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| 1. Heavy Metal Director: Gerald Potterton, Jimmy T. Murakami | |
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Reviews (90)
The film was created by an army of 1,000 artists, animation experts and technicians from seventeen countries. Given the current state of technology, the movie today would probably only take a half-dozen animators and a few lap-tops. Regardless of its dated stylishness and rough edges, Heavy Metal was a pioneering film in 1981 and remains an infuential body of art today. A visual mixed bag of matte, blue screen, live action, stop motion, and Star Wars-influenced drawing/animation styles, the dazzling sci-fi epic scored a bullseye with its comic hipness, imagination, and drug kaleidoscope presentation. The final installment, Tarna, is the most mind-bending in terms of fluid animation, spectacular color schemes, imagination, and graphics, which appears 3-D. The green ball crashes into a mountain and the lava it produces turns the civilization around it into a merciless warring faction. They prey upon neighboring villages who then summon The Defender, a naked chick with a giant bird. The sequence in which Tarna, The Defender, slowly and enticingly dons her bondage-like battle gear and hip boots remains one of the hottest scenes ever in a movie, animated or not. All clothes aside, this tale is the centerpiece of the movie's artistic accomplishments. The best part of this Collector's Series disc is the plethora of extras included. The disc includes a voiceover by Carl Macek reading his book "Heavy Metal: The Movie". It also includes a documentary titled "Imagining Heavy Metal" which runs approximately 35 minutes. The disc also includes deleted scenes, including a rough cut of a entire additional segment which was cut form the movie titled Neverwhere Land, and an alternate framing sequence which can be heard with or without commentary by Carl Macek. There is a segment called "Artwork of Heavy Metal" which includes 26 pencil drawings, 59 conceptual art stills (2 of which are animated), 29 single cell stills, and 191 layered cell stills which expose some of the layering techniques used during the animation process. There are also 18 production photos of behind the scenes work which was done on the film and a segment which contains all the Heavy Metal Magazine covers from 1977 through 1999. But the best extra on this disc is the entire full-length rough cut of the pencil drawings used to get the look and feel of the production prior to the final production stage. This rough cut can also be viewed either with or without a full commentary by Carl Macek.
To fully appreciate Heavy Metal, one has to understand the era it came out in. At the time, most animation, at least what was seen in the US, was frequently of the "family entertainment" variety seen in Saturday morning cartoons and TV commercials. Apart from Ralph Bakshi, most animators were basically shackled by the need to present something that was "rated G". Heavy Metal took the exact opposite route. It was a liberating experience for the animators working on the film to be allowed to draw things they usually weren't allowed. And they got paid to do it, too! After the opening Soft Landing sequence, we're introduced to the Loc-Nar, a glowing green orb responsible for all the evil that has plagued the universe (or at least, that which has plagued the human race). The various stories contained in the film are told by the Loc-Nar to a young girl, as examples of it's awesome power. The stories include the film noir homage Harry Canyon, the male "wish fulfillment fantasy" of Den (which demonstrates the versatility of the late John Candy, who voices both Dan, the science nerd who gets transported into an alternate dimension by the Loc-Nar, as well as Den, the Conan/He-Man-esque beefcake that he is magically transformed into), the highly amusing Captain Sternn (trivia: the voice of the prosecutor is done by John Vernon, the actor who portrayed Dean Wormer in Animal House), the EC-esque B-17 (aka Gremlins, which went through so many script revisions, it's a miracle it got finished at all), the bizarrely hilarious So Beautiful And So Dangerous (ok, maybe there's some truth to the juvenilia charges during this segment, but only a corpse could keep from laughing at this piece), and revenge scenario of Taarna (imagine a tougher, sexier version of Xena, only about a decade and a half earlier). While there IS some element of juvenilia here, it's no worse than any other movie that's been released by any major studio during the last 25 years. In fact, I bet it's a little more cerebral than most of those other movies. Harry Canyon is a rather crafted film noir homage, while some elements of Taarna are clearly patterned on Sergio Leone's spaghetti westerns. And while there are a couple sex scenes and a certain amount of excessive violince in Heavy Metal, again, it's nothing compared to some of the garbage that's shown on cable TV these days. I'd certainly rather watch this than Basic Instinct or No Way Out. This movie is a classic piece of animation. Yeah, some of it's rough around the edges, but that has a lot to do with Columbia's decision to move up the deadline so they could have the original movie out in time for the summer 81 season. One has to consider the scope of the undertaking, and the relatively short time that was at hand to create it. Look at the "travelling sequence" during Taarna, where she's shown riding her mount (a sort of large bird creature) over a rolling landscape, and consider that it was done WITHOUT the use of any kind of computer generated work. It's explained in the audio commentary on the rough cut of the film, as well as during the documentary how it was done, and why it didn't quite turn out as planned). No one had ever done anything like that, and it had to all be done by hand. Really, you can't take this movie too seriously. It's a movie that exists soley to entertain. There's no big message or point to the movie. Just put the DVD in the player, turn out the lights, turn up the volume LOUD, and just enjoy the trip. It should be noted, that this disc also contains some of the best bonus features I've seen on any