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| 1. Fire On The Track: The Steve Prefontaine Story Director: Ken Kesey | |
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Amazon.com Reviews (16)
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| 2. Michael Jordan - Come Fly With Me | |
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Awesome highlights from his early years. The dialogue from this video and the calls of the announcers will stick in your head. If you play basketball, Every time you touch a basketball you will try to immitate highlights from this video. If you are a Michael Jordan fan, you absolutely MUST have this video. If you aren't a Michael Jordan fan, you still should have it. Best sports video I have ever seen. If you are a Michael Jordan fan, you will not be able to take this tape out of your VCR.
I used to watch this tape everyday and I know the hold tape by voice threw. This is not even my tape when I moved from my old neighborhood I kept his Jordan tape from my friend. Even if you don't like Jordan you will find youself captivated by his work ethic abilities and achievements. This tape is addicting you will find yourself watching it late at night for no reason. This tape can also inspire you to workout or if you want to get hype for a local church tournament.The piano part at the very begining is also nice. MICHAEL JORDAN COME FLY WITH ME THE BEST SPORTS VIDEO EVER .I hope they put this classic on DVD!
If you're a Michael Jordan fan and you like seeing a lot of highlights that only Jordan himself could make, then you need to get "Come Fly With Me." It probably has more dunking and other gravity-defying highlights on it than any other Michael Jordan video out there. ... Read more | |
| 3. Hoop Dreams Director: Steve James (II) | |
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Amazon.com essential video Reviews (31)
The two main things that bother me about this documentary is that it was too long and narrowly focused. Two hours would have been more than sufficient espeicially for only two people. The extra time diminished the value of the film for me. I also think the film is too narrowly focused because there are only two subjects. The director could have selected 5 or maybe 7 subjects from the different cities to give more of a perspective. I won't spoil the film, but I must say that nothing extrodinary happens. Both subjects seem content (one of them more than the other) with their lots in life however. For those interested in seeing an excellent documentary series which follows the lives of people very well though different stages of life, see Micheal Apted's "Up" series.
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| 4. Baseball - A Film by Ken Burns | |
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Amazon.com essential video Reviews (93)
He hits all aspects of the game: The development of the game itself and the leagues, the labor history, the stars and great teams and personalities, the great moments in the history of the game, and so on. He also gives us a pretty good look at the old Negro leagues and we get to hear some of the great stories from those days before MLB was integrated. The only bad thing I can say about this collection of dvds is that by the time it was over I was really sick of hearing different versions of "Take Me out to the Ballgame." The great stories in this collection more than make up for that one drawback, however. He does more than just interview and quote the players, managers, umpires, owners and sports writers. He includes stories from fans. Doris Kearns Goodwin told about how she grew up rooting for the Brooklyn Dodgers, then after they moved away, she found herself in Boston, becoming a Red Sox fan, just in time to have her heart broken again. All fans of baseball should see this collection.
In the case of "Baseball," the unrelenting focus is on New York City, Babe Ruth & Jackie Robinson, and to be fair, there is no way you could discuss the subject of baseball without devoting a great deal of time to these subjects. However, the title of the documentary is "Baseball," not "The New York City, Babe Ruth, and Jackie Robinson Story," and it is possible to watch this documentary at times and come to believe that nothing else was happening out side of New York most of the time. I recall reading a Sports Illustrated article a few years ago that discussed the Philadelphia Athletics from 1929-1931, and made the case that that team was better than the famed "Murderer's Row" Yankees of 1926-1928, and possibly the best team in baseball history. The article's author crunched the numbers, compared the stats, and made a pretty compelling case. He then asked why so little attention has been paid to the A's over the years, and posited that because most of the nation's important papers and sportswriters were based in New York City; by default the majority of the great sportswriting was devoted to the Yankees, while relatively backwater Philadelphia languished in obscurity. It seems to be the same situation with Burns. While other incredibly dominant teams such as (in the early years) the Chicago Cubs, the A's, the Pittsburgh Pirates & the Detroit Tigers are given passing mention, they are quickly shoved on the back burner in favor of the Boston Red Sox & New York Giants. Then the Yankees & the Dodgers begin to coalesce, and it is all New York, all the time. One gets no feeling for how dominant the 1929-1931 A's (or the St. Louis Cardinals of the mid-1930's) were, because Burns continually focuses on Babe Ruth & the Negro Leagues. When