This is a must-buy for not only DS9 fans, but also Next Generation and Original Series fans. Outstanding, and as entertaining as even the full-length movies.

5-0 out of 5 stars One Of The Finest Hours Of Star Trek, Ever
Oh my, what a hoot! I commend the producers of "Star Trek: Deep Space Nine" for this witty, wonderful homage to the original series that also shines in its own right as one of the finest "Star Trek" episodes ever made. This is an exquisite blend of new footage around scenes from the "Star Trek" episode "The Trouble With Tribbles". Charlie Brill is terrific as the disguised disgraced Klingon from "The Trouble With Tribbles". Here he tries to change history by sending the "Deep Space Nine" crew back in time, hoping to kill Captain Kirk. Michael Dorn ("Worf") is hilarious as he tries to explain to his befuddled comrades why the Klingons from Captain Koloth's battlecruiser more closely resemble humans than Klingons of Worf's time. And now I know who was responsible for the barroom brawl - and it wasn't really anyone from from the old USS Enterprise! Admittedly "Star Trek: Deep Space Nine" was my favorite "Star Trek" series, yet I'm sure this hilarious episode will appeal to "Star Trek" fans of all stripes as well as others, like myself, who enjoy hilarious science fiction television.

5-0 out of 5 stars A Nice Tribute To The Original Series
Over 30 years ago, the Original Star Trek series produced an episode that continues to be a favorite among fans even today. "The Trouble With Tribbles" was a silly episode with lots of humor.

30 years later, the producers of Star Trek : Deep Space Nine (the best series of the modern Trek era) created this wonderful episode..."Trials And Tribble-ations". Using footage from the original episode, the crew of the Defiant go back in time to save Kirk from a vengeful Klingon.

This episode has many fun moments. The best one is when Bashir, O'Brien and Odo don't recognize the human looking aliens as Klingons. "Those are Klingons?"

A great episode and a fiting tribute to the original. Definitely better than Voyager's tribute episode with Captain Sulu.

5-0 out of 5 stars This time everybody knows the Tribbles I've seen...
Sooner of later what was happening in the movies with "Zelig" and "Forrest Gump" was going to make a move to the small screen, which is as good an explanation for the fun of Episode 103 of "Star Trek: Deep Space Nine," "Trials and Tribble-ations" (Story by Ira Steven Behr & Hans Beimler & Robert Hewitt Wolfe, Teleplay by Ronald D. Moore & Rene Echevarria, "The Trouble With Tribbles" written by David Gerrold, Aired November 4, 1996). The "Defiant" return from Cardassian space with the Bajoran Orb of Time along with Arne Darvin (Charlie Brill), a Klingon who has been surgically altered to pass as human (gee, doesn't that sound familiar?). Darvin uses the Orb to send the "Defiant" and its crew back over a hundred years to Deep Space Station K-7 where the U.S.S. Enterprise, Captain James T. Kirk, commanding, is in orbit and suddenly we find ourselves in the classic original "Star Trek" episode, "The Trouble With Tribbles."

Darvin turns out to be the same spy that was caught by Kirk poisoning the grain shipment. Darvin wants to change history by killing Kirk, so Sikso, Dax, Bashir, and O'Brien dress up in period uniforms and search the Enterprise for Darvin. Meanwhile Odo and Worf, check out the space station. Granted, the interaction between the two casts consists more of cuts than using computers to insert the DS9 gang into the original "Star Trek" episode, but that does not take away from the fun, and there is a lot of fun to be had in this episode. The best moment is when O'Brien and Bashir join Odo and Worf at the station bar when the Klingons show up and start baiting Scotty and the Enterprise men. The other three all stare at the Klingons, then at Worf with his all those ridges on the top of his head, and then back at the Klingons with their smooth brows. But to their questions about what happened, all Worf will say is that Klingons do not talk about it with outsiders. This may well be the funniest moment in "Star Trek" history (my second choice would be Captain Picard's Shakespearean monologue when he is trying to win Lwaxana Troi back from an amorous Ferengi). Dax mooning over Kirk is not half bad either.

Clearly "Trials and Tribble-ations" is a unique crossover episode for the "Star Trek" universe, and fortunately there was no attempt to duplicate it with a similar project. Actually, since you can make the argument that not since "The Trouble With Tribbles" has there been a "Star Trek" episode that was so totally in the spirit of fun, that "Trials and Tribble-ations" is just the big cosmic wheel coming full circle.

5-0 out of 5 stars Tribble Trouble
This was the first DS9 I ever saw, and it was wonderful. Sisko and his crew blended in wonderfully, althougth Odo's make-up probally wouldn't have been possible in 1967. This episode was funny, and the special effects(the effects where DS9 mixed with TOS) were great. I even found out how to annoy Worf("Is that lilac I smell"). I only have two complaints. George Takei(Sulu) wasn't in this episode. Then again, I'm not even sure he was in the original, and he was the star in the Voyager episode "Flashback". And second of all, Worf didn't tell us(actually Odo, O'Brein, and Bashir) how the Klingon change from brown humans to boney forehead aliens. Other than that, I love this episode. It's the only one from Deep Space 9 I saw, but already I think this the best DS9 episode I ever saw. I also recommend the orginal episode, "The Trouble with Tribbles. That is just as good as this one. ... Read more

2. Star Trek - The Next Generation, Episode 102: Darmok
Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato
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Average Customer Review: 4.93 out of 5 stars
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The Children of Tama are a mysterious, rarely encountered race whose language is indecipherable even by the Universal Translator. This is because Tamarians speak in metaphor, which is strange and poetic, but, without a frame of reference, also gibberish. After yet another failed attempt at communication, the Tamarians take drastic measures: they kidnap Picard and beam him to the surface of a hostile planet along with their own captain. What follows is an interesting, well-acted story of the struggle to understand.

Don't be put off by the premise. "Darmok" is one of the best episodes of TNG. It's action-packed and holds its own next to "The Best of Both Worlds, Part I," "Time's Arrow," and "Descent." Thanks to Joe Menosky's brilliant teleplay and Paul Winfield's solid acting, this uphill battle in futility shows what probably would happen when two truly alien races attempt to communicate. There is genuine desperation in Dathon's (Winfield) eyes when he attempts to explain "Darmok and Jalad at Tenagra" for what seems like the millionth time. Watching Picard struggle to understand is downright painful, as is the inevitable confrontation that follows. The viewer comes to care what happens to the Tamarians. We want to know this alien race; but at the same time, we also know we'll probably never comprehend them.

In series television, it's almost unheard of for a show to depart from canon. TNG takes a huge chance with "Darmok" and the end result is worth watching again and again. --Kayla Riggney ... Read more

Reviews (15)

5-0 out of 5 stars One of the best TNG episodes
Next to "Best of Both Worlds" or "Yesterday's Enterprise," "Darmok" is one of the most intelligent and vibrant episodes of the entire Next Generation catalog. Picard's attempts, and eventual success, to communicate with the Tamarian captain, wonderfully portrayed by Paul Winfield, is splendid. Obviously, most Star Trek stories, whether they be the original series or TNG, offer socio-political commentary on our own society, this episode is no different. It basically teaches that communication with peoples or entities that are different than us can be accomplished if one is willing to try. "Darmok" is Patrick Stewart's finest hour in TNG.

5-0 out of 5 stars In order to read, you must have read.
Have you ever read The Canterbury Tales? Allusions to classical literature abound. These references were a sort of shorthand or jargon of the time, a way of saying much by saying little. To refer to Zephirus, for instance, is to mention the warm, sweet breezes of Spring and to conjure up that time of year, with all of its freshness and new life.

Episode 102 presents a culture in which this sort of idiom is carried to the extreme. The words are getting through, but the meaning is not. The struggle of the two captains, the alien and Picard, to bridge the gap is brilliant and fascinating.

This is my favorite Star Trek episode of all time, of all generations.


5-0 out of 5 stars The best episode from the 7 years of ST:TNG
"Darmok" remains the best of the best of the seven years ST:TNG was on the air. In a short 55 minutes, one has learned a new language. Think of it: at the time Picard speaks with the Tamarian First Officer, the language exchange (if you paid attention to the whole episode) is completely understandable. There is no need for a translation scroll at the bottom of the screen...and was wisely done that way.

Highly recommended.

5-0 out of 5 stars A testament to the excellence of season 5...
"Darmok" captures what is the heart and soul of Star Trek: discovering new races and learning to coexist with them. In this episode, that is no easy feat for Picard, who is trapped on a planet with an alien captain who talks different from everyone else. The two cannot understand each other, but as a monster hunts them down, it becomes apparent that the two must learn how to communicate. This is a phenominal episode, downplaying the action and instead building on the characters of the alien captain and Picard. It's not just good Star Trek, it's great science-fiction. While the monster effects are very subpar (they always are for Star Trek), the being itself is of little importance to the story. What is important is how Picard and the other captain learn how to communicate. Truly a wonderful episode.

5-0 out of 5 stars An example of how Star Trek can be a good base for new ideas
One of the things I like about Star Trek was the ability for it to be a platform of new ideas. This episode certainly shows that strength- it's not loaded with special effects and technobabble but it shows good acting and an outstanding idea in having a race which talks solely by example. Though I've not watched much TREK recently this is one of the episodes I remember. ... Read more

3. Star Trek - Nemesis
Director: Stuart Baird
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Sales Rank: 1373
Average Customer Review: 3.44 out of 5 stars
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Reviews (533)

4-0 out of 5 stars Fun and Meaningful
I'm surprised by all the negativity this movie has produced, by the "fans" and at its initial run at the box office; truth is, I love this film and I found it to be quite entertaining and downright heartfelt at times. This new installment to the Star Trek universe marks the long-awaited return of the Next Generation crew -- and during a time when we are subjected to truly the worst of the franchise ('Voyager', and somehow even worse, 'Enterprise'), it was the perfect time to hail the return of this beloved cast of characters. The writing is top-notch by John Logan (who helped pen 'Gladiator' and 'The Last Samurai'), allowing the characters to finally grow and develop after a rather poor ninth movie ('Insurrection'). While, it's not the best of the series of now ten films, it is certainly one of the top four, providing action and intrigue at every turn.

The extras on the DVD are great, providing viewers with a pretty extensive look at how the film was made and several deleted scenes -- one or two I think should have made the final cut. This DVD is a must-have for anyone who enjoys science fiction films.

4-0 out of 5 stars Nemesis plays well on TV, despite its flaws....
Star Trek: Nemesis, the 10th (and possibly final) feature film based on Gene Roddenberry's seminal science fiction TV franchise, isn't as bad a Trek film as some would lead one to believe. Sure, it isn't as good or satisfying as Star Trek VI: The Undiscovered Country, but then again that film had Nicholas Meyer at the helm, which gave the Original Series' cast a worthy farewell.

Noted film editor-turned-director Stuart Baird isn't Nick Meyer, who gave his two Trek chapters its clever mix of Horatio-Hornblower-in-the-stars, literary allusions (Dickens and Melville in The Wrath of Khan and Shakespeare in The Undiscovered Country) and some outsider's irreverence to counter the first, flawed Star Trek film's pondering pretentions of grandeur. But as a Trek outsider, Baird attempts to tell a dramatic tale which pits Capt. Jean-Luc Picard (Patrick Stewart) and the Enterprise-E crew against Shimzon (Tom Hardy), a human who has been a slave on the Romulans' sister planet Remus and has become Praetor of the Romulan Empire in a deadly coup d'etat. Cunning, ruthless and brimming with resentment, Shimzon is not only a fierce warrior and a veteran of the Dominion War, he's also Picard's clone.

For all its perceived flaws, Nemesis somehow plays better on the small screen than it does in the multiplex. It feels more natural watching this at home on a DVD player; screenwriter John Logan is an admitted Star Trek fan and blended elements from Star Trek II (which this movie's plot bears a similarity to in various respects) with an above-average Data-and-Picard episode from The Next Generation. After all, Nemesis revolves around Picard and Data (Brent Spiner, who, with Logan and producer Rick Berman, co-wrote the story); each finds a mirror image of himself -- Picard/Shimzon and Data discovers his flawed prototype B-4 -- and each is forced to deal with his "evil" twin.

At the heart of the story, Nemesis is also about family and the many transitions families go through in life. We first see the Enterprise family celebrating the long-awaited "conjugation" between Cmdr. William Riker (Jonathan Frakes) and ship's Counselor Deanna Troi (Marina Sirtis), who, like children leaving home for college, are leaving the Enterprise for the USS Titan, Riker's first command. We follow the crew on this final trek across the stars, only to watch as they mourn the loss of a cherished comrade.

Star Trek: Nemesis' special effects are excellent, and Baird's experience as both an editor (Superman: The Movie) and director gives the action sequences a kinetic energy absent from the previous film, Insurrection. The score by noted composer Jerry Goldsmith is also outstanding. (Brent Spiner fans who know the actor is also a gifted singer should find his rendition of Irving Berlin's "Blue Skies" as a very enjoyable bonus.)

The Paramount Widescreen Collection DVD is above average considering it's not a 2-disc "Collector's Edition." It not only has a crisp digital transfer and clear sound, but it has audio commentary by Baird, deleted scenes and a handful of "making-of" documentaries.

4-0 out of 5 stars Good but not great.
This final outing of the 'next generation' crew is one of the better films in the franchise but not the best.
On the plus side it offers some excellent action scenes and SFX and we finally get to see the enigmatic Remans who are being led by a clone of Picard. A lot of the story threads that have continued throughout the T.V. series and prior films are also tied up, such as Deanna and Will Riker finally marrying, Riker getting a command etc.
However, the film is not perfect. Data discovers a 'brother' on another planet but there is no indication of why/how he get there and this thread is never fully explored. Picard's clone seems obsessed with Deanna at one point...why??
This film works on a pure entertainment level but don't expect any complexity in it. It is like a marshmallow...a lot of bulk but not a lot of substance.

5-0 out of 5 stars A Very Sad Farewell
Star Trek: TNG happens to be the best among all Star Trek Series EVER for me and growing up with this series on the sideline, it has been a part of my life. And they have come to their very last production of that series with this very sad farewell movie. I came out watching this movie with this familiar tugging in my chest, like you have when you are attending a funeral of a very close relative or friend.

This movie started with the most anticipated wedding of Riker and Troi, yes it is about time! While on their way to Troi's home planet, for the traditional naked wedding, they encounter a strange signal from an unknown source, which turns out of be a broken up android who looked like Data and it is not Data's evil brother. Trying to fix him, they continue course back to their original destination until Janeway (yes, yuck lol) contacted Picard about some political associated meeting and Picard agreed to help.

Arriving to some strange planet, Picard meet an unusual encounter with the leader, who looks exactly like him when he was way way way younger, who ironicly, is an exactly clone of Picard, and he extremely wants Picard bad. This is where the adventure really starts.

Gosh! I can't believe this is the end of TNG.

5-0 out of 5 stars Don't listen to the critics....
This movie was released during the first Lord of the Rings maina a few years back. How did they expect to do going up against a blockbuster like that? It is a good film. It has space battles and a antagonist that would have made a good two part episode. It's all in the are not watching the Matrix when you see a Star Trek movie. It's about a cast of characters we've been watching for seven seasons and three's not the loser that critics say it is... ... Read more

4. Star Trek IV - The Voyage Home
Director: Leonard Nimoy
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Sales Rank: 10260
Average Customer Review: 4.27 out of 5 stars
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Widely considered the best movie in the "classic Trek" series of feature films, Star Trek IV returns to one of the favorite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to peacefully communicate with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with humor and lively interaction among the favorite Star Trek characters. Catherine Hicks (from TV's 7th Heaven) plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. With ample comedy taken from the clash of future heroes with 20th-century urban realities, Star Trek IV was a box-office smash, satisfying mainstream audiences and hardcore Trek fans alike. --Jeff Shannon ... Read more

Reviews (168)

5-0 out of 5 stars A socially conscious Trek movie
On the fourth installment in the Star Trek movie series, Kirk and company are flying their captured Klingon vessel back to Earth to face the punishment for their misdeeds. On the way though, fate intervenes in the form of an alien probe wreaking destruction upon Earth's oceans. With quick thinking, the crew figures out that it is attempting to speak to an extinct species of Whale, so they slingshot their crummy "Klingon fleatrap" around the sun and travel back in time to San Francisco circa 1986 to save the future.

The time travel cliche is done very well by the Star Trek crew, and although the movie is incredibly dated, it's still a very humerous film that takes a pressing social issue (mainly ecological conservation) and wraps it into an enjoyable sci-fi plot. One of the biggest strengths of the Star Trek series has always been its social conscious, and they deliver yet again with "The Voyage Home".