DVD. Besides the regular movie, you get a full length "rough cut" of the film, consisting of storyboards, pencil tests, and some completed animation. The only audio for this rough cut (besides the optional audio commentary, by Carl Macek, who also does a completely different commentary for the finished movie) is the dialog. There's long stretches of silence, but it's worth watching, as there's lots of bits of dialog that were cut from the final movie (we learn, for instance, that Katharine, like Den, was also transformed when she was transported to this mysterious alternate universe). It's also interesting to note that the stories weren't always in the order that they were in the final movie. There's also a half hour documentary with interviews from many of the filmmakers involved in making the film. We finally find out why we see a model of a house blowing up at the end (because they didn't have time to finish the animation for that one bit), and also why Cornelius Cole's Neverwhere Land was cut from the movie (either for reasons of length/continuity, or because Cole didn't finish it in time, depending on exactly which version of the story you wish to believe. You also get a few minutes of deleted scenes, most notably the above mentioned Neverwhere Land, which was originally supposed to link Captain Sternn and B-17. There's also a few minutes that surround an early version of the framing story (in whence the Loc-Nar was actually the power source of a magical merry-go-round, and the various objects on the merry-go-round related in one way to the stories...ie, there's a taxicab, Taarna's mount, etc...each time the girl takes a ride in a different vehicle on the merry-go-round, she experiences a different story). And finally, you get all Heavy Metal covers up through 1999, plus various bits of production drawings, cels, etc. In short, this is a classic film that should be viewed by all fans of animation and/or heavy flicks. Prudes and conservatives who get cranky at the very thought of a movie being ruined by a little too much flesh or blood (and really, there isn't THAT much of either in this film) or a little warped humor (ok, there's PLENTY of that here) are advised to keep away. I just wish they had restored Neverwhere Land to it's original place between Captain Sternn and B-17.
As with the magazine, the film is basically aimed at horny male adolescents, offering plenty of nude, amply bosomed women running around in the midst of stylized violence and gore; lots of rock music (though these ditties from popular metal bands of the late '70s may not appeal to the current generation of horny male adolescents); and references to the drug-oriented sub-culture (definitely not a cartoon for the pre-teen crowd). Each individual segment of HEAVY METAL was scripted and directed independently of the others, which likely accounts for the varying aesthetic and narrative styles. But many of these contributors were (and are now) some of the most talented people in the film industry, including writers Dan O'Bannon, Len Blum, and Daniel Goldberg, and directors John Bruno, John Halas, and Jimmy T. Murikami. (Gerald Potterton, listed in the credits as the film's director, was in reality the overseer for the project as a whole.) Because the film does not contain a single cohesive plotline, it is best to evaluate each animated segment in its own right. Some of those individual stories are quite thought-provoking or humorous--or both--and even some of the more mediocre segments still offer some fantastic visuals. One of the most intellectually interesting is a story called DEN, in which a young bespectacled geek is transported into a parallel universe and transformed into a handsome, muscled barbarian hero. After falling in love with a curvaceous maiden, he helps her save her people from their draconian Caligula-like dictator. B-17 is probably the most earnest segment, though there seems to be no intrinsic logic to the sparse narrative. In it, the dead crewmembers of a WWII bomber plane are inexplicably resurrected as flesh-eating zombies, subsequently seeking to make a meal of the plane's still-living pilot. Visually, however, this segment is quite stunning, evoking the deliciously gruesome artistic style of the old E.C. comics of the '50s and early '60s. And in the funniest segment--entitled SO BEAUTIFUL, SO DANGEROUS--a gorgeous Pentagon secretary is inadvertently sucked into an alien spaceship that resembles a huge smiley face. After confronting the spaced-out druggie crewmembers, she ultimately becomes the lover of the ship's robot and decides to remain aboard. After its initial release, HEAVY METAL attained a cult following of sorts and became a favorite of the midnight-movie crowd. Unfortunately, its release to the home-video market was delayed for years due to disputes over copyrights for some of the rock songs used in the soundtrack. Because of this, poorly produced bootlegged copies of the flick were illegally sold (usually at Sci-fi cons) and swapped among fans, and the inferior video quality contributed to the film's unfair reputation for being a mediocre film. But the music disputes were eventually resolved somehow, and the film became commercially available to the home market in the mid 1990s and regained its popularity as a cool cartoon. (Some statistics indicate that it is the most popular film in the Columbia/Tristar home-video catalog.) Columbia/Tristar's Special-Edition DVD of HEAVY METAL offers a beautiful digital transfer of the film and soundtrack, along with some really cool bounus material. For animation fans, one of the best of the bonus features is a fascinating feature-length pencil-test version of the film (with optional commentary). Columbia/Tristar also offers a version of the HEAVY METAL in their SuperBit collection, but as with their other SuperBit films, the disc space required for the higher bit rate precludes the inclusion of any bonus material. Unless the buyer has a high-definition TV and can appreciate the increased picture quality of the SuperBit disc, the Special-Edition version is the way to go. Either way, HEAVY METAL offers enough entertainment value to make it a worthy addition to the DVD collection of any SF or animation fan.