Burns gets to the 1950's he can be excused, because really it was a New York-dominated decade like no other. However, the other decades did in fact see a more competitive balance, and one would not get this impression from the documentary. It would have been nice if Burns hadn't crammed the last quarter century of his story into one "inning." Are you telling me that the stories since 1970 aren't as compelling as the early years of baseball. I don't believe that Burns would have had to devote that much more time to the post-1970 era to make it feel less cursory and rushed. This is a somewhat annoying tendency of his that was more griveously evident when he made "Jazz." Also, I get a little tired of the "poetry of baseball" school of thought. It isn't as though I am some knuckle-dragging troglodyte who gets all his news from sports radio; I am just as likely to go to the opera as to the ballpark. This baseball as metaphor for how the cosmos works gets on my nerves after a while (although I consider Roger Angell's comment "there's more Met than Yankee in all of us" to be priceless beyond description). It's not that baseball doesn't imbue our life with a little extra something special, it's just that some of these talking heads tend to get a little overwrought. I enjoyed watching the documentary the first time, and I have watched it probably half a dozen times since over the years. By comparison, I have watched "The Civil War" about 15 times, I would guess. I was so disappointed with "Jazz" that I managed only a second viewing. In any case, "Baseball" is very entertaining, and that is what largely accounts for my 4-star rating I would only caution those who don't know their baseball history that this documentary omits a great deal of what is a very good story.
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| 5. Little Warriors 2 Director: Igor Kostenyuk | |
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They're back! Yes, Baikal Films' young superstars of wrestling, | |
| 6. Harlem Globetrotters: 6 Decades of Magic | |
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| 7. America's Best, Vol. 2 - The United States Gymnastics Championships | |
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| 8. Olympiad Part 1 - Festival of the People Director: Leni Riefenstahl | |
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The opening scene could be considered as an art film scene because it has many camera angles, slow motion, beautiful photography and background music. After this scene, the narration of the 1936 Olympic Games begins, and it's impressive to see how many swastikas were at sight in the games, it's in flags and in the uniforms of the german athletes. One might think that the athletes in 1936 were very inferior to the current athletes, but "Olympia" shows how great those athletes were, in most of the disciplines they look as impressive as the current athletes. The use of different camera speeds and angles, can make you feel very close to the athletes. You can see their effort and competitive spirit thanks to the excellent use of the cameras. Definitely "Olympia" is one of the best documentaries ever made. Absolutely recommendable.
Unfortunately the version available here omits many of the classic sequences mentioned in reviews and monographs. The arrival of the Olympic torch in Berlin and its stunning entrance into the stadium is nowhere to be seen. Neither is the footage of the Hindenburg airship passing over the stadium during the opening ceremony. It seems to me that the source film print used for this video has been tampered with, and many of the key sequences removed, perhaps by a selfish individual for personal use at some point during the history of the print. These sequences certainly wouldn't have been removed by a competent editor familiar with the full original version.
The "Roman salute" myth is the myth that the straight-arm salute was an ancient Roman custom, later borrowed by Mussolini and the National Socialist German Workers' Party. The myth arose because of the made-up Hollywood-style portrayals in those films. Those films are notable also because they led to the historic discovery by the journalist and historian Rex Curry that the U.S. Pledge of Allegiance was the origin of the salute of the monstrous National Socialist German Workers' Party (Nazi Party). The "Roman Salute" myth grew because the viewing public forgot that the U.S. Pledge of Allegiance originally used the straight-arm salute. The creator of the U.S. Pledge of Allegiance was a National Socialist in the U.S. (Francis Bellamy). The salute is not in any Roman art or text. Dr. Martin Winkler of the American Philological Association has written that in imitation of such films, self-styled Italian "Consul" Gabriele D 'Annunzio borrowed the salute as a propaganda tool for his political ambitions upon his occupation of Fiume in 1919. Earlier, D'Annunzio had worked with Giovanni Pastrone in his colossal epic Cabiria (1914). Mussolini worked with D'Annunzio. Even so, evidence shows that the National Socialist German Workers' Party officially adopted the salute before Mussolini did, not vice versa. For example, "Triumph of Will" is in 1935 and Carmine Gallone's film "Scipione l'Africano" uses the raised-arm salute as one of its chief visual means to turn Mussolini into a new Scipio. Dr. Winkler didn't know about the original U.S. flag salute (1892) that inspired the films, and that the National Socialist German Workers' Party was inspired by the films and by the Pledge of Allegiance. The U.S. changed the salute during WWII.