I'd like to stress again that this is a very lighthearted and humerous film that is saved by the fact that it doesn't take itself too seriously. If nothing else, where else do you get to watch Spock develop a penchant for profanity? Add to that the usual interplay between him, Kirk, and McCoy, and you've got a winning movie that hard core Trek fans and casual moviegoers can enjoy.

5-0 out of 5 stars EXCELLENT!
After the often overshadowed Star Trek III, producer Harve Bennett and returning director Leonard Nimoy wanted to make a light-hearted adventure with no deaths. That was understandable because III had the destruction of the Enterprise, the death of Kirk's son, and an overall serious revival adventure for Mr. Spock. After a script by Steve Meerson and Peter Krikes (with Eddie Murphy originally supposed to have a role because he was a big Trek fan), Harve Bennett needed a rewrite. The man chosen: Nicholas Meyer, writer and director of Star Trek II.

What we have here is one of the magnum efforts in the series. Not only does it deliver solid laughs from start (ok, more so middle) to finish, it is also a grand adventure that Roddenberry probably loved. The relationships between the characters are fully exploited here and Nicholas Meyer even takes advantage of Spock's rebirth as humor. The laughs? Filled with classics like Scotty's "Hello computer" scene or the hospital chase scene, this film perfectly blends urban realities with the world of Star Trek in a similar way to Beverly Hills Cop's blending of action and comedy.

The only thing that flaws this film is Leonard Rosenman's somewhat lackluster score. The film manages to blend (or hide, depending on if you like the score or not) the music enough that you really don't notice it. I still would've preferred James Horner or Jerry Goldsmith, but I'm not complaining.

Hate Star Trek? Watch this film. Even if you hate Star Trek, this will keep you entertained. An excellent film in every sense of the word with great humor abounds. Some people may claim II or VI as the best, but this one's got its share of moments. If you're looking for great humor and a decent story (ok, it's corny... "save the whales", so what?), this one's for you.

5-0 out of 5 stars classic star trek, with a twist
Another classic trek movie, this one from 1986, is awesome, and the most shocking thing about it is that it doesn't even take place in space, save for about 15 minutes! Instead it takes place in 1986, where the crew members go back in time to capture two whales to stop the destructive calls of an intergalactic whale species trying to contact the long-extinct whales. The whole plot sounds like it would suck beyond belief, but it comes close to being the best trek movie, and is one of my faves ever.

The awesomeness of the movie, unlike the rest of the series, comes not from suspense and action scenes, but the hilarious and often touching culture shock the crew faces in mid-80's San Fransisco. There is so much to laugh at: the crew earnestly walking along the SanFran streets, Sulu in his cape, Kirk in his red StarFleet uniform, and unforgettably, Spock in his monk robe with the belt tied around the tops of his pointy ears, making him look like an angry ninja master with a botched Botox job. Also hilarious is McCoy's disgust at how rudimentary 20th Century medical practices are/were. In a scene inside a hospital, he asks a woman what ails her, she responds she has kidney dialysis, and he's like, "What is this, the dark ages?! Swallow this, and call me if you have any problems." Several scenes later she is wheeled out claiming a miracle.

There is much more in the movie I won't spoil for you (or more like I'm too f*#&ing lazy to write any more), so turn the PC off and rent this great flick, also it's been on AMC recently, so try that too.

4-0 out of 5 stars I agree with everybody.
I read a lot of these Amazon reviews on Star Trek IV, and oddly enough I can agree with almost all of them -- the 5 star as well as the 1 star.
I agree with the 5 star reviewers that this probably is the best Trek movie, that a lot of the humor is good, that the movie captures much of what was loved about the original series.
But I also agree with some of the 1 star reviews that the humor may be overdone and may wear thin on repeated viewings, that Catherine Hicks' character is overemphasized, that the environmental message is heavy-handed, that the aliens at Kirk's trial look ridiculous, etc.
But ultimately the question is this: If I stumble on this movie while channel-surfing, will I stop and watch it? Will I laugh, or at least smile, at the designated humorous moments? Answer to both questions: Yes. On balance, it remains an entertaining flick.

4-0 out of 5 stars The Enterprise crew in the 1980's=AWSOME ADVENTURE!
O.K., first my one complaint-The plot where a mysterious, massive, invincible alien force that threatens the Earth was already done before. (Remember the first Star Trek film?) Otherwise, this is a wonderful addition to the Star Trek legacy. Just about everyone already knows the story, where the crew of the now destroyed Enterprise must pilot a captured Klingon Bird Of Prey back in time to the present day (well, 1986 WAS the present day when this came out,) to bring back some humpback whales. It seems to be a toss-up between which is the best Star Trek movie-this one, or part II. The second film, where Kirk and Khan have their last battle, has the most action, but this one has the most comedy, so they both have their strengths. Unless you absolutly hate Star Trek, check this one out. ... Read more

5. Star Trek - The Next Generation, Episode 177: All Good Things...The Final Episode ('94-'95)
Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato
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Sales Rank: 14869
Average Customer Review: 4.74 out of 5 stars
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This two-hour finale of Star Trek: The Next Generation is a very satisfying piece that leads the seven-year-old television series back to its beginnings in the original TNG pilot. Captain Picard (Patrick Stewart), whipping through time uncontrollably, simultaneously finds himself back at the start of his tenure on board the Enterprise while also on the ship's deck in the present--at the same time he tried somewhat feebly to forestall a disaster in the distant future. As fans might expect, a certain imp named Q seems to be behind the mystery...but not necessarily for bad reasons. A wonderful wrap-up to seven years of TV legend, All Good Things deserves to be a TV classic. --Tom Keogh ... Read more

Reviews (31)

5-0 out of 5 stars 'All Good Things' Run Forever In Syndication
Most television series exit the boob tube on only one leg, but STAR TREK: THE NEXT GENERATION sailed off into the small screen sunset with this incredible thought-provoking opus, "All Good Things."

With a stellar performance by Patrick Stewart as Jean-Luc Picard, the adventure travels the gamut of three separate periods in time ... the future, the present, and the past ... juggle a series of events that might, in fact, forecast the end of all mankind (not just the series, that's how much was at stake here).

While I never REALLY liked Q (played by John de Lancie), his role came full circle in this science fiction twist with shades of A CHRISTMAS CAROL. In this two-hour episode, Q rose above being a mere plot device and showed that, as a character, he had worth that the viewers couldn't have possibly imagined.

So ... where's the Q movie?

5-0 out of 5 stars Spectacular end to a great series...
This TV movie is the last episode of "Star Trek: The Next Generation" and it isn't to be missed. Captain Picard is moving back and forth through time, where an anomaly is destroying life in the universe. It doesn't take long for him to find out that the mischievious Q is behind it all. Very exciting conclusion to the long-running series. It's especially good if watched right after the episode "Encounter at Farpoint," the first show. John DeLancie is always excellent as Q and Patrick Stewart is the only man who could ever play Picard correctly. The biggest reason to see this is if you're a fan of Star Trek. If not, don't bother.

5-0 out of 5 stars Better than any of the movies.
While the original crew had it better with the movies, The Next Generation was the only Star Trek TV series that I watched consistently. The show had a cast that at least equalled that of the original, boasted better production values, and plots that were intriguing and touched on varieties of concepts that Kirk, Spock, and Bones never got the chance to explore. Deep Space Nine was too mired into the whole "war of the quadrants" to explore any ideas with real satisfaction, and while Voyager had the best effects and the best premise, the cast was middling at best. As for Enterprise, hell, I tried to watch one episode and got too damn bored.

All Good Things..., the swan song episode for TNG, is possibly the best of Star Trek, period, focusing on mind-boggling concepts while retaining the character development and human interest that made the show so appealing. It's the seventh year that the crew of the Starhip Enterprise have been together, but Captain Jean-Luc Picard (Patrick Stewart) is experiencing odd timeshifts. He's constantly switching between three different time periods; to the past, right before the Farpoint mission, the present, and the future, where the crew has long since split up, Picard is retired and is diagnosed with a debilitating mental illness. Naturally, the rest of the crew is skeptical (be it in any time period), but when Picard discovers the true nature of his constant shifting, he realizes it is both the means and cause with which the existence of mankind could be erased.

I hesitate to give too much away, though I doubt anyone with a passing interest in Star Trek hasn't already seen this episode. But it plays as an interesting comparison and contrast to the series' first episode, Encounter at Farpoint, which it directly ties in to with Picard's timeshifting to the past. There's been a notable improvement in the quality of the sets and the visual effects, and also the acting, the pacing, and the plot development.

All Good Things... has all the solid acting one expects from the cast, and a human touch that was missing from the latest film, Nemesis. It's interesting to note that this episode (meaning the whole series, as well) ends with the door open for all sorts of possibilites; at this time, this clearly implied the much-hyped transition to the big screen.

Unfortunately, some of the more open-ended questions this episode focused on were never even touched on. Sure, the Worf/Troi/Riker triangle was resolved, but one of my favorite ongoing side stories, the burgeoning romance between Picard and Dr. Crusher, was completely ignored in the movies. And the final scenes lead one to believe that the movies would take us to "places" never explored, even though the most recent film was merely a plotless action movie that didn't even have enough action to warrant the movie's existence.

Stewart is the true highlight of this episode, displaying the great acting chops he's been known for. The fact that we care for him and the rest of the crew as well, adds a sense of urgency and involvement in the proceedings that the otherwise quite frantic pace alone might not have been able to develop. The plot twists are pure Trek, each mysterious element giving away to some big revelation that only leads to more questions. The story is engrossing, the dialogue is strong, and the performances and characterizations are spot-on.

There are a few problems with All Good Things. The timeshifting obviously means we're going to see past and future versions of the cast, but everyone's aged to the extent where they can't quite pass for their more youthful selves, and the old-age makeup is never entirely convincing (Old Riker's first appearance gave me a good laugh). That said, I would like to make mention of what full-blown hotties Marina Sirtis and especially Gates McFadden became (McFadden is easily the most attractive post 50-year old actress I've ever seen).

The continuing movie series actually began quite well; Generations and First Contact were enjoyable adventures, but everything seemed to fall apart with Insurrection. Funny, All Good Things... is a title that turned out more prophetic than anyone would have guessed.
**** 1/2 out of *****

5-0 out of 5 stars Brilliant - what else can you possibly say?
If you were tempted in the beginning season of TNG as many were, to compare the personalities of Kirk and Picard, I think that by the time you got to this production, actually the final one of all, you would have long given up. As a character in a fiction, Picard in no way is even an analogue of Kirk. This virtual tour de force is confirmation of this, if it were needed at all.

My sons and I actually saw Patrick Stuart in the flesh in Leeds on my sisters birthday (I should really have gone there instead, but there you go), watching his signposted one man performance about Shylock - Shakespeares alien. It was quite famous over here, and very well attended. I wish I could relate this to you, but I would go WAY over the 1000 word limit and not even begin to scratch the surface. Sufficient to say, that Stuart's vocabulary as an actor is enormous, and he brought so much intelligence to bear on this very rich and complex play (the merchant of Venice) and interwove it most perspicaciously with recent events - terrorism, racism, and his own fascinating recollections of performances, character interpretations, and so many other things. It was like being on board a ship in a gale, exhilarating and wonderful, and no-one wanted it to end.

It's a fact that when we had the opportunity to ask questions, and also at other times during the show, Patrick mentioned his relationship with Paramount in several ways. I don't want to quote these comments, but sufficient to say that all the cast members felt that things were not always on an even keel. In fact, there was evidence of a really complicated and not always simple state of play at many times. Fortunately, during the last season, there was relatively little in the way of compromise, largely due to the continuous diplomacy of Spiner and Stewart. The result of this diplomacy in the case of this episode pair is just about as good as it gets, and is a truly magnificent way to conclude the series.

Picard, in this episode, has to deal with the final and inevitable onset of the final enemy - age, and mortality. In this he plays beautifuly an far older man than the younger commander seen at Farpoint, though the story is ingeniously composed in such a way that this ending episode is wrapped in an inescable embrace with this very first episode. I doubt whether this could ever have been pulled off by anyone else so well. But what is so well done is to (within the confines of the show format) to produce a strange sense of the timeless and the memorable. This is an astonishing effect. The whole thing seems... haunted by a strange atmosphere which would have been impossible to script in if you were aiming for it intentionally.

I think there is a remote chance that this may just happened anyway, by accident. Perhaps, this is may have been due to the time paradoxes and folding in of the plot. But this atmosphere is surely due in greater part to the unconscious realisation by all participants that this was, in fact, the last time that all the cast would be gathered together in precisely that time and place and circumstance, a sort of breaking of the fellowship.

After the gymnastics of a complicated plot, which gradually reaches a rather dramatic climax, the final stroke of genius is that the ending is positioned somewhere and sometime, but where exactly... Who knows? I suspect in a future which is that strange ambiguity that we know as happily ever after - no irony intended - in fact, you can truly imagine that the ending never actually happens at all,at least not one witnessed, but trails off into memory forever, into the furthest of distance. And it is there that we bid good bye.

Of course, it's not really over, but here the story TELLING naturally ends, and most satisfyingly so. My gosh, what a way to go...

5-0 out of 5 stars The End
This final episode of TNG stands alone as an all-time classic science fiction episode. "All Good Things", (co-directed by David Carson, from Star Trek: Generations) moves back and forth across time in an eye-appealing way. It's very fulfilling to see Picard deal with both his past, present, future, and Q to top it all off! A great way to end the series. ... Read more

6. Star Trek V - The Final Frontier
Director: William Shatner
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Movie critic Roger Ebert summed it up very succinctly: "Of all of the Star Trek movies, this is the worst." Subsequent films in the popular series have done nothing to disprove this opinion; we can be grateful that they've all been significantly better since this film was released in 1989. After Leonard Nimoy scored hits with Star Trek III and IV, William Shatner used his contractual clout (and bruised ego) to assume directorial duties on this mission, in which a rebellious Vulcan (Laurence Luckinbill) kidnaps Federation officials in his overzealous quest for the supreme source of creation. That's right, you heard it correctly: Star Trek V is about a crazy Vulcan's search for God. By the time Kirk, Spock, and their Federation cohorts are taken to the Great Barrier of the galaxy, this journey to "the final future" has gone from an embarrassing prologue to an absurd conclusion, with a lot of creaky plotting in between. Of course, die-hard Trekkies will still allow this movie into their video collections; but they'll only watch it when nobody else is looking. After this humbling experience, Shatner wisely relinquished the director's chair to Star Trek II's Nicholas Meyer. --Jeff Shannon ... Read more

Reviews (216)

4-0 out of 5 stars Lighten Up!!
For the last 11 years, Star Trek V has been criticized mercilessly by critics, alleged Star Trek "fans" and even some Next Generation cast members.

Yes, there is sloppy editing in points and if you are obsessed with special effects, then I guess there are some slips here and there.

However, the film offers a good deal of interesting moments. We finally get to see Kirk, Spock and McCoy explore their friendship in a venue other than the ship!! Most importantly however, the much maligned Shatner, long criticized for hogging screen time, gives us more of ALL of the co-stars than we see the in the other Trek films. The Motion Picture offered virtually nothing for Uhura, Scotty, Chekov and Sulu to do. ST II gave Chekov a little more screen time but Uhura, Sulu and especially Scotty were hard to find. (Not to mention that the theatrical cut of II removes a fine scene with James Doohan in sick bay when his apprentice dies and Scotty asks Kirk why? A powerful scene left on the editing room floor.) III leaves Uhura in the dust somewhere, in IV Sulu might as well not be there and in VI, again Sulu gets short shrift as do the rest.

In V, everybody gets in on the action. Uhura is allowed to do more than just open hailing frequencies, she flies the shuttle, distracts the Nimubs III outpost guards etc. Chekov has some nice moments as the "Captain". Sulu is on the ground with Kirk as he was in the original series. Scotty is allowed to venture out of the engine room. The jail break scene is priceless!

More than any of the other films, V has the feel of the first two seasons of the original series where more attention was paid to the co-stars. In V you get the feeling that these characters are really something of a family and that they care about each other.

Particulary effective is the characterization of Spock. Nimoy does a nice turn playing a weaker, more unsure Spock which is how the character should be played given the events in III and IV. However, as the movie progresses, Spock gets stronger. His old nature slowly returns as the challenges mount and finally the Spock of old is back when he takes command of the Enterprise in an attempt to save Kirk. He says to the old Klingon General, "You will try" when the General hesitates to confront a hostile bird of prey. In those three words, Spock's ability to command is fully returned to him. Something he had lost after he died. I find in this movie that Spock is not only unsure of his actions regarding Sybok, but that the sub text is that he is questioning his ability to be an officer in Starfleet.

Five has various problems agreed, but the characters are never closer.

