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In the opening minutes of Coffy, Pam Grier's star-making role,she blasts the skull of a sleazy drug pusher into pulp like a watermelon andshoots his junkie assistant with an overdose of heroin. Jack Hill knows how toopen a movie, and he never lets up on the down-and-dirty action. Coffy is anemergency room nurse by day and vigilante by night, targeting the dealers whomade her sister a comatose junkie. She works her way up to the Italian mobstersmuscling into the ghetto drug trade while she's romanced by glib, smooth-talkingpolitician Booker Bradshaw and wooed by nice-guy cop William Elliot, whoserefusal to sell out to the corrupt force earns him a cripplingbeating.

There's plenty of sex, a catty girl-fight that leaves the loserstopless, and car chases and shootouts galore, but what makes Coffy ablaxploitation classic is Grier's Amazonian presence and fiery charisma, and thegritty, low-budget action scenes marked by visceral, wincing violence. Mobstrong-arm Sid Haig (Spider Baby) cackles while dragging his victim (astrutting peacock pimp played by Nashville's Robert DoQui) behind aspeeding car in a sadistic lynching, and Grier runs down one bad guy with aspeeding car and takes care of another with a shotgun to the groin. Hill hadpreviously directed Grier in The Big Doll House and The Big BirdCage. Their next and last picture together, Foxy Brown, wasoriginally written as the sequel to Coffy. --Sean Axmaker ... Read more

Reviews (22)

THE Movie That Set the Style of 70s
All of Pam Grier movies in the 70s, "Coffy" is the most famous. She deserves it; watch this movie, and you see what so-called blaxploitation films are all about.

The fast-paced "Coffy" starts with a dynamite opening, in which Pam's character Coffy lures her enemy into a nasty surprise, and she blows away poor fool's head with a shotgun literally. Then, her mission of eradicating drug racket goes on until a very bitter ending. There are actions, fighting, nudity, and battling girls at a party where Pam uses most unexpected weapon -- salad! Frankly they look rather bland by today's standard, but good soundtrack by Roy Ayres is still wonderful.

Probably the most interesting thing about "Coffy" is its gorgeous 70s fashion: music, clothes, and hairstyle. even if you find its story a little stale, you never get tired of watching dresses, glasses, hats, and everything -- they are so big! And surprising thing is that the film to certain extent reflects the political condition of those days (see how a black congressman address a speech about drug issues among Afro-Americans).

"Coffy" is one of the movies that set the style of the 70s. Those who are interested in that period should watch it (and the original "Shaft") once.

Vigilante action with Pam!
Pam Grier is Coffy, an inner-city nurse whose younger sister's life has been destroyed by illicit drugs, and who is now out to avenge her by killing the drug dealers. Her method is to lure the dope pushers by offering them her sexual favors, and then blasting them with a sawed-off shotgun!

And what man can resist such a statuesque beauty? Many a dope pusher meets his Maker after making it with Coffy. Pam Grier has some outstanding nude scenes in this movie, and that alone makes this DVD worth the price, but director Jack Hill's commentary is an interesting bonus. This DVD is a must-have for every Pam Grier fan!

One vengeful mama.
For a blaxploitation movie this one isn't too bad, thanks largely to Pam Grier. She is one tough lady in this interesting retooling of "The Bride that Wore Black," only in this case it is little sister who Coffy is seeking vengeance upon. There is plenty of violence and nudity to thrill, but the movie actually develops a story and posits the moral question whether vengeance is justified if criminals can't be brought to justice. Ultimately, Coffy enters the world of prostitution, posing as a sultry Jamaican bombshell, to get the top crime boss in the city. The movie is vintage 70's with luscious babes lounging around swimming pools, garish interiors and love-inducing fireplaces. Too bad Pam Grier had to wait such a long time to get the plum role of Jackie Brown, building her fame on Jack Hill movies.

Errors and omissions
From the information from other sites I am to believe that this is not an 'Anamorphic/16:9 enhanced' DVD. Foxy Brown is. All Region 2's in the MGM Blaxploitation-series are...

They call her Coffy and she'll cream you!
This was a pretty enjoyable movie, but I have to admit that I enjoyed Foxy Brown just a little more. This movie is basically about Pam Griers' character getting revenge on those who have hurt her and her family. She starts out with lower level pimps and pushers, and workers her way up the power structure to the head sleezebags. The one thing that didn't really sit well with me was the way she portrayed the moments of remorse her character felt about what she was doing. I am not saying that a person who becomes a vigilante wouldn't have these feelings, but I just didn't really buy it coming from her. I know, I know, maybe I am delving too deep into the character, but if they're going to go there...anyway, it didn't make me enjoy the movie any less. And it's always nice to see as much eye candy as there was in this movie. Pam Grier is really hot and made most of the other women in this movie look kinda dumpy. To sum it up, it's a fun movie, some minor slow points, but it kept me interested throughout. If funk with a dash of groovitude is your bag, then this movie is for you. ... Read more

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Larry Cohen scratched out some of the most memorably offbeatexploitation films of the 1970s, including two of the most energeticblaxploitation action classics: Black Caesar and its sequel, HellUp in Harlem, which made a star of Fred Williamson. In 1996 theyreunited for this tribute to the good old days and producer-star Williamson brought along a few of his fellow 1970s blaxplo icons: Jim Brown(Slaughter), Pam Grier (Foxy Brown), Richard Roundtree(Shaft), and Ron O'Neal (Superfly). They play old friends and former members of a neighborhood gang in economically depressed Gary,Indiana, who reunite when a new generation of gangbangers using their oldstreet name, the Rebels, turns the city into a war zone. It's great fun tosee the old faces back on the screen--Williamson is still buff and tough,and Brown and Grier have become more charismatic with age--but they're letdown by a slack script and lazy direction despite an almost nonstopbarrage of gunfights and back-alley brawls. Even with revved-up 1990sfirepower, the film never really captures the explosive energy of the filmsthat made their reputations. You're better off seeing the originals. PaulWinfield and Isabel Sanford also star, and Cohen casts cult faves CharlesNapier, Wings Hauser, and Robert Forster in supporting roles. --SeanAxmaker ... Read more

Reviews (12)

good idea but bad come out
Fred Williamson(Black Ceasar, From Dusk Till Dawn) is John Bookman and he returns home after his father is shot up by a gang called the rebels, a gang he formed back in his day, led by Spyro and Damien..two ruthless thugs who changed the gang from what it used to be, the rebels think they own the streets. well Bookman and co. join forces to try to stop them. an allstar cast including Jim Brown(Mars Attacks,Salughter) Ron O'Neal(Superfly), Pam Grier(Ghost Of Mars, Foxy Brown, Jackie Brown), Paul Winfield(Mars Attacks, The Terminator), Richard Roundtree(Antitrust, Shaft, Corky Romando) and many more. takes its toll on the 70's black films but is too much uninspired with wooden performances and a lack of, anything...was expecting much more

A violent reunion from back in the day
The reason to watch this movie is the reunion for those of us who remember the protagonists from the era of blaxploitation films in which we were introduced to them/ Fred Williamson, Jim Brown, Pam Grier, reconvene to take back their home town of Gary, Indiana from several well organized and terribly violent street gangs.

Also appearing in almost cameo roles are Ron O'Neal ("Superfly") and Richard Roundtree (the original John Shaft). Seeing them all together is a treat, but left me wondering why this quintet did not get more screen time all together. It is particularly pleasing to see Brown and Grier, who, as one of the expert reviewers noted, have aged very very well. However, the re-ignition of their former relationship is tepid and seemingly forced. By contrast, it has nowhere near the intensity seen when barely restrained Brown confronts a gang leader about the murder of his son.

