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| 1. Six Pack Director: Daniel Petrie | |
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Amazon.com Reviews (14)
It is sad to me that funny family movies like this have not come out on DVD when there is so much junk that has come out on DVD. I don't know who is keeping this from coming out on DVD but I for one will buy it when it does. I went ahead and ordered this on VHS because there is no indication that it will be on DVD anytime soon.
When it came out months later, everyone crowded the theater to see how the whole thing came out. And it was bad. To give you an example of how bad the film was, it has a character in it named Breezy, and it's about unruly children and NASCAR racing. But the town was recognizable, so that's something interesting. I can say I've walked past the same Western Auto that Diane Lane did in that rain scene. (To see more films made in my hometown, rent Steve Martin's A SIMPLE TWIST OF FATE, which was a modern version of "Silas Marner." It bombed at the box office like this one, though the reason it bombed is because "Silas Marner" is awful.) Anyway, SIX PACK is bad.
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| 2. Long Gone Director: Martin Davidson | |
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Amazon.com Reviews (17)
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| 3. A League of Their Own Director: Penny Marshall | |
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Reviews (114)
Geena Davis stars as Dottie Hinson and Lori Petty stars as Kit Keller, two adult sisters who play baseball on a minor team in Oregon of 1943. Dottie is a married woman, whose husband, Bob Hinson (played by Bill Pullman) is overseas fighting in the war that was going on at the time. Dottie is an excellent ball player. Kit is a bitter person who is always being treated like crap. After a game, the two are in their barn milking cows, where a scout by the name of Ernie Capadino (played by Jon Lovitz) walks in and offers them a to try out for the All American Girls Professional Baseball League (A.A.G.P.B.L.). Dottie wants nothing to do with it, but Kit knows that this could be big chance for the both of them, so Kit talks Dottie into going. While on the way to Chicago for the try outs, they pick up Marla Hooch, who is an excellent batter. The three finally make it to Chicago. While getting ready to try out, they meet gal pals Doris Murphy (played by Rosie O'Donnell) and Mae Mordabito (played by Madonna). They all are chose to a team: The Rockford Peaches. Tom Hanks is in the role of Jimmy Dugan, who is a washed up ball player, who is called by Walter Harvey (played by Garry Marshall) to coach the Rockford Peaches. The Peaches become a smash, winning every game there ever is, all because of their most popular play, Dottie. Kit is angered at this and is traded to another team: The Racine Belles. The Peaches finally make to the last game of the season. Their opponents: The Racine Belles. Dottie and Kit are up against each other for one final time. Who will win the championship? The Peaches? Or The Belles? Watch this amazing movie, based on the actual events of the A.A.G.P.B.L. This is a movie that is guaranteed to make you watch it over and over again.
I can go on and on about this film, and the problem is, I can't quite articulate how much I love this film, and why I love it so much. I've cried many times, especially the scene with Betty "Spighetti" and at the end of the World Series. I love this film, Penny Marshall is a Goddess. She chose the perfect actors, and the perfect score, especially Madonna's "Playground" which still makes me cry at the ending sequences. This movie observes a part of history that is ignored. Many to this day, have no idea about the professional baseball league, grant it, this movie "idealized" what really happened, but it made you proud. I think this is still a must-see of a movie, it is still my all-time favorite movie, and it has been for 11 years.
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| 4. Porky's Revenge Director: James Komack | |
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Reviews (5)
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| 5. Space Jam Director: Joe Pytka | |
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Reviews (48)
Michael Jordan has retired from basketball, and currently playing baseball, when Bugs Bunny and his Looney Tunes pals ask for his help in playing a b-ball game against diminuative aliens from Moron Mountain. These aliens have stolen the talent of 5 NBA players, including Charles Barkley and Patrick Ewing, and are now larger than life. Since this is Looney Tunes Land, this game is NOT your average basketball game. If it was, it wouldn't be any fun. Though not an actor of any kind in anyone's book, Michael Jordan does a very good job of interacting with his cartoon co-stars. Most of the jokes are well done and the basketball game itself is a lot of fun. In addition, it is quite funny to watch the 5 NBA players that had their "games" stolen trying to cope with their newfound ordinaryness. This movie is not groundbreaking by any means and most all of the original Looney Tunes cartoons are better. But this movie never tries to be more than it is: a good time. And at that, it succeeds very well.