That closeness holds somewhat in VI only to be butchered yet again in the horrific Star Trek Generations. The only time that picture is at all intersting is when the old crew or in the later parts, Kirk, is on screen. Again, cut were made which reduced Koenig and Doohan's roles to virtually nothing and though the addition of Sulu's daughter is a nice touch, Kirk's apparent unfamiliarity with her is disturbing. Yes it is supposed to show that Kirk gave up a personal life blah blah blah. But why not have Kirk responsible for helping her through her career in Starfleet afterall, though Generations leads us to believe differently, Kirk's devotion was not just to the Captain's Chair and his duty, but also to his ship and crew.

I cherish V because it does effectively what ALL the original Trek movies should have done more of, give more story time to the co-stars and show the powerful connections between all seven of the characters.

2-0 out of 5 stars Failure on the Final Frontier
From just about anyone's standpoint, this is not a good film. But the problem isn't the directing. William Shatner clearly knows how to handle a camera and draws fine performances from the cast (especially DeForest Kelley).

The problem with Star Trek V centers on the script. There is an old Broadway saying, "If it ain't on the page, it ain't on the stage." The failure of this movie proves the validity of that truism. Since Shatner is listed as one of the persons behind the story here, he must bear his fair share of the responsibility for the problems with this story. Creating a script about the search for a tangible God, even if it winds up being a false God, sets the viewer up for disappointment. No matter how spectacularly the Almighty is presented on film, it can't live up to the real thing. In this film, He comes across as a latter day Wizard of Oz. Compounded with that are the problems with continuity within the Trek "universe," and overall tone: introducing Sybok as Spock's half-brother, and the use of the cast for slapstick humor, do not help an already implausible story. Small wonder Gene Roddenberry did not consider this film to be canonical Trek.

The special effects, which are crude and amateurish, do not help matters. However, the special effects during the original series were often sub-par, yet the old shows continue to satisfy even in today's CGI era. (Anyone with any doubts about that should simply check how well the Original Series DVDs have been selling on Amazon.) The anemic visuals merely add to the problems here because they are coupled to a weak script.

About the most charitable thing one can say about this film is that it features a wonderful score from Trek veteran Jerry Goldsmith. But that is not enough to save this uninspiring quest.

No complaints about the sound & picture, although more extras would have been welcome.

4-0 out of 5 stars Give the man a break!
I take it not everyone is well versed in Star Trek history or Hollywoods knack for messing things up. The truth is this: The Budget was cut, so William Shatner couldn't even use the Special Effects he intended to! Also, Shatner didn't have his hands on the reigns completely througout filming. What really happened is a lot of people in charge pretty much told him to cut some of the movie out (atleast an hours worth!), forget about the Special effects and NO! Sean Connery will not play Sarek, and etc., etc. Instead of knowing the truth, too many people assume the movie stinks because of Shatner. Perhaps if Shatner had gotten the chance to make the film like he wanted, it could have been one of the best. Needless to say, of ALL the ST films, this one gave the characters actual personalities. It showed they had lives and loves outside of the Federation. And it was hilarious! Like I said, don't knock the man, it really WASN'T his fault, but then again, if anyone cared to find out the truth, they would know all this already!

2-0 out of 5 stars Uneven in the extreme.
Any Star Trek fan is well aware of the place Star Trek 5 has occupied in the film series. Most people avoid it and try not to look directly at it, for fear of turning into a pillar of salt. But is it really that bad?

Yes and no. If you watch some of the special features and watch the film, you'll see some of the aims were noble and even achieved. Shatner and Bennett mention trying to stay true to the original series by exploring the emotional core of Spock, Kirk and McCoy. They also try the tried-and-true formula of commenting on the human condition by asking a deeper question about humanity within the framework of science fiction.

That, of course, what makes this film so uneven. The moments focusing on Spock, Kirk & McCoy are the film's strongest -- informed with an easy sentimentality and nostalgia but underscoring the long-standing friendship of the characters and chemistry of the actors. McCoy's wit is at its sharpest in this film. These moments are worth the time.

But the larger question about God is where the movie stumbles. For many, the memory of this movie and plot is summed up in the line, "What does God need with a starship?" It's one of those cringe-inducing lines that even Laurence Olivier would have trouble lending any measure of credibility to. Shatner does the best he can within the constraints of character, time, budget, etc. and the result, unfortunately, doesn't work.

According to the special features, this movie was plagued by budget and time shortfalls as well as an effects house that might not have been up to the task. Shatner's commentary repeatedly mentions time and money shortfalls. Is it possible that this hurt the quality of the film? Most likely. The script called for so many new and huge sets that it seems to have put a crimp in the budget for the actual filming. Unfortunately for us, that's the part that we're going to notice.

If you're a die-hard Trek fan, you should pick this up. It is a better issue than the original, and the special features are fairly enlightening (the deleted "Rock Man" test footage and storyboards are interesting). However, for everyone else, this is a rental at most -- and if you're not a hardcore fan of the series, probably one to be avoided.

My major disappointment with this set was that it didn't probe deep enough into the question of "What went wrong?" It has the appearance of being a defense of the film while making some concessions, and not going deep enough. It's quite likely that asking these questions and pushing for answers would have burned bridges that the franchise can't afford to burn, which is understandable. However, it ends up suffering from the same syndrome as the movie itself: Well-intentioned but falling short in the execution.

4-0 out of 5 stars The Final Frontier Special Edition
The Good Captain and his crew finally get some shore leave and we begin the movie in beautiful Yosemite National Park - a very uplifting idea from the start, that Yosemite Park will survive into the 23rd Century!
I'm dismayed that if one reviewer/critic (oh, let's say Roger Ebert) wants to boldly label this movie THE WORST that everyone else feels obligated to nit-pik it to death. Remember, this movie came out the same time as BATMAN and perhaps we were all turning to the dark side anyway. I do, however, remember seeing this movie in theatre and the audience enjoying it as much as the others in the series.
Yes, this movie IS sentimental. Yes, the money DID run short (if you listen to the commentaries of all the Star Trek movies, all the directors were forced by the studios to do much with little compared to Robert Wise!) and some production values suffered. Yet I much prefer it to Star Trek VI because so much of the enjoyment for me are the ACTORS interacting in character. The themes of brotherhood, blind loyalty, blind faith, facing your own fears and the question of just where GOD is are addressed on grand scale as well as gently. That's a huge undetaking. This is as introspective as I've seen the "brothers" Kirk, Spock & McCoy get. Toss in some sillinessand sweetness, and it makes for great entertainment. Lighten up, people. Go climb a rock! Then enjoy the Commentary by William & Liz Shatner when you watch it the second time! ... Read more

7. Star Trek - First Contact
Director: Jonathan Frakes
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Reviews (224)

4-0 out of 5 stars Star Trek Comes Of Age.
Jonathan Frakes is hands-down one of the best directors Star Trek has ever had. This talented man needs more work! Give the guy a big film, someone! If Spielberg is too busy to helm another 'Indiana Jones', then I respectfully suggest Mr Frakes. He does a fine job on 'First Contact' with a story that pays homage to Trek folklore. The cliches are all there; time travel, a threat to Earth and the existence of the Federation. But Frakes dances with the cliches instead of stepping on their toes. We have an exciting voyage that finally makes use of the big-screen potential of The Borg. There are only a couple of flaws to the story and the production itself. How does someone living in a virtual shanty-town build a starship in his back yard and why do the space battle scenes only last 55 seconds? Movies are supposed to give you what you CAN'T get from television. So why does the average TV episode of 'Deep Space Nine' have far more space battle action than a two hour big-budget film? Quibbles for sure, but worth noting anyway. This movie is well worth the money and effort but with the quality of the TV shows so relatively high it makes you wonder how much longer they excellent performances of the whole cast. And yay! Rock and Roll music finally gets some respect in Star Trek. To hear them tell it, you'd think that classical and jazz were the only forms of music in their century! And finally; have you ever noticed how many Star Trek films are based on, or have major scenes on the planet Earth? ALL OF THEM EXCEPT 'Insurrection'. For heavens sake, stay AWAY from the Earth and seek out those life forms and civilisations! How can Star Trek movies be so much about the Earth? Trek the STARS some more, guys.

3-0 out of 5 stars A nice way to kick off the new series of films, but shallow
First Contact starts of with a major offensive against Earth by the Borg, and every Federation starship possible is involved, including the Defiant and the new Enterprise. But before they can be destroyed, the Borg travel back in time to 21st century Earth in the hope of changing the course of history in their favor. The Enterprise follows, and must make sure that the first contact with aliens takes place, or the Federation will never be founded, and the Borg will take the galaxy apart.

But what I did not like is that you did not get familiar with the new Enterprise as well as we should have. The ship represents the Star Trek franchise even better than Kirk. But we only get glimpses of it, no stats on it's performance, etc. Plus, the movie drags along. I have no problems with a slow movie, but this one just seemed to slow without much of plot or character development.

It is not a bad film, just not as good as Generations, or the Voyage Home. It is of course worth checking out, but not to buy. The only redeeming value is the astounding picture and sound on the DVD version.

3-0 out of 5 stars The best of a mediocre "Next Generation" movie lot
The Next Generation movies in the Star Trek series, generally speaking, stink. Which is unfortunate, since in some ways the TNG series was better than the original Trek. However, the movies generally vary from pure cheese to holier-than-thou piffle.

First Contact is a good, fun movie overall, with pretty good effects shots and plenty of generally well-executed action. However, it also has some defects that can really get on your nerves.

-The plot is dumb. Time travel has been done to death in Trek, and is a real groaner when you realize that it is being done yet again.
-The movie beats into the ground the Star Trek plot gimmick of "we've found a mysterious energy field, let's duplicate it/follow it/etc." We've gone from the first Star Trek movie (crappy in other ways), which at least gave a nod to real science, to the end of TNG, where they just make up fake scientific-sounding B.S. AT WILL as a plot fix.
-Picard acting like Ahab from "Moby Dick" is way overdone, the worst acting by Stewart EVER. Pure scene-chewing cheese, and the PC bit of having the skinny black chick talk reason into him is just dumb and annoying, since she was a throw-away moron of a character. If you are going to be PC for no reason, at least have Geordi do it, we've established that LeVar Burton's character has a brain, and he can actually ACT, unlike what's-her-face.
-Making the Cochrane character such a total jerk was a BIG mistake. Yes, it was intentional, but it was a bad decision... it makes you hope he gets shot in the head instead of fulfill history, and makes the whole middle section of the movie drag.

Overall, however, it is a fun movie and the only TNG movie worth watching.

5-0 out of 5 stars The Origin of Warp Drive
STAR TREK: FIRST CONTACT is one the best of the Star Trek franchise. A nifty time travel story that includes an inventive origin story of humans first meeting with "Vulcans" (i.e. Mr. Spock) and using a major nemesis from the tv-series "the Borg". The "Next Generations" crew is on hand for an above-average adventure yarn along with a great character created as the point of origin, Zefram Cochrane played perfectly by James Cromwell (BABE, L.A. CONFIDENTIAL) along with Alfre Woodard (as Lily Stone) and finally a great villianous turn as the Borg Queen is Alice Krige (GHOST STORY). Director/starring Jonathan Frakes knows these characters very well and with many things going on at once, there is no sag in the storytelling and everything seems to be in sync. One aspect that the screen writers took into account was the toning down of Data's (Brent Spiner) "emotion chip" that was so annoying in the 'ST-GENERATIONS' film and the character is able to redeem himself as one of the heroes in the story. Enough can't be said of Patrick Stewart whose Picard is the glue that holds the movie/crew together. The scenes with he and Michael Dorn (as the Klingon Cmdr Worf) are some of the best. Overall, a Star Trek movie that holds its own to WRATH OF KHAN, THE VOYAGE HOME, and THE UNDISCOVERED COUNTRY due to some ingenious plot devices, great characters, good special effects, and excellent direction.

5-0 out of 5 stars Quite Possibly The Greatest STAR TREK Film Ever Made!
STAR TREK - FIRST CONTACT (1996), being only the second film to feature the "Next Generation" characters---and the first one without any of the originals---is a masterpiece of suspense, drama and violence. Easily earning its PG-13 rating, this one deals with (as I'm sure all who are reading this know) the Borg attempting to conquer Earth by going back in time to prevent "first contact" between humans and Vulcans. Capt. Jean-Luc Picard (the wonderful Patrick Stewart), who had once been "assimilated" by the Borg, being renamed Locutus in the process, takes this particularly hard and makes it his professional duty as Captain of the Federation Starship Enterprise 1701-C, and his personal duty as a member of the human race, to stop the Borg from attaining its goal.

This entry in the series, directed by Jonathan Frakes (Commander Will Riker), is a full step-up from the original series, employing dazzling visual effects and taking on a decidedly darker tone than previous STAR TREK films. It also ramps up the dramatic tension big-time, as Capt. Picard is so deeply affected by his previous experience with the Borg; his hatred is not just for what the Borg collective is, it's also a result of what the Borg collective had made of him, if only briefly. Meeting him head-on in his anguished tension are an unlikely stowaway (the equally wonderful Alfre Woodard) and the unlikely inventor of the Warp Drive Dr. Zefram Cochrane (the inspired James Cromwell). Of course, series regulars Lt. Commander Worf (Michael Dorn), Lt. Commander Data (Brent Spiner) and Lt. Commander Geordi La Forge (LeVar Burton) are back in fine form, as are Counselor Deanna Troi (Marina Sirtis) and Dr. Beverly Crusher (Gates McFadden). We even get a brief prize of a cameo appearance of The Doctor (Robert Picardo) from the "Star Trek: Voyager" series. But the one who really steals the show is the evil Borg Queen (Alice Krige), who slyly exudes mechanical sensuality even as she provokes danger and disdain (and perhaps disgust). Her kidnapping of the android Data and insinuation into his deep-seated desire to "become more human" makes for possibly the scariest scene in the entire movie.

STAR TREK - FIRST CONTACT combines an immense amount of elements in order to make its unified whole. The result is a stark, darkly brilliant film that comes close to sensory overload at times. True, Capt. Picard's climactic head-butting scene with the sharp-tongued stowaway Lily goes dangerously over-the-top at one point (and eventually would be parodied in the hilarious "Fingerbang" episode of "South Park"), but it STILL works. Everything else in this film does, too. Jonathan Frakes did a splendid job in creating the highest-budget STAR TREK film yet (a reported $80 million) in record time, earning himself the nickname "Two-Takes Frakes" from his fellow cast members and the admiration of a new generation of STAR TREK fans. Also, he earned well over the magical $100 million mark for film studio Paramount, making the studio moguls happy in the process! Unfortunately, he couldn't quite match this success with the next series installment, the lighter-toned STAR TREK - INSURRECTION (1998); however, with this film, Jonathan Frakes achieved something of a series masterpiece, of which he should always be proud. Don't get me wrong; I loved STAR TREK GENERATIONS (1994), but in STAR TREK - FIRST CONTACT, the "Next Generation" crew hold their own, and our complete undivided attention, for the nearly-two-hour film. This would easily be the greatest of the "Next Generation" movies, and quite possibly, the best in the entire franchise.


8. Star Trek - Insurrection
Director: Jonathan Frakes
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Star Trek fans were decidedly mixed in their reactions to this, the ninth big-screen feature in Paramount's lucrative Trek franchise, but die-hard loyalists will appreciate the way this Next Generation adventure rekindles the spirit of the original Trek TV series while combining a tolerable dose of New-Agey philosophy with a light-hearted plot for the NextGen cast. This time out, Picard (Patrick Stewart) and his executive crew must transport to a Shangri-la-like planet to see why their android crewmate Data (Brent Spiner) has run amuck in a village full of peaceful Ba'ku artisans who--thanks to their planet's "metaphasic radiation"--haven't aged in 309 years.

It turns out there's a conspiracy afoot, masterminded by the devious, gruesomely aged Ru'afo (F. Murray Abraham, hamming it up under makeup resembling a cosmetic surgeon's worst nightmare), who's in cahoots with a renegade Starfleet admiral (Anthony Zerbe, in one of his final screen roles). They covet the fountain-of-youth power of the Ba'ku planet, but because their takeover plan violates Starfleet's Prime Directive of noninterference, it's up to Picard & crew to stop the scheme. Along the way, they all benefit from the metaphasic effect, which manifests itself as Worf's puberty (visible as a conspicuous case of Klingon acne), Picard's youthful romance with a Ba'ku woman (the lovely Donna Murphy), the touching though temporary return of Geordi's natural eyesight, and a moment when Troi asks Dr. Crusher if she's noticed that her "boobs are firming up."