First of all, the framework that holds all the various animated segments together (in an old, isolated, Victorian house) seems to be a tribute to Clifford Simak's work. The first segment (Harry Canyon) is a gritty cyberpunk story set in a decaying New York of the near future, ala PKD. The second piece (Den) is a parody of heroic fantasy fiction, ala Edgar Rice Burroughs. The third (Captain Sternn) is a parody of heroic, hard science fiction, ala Roddenberry and the early Heinlein. The fourth (B-17) is pure graphic horror ala William Gaines and the horror mags of the 50's. The fifth segment (So Beautiful, so Dangerous) reminds one of the underground comics of the 60's and 70's in its look and content (drug humor.) Lastly, segment six (Taarna) is an original piece of straight heroic fantasy reminiscent of perhaps Robert E. Howard. The editors did a pretty good job of tying all of these diverse segments together with reference to the Lok-nar (a sentient, glowing, green orb from space that represents the origin of pure evil in cosmic and human history- perhaps this is a tribute to Lovecraft.) Back when this film first came out there was an organised feminist campaign to destroy it. I used to wonder if those people ever actually watched the film- I can't imagine a more heroic feminine archetype than Taarna.... This digitally remastered edition is really worth having. I don't remember the images being this crisp and bright when I first saw this in the theaters in '81. As for the sound track (Black Sabbath, Blue Oyster Cult, Cheap Trick, Devo, Grand Funk Railroad, Journey, Nazareth, Stevie Nicks, etc.) I don't see how it could be much better. Oh yes, as for the Stingray with the astronaut driving it dropping out of the orbiting shuttle- I don't have a clue as to what that was all about.... ... Read more | |
| 2. Treasure Planet Director: Ron Clements, John Musker | |
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Description Reviews (128)
The story is about fifteen-year-old Jim Hawkins, who comes across a map to the greatest pirate trove in the universe. The tale follows Jim's fantastic journey across a parallel universe as a cabin boy aboard a glittering space galleon. Befriended by the ship's charismatic cyborg (part man, cook John Silver, Jim blossoms under his guidance, and shows the makings of a fine spacer as he and the alien crew battle supernovas, black holes and ferocious space storms. But even greater dangers lie ahead when Jim discovers that his trusted friend Sliver is actually a scheming pirate with mutiny in mind. Although it does look a lot like "Atlantis - The Lost Empire", Treasure Planet is much different than it, because I feel that Atlantis was way too complicated for children to understand the concept and the storyline of the movie, whereas Treasure Planet is based on Robert Louis Stevenson's Treasure Island, a famous classic with a simple storyline. With amazing special effects and cgi technology, this movie is sure to put the audience in awe. The voices provided for this movie are from some famous celebrities like Roscoe Lee Browne, Joseph Gordon-Levitt and David Hyde Pierce which itself is worth watching for. All in all, I think Treasure Planet will become a sure hit because of all the reasons above. A must watch!!
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| 3. Jetsons: The Movie Director: Joseph Barbera, William Hanna | |
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Reviews (10)
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| 4. Cool World Director: Ralph Bakshi | |
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Reviews (37)
5 stars for the animation and sound track. Minus a star for allowing Kim Basinger a role in the movie.
