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$3.25 list($9.98)
161. Earthworm Jim: Bring Me the Head
$17.39 $9.46 list($19.99)
162. Princess Mononoke
$55.00 list($9.94)
163. Caveman
$24.99 $5.00
164. Lilo & Stitch
$4.49 list($14.98)
165. An American Tail
$4.99 list($14.95)
166. Heavy Metal
$6.93 $3.96
167. Cats and Dogs
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168. Excalibur
169. Doctor Who - The Tenth Planet
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170. The 13th Warrior
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171. Babe - Pig in the City
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172. Muppets From Space
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173. Star Trek IV - The Voyage Home
174. Mighty Morphin Power Rangers:
$22.50 list($14.99)
175. Tex Avery's Screwball Classics
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176. Pete's Dragon (Restored Edition)
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177. Star Trek - The Next Generation,
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178. Superman II
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179. Galaxy Quest
$19.98 $13.89
180. Doctor Who - Meglos

161. Earthworm Jim: Bring Me the Head of Earthworm Jim/Sword of Righteousness
list price: $9.98
(price subject to change: see help)
Asin: 6303973086
Catlog: Video
Sales Rank: 14734
Average Customer Review: 5 out of 5 stars
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Reviews (4)

5-0 out of 5 stars animation at its best
Back in 95 I watched this show alot and I played the earthworm jim games on snes, I want to get the first ewj game on gameboy advanced. This video is awsome very funny espeacially on the sword of rithiousness episode when the sword says fear me ....... old tree. and the tree gets up from its soil and runs away terrified.[I was laughing so much when I seen that part]. If you like funny cartoons this is one of the best check it out.

5-0 out of 5 stars Yeahoo!
I can't believe these are for sale! I am so excited. as soon as i make some money, all 5 are MINE! Anyway theses are good videos. Get any one ( definatleeee! the batereee! one) Sooooooooo. U wont be disaponitened. I promise.

5-0 out of 5 stars The Best!
Earthworm Jim, once a popular series, has been canceled, but all wormies out there have stumbled across a great resource. These episodes are memorable, for this is the first time in four years I have seen these episodes, and I remember every word. Buy this video!!!

5-0 out of 5 stars This is a great movie, it's fun fun silly willy.
This is a funny movie that everyone should see. It promotes conformity and social injustices. It's great for the family or just someone you don't know. ... Read more

162. Princess Mononoke
Director: Hayao Miyazaki
list price: $19.99
our price: $17.39
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Asin: B00004T37H
Catlog: Video
Sales Rank: 2725
Average Customer Review: 4.56 out of 5 stars
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Claire Danes (THE MOD SQUAD), Minnie Driver (GOOD WILL HUNTING), and Billy Bob Thornton (ARMAGEDDON, SLING BLADE) head a cast of hot Hollywood stars who lend their talents to this exquisitely animated, overwhelmingly acclaimed adventure epic! Inflicted with a deadly curse, a young warrior named Ashitaka (Billy Crudup -- WITHOUT LIMITS) sets out for the forests of the west in search of the cure that will save his life. Once there, he becomes inextricably entangled in a bitter battle that matches Lady Eboshi (Driver) and a proud clan of humans against the forest's animal gods, who are led by the brave Princess Mononoke (Danes), a young woman raised by wolves! Also starring Gillian Anderson (THE X-FILES) and Jada Pinkett Smith (SCREAM 2), this monumental struggle between man and nature will have you transfixed as stunning artistry blends with epic storytelling to create a uniquely entertaining motion picture! ... Read more

Reviews (687)

5-0 out of 5 stars Mononoke a must for Fantasy Fans
This is an amazing anime feature reminding me a little of Crouching Tiger, Hidden Dragon (Except that was Chinese Folklore). It has simplistic yet very professional and detailed animation by Hayao Miyazaki. Featuring a beautiful instrumental score rendered by the Tokyo Philharmonic Orchestra. This movie is set in isolationist Japan, and is filled with eastern/Japanese cultural elements for us westerners to attempt to understand. Along with a decent fantasy helping of personified animals and Gods. Be careful watching it if you can constitute a western audience member. This isn't a tree hugger movie like Fern Gully (me shudders). If you think this movie has contemporary western political motives then you are thinking too hard! I had to stop myself and just enjoy it. The story really has no antagonist because both sides in the story are equally guilty of one emotion (try and find the best line in the movie that sums up what I just said) it smacks of Eastern values and mythology. And that's all I'm going to say about the story. If a devout conservative can love this movie...anyone can. Leave the soap box at home. Incidentally the english dub features the voices of American Hollywood stars such as Gillian Anderson (The X-Files)and Billy Bob Thorton (Armageddon, Pushing Tin, etc...)...But don't tell the real Anime buffs that I watched it know only real anime fans watch subbed anime.

5-0 out of 5 stars Excellent Display of how our world is!
I have experienced some of the things that Miyazaki has put in "Princess Mononoke". For example, i've had to step into fights and then get rejected by both sides. We ourselves are demons in a certain view. We hurt others when they're in the way of our dreams or whatever. For example, if I wanted to rule the world and my friend opposed me, I would hurt him. Miyazaki is clearly showing this and that's why I give "Princess Mononoke" a 5-stars rating.

1-0 out of 5 stars Be literal, "artistic" metaphors are stupid!!
Don't listen to rhogen, he's not smart. So what if all the characters have human actions, this movie is full of dizzying contradictions and superstitious crap!! Those who think in a literal way are much smarter than those who don't. I'm not an Evangelist Christian from Mississippi who thinks Princess Mononoke is full of paganism, I'm a Soviet Marxist who thinks Princess Mononoke is full of anti-human new-age supersition and metaphors that are silly and nonsensical. Miyazaki screwed up and should keep his enviromental anti-human commentary in Japan, like killing people will help trees grow. Watch Akira (Streamline version), Ninja Scroll, and Ghost In The Shell. All of those anime have adult and provacative content, but don't have anti-human new-age spiritual crap, "artistic" metaphores, and they don't make you puke out your lunch.