Some fans scoffed at these humorous asides, but they're what make this Trek film as entertaining as it is slightly disappointing. Without the laughs (including Data's rousing excerpt from Gilbert & Sullivan's HMS Pinafore), this is a pretty routine entry in the franchise, with no real surprises, a number of plot holes, and the overall appearance of a big-budget TV episode. As costar and director, Jonathan Frakes proves a capable carrier of the Star Trek flame--and it's nice to see women in their forties portrayed as smart and sexy--but while this is surely an adequate Trek adventure, it doesn't quite rank with the best in the series. --Jeff Shannon ... Read more

Reviews (393)

3-0 out of 5 stars Is This Supposed To Be A Film? Write A Good Film For Once!!
Granted this film had the best morals and provoking thoughts than any film to date but who does paramount think they are making this cheese wagon of a film and trying to pass it off for a movie? Everyone associated with star trek need to be fired away from it except for ira stephen behr as someone wrote earlier who made ds9 one of t.v.'s greatest series. Yes folks-special effects have a lot to do by making a movie or episode entertaining-and so do battles in space or on the ground. People like war-look at 2, 6, and 8- duh! the best films in th series. As for Paramounts plans to dump all of the current casts for the next movie and series, dont do it or you will kill off whats left of your fan base. I had so much expectations for this film especially when i saw the trailers-- and now I cant forgive paramount for disappointing me so badly. Well- Jar Jar Episode 1 wasn't all that good either but at least it was entertaining unlike Trek 8 with its "here take this humor and like it no matter what" attempt at comedy. Action? What action? And what the heck is the deal with the Joystick Frakes?! Talk about embarassing to be a trek fan! If Voyager doesnt come around like DS9 Did in its 3rd season this upcoming Fall- I'm a Trek fan no more. Heres a story idea Paramount: Borg/Dysons Sphere/Dominion/make like Starwars and destroy the Federation and bring it back stronger than ever in a 125year later from the current timeline movie. Duh!! and Paramount, get rid of Berman and Moore and Braga- they ruined this saga and so are you if you dont wake up!!!!

4-0 out of 5 stars Lighten up, fellow Star Trek fans!
In a TV series, especially a sci-fi series, you expect a certain number of shoot-em-up shows. You expect to see our heroes conquer evil aliens while overcoming seemingly impossible odds. but will someone please show me where in the rulebook it says every show should be about this? Some of the original series and TNG's best shows were about political, romantic, and/or humorous exploits of our favorite characters. "The trouble with Tribbles" is almost always in a listing of the top 5 shows whenever TV guide or simply a group of trekkies talk about their favorites, and "The city on the edge of Forever" won a Hugo for crying out loud and neither one of them were slashed with phaser fire. Yes, Insurrection may have been a little uneven in spots plotwise but I've not seen any you could drive a semi through. And the central theme of the displacing of a small group of people to satisfy the demands of a larger group as being a terrible injustice as well as a clear violation of Trek's prime directive is right on par with the overall vision of Star Trek. I don't think Roddenberry will turn over in his grave because of this one and neither should a true Trek fan get all disappointed just because the Borg, the Romulans, the Dominion or any other "traditional" Star Trek villian is not involved. In fact, I think this film breaks the so-called legacy of "odd-numbered" trek films being not so good as "even-numbered" films. No, Insurrection is no "Wrath of Khan" but it is a solid entry in the series. After all, Johnathan Frakes himself said they wanted to have to have some fun with this one and I think they accomplished that while still making an entertaining movie that lives up to Star Trek's ideals.

3-0 out of 5 stars STAR TREK Lightens Things Up A Bit, To Mixed Results...
For STAR TREK: INSURRECTION (1998), unfortunately famous for Data saying the ultimate cheesy one-liner, "Lock & Load" (*cringe*), Jonathan "Two-Takes" Frakes, back in the director's chair, makes the atmosphere decidedly lighter. That's a good thing; however, after all is said and done in this, the ninth installment in the legendary STAR TREK film saga (and the third one featuring the "Next Generation" cast of characters), there is really not much meat on the bone. In this episode, which begins jarringly with a sudden murderous rampage by a malfunctioning android Lt. Commander Data (Brent Spiner, in not one of his finer moments as an actor here), the crew of the Enterprise "E" have beamed down to Planet Ba'ku and rather quickly become familiar with the peaceful residents of this planet. This planet is nicknamed "Paradise," correctly so because it has magical regenerative powers which prevent its people from aging and dying. These people, numbering only 600, are peaceful and seem to have a kind of neo-religious quality to their personalities, as they live in total harmony with nature and openly reject any kind of technology. (This leads to what is probably the best scene in the entire movie, as the Enterprise is revealed to be camouflaged to blend in with the lush surroundings!)

Anyway, as Capt. Jean-Luc Picard (the always-wonderful Patrick Stewart) begins to get friendly with one of the eligible female Ba'ku residents, and Commander Will Riker (Frakes) and Counselor Deanna Troi (Marina Sirtis) get friendlier with each other (leading to a surprisingly sensual hot-tub scene), there is trouble brewing in Paradise: an incredibly ugly band of aliens known as the So'na, led by the especially monstrous Ru'afo (F. Murray Abraham), who intends to displace the peace-loving Ba'ku residents and take over the planet for themselves, so as to de-uglify themselves (I'm not making this up). Not only that, but they are given full authority to do so by a suspicious Federation admiral (Anthony Zerbe, in his final film role). Because this order clearly violates the Prime Directive (which forbids the interfering of any sovereign planetary civilization), this puts Capt. Picard & crew into a conundrum: do they follow orders like good little Starfleet soldiers or do they uphold the Prime Directive to protect these peacemongers? Put it to you this way: Based on the title alone, plus what you know about the Next Generation characters, what do you THINK they will do??? Duh...Lock & Load!!!

Jonathan Frakes had an obviously daunting task: following up the incredible STAR TREK: FIRST CONTACT (1996), one of the very best in the entire STAR TREK film saga. STAR TREK: INSURRECTION looks really nice (the visuals are, once again, truly amazing), but alas, there is not really much to care about here. F. Murray Abraham is one of the finest actors of our time, but he must have really needed the money in order to agree to fill a role in which he's not only unrecognizable, but also the recipient of the worst movie makeover in recent big-screen history. STAR TREK: INSURRECTION is certainly not the worst STAR TREK film ever made (that honor would unquestioningly go to the William Shatner-directed misfire STAR TREK V: THE FINAL FRONTIER), but it's definitely not among the best. See it if you're a fan.


4-0 out of 5 stars It Takes Six...
The rule of odds and evens continues to apply in Star Trek Insurrection. Being the second true Next Generation film it is a must-see for fans.

The film opens with scenes on a tranquil, agricultural planet. Then things heat up as we run into Data and some Federation personnel. It seems they are observing the tranquil society in what is called Operation Duck Blind (the inhabitants don't know they are being looked at). From there we run into the rest of the main cast and the plot begins to develop. It involves a malfunction Data experiences while assisting at Operation Duck Blind that results in the mission being compromised.

As the crew of the Enterprise investigate what went wrong with Data they begin to raise more and more questions. As the main plot is revealed the crew must band together and stand up for what they feel is right. In the end the crew triumphs (did we really think it would be otherwise?).

This is really not a film for people who are not already fans of the show as it is the way the characters act and their personal interactions that makes the film so entertaining. Brent Spiner, Jonathan Frakes and Marina Sirtis seem to have a tremendously fun time with this film. Fans are treated to some great scenes of their favorite characters (although Gates McFadden was not particularly important). We even learn some more about Data's design and operation. But do not be misled by the title and the trailer, the scenes are all there but in the trailer they tell a much different story.

There are a few technical problems in the movie but you don't really think about them until afterwards. These include small things like not being able to count (claiming two slave races and showing three), the Federation is pretty stupid (giving membership to a race that has just managed warpdrive but only has been around for less than a hundred years, has only six members and seems to have better ships). There is the inevitable total ignorance of nebulae and what they are and just how not dense they are. But these are all minor things that don't jump out as the movie progresses.

So if you are a Next Generation fan and want to see the crew back together in a story that is really just a long, but very good, episode, then you really should take the opportunity to see this one. On a final note it passes Lynch's Law for a successful Next Generation episode in that it does not rely on techno-babble to drive or advance the plot but uses situation, character and emotion for fuel instead.

2-0 out of 5 stars Star Trek Takes a Nap
Star Trek:

If your looking for a movie to watch in your spare time, Star Trek Insurrection is a decent movie but definitely not one of my favorites. Starring Patrick Stewart as Jean Luc Picard and directed by Jonathan Frakes, this movie goes face first into face stretching action,literally.

Though not as exciting as First Contact, it still provides the cheesy action of an old guy [ Jean Luc] climbing in dangerous places with a big phaser rifle shooting aliens. I think it's funny because in this movie, two gramps meet and fight to the finish. One's got a facial problem [the bad guy], the other a mental problem, what kind of 70 year old man would think himself strong enough to fight wars?

I might suggest this movie to people who like to watch people from a nursing home duke it out. They never learned not to play with guns either. It's pure entertainment for people that like to watch strange movies and laugh at them.

The camera work could have been better. Towards the end, it doesn't show much of the enemy ship, there isn't much of an inside of a ship to see though. The special effects were all right, but the phasers looked kind of fake to me.

One scene made the movie purely messed up to me. Jean Luc runs around an enemy ship firing a phaser, right after that he says, " If you fire your phaser, you risk igniting your ship, you wouldn't risk that would you?" [The guy he was chasing is one of the old gramps I mentioned earlier]. Isn't that stupidly cheesy?

I don't under stand why everybody except the captain always wears the same stuff. The captain wears a dress suit and regular clothes but the rest of the crew always wears the same old red suit. All the Ba'ku wear different stuff.

Star Trek Insurrection is rated PG-13. I say a lot of people would like this movie. For other people though, it gets really annoying.

Anomynous ... Read more

9. Star Trek - The Original Series, Episode 42: The Trouble With Tribbles
Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland
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It's time to face one of the great questions of the television age: Is"The Trouble with Tribbles" really as good as everyone thinks it is? You bet.While the story might be a little slower than many of us remember, the episodeis deservedly beloved for writer David Gerrold's witty, mildly acerbic script,and the way the cast took to heightened comic possibilities against networkresistance. (Heavens! Comedy on a science fiction show?) Stanley Adams isdelightful as the huckster Cyrano Jones, who gives a trilling furball called atribble to Uhura (Nichelle Nichols), who brings it aboard the Enterpriseand watches it reproduce... and reproduce... and reproduce. Soon, hundreds oftribbles are in every part of the ship, making Captain Kirk (William Shatner),already grouchy about guarding a mere grain shipment from Klingons, evengrouchier. There's no question that Gerrold made a major contribution toTrek culture with this show, setting a tone that Star Trek hasvisited again and again, including the feature film Star Trek IV: The VoyageHome and sundry episodes of The Next Generation, Deep SpaceNine, and Voyager. --Tom Keogh ... Read more

Reviews (14)

5-0 out of 5 stars The episode where Star Trek becomes a situation comedy!
"The Trouble With Tribbles" might not be the best Star Trek episode, but it is certainly the funniest. The Enterprise rushes to Deep Space Station K-7 only to find a pretentious bureaucrat named Nilz Baris who wants Kirk to protect tons of quadrotriticale, a hybrid grain that will be used to colonize Sherman's planet. Kirk is ticked off that Baris misused the Priority 1 Distress Call and only allots two guards to watch the "wheat". Meanwhile the rest of the ship gets shore leave and Uhura meets Cyrano Jones, a trader of curious items, including the amazing Tribble, the creature that is apparently born pregnant (one of Bones' best all-time diagnoses). While the little beasties threaten to overwhelm the ship, Kirk has to deal with some unhappy Klingons, reprimand Scotty for defending the ship's honor in a bar room brawl with the Klingons, and try to protect all that wheat, er, quadrotriticale. Watching a clearly peeved Kirk deal with all these headaches is a hoot, as is the classic moment when he has to endure a shower of Tribbles. Plus there is the sight of Spock petting a Tribble and Scotty ending the episode with the all-time greatest pun in Star Trek history. They must have had a total blast doing this one.

David Gerrold, who wrote this episode, also wrote one of the more interesting Star Trek non-fiction books detailing how he came to write the episode and how his script came to be filmed. An excellent behind-the-scenes book for aspiring Star Trek writers. If you love this episode, then you owe it to yourself to also check out not only Gerrold's book but the Deep Space 9 episode "Trials and Tribbulations," where Sisko, Worf, O'Brien and Bashir go back in time and re-live the original Star Trek episode to preserve the time-line. That episode is worth it just for the double-take everybody does when they see how different Worf looks like from the "original" Klingons. That episode was definitely my type of homage. Oh, and the "sequel" on "Star Trek: The Animated Series" was that the best episode of that short-lived cartoon series as well.

5-0 out of 5 stars "No Tribble at All"
Even people who barely know what Star Trek is have seen or heard of this episode. "Tribble" has become a household word. This episode is hilariously funny, expecially if you know the characters. It is generally regarded as the funniest episode in the series. Although it is not my favorite, I love this episode, and highly recommend it. The Enterprise answers a distress call and travels to a space station, where the crew dicovers that there is no emergency. The space station has just recieved a shipment of a new, highly dvanced grain, and the powers-that-be want it guarded. Kirk is, needless to say, very annoyed. Add to that a Klingon ship requesting "shore-leave rights," and a trader selling cute little balls of fluff called Tribbles. Humans instictively like them, but Klingons do not. Once one Tribble is brought on board the Enterprise, it begins mulitplying so rapidly that it becomes a source of concern to Kirk and Spock. There is no better combination for a funny episode.

5-0 out of 5 stars The Funniest episode of TOS.
William Shatner and the rest of the Star Trek cast get to laugh and have a good time in this light-hearted adventure when the Enterprise is assigned the task of protecting a space station full of grain for delivery to a developing planet under dispute between the Federation and the Klingon Empire, and they encounter a trader (Stanley Adams) who sells some of the crew a small animal called a "Tribble" which then reproduces into hundreds of "hungry little Tribbles" who hate Klingons, like both humans and Vulcans, and proceed to eat the grain. Which then exposes a Klingon plot to destroy the grain shipment. Lots of laughs abound in this episode including Jim being buried alive by a hundreds of tribbles that fall out of a hatch. Was followed by a sequal in the Star Trek animated series called "More Tribbles, More Troubles."Written by David Gerrold. Directed by Joseph Pevney. Music Composed and Conducted by Jerry Fielding.

5-0 out of 5 stars Stanley Adams (Cerano) wrote an episode as well
The episode with those furry little creatures was the apex of humor on Star Trek. By this point in the show's run, characters were well enough developed for the actors and brain trust to feel comfortable stepping out a bit. And they certainly step out in this one. Thanks to writer Gerrold, the episode actually has a fairly solid dramatic foundation that includes Klingon intrigue, and threats to both the food supply and the Enterprise itself. One could be forgiven for not realizing this though, since the tribbles
completely steal the show. Actually the enterprise crew (and Adams as Cerano)for the most part prove quite adept in the comedic roles, and the officious Schallert is a perfect straight man under the circumstances. A Starfleet official is even correct in his desire to reign in Kirk, for once!

Tidbits: The fight scene was supposedly pinched en masse from a prior film. Recognize the Klingon? He was Trelane from The Squire of Gothos, played by William Campbell.

5-0 out of 5 stars One Of The Finest Hours Of The Original Series
"The Trouble With Tribbles" is my personal favorite among the nearly 80 hours of the original "Star Trek" series. It is unquestionably the funniest, with David Gerrold's deft, wittty prose creating hilarious scenes and dialogue as precious as any I've seen on Jackie Gleason's "The Honeymooners". James Doohan's Scotty steals many of the scenes he's in, though highest honors for hilarity deservedly go to Stanley Adams as the trader Cyrano Jones responsible for the tribble infestation on the Federation space station. The fight between the Klingons and the Enterprise crew is certainly among the finest examples of "Star Trek" humor I've seen. Fans of slapstick comedy will not want to miss this terrific "Star Trek" episode.