There exists a two-dimensional world called Cool World. Sometimes our worlds overlap. In Cool World, humans are Noids and cartoons are Doodles. Brad Pitt is a Noid who has been stuck there for years and has been acting as a detective. The villain (if you want to call her that) is Holli Would, a sexy, talented and smart doodle who wants to get to the Noid world. She plans to do this by having sex with a cartoonist who thinks he created Cool World for a comic book. Pitt works to prevent this from happening as the results could cause the destruction of both worlds. But Pitt has his hands full as Holli is no mere brainless bimbo. The effects are wonderful as cartoon scenery goes from drawing to prop seamlessly. While Cool World looks a little like Toon Town (Roger Rabbit) with its faces on buildings and twisted landscape, but these are not cute toons (although the Tex Avery-style wolves do make an appearance). A fun movie with adult themes and unique imagery. ... Read more | |
| 5. X-Men: Days of Future Past, Part 1 | |
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Reviews (3)
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| 6. Heavy Metal 2000 Director: Michael Coldewey, Michel Lemire | |
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Reviews (48)
Don't get me wrong; this isn't necessarily a bad film. The animation is very well done, very slick and seamless. The writing and voice acting is competent and professional. The sound track is certainly better incorporated into the animation and story than it was in the original. Everything was competently done, it was just.... ordinary. Nothing jumped out at you. It was like a Saturday morning cartoon episode- just with a little more violence, and a lot more animated nudity (animated nudity- I mean what's the point?) Personally, I'd save my money and buy the new release of the original Heavy Metal. Sure, the animation looks crude by today's standards- but it was done the old, time-consuming, expensive way of drawing one cell at a time. The original was also crammed full of a variety of different animation styles and story lines. Perhaps that was because it was the first big budget science fiction animated feature and the people involved had so much enthusiasm that they tried to do too much. In contrast, I don't think anyone got too enthusiastic about this film. Sure, they did a solid job of craftsmanship, but where is the originality, the fire, the spirit? Kind of reminds me of the original heavy Metal magazine, it started out fresh and new and just slowly petered out to nothing....
That being said, lets talk about this movie. A miner working on a meteor discovers an evil glowing rock that turns him evil and makes him do evil things. He promptly dubs himself the evil "Lord Tyler" and takes over the ship making the crew do evil things. OK, listen, who the hell decided to name him Lord Tyler? That is the dumbest, most unthreatening name in film history. It sounds like a 98 pound dweeb who's been going at Dungeons and Dragons too much. "Gna! I am Lord Tyler! Fear me! Gnaaaaaa!" Any way, Lord Tyler takes his evil crew and quickly attacks a peaceful, defenseless planet because he can. Sadly, he fails to kill Julie and her sister, the latter which he kidnaps obviously so he can do evil things to her. Julie picks up an annoying sidekick because every needs one, and together they go to a space station. What follows is one of the worst animated action scenes in history. Julie stands and shoots her gun, the villains stand and shoot their gun...and every dies except either of them. Clearly the bullets are hurt that these two groups of people would want to kill each other, and must kill others to show them that violence is stupid. Or maybe the director just stinks at making action scenes. Lord Tyler gets away casting "magic missile" and lands on a planet inhabited by lizard beings and six-eyed weenies. The six-eyed weenies hold the water of eternal life, but Lord Tyler is scared by six-eyed people so he just goes with the lizard people instead, hoping to let them do the fighting for him. Julie tries to seduce and slaughter him, but some how the rock care bear in the story runs in, pulls her out, and the movie continues another thirty minutes. Then there's the climactic battle between the lizards and weenies. Julie and archnemesis Lord Tyler duke it out in a poorly choreographed fight before he's finally killed (actually, his mom tells him to stop playing "Everquest" and asks him to come up for dinner). The movie could end, but then one of the good guys turns out to be a CG monster and the movie continues another five minutes. Then it ends. Finally. So what is this storyline? Well, like reviewers before me have said, its basically the last story in the original film but stretched out for another hour and a half. It could have been cool but...no it wasn't.