"Space Jam" isn't like you might expect it to be. It's not just a movie showcasing Jordan's talents as a basketball player. It is more of a great comedy movie, particularly with the Looney Tunes. Some of the funniest parts are when Sylvester gets shot and Tweety flies through him and says "Holey Putty Tat." Another good one is when one of the men from "Seinfeld" gets blown up like a hot air balloon and then deflates, stinking up the basketball court. Bill Murray also makes an appearance to give Jordan and the Tunes some extra help. If you're a fan of Michael Jordan or if you used to like watching Looney Tunes, this is one movie you've got to see. It'll keep you entertained and laughing throughout the whole movie.
DAFFY DUCK -- One of the worst voices for Daffy I've ever heard! He has his funny lines, but when making a movie with Daffy Duck in it how CAN you even AVOID funny lines? This classic character (created by Fred Avery) is my favorite cartoon character. Why did they have to spoil him like this? BUGS BUNNY-- Bugs Bunny's voice is bad, too. But aside from that, Bugs is OK (one of the few characters who is). ELMER FUDD-- Yeechh! I could do a better Elmer voice than THAT! And the scene where Elmer Fudd makes a slam dunk is about as uncharacteristic as it gets. PORKY PIG-- His voice is bad too. His lines aren't funny. He doesn't act like Porky...but besides that... LOLA BUNNY-- Where in the heck did SHE come from? She isn't in any of the Looney Tune cartoons, so why is she in Looney Tune Land? Her voice is fine (just because she isn't in anything else, so I have nothing to go by), but if she had any personality to start with, she lost it halfway through the film. And when the giant alien is about to jump on Lola, she just stands there. WHAT'S THE MATTER WITH HER??? At least Wile E. Coyote TRIES to run (he doesn't ever get anywhere, but his legs move). Did she WANT Bugs to get crushed (as in flattened.) Bugs loves himself too much to do that, anyway. THE TASMANIAN DEVIL-- After you watch the picture, you forget he was even in it. His voice is OK, though. TWEETY-- Awful! Terrible! Horrible! Embarrassing! Tweety's voice is the worst I've ever heard, Tweety isn't innocent like he is on the cartoons, he's MEAN (and he's not even FUNNY mean, like Clampett made him). SYLVESTER-- Call me crazy, but he's the highlight of the movie. He doesn't do anything, but his voice is great, his lines are funny and his personality is "spot on". I don't like what he does with the fishing pole, but hey! I'm sure he was looking for fish! WILE E. AND THE ROAD RUNNER -- Funny, but they don't do much. For much (...) better results, watch Looney Tunes: Back in Action!