Greenspan said that when he was in West Germany premeiring his 1964 film "Jesse Owens Returns to Berlin", Owens called Reifenstahl the woman who made him famous, thanked her, and called her up on stage. The audience was dumbfounded and did not know how to respond until Owens' wife began a standing ovation. Such was the attitude towards Reifenstahl: the Germans knew she was a national treasure, yet they were very uncomfortable with some of the things she put on film.
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| 9. America's Best - The United States Gymnastics Championships | |
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| 10. Dogtown and Z-Boys Director: Stacy Peralta | |
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Product Description Reviews (73)
This film narrated by Sean Penn interviews the members of the Zephyr Surf Shop skateboarding team from the 70s. Sean Penn does an excellent job as voice over and the teammates and shop owners are very honest and forthright in sharing the evolution through the skateboarding where they were first seen, to the urban guerilla boarding in empty swimming pools, to skateboard stardom, and finally to grown-ups. Many reviewers mention the braggadocio of the participants since the director was also a Z-Boy. Also many complained that they were just a bunch of skateboarders. But I didn't view it that way at all. I found their reporting to be very balanced and in fact, I thought the director somewhat downplayed his stature in the skateboarding world vs. say, Tony Alva. Also as a former skateboarder of a previous generation, I found it absolutely fascinating watching the evolution of the sport. Whether true or not, following that evolution to airborne makes fascinating history. Now, skateboard/wakeboard/surfing/in-line skating have merged into extreme sports. Did these guys invent it? Of course not. But they were substantial in its evolution. My wife who has never lived outside Southeast US viewed this also and while the subject matter was not familiar, she found it interesting. I recommend this for people wanting to study 70s culture, Southern California or pop culture.
This movie is a cultural document that should be played in schools, design studios, city halls and to every youngster who ever thought he knew everything about skating, the X games, Bob Burnquist and Tony hawk. Thank God someone caught as much 70s "film" as they did and thank God these guys got this important era of our American culture on DVD. Buy it. Show it to your kids. Make them watch it. Then... take them out, loosen their trucks and make them do berts until they get it down.
This movie is about hope. It paints a picture of young kids growing up in an incredibly harsh environment (the film goes out of its way to portray Venice of the early '70's in practically post-apocalyptic images) who see in the concrete wasteland nothing but ocean waves of endless promise. They craft, as artists, a new ballet amidst the rubble. They are obsessed with skating the perfect run, not necessarily to be better than their friends, but just for the sake of perfection. In this pursuit of perfection, I see hope. I see a vision of a recreated world where there are no barriers based on class or empty swimming pools surrounded by fences and patrolled by police. But there's also an irony in the hope, in that the Zephyr boys have an exclusivity about them--they are fiercely elite in their rejection of conventionality. The story of one of the top two skateboarders, Jay Adams, provides the heart to this film. His story provides a balance to the narrative of corporate greed, which ultimately destroyed the Zephyr team (but which also made the film possible and the story relevent). He is shown as a very young and, though violent and utterly contemptous, innocent boy oozing with natural talent. He's interviewed several times as an adult who, we find out, is doing time for heroin-related charges in Hawaii. Next to the brilliance of the Jay Adams the boy, in Jay Adams the man we see a dark shell of regret and pain. His fellow riders lament the fact that Jay's life is so tragic and unfair--there's a sense of complete injustice "he should have had it all" "Jay's had the hardest life of anyone I know who's still alive" "you only get one shot at this...once it's gone it's gone." So within this movie about beauty and hope, we meet Jay Adams and see tragedy and injustice. There's an absolutely beautiful and haunting scene at the end of the Jay Adams excurses in which the beautiful young Jay, maybe 12 years old, with long