5-0 out of 5 stars Don't be so literal, this is artistic metaphor at its best
I have to respond to those who freak out about the "superstitions" of this film. Being a totally non-magical thinker myself I can understand the first-order reaction. But frankly, you need to see the metaphors. When the spirit gods express anger at "humans", this is metaphorically our own conscience questioning and evaluating what we are doing. It's that simple. If you can do that, you will be able to LOVE this film. SEMI-SPOILER: The first great thing about it is that there are no mustache-twirling villains. Everyone's motivations are human, they're doing what they think is best. That's just the appetizer. Great stuff!

The reviews for this typical Miyazaki blockbuster are so rabidly of the WOW mentality that you may expect something mind-blowing. 'Manage your expectations and enjoy the bloody ride' is my advice.

In terms of sheer execution this is one of the best anime capers you'll see, replete with beasts of mythic proportions, lush forests, sparkling waterfalls, and some mind-numbing inter-galactic slaughter. I could wager in a blink that this is what inspired Tarantino to do that little anime insert in Kill Bill Vol 1.

Plus, the film has some swank credentials under its belt: the Japanese voices are dubbed, not just subtitled, by big *American* stars -- Billy Bob Thornton, Minnie Driver, Claire Danes, Bill Crudup, etc -- who lend their laryx to a host of universally relevant issues such as the plight of indigenous people and nature in the face of unchecked business interests, the death of spirituality in the name of social progress, misogyny in its many variations, etc.

But I have my gripes. The film is violent. Very violent. Sometimes senselessly violent. I had to frequently turn my volume knob to the left. There are gigantic guns, and blood and guts splatter the landscape every minute. Most of this soon seems overdrawn (and the film is looooong) with all this supposedly cool action amounting to precious little in terms of any clear message about good versus evil. The underlying purpose is summed up brilliantly by a roadside beggar when he says something like the world is cursed, but we still find a reason to live.

I also found something lacking in the animation itself. While exquisitely vivid it seems to lag in its flair for capturing natural motion. Disney or Pixar movies pore over a sense of suppleness when an eye is raised or a muscle is twitched by a character. Miyazaki's animators on the other hand haven't penetrated beyond the skin, the moving creatures feel inarticulate and jerky, particularly when played against the very 2D painted backgrounds.

But that still doesn't stop me from recommending this powerful cult flick, a must if you're an anime acolyte. If not, then be prepared for a Tarantino x 100 and you'll do fine. ... Read more

163. Caveman
Director: Carl Gottlieb
list price: $9.94
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Asin: 6302658489
Catlog: Video
Sales Rank: 16614
Average Customer Review: 4.11 out of 5 stars
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Yes, that's a former Beatle in caveman costume for this more-dumb-than-funny 1981 comedy about a prehistoric misfit (Ringo Starr) who recruits other misfits to start a new tribe. The jokes about flatulence and sex are banal, but the cast of then-unfamiliar faces is fun to watch from the perspective of history. The best thing going are some dinosaur special effects, though Ringo might argue meeting his future wife (Barbara Bach) was a good deal. --Tom Keogh ... Read more

Reviews (27)

3-0 out of 5 stars Better The First Time
I saw this movie one afternoon on TV several years ago. It was great seeing Ringo again. The movie has some funny moments but also drags at times. I bought CAVEMAN when it became available on DVD. I laughed a few times but it wasn't as funny as I remembered. The movie features Ringo, Shelly Long(Cheers) and Dennis Quaid. A few other familiar faces pop up during the movie. If you a Beatle fan or a Ringo fan, this movie belongs in your collection.

4-0 out of 5 stars I wouldn't give him a naked little statue but.....
It has always boggled my mind that more Producers have not taken advantage of the acting talents of Richard Starkey (Ringo Starr). After his excellent stints in the Beatle movies where he outshone the others, and a forgetten but excellent job in Paul McCartney's "Give My Regards To Broadstreet", there is no doubt that Ringo can act as well as he can keep time.

The movie was diabolically clever, a script of 16 words and a simple wardrobe inticed some young actors who over time have proven to be smart. Well ok, Shelley left Cheers way early, but she's still seems smart other than that.

Ringo is an outcast Caveman, bullied by the bigger Cave people who joins with other outcasts to form a new tribe. Overtime they survive and overcome, somewhat predictably, the bullies, but it's really fun ride to a predictable ending.

In the ice age scene look for Night Court baliff Richard "Bull" Moll as the ice monster. He deserves an award for that one.

5-0 out of 5 stars Wow
Even though this movie has been made in 1981 and is 23 years old it never gets boring. So funny it is.

It tells the story of our 'ancestors' - the very first people and how they discovered food,fire,weapons etc. It goes back to the stone and ice age and it gives us the laughters no other comedy did. Ringo Starr's and Dennis Quaid's performance is stunning.

A must see movie! Don't underestimate just because it's old!
Have fun.

5-0 out of 5 stars I love this movie
I'll admit, it's pretty stupid in some ways. But as long as you have a sense of humor, this movie is great. My favorite part is the music scene. The cavemen have a vocabulary of about twenty words, but they do just fine. I wish there was a sequel.

2-0 out of 5 stars Not quite what it used to be
CAVEMAN used to be one of my favorite movies, something I could watch over and over. That was about 12 years ago. Now, my opinion is somewhat changed perhaps because my choice of humor has changed.

The movie, which stars Ringo Starr, is about the cave "underdogs" banding together to give each other the proverbial bone. As outcasts, they may lack the strength of the more formidable cavemen, but they do have brains. Or so the movie would make you think...

Seeing the movie now, I disliked a few inappropriate scenes depicting something along the lines of drugging a woman in order to molest her. 12 years ago, I didn't understand scenes like that. This may be a comedy flick, and it may not have nudity etc, but it is definitely not for minors. The gags are also mediocre, reduced to bodily functions and sheer idiocy. Much of it reminds me of watching old Monkee reruns.