I agree that the simplistic plot and the consistent (and predictable) violence keep this from being one of the great films of our time. Those who remember the first time seeing these individuals in character now some thirty years ago will enjoy seeing them all together again, and that makes this disc worthwhile.

great re-union of 70's actionmovie st ars
if your a film buff, and wanted to see just outta curiosity
what happened to the black star's of the early 70's...see this movie, sorry to say that most of the aging star's except for pam grier now could be cast in a new version of sanford and son...as fred's old buddies from the hood drinking
grape ripple. it was a good social commentary of life in gary,
indiana and how dependent that city was on the steel mills and the off shoot business's that gradually closed down, see this movie on a saturday afternoon,,,but if you have to mow the lawn or paint the house...you'd be better off doing that.

An solid comeback for an action movie vet--
Original Gangstas: Fred Williamson, Jim Brown, Pam Grier. Williamson is John Bookman, former football pro turned coach, who comes back to his old hometown to find it overrun by gangs. The last straw is when Bookman's dad is assaulted and his grocery store vandalized. Grier is the mom of a basketball prodigy slain by the Rebels, one of three major gangs in the city. Brown is Bookman's best friend who comes back to bury his son. In a touch of irony, the gangs are the modern day incarnation of the crews started by Bookman & his friends decades ago. But whereas the original intent was to be a teen militia of sorts, the modern crews-mostly people well over 21-- are about nothing but victimizing their neighborhood.

Filmed entirely on location in Gary, Indiana, the film uses many city landmarks to illustrate the decay that has taken place. The film rightly postulates that the abrupt downsizing of the US Steel mill in the late 60's started an economic domino effect that the city has yet to recover from. Abandoned storefronts still abound, while neighborhoods are peppered with derelict houses and other rag-tag buildings.
Supporting roles are offered by Robert Forster as a police detective, and Ron O'Neal & Richard Roundtree as longtime residents who join the effort to take the city back.

Williamson and his contemporaries first came to prominence in the black action movie trend of the 70's. Some of his real life was slipped into the script: Williamson was a Northwestern football star before turning pro; also, according to the star the film was inspired from an encounter he had while visiting his mother, who still lives in Gary.

Fred and the actors of his generation deserve better from the Hollywood industry-- folks like Spike Lee, Quentin Tarantino and Robert Rodriguez have used them in a handful of contemporary films, but they should have the status of a Clint Eastwood or Burt Reynolds..

ORIGINAL GANGSTAS Review
In a reunion of the big-name 70's blaxplotation stars, you can expect a whole lot of fun. They're all here. Fred "The Hammer" Williamson, Jim Brown, Pam "Foxxy Brown" Grier, Richard "Shaft" Roudntree, and Superfly himself, Ron O'Neal. A host of other infamous character actors and some of today's big name underground rappers also show up for this bullet-riddled nostalgia pic.

It's "old school" versus "new school" as the Rebels, a gang once known simply for protecting their neighborhood has transformed into a gang of thugs who specialize in drive-by shootings and drug dealing. This doesn't sit well with the gang's founding members who reunite with the support of the community to clean up the streets once and for all.

While not nearly as energetic and entertaining as many of the 70's pics that it is paying homage to, "Original Gangstas" does have fun while delivering a solid anti-violence message. Seeing all your old favorites strap up again makes for some real good times. There are also some good performances from relative unknowns like Christopher Duncan as the leader of the new Rebels and rapper Dru Down as the group's loud-mouthed "trigger man". Also look for rappers, Scarface and Bushwick Bill in cameos. A genuine good time. ... Read more

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William Marshall, a Shakespearean actor with a rich baritone voice,enriches this otherwise bland blaxploitation vampire film with his strong,seductive performance. He's Manuwalde, a European-educated 18th-centuryAfrican prince who appeals to the Count Dracula for help in ending theslave trade. Dracula, never known as a great emancipator, puts the bite onManuwalde's troubles, dubs him "Blacula" (the only time the name is utteredin the film), and imprisons him in a casket. Stirred to life, so to speak,centuries later in Los Angeles by gay antique hunters, he steps into thesoulful '70s and splits his energies between feeding his bloodlust andwooing a young beauty (Vonetta McGee), a dead ringer for his long-deadwife. Thalmus Rasulala (Friday Foster) is a modern medical professor turned urban Van Helsing, and Elisha Cook Jr. has a bit part as a coronerwith a hook for a hand. The potential for a clever urban black twist on the European vampire myth is lost in this dull, thoroughly conventional tale.Marshall is under enough sloppily applied facial hair to make him a wolfman, and his victims walk around with a plastic blue pallor. But despite thelimitations, Marshall creates a magnetic, aristocratic character and infuseshis monster with a sense of loss and sadness in the climax. It was followed by a sequel, Scream, Blacula, Scream, and inspiredBlackenstein. For a more interesting and thoughtful African American take on the vampire legend, look to Ganja and Hess. --SeanAxmaker ... Read more

Reviews (29)

"Wow, man, nice threads. Dig the fangs bro...NOOOOOOO!!!"
The 1972 film "Blacula" is a much better example of the Blaxploitation period, which began with the success of "Shaft" the previous year, than it is as a vampire movie. William Marshall, with his booming voice, plays the title character and gives the film a sense of credibility that probably only James Earl Jones could have matched. Without Marshall's sense of dignity, "Blacula" would have been reduced to slapstick.

The story is that interior decorates buy the coffin of Prince Manuwalde andbring it back to Los Angeles, unaware that the African prince had been bitten by Dracula (Charles Macaulay) centuries before and locked inside. While wandering the nights in his eternal search for human blood, the prince sees Tina (Vonetta McGee), a woman who looks like his dear departed wife, Luva, and he is convinced she is his beloved reincarnated. While Blacula woos Tina, her friend Dr. Gordon Thomas (Thalmus Rasulala) figures out that this guy is a blood-sucking fiend and tries to hunt the vampire down.

Today the racial humor of this film seems dated, but in 1972 this movie was hip in being self-conscious about its blackness, which was the whole point of the Blaxploitation movement: to black movies made by black casts and crews for black audiences, instead of leaving it to Hollywood to ignore and denigrate blacks in the films that had been produced up to that point. The horror scenes are hokey in the extreme, but since they are basically being done for fun by director William Crain, it is hard to complain. Some critics have bemoaned the miss opportunity to make a telling critique of sexual hypocrisy in society, the way Bram Stoker's original novel did for the Victorian era (if you are inclined to read it that way), but the social agenda here is clearly race and not sex, which is totally appropriate as far as I am concerned.

In addition to the 1973 sequel, "Scream, Blacula, Scream," other Blaxploitation horror films that followed this one included "Blackenstein," "Dr. Black and Mr. Hyde," and "The House on Skull Mountain." However, none of them would enjoy the reputation of "Blacula," which remains the defining film of this particular genre.

"Wow, man, nice threads. Dig the fangs bro...NOOOOOOO!!!"
The 1972 film "Blacula" is a much better example of the Blaxploitation period, which began with the success of "Shaft" the previous year, than it is as a vampire movie. William Marshall, with his booming voice, plays the title character and gives the film a sense of credibility that probably only James Earl Jones could have matched. Without Marshall's sense of dignity, "Blacula" would have been reduced to slapstick. The story is that interior decorates buy the coffin of Prince Manuwalde andbring it back to Los Angeles, unaware that the African prince had been bitten by Dracula (Charles Macaulay) centuries before and locked inside. While wandering the nights in his eternal search for human blood, the prince sees Tina (Vonetta McGee), a woman who looks like his dear departed wife, Luva, and he is convinced she is his beloved reincarnated. While Blacula woos Tina, her friend Dr. Gordon Thomas (Thalmus Rasulala) figures out that this guy is a blood-sucking fiend and tries to hunt the vampire down.