This was David Gerrold's first professional sale as a writer and remains one of his finest episodes of science fiction television (However, his best probably is the Babylon 5 episode "Believers".). ... Read more

10. Star Trek III - The Search for Spock
Director: Leonard Nimoy
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You didn't think Mr. Spock was really dead, did you? When Spock's casket landed on the surface of the Genesis planet at the end of Star Trek II, we had already been told that Genesis had the power to bring "life from lifelessness." So it's no surprise that this energetic but somewhat hokey sequel gives Spock a new lease on life, beginning with his rebirth and rapid growth as the Genesis planet literally shakes itself apart in a series of tumultuous geological spasms. As Kirk is getting to know his estranged son (Merritt Butrick), he must also do battle with the fiendish Klingon Kruge (Christopher Lloyd), who is determined to seize the power of Genesis from the Federation. Meanwhile, the regenerated Spock returns to his home planet, and Star Trek III gains considerable interest by exploring the ceremonial (and, of course, highly logical) traditions of Vulcan society. The movie's a minor disappointment compared to Star Trek II, but it's a--well, logical--sequel that successfully restores Spock (and first-time film director Leonard Nimoy) to the phenomenal Trek if he were ever really gone. With Kirk's willful destruction of the U.S.S. Enterprise and Robin Curtis replacing the departing Kirstie Alley as Vulcan Lt. Saavik, this was clearly a transitional film in the series, clearing the way for the highly popular Star Trek IV. --Jeff Shannon ... Read more

Reviews (141)

3-0 out of 5 stars Another fine "Special Edition"
Once again, a fine special edition has been released for these venerable Star Trek movies. In this film, the crew heads off to the newly-formed Genesis planet in the stolen Enterprise. They meet up with Klingons newly arrived to try and steal the secret of the Genesis Device, which they call the "Greatest weapon ever invented." This film is clearly more light-hearted than TMP or TWOK, the previous two films in the franchise, and introduced the plot device of sending each crewmember off on their own mission before pulling them back together. As such, we see more of Sulu, Uhura, and Scotty than we are used to, which adds rather than detracts from the story. Another highlight is the scene-chewing performance of Christopher Lloyd as the Klingon commander, in perfect opposition to William Shatner.

Unfortunately, the film tends to be repetative. It starts off with a flashback to Wrath of Khan to bring the audience up-to-date. That's fine, but these moments are relived again when Sarek visits Kirk 20 minutes in, and YET AGAIN at the end of the film. Thus, this 100-minute movie only contains 80 minutes of new material, and repeated watchings tend to leave you fidgiting. In addition, the sound-stage sets of the Genesis Planet (and Vulcan) are impressive, but not the same as actual location footage. However, it's a worthy addition to the Star Trek family, it simply suffers in comparison to the two movies on either side of it.

Likewise, this special edition is good, but not as good as those for TMP and TWOK. The highlights are the text commentary by the Okudas, a featurette (25 minutes) on the development of the Klingon language, and the ILM featurette on the effects. The general making-of feature is interesting (Shatner is amusing in a faux-pompous way), but is mostly a repitition of the audio commentary. The print is curiously grainy, in contrast to the obviously cleaned-up DVD versions of the previous 2 films.

4-0 out of 5 stars What Odd Numbered Curse?
Despite the holes in the plot and the need to willingly suspend disbelief at times, Star Trek III is among my favorite of the original cast films. I even like it better than Star Trek IV.

The special effects in this film are really good and I love James Horner's score enough to have bought it on cassette. There are many dramatic visual moments, including when the Enterprise approaches the giant space station orbiting Earth and the destruction of the Genesis planet, and of course, the destruction of the Enterprise.

The cast is in their usual fine form. Uhurua gets a smaller role in this movie because she stays behind, but she does get one really good scene giving a young Starfleet cadet his comeuppance. Scottie gets to shine as temporary engineering officer and vandalizer of the new starship Excelsior. McCoy is funny, occasionally slipping into his Spock mode. One of his best lines, upon hearing that he is carrying Spock's "katra" inside him is "It's [Spock's] revenge for losing all of those arguments!" William Shatner has a really good dramatic scene when Kirk learns that his son has been killed by the Klingons. Christopher Lloyd is good as the Klingon commander Kruge. Unrecognizable as one of his subordinates, Maltz, is the guy who played Dan Fielding in the Nightcourt sitcom on NBC.

Merrit Butrick and Robin Curtis are not particularly memorable as David and Saavik, but accomplish what is expected of them. Another reviewer observed that the film barely hints that Saavik sleeps with the young Spock as he experiences Pon Faar. I read the novelization of Star Trek III, and not only does it make it clear that she is "intimate" with him, if indeed Vulcans can be intimate, but that she also sleeps with Kirk's son David as well before they go to the Genesis planet. Had it been included in the film, it really would have added another element to it, though in the end it might have been distracting too.

It is a bit of a coincidence that Kirk gets Spock off the Genesis planet at just the right age, and the way in which Spock is brought back is a bit hard to swallow, after all, even the Vulcan high priestess declared that the process had not been done in ages, and then only in myth. Why would Spock then be confident that it would work? Then again, since all of us Trekkies wanted Spock back, we won't quibble. Star Trek III is a good combination of action, humor and drama. If there is an off numbered curse in the Star Trek movies, it clearly does not apply to this one.

4-0 out of 5 stars Kirk and Co. have the balls that no one else in ST ever had
Another classic trek movie, this one taking place directly after the famous Spock death scene in Wrath of Khan. But Spock was just so hip and cool in his stiff, emotionless, Spock-ish(??) way that they had to bring him back. And Kirk and the boys do it in style.

The story is basically this: Ambassador Sarek (Spock's father) comes up to Kirk and makes it known to him that his essence may be living within a crew member of the Enterprise. They discover it is McCoy (which is hilarious, considering Spock and McCoy's quirky friendship), which explains why many in StarFleet thought he had been driven insane, and locked him up for it. Kirk and the boys spring McCoy out of the cell, steal the Enterprise, and head into space on "personal matters."

Even if this movie lacked in action, which is does not at all, it would have plenty in hilarious dialogue. There are many examples, such as when McCoy tries to hire a mercenary at a bar (very reminiscent of the Star Wars cantina, clientele et al). McCoy tells him, "Place I name, money I go." And the perterbed alien (eerily reminiscent of George C. Scott and Dr. Evil) fires back, "Place you name, money I name or else bargainnnnnnno." It hilarious the way he says it. Another funny part comes when Sulu jokingly prods a bored Federation security guard, "Keeping you busy?", the guard slowly, menacingly stands up from his chair, towering over the short Sulu and says, "Don't get smart, tiny." It isn't so much what they say that's funny, it's the body language and the intonations, brought out in full by first-rate directing by Leonard Nimoy.

There are tons of great action scenes, and even a stabbing death which is implied, but not shown, making it action-packed but still accessible for the whole family. A memorable performance by Christopher LLloyd as a Klingon renegade is also within this fine film. It's not as good as The Undiscovered Country, but it stands firm not only as a great Trek movie, but just as a great movie overall.

4-0 out of 5 stars one for all, and all for one
Leonard Nimoy spent most of his time behind the camera directing this film, and though I miss his presence as Spock, it's one of my favorite of the Star Trek series; it's more subdued and introspective than the others, and the overall theme is friendship, and risking one's life for a friend.
The year is 8210, and the plot centers around "The Genesis Effect", an experimental device that can be placed on a "lifeless space body", like a dead moon, and make it flourish with life, but because one of the scientists used risky methods, "life" is happening at a fast clip.
The evil Klingons of course, in their constant lust for power, want the "Genesis" secret, and Admiral Kirk must stop them.

William Shatner is fabulous as Kirk; I've always found him to be a unique, immensely watchable actor, and all the original ensemble cast is wonderful: DeForest Kelley ~ McCoy, James Doohan ~ Scotty, George Takei ~ Sulu, Walter Koenig ~ Chekov, Nichele Nichols ~ Uhura. Added are Mark Lenard as Spock's father Sarek, Robin Curtis as Lt. Saavik, Merritt Butnick as Kirk's son David, and Christopher Lloyd as the Klingon Kruge. Dame Judith Anderson plays the Vulcan priestess TLar, in a scene that is high camp, and quite marvelous.
There are some nifty special effects on the Planet Genesis, and some nice cinematography by Charles Correll, as well as an exceptionally lovely score by James Horner. Leonard Nimoy gave this film a moody, thoughtful atmosphere, and it works for me, and I find the ending quite touching, no matter how many times I see it.
Total running time is 105 minutes.

4-0 out of 5 stars 20 Years of "The Search For Spock"
"How many fingers am I holding up?"
"Thats not very damn funny."
- Kirk gives the Vulcan Salute to Dr. McCoy as they both escape a trip from The Federation Funny Farm, and look for a lost pointed ear friend in "Star Trek III: The Search For Spock"

Its been 20 years to the day since the search began in this third and underated entry in the "Star Trek" saga. "The Search For Spock" is an adventurous (if corny) film that teaches a lesson in the loyalties, & importance of friendship, no matter the consequence.

Picking up where "Star Trek II: The Wrath Of Khan" left off, with the death & funeral of Captain Spock & the birth of the Genesis Planet, "The Search For Spock" begins with the crew of The Enterprise limping home after the battle wrath with Khan, only to find out that the Federation has decided to decommission the legendary starship & reassign most of its crew. Whats worse is the fact that Dr. "Bones" McCoy is having a sort of nervous breakdown, breaking in to Captain Spock's sealed quarters and giving Admiral Kirk an errie message from the grave.
When Spock's father, Ambassador Saarik, arrives informing Kirk that Spock isn't dead, but, is in a state where mind & body are in seperate forms, its up to both, Kirk & Saarik to find who has Spock's marbles (McCoy has them) & where Spock's body rests (on The Genisis Planet). Once both are retrieved, and thru an ancient Vulcan ritual, only then can Spock become his old self again. With the arrival of the Kilngons, looking for the secret to Genesis, its a race against time as the planet becomes unstable and starts to deteriate at an alarmingly fast rate. The search isn't without sacrfice & Kirk loses the two things he holds dearest to him in order get his friend back.

"Star Trek III" is one of those films thats pretty much written for fans of the series (if this film was your introduction to "Star Trek", I'm pretty positive your reaction was more of a "Huh!?" with a shrug of the shoulders). I hold this as the fifth best in the series tieing it with "Star Trek: Generations" ("II" & "First Contact" are the two best in the series).

The Klingons finally get some much needed screen time in this film. Since they were the main nemesis in the television series, it was only a matter of time before they would show up (the Klingons make a cameo in "Star Trek: The Motion Picture"). A year before he went "Back To The Future", Christopher Lloyd gives a great performance as Commander Kruge, the greedy, power hungry Klingon commander. Kruge is much better than the two Klingons in "Star Trek V". Those two reminded me of the Wonder Twins from the "Super Friends", for some reason. The Klingons in "Star Trek VI" came across as more regal and honorable than threatening and coldblooded, like Kruge is. As for Shatner and the rest of the cast, all are also great & age gracefully in their respective roles.
James Horner's score to "III", like "II", is one of the better scores in the series (acutally, I think, its a lot of reused score material from the previous film, but, I just get so tired of hearing Jerry Goldsmith's opening theme from "The Motion Picture". Its been used in at least half of the the ten films, as well, as the opening theme to "The Next Generation" series). Leonard Nimoy directs his first of two "Trek" films ("III" is his directorial debut) and gets a lot out of his actors and does a good job overall.

The 2 disc DVD edition to "Star Trek III: The Search For Spock" is worth owning and is better than "Star Trek V" on any given Sunday. Join the Search. ... Read more

11. Star Trek - The Animated Series, Vol. 7: The Jihad/ The Terratin Incident
Director: Hal Sutherland, Bill Reed
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Reviews (3)

4-0 out of 5 stars An ideally paired offering from the Saturday morning series
This entry in the much-maligned animated series features a set of above average episodes, one of them concentrating solely on Kirk and Spock and the other involving the entire crew. Each of the stories is not without flaws though. The first show, "The Jihad", is one of the more ambitious efforts that tells the story of a gathering of members of alien species working together to find an esteemed religious sculpture. The sculpture is inscribed with the brain patterns of a centuries dead religious leader of the alien species, the Skoor, and if it is discovered missing it will trigger a Jihad that will have galactic repercussions. This episode makes good use of the animated form as it has four completely different alien species working together with Kirk and Spock on the surface of a mysterious planet that reconfigures both its landscape and weather at random - complete with erupting volcanoes. If they had attempted to produce such a show on the regular series it would have superceded the make-up and special effects budgets for an entire season. Additionally the story is well constructed keeping the identity of the thief concealed until the climax. The major flaw present here takes place when they find the sculpture. One of the party's members offers to lasso the object that is out of reach of everyone; Kirk explains to her that it will be impossible to lasso because of the force field surrounding it. Moments later Kirk is perfectly positioned above the sculpture and easily slides his foot through one of its loops and calls for transport!

"The Terratin Incident" is equally intriguing presenting a fair mystery despite dealing with one of the most apathetic of science fiction premises, shrinking people. While investigating an ages old supernova the Enterprise communications detect an ancient S.O.S. signal used by early Earth exploration vessels. Tracing the source to a previously unexplored planet they are unable to determine if anyone is on the surface. The Enterprise is suddenly struck by a beam of unknown technology that is emanating from the planet's surface; the bombardment has disastrous consequences for the dylithium crystals reducing them to a pile of useless strips. Within a short while the crew begins to shrink slowly in size that begins to inhibit their ability to operate the starship's controls. In a desperate effort to find a way to reverse or stop the problem Kirk beams down to the planet and finds that he has resumed his normal size. Returning to the ship he discovers that the bridge crew has been beamed down to a doomed city on the planet and is being held hostage. With time running out for the starship, the city and the chances for the Enterprise crew to return to normal size Kirk negotiates with the ruler of the city. Though many of the routines seen here have been spotlighted in other similarly themed movies like "Dr. Cyclops" and "The Incredible Shrinking Man" they work to good effect here as well. And the twist dealing with the origin of the city's inhabitants is also handled satisfactorily even though it is a bit predictable. The major problem here: why did the city's ruler feel it necessary to shrink the crew of the Enterprise (or beam the entire bridge crew to the surface) when he was able to communicate with the starship - as he does with Kirk in the climax of the show? The clear reason for this is that it would have made for a short episode, but it is a glaringly obvious story flaw.

4-0 out of 5 stars The cartoon crew of the Enterprise get small...
Another pair of episodes from the first season of "Star Trek - The Animated Series" are offered up on Volume 7. In "The Jihad" (Episode #16, January 13, 1974), Kirk and Spock join a party of aliens searching for a stolen artifact. If this sacred relic is not recovered then there will be a holy war, but one of the party is determined to sabotage the mission. Written by Stephen Kandel, this episode features David Gerrold (author of "The Trouble With Tribbles") doing the Voice of EM/3/Green. In "The Terratin Incident" (Episode #11, November 17, 1973), the Enterprise is checking out a burnt-out supernova when they discover a miniature city called Terratin. The city is a long lost Earth colony that shrank because of the radiation from the supernova and now the same thing starts happening to the Enterprise. This episode, written by Paul Schneider, is the better of the two. Hearing Spock and McCoy argue about shrinking makes the whole thing worthwhile.

4-0 out of 5 stars Great stories of Star Trek in animation.
The Jihad; Captain Kirk and Mr. Spock join other experts from the Federation to recover of sacred artifact before the galaxy erupts in a full scale war. and the Terratin Incident finds the starship being struck by a strange ray that gradually shrinks the crew down to microsopic size, and the Captain is the only one who can stop it befoe it's too late.These are well written episodes and the animation is quite faithful to the live action Star Trek series.Episodes written by Stephen Kandel and Paul Schneider. Directed by Hal Sutherland. Excutive Consultent; Gene Roddenberry. ... Read more

12. Journey's End - The Saga of Star Trek The Next Generation
Director: Donald R. Beck
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5-0 out of 5 stars A pre-finale look back at the seven years of ST:TNG
Journey's End is a retrospective look back at the seven eventful seasons of Star Trek: The Next Generation and a preview of the two-hour series finale, and it originally aired immediately ahead of the finale All Good Things. You get a little summation of each character as he/she has evolved over the years, with a lot of emphasis on the first season, and the leading actors all have a moment to comment on their experiences over the years. The character of Dr. Pulaski, who replaced Beverly Crusher as ship's medical officer for at least one season, is completely ignored, which sort of rubs me the wrong way (not that I actually liked her character, but she deserved at least a mention) - especially since I had to look at several old clips featuring Wesley Crusher (thankfully, though, there was no interview with Will Wheaton).

The special was hosted by Jonathon Frakes, and he takes you through a little mini-tour of some of the sets, answers a few questions people have often asked about the ship, and shows you how a few different special effects are brought to life. The real stars of the special are the crucial men and women behind the cameras, as they get their moment in the sun to show and tell you a little bit about their jobs. You also get a look at one of the largest Star Trek conventions of 1994 when Jonathon Frakes makes a surprise appearance among the throng of ardent Trekkies.

There are a lot of references to and previews of the final episode, which in itself brings everything around full circle with its revisit of the events from the premiere episode of the series. Frakes also talks about the movie then in production which incorporated Captain Kirk, Scotty, and Chekhov into the world of ST:TNG, the series Deep Space Nine, and the upcoming Voyager series.