Rent it for nostalgia, but I don't recommend buying it unless you own the video and it is worn out with so much use. ... Read more

164. Lilo & Stitch
Director: Chris Sanders (III), Dean DeBlois
list price: $24.99
our price: $24.99
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Asin: B00005JL95
Catlog: Video
Sales Rank: 355
Average Customer Review: 4.25 out of 5 stars
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"As Elvis might put it, you can't help falling in love with LILO & STITCH." -- Claudia Puig, USA TODAY. Out-of-this-world storytelling, stunning Disney animation, and wild and irresistible characters are at the heart of Disney's hilarious new animated adventure. This worldwide box office sensation is a heartwarming comedy about the power of loyalty, friendship, and finding your place in the world. On the lush and tropical Hawaiian Islands, an independent little girl named Lilo adopts what she thinks is an innocent puppy, completely unaware that he is a mischievous creature who has escaped from a faraway planet. Stitch takes Hawaii by storm, wreaking havoc and hanging ten while he evades the alien bounty hunters who are bent on recapturing him. It's an action-packed comedy the whole family will enjoy over and over again. ... Read more

Reviews (414)

5-0 out of 5 stars Timeless Classic
I absolutely loved this movie. It harks back to the innocence of Snow White yet does not fade into a period piece that will fail time.

Star Wars fans will get the boundless tie in jokes with the Galactic Federation and Stitch's escape; "He's gone up the ventilation shaft!" The Galactic Federation senate scene is done brilliantly.

Stitch is not a typical, loveable Disney character - he is a menace to the galaxy who runs things his way. However, it is his personal journey through the eyes of the Ugly Duckling story and Lilo's "ohana" that he begins to change from Military Experiment into loving family member.

As for Lilo, her struggle to fit in after the loss of her parents is equally real. She is cute without the treacle and unlike typical characters in her situation, continues to be a child in her approach to the larger world. One of the great things with the animation of Lilo is that she is not the beautiful and skinny, cute little girl from page 621 of the writers characterisation manual: she defies the normal by being normal.

The best thing I loved about this movie was definitely the fact that it wasn't sweet, sappy and gooy. It was simply heart warming and innocent. A classic movie that I place up there with Aladdin, the Little Mermaid and Beauty and the Beast.

5-0 out of 5 stars great for kids AND adults
Disney's 2002 summer release, Lilo and Stitch is about a lonesome Hawaiian girl named Lilo, who adopts a cute little dog named Stitch. Only Stitch isn't a dog-- he's a genetically modified fugitive from another planet, designed only for destruction!

Stitch has never had anyone to love-- Lilo teaches him the meaning of love.

The setting is Hawaii, and, except for the score, there are no original songs. All the songs are by Elvis Presley!

Plenty of jokes here for kids, and plenty of jokes for adults too, just like in The Emperor's New Groove. Kids will not likely get the adults jokes, such as references to other movies like Men In Black, and Jaws.

Some of the voice actors are Tia Carrere, Jason Scott Lee, Kevin McDonald, David Ogden Stiers, and Ving Rhames-- this makes the movie more fun for adults as well.

Although this is rated PG (for some action scenes) I think you will agree with me when I say that Disney had been getting away with putting PG action/violence in G movies for some time (think of The Lion King, or Hercules). Lilo and Stitch is likely good for all ages (all but the youngest kids, anyway).

The treat of the summer!


5-0 out of 5 stars Pudge controls the weather
great movie about a girl who is about to be taken away from her sister after their parents are killed and an alien is exiled to earth and she finds him and takes him in and he causes rampage all over the city and town.

this is such a funny movie! it can keep anyone laughing and the visuals and colors and music are amazing! most of the music is elvis so...its gonna be a great score!

anyone can enjoy this movie!

What a disappointment from Disney. The animation in this effort is nowhere near as spectacular as it could have been. With static backgrounds that sometimes look like they were drawn with crayons, this movie represents a low point in Disney animation, occasionally resembling a cheesy, medium budget weekend morning cartoon.

With the success of movies like Toy Story and Monsters Inc, it seems computer generated animation rules the roost these days. If only Disney others would go back to the drawing board and lavish the kind of care on their new projects that was evident for the likes of "Beauty and the Beast" and "The Lion King"!

My overall review: this half-hearted attempt is probably worth indulging if you have youngsters among the audience, but it holds very sparse appeal in general. I'd recommend Nemo instead if you want to have some real family fun.

1-0 out of 5 stars OMG OMG I Luv Lilo & Stitch!!!111!!!!
OMG OMG ITS THE stupidest MOVIE EVA!!!!!!!!!!!!11!!!!!!!!


165. An American Tail
Director: Don Bluth
list price: $14.98
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Asin: 0783228503
Catlog: Video
Sales Rank: 2502
Average Customer Review: 4.5 out of 5 stars
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Reviews (34)

5-0 out of 5 stars A true classic
Wow. This is one of those animated movies you won't soon forget. With a wonderful score by James Horner, great story, and admirable characters, this is right up there with Disney's best.

Basic plot: Boy gets separated from his family on their way to America by boat (in the early 1900s?) and must find his way back to them. On his journey, he meets new friends and enemies in one grand adventure in New York. Oh, did I mention the main character and his family are mice? Anyway, it's a good movie. Watch it and enjoy.

5-0 out of 5 stars A Delightful Tale!!
This animated featured, directed by Don Bluth, is an unforgettable treat for the entire family. It follows the adventures of "Fievel," a little boy mouse who journeys from Russia to America with his family, late in the 19th century, to seek a new life free of cat persecution. (Some analogies are present here.) During the storm boat trip, Fievel is lost at sea, and he finally washes up ashore in New York Harbor, where he vows to find his family.