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| 7. X-Men: Captive Hearts | |
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Reviews (1)
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| 8. Battle Angel Director: Hiroshi Fukutomi | |
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Reviews (55)
Anyone who has read the manga will immediately notice a few things. First of all, there are several different titles. The Japanese manga is titled Gunnm, while the American version is called Battle Angel Alita. This anime is simply entitled Battle Angel. This two-part series is based on the first two volumes of the manga, however there are several changes. In the manga, the main character is called Alita, but she has been renamed "Gally" in the anime. Also, the mysterious floating city has changed from Tiphares to Zalem. Outside of this, it follows the stories from the manga, but has been altered to fit into two half-hour episodes. At its core, Battle Angel is a story of love, hope, and heartbreak. The story blends lightning-paced action, emotional drama, and compelling mystery. What struck me was that it pulls it off so seamlessly. The flow is nearly perfect, and not once did my suspension of disbelief wane in the slightest. The character are simply excellent. No one seems "fake", for they all have realistic traits and flaws. This heightens their believability and makes it easier to become attached to them. One thing I noted is that Gally is not your typical anime android. While from the neck up she looks human, the rest of her body is very mechanical. This is a welcome break from the traditional prosthetic ani-babes which plague many other titles. The art is very good, capturing the grittiness of the scrap yard perfectly. The animation is also pretty decent, especially during the action sequences. If there is anything to complain about it's that this series is far too short. The manga version is very extensive, and this series could easily have been a couple dozen episodes in length. The short length also leaves little room for all the answers to the questions posed. Fans will have to turn to the manga for a complete revelation of all the secrets behind Gally. Overall, this is a rare gem of an anime. A dark, depressing sci-fi world with superb characters and an excellent storyline. I recommend this to any fan of science fiction
The movie is a combination of the first two graphic novels in the Gunnm or Battle Angel Alita series by Yukito Kishiro. It is set in the scrapyard, which is a city built in and from the garbage tossed down to earth from a floating city called zalem, or tiphares in the novels. In the story, Galley finds out that her savior, Ido, is a bounty hunting Hunter-Warrior and she miraculously rescues him from a bounty that almost kills him. The thrill of the fight and of the kill appeals to her so much that she becomes a hunter-warrior herself, against Ido's wishes. She ends up having to fight a huge and nasty brain eating junkie named Grewicica who was made by Chiren, Ido's ex-partner from when they lived up in zalem. Chiren didn't exist in the novels, but she was necessary for a more interesting movie. Galley also falls in love with a boy named Yugo, who is so maniacally obsessed with his dream of getting to zalem that he goes into the business of spine theft to pay for a nonexistent pass to get there. It is all a scam created by the factory's owner (he's the main authority figure), Mr. Vector. This is an amazing story of love, life, and loss. The art and character design are incredible. Galley's cybernetic body is obviously mechanical, but very beautiful nonetheless. The animation is amazing, and the fight sequences are unforgettable. Once you see the movie, you can't help but get into the nine-part graphic novel series, which is incredible. Honestly, as amazing as the movie is, the graphic novels make it look pathetic. Take my advice and get into it! Yukito Kishiro is a genius!
Joy, love and peace.
Adv does a great job is voice actor choices, all except for gally. When she yells, it is so annoying. Thank heaven there is the japanese version on the DVD. Good stuff, but I wish the series would have been longer. ... Read more | |
| 9. Armitage III - Poly-Matrix Director: Takuya Sato | |
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Reviews (83)
Vivid animation. Great action. Strong emotions. Famous, good voice actors (may be easier convince non-anime friends to watch). [Side note, I really liked Keifer Sutetherland in "Dark City"] After seeing it again, I must say there are strong resembelences to Bladerunner's vision of the future. Human-like, thinking and feeling androids are being systemically persecuted and assasinated. A human cop who's partner had been killed by an android is assigned to investigate, with his new partner, Armitage. She is very strong willed and emotional, but is also revealed to be an android. I really felt for Armitage, who is a good person, when she suffers an emotional breakdown because she thinks she is a worthless because she is an artifical life. The story moves at a much faster pace than Bladerunner. I enjoyed it the second time as much as the first, since you then understand the fairly complex story from the beginning. If you like Bladerunner, you'll love A3.
As to the dub cast (there is no Japanese cast on a dub-title as they simply re-edit an original Japanese product for American consumption), having big stars lend their voices makes it a better dub than a lot of anime titles/series. But it doesn't make up for the complete and utter hack job the series was given to form this movie. Bottom line: If you thought this was good, the OAV is tons better. If you haven't seen this, get the OAV instead.
Miguel Llora ... Read more | |
| 10. The Batman Superman Movie Director: Toshihiko Masuda | |
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Amazon.com Reviews (44)
The story involves the uneasy first meeting between the two superheroes and a shared interest in one Lois Lane. Thus, the pair forms a strained alliance when forced to combat the team composed of their respective nemeses Lex Luthor and The Joker. Such a real-life quality adds realism to the highly fictional world of comic book endeavors. Hey, superheroes have problems, too! As far as the actors providing the exemplary voice work, each is superb in their roles. Tim Daly and Kevin Conroy give just the right balance for their animated counterparts' dual personalities. Clancy Brown's deep resonance has an aristocratic and arrogant air about it that makes him the perfect Lex Luthor. Dana Delaney as the very independent Lois Lane is quite good. Arleen Sorkin shines in her role as Harley Quinn, Joker's sidekick who is as "far off the deep end" as is The Clown Prince of Crime. But it is Mark Hamill who really rises to the occasion in a truly over-the-top performance as the Joker. Forget Nicholson or even TV's Caesar Romero! Hamill is the Joker. His utterances and nuances in every line delivered are brilliant. I can remember Tim Curry winning an Emmy several years ago for his work on the animated Peter Pan series. Hamill has done no less. His mantle deserves some tangible reward. Maybe, it will be our appreciation for his masterful performance in this film that will be recognition enough.