Today the racial humor of this film seems dated, but in 1972 this movie was hip in being self-conscious about its blackness, which was the whole point of the Blaxploitation movement: to black movies made by black casts and crews for black audiences, instead of leaving it to Hollywood to ignore and denigrate blacks in the films that had been produced up to that point. The horror scenes are hokey in the extreme, but since they are basically being done for fun by director William Crain, it is hard to complain. Some critics have bemoaned the miss opportunity to make a telling critique of sexual hypocrisy in society, the way Bram Stoker's original novel did for the Victorian era (if you are inclined to read it that way), but the social agenda here is clearly race and not sex, which is totally appropriate as far as I am concerned. In addition to the 1973 sequel, "Scream, Blacula, Scream," other Blaxploitation horror films that followed this one included "Blackenstein," "Dr. Black and Mr. Hyde," and "The House on Skull Mountain." However, none of them would enjoy the reputation of "Blacula," which remains the defining film of this particular genre.

Great movie!
i saw this for the first time on Black stars back in october and i been inticipating to see it for years! its a very good movie! i love vampire movies from the 30's 40's 50's 60's and few from the 70's which is the only type ill watch!!! only 5 movies vamp movies from the 70's is what i like which includes this! Yorga! Satanic rites of dracula! love at first bite and Nosferatu The Vampyre's remake!

considering im only 16 years old this movie is a action pack classic 70's african american classic!!!!!!!!!!!!

i hope the KKK dont read this review considering im white! Lol

Alright Then...
This is quite a...bizarre...movie. I thought it would be some sort of a comedy or maybe a black comedy or maybe even a horror black comedy. It's not really any ot these. I think it's supposed to be a horror, but the story's so old and the plot in this movie is so predictible it's not scary. I don't think it was supposed to be a comedy, but I found humor in how fake it looked when Blacula transformed into a bat. I have to admit, they could have made a great whack-ass comedy type parody out of this, but they tried to take it seriously and got...this. I think someone like Marlon or Damon Wayans should remake this and make it intentionally funny. But seriously, this is a baaaad movie. Stay away.

Afrocentrism meets vampirism
"Blacula," directed by William Crain, tells a story that begins in Transylvania in 1780. Prince Momuwalde, a Black African, comes to the legendary Count Dracula to seek his aid in ending the slave trade. Instead of helping the prince, the evil count transforms him into a vampire: Blacula!

"Blacula" is an interesting and entertaining blend of the vampire and "Blaxploitation" genres. After the atmospheric opening sequence (and cool opening credits!) the action shifts to urban America in the 20th century. A lot of elements make this film fun to watch: the fashions, hairstyles, music, and dance moves.

William Marshall brings both an animalistic ferocity and an aristocratic elegance to the title role; I would definitely rate his work among the best of cinematic vampire portrayals. Marshall is superbly complemented by Thalmus Rasulala, who brings gravitas and intelligence to his portrayal of the scientific investigator who is on Blacula's case.

Yes, some aspects of the film might strike some viewers as cheesy or dated. And the script fails to fully develop the fascinating concept of an African vampire; I felt that some of the political and cultural issues raised in the opening sequence could have been better explored. Still, "Blacula" is a real treat for fans of both Black cinema and horror films. ... Read more

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From Keenan Ivory Wayans, the man who brought us Jim Carrey (initially just one of the bunch on Wayans's television comedy-sketch show, In Living Color), comes I'm Gonna Git You Sucka (1988), a comedy spoof on the blaxploitation films of the 1970s. Wayans plays Jack Spade, an army private just returning from the service. He comes home to find his younger brother June Bug dead of a overdose of gold chains (an "O.G.") He vows revenge, and with the help of some of the neighborhood's old school heroes including Flyguy (Antonio Fargas), Kung Fu Joe (Steve James), Hammer (Isaac Hayes), Slammer (football star Jim Brown), and John Slade (Bernie Casey), Spade wages a war against Mr. Big, the neighborhood crime lord.

In the tradition of Airplane! and Naked Gun, I'm Gonna Git You Sucka pokes fun through satire and offensive comedy. The film also features some of the players that would end up on In Living Color and has appearances from such varied actors as Clarence Williams III, Eve Plumb (better known to most as Jan Brady), and Chris Rock as a rib-joint customer. --Shannon Gee ... Read more

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SHE'S THE DIRECTOR'S SISTER
I'M GONNA GIT YOU SUCKA is one hilarious film; even though many of the jokes fall flat at times, the whole is superlative tongue in cheek satire. A broad humored satire of those wonderful 70's "black exploitation" films, Wayans and crew serve up scene after scene of hilarity. For instance: a sleazy girl is singing a sultry version of "When the Saints Come Marching In," and when Wayans asks who she is, the waitress says "She's the director's sister." (She is!). When ex-football star Jim Brown asks Wayans why he thinks he's qualified to be a black hero, Wayans tells him "I'm an ex football player." When Dawnn Lewis as Wayans' sweetie gets the cramps, she really gets cranky!! John Vernon as Mr. Big spouts off why shouldn't he be in a black exploitation movie, other actors have! There are so many scenes like this that one can't help but laugh and laugh again.
Featuring a cavalcade of black and white actors, including Clarence Williams III, Isaac Hayes, Ja'net Dubois, Antonio Fargas and Steve James, I'M GONNA GIT YOU SUCKA is a hoot to watch!

I'M GONNA GIT YOU SUCKA!
I'M GONNA GIT YOU SUCKA! is a spoof an blaxploitation films of the 1970's. This is the first film written, directed by, and starring Keenen Ivory Wayans. Jack Spade is an Army secretary who returns home to find out that his brother has died of an O.G. (an overdose of gold chains). Jack gathers up an army of some local neighborhood hero's (Bernie Casey, Antonio Fargas, Steve James, Isaac Hayes, and Jim Brown) to help him fight and defeat Mr. Big, the crime lord responsible for his brother's death. This movie has many funny moments, especially one that has Chris Rock making an appearance as a rib joint customer. This is a film for both action and comedy fans! Keenen Ivory Wayans would go on to direct SCARY MOVIE and SCARY MOVIE 2!

hilarious
one of the great films of the 80s (or was it 90s?).

I love Blaxploitation...but this was ok
This film does have some very funny moments like the rib joke but I felt a wee bit let down that the script and story line was not as good as it could have been. It nice to see the old boys back (Hayes,Brown etc...) but where were Pam Grier, Fred Williamson and Richard Roundtree !!....now that would have been excellent. I love Blaxploitation but I wish this was better.

Great Film, Funny as hell
The title caught me, but the film got me hooked. Its all silly. THe plot, the characters, and even the tongue in cheek looks at the camera. But it works. Funnier than Scary Movie and all the other spoofs by the Wayans. You must check out this sh*t, yo. Best scene was with Kung Fu Joe and the cops. I fell off the couch laughing. ... Read more

Reviews (15)

Even with Pam Grier this "Blacula" sequel is a step down
After "Blacula" successfully kicked off the horror element of the Blaxploitation movement in 1972, the sequel, "Scream, Blacula, Scream" came out the following year. In addition to returning the booming Shakespearean voice of William Marshall in the title fole (his real name is Prince Manuwalde), this 1973 film from director Bob Kelljan (who also did "Count Yorga") upped the ante by having Pam Grier as the female lead, which adds a little something extra to the film.

This time Manuwalde is brought back to life by a voodoo ritual. The first time around the vampire prince thought he had found the reincarnation of his long dead wife. This time he wants to get the voodoo princess (Grier) to do that voodoo that she does so well to return him to his homeland. Again, Marshall's performance brings a sense of dignity to the proceedings (remember: he was the first black actor to play the title role of Othello on stage), which do get a bit cheesy at times. The attack sequences are actually a bit better in the sequel, but the racial humor, outrageous at the time as a defining element of the Blaxploitation movement, just does not click as well. Most importantly, this film does not even try to be as scary as the original.

That last point become the fatal flaw because 1973 was the year "The Exorcist" came out and showed what a really great horror film would be like. That made films like "Scream, Blacula, Scream" look even more tacky in comparison. Even with Greir, this film is not as good as the original, which still remains the best of the bunch when it comes to Blaxploitation horror.