With the voices of Dom DeLuise, Madeline Kahn, Nehemiah Persoff, and Christopher Plummer, this story will warm your heart. A highly recommended movie!!!

4-0 out of 5 stars Heart Felt but Slow Moving
This movie was one of the greatest movies that was released in the eighties. Now as a parent, I tried introducing my four year old daughter to this movie. She had no interest in it at all. As I watch today, I did notice slow moving plots in the beginning. After the first half hour it becomes more entertaining. I do not recommend this movie for kids with short attention spans.

5-0 out of 5 stars An American Tail
AAT is one of the best animated movies from the 1980's, and also a Don Bluth masterpiece.
Many animated movies is getting too blended with CGI, and it failed like in Pocahontas, but AAT is nicely animated without any use of a computer.

1-0 out of 5 stars When will they ever learn...
I have waited a long time for An American Tail to be released on dvd and I was very discouraged when I finally found it in a movie store. I actually love the movie itself and give it 5 stars but I awarded it's dvd release 1 star for a particular reason. For some reason whoever makes the choice for the format of the movie has this blind man's perspective that "kid's" movies should be released in a standard 4:3 ratio. This company did the same with The Land Before Time as well. Universal did the same to a clever movie called Big Fat Liar. Standard format was originally invented on videotape movie releases because everyone who owned a TV back when marketing videos began owned a square almost equal lateral set. No other type of TV screen existed back then. Now a days HDTV and widescreen plasma monitors are the new standard and cope with it folks they are here to stay. I actually prefer the widescreen format. One reason is because that is exactly how it is supposed to look...panoramic, professional and sophisticated. If you saw a comparison of one frame of a movie (let's say from the opening scene of the Live action movie Teenage Mutant Ninja Turtles, there is an awesome panoramic view of Manhattan, NY with the World Trade Center, Empire State Building, Ect.)Take that same frame and view it in standard and it loses so much pizzazz and scenery that I can hardly call it the same movie. I read another review on this website about another movie and the author said it best. It's like trying to read a book with the last chapter torn out of it. Has anyone noticed the trend of commercials on TV having those black bars on the top and bottom of the screen? That is evidence that widescreen is here to stay. Has anyone ever watched a full frame 4:3 format movie on a widescreen TV? Didn't like it did you? The picture looked really crappy and distorted didn't it? I have heard there are ways to manipulate the settings on these screens to change a stretched out 4:3 movie to a normal 4:3 shape but then those evil black bars that everyone seems to hate so much come back but this time on the left and right sides of the screen! And after time on a plasma screen those evil black bars can cause permanent damage to that area of the screen. At any rate buy An American Tail on DVD, it is no different than the VHS copy your child has under the couch next to the moldy bologna sandwich in the living room but at least you can watch it on your dvd player instead of on a scratchy noisy VCR. Enjoy!

This was a review written by a member of the Non-Existing Widescreen DVD Coalition. Ask Hollywood to bring Night Of The Comet to dvd and any other title you wish you had. ... Read more

166. Heavy Metal
Director: Gerald Potterton, Jimmy T. Murakami
list price: $14.95
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Asin: 6304039220
Catlog: Video
Sales Rank: 22295
Average Customer Review: 4.13 out of 5 stars
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Reviews (90)

4-0 out of 5 stars A very cool universe...
I remember sneaking in to the movies to see this back in '81 - and it's remained a nostalgic favorite ever since. Heavy Metal is an ambitious series of six metaphorical vignettes loosely strung together by a Darth Vadar-ish emerald orb, Loc-Nar, the self-proclaimed "sum of all evils." Introduced by way of a space truckin' archeologist piloting a Corvette throughout the Heavens (a classic opening sequence), the glowing jewel is brought home and given to his daughter. The orb melts dad into slime and confronts the daughter who, by some cosmic dint, holds the key to the green ball's destruction. And this is just the first three minutes.

The film was created by an army of 1,000 artists, animation experts and technicians from seventeen countries. Given the current state of technology, the movie today would probably only take a half-dozen animators and a few lap-tops. Regardless of its dated stylishness and rough edges, Heavy Metal was a pioneering film in 1981 and remains an infuential body of art today. A visual mixed bag of matte, blue screen, live action, stop motion, and Star Wars-influenced drawing/animation styles, the dazzling sci-fi epic scored a bullseye with its comic hipness, imagination, and drug kaleidoscope presentation. The final installment, Tarna, is the most mind-bending in terms of fluid animation, spectacular color schemes, imagination, and graphics, which appears 3-D. The green ball crashes into a mountain and the lava it produces turns the civilization around it into a merciless warring faction. They prey upon neighboring villages who then summon The Defender, a naked chick with a giant bird. The sequence in which Tarna, The Defender, slowly and enticingly dons her bondage-like battle gear and hip boots remains one of the hottest scenes ever in a movie, animated or not. All clothes aside, this tale is the centerpiece of the movie's artistic accomplishments.

The best part of this Collector's Series disc is the plethora of extras included. The disc includes a voiceover by Carl Macek reading his book "Heavy Metal: The Movie". It also includes a documentary titled "Imagining Heavy Metal" which runs approximately 35 minutes. The disc also includes deleted scenes, including a rough cut of a entire additional segment which was cut form the movie titled Neverwhere Land, and an alternate framing sequence which can be heard with or without commentary by Carl Macek. There is a segment called "Artwork of Heavy Metal" which includes 26 pencil drawings, 59 conceptual art stills (2 of which are animated), 29 single cell stills, and 191 layered cell stills which expose some of the layering techniques used during the animation process. There are also 18 production photos of behind the scenes work which was done on the film and a segment which contains all the Heavy Metal Magazine covers from 1977 through 1999. But the best extra on this disc is the entire full-length rough cut of the pencil drawings used to get the look and feel of the production prior to the final production stage. This rough cut can also be viewed either with or without a full commentary by Carl Macek.