Batman and Superman's first meeting, herein portrayed, is rather nice, especially because they really just don't like each other a heck of a lot. Especially because Lois Lane falls hard for Bruce Wayne. Their mutual discovery of secret identities plays nicely on the two characters' strong points, with Superman using his superpowers and Batman demonstrating why he's the world's greatest detective. Harley Quinn's running feud with Luthor's female bodyguard/chauffeur, Mercy, is one of the high points. The Joker's "Dance of Death" over the fallen Superman, adding shocks from his super-charged handbuzzer to Big Blue's suffering in his kryptonite death trap is rather chilling; in this and a few elements of violence this production (originally aired in prime-time, and then as three episodes of the television series) goes a bit beyond what the afternoon TV series can usually portray, and the Mark Hamill-voiced Joker is truly scary. The Joker's raving laughter as he (apparently) goes to his death as a result of one of his own traps gone wrong is both chilling and in character. (Harley Quinn, on the other hand, is just a *bit* too broadly portrayed.) (There is, by the way a comicbook/"graphic novel" adaptation of this material -- now sadly out of print. While it doesn't bring much new, it's a good counterpoint to this film, as it gives alternate, slightly more "adult" views on some things -- if you have one, you really need the other.) One question -- does Lois Lane have a trust fund or something? Otherwise, how does she afford that Simply Incredible apartment on a mere reporter's salary? Also -- a couple of scenes, notably the lab where the robots are kept and where Superman fights them, and Superman straining to (just barely) prevent a huge aircraft from crashing into buildings strongly suggest deliberate homages to the old Fleischer Bros "Superman" cartoons, specifically to "Metal Monsters" and "Japoteurs".
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| 11. Light Years Director: René Laloux, Harvey Weinstein | |
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Reviews (18)
I am sure the book was fascinating. For the late 1980s the animation is bad. I'll be honest. What this movie needs is a remake. That is all it really needs. Its excitement failed to grab me.
Anyway, one of the reviewers mentioned "If you can stand this crappy animation for more than 5 minutes...". Someone is obviously only interested in flashy graphics. It's about the story there, shecky.. the STORY. While I agree that the art is not exactly Akira, or Ghost in the Shell, it really beats the snot out of stuff like the old Lord of the Rings movies... (that Balrog... THE HORROR!!). If you like movies that require you to think about the story to understand it, then this is the movie for you, if you like movies that are only eye candy, this is NOT the movie for you. This movie makes me think of Donnie Darko. I'm gonna go watch it now.
First off i'd like to say that this movie sucks. The plot is so uninteresting you start to wish the movie will end so you can go do somthing worth your time. And despite it is another book to movie conversion which helps explain its crappiness. Not only was it made in a country such as 'France' but it was also made in 1988. A year after the god awesome Akira which STILL surpasses all animation. This movie sucks.
Gandahr is more of a 'thinking' animation. I'll admit I didn't understand a lot of what went on in the movie until I watched it again as an adult. There are action scenes, but they are toned down by the fact the enemies are robots. If you're looking for beat-em-up knock-em-down action, this isn't the film for you. If you want something that makes you think, this is right up your alley. I would note, for parents' sake, this movie does contain mild nudity, although it is tastefully done and does not detract from the film itself. There are some creepy sequences, but it's not your usual bloody-gorey animation you see these days. Overall, I still really like this film. ... Read more | |
| 12. Tenchi the Movie 2: The Daughter of Darkness Director: Satoshi Kimura | |
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Reviews (78)
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| 13. X-Men: Cold Vengeance | |
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Reviews (1)
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| 14. X-Men: Come the Apocalypse | |
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| 15. Battle Angel Director: Hiroshi Fukutomi | |
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Reviews (55)
Anyone who has read the manga will immediately notice a few things. First of all, there are several different titles. The Japanese manga is titled Gunnm, while the American version is called Battle Angel Alita. This anime is simply entitled Battle Angel. This two-part series is based on the first two volumes of the manga, however there are several changes. In the manga, the main character is called Alita, but she has been renamed "Gally" in the anime. Also, the mysterious floating city has changed from Tiphares to Zalem. Outside of this, it follows the stories from the manga, but has been altered to fit into two half-hour episodes. At its core, Battle Angel is a story of love, hope, and heartbreak. The story blends lightning-paced action, emotional drama, and compelling mystery. What struck me was that it pulls it off so seamlessly. The flow is nearly perfect, and not