More Bytes from the Dark Prince of Darkness!
In 1973's SCREAM, BLACULA, SCREAM!--an excellent sequel to BLACULA (1972), the first horror entry in AIP's "blaxploitation" line--William Marshall reprises his role as the aristocratic black vampire Mamuwalde (a.k.a. Blacula). Though he was killed by sunlight at the end of the first film, the vampire brother is resurrected when his bones are used as part of an evil voodoo rite. Realizing the preternatural potential of voodoo magic, the revivified Mamuwalde enlists the aid of a beautiful and powerful voodoo priestess (Pam Grier) in hopes of being forever freed from the curse of vampirism.

As before, actor Marshall's Shakespearean training and deep, rich, booming voice form the foundation of his outstanding performance as the sympathetic but dynamic titular character. In fact, this talented African-American actor brings dignity and intelligence to any role he plays--even off-beat characters like Blacula--and he has therefore appeared in numerous films and TV shows, including genre flicks like SKULLDUGGERY (1970), ABBY (1974), AMAZON WOMEN ON THE MOON (1987), and SORCERESS (1995); and genre TV shows such as the original THE MAN FROM U.N.C.L.E., classic STAR TREK (Dr. Richard Daystrom in the episode "The Ultimate Computer"), and THE WILD WILD WEST.

Also adding to the quality and entertainment value of SCREAM, BLACULA, SCREAM! is the portrayal of the voodoo priestess, Sarah, by the beautiful Pam Grier. Though famous for playing intelligent, strong, no-nonsense black women in other blaxploitation flicks of the 1970s, her character here is admittedly toned down compared to those other roles, but she still delivers a solid performance and is a wonderful compliment to Marshall.

Many of the other supporting actors also turn in some good performances. Don Mitchell appears as Justin, Sarah's boyfriend, and some viewers will quickly recognize him from his longtime role as Mark Sanger on TV's original IRONSIDE. Michael Conrad, later of HILL STREET BLUES fame, does a good job playing the skeptical Sheriff Dunlop, and Richard Lawson delivers some hilarious comic relief as Blacula's vampiric servant.

Any lover of low-budget 1970s horror will enjoy SCREAM, BLACULA, SCREAM. The special FX are endearingly cheesy--dig that animation in those vamp-to-bat and bat-to-vamp transformations--the acting is great, the women are pretty, and the plot offers just the right mix of laughs and chills. Though this one is not helmed by the same director as BLACULA--instead it's Bob Kelljan, who also directed the delightful COUNT YORGA vampire films--the same spirit and quality is maintained throughout, so anybody who enjoyed that first film will definitely want to see this better-than-average sequel.

The DVD edition of SCREAM, BLACULA, SCREAM from MGM--released as part of the company's "Soul Cinema" line, though it and its predecessor, BLACULA, could have just as easily fit in with MGM's "Midnite Movie" series--offers an anamorphic widescreen transfer in the original aspect ratio of 1.85:1, and it appears that the print used for the transfer was in excellent shape. No extras are offered other than the theatrical trailer, but the very reasonable price makes this flick painlessly accessible to any horror-film collector.

EVEN MORE FABULOUS AFRO
The follow-up to BLACULA.

I find these films to be a lot of fun. Most probably wouldn't want to own them forever, but some of us really appreciate good trash when we see it, you know?

Mike

INFERIOR SEQUEL TO BLACULA, STILL ENJOYABLE!
The success of "BLACULA" all but guarenteed the inevitable sequel which arrived a year later. Sequels are usually never as good as the original and that is certainly true here. Though this is an inferior film to "BLACULA", it is still quite enjoyable and benefits from the strong presence of lead actor William Marshall who again plays that "strange dude" Mamuwalde, aka "you-know-who".

I liked the ending of the first film a lot (denied his lady love a second time, he walks out into the sun committing suicide) so was somewhat disappointed seeing him return in the first place. But having him trying to free himself from the curse/ slavery of vampirism by using the voodoo power of Pam Grier was a good idea. John Carradine used science to try and cure him of the curse in Universal's fine "HOUSE OF DRACULA" (and failed), so it was interestring that Mamuwalde would use a black art to combat a black art, so to speak.

The anamorphic widescreen picture is very good and the mono sound quite pleasing.

Like the original "BLACULA", there are no extra's but for the original theatrical trailer.

To close, if you liked "BLACULA", you should enjoy this sequel. -George Bauch.

Badula
William Marshall should've been a big star. He was trained in one of England's acting schools. But as a man of color in the 70s, he had to take roles like this. The first Blacula was excellent. But this one wasn't. It was too predictable. The other shocking thing about this movie is the production value. After the first Blacula became a hit, you would think that the studios would have put more money into its sequels. But the studis didn't. And while Pam is one of my favorite 70s actress, this movie wasn't her best. Pass!! ... Read more

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Pam Grier combines big guns and fantastic '70s outfits in Sheba, Baby. After roughly 4,000 establishing shots of Chicago in the opening credits, private eye Sheba Shayne (Grier) immediately heads to Louisville, where thugs are leaning on her father's business, trying to get him to sell out. The police, alas, are no help, but never fear--Sheba is the kind of private dick who doesn't shy away from dunking a man's face in toxic chemicals to get the information she needs. She soon finds herself going head-to-head with a crime lord named Pilot, and the butt kicking begins. Sheba, Baby offers giant ties, big guns, and a firefight on speedboats, and yes, of course there's a catfight. Mandatory viewing. --Ali Davis ... Read more

Reviews (6)

Also Bad TandA
If you're looking for sexy scenes, and why else would you watch these movies, don't waste your time.

Pam Grier on River? Standard Blaxploitation Action Film
The film is essentially suffers from a too ordinary story and set-pieces such as car bomb and shoot-out, but "Sheba Baby" will surely entertain Pam Grier fans.

Sheba Shayne, a PI in Chicago, has to fly back to her hometown after hearing that her father was threatened by the local mob. Naturally, before she knows it, Sheba is involved in a fight against the cruel syndicate. The rest is almost the same as her movies prior to "Sheba," only difference being some twists in a rather trite story. The most attractive part is the last chase scene on a river, and there Pam herself operates a motor boat. It is enjoyable, but has no cutting-edge of "Coffy." At least "Sheba Baby" is not awfully banal or impossible like "Drum," in which Pam is to appear the following year. "Sheba"s soundtrack by Barbara Mason. Strictly for fans of genre.

Sheba, Baby
Pam Grier being my favorite actress makes it hard for me to rate this video anything lower than a 4. But, in all sincerity, it's a fun, fast-paced movie of revenge and adventure on the high seas. Pam's sexy presence makes it hard to divert your attention from the video, even if it's to pause the tape to take a bathroom break! Pam Grier in one of her more tame roles is sure to please.

Don't Let the pic fool ya
Man I love any blaxplotation but this movie [is bad]. No action no T&A the plot is asinine the sets look like the movie was shot on someones back yard. Good for a rainy Saturday when you don't care if you fall asleep before the movie ends.

Not bad, but it's not Coffey
Let's face it, nothing much comes close to Coffey, but if you like Pam Grier, chances are you'll enjoy this one. It's a good old funky shoot out flick that we love Pam for. There's NO nudity, but she looks great in that blue wetsuit. She's a private eye out for revenge after gangsters shootup her dad and his business. Pam hits the streets 'Sheba style' getting information from low life street scum, one who runs a travelling pawn shop out of the back of his car.