5-0 out of 5 stars Classic animation, with a hard rockin soundtrack
I can't believe the number of negative reviews this movie has gotten! I bet these people don't like James Bond movies, either.

To fully appreciate Heavy Metal, one has to understand the era it came out in. At the time, most animation, at least what was seen in the US, was frequently of the "family entertainment" variety seen in Saturday morning cartoons and TV commercials. Apart from Ralph Bakshi, most animators were basically shackled by the need to present something that was "rated G". Heavy Metal took the exact opposite route. It was a liberating experience for the animators working on the film to be allowed to draw things they usually weren't allowed. And they got paid to do it, too!

After the opening Soft Landing sequence, we're introduced to the Loc-Nar, a glowing green orb responsible for all the evil that has plagued the universe (or at least, that which has plagued the human race). The various stories contained in the film are told by the Loc-Nar to a young girl, as examples of it's awesome power.

The stories include the film noir homage Harry Canyon, the male "wish fulfillment fantasy" of Den (which demonstrates the versatility of the late John Candy, who voices both Dan, the science nerd who gets transported into an alternate dimension by the Loc-Nar, as well as Den, the Conan/He-Man-esque beefcake that he is magically transformed into), the highly amusing Captain Sternn (trivia: the voice of the prosecutor is done by John Vernon, the actor who portrayed Dean Wormer in Animal House), the EC-esque B-17 (aka Gremlins, which went through so many script revisions, it's a miracle it got finished at all), the bizarrely hilarious So Beautiful And So Dangerous (ok, maybe there's some truth to the juvenilia charges during this segment, but only a corpse could keep from laughing at this piece), and revenge scenario of Taarna (imagine a tougher, sexier version of Xena, only about a decade and a half earlier).

While there IS some element of juvenilia here, it's no worse than any other movie that's been released by any major studio during the last 25 years. In fact, I bet it's a little more cerebral than most of those other movies. Harry Canyon is a rather crafted film noir homage, while some elements of Taarna are clearly patterned on Sergio Leone's spaghetti westerns. And while there are a couple sex scenes and a certain amount of excessive violince in Heavy Metal, again, it's nothing compared to some of the garbage that's shown on cable TV these days. I'd certainly rather watch this than Basic Instinct or No Way Out.

This movie is a classic piece of animation. Yeah, some of it's rough around the edges, but that has a lot to do with Columbia's decision to move up the deadline so they could have the original movie out in time for the summer 81 season. One has to consider the scope of the undertaking, and the relatively short time that was at hand to create it.

Look at the "travelling sequence" during Taarna, where she's shown riding her mount (a sort of large bird creature) over a rolling landscape, and consider that it was done WITHOUT the use of any kind of computer generated work. It's explained in the audio commentary on the rough cut of the film, as well as during the documentary how it was done, and why it didn't quite turn out as planned). No one had ever done anything like that, and it had to all be done by hand.

Really, you can't take this movie too seriously. It's a movie that exists soley to entertain. There's no big message or point to the movie. Just put the DVD in the player, turn out the lights, turn up the volume LOUD, and just enjoy the trip.

It should be noted, that this disc also contains some of the best bonus features I've seen on any DVD. Besides the regular movie, you get a full length "rough cut" of the film, consisting of storyboards, pencil tests, and some completed animation. The only audio for this rough cut (besides the optional audio commentary, by Carl Macek, who also does a completely different commentary for the finished movie) is the dialog. There's long stretches of silence, but it's worth watching, as there's lots of bits of dialog that were cut from the final movie (we learn, for instance, that Katharine, like Den, was also transformed when she was transported to this mysterious alternate universe). It's also interesting to note that the stories weren't always in the order that they were in the final movie.

There's also a half hour documentary with interviews from many of the filmmakers involved in making the film. We finally find out why we see a model of a house blowing up at the end (because they didn't have time to finish the animation for that one bit), and also why Cornelius Cole's Neverwhere Land was cut from the movie (either for reasons of length/continuity, or because Cole didn't finish it in time, depending on exactly which version of the story you wish to believe.

You also get a few minutes of deleted scenes, most notably the above mentioned Neverwhere Land, which was originally supposed to link Captain Sternn and B-17. There's also a few minutes that surround an early version of the framing story (in whence the Loc-Nar was actually the power source of a magical merry-go-round, and the various objects on the merry-go-round related in one way to the, there's a taxicab, Taarna's mount, etc...each time the girl takes a ride in a different vehicle on the merry-go-round, she experiences a different story).

And finally, you get all Heavy Metal covers up through 1999, plus various bits of production drawings, cels, etc.

In short, this is a classic film that should be viewed by all fans of animation and/or heavy flicks. Prudes and conservatives who get cranky at the very thought of a movie being ruined by a little too much flesh or blood (and really, there isn't THAT much of either in this film) or a little warped humor (ok, there's PLENTY of that here) are advised to keep away. I just wish they had restored Neverwhere Land to it's original place between Captain Sternn and B-17.

4-0 out of 5 stars Cult Classic HEAVY METAL Not a Clunker
Some critics and film historians have labeled 1981's HEAVY METAL as the last film to genuinely reflect the mishmash sensibilities of the post-hippy 1970s counter-culture, and stylistically and thematically this appears to be true. Based on the adult counter-culture cult comic of the same name, HEAVY METAL definitely is a sort of spacey concatenation of disparate visual aesthetics and heterogeneous science-fiction/fantasy narratives. But despite being a hodgepodge as a whole, the film still manages to offer a very entertaining way to kill 90 minutes.

As with the magazine, the film is basically aimed at horny male adolescents, offering plenty of nude, amply bosomed women running around in the midst of stylized violence and gore; lots of rock music (though these ditties from popular metal bands of the late '70s may not appeal to the current generation of horny male adolescents); and references to the drug-oriented sub-culture (definitely not a cartoon for the pre-teen crowd). Each individual segment of HEAVY METAL was scripted and directed independently of the others, which likely accounts for the varying aesthetic and narrative styles. But many of these contributors were (and are now) some of the most talented people in the film industry, including writers Dan O'Bannon, Len Blum, and Daniel Goldberg, and directors John Bruno, John Halas, and Jimmy T. Murikami. (Gerald Potterton, listed in the credits as the film's director, was in reality the overseer for the project as a whole.)