It's basically an informal tribute to the success of ST:TNG, and it was probably meant as a comfort of sorts to the legions of fans having to cope with the end of a beloved show. If so, it performed both jobs quite well indeed.

5-0 out of 5 stars Journey's End - A fitting tribute!
After watching all seven seasons on DVD I felt it only appropriate to pull this one out of the VHS cabinet and watch it again. Of course, since picking up a DVD player in late 98, the VHS cabinet took some getting into due to rust and cobwebs, but obviously the mission was successful.

I haven't watched this since I purchased it right when it came out at the end of the show. At that time, this was all some great and fresh video about The Next Generation's cast and crew. After watching all of the Special Features areas of all seven seasons, one quickly realizes that a majority of what is seen here was put on the boxed DVD sets. That is perfectly fine though considering that are some things on here that weren't added to those sets.

Star Trek in so many ways represents what is good about humanity and its future that it is almost compelling to watch and Star Trek The Next Generation not only picked that up but took it "where no other series had gone before." In "Journey's End" you will find it to be a short but fitting tribute to the great many things that took place on and off screen during the seven year run of this outstanding series. You will also see a little bit about Deep Space Nine which was finishing its second year when this tribute was made. Host Jonathan Frakes does an outstanding job as well!

I would highly recommend this VHS, if you can find it! {ssintrepid}

4-0 out of 5 stars Journeys Never End
If you are a moderate to hardcore TNG fan, I think you'd really like to have this video as part of your collection. A video like this is particularly good to have for future years, so you can take a quick journey back into the show. The video isn't very long, but it does offer a wide range of video clips and cast interviews. This tape was made prior to the final episode of the series, so they do focus a fair amount of time to discussing "All Good Things..." (series finale). My only complaint is that there isn't much emotion involved in the tie up. This type of video could have come at the conclusion of any season. I was hoping for a little more depth in the cast interviews, but it's still an enjoyable piece of nostalgia.

4-0 out of 5 stars Interesting and nostalgic, I liked it.
It gives us a peek forward and a look back at favorite characters, and of course Q is in typical "wild ride" form. I hated that it was the last one made, (because the series ended), but it was a good storyline and good Trek.

1-0 out of 5 stars POO-POO
my ten year old daughter could act bette ... Read more

13. Star Trek II - The Wrath of Khan
Director: Nicholas Meyer
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Although Star Trek: The Motion Picture had been a box-office hit, it was by no means a unanimous success with Star Trek fans, who responded much more favorably to the "classic Trek" scenario of Star Trek II: The Wrath of Khan. Inspired by the "Space Seed" episode of the original TV series, the film reunites newly promoted Admiral Kirk with his nemesis from the earlier episode--the genetically superior Khan (Ricardo Montalban)--who is now seeking revenge upon Kirk for having been imprisoned on a desolated planet. Their battle ensues over control of the Genesis device, a top-secret Starfleet project enabling entire planets to be transformed into life-supporting worlds, pioneered by the mother (Bibi Besch) of Kirk's estranged and now-adult son. While Mr. Spock mentors the young Vulcan Lt. Saavik (then-newcomer Kirstie Alley), Kirk must battle Khan to the bitter end, through a climactic starship chase and an unexpected crisis that will cost the life of Kirk's closest friend. This was the kind of character-based Trek that fans were waiting for, boosted by spectacular special effects, a great villain (thanks to Montalban's splendidly melodramatic performance), and a deft combination of humor, excitement, and wondrous imagination. Director Nicholas Meyer (who would play a substantial role in the success of future Trek features) handles the film as a combination of Moby Dick, Shakespearean tragedy, World War II submarine thriller, and dazzling science fiction, setting the successful tone for the Trek films that followed. --Jeff Shannon ... Read more

Reviews (323)

5-0 out of 5 stars At the End of the Universe, Lies the Beginning of Vengeance
Star Trek II The Wrath of Khan succeeds because it strikes the perfect balance of drama, action, humor, pathos, and depth. After the critical failure of the first Star Trek movie (which hit movie theaters before being properly completed), the producers took the trouble to view every episode of the original series to figure out what made it enduring. They replicated it successfully in The Wrath of Khan. Unlike the first film, the plot is driven by the actions and motivations of the characters. This is not a story about spatial anomalies or an excuse for technobabble and flashy special effects. This story is about the classic themes which have served drama well since ancient Greek theater: the quest for vengeance; lost loves; the alienation, anger and reconciliation of fathers and sons; and the realization of mortality. Of the many science fiction films I have seen, few have tugged at the heartstrings as deeply as The Wrath of Khan. The most powerful moments are the bittersweet reunion between Kirk and Carol Marcus, the death of Spock and Kirk's eulogy, and the long delayed embrace between Kirk and his estranged son David. These moments are so universal that any "science fiction" label for this film seems limiting.

The script is helped by what is undoubtedly William Shatner's finest performance as James T. Kirk. Shatner brings the perfect balance of bluster, brio, and vulnerability to the aging Admiral. Toward the end of the movie, Kirk, shattered by Spock's death, tears down his defenses and allows us to see the human being behind the uniform. Ricardo Montalban, in a blood thirsty, Ahab-like performance, proves that there is much more to his acting than what was seen on Fantasy Island.

The special effects, which are entirely at the service of the story, for the most part hold up remarkably well--two exceptions are the Ceti Eels and the Genesis Cave Waterfall, which look rather primitive by today's CGI standards. James Horner's crisp, vibrant score hints at the great things which were to follow from him--it's a pity he has not been used in more recent Star Trek fare.

This Director's Edition contains some additional footage which was not in the theatrical release. Among this are scenes which reveal why Scotty was so upset over the death of the Cadet in Engineering, as well as some minor additions. Unlike the DVD release of the first Star Trek movie, there have been no enhancements to the few dated visual effects, such as the Genesis Cave Waterfall. The bonus material features interviews with Shatner, Nimoy, Montalban, and Bennett, as well as several behind the scenes looks at the visual effects (this was the first film to make use of computer graphics) and production design. Less interesting is an extended look at the Trek universe as seen through various novelizations (which, as every Trekker knows, are not considered "canon.")

The picture and sound quality are identical to the earlier DVD release, a definite improvement over VHS and laserdisc, but not spectacular by DVD standards.

4-0 out of 5 stars DVD is superior to all previous video releases of the movie
This is the first Star Trek movie I have purchased on DVD. And I was quite impressed.

As far as I can tell, the entire movie panarama is restored within the 2.35 letterbox. Apparently this was *not* the case with the laserdisc and VHS widescreen versions, as this DVD has more material in the frame. Even the closing titles are authentic letterbox (not the vertically cropped, horizontally-compressed pan-and-scan version titles that were coppied onto the laserdisc).

Picture quality is also improved. Starfields are actually black this time instead of grey. Images are cleaner and sharper. The spaceships are more intense-looking than ever before, and I finally understand what's in the Genesis cave. The video transfer is darker, hiding some of the now-familiar film artifacts but also revealing a few new ones. Then again, even the cleaned-up special edition of Star Wars still had its film artifacts.

Sound is improved. I noticed some background effects I had never heard before.

Extras on this disc are limited to the theatrical trailer, which is letterboxed in 1.85. Personally, I would have liked to have seen the extended scenes from the ABC broadcast version of Star Trek II -assuming those can be restored in widescreen. The main menu looks like the menus for the TV episodes and does not capture the personality of the film.

Overall, a good disc. Buy it.

5-0 out of 5 stars One for the ages
Back when "The Wrath of Khan" first hit the theaters, I remember thinking that Khan now ranks with the best movie bad guys of all time. I think Ricardo Montalban may have turned out the best performance of his career by bringing complexity, passion, pathos, and humanity all at once to the role of Khan. I'll never be able to read Moby Dick the same way ever again - "He tasks me, and I shall have him... I'll chase him 'round the moons of Nibia and 'round the Antares Maelstrom, and 'round perdition's flames before I give him up!" Sure, I'm an avowed lifelong trek fan, but I don't think I'm exagggerating this by much.

On a more objective note, the movie works very well at multiple levels...

The soundtrack itself is exceptional and, at the time, somewhat ground-breaking for the movie industry. This is evidenced by the fact that subsequent soundtracks in the sci-fi genre seem to have borrowed from Horner's original score. I think it was a shame that "Khan" was not nominated for an Oscar in the original score category.

The visual effects, which were state of the art at the time, still hold up over twenty years later. It serves as a good example and reminder that movies used to have good special effects even in the pre-computer era.

The acting was also superior. I already mentioned that Montalban may have given the performance of his life as "Khan", but I don't think it ends there. William Shatner, Leonard Nimoy, and DeForest Kelley also recaptured the feel of the cameraderie from the original series. I am aware that Shatner is often criticized for being overly-dramatic, but my opinion is that this may also rank among the top two or three performance of Shatner's career as well (including the TV show). One of the more memorable moments came following Khan's failed attempt to have Chekov and Terrell kill Kirk: [Kirk to Khan] "You've managed to kill just about everyone else, but like a poor marksman you keep missing the mark.", which was, of course, followed by Kirk's timeless "KHAAAANNNN!!!" exclamatory. The acting was so good, IMHO, that the audience doesn't really notice that Kirk and Khan never really meet face-to-face, and the movie doesn't suffer because of it.

The Director's Edition DVD comes with a well-produced disc of supplementary material (interviews, commentaries, etc.) as well. I particularly liked the recent interviews with the actors on their recollections from when the movie was being produced. My favorite interview was Ricardo Montalban telling how horrified he was upon realizing how much he sounded like Mr. Roarke from Fantasy Island when he started reading his lines for the first time - "This is going to be a disaster! The audience is going to laugh at me!" He then tells of how he fixed the problem by requesting a copy of the original TV show "Space Seed" where the crew of the Enterprise first encountered Khan, and watching it over and over again until he began to recall his original work with the character. Shatner also delivers a pretty good interview as he describes how he'll one day make Nimoy and Harve Bennett pay for not letting him in on the secret that by the time the movie had been shot that they already had plans to bring Spock back. Whether or not Shatner really knew is irrelevant - the interview is delivered w/ a deadpan that leaves the viewer in stitches. There is also a good piece about how the visual effects were accomplished.

Overall, I rate "The Wrath of Khan" as the best movie in the entire series of Star Trek theatrical releases, and one of the better movies ever produced in the sci-fi genre as a whole.

5-0 out of 5 stars If you see just one Star Trek movie.....
MAKE IT THIS ONE. This is it...the movie that defined that reinvented Star Trek in the 80's and paved the way back to television for Star Trek: The Next Generation.

Why you'll like it:
Shatner and Nimoy: No matter how you slice it, there is a chemistry between these two people (both off and on screen) that makes you want to watch them together.

Ricardo Montalban: The man "chews scenery". Khan is one of the great villians.

GREAT special effects: all cutting edge effect done by Lucas' Industrial Light and Magic. It was done sooo well - like they were going out of there way to apologize for the visual trainwreck that was Star Trek: The Motion Picture.

And - if you don't like Star Trek - it's still pretty good fun.

I won't spoil the ending - but keep the tissues handy. No one can keep a dry eye when you hear bagpipes playing "Amazing Grace".

I also really enjoyed watching this film with the director's commentary. I actually got a whole new perspective on the film from the first time I saw it (more than 20 years ago).

5-0 out of 5 stars Revenge Is A Dish Best Served Cold
"I have been & always shall be your friend. Live long & prosper."

"Of my friend..., I can only say this. Of all the souls I have encountered in my travels. His was the most- .... human.

- Captain Spock says goodbye to his close friend while Admiral Kirk honors the fallen in "Star Trek II: The Wrath of Khan".

After 22 summers (to the day) "Star Trek II:The Wrath of Khan" is still the movie that "Star Trek: The Motion Picture" wanted to be and after ten films in the "Star Trek" saga, "II" is still the film that all other "Trek" films are measured up to (for me personally, this one is tied for first with "Star Trek: First Contact").

Admiral Kirk and the crew of The Enterprise face an old enemy (Khan Noonian Singh) from the television series (see the episode entitled "Space Seed").

Simplistic plot, but, what makes the film work so well is:

1. - The crew act there age & try not to be the young crew they tried to be in "The Motion Picture".

2. - Admiral Kirk has a mid-life crisis as his past catches up with him in the form of the son he hardly knows.

3. - Khan seeks revenge for the death of his wife (the Enterprise historian from the T.V. episode). Wouldn't you?

4. - Aside from the senior staff, The Enterprise crew is made of cadets, giving the film an extra element of danger(the plotpoint w/ Scotty's cadet nephew is one of the extended scenes in the film).

5. - The senior staff, unlike in the T.V. series, is expendable (Scotty gets a bout of radation poisining, Checkov becomes Khan's hostage, and Spock, ..., well you know. I won't give that away for the 2 people who haven't watched the film).

6. - The Genesis Project is one of the most dangerous of all "Trek" weapons, yet, it was never meant to be one.

7. - The battle in the Mutara Nebula is classic "Star Trek" all the way (the Nebula is featured again in one of the episodes from "Star Trek: The Next Generation". I think, it might be The Best of Both Worlds Part I).

8. - Cherish what you have before its gone and a renewed sense of purpose is never a bad thing.

Quite a lot of detail was put into this film.
Gone are the disco style uniforms from the previous film. In its place, are the now classic, military/naval style uniforms complete with rank pips and badges.
The effects are a lot better than in "TMP". The first digital effects featured in a film are of the Genesis Proposal and were made by Pixar (the company would go on to super success with, the 1995 film, "Toy Story").

Origianlly titled the "Undiscovered Country", but, was replaced by the title "Vengeance of Khan". It was retitled to "The Wrath of Khan" when Paramount found out that the last "Star Wars" film would be titled "Revenge of The Jedi" (that would be changed to "Return of The Jedi").

This 2 disc extended edition of "Star Trek II" has everything but the kitchen sink thrown in (its lightyears ahead of the drab first DVD release). What I like most about these special releases is the triva track option that can run at the bottom of the screen without blocking out any of the screen itself.

This version of "Star Trek II: The Wrath of Khan", is a 2 disc set that will live long & prosper. Steady as she goes, Mr. Sulu. ... Read more

14. Star Trek the Motion Picture: Special Longer Version

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12 Minutes of New Footage ... Read more

15. Star Trek - Voyager, Episode 35: Investigations
Director: Victor Lobl, Terrence O'Hara, Gabrielle Beaumont, Cliff Bole, Terry Windell, Tim Russ, James L. Conway, Jonathan Frakes, Robert Duncan McNeill, Roxann Dawson, LeVar Burton, Allison Liddi, Andrew Robinson, John Bruno, Marvin V. Rush, Anson Williams, Nancy Malone, Michael Vejar, Peter Lauritson, Les Landau
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An episode that seems to focus on "morale chief" Neelix (EthanPhillips) but which, in fact, brings to a conclusion a pair of subplots thathave been festering for several shows. Ostensibly, this story is aboutNeelix's intraship TV show about news of the day. But when Tom Paris (RobertDuncan McNeill) transfers off Voyager, Neelix is upset--and he's moreupset when, after discovering that a spy has been sending communications tothe Kazon, he comes to the conclusion that the spy was Paris. Viewers willknow better and may enjoy the cat-and-mouse nature of the scenes involvingNeelix and the real spy. On the other hand, the final battlesequence--involving Voyager and the Kazon ship, as well ashand-to-hand grappling between Neelix and the villain--is decidedlylackluster, particularly the fisticuffs with Neelix, who doesn't appear ableto punch his way out of a paper bag. --Marshall Fine ... Read more

Reviews (4)

4-0 out of 5 stars Neelix thinks that Paris is the traitor on "Voyager"
"Star Trek: Voyager," Episode 35, "Investigations" (Story byJeff Schnaufer and Ed Bond, Teleplay by Jeri Taylor, Aired March 13, 1996) begins with Neelix (Ethan Phillips) hearing a rumor that someone is leaving "Voyager" to join a Talaxian convoy. It turns out the rumor is true and that Tom Paris (Robert Duncan McNeill) is leaving the ship, which stuns most of his crewmates. No sooner is Paris gone but the Talaxian vessel is attacked by the Kazon Nistrim and Paris has been taken hostage by Seska, the former Maqui who was really a Cardassian spy, who tries to persuade him to join her side. Meanwhile, back on "Voyager" Neelix has become suspicious about how the Kazon could have known Paris was aboard the Talaxian vessel and starts to figures out there must be a spy aboard. But instead of suspecting Jonas, the true Kazon spy, Neelix finds evidence that Paris was the traitor.