once did my suspension of disbelief wane in the slightest. The character are simply excellent. No one seems "fake", for they all have realistic traits and flaws. This heightens their believability and makes it easier to become attached to them. One thing I noted is that Gally is not your typical anime android. While from the neck up she looks human, the rest of her body is very mechanical. This is a welcome break from the traditional prosthetic ani-babes which plague many other titles. The art is very good, capturing the grittiness of the scrap yard perfectly. The animation is also pretty decent, especially during the action sequences. If there is anything to complain about it's that this series is far too short. The manga version is very extensive, and this series could easily have been a couple dozen episodes in length. The short length also leaves little room for all the answers to the questions posed. Fans will have to turn to the manga for a complete revelation of all the secrets behind Gally. Overall, this is a rare gem of an anime. A dark, depressing sci-fi world with superb characters and an excellent storyline. I recommend this to any fan of science fiction
The movie is a combination of the first two graphic novels in the Gunnm or Battle Angel Alita series by Yukito Kishiro. It is set in the scrapyard, which is a city built in and from the garbage tossed down to earth from a floating city called zalem, or tiphares in the novels. In the story, Galley finds out that her savior, Ido, is a bounty hunting Hunter-Warrior and she miraculously rescues him from a bounty that almost kills him. The thrill of the fight and of the kill appeals to her so much that she becomes a hunter-warrior herself, against Ido's wishes. She ends up having to fight a huge and nasty brain eating junkie named Grewicica who was made by Chiren, Ido's ex-partner from when they lived up in zalem. Chiren didn't exist in the novels, but she was necessary for a more interesting movie. Galley also falls in love with a boy named Yugo, who is so maniacally obsessed with his dream of getting to zalem that he goes into the business of spine theft to pay for a nonexistent pass to get there. It is all a scam created by the factory's owner (he's the main authority figure), Mr. Vector. This is an amazing story of love, life, and loss. The art and character design are incredible. Galley's cybernetic body is obviously mechanical, but very beautiful nonetheless. The animation is amazing, and the fight sequences are unforgettable. Once you see the movie, you can't help but get into the nine-part graphic novel series, which is incredible. Honestly, as amazing as the movie is, the graphic novels make it look pathetic. Take my advice and get into it! Yukito Kishiro is a genius!
Joy, love and peace.
Adv does a great job is voice actor choices, all except for gally. When she yells, it is so annoying. Thank heaven there is the japanese version on the DVD. Good stuff, but I wish the series would have been longer. ... Read more | |
| 16. Fantastic Planet (La Planete Sauvage) Director: René Laloux | |
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Reviews (52)
Of course, it has its share of problems (ending is extremely rushed, characters lack personality, dubbing is so bad, its not even funny) but if you just sit back and look at this movie/DVD as a whole, you get something very good. Its so good, it merits itself to be a mandatory part of any eccentric person's DVD collection. (It was actually the 1st DVD I'd ever owned.) The plot follows the story of one "om" (human) who is kept as a little palm-sized pet for the gigantic, blue skinned traags. He escapes with a traag learning device and uses it along with other wild oms to rebel against the traags. An interesting aspect of the movie, is that it does almost nothing to make you know the main character. He is an incredibly ambiguous being devoid of any real personality, and if memory serves, he doesn't even have a name. The animation looks like they made thin outlines and filled them with color-pencils. This creates an effect that totally mistifies the viewer. The beautiful and vid landscapes come alive along side imaginatively drawn characters and various monsters. Ultimately the movie is great, and any problems in the movies are made up for by the fact that there ARE other short films on the DVD. Finally, the subtitles are much better than the dub; use them. EDIT: Now that I've finally gotten to watch the magnificent short films included on the DVD, I can say, they're the most freakish, disturbed, and wonderful pieces of short animation ever. The best one features a sad farmer whose crops don't grow. So he cries on them and they become huge. So snails eat them and then they become huge, adn start terrorizing the city. The farmer is sad again and this time, he grows gargantuan carrots and the short closes with a hilarious shot of some rabbits eyeing the food expectantly.
The DVD included four interesting shorts put out by the creator. Most of them included live action as well as animation. The only reason I can't give a full 5 stars is because the subtitles are HORRIBLE. Among the worst i've ever seen. There's little contrast between the background and the text, so about 75% of the words are legible. I really don't understand why the publishers thought this would be acceptable. I took French for several years, but I can imagine how frustrating it would be for someone trying to read that text.