Because the film does not contain a single cohesive plotline, it is best to evaluate each animated segment in its own right. Some of those individual stories are quite thought-provoking or humorous--or both--and even some of the more mediocre segments still offer some fantastic visuals. One of the most intellectually interesting is a story called DEN, in which a young bespectacled geek is transported into a parallel universe and transformed into a handsome, muscled barbarian hero. After falling in love with a curvaceous maiden, he helps her save her people from their draconian Caligula-like dictator. B-17 is probably the most earnest segment, though there seems to be no intrinsic logic to the sparse narrative. In it, the dead crewmembers of a WWII bomber plane are inexplicably resurrected as flesh-eating zombies, subsequently seeking to make a meal of the plane's still-living pilot. Visually, however, this segment is quite stunning, evoking the deliciously gruesome artistic style of the old E.C. comics of the '50s and early '60s. And in the funniest segment--entitled SO BEAUTIFUL, SO DANGEROUS--a gorgeous Pentagon secretary is inadvertently sucked into an alien spaceship that resembles a huge smiley face. After confronting the spaced-out druggie crewmembers, she ultimately becomes the lover of the ship's robot and decides to remain aboard.

After its initial release, HEAVY METAL attained a cult following of sorts and became a favorite of the midnight-movie crowd. Unfortunately, its release to the home-video market was delayed for years due to disputes over copyrights for some of the rock songs used in the soundtrack. Because of this, poorly produced bootlegged copies of the flick were illegally sold (usually at Sci-fi cons) and swapped among fans, and the inferior video quality contributed to the film's unfair reputation for being a mediocre film. But the music disputes were eventually resolved somehow, and the film became commercially available to the home market in the mid 1990s and regained its popularity as a cool cartoon. (Some statistics indicate that it is the most popular film in the Columbia/Tristar home-video catalog.)

Columbia/Tristar's Special-Edition DVD of HEAVY METAL offers a beautiful digital transfer of the film and soundtrack, along with some really cool bounus material. For animation fans, one of the best of the bonus features is a fascinating feature-length pencil-test version of the film (with optional commentary). Columbia/Tristar also offers a version of the HEAVY METAL in their SuperBit collection, but as with their other SuperBit films, the disc space required for the higher bit rate precludes the inclusion of any bonus material. Unless the buyer has a high-definition TV and can appreciate the increased picture quality of the SuperBit disc, the Special-Edition version is the way to go. Either way, HEAVY METAL offers enough entertainment value to make it a worthy addition to the DVD collection of any SF or animation fan.

5-0 out of 5 stars Heavy Metal special edition
Heavy Metal is an excellent movie. And it's a great way to see the magazine come to life. It has great rock and Heavy Metal music along with it's motion picture score.
It's a cult classic for Friday night viewing. Not to be missed and represents the 1980's at it's best.

4-0 out of 5 stars A science fiction/ fantasy animated sampler
If you aren't a science fiction fan, then you probably aren't going to get into this film. However, if you have at least a passing familiarity with the genre and it's evolution over the years then it will hold your interest.

First of all, the framework that holds all the various animated segments together (in an old, isolated, Victorian house) seems to be a tribute to Clifford Simak's work. The first segment (Harry Canyon) is a gritty cyberpunk story set in a decaying New York of the near future, ala PKD. The second piece (Den) is a parody of heroic fantasy fiction, ala Edgar Rice Burroughs. The third (Captain Sternn) is a parody of heroic, hard science fiction, ala Roddenberry and the early Heinlein. The fourth (B-17) is pure graphic horror ala William Gaines and the horror mags of the 50's. The fifth segment (So Beautiful, so Dangerous) reminds one of the underground comics of the 60's and 70's in its look and content (drug humor.) Lastly, segment six (Taarna) is an original piece of straight heroic fantasy reminiscent of perhaps Robert E. Howard.

The editors did a pretty good job of tying all of these diverse segments together with reference to the Lok-nar (a sentient, glowing, green orb from space that represents the origin of pure evil in cosmic and human history- perhaps this is a tribute to Lovecraft.)

Back when this film first came out there was an organised feminist campaign to destroy it. I used to wonder if those people ever actually watched the film- I can't imagine a more heroic feminine archetype than Taarna....

This digitally remastered edition is really worth having. I don't remember the images being this crisp and bright when I first saw this in the theaters in '81. As for the sound track (Black Sabbath, Blue Oyster Cult, Cheap Trick, Devo, Grand Funk Railroad, Journey, Nazareth, Stevie Nicks, etc.) I don't see how it could be much better.

Oh yes, as for the Stingray with the astronaut driving it dropping out of the orbiting shuttle- I don't have a clue as to what that was all about.... ... Read more

167. Cats and Dogs
Director: Lawrence Guterman
list price: $6.93
our price: $6.93
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Asin: B00005O5ML
Catlog: Video
Sales Rank: 3378
Average Customer Review: 3.46 out of 5 stars
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Comedic action-adventure that mixes live action with cutting-edge CGI and animatronic effects."Cats & Dogs" uncovers the truth about the high-tech, secret war being waged in neighborhoods everywhere that humans aren't even aware of: an eternal struggle between the two great armies of Cats and Dogs.The story follows a Cat plan to destroy a new vaccine that, if developed, would destroy all human allergies to Dogs, and the Dogs' efforts to stop the Cats from executing their plan. ... Read more

Reviews (174)

5-0 out of 5 stars Technologically Advanced War between Cats and Dogs is a hit!
When I first viewed the trailer and the behind the scenes footage for this movie, I was very excited to view it. This film is good, clean, and downright fun to watch. The tedious time spent on the special effects for the dogs and cats to do stunts and talking is absolutely amazing. Don't let the PG rating fool you adults! I appreciate the film maker's strive to bring this film to not only children, but to its teen and adult audience. Animal aficionados will adore this action-packed, emotional, and comedic film about the war between cats and dogs.