Our plot has Danny Devito play the voice of an evil, monster type businessman who's theme park is failing. In desperation he sends 5 little creatures to capture the Looney Tunes and bring them back as the new attraction. So...where is Looney Tune land? Apparently it's underground. And digging up any golf ball hole will eventually lead to it. When the Looney Tunes challenge the would-be kidnappers to a basketball game they kidnap Michael Jordan to be on their team. The quality of the film nosedives from here on. Jordan's acting is so wooden it's mahogany. He expresses no confusion, joy or surprise at being yanked into Looney Tune land and confronted by all the toons. 'Bugs Bunny you're a cartoon you're not real', he says in the most flat, boring and dullest way (missing commas intended as he doesn't use them). And then the big game follows. Once it's over, and there's no reason left to continue watching, the film goes on for another 10 minutes (to beef the running time up 'feature length') with the basketball/Jordan story. It's rubbish. It's no surprise that the film is directed by Joe Pytka (he's NOT Joe Dante that's for sure), a man who has never done any other features but over a 1000 TV ads, or something. Space Jam is nowt but 100% proof Warner like to whore out their most famous creation to make a few quick, and cheap, bucks. It's heartbreaking, heinous stuff. Casting Michael Jordan alongside the Looney Tunes is not inspired and imaginative. It's crass and desperate. Now they can attract sports fans AND kiddies. And Michael Jordan of all people! He's not a good actor and his fame outside of the U.S. is minimal to say the least. Moreso today. The only part of the film that comes (very, very remotely) close to the true spirit of the Looney Tunes is the score. James Newton Howard (a truly bizarre choice, how about Jerry Goldsmith, Bruce Broughton or even Danny Elfman) recognizes the classic Looney Tunes themes and uses them appropriately in certain moments but the rest of the score is generic and uninspired. Back in Action was intelligent, witty and satirical. Space Jam is corny, cheap and classless. It's an absolute travesty. How can we honestly take seriously a movie that has every cast member awe at Michael Jordan, has not too subtle product placement for McDonalds and has the Looney Tunes (one of the most ingenious creations in history) exploited in the most shameless and guilt free manner. With Space Jam, Warner showed that they'd cash in the Looney Tunes at a pawn shop for $5 if they could. A total lack of respect for Chuck Jones, Friz Freleng and Robert McKimson. And they don't even act Looney. The only laughs come from Bugs and Daffy. And it's sporadic and inconsistent. Producer Ivan Reitman (who has no experience and no business with this franchise) managed to convince Bill Murray to appear in this drek (for about 10 minutes) so the trailer could boast an ACTUAL star other than Jordan. Murray's performance is the bare minimum and has a let's-get-this-over-with feel (though Murray working below-par is still miles ahead of many other actors at the top of their game). His appearance in the film is massively oversold. It's just not fair that THIS is a big hit while Back In Action flopped horribly. I consider it the biggest miscarriage in justice ever. I still blame the marketing for Back in Action. It was bad, REAL bad. But still has some sort of quiet dignity about it when compared to the McDonalds promoted, in your face junk that was Space Jam's marketing. Is it any wonder Joe Dante had Back In Action nicknamed 'The Anti-Space Jam movie'? And just what the hell is a Space Jam anyway? It's not even set in Space!!! It took Warner 3 tries but the finally released the movie in its original aspect ratio. The DVD presents the film is 1.78:1 anamorphic widescreen with pretty active Dolby 5.1 sound. There are loads of features but they are all fluff. Some 80's Looney Tunes shorts are included too.
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| 6. Bull Durham Director: Ron Shelton | |
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Reviews (62)
What particularly special about Bull Durham are the excellent performances given by the lead actors as well as the supporting cast. Director Ron Shelton couldn't have asked for better performances from his three lead actors. This movie was made back when Costner could still carry a film. He is in the height of his "everyman" powers here. His portrayal of aging minor league slugger Crash Davis is one for the ages. Susan Sarandon smolders yet somehow manages to retain a certain kind of innocence as the groupie-slash-mentor Annie Savoy. Tim Robbins is outstanding as the hotheaded and somewhat mentally challenged rookie pitcher Nuke Laloosh. The highlights of the supporting cast are Trey Wilson and Robert Wuhl. They play the manager and pitching coach. Wilson is a pure scene stealer in this movie. He provides some of the movie's greatest lines and tenderest moments. Wuhl is the master of the obvious in his cool, almost straight-man delivery. Bull Durham, like baseball, is about so much more than baseball. Along the way we are invited to think about both the inane and the deeper issues of life. Annie struggles for meaning, Nuke come of age and even Crash's cynical heart softens a bit. All of the things listed above, as well as the fact that it is a darn good movie earn Bull Durham my hearty recommendation.