sun-bleached hair, is skating in an empty pool and falls on his way down one side. His board continues through the bottom of the pool, up the other side, and straight up into the air about 10 or 15 feet. The scene is in slow motion and freezes the board mid-air. Then, there's a fade to a still of Jay at about 25 years old holding a picture of himself as a cute, innocent boy of about 7. Then another fade to Jay as a hard, broken man in his 30's, with a crew but, what seems to be a black eye and bruised nose, and tattoos running up his throat. Eyes like empty holes. This is the filmmaker's art at its finest. A scene like this says so much more than words ever could. Some of the reviews on this film have complained that the film was too short--that it left too many questions unanswered. I couldn't disagree more. This film is all about the questions, not the answers. As a Christian, I see this film as a commentary on humanity and our longing for beauty--our hope for a future that includes a recreated world where architecture is no longer purely utilitarian, where there are no longer divisions between north Malibu and the southern beaches. Where everyone has access to a perfect wave. A future in which greed no longer robs us of our innocence, and Jay Adams is once again that strikingly charismatic and beautiful blond-headed boy writing profound poetry with his skateboard, poetry that destroys the walls of violence and drugs and elitism, that opens his soul to ours and ours to him. In the words of U2, a future "where the streets have no name." Our souls groan for a better place, and this film captures that emotion as well as any I've ever seen. This is an amazing film!
Overall it's still a good film (in a flashy "video" sorta way!)... ... Read more | |
| 11. Jesse Owens Story Director: Richard Irving | |
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| 12. The Olympiad: Part 2 Director: Leni Riefenstahl | |
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By now watching the first tape, "Festival of the nation" spoiled you. Again this film starts out with the ideal and surrounded by Leni's signature clouds. List is leading you to "field hockey, soccer bicycling, equestrian, aquatic and gymnastic events. Highlights are the Pentathlon and the Decathlon." Remember that some countries were still using horses in the military. It may be unique reasons that brought you to this point such as Leni or photography, or interest in history, or, or, or. But once the action starts you feel that you are there and get lost in the "who will win what and how. " Even being aware of the outcome does not prepare you to "not bite your nails" as you watch each athlete barley besting the next until it is over too soon. I noticed that instead of placing medals over the winners, they used laurel wreaths. Any way you cut it, this movie is worth watching.
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| 13. Michael Jordan's Playground | |
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| 14. Boxing's Best Champions Boxed Set (Joe Louis, Muhammad Ali, Rocky Marciano, Jack Dempsey) | |
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| 15. Hitman Hart: Wrestling with Shadows Director: Paul Jay | |
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It is one man, still haunted in the shadows of his father, trying to exhibit old school values of loyalty in a world of rapidly shifting loyalties - from fans, from promoters, from wrestlers. One man, trying to go out on top, to control his legacy amid broken promises, reneged contracts, lies and ultimately, screwjobs. One man who realizes its his time to go, and simply asks to walk away with his dignity. This is a dramatic, disarmingly honest look at probably the most controversial event ever in WWF - if not pro wrestling history - as it unfolds in front of the camera. Bret Hart is a tragic hero and comes across as very real, down-to-earth and very deserving of his succes, but ultimately unable to avoid the train wreck. Hilights include seeing his 82 year old father, unable to even stand upright, causing inhuman amounts of pain on a young wrestler; watching Bret, a person obviously capable of causing tremendous physical harm to another person, being gentle and affectionate with his son; the audio of a young guy's screams and sobs as Stu Hart 'stretches' him in thier basement; and watching Vince McMahon staggering down the hall moments after Bret Hart has cold-cocked him. Very highly recommended to any pro wrestling fan. Also, check out 'Beyond the Mat' and '3 Faces of Foley'.