The dog species actually has an intelligent agency behind it with trained agents protecting man kind 24/7 against the evil plots of cats. When the Brody family dog is catnapped the Dog HQ Agency calls in an elite team of puppies to have one picked to replace the family dog. The Brody family father (Jeff Goldblum) is developing a formula to stop the allergy some humans have with dogs. By accident a beagle is the replacement and must help protect the family with the assistance of the other dogs. From there cats try to kill the beagle (Lou), but fail as Lou learns quickly the prerequisites of a dog agent. The whole family will enjoy this exciting, positive, comedic film from start to end!

1. Meticulous special effects used to create the communication and fights between the cats and dogs.
2. Excellent plot
3. Great voices of the felines and canines by brilliant actors. (i.e. John Lovitz, Charlton Heston, Susan Sarandon, Tobey Maguire, and Sean Hayes)
4. Incorporated use of highly advanced technological equipment is very entertaining to watch.

1. None

3-0 out of 5 stars Family fun with good effects
This family movie will offer great fun for all, or at least all dog lovers. Here dogs are the undisputed good guys, whilst cats are all evil. Cats are underway to ensure that scientist Jeff Goldblum will never finish his serum to make all humans allergy-free to dogs. They plan to reverse the effects to make everyone allergic to dogs.

Perhaps the most frustrating thing about 'Cats And Dogs' is that it's obviously biased, especially for a movie that scoffs at people for actually having a favourite animal! That said, the special effects are fantastic and it's jam-packed with great characters and one-liners. For instance, a dog labelling himself 'Toto Annihilation' will have you rolling in your seats. Plus there's the fact that cat lovers can console themselves in the fact that the felines are undoubtedly the best characters, from the dictatorship of Mr Tinkles to the Samurai fighting cats and the Russian spy cat. The dogs, for their part, are mostly pretty wet, except for a marvellous Susan Sarandon as a stray mutt. Although it's surprising that many of the celebrity voices are highly unrecognisable. Indeed, you hardly notice Alec Baldwin or Toby Maguire.

Unfortunately though, for all it's style and obvious wit, it still has such a lame plot that you'll be gagging from some real action. It's the characters that engage rather than the big action sets. The idea is good too, but it's still more flashy effects than story or character progression. Thankfully though, the ladles of sickly sentiment are not as bad as in many kids' movies.

5-0 out of 5 stars This is a COOL movie!
My kid and me love this movie. My 16 old sister laughed all the way through it. My 7 year old loved the cute puppy "Lou" and all the jokes and action throughout the movie.

3-0 out of 5 stars A battle to the death, canine style.
Star and I watched this animal story. She not only watched the cats but was riveted to the talking dogs, too. Only once previoously has my cat, Star, aged eleven years, looked at anything on t.v. One Sunday she watched all of Sagwa the Chinese Siamese animated show. But she liked this motley crew of talking dogs as they plodded against felines of her kind.

When the hound went around in circles attempting to catch his own tail, I laughed so much she left her favorite chair to console me. After that, I had to temper my enjoyment of this assorted group who learned of the ancient Egyptian fascination with cats from a book.

The cats had no faces, only pug noses and lots of fur -- maybe that is Persian. They were the strangest looking cats I ever saw, must be Japanese. Star has a very pretty face and is short-haired. Some weird alien cats arrived (and left) in kamisake planes to attack the hound dog. These weird fat cats resided with a comatose factory owner. Watching them drive his black limo and propel him around wired with several IVs as they gave orders for the workers to abandon the Mason factory, it was quite something.

The stray, a greyhound, was evocative to the puzzled hound. These dogs had decided they were Russian spies. A conference of dogs takes place similar to a Russian agency something like our United Nations. On Canine News Network, we heard Wolf Blitzer heralding a Revolution against the human race.

The cats took over the Mason factory and captured the hound's human family as hostages to secure a potion to make humans allergic to dogs. The leader uses a World Domination booklet to indoctrinate the mice on how to infiltrate the sewers to infect human existence.

The dogs save the day and the scientist's family in the midst of a fire. As the cats maneuver heavy equipment in the factory, the hound jumps through the air like Mighty Mouse to "here to save the day." He exits the inferno in falling snow to discover his valuable place in the family.

The big fat white cat ends up modeling outlandish outfits made for him by a foursome of sisters in a big house, seemingly a fate worse than death.

5-0 out of 5 stars A Must For Dog Lovers!
Very entertaining, laugh out loud funny...all dog lovers will love and appreciate this movie. ... Read more

168. Excalibur
Director: John Boorman
list price: $9.94
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Asin: 630027179X
Catlog: Video
Sales Rank: 3628
Average Customer Review: 4.34 out of 5 stars
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This lush retelling of the legend of King Arthur and the Knights of the Round Table is a dark and engrossing tale. Director John Boorman (Deliverance) masterfully handles the tale of the mythical sword Excalibur, and its passing from the wizard Merlin to the future king of England. Arthur pulls the famed sword from a stone and is destined to be crowned king. As the king embarks on a passionate love affair with Guenevere, an illegitimate son, and Merlin's designs on power, threaten Arthur's reign. The film is visually stunning and unflinching in its scenes of combat and black magic. Featuring an impressive supporting cast, including early work from the likes of Liam Neeson and Gabriel Byrne, Excalibur is an adaptation of the legend both faithful and bold. --Robert Lane ... Read more

Reviews (242)