The 'catfight' on the yacht is too short and frankly uninteresting. The big gun fight at the end on yachts and power boats is cool, but has one case of bad editing. Watch for a white guy with long brown hair and a mustasche wearing white pants and a blue shirt. First he gets shot in the chest and falls overboard. Thirty seconds later the same guy (uninjured and dry) is back on the boat and gets shot in the leg. Pam finishes of 'Shark' with a spear gun to the back. Pam looks great as always, but the big fro and shotgun are missing. ... Read more

Reviews (7)

Surprisingly Good Action Film From the Chef in "South Park"
Issac Hayes carrying the whole weight of an action film alone? A film starring HIM??? At first I thought it's ridiculous. Well, he is a great singer, but .... Then I watched this film, and twice, and am convinced. He should do that more!! Yes, I acknowledge he cannot act like DeNiro or Pacino, and the story of his love interest is as convincing as love between Josh, Ben, and Kate in "Pearl Harbor." But given a right material like this, his towering physical presence makes up for anything single-handedly.

Truck Turner is an ex-football player, and now a bounty-hunter. With his partner Jerry, nothing can stop them. Nothing. If you are disliked by him, pray it ends soon -- because his huge fists are flying to you right in the face! But one day his botched job getting a guy named Gator leads to his being THE most wanted man for the gangsters. They attack him, his office, and his room even, but now it's Turner's turn to pay back!!!

Frankly, the film is too violent, and one scene made me cry "Oh, PLEASE! DON'T HANG THAT!" But Hayes is well-cast and credible as a no-nonsense bounty-hunter, and actions are good. But the most memorable is Nichelle Nichols's "madam," whose foul-mouthed acting completely shatters the good old memory of "Star Trek" fans. (Where did our Uhula go? Or, is this what she really wanted to do?) Another impressive point is director Jonathan Kaplan, who sometimes gives strong emphasis to darker nuance of his direction (maybe overdirection, some say) later seen in his Jodie Foster film "The Accused." The fate of Yaphet Kotto is captured in a very bleak way, which reminds us of Christopher Walken in a very violent noir "The King of New York."

Though I don't share the enthsiastic praise of other reviewers, "Truck Turner" is a great action film, which is raised higher one notch above than average blaxploitaion films. If there should be a sub-genre like "bounty-hunter movies," this comes to the top alongside with more comical "Midnight Run."

If you don't know the details of bounty-hunting and bailbonding, you may not enjoy the film fully. In that case, you might as well see Trantino's "Jackie Brown," in which another icon Pam Grier showcases her great talent as the title heroine.

One of the best action movies ever made
Here's a screenplay that should be studied in film school. Seriously. It starts out with a bang and holds your interest for a slammin' first act. Then, just when you're sayin' to yourself, "OK, this is fun, but where the hell is it going?" the movie makes a 180-degree turn at the 30-minute mark and totally peels out into something you've never seen before. One of the few instances where 3 writers on an action movie is actually a GOOD thing (especially since one of them is Michael Allin, who wrote ENTER THE DRAGON, and another is Oscar Williams, who gave us THE FINAL COMEDOWN and BLACK BELT JONES). Brilliantly directed by Jonathan Kaplan. Solid supporting performances from Alan Weeks, Nichelle Nichols, Dick Miller, Stan Shaw, Stymie Beard from the Little Rascals, and especially Sam Laws, who always turns up as a character named "Dinwiddie" in Kaplan's early films (see also THE STUDENT TEACHERS, THE SLAMS, and WHITE LINE FEVER). Special mention should also go to Yaphet Kotto, who one year earlier had claimed that his role in LIVE AND LET DIE was racist, but apparently thought nothing of collecting a paycheck here by playing a murderous pimp (or, even worse, two years later in DRUM, where he portrayed a slave who is stripped nude, hung upside down, and asswhipped to a bloody pulp). Also, you gotta love any movie featuring an Italian hitman named "Joe Dante" (Kaplan and future GREMLINS director Joe Dante were both working for Roger Corman at the time this movie was produced. I think WHITE LINE FEVER also features a character named Joe Dante). Last but not least, the score by Isaac Hayes is amazing. If you can find the double-CD (paired with his equally great THREE TOUGH GUYS soundtrack), grab it! I play it all the time, and it's always being sampled by hip hop performers. Definitely check this sucker out.

Very Happening Film
Isaac Hayes is Bad in this Film.it's not alot of Musical Artists that can Play&Act but Isaac Hayes pulls it off.alot of Action,Drama&Laughs in this Film.I Got it about a Year ago.The Music is Slamming as well.A Double Winner here.

"Truck" Turns em' out, Dig it!
Isaac Hayes plays an ex football star turned bounty hunter named Mac "Truck" Turner. After he and his partner kill a violent pimp named "Gator", all the pimps get together and a contract is put out on Truck by none other than Gator's woman (Star Trek's Nichelle Nichols). When all the little fish fail to kill Truck, the biggest pimp of them all, Harvard Blue (Homicide's Yaphet Kotto) makes an offer to have it done but for a big price. Does he succeed? What do you think?

Truck Turner is a great part of the blaxploitation genre and of action films in general. Isaac Hayes makes a great action hero and I wish he had made more films like this. Isaac also provides for one of the funkiest soundtracks ever, maybe better than Shaft. The film is exciting from beginning to end and Truck finds time to romance his lady and to make some jokes in between. One of the funny scenes include when Truck and his partner go to pick up a prisoner from a military base and they have to break through the check point. When the security guards start shooting at Trucks car, he hopes they shoot his left tire out because he needs a new one real bad. Guess what, not only do they shoot the left tire out but they have to put the new one on for him! The rest of the time you will be laughing when you hear all the words that Nichelle Nichols has learned since Star Trek!

IKE BRINGS THE THUNDER IN THIS FLICK!!
Truck Turner caught me off guard, I thought I was in for just another Shaft/Super Fly type of movie but man was I mistaken! Good action, seasoned actors and a good plot along with Isaac's commanding performance makes this an awesome flick! I highly recommend the sound track also, can u dig it? ... Read more

Reviews (10)

Great movie!!!
This movie stands the test of time. I remember seeing this movie on the big screen when I was little.I was so moved by young Larry Fishburn performance that I found myself crying right along with him during the big tearjerking scene. So much talent even at that young age of 12. It's hard to believe that the sweet kid in "Cornbread Earl and Me" grew up to be the mean Ike Turner in "What's Love Got To Do With It"! One of my favorite movies as a child, "Cornbread Earl and Me" is now one of my children's favorite. The teenagers love it for the violence( angry mob attacks cops,woman gets 'pimp slap' in the face by crooked cop, ... etc.) but I like it because of the beautiful touching story. Buy it, you wont be disappointed.

I've seen this movie years ago,and i luv it !!
This movie was so touching, to where its not even funny,and whats so sad about it is that,the same things that happened in the movie is happening in real life as i speak..its funny people can change..but not the polices..

Superb !!!!!!
I remember when I had saw this movie when I was a little girl and I had saw it on BET last year this is a great movie it is sad but it is still good I enjoyed this movie and I would recommend anyone who enjoys blaxploitation movies would enjoy this movie this is a great film about a little boy and his friend Cornbread he was a great basketball player and he had just recieved a scholarship to go to a college to play basketball and had dreams of becoming a pro- basketball player and one day a white cop accidentally shoots him and he dies and a big contorversy stirs in this small towm and causes havoc and trouble for everyone and really takes a toll on his friend and
makes it hard for him to cope with his loss but eventually things get better and then he goes on with his life but he never forget about his friend "Cornbread" . This is a touching heartwarming film that would make you just want to cry so therefore when you watch this movie be sure to have some tissue on hand. I would recommend anyone who is fond of dramas to purchse this video!!!!

Good film about the importance of friendship and manhood
Aw later for you, Leonard Maltin! This movie is GREAT! This is an important story about friendship and manhood. Young Larry Fishburne's admiration of "Cornbread" rings true with any child who had an older friend to admire as a role model. But the outstanding part is where Fish's mother (Rosalind Cash) tells Fishburne to go to the courtroom stand and BE A MAN and not to be intimidated into giving false testimony of Cornbread's death at the hands of the police as the other witnesses were! This scene borught tears to my eyes and a "standing-o" from the audience I saw it with. This scene alone, with the message it gives to young people about integrity, is worth the price of admission alone!