Susan Sarandon plays Annie Savoy, a slightly older woman who is a Durham Bulls groupie of sorts: once a season she picks out a promising young player and begins an affair with them. During that season the promising young player has the year of his life and gets called up to the big leagues, leaving Annie to look for next year's promising young player. The Bulls also have a million-dollar prospect of a pitcher with a right arm who the gods reached down and turned into a thunderbolt. He also has less control than a seven year old with hyperactive attention deficit disorder without his Ritalin. He's as likely to throw it over the backstop as throw a strike, although his "stuff" is like Nolan Ryan or Randy Johnson. Tim Robbins brings "Nuke" LaLoosh to life in his best comic performance. Kevin Costner, in the best of his many baseball-movie appearances, plays "Crash" Davis, a power-hitting catcher with enough talent to be a leader on minor league teams, but only 21 days in "The Show" in years of minor league work. Crash is not only a competent minor league catcher though - he also knows the history of the game, and he knows how to get into the heads of players who have mental blocks preventing them from achieving all they can as baseball players. Crash, meet Nuke. Both of you - meet Annie. The dialogue is so witty and sparkling that more than a decade after the film's release, it still shows up frequently in discussions about baseball movies and on ESPN. Crash envies Nuke's god-given talent, and by degrees the clueless Nuke begins to appreciate Crash's baseball wisdom. Annie has the hots for both of them, and they for her, and the way this triangle evolves and resolves makes for a very satisfying baseball movie watching experience. The movie would be worth watching if only for the hilarious little scenes that happen out on the playing field between catcher Costner and pitcher Robbins. Nuke has the million-dollar arm and the ten-cent head. Crash knows his job (and everyone elses as well) like the back of his hand. Whenever Nuke starts trying to think for himself, he quickly gets into trouble, frequently with active assistance from Crash. Crash "calls" the game - signalling to the pitcher which pitches to throw. When Nuke listens things go well. When Nuke doesn't listen, Crash whispers to the hitter what pitch is coming so that the batter can tee off on the pitch. Then as the batter circles the bases after his home run Crash goes out to the mound to remind Nuke not to try thinking for himself. "Boy, the last thing I saw fly out of here like that had a stewardess and passengers on it!" Supporting parts are performed to hilarious perfection as well, with particular kudos to Trey Wilson as the manager and Robert Wuhl as a team coach. They have many entertaining scenes, including the one following Nuke's minor-league debut - when he struck out 18..... but also walked 18 - both league records! A must for grown-up baseball fans.
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| 7. The Bad News Bears Director: Michael Ritchie | |
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Amazon.com essential video Reviews (34)
What follows is the familiar plot of a bunch of underdog kids coming together as the "Team Nobody Believed In" and contending for the championship against a team that represents everything that's wrong when parents spoil simple pleasures for their children (the Yankees, coached by Vic Morrow, in a neatly-observed performance). Look, I don't know if "Bears" even did it first, but this movie certainly does it best, and without the labored sentimentality of its progeny. "Bears" never turns cartoonish. It captures just the right atmosphere- slanting, late afternoon sunlight during the games, the bikes parked behind the dugouts, the post-game chants. The kids, led by Tatum O'Neal and Jackie Earle Haley all perform well, and each has a sharply defined personality. Even Morrow, as Buttermaker's antagonist, isn't portrayed as bad or evil- just a guy with misplaced priorities that make him act like a jerk. But Matthau makes this movie, conning kids into making martinis for him and cleaning pools while he regales them with increasingly drunken stories of his baseball glory days... until he passes out on the mound in a litter of beer cans. Matthau plays Buttermaker as a modern day loser who discovers (eventually) he still has a better nature. Bright, smart and funny, "The Bad News Bears" is a joy to watch, full of quick-witted exchanges and even heartbreak. If you've seen one too many "Mighty Ducks" flicks, do yourself a favor and watch this one. It goes down as smooth as one of Buttermaker's ice cold ones on a hot afternoon. And look for that kid who played Eddie in "The Courtship of Eddie's Father" as Morrow's son and the Yankees' star pitcher. He has a ballpark epiphany that's true and heartbreaking. Just another aspect of this marvelous little movie.