It tells the story of a respected young star who over-shadowed every other young star in the Federation but was cheated out of it all at the 1997 Survivor Series. Hitman will always be legendary.He was in a famous wrestling heritage,he was the first man to enter the Royal Rumble,and even when heel he was a hero in his home country Canada and especially his home province Calgary. Strange that I should mention his province because he was just that-he was very Pro Vince.He was a loyal friend.Such an instance occured when WCW offered him a three year contract for $9 million,but instead he favoured 20 years with WWF for not as much money. Of course Bret must have gone through tremendous turmoil in the late 90s.For a start he was screwed out of the Championship at Survivor Series by Vince,which signalled the end of his career,and then another successful young star,his brother Owen,died while trying to attempt an entrance from the ceiling ala Shawn Michaels,when the cable snapped and he plummeted about 25 feet to the mat and hit his head on the turnbuckle.He died upon impact. Bret was so happy up until that night on Survivor Series.He even made an apperance on The Simpsons,buying Mr Burns's house.But since that disturbing and memorable night,he's been a bit of a wreck.He even divorced his wife,which was a surprise cos they seemed to stick like glue. To me,Hitman is the federation.He is what the federation's all about-a man with a story to tell. Most of the WWF storylines are fake,but this story is very true.Whatever little respect Vince once had is now gone.Hopefully,with there being another owner in the WWF(Ric Flair)we may see the return of The Hitman,and he'll be bigger and badder than ever,and will get the respect he deserves,and when he leaves again,he'll leave in dignity instead of just being disowned by that callous McMahon. In Hart(and Flair)we trust.
I'm not gonna go into the speel about what happens in the documentary. Many other reviewers have done it already. I'll say it's an interesting documentary especially since it gives an idea into one of the most nastiest incidents in the sport.(more on that later) THE BAD A little one sided as far as the screw-job goes and presenting it. But that I guess is to be expected since this is a documentary about Bret. Also it's edited wrong and events are out of sequence. The 10 man tag match in Calgary took place in July of 97 a month before Bret fought the Undertker for the title and in the middle of Bret's anti-american angle(the survival of the fittest comment by wrestler Animal was him saying that the match wasn't about Canada vs the U.S) Bret's anti-American tirade happened the night after he wrestled Austin and before Austin attacked him in the ambulance. Final thought's Did the wwf/wwe screw Bret or did Bret screw himself? From the looks of it the answer seems to be the latter. When he went to WCW he went from being one of the top wrestlers to the hightest paid mid-carder in history and to quote Mick Foley's biography "WCW couldn't make Bret a star even though he was already one."
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| 16. When it Was a Game 3 | |
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Amazon.com Reviews (5)
But if you're going to talk about the National League being a haven for up and coming African-American and Hispanic players during the 1960s, why are you going to omit Richie Allen of the Philadelphia Phillies? OK, yeah, the Phillies were a bad team for most of their history. Still, WIWAG 3 at least used footage of Ernie Banks who played for those crappy Cubs teams. Allen was the first -- and shamefully, possibly -- the last, black superstar slugger the Phillies ever had. He was a big part of the Phillies' contention for the NL pennant in '64, his rookie year, before the infamous collapse. I'm a 40-something African American baseball fan who has thrown his loyalty behind the Phillies, because I considered them my home team and partly because I was too young to be aware of the Phillies' sorry racial history. That Allen wasn't even seen or mentioned in WIWAG 3 was an incredibly glaring omission. I cannot believe there was no footage anywhere of the guy the producers could have used.
The third volume in also the most organized in the series. There are rather distinct "chapters" on the great pitchers of the decade (Gibson, Marichal, Koufax), the glory days and rapid decline of the New York Yankees, the lowly birth and sudden success of the New York Mets, and the case for Willie Mays being the greatest player of the decade. There even is a bit of sports journalism involved in suggesting that the decline of the Yankees had to do with the refusal of the team management to sign black ball players. This time you will also find that more often than not whoever's voice you hear, whether it is Al Kaline or Joe Pepitone, actually appears on the screen. Billy Crystal is back to talk about baseball again as is sportscaster Bob Costas, and there are more baseball poems, including, of course, Grantland Rice's "Game Called," which brings the show to a close. As always, the ultimate appeal of the "When it Was a Game" series is that you get to see the baseball players you grew up admiring, who lived before your time and were only available as black & white images in color. Rich, gorgeous color that makes the red on the bill of Hank Aaron's cap, the blue on Don Drysdale' hat, the organge of the name "Oriole" on Brooks Robinson's jersey, and the green of the Yankee Stadium grass look as good as you have ever seen them. Again, I am reminded of the classic Bowman 1953 baseball cards that had gorgeous color photographs.
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| 17. The Dream Team: Simply the Best | |
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