Classic Film
you can't ever say enough about a film that captures everything you want&hope in a film.Strong Cast&Acting,Solid Directing&great Music.it's a Feel Good Film.it is a Film that is still strong to this day.Check it out. ... Read more

Amazon.com

It's been branded with the "blaxploitation" label, but there islittle that's exploitive in J.D.'s Revenge, a film of well-drawn,articulate characters dragged into a supernatural showdown. Glynn Turman(Cooley High) is especially fine as the sensitive and quiet Ike, adetermined student moonlighting as a cab driver, so wound up he's on theverge of cracking. Enter (literally) the ghost of J.D., a violent, vengeful gangster murdered in the opening moments. He could be Ike's own Mr. Hyde, a dapper, flamboyant ladykiller with a fiery temper and a straight razor whoslowly smothers Ike's easygoing personality. Driven by flashes of memory,he sets his vengeful sights on fire-and-brimstone preacher Reverend Bliss(Louis Gossett Jr.), whose dark past is intricately tied up with J.D.'smurder. Director Arthur Marks (Detroit 9000) sidesteps the usualspooky clichés to stir up a modern New Orleans gumbo of ghost story,gangster tale, and character drama. J.D. is both devilish sadist andavenging angel, while the tortured Ike awakens from J.D.'s violent rampages with a hole in his memory but a sick feeling from his imagined complicityin the crimes. The story gets wrapped up a little too neatly in the end, but the dark character shadings and the evocative mystery at the center ofIke's possession makes J.D.'s Revenge an unexpectedly compellingsupernatural thriller. --Sean Axmaker ... Read more

Reviews (13)

Interesting...
This movie came out when I was about nine years old. Just out of the blue, the title popped into my head and I decided to purchase it....

The movie literaly had me on the edge of my seat once JD's spirit took over Ike's body. I disliked how this possession affected those close to Ike. He couldn't remember hurting his girlfriend or one of his customers. JD was CRAZY!!! It really did not take me long to figure out who killed JD and his sister, but I don't want to give it away. If your into "blaxplotation" movies, check this one out...

J.D. Walker the boss talker
Because my nickname is JD i had to get this title. The movie is ok and is worth buying. I don't know if it was meant as a comedy but that is what it was for me. Don't expect too much with this one, rather take what you get.

Endless Repetition...
I first saw this in the late 70's while on a USN ship in the Med. It was a good distraction - and absolutely hilarious! In those days, the crews would exchange movies while underway via a large canvas bag. We'd send our "viewed" movies to another ship in exchange for the movies they'd seen.
EVERY EXCHANGE we'd end up with a copy of J.D.'s Revenge and Revenge of the B Girls. J.D.'s Revenge was so funny that the crew and wardroom watched it nearly every night for nearly 6 months. In a few months, nearly everyone had memorized the entire movie. It was like J.D. was taking over the crew...
Yup. Life was much harsher in the "Old Navy". How could anyone NOT want such an enjoyable (and quotable) movie?

J.D.'s Revenge (1976)
I had to get this title. The movie is ok and is worth buying. I enjoyed this movie. It's a movie that I grow-up with as a kid. I refers DVD's to the VHS Tape edition.

JD's Revenge
I perserved with this DVD, but it was certainly a 'B' rated. Considering the actors where known the story line was poor. Not a film I would keep in my collection, very disappointing. ... Read more

Reviews (5)

And I was there....
What can I say, I'm bias, why... not because this was another of those "black" films everyone thought should be made but because I actually had a small bit part in it. Yep, stood out there in the cold of Platte City (MO), with about 16 other extras. Saw the open call for extras on the bulletin board at school and answered the call. Hey, no money, no true fame, but at least my segment didn't get tossed to the cutting room floor and it was fun "being in a movie"

Williamson Takes Over the Town, and the Film, Too
As a soul cinema fan, it is hard for me to criticize this film, which unites two Afro-American icons, Pam Grier and Fred Williamson. Still, I must confess my disappointed feelings after watching "Bucktown," a rather mediocre film, considering those two fantastic leads.

"Bucktown" is a corrupt town where the corrupt cops donimate. Now Duke (Williamson), after his brother's suspicious death, comes back to this hometown (in a "Ger Carter" way), only to find himself trapped in between the hostile police and beautiful Aretha (Grier). Reluctantly he decides to stay there because of legal problems, and to manage the local bar. As (expectedly) the love between Aretha and Duke develops, the local police begin (expectedly) to show their true colors.

The film is given a unique twist here; Duke calls in his old buddy Roy (Thalmus Rasulala, regular of blaxploitation genre) to wage a war against the cops, but the result turns out worse than he hoped. The film tries to provide a new point of view on this genre, giving a picture of a conflict between blacks, but it seems the film doesn't know how to end this awkward situation.

Though the film is far from perfect, it keeps on going with a good pace, and Williamson as always shows his charismatic presense effectively though Pam Grier as a result is pushed aside to a minor role despite of her previous successful roles in "Coffy." My verdict is, "Bucktown" is not a terrible film as some critics label it, but it is, I must say, strictly for fans of this genre.

cool film
this film worked really well.Both The "Hammer"&Pam Grier get down to Business here.it's so sad at how they didn't get there Props back in the day because films like this Showcase how tight they were on screen&they always had alot of Great Action in the films.Pam Grier still Blows My Mind She is SuperBaddd!!

Excellent Revenge Movie!
Fred Williamson is cool as ever-- though the character he plays, Duke, is an ex-football player-- okay, not much of a stretch..

Still, you can't front on the action that takes place when Duke takes on the corrupt police force in his old hometown--

The cast includes several blaxploitation regulars: The sheriff, played by Art Lund, also menaced Williamson as a crooked cop in BLACK CAESAR.

Bernie Hamilton went on to play STARSKY & HUTCH's police boss Captain Dobey, and he shows up here as a longtime Bucktown resident who spends too much time at the local bar that Duke's brother owned before his death..

Pam Grier is more subdued in this piece, not the "kick-behind-chick" of most of her roles.. But golly, is she fine as ever..

Thalmus Rasulala (Blacula, What's Happening) is Duke's big-city hustling pal Roy, who recruits a gang of cronies to give some payback to the redneck cops who terrorize the black residents of Bucktown. Among the cronies is "Hambone", played by future ROCKY star Carl Weathers.

After Duke, Roy and the gang send the crooked cops running (and violently so), they unofficially take the place of the cops in running the protection scam-- Duke is reluctant, but Roy revels in his newfound power. For the moment, Roy and Duke come to a compromise, as Roy promises not to "lean" on the townsfolk like the cops did..

But Roy's over-zealous henchmen could care less about being civil, as they roughhouse everyone who crosses their path, including Grier and Hamilton, the latter of whom is brutally beaten-- Next on their hit list is Duke, as he and Grier are assaulted in his home.. That sets the stage for Duke to get some long-coming revenge, assisted by a local boy who becomes his sidekick..

The showdown between Duke and Roy is long and bloody-- and satisfying...

Amidst all the mayhem in this film, some sly social commentaries are made: The kid who befriends Duke is a hustler wannabe, and has a precocious knowledge of all the nightlife vices in Bucktown-- "Girls, gambling, we got it all!"

Also, the audience is introduced to the cold reality that Black political corruption and criminality is just as dastardly as when it is done by Whites-- turning the tables on the traditional source of inner-city social ills in post-civil-rights-era America.