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| 8. The Cutting Edge Director: Paul Michael Glaser | |
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Amazon.com Reviews (117)
The romance which develops between the two lead characters adds nothing new to the genre and follows the standard formula almost to the letter. The initial hostility they shared towards one another at the beginning, the byplay that develops as they get to know one another, the leading towards romance, the inevitable misunderstanding, and then finally getting together. However, the two leads are both attractive people, and they have a strong onscreen chemistry together which makes their romance seem believable, and a joy to watch. The figure skating in the movie is highly enjoyable to watch, even for someone like me who isn't into figure skating as a general rule. I do have to wonder whether the finishing move they use at the end of the movie is really possible to pull off though. It might have just been me, but I couldn't see how they could have pulled off enough momentum to really do the move, because it didn't really look like it could have worked to me. However, that's only a minor complaint, and the move did look good, so whether or not it's physically possible isn't only a secondary concern. So, if you enjoy romance movies, and have some liking for figure skating, I recommend you check this movie out for yourself. You won't be disappointed.
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| 9. Mad About Mambo Director: John Forte | |
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Amazon.com The charismatic Russell is a fine dancer and shows moxie between icy stares and swoony looks. Unfortunately Ash is never more than a generic, spunky street kid with a heart of gold. Writer-director John Forte injects the working-class edge of British comedies with his off-handed inclusion of political tensions and prickly classist remarks. Nothing too surprising ever complicates the romance as the gritty world melts into an unlikely fairy tale in a silly but rousing climax. The film's not really credible, but Russell's charms and the sheer energy and color of the dancing give it the innocence of an old-fashioned musical amid the tense realities of real life. --Sean Axmaker Reviews (11)
Russell displays a surprising talent for dancing (and accents), holding herself like a dancer and managing the steps with ease. Ash is not as good; but then, he's not supposed to be. The supporting cast is great, with the standout being Danny's fashion-obsessed best friend. The dance sequences are decent but not stellar, with the real reason to see the film being the sweet portrait of Irish life. For dance-film lovers, I would say this film is well-below "Strictly Ballroom" but well-above "Save the Last Dance". You may also enjoy it if you like romantic comedies or films about Ireland. Enjoy! Grade: B/B-
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| 10. Slap Shot (25th Anniversary Special Edition) Director: George Roy Hill | |
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Reviews (84)
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| 11. The Longest Yard Director: Robert Aldrich | |
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Amazon.com Burt Reynolds, in peak form, plays a former pro quarterback ostracized for shaving points. After beating up his girlfriend and resisting arrest, Reynolds winds up in prison, where he's taunted by warden Eddie Albert to help his semiprofessional team of guardsmen win a championship. Naturally, the inmates despise Reynolds, and naturally he redeems himself in one of the great movie football matches of all time. --Bill Desowitz Reviews (19)
Burt Reynolds plays Paul "Wrecking" Crue, a one time NFL great who sold out his team mates and trashed his girlfriends car and is now serving time at Citrus State Prison. Eddie Albert portrays the Warden you Love to Hate, and other great actors and NFL Football Players are in the movie. Plus the sexy Bernadette Peters plays the warden's secretary. The plot is great. From the time Reynolds enters the prison to the last down of the Football game, it is "The Longest Yard". I will not get into the details of the movie. However, you will find yourself laughing, cheering and be a bit sad at a certain point. This is a movie to watch over and over again. Sometimes I wish they would make a sequel to this great movie, however, I am glad they didn't. Sequels 98% aren't as good as the original and a sequel might spoil what a great movie this is. Highly recommended!
Directed by Robert Aldrich (What Ever Happened to Baby Jane?, The Dirty Dozen, The Killing of Sister George) made a clever funny sport drama film with a different attitude and feel also. Reynolds also shines is his Lead Performance, which seems to be his Best Role ever. This has a likable supporting cast also. James Hampton (Sling Blade, Teen Wolf) is terrific as Reynolds's Prison Buddy. The film's split image and cinematography has dated a bit. The Spirit of the flick is still intact. It's a expectional flick with a heart and soul. Written by Tracy Keenan Wynn (Who also wrote a Remake of British Version of the Longest Yard) from a Story by Albert S. Ruddy (Bad Girls). Grade:A-.