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| 17. Tenchi the Movie 2: The Daughter of Darkness Director: Satoshi Kimura | |
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Reviews (78)
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| 18. X-Men: Slave Island | |
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| 19. Wizards Director: Ralph Bakshi | |
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Amazon.com Reviews (105)
A unique, kadeldoscopic and entertaining animated fantasy from the director of "Fritz The Cat", " Animated Lord of the Rings" and "American Pop". The animation is quite good, it does have Mark Hamil's voice debut before he was in "Star Wars" of the same year this movie was released, a superhot fairy chick guaranteed to make guys smile and it's a good fun flick for the whole family even though it's rated PG due to some graphic animated violence, battle scenes, some language and some mild nudity. The DVD is excellent, the extras include TV Spot, Trailers, a documentary on how Ralph Bakshi created this movie, still gallery and a audio commentary by Ralph Bakshi. So if you love fun fantasy, sci-fi and animated flicks then pick this up for your animation DVD collection. Also recommended: " Terminator 2: Judgment Day", " Fist of the North Star" ( Anime version), " Braveheart", " Gladiator", " Mad Max", " The Last Unicorn", " The Secret of NIMH", " Rock & Rule", " The Dark Crystal", " The Princess Bride", " Star Wars", " Gettysburg", " Starship Troopers", " Total Recall", " Heavy Metal", " The Fifth Element", " Mulan", "Antz".
Though it is a bit preachy in its ways, this movie makes you interested in the characters. It also brings up some intersting and satirical ideas. the world was destroyed in war, humans are few and most have mutated and live in badlands. Elves, faeries and dwarves, have returned and taken over the good lands, but nothing seems different. The factions are divided and uncooperative with each other. When the badlands mutants gets a powerful leader, they ignore it until it is too late. When the push is made for the mutants to take over the goodlands the enemy seemingly has too much up his sleeve. The cartoon has a definite seventies feel to it. The humor is dark, twisted, and often times has a distinct feel of juxtoposition. It is a fantasy futuristic world that has the attitude and feeling of New York. There are fairy hookers, dirty streets with bums lying around, and bitter old men with brooklyn accents. The evil army has a strong Nazi theme to it, as well as their secret weapons. It is also very violent, showing elves and fairies being killed by the hundreds, pow's being executed, and prisoners being forced to entertain soldiers any way they want. This is a very warped movie that shouldn't work, but does. A classic from the 70's that had enough of a cult following to bring it to dvd today. watch it for the spectacle and you will either love it or hate it.
Finally, we have DVD which treats master filmmaker, Ralph Bakshi, with the respect he deserves. After the atrociously inadequate release of Bakshi's Lord of the Rings Part One a few years ago, with it's incredible lack of special features and horrific overdub in the middle of the closing score (though thankfully finally released in widescreen format), I couldn't be happier with the treatment Fox has given to this film. The transfer is gorgeous and the colors are far more vivid than I have ever seen before - an element that is critical to the film. The real treat, however, is the feature length commentary by Mr. Bakshi as well as the "documentary" on him and his work. I would have liked to have him chat a bit more about Lord of the Rings since we were robbed of a commentary in that DVD release, but he does give a bit of insight into the film, which was welcome. All in all, a fantastic DVD release of a groundbreaking film. Bravo Fox and Mr. Bakshi! I hope Fire and Ice, Hey Good Lookin', Coonskin and someday a re-release of Lord of the Rings, will receive a similar treatment. David ... Read more | |
| 20. Aeon Flux: Pilot Director: Howard E. Baker, Peter Chung | |
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Amazon.com Reviews (9)
My wife was using the computer to talk to her mother in England, and my 3 month old son was crying. I turned on some classical music... didn't help. Turned on the TV to MTV and put him in front of it. La Ley came on... first time I've ever seen the Chilean band, though they were managed by wife's cousins' husband. Cool, I thought. My son stopped crying. Next thing I know, Aeon Flux was on. My son started crying again, so I took him to his mother and watched what I thought was a crazy-future-spider-woman-cartoon (my father in-law's real name is Peter Parker). Anyway... As an AI guy working on artificial consciousness, I found myself fascinated. I became fully involved in the show. I think this is the first time that has ever happened without altering my brain chemistry. Is this what kids are growing up on now? My God, I can forgive Pokemon and Dragon Ball now. I obviously need to change my audience. Young people today deal with technological issues that many researchers just refuse to consider seriously. I digress... Suffice it to say, I'm buying every episode. This is the first cartoon that ever caused me to take notes since the very first episode of Ren & Stimpy I saw that caused me to have a heavy flashback.
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