Fantastic Fred Williamson / Pam Grier vehicle
"Bucktown" is certainly less melodramatic and more savvy than most 70's blaxploitation fare. In this film, Fred Williamson stars as Duke, who returns home to Bucktown to bury his brother and resume business at his brother's bar - "Alabama". He soon discovers the corrupt white police force had his brother - alongside everyone else - in their pocket and intend to keep it that way. Urging against any confrontation is the eternally sexy Pam Grier as Aretha, a local at Alabama. Duke calls in some friends from the big city to oust the cops, who are led by Duke's longtime pal Roy. Once the cops are out, the grateful mayor wants to thank Duke's friends with a great parade; but unbeknownst to Duke, Roy and his crew have become aware of the power the police force had, and now they suddenly have other plans...

Pam Grier fans should note that she doesn't appear naked or even scantilly clad in every frame. She surprisingly appears classic and tasteful in fine outfits. The film is loaded with blaxploitation regulars. The final showdown of the film is tremendous, loaded with "I'm gonna beat you down, boy" prologues between Duke and Roy. There is also good use made of a tank in this film, but I don't want to spoil the whole experience for you. Check it out for yourself. ... Read more

Reviews (28)

The original "Boyz N the Hood" flick
All of the Black "coming-of-age" films of the 90s -- such as "Boyz N the Hood", "Juice", and even the more romantic "Jason's Lyric" -- owe a debt to "Cooley High". It's as much a classic as "American Graffiti". See familiar faces when they were much younger, like Glynn Turman, Lawrence Hilton-Jacobs, and Garrett Morris. See Robert Townsend's QUICK cameo (on the basketball court in the gym). See the seeds of what would later become the "What's Happening" TV show (Preach, the skinny writer with glasses became Roger, the skinny writer with glasses). See a death scene that had viewers in tears years before the death scene in "Boyz N the Hood". Hear the original version of "It's So Hard to Say Goodbye to Yesterday" (Had Boys II Men even been born in 1975?) No doubt about it, there will never be another "Cooley High". [I can't listen to the song "Reach Out (I'll Be There)" by the Four Tops without thinking of this film. Once you see it, you'll understand why.]

A Trip Down Memory Lane
I recall watching this movie at my 7th. grade English teacher's home when it debuted because she was one of the very few people who had cable TV at this time. This movie along with Cornbread Earl and Me hold a deep connection with me as I can still recall the music and general style of the late 60's and early 70's. The main characters were/are so easy for me to relate to that I always have the same touching reaction whenever I think about their story. I almost feel like I knew Preach and Cochise because their characters are so authentic. I played this DVD for a group of my contemporary friends and I saw tears in the eyes of the men as well as the women. Although the audio on the DVD is very poor, Cooley High is at the top of my DVD collection. The ending alone makes this movie a pure classic.

Excellent!
A sad ending for a great film. This was not some cheap, run of the mill Black 70's movie. It was well acted with a solid plot with very good direction, a definite classic.

The Real BOYZ IN THE HOOD
People tend to have short memories. Cooley High, while an interesting film about the urban black experience seems to be dwarfed by newer black films. Not only this, but the film Boyz in the Hood is a direct rip off of this film. The plotlines are very similar, with the protagonist who is about to make it out of the ghetto eventually struck down in their prime. Anyone who sees this and Boyz in the Hood will realize that John Singleton is a sham and that his "breakthrough" work, Boyz in the Hood, was actually a remake of Cooley High.

Love it
Cooley High is a wonderful movie. It is funny and sad at the same time. I am happy that it is on DVD, because I have a VHS copy and I can forward to my favorite scenes. You must own this. ... Read more

Amazon.com

Pam Grier is Friday Foster, a photographer's assistant at a glamourmagazine assigned to cover the secret arrival of a reclusive black millionaire(Thalmus Rasula). "Just get your cute little behind out there and take yourlittle pictures and goddammit don't get involved!" Of course she does: The sceneerupts into an attempted assassination, and Friday digs up a conspiracy thatreaches to Washington, D.C., and involves sassy, flamboyant fashion designerEartha Kitt, lascivious but good-at-heart minister Scatman Crothers, and apowerful black congressman. Yaphet Kotto costars as a good-natured P.I. she tagsalong as a sidekick and bodyguard, and Carl Weathers makes a strong impressionas a silent but deadly hit man systematically silencing potential witnesses. Thescript feels more like a comic book than a movie (it was inspired by a newspapercomic strip), with Grier playing Friday as a plucky, resourceful amateur,stealing cars and stalking killers armed with nothing but a fully loaded camera.She's better as the street-smart pistol-packin' mamas of Coffy andFoxy Brown, but still commands the screen every minute she's on. ArthurMarks fills the film with shootouts and (rather bland) car chases, but thehighlights are an assassination by garbage truck and a free-for-all firefight ata religious retreat. Jim Backus costars as a wheelchair-ridden racistmillionaire, Godfrey Cambridge plays a flamingly gay conspirator, and Ted Langeis a flashy, fast-talking pimp in two comic scenes. --Sean Axmaker ... Read more

Reviews (6)

Would be a disaster if not for Pam
Pam Grier's magnetic personality and spunky character pretty much save this otherwise outrageously stupid and trashy film. Yaphet Kotto is pretty good too, in a low-key way. Other than that, it has all the stuff that keeps Blaxploitation films form being taken seriously (if they were ever meant to be in the first place). Horrbile acting, atrocious dialogue, cornball story, poorly staged fight scenes, ad nauseum. My parents forbade me from seeing this when it first came out (I was 11 at the time). Now I see why.

Yaphet Kotot does Comedy!?!
"Friday Foster"... Not as good as "Coffy" or "Foxy Brown", but better than "Sheeba, Baby". Pam is good as always, with lots of fairly gratuitous nudity (always a way to turn a bad movie to fair :-)

My big surprise was Yaphet Koto, who gets most of the best lines, and is funny throughout the film. I am always used to him as the stone-faced cop, a la "Across 110th Street" and "Homicide". If I remeber correctly, he gets off the "I'm getting too old for this sh!t," line years before "Lethal Weapon" made it a cliché.

Definitely worth watching for Blaxploitation or Pam Grier fans. If you are not familiar with Pam's earlier work, "Coffy" or "Foxy Brown" should definitely come first.

Pam Grier in Her Lighter Mood
Pam Grier of the 70s will be remembered as Coffy, tough, sexy, no-nonsense heroine who blows her enemy's head away with a shotgun, but as a movie, for all its good, funky soundtrack, "Coffy" was dark and violent. Then, it is a welcome opportunity for her fans to see lighter side of her in "Foxy Brown," in which Pam Grier plays an assistant camera artist who finds some conspiracy going on.

The story has been already told elsewhere, so I won't repeat it here. All I can say is, it is not particularly original, but good enough to keep us interested. But what we should notice in "Friday Foster" is a group of well-cast, talented actors. In addition to Pam Grier, who this time round goes with less tears and nudity, and more smile, is helped by Yaphet Kotto (Michael Clarke Duncan of the 70s) but it is Eartha Kitt as "madame" who steals the show with her flamboyant speech at fashion show. Actions are done in a rather bland way, but still watchable, and watch out Pam Grier steal a black hearse to chase the hitman; she later hits another guy in the head with a bottle full of milk!! Especially recommended to beginners of the genre as starting point of blaxploitaion films.

Slam, Bam, Thank You, Pam!
There are only two special features on this DVD, and they both belong to Pam Grier. And that's reason enough to buy it! She has two nude scenes in this lackluster blaxploitation thriller that largely fails to thrill, and her sparkle is the only spark here. A good cast, including Jim Backus, Earha Kitt, Carl Weathers, Scatman Crothers, and Yaphet Kotto, is wasted here, but they try their best with what they're given. The movie is in widescreen and the image quality is excellent. There's the movie trailer and a scene and language selector, and that's it. For '70s blaxploitation genre fans and Pam Grier fans only, but that's quite a large audience!