Shroyer plays "Sonny," who is the retarted player on "Mean Machine." You may remember it is a cheap shot that the guards give "Sonny" that leads Paul Crewe to his decision to re-enter the game. By the way, this is probably the best football movie ever made. And certainly I would hope it would inspire any of you to attend or support your local minor league football team- and every community has one. The players who play minor league football come from incredible backgrounds- everything from heroic concentration camp survivors (yes, as recently as last year Steve Moser, an Eastern European immigrant, was playing minor league football as a kicker at the age of 69) to college stars looking for a second chance to out and out thugs who realize now they should have worked harder academically are out there. The sacrifices these players make just to appear in a game are great, as is their expenses. But who knows? David Dinkins of the NY Giants was playing minor league football just year. The talent can be there. If you're one of these guys who long for players who play for the love of the game, then no place, not even high school football, can compete with minor league football.
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| 12. Footlight Serenade Director: Gregory Ratoff | |
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Reviews (3)
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| 13. It's My Turn Director: Claudia Weill | |
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Amazon.com Reviews (3)
The characters portrayed in this film seem about as real as the two-dimensional cardboard likenesses of film stars that one might see in the lobby of a theatre. In contrast, Sesame Street's Bert and Ernie do a better job of appealing to greater intellect and provide more entertainment value, for sure. The whole concept behind the movie is laughable. It's full of campy 70's feminist rhetoric, and about as deep as Barbie and Ken. Not much to think about here. The dialogue sounds more like a set of mindless jokes. Did people really talk like that back in 1979? Charles Grodin and Mike Douglas portray a couple of Archie and Jughead-types on the make. Jill Clayburg's performance is particularly laughable as a seventies version of everywoman who struggles with the mundane problems of life in Chicago and New York. A meaningless sub plot: Her father fails to comply with her beatific ideas of perfection! I saw this film at the local cineplex over twenty years ago, and since then, I've never forgotten my feelings upon the conclusion of the film: I had just wasted two hours of my life on this piece of drivel. At the time, I seriously considered breaking into the projection room, and taking the film from the projector outside to the parking lot, where I could then pour gasoline over it and burn it! Watching this film was a truly hateful experience.
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| 14. Father Was a Fullback Director: John M. Stahl | |
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| 15. Major League Director: David S. Ward | |
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Amazon.com Reviews (45)
The DVD has no special features (what else do you expect from Paramount?), but the picture and sound are good. Movie: 6/5
There's nothing complicated about the plot. When an aggressive femme fatale (Margaret Whitton) inherits the Cleveland Indians from her late husband, her plan is to put together a team so bad it will lose its fan base and allow her to relocate. And so a band of misfits is put together: washed-up players, inexperienced players, headcases. Of course, predictably, her plan goes awry, but it's still good fun watching the antics of the Indians as they misfire and then come together over a long, long season. Tom Berenger, Charlie Sheen, Rene Russo, Corbin Bernsen, and Wesley Snipes headline a great cast. Bob Uecker is absolutely hysterical. My favorite character is manager Lou Brown (James Gammon) who delivers the film's funniest line, but one I dare not repeat here (it would never get past the editors)! Grab a hot dog and a beer, pull up a chair, and let MAJOR LEAGUE put a wide grin on your face.
People from out of town said County Stadium was a dog of a ballyard, but look for the scene when Berenger sneaks onto the field at night alone and pretends to hit one out. It sure looks pretty, and I miss it.
As far as baseball comedies go, this is by far the best ever. As far as baseball movies go, this is near the top of the list. As far as Charlie Sheen appearances go, this was his one shot at Oscar gold. As far as opening songs go, this is the best one of all time, in any movie about any city or any sport or anything. There's a red moon rising There's an oil barge winding Cleveland, city of light, city of magic Burn on, big river, burn on Now the Lord can make you tumble Burn on, big river, burn on
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