Of course Paris cannot possibly be the traitor, which means there is more for Neelix to investigate and plans within plans within plans. "Investigations" is a pivotal "Voyager" episode in that it provides a resolution to several sub-plots that Janeway and the crew have been dealing with for most of this second season. Making Neelix the focal point of the episode is basically a diversionary tactic, because he is on the outside of everybody else's machinations. Unfortunately, this means that Neelix has to be front and center during the episode's climax. I understand the impulse to use Neelix in this regard, but it does end up keeping this from being a really great episode. "Investigations" also opens up some new sub-plots, especially when the new rift between Janeway and Chaoktay as "Voyager" continues to make its way across the Delta Quadrant.

4-0 out of 5 stars I was wondering about that.....
Well, this episode of Voyager is rather important to watch because it brings resolution to a couple of storylines that have been going on for the previous several episodes. For the past couple of episodes, we have been wondering why Tom Paris has been so obnoxious lately. And we have also been wondering about when in the world the senior crew was going to discover the covert communications between Jonas and the Kazon. This episode wraps both of these storylines up rather well, so I give it four stars.

However, I held back on 5 stars for a couple of reasons. Number one...I kinda thought that the whole "Briefing with Neelix" thing was kinda cheesy. But I'll let it go because after all, the Voyager crew *is* far from home in a stressful situation, so there must be some relaxation of the formal atmosphere! But the other reason I didn't give this episode 5 stars is because the writers seemed to just drop the issue of Janeway and Tuvok's manipulation of Chakotay. Given Chakotay's character and his sensitivity to being "duped", I think that the writers should have written Chakotay as much angrier at this manipulation than he actually appeared to be in the episode. other thing! Note that this episode should be viewed after episode #36 "Lifesigns". Episodes are numbered in order of their production dates...not the order in which they were shown during the actual run of the series! In many cases, it doesn't matter, but in this case, it does!

5-0 out of 5 stars King Abdulla of Jordan is in this episode!
This episode has great historical value. In the opening teaser, Prince (now King) Abdulla of Jordan has a non-speaking cameo role as a member of Voyager's crew! This is proof of the reach of Star Trek's vision. A man of such importance in his country today is also such a fan of Star Trek that he arranged to be in one of the episodes (before he became King, of course).

5-0 out of 5 stars Great episode!!
In this episode, Neelix discovers that a crewmwmber is secretly sending messages and tactical information to the Kazon, one of Voyager's worst enemies. Through his investigating, he discovers who the traitor is, but will he live to tell the captain who it is? ... Read more

16. Star Trek - The Original Series, Episode 49: A Piece of the Action
Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland
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This smart, funny episode finds the Enterprise visiting the planet Iotia, where the starship Horizon accidentally left behind Earth materials a century before. During that time, as Captain Kirk (William Shatner) discovers, the Iotians have made much of one of those items, a book called Chicago Mobs of the Twenties. The planet's population has divided into rival gangs who dress, speak, and do violence like the spiritual descendants of Al Capone, plunging Kirk, Spock (Leonard Nimoy), and McCoy (DeForest Kelley) into a facsimile of Earth's colorful and dangerous past.

The episode is played for comedy: Kirk and Spock keep getting kidnapped by the warring hoods, each of whom wants the Federation team to use their technology to defeat the other side. The big payoff, however, is a summit meeting of bosses, where Kirk employs plenty of gangster-movie jargon to get matters settled. --Tom Keogh ... Read more

Reviews (6)

5-0 out of 5 stars Except on Tuesday
This gangster episode, and Tribbles, were the two Trek comedies that really worked. While I wouldn't exactly call the humor here subtle, it is intertwined in a fairly traditional action plot. We are able to enjoy Kirk and Spock's thuggishness for its own sake while simultaneously staying focused on the plot, for the simple reason that their behavior is called for by the story, rather than being a gimmick. The idea of a highly impressionable alien race who's cultural evolution could depend so thoroughly on a random event (the leaving behind of the book) is an interesting one as well. This episode is also helped by strong guest acting, most notably from Tayback.

5-0 out of 5 stars The funniest of the original series
This is without question the funniest episode of the original Star Trek series. There is no funnier deadpan scene anywhere in television than the one where Kirk is "explaining" the fizzbin card game and asks Spock what the odds are against getting a royal fizzbin. His deadpan, yet truthful answer is, "I have never computed them." I laughed out loud the first time I saw that and still smile when I see it, even though I have seen it over fifty times.
The main premise is that a Federation vessel visited a planet before the Prime Directive was imposed and members of the crew interacted with the planet's inhabitants and contaminated them. Therefore, the primary task of the Enterprise is to repair the damage. The earlier Federation vessel left a book that described the Chicago gangs of the prohibition era and the inhabitants have modeled their entire culture after the book. Their clothing, buildings, speech and social structure are all modeled from the gangster movie cliches.
After many trials and errors, including Kirk trying to drive a car, there is a climactic scene where Kirk takes charge and unifies the government under one of the gang bosses. His pacing on a pool table while brandishing a machine gun and speaking one gangland cliché after another is one of the best scenes in the entire original series. His solution, where the Federation is described as an interplanetary gang, is funny and original. I have always wondered what the reaction of Star Fleet command was to his report of how he solved the contamination problem.
Funny, and essentially a spoof of a movie genre, this is one of the best Star Trek episodes ever, original series and beyond.

5-0 out of 5 stars "A Piece of the Action," the 2nd funniest Star Trek episode
"A Piece of the Action" has the Enterprise visiting Sigma Iotia II, where a hundred years early the USS Horizon visited. Apparently this was before the Prime Directive, because one of the Horizon crew left behind a book: "Chicago Mobs of the Twenties." Now, once you get past the fact that (a) someone was toting a book into Deep Space and (b) it happened to be that particular book, you can really enjoy this one. Bela Oxymy wants the Federation to supply his gangsters with weapons so he can take over the planet, taking down Krako and the other bosses. My favorite part is when Kirk makes up a very complicated card game to play with the gangsters holding him hostage and Spock has to admit having never calculated the odds on the rarest of possible hands. Then there is also the bit where they try to drive an automobile. In the end, Kirk decides if you cannot fight them, join them. "A Piece of the Action" may well be the second funniest Star Trek episode, after "The Trouble With Tribbles," of course.

5-0 out of 5 stars Excellence
In my opinion, A Piece Of The Action is in the top 3 episode category along with Mirror Mirror and the Corbomite Manuever. The whole episode is very deep and never uneventful. The action never stops. It employs humor in the form of "slang talk" which people like Spock and McCoy dont understand. I cant explain it all here, but I will tell you it is a very good episode.

5-0 out of 5 stars One of the funniest and best Star Trek episodes
"A Piece of The Action" is one of my five favorite episodes of Star Trek. In "A Piece of The Action," Captain Kirk, Spock, and Dr. McCoy beam down to a planet whose landscape is similar to that of earth. The boss of a bunch of gangsters demands that the trio from the Enterprise make a deal with him which would help him ward off some of his enemies. To put it short, the Enterprise crew has been tricked. There must be a way for Captain Kirk, Spock, and Dr. McCoy to escape the planet alive, but they have a little bit of fun first.

"A Piece of The Action" is a great episode of the original series of Star Trek. It is well written and some parts of it are hilarious, especially the part when Captain Kirk drives a car for the first time. It's also amusing the way that Kirk talks in slang and has to repeat himself for the others to understand him.

William Shatner and Leonard Nimoy both give one of their best performances to make this one of the unforgettable episodes of Star Trek. I recommend "A Piece of The Action" to anybody. ... Read more

17. Star Trek Generations
Director: David Carson
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There were only two ways for "classic Trek" cast members to appear in a movie with the cast of Star Trek: The Next Generation: either Capt. Kirk and his contemporaries would have to be very, very old, or there would be some time travel involved in the plot. Since geriatric heroes aren't very exciting (despite a welcomed cameo appearance by the aged Dr. McCoy), Star Trek: Generations unites Capt. Kirk (William Shatner) and Capt. Jean-Luc Picard (Patrick Stewart) in a time-jumping race to stop a madman's quest for heavenly contentment. When a mysterious energy coil called the Nexus nearly destroys the newly christened U.S.S. Enterprise-B, the just-retired Capt. Kirk is lost and presumed dead. But he's actually been happily trapped in the timeless purgatory of the Nexus--an idyllic state of being described by the mystical Guinan (Whoopi Goldberg) as "pure joy." Picard must convince Kirk to leave this artificial comfort zone and confront Dr. Soran (Malcolm McDowell), the madman who will threaten billions of lives to be reunited with the addictive pleasure of the Nexus. With subplots involving the android Data's unpredictable "emotion chip" and the spectacular crash-landing of the starship Enterprise, this crossover movie not only satisfied Trek fans, but it also gave them something they'd never had to confront before: the heroic and truly final death of a beloved Star Trek character. Passing the torch to the Next Generation with dignity and entertaining adventure, the movie isn't going to please everyone with its somewhat hokey plot, but it still ranks as a worthy big-screen launch for Picard and his stalwart crew. --Jeff Shannon ... Read more

Reviews (151)

5-0 out of 5 stars A great transition!
Star Trek Generations is simply a great transition movie, handing the torch from Captain Kirk and crew to Captain Picard and crew. While not living up completely to what we the fans wanted, that doesn't really matter. That is the case in most of the movies. Especially the odd numbered ones for some strange cosmic reason. We all knew the Galaxy Class Enterprise 1701-D had to go. It was simply not made for the silver screen. I was personally hoping that more of the original series crew could've made it for the opening sequence. The scenes between Kirk and Picard were very well done. If I remember correctly, this was also the first time that we'd heard Captain Sulu's first name. Patrick Stewart once again showed the depth of his acting abilities with the death of his character's brother and nephew. It's a little disturbing to see Captain Picard basically recieve a beating from Soren. After watching Kirk fight many a people and win over the years. Malcolm McDowell, Soren played a very good, tortured villain. And yes, Captain Kirk said in Star Trek V The Final Frontier that he always knew he'd die alone. And that was the case, he was alone in the sense the Spock and McCoy weren't there. The way Kirk died did seem a little melodramatic for the character. Overall though, a very good transition movie. I would suggest that if you'd like a few more of the details, I believe you can still get a copy of the book. It does bring to light some of the things that were glossed over on the screen.

3-0 out of 5 stars More misses than hits, unfortunately....
When I was fifteen, I was so excited to see my favorite Star Trek crew get their own shot at the big screen. I was disappointed to hear that the baton was not completely passed, and that this film would feature the not-so-eternally-young William Shatner as Captain Kirk. I watched the movie anyway with much anticipation and excitement. Back then, I thought it was the best movie I had ever seen. Now that I'm 22 (more grown up) and I've had a chance to view a more superior film in "First Contact," I must retract my initial reaction and say that "Generations" is only okay.
I don't know if anyone else has pointed it out, but this movie has many depressing moments. The Enterprise B has its problems, Picard faces tragedy, Data gets choked up in his worry about Geordi, the Enterprise D crashes and eventually is blown to bits, and Captain Kirk (as much as I disliked his place in this movie) meets his fate. There seemed to be no bright side to this movie, no resolution of good truly conquering evil in the end. The crew of the Enterprise D were left with a mess of wreckage in the end. Where is the hope in that?
As far as humor goes, it was misplaced all the way through. Data's first turns with an emotion chip should have been eye-opening, but here they are ridiculous and obnoxious. Mr. Tricorder? Oh dear. Data's character has delivered better funny moments in the television series when his confusion got the better of him. I think the strongest laugh, and the most brilliant one, comes when Data says a dirty word to become the first TNG character to truly swear. Nice little touch for shock value anyway.
Patrick Stewart and friends always do well in the acting department and Malcolm McDowell as Soren is a welcome villainous addition to this story. So I think the trouble lies in the script and the continued push for old Trek cast members. It was time (pardon the cliche) for a new generation to take over, and it still wasn't fully their turn (not fair). Giving TNG their own movie would pay off next with "First Contact," an obviously superior journey.
As always, Trek delivers great special effects, but they cannot carry "Generations." It needed more emotional variety, a more clever story (time travel is tired), and an exclusive showcase of TNG characters.

4-0 out of 5 stars Making Generations Better!!
If your a Star Trek Fan, you will enjoy this film. This flim is a blending of the old to the new generation. It seems that at first William Shatner has a Cameo in the film's first half, but becomes a full member of the cast in the last half.
If your a TRUE Star Trek Fan, and want to enjoy this film even more, you MUST get the three books written by William Shatner. The first book is "Ashes of Eden." It takes place just before "Generations" and has Jim Kirk battling between his long Star Fleet Career and the lack of action in any retirement. In it Capt. Kirk find that he is still called to save worlds, even in his retirement. It fills the gap leading up to the first part of the film. It is true Captian Kirk in action. This book could have been made into a Star Trek movie by itself and can stand alone.
The second book, "The Return", takes place right after the death of Jim Kirk with Spock at his best friend's grave. As from the title, we all want Jim Kirk to live and he does "Return."
You can stop after this book too, if you want to have Jim Kirk dead. (Yes, he dies at the end) But, hold the phone, he will live again in the next book, "Avenger" to save the universe again. This time he has new friends. It's Captain Jean-Luc Picard and the Enterprise TNG crew. Yes, Spock is logicly there to help Kirk(RET) save the universe again.
Read this and enjoy the movie even more.

5-0 out of 5 stars Excellent Bridge Between The Old & The New...
STAR TREK GENERATIONS (1994) took on a monumentally difficult task---namely, the passing of the legendary STAR TREK torch from the original cast to the "Next Generation" cast---and does it almost seamlessly. Despite what many self-professed "Star Trek experts" may say, there was no perfect way to accomplish this. Having recently viewed this film for approximately the 10th time, I am as impressed as ever at the job that director David Carson and screenwriter Rick Berman (who took over as head of the STAR TREK franchise after creator Gene Roddenberry died in 1991) did. I can honestly say that I couldn't have done as good a job at bridging the two generations---and neither could have any of these "experts" who choose to pick apart at it.

If you're reading this review and others, you undoubtedly know what this film's about, so I'm not going into a rundown of plot here. I will, however, put in my two-cents worth of opinion about this film: it is a well-paced, fully realized cinematic vision, with great special effects, a compelling main plot, a humorous subplot and some excellent acting on the part of Patrick Stewart, Brent Spiner and Malcolm McDowell. Even William Shatner is pretty good here---his acting *has* improved with age and experience! As Dr. Tolian Soren, Malcolm McDowell creates a villain for whom we can actually care; although we don't agree with what he does, we can certainly relate to the reasons why he does what he does. However, this does not make it any less compelling for Capts. Kirk and Picard to stop him from carrying out his destructive methods, leading to the extremely suspenseful---and, ultimately, sad---scene which is as inevitable as it is fateful.

I really love STAR TREK GENERATIONS. It has a winning combination of intelligent storyline mixed in with action, suspense and---surprisingly---humor, and plays fair with the rules of the game and the legacy of the series. I really can't imagine any true STAR TREK fan not loving it. It may require some patience on first viewing, perhaps, but the rewards are great for sticking with it. Plus, it only gets better on repeated viewings. I can vouch for that!


For years, Trekkies wanted to see Captains James Kirk and Jean-Luc Picard finally team up and unite the two major generations of the Starship Enterprise in what would, doubtless, be an adventure to remember. As is so often the case, the realization of that dream leaves a lot to be desired, and the final result is all too forgettable.

What went wrong? For one thing, Kirk's character is handled very poorly. The adventurous, 23rd-century Odysseus has devolved into a whipped milksop who wants to leave galaxy-saving to Picard so he can go back to fixing eggs. Moreover the film is choppy and slow. There's not much action, despite a brief confrontation between the Enterprise and some rogue Klingons. There's a lot of really silly "humor" courtesy of Data and some new emotions, which makes a mockery of the ordinarily poignant portrayal of the android's ongoing quest to become more human. And Soran, despite behing essayed by an excellent actor in Malcom McDowell, is a terribly weak antagonist who fails to bring any genuine menace to the lackluster plot. Worst of all, the infamous death scene (and if you've ever even heard of this movie before you know what I'm talking about) is a total embarrassment and a sorry way to send off one of the greatest sci-fi heroes in TV and cinema history.

I suppose there are a couple of plusses, though they are relatively weak ones. The early scenes with a few of the original Trek crew members are effective, and Captain Picard's familial subplot is genuinely touching. As one would expect of a big-budget Star Trek film, the production values are excellent all-around and everything looks terrific. But there should have been a lot more to brag about, and there's just not.