Good Solid Film
Pam Grier Is Solid in this Film&She Looks as Fine as Always.This Film Captures The 70's Vibe Really well.ALot OF Action&Laughs through out.Godfrey Cambridge had me Rolling.After watching Him in Watermellon MAn or Cotton Comes To Harlem this is a Real Interesting Role.Carl Weathers went on to do Rocky 1,2&3.Yaphet Kotto a Great Actor who Has Done well in Both T.V.&Film.&Ted Lange who Played Issac on The Love Boat.it was a Very Important Time Period For Black Films.FOrget what The Critics Say these Films Kept Hollywood Rolling&Paved The Way for The Future.Worth Seeking Out.Their has Never Been Another Actress Like PAM GRIER.SHE IS ONE OF A KIND. ... Read more

Reviews (10)

Great sequel to Black Ceasar
Fred Williamson is the man. He was the sexiest african american actor of the 70's..and still sexy today..:-)

It was a great sequel. The James Brown sound tracks were right on! I would suggest buying the 2 DVD special. It's a great deal. I've seen Black Ceasar and Hell up in Harlem sold for a lot more.

I will always love Fred Williamson. If you are Fred Williams fan..you will like him in One down..two to go" the "Kill Reflex".."Bucktown". I can go on and on.

I own every film that Fred Williamson has been in.

Good movie, but..........
But, not as good as Black Caesar. There was a good deal of action in this film, more than the predecessor, and you can definetly tell that a lot more money was spent on this movie, however it lacked the originality and spontanaity of the first film. The action scenes were better, and the story was very well thought out, but the movie just lacked something. Tommy Gibbs is still a super ... though, and I wouldn't wanna mess with him. "Hell Up In Harlem" just strikes me as a sequel with a LOT of potential, and energy that would have made a fine film, but the tale gets caught up too much in trying to out do the first film, instead of building upon it. ... I think this is a must see for fans of the fisrt film, but don't be surprised if you are disappointed.

CLASSIC FRED WILLIAMSON!!!!
THIS is an awesome movie and I would truly recommend this to any Fred Williamson fan who enjoys his movies and I loved this movie it was pretty good Julius W. Harris and Gloria Hendry returns also and she is a very beautiful woman and they are very good legendary actors and actresses and this movie is really good I would really recommend Tommy Gibbs falls in love again with a minister by the name of Jennifer and may I also add that this is a nice soundtrack also this time this soundtrack is done by Edwin Starr and this is the sequel to Black Caesar !!!!h

Excellent Film
I liked it better than Black Caesar. There is more action and Drama in this one, as Tommy takes revenge on those who set him up in the first one.

Smashing! Fred Williamson in a Rough and Touch Action Film
One video guidebook dismissed it as a "turkey"; another called it "bomb." "Hell Up in Harlem" didn't and won't get critical acclaim, that's for sure. But I say, it's terrific!

Don't get me wrong. From purely artistic point of view, the film IS awful. It doesn't know where it goes; it is full of hurriedly shot scenes with shoddy editing; and most of all, didn't Fred Willaimson die at the end of "Black Caesar"?

BUT ... Yes, but "Hell" still entertains us. And much more fun than you expect from lukewarm reception from critics. Okay, so, let me tell you what you see in this movie. Tommy Gibbs (Williamson) is not dead, and he is sent to a hospital under the guard of gangsters who take hostages of other patients and doctors (wow!) while having the operation. And Gibbs comes back, with his father (Julius Harris), and again they fight and rule. But again another corrupt white DA is waiting for the time to divide and destroy them.

Well, forget the story. The point is, you see lots of action one after another, so you never stop and think about it. Just look how Fred Williamson wipes out his enemies. He assassinates one of them with a rifle from the Broadway signboard; he massacares the mobsters in the Florida Keys with a help from ... two middle-aged, Afro-American maids (the kind of housemaids you see in "Gone with the Wind") who hold guns with most wooden posture and grinning faces. Even Coney Island is no longer a peaceful place for amusement. Fred Williamson takes up a beach parasol (among other things on the beach) and, OUCH!! one of the gangsters meets nasty death instead of the cozy sunshine on his stomach.

Looking back from now, "Hell Up in Harlem" seems to have gone a little too far. The chain of its incredible plot twist and intense actions may make some of us tired of watching it, and some wise-cracking lines may make some of us very uncomfortable (for example, listen to a one-liner about "soul food" and watermelon). But it is still fun. Probably it was produced too quickly, but again Larry Cohen's fast-paced direction seldom gets us bored with unique hand-held camera and authentic locations. And the film gives one of the earliest performance of Oscar nominated Margaret Avery (for "The Color Purple", 13 years later).

Anyway, my final verdict. Don't think; just enjoy watching this outrageous film. This is what you call fun. ... Read more

Reviews (15)

Queen of the Explotation Flicks?
FOXY BROWN is a great movie, but not a great explotation movie. Oddly enough this is the film that got Pam Gier the title "QUEEN OF THE EXPLOTATION FLICKS". When I first sat down to watch this film I was expecting to see tons of gratuitous nudity and violence. The nudity in this film was seldom and the violence was not very graphic. Don't get me wrong, I loved this film and it really is a classic 70's film, but don't go in expecting the normal 70's gratuity. The story is about a woman that becomes a vigilante in order to get revenge for the death of her boyfriend. The plot thickens when other elements are thrown into play like a drug addict younger brother, an underground militant army, and a mother forced into prostitution. If you like this film, but you also really like gratuitous nudity and violence; I would highly recommend watching COFFY. Pam Grier is the star of that movie also, but the storyline is a little more loose and there is nudity all over the place (including Grier).

Virtually Re-make of "Coffy" With More Violance
"Foxy Brown" is practically a retread of "Coffy." After the murder of her boyfriend, Foxy Brown (Pam) swears revenge against those who are responsible. Posing as a call girl (again), she carries on her own deadly mission with a help from the Black Panther-like group.

Several changes can be found in "Foxy Brown" to increase the degree of violence, and some of the scenes are very painful to watch (particularly when Brown is imprisoned in a shack), so I do not recommend this film to the beginners of the genre.

In spite of the faults, however, some things redeem them to some extent. Willie Hutch's soundtrack, especially the title song of the film, is still pretty good, and the amusing opening credit with some 007 touch is still unique and interesting. (See how Pam Grier dances to the sound.) And one of the most outrageous ways of concealing a handgun is revealed at the climax of the film. Pam Grier hides a gun in her Afro she is wearing! and in the fashion Bruce Willis did in "Die Hard"!! Has he also seen that?

Foxy Brown Rocks!
This is a great 70's movie! Pam Grier looks beautiful and plays this tough girl part perfect. I love the music and Intro to this film along with the cool clothes! This is a fun movie to watch lots of laughs. I loved it when Foxy pulled the gun out of her Afro, she is too cool! She is like Charlies Angels and Police Woman, Girl Power!

beyond horrendous
I only give this movie one star because I have to. How about no stars, or even minus 5 stars? That would be more accurate. Starts out with some good action and humor, then evolves into a festering pile of garbage that everyone involved should be ashamed of. Frankly, I can't recommend this movie.

Grier is outstanding in this crime thriller
"That's my sister, baby--and she's a whole lotta woman!" That's how one character sums up the title character in "Foxy Brown," a crime thriller written and directed by Jack Hill. Pam Grier plays the title character, whom the title song promises is "super bad."

Foxy is a hip, tough urban African-American woman who eventually takes on an evil white madam and her crime organization. There is a strong anti-drug mesage, with illegal drugs being depicted as a new form of enslavement in the black community. Although the film is occasionally campy, it nevertheless is very effective as a crime drama.

"Foxy" has a gritty, low budget feel. There is a lot of graphic violence, and some outrageous humor. The film is full of great quotable lines, like "You just take care of the justice, and I'll handle the revenge myself." Although the star gets solid support from the rest of the cast, "Foxy" is undeniably Grier's film. She wears Foxy's outrageous outfits and hairdos with flair. She's a powerful but sympathetic screen presence. And when she gets angry, watch out! ... Read more