This could have easily been a milestone in the Star Trek canon. Instead, it's possibly the series' low point (though I admit it has some competition for that dubious honor from "The Final Frontier"). The story needed a stronger script, better characterization for Captain Kirk, a more powerful villain, and more action. This is one film that might have actually benefitted from being half an hour longer. Trekkie loyalists and completists may still enjoy it, but it's not a movie I can recommend to the general fan. Save your time and watch "First Contact" or "The Voyage Home" instead. ... Read more

18. Star Trek - Deep Space Nine, Episode 76: The Visitor
Director: Victor Lobl, David Carson, Gabrielle Beaumont, Robert Legato, Robert Scheerer, James L. Conway, Alexander Siddig, Avery Brooks, Jonathan Frakes, LeVar Burton, Michael Dorn, Allan Eastman, Jonathan West, Andrew Robinson, Reza Badiyi, Cliff Bole, Anson Williams, Tony Dow (II), Michael Vejar, Rene Auberjonois
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Nominated for the prestigious Hugo Award and voted the best Star Trek ever by readers of TV Guide, "The Visitor" transcends the limitations of series canon and exists in a continuum of its own making. There is something indefinable, something both solid and intangible about the love that exists between a parent and a child. If strong enough, it probably could forge a connection through time and space--and beyond life itself. This episode feels very real.

The plot is deceptively simple: a young writer appears on Jake Sisko's doorstep in the middle of a very dark and rainy night. She wants to hear his story; and Jake is an old man. He needs to tell it. Distinguished kudos all around for great writing and great acting. Tony Todd is superb as the adult Jake Sisko. Not only does the man age from twentysomething to 80, he also nails Cirroc Lofton's mannerisms and body language. Lofton's expressive performance as the young Jake is a standout as well. Avery Brooks is a profoundly gentle Sisko here--a father who obviously loves his son. And Rachel Robinson is absolutely luminescent as Melanie, the young writer. (She's also Andrew "Garak" Robinson's daughter.) Kudos to the design team for using color and lighting to express Jake's mounting depression. Honorable mention to Aron Eisenberg as Captain Nog. Watch for the "future" uniforms that seem to come from TNG's "All Good Things." "The Visitor" is an amazing episode and it belongs in every Trek fan's collection. --Kayla Rigney ... Read more

Reviews (26)

5-0 out of 5 stars Probably THE BEST episode of Star Trek Deep Space Nine
If I could, I would rate this episode as 6 stars out of 5, because it's so good.
The episode "The Visitor" deals with the relationship between Jake Sisko and his father, Captain Benjamin Sisko. What happens is Jake, who is an old man who's about 80, tells the story of his father's death to a young, aspiring, and attractive woman named Melanie (played by Andrew J. "Garak" Robinson's lovely daughter Rachel). In the end, when the musical suite plays, we see Ben Sisko, sitting in front of his elderly, napping son, who shows him a draft of a book he dedicated "To my father, whose coming home", which he won't be able to publish, but he reveals to his father what he realized, and why he has taken the path he has. If you're interested, and haven't seen this episode, I won't ruin it for you. But if you either have it, or have seen it, you understand why I would rate this a 6 out of 5.

5-0 out of 5 stars Perhaps the finest hour of 'Trek' ever.
This episode from the early fourth season was the most moving and heart-rending episode perhaps ever done for any Star Trek series. Outstanding performances all around by Avery Brooks, Cirroc Lofton and Tony Todd as the elder Jake Sisko. There are very few trek episodes I will buy for posterity through the years but this will be one of them, when they finally release it on video.

5-0 out of 5 stars The best of Trek
Often, episodes that earn the "best of" title are those that take that which is unique to the science fiction universe to the limits. Witness TNG's "The Best of Both Worlds," which is often labelled the best of that series and shows the desperate battle against an implacable enemy. For "The Visitor," however, the science fiction elements are mere window dressing for an examination of human relations. They allow the plot to progress, but except for the specifics of the technology, we're not seeing anything that couldn't happen in this day and age with the most minor of changes.

This is why the episode resonates so strongly with the viewers, who see not the crash and burn of a starship, but of a human life. Everything is immediate and nearly any viewer will be able to find an emotional connection to the events onscreen. It showcases the best father/son relationship I've ever seen on a TV show, and that showcase makes for the best episode of any Trek series.

5-0 out of 5 stars Best Star Trek episode ever!
This episode clearly marked DS9 as the best,if not equel to TNG by conveying emotions between characters instead of much appreciated action. Never has an episode of Star Trek dealt so realisticly with its characters that it excels as one of the series finest moments. From the stormy beginning to the emotional finale this is Star Trek acting and directing at its best. If you dont like DS9, then this probably wont change your mind about the show due to its character driven plot but for any DS9 fan this is an episode not to miss.

5-0 out of 5 stars A Standout Episode for a Remarkable Series
"The Visitor", from DS9's fourth season, remains a fan and critical favorite. Like the best of Trek, this particular installment is more dependent on character development than special effects or other technical wizardry.

The acting by all is first-rate. Tony Todd (of "Candyman" fame and an earlier role as Worf's brother) turns in a fine performance as the elder Jake Sisko, enduring a lifelong quest to rescue his father from subspace limbo. Cast member Cirroc Lofton gets one of his few chances to shine as the young Jake. Guest star Rachel Robinson is quite good as a young woman that visits Jake in the winter of his years. Last but not least, star Avery Brooks brings his usual dynamic strength to the role of Benjamin Sisko as he pops in and out at stages of his son's life.

The respective scenes featuring exchanges between Brooks, Todd, and Lofton are endearing and memorable.

Besides being well written and acted, the episode features one of the best scores of any Trek show. It is no wonder that composer Dennis McCarthy's music is featured on a "Best of Trek" compilation album. The music is a combination of subtlety, poetry, and foreboding as it represents the strong bond between father and son.

"The Visitor" is an example of true quality television and deserves a place in the TV Hall of Fame. ... Read more

19. Star Trek - The Original Series, Episode 23: A Taste of Armageddon
Director: James Goldstone, Murray Golden, James Komack, Don McDougall, Robert Butler, Marc Daniels, John Meredyth Lucas, Leo Penn, John Erman, David Alexander, Michael O'Herlihy, Jud Taylor, Herschel Daugherty, Ralph Senensky, Gerd Oswald, Lawrence Dobkin, Marvin J. Chomsky, Joseph Sargent, Herb Wallerstein, John Newland
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"A Taste of Armageddon" is one of classic Trek's occasional, obvious metaphors for the absurdity of the then-cold war between East and West. Gene Lyons stars as a Federation ambassador named Fox, who boards the Enterprise to reach the planet Eminiar VII, where he hopes to negotiate a peace treaty with the inhabitants. Instead the crew of the Enterprise gets caught in the middle of an interplanetary war between Eminiar and neighboring planet Vendikar. The twist is that the war is being fought on computers, and compliant residents of those "destroyed" areas obediently report to disintegration chambers, where their "virtual" death is made literal. When the Enterprise is "hit" in one of these simulations, both the warlords of Eminiar VII and Ambassador Fox fully expect Capt. Kirk and crew to report to the disintegration center. The feisty Kirk has other plans, of course. And while the madness of this controlled Armageddon makes a suitably surreal satire of the arms race in the 1960s, the story also evoked the endless, daily reports of body counts during the Vietnam War, with no resolution in sight. Aside from its parable aspect, however, the episode gave Kirk one of his earliest and most compelling scenes of Kirkian preachiness in a bold monologue about peace, reportedly written and rewritten numerous times by series producer and indispensable creative hand Gene L. Coon. --Tom Keogh ... Read more

Reviews (9)

5-0 out of 5 stars Don't miss this one
This thoughtful episode concerns a planet that has sanitized war. The episode explores important themes such as 1) the sacrifice of the individual good for the societal, and 2) the drawbacks of all types of war. The latter issue in particular remains a timely one as science continues to pursue technologies that may (at times unwittingly lead to more efficient and sanitized killing. This is one episode where Kirk offers a convincing and fresh argument against a society's folly. Another plus of the episode is that it admits shades of gray rather than oversimplifying the issues. Add in a plot twist that brings the Enterprise and crew more directly into the action, and you've got a winning show. Strong guest acting, from Opatoshu, Babcock, and Lyons also boost this episode.

Tidbit: Barbara Babcock would reappear in Plato's Stepchildren during season three.

5-0 out of 5 stars Just step into this booth for the war effort........
The old war by computer theme is played out here. Instead of fighting a war with weapons; this planet has it's citizens stepping in booths for execution. The machine decides who lives and who dies. Kirk of course ends it all with one of his talks with the Vedikarians. With one sweep of his phaser the natives have to fight the old fashioned way.... with futuristic weapons of mass destruction. The Federation again paves the way for peaceful resolutions to conflict. Only this war will last a few hundred years before they actually become citizens of the Federation.

5-0 out of 5 stars Kirk proves there is no such thing as a clean war
One of the fun things about science fiction is that you can take things to their logical albeit extreme conclusions. That is what the Enterprise encounters on Eminiar VII in "A Taste of Armageddon," a planet that has been at war for five centuries but which fails to show the usual signs of destruction. This is because they have been fighting the war with computers; after such an attack Anan 7, leader of the High Council announces that half a million people were "killed," and now have to report to disintegration chambers. Unfortunately the Enterprise, which was warned not to approach the planet, has also been destroyed and Kirk's crew needs to beam down for disintegration. Of course, Kirk takes exception to this request and decides to remind these people of the true face of war. As far fetched as this idea might be, you have to remember the idea of the Neutron Bomb, which would kill the people but leave the buildings, a weapon that was ironically considered by some to be more "humane" than your traditional nuclear device. Kirk's efforts to restore sanity are hampered by the presence of Federation Ambassador Fox, who wants to stick to the traditional diplomatic approaches despite the fact nobody on the planet is impressed at all by such delicacies. "A Taste of Armageddon" is another, albeit minor example, of Captain Kirk versus the Super Computer plotline that was so prominent in Star Trek's first season.

4-0 out of 5 stars Good Episode on the Nature of War
What if war were fought with computers and the casualties reported to disintegration chambers? This episode covers this question and does a pretty good job.

There is a fair amount of action and the suspense is well done. The conflict between Scotty and the none-too-bright diplomat is especially well handled. This is one of Scotty's best command assignments. He runs the Enterprise with intelligence and restraint.

Kirk's solution to the episode's problem is very suspect in light of the prime directive that he's supposed to be following, but over-all, this is a very good episode.

4-0 out of 5 stars Human life vs war and Computer control.
Captain Kirk, Mr. Spock, and a landing party discover two worlds that wage war with computers and haul the people designated to die into energy chambers to die. When the Enterprise is declared a "war casuliy", Kirk, Spock, and the Federation use all their skills to destroy the computers and show them that real war ia a thing to be avoided at all costs. A strong statement on how human life is more important then being declared "dead" by numbers on a computer. A Star Trek must have for any fan of the original series.Teleplay by Robert Hammer and Gene L. Coon. Story by Robert Hammer. Directed by Joseph Pevney. Music Composed and Conducted by Alexander Courage. ... Read more

20. Star Trek - The Animated Series, Vol. 1: More Tribbles, More Troubles/The Infinite Vulcan
Director: Hal Sutherland, Bill Reed
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Reviews (8)

4-0 out of 5 stars The "Tribbles" sequel and the cloning of Mr. Spock
The writers end up being the story on this first set of episodes from the first season of "Star Trek: The Animated Series." David Gerrold, who wrote the origin classic "The Trouble With Tribbles" episode for Star Trek, not only does the script for "More Tribbles, More Troubles" (Episode #4, October 6, 1973) he does the voice of Korax. The story line has Cyrano Jones returning with his Tribbles and unleashing them on a Klingon planet. The Klingons then create a special predator to take care of the population happy little creatures and, of course, the cure might be worse than the disease. Walter Koenig does not get to appear as Chekov in the animated series so he gets his revenge by writing "The Infinite Vulcan" (#6, October 20, 1973). Kirk and Spock beam to a planet of intelligent plants ruled by a giant creature who ends up using Spock for a cloning experiment. This is an okay episode, but the Tribbles sequel is the reason for this to be the "Star Trek: The Animated Series" tape you check out if you check out but one tape of "Star Trek: The Animated Series."

4-0 out of 5 stars More Tribbles, Less Fun; Mr. Spock very nearly undone
The launching of the Star Trek animated series was met with both skepticism and protestations by ardent fans that scoffed at the idea of their cultural heroes being reduced to Saturday morning cartoon fodder. But this much maligned and all but forgotten series deserves a second look; there were several very good stories that had the ability to be told in this format that would not have been considered for the live action TV program. Using the animated format allowed the creators to grow Spock to enormous proportions and effectively interact with his comrades; in another episode they were able to shrink each of the crew to the size of a pinky finger; still another episode featured several different alien ships replete with alien crews - something that would have been insurmountable budget-wise on the previous televised series. Additionally D. C. Fontana was prudently retained as the story editor and she was able to get a good number of literate, intelligent scripts from many of the writers that worked on the live action show.

David Gerrold wrote 'More Tribbles, More Troubles' as a sequel to his own classic original series entry 'The Trouble With Tribbles'. It was supposed to have been produced during the third season of that show's run but the director assigned to the task disapproved of "doing Star Trek as comedy" which he firmly believed it wasn't. When the animated series was in pre-production Fontana contacted Gerrold about the possibility of using it on the Saturday morning show and he agreed. This story however isn't nearly as memorable as it's predecessor though Cyrano Jones returns as the scoundrel of a trader with the Klingons in hot pursuit of him. It seems that Jones has stolen a Glommer, a prototype of a Klingon bred predator that devours tribbles, and the Klingons are in desperate need of it as their home world is overrun with the troublesome things. Once again though another shipment of the wheat grain figures in quite improbably; the odds of these two sequences of events happening again simultaneously seems more than astronomical. Also the same humor from the original is repeated nearly verbatim with a few new puns added, and many moments from the original are pictured here as well making this show seem flat and stale by comparison. There is an interesting new Klingon weapon though called a stasis field ray; rendering ships and their weapons systems (including all hand weapons) ineffective the Klingons can now easily defeat anyone. Kirk and crew manage to outsmart their foes of course and punish them righteously and quite humorously in the end.

'The Infinite Vulcan' is one of the very best shows done for the animated series and it was written by original series regular Walter Koenig who was not asked to participate in this Saturday morning revival of the show that made a household name of him. His character was replaced by the odd-appearing three legged and three armed Mr. Areks and voiced by another of the animated series regulars; apparently it was considered a money-saver to do this rather than have paid Koenig for reciting only scant dialogue. His story is quite well written and features two of the most unusual aliens the Enterprise has encountered. Beaming down to the planet Phylos the landing party discovers intelligent plant life as well as beings and an incongruous and rather large human known as Dr. Starros Keniclius 5. The giant doctor turns out to be a long missing and presumed dead geneticist who came to prominence during the Eugenics Wars, first discussed in the original series episode 'Space Seed'. He has been waiting for a perfect specimen for his pet project and it seems that Spock is the unfortunate candidate. The Vulcan is cloned and increased in size enormously and that puts our real Mr. Spock in a very sensitive life and death situation. With only minutes to spare Kirk must reason with the cloned version and save Spock's life. This is a very intriguing and good-looking show, a prime example of what the live action series could not have brought off with much success due to budget limitations.

Just a quick note: When you watch the animated episodes listen closely and you can hear James Doohan voicing several different characters. Occasionally he did as many as four or five separate voices during a half-hour show; he doesn't change his dialect only the tone of his voice so he is easily recognizable.

4-0 out of 5 stars These are great Star Trek stories.
Especially the writing and the attention to series continunity. More Tribbles, More Troubles has the furry little guys paying a return trip to the Enterprise, as does Cyrano Jones (voiced by Stanley Adams), and once again the Klingons show why they hate Tribbles, while humans and Vulcans do not. The Infinite Vulcan offers an interesting story of a planet inhabited by intelligent plants, and a giant man who wants to clone Mr. Spock, the story and the ending are well acted out. Reccomanded for fans who enjoy the original Star Trek series, but don't care for the more recent Trek shows.

5-0 out of 5 stars The trouble with vulcans
Of all the original series episodes the Trouble with Tribbles was perhaps one of the most loved; Enough so that it was reprised most recently on Deep Space Nine and earlier in this animated continuation of the original story line. I found it especially hilarious. certain scenes in the video still stick in my mind for example " Mc Coys phrase "these truly are safe tribbles" and the scene reminiscent of the original episode where Captain Kirk gets buried (again) in tribbles. the second episode on the tape Infinate Vulcan is an intiguing concept: combining senscient(Intellegent) plants and cloning. Over and over Gene Roddenberry and the other creators/directors of the Star Trek universe tackle issues of importance to the era they are written/shown in, and they do it in a way that is humerous and gets the point across in a memerable yet not preachy way~ imposed peace-Infinate Vulcan *conservation,instinction- Star Trek IV etc. ~

5-0 out of 5 stars Two Great Episodes
More Tribbles More Trobles was really great and funny. The Infinate Vulcan was truly a unique episode! ... Read more

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