5-0 out of 5 stars An amazing movie
Ok, its not a perfect movie, but for this movie, which covers the mythology of Arthur, Camelot and Excalibur(very very difficult to do) it succeeds remarkably well. There are scenes that are nearly perfect throughout the film. When the Knights of the Round Table first form, when Arthur and Lancelot joust, the sins of adultery scene, the 'unholy child' scene, the search for the Grail, when Perceval strips his armor and is born anew(remarkable), when Arthur and Guenevere meet one last time with some beautifully poetic dialogue, the scene where Arhur sees Merlin in his dreams while at Stonehenge at dusk, and of course the final battle. Wow, there are just so many great scenes. Probably my favorite is when Perceval casts Excalibur back into the lake and the Lady of the Lake reaches out to take it back. Then, we see another amazing scene as Arthur is seen being taken away in a boat to Avalon. I could go on and on about this film. See it in DVD, though, the widescreen vision. A beautiful, remarkable film that few directors would even begin to attempt today. I think a younger Speilberg would be daring enough to attempt it, but I doubt he would succeed nearly as well. Zemeckis gave it a try with Sean Connery and Richard Gere. It was called First Knight. Watch that movie and then watch Excalibur and it is almost laughable how much better the latter one is... Buy this movie now, sit back and enjoy.

4-0 out of 5 stars Not Perfect, But Darn Close...
It's tough to compress the 900-some-odd pages of text that Thomas Malory used to tell his story of Le Morte d'Arthur into 140 minutes, but director John Boorman and screenwriter Rospo Pallenberg give it a good shot. While it sometimes leaves out important details or compresses events in the interest of time, it can never be accused of playing fast and loose with the legend. However, the film also requires a bit of work on the part of the viewer to fill in some of the details, and it's obvious Boorman expects his viewer to be at least passing familiar with the traditions of the Arthurian legend (anyone unfamiliar with the mythology associated with Avalon, for example, may be baffled by the imagery in the film's closing moments).

With its darkened, cloud-streaked skies, lonely stone castles, eerie green lighting, (all caught in beautiful widescreen glory on the DVD!) and use of the music of Richard Wagner, you won't find a moodier, more beautifully shot film. In fact, there are some downright breathtaking cinematic moments in this film -- from the wedding of Arthur and Guinevere (complete with medieval chants and armor polished to a mirror-like sheen) to the Lady of the Lake's clean catch of Excalibur over the swooshing music of Wagner. Great stuff.

While Nicol Williamson turns in a very game performance as Merlin, it's Nigel Terry who carries the film in an underappreciated but wholly believeable interpretation of King Arthur. Terry leaves the scenery-chewing to Williamson, and anchors the film instead with a steady, understated performance. Look also for stars-in-the-making Liam Neeson as the jealous Gawain, and Patrick Stewart as Guenevere's father, Leodegrance.

EXCALIBUR has all the elements one expects in a fantasy; yet, in a sense, Boorman does for the sword-and-sorcery film what Sergio Leone did for the western: whereas prior horse operas showed cowboys riding across the desert and shuffing down dirt streets without a bit of sweat, and firing pistols that never drew blood, Leone made everyone look hot and sweaty, and showed that a Smith & Wesson could rip a real hole through your gut. Boorman does the same for the knight in this film -- knights clunk around clumsily in heavy armor, get skewered on pikes, get their heads bashed in, and cough their guts out in bloody mud puddles. It all lends an air of veracity to the film that makes it all seem like It Could Really Have Happened This Way.

The widescreen format available on DVD gives this film the weight and heft it has long deserved, and there are some real gems lurking among the additional features -- a surprisingly cheezy, Grade B trailer, and a really great alternate soundtrack in which director John Boorman discusses the action and shares some behind-the-scene goodies (such as the fact that Nicol Williamson and Helen Mirren couldn't stand each other, or that the actor playing the teenaged Mordred was actually a first-rate horseman).

3-0 out of 5 stars weak but at least it sticks to the legends
Of all the horrid films based on Arthurian legends (it seems there's a curse preventing a good Arthurian film!), this is the "best" there is. The screenplay is weak and the acting bearable at best but at least it sticks (roughly) to the legends (which is more than I can say for every other "Arthurian" film in existence). For that reason, I recommend "Excalibur" over any other Arthurian film.

4-0 out of 5 stars Classic
The thing to remember about this movie is that it was made in 1981. By that token, do not expect non stop battle sequences, one dimensional acting and obviously fake computer cg graphics. This is a movie in the old tradition, in the vein of something like "The Lion in Winter." It is not a non stop action epic and takes pride in slowly building up the story according the classical tales of King Arthur. I like to think of this as a great adaptation in the grand old style. Bravo.

3-0 out of 5 stars Only ordinary
The Arthur story has been told and retold in dozens of ways. Some (like Mists of Avalon) give a unique perspective, others emphasize the character drama, yet others apply the newest effects to the story.

This version, though competent enough, never seemed to find itself. It has good action, reasonable interprtations of characters, and a generally high standard of craftsmanship. When the story is as familiar as Arthur et al., it takes something more for a movie to become memorable.

It's exciting and it's watchable. It just has nothing to put it ahead of other versions of the Arthur story. ... Read more

169. Doctor Who - The Tenth Planet
Director: Rex Tucker, Julia Smith, John Gorrie, Ron Jones (II), Alan Wareing, David Maloney, Richard Martin (IV), Peter Moffatt, Derek Martinus, Fiona Cumming, Joe Ahearne, Derrick Goodwin, Christopher Barry (III), Darrol Blake, Euros Lyn, Pennant Roberts, Michael Leeston-Smith, Rodney Bennett, Timothy Combe, Gerald Blake (II)
list price: $9.95
our price: $9.95
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Asin: B00005ASPL
Catlog: Video
Sales Rank: 16726
Average Customer Review: 4.45 out of 5 stars
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Originally broadcast in the UK in 1966, The Tenth Planet marks the last appearance of the highly popular first Doctor, William Hartnell. In the 1970's the final episode of The Tenth Planet was lost, so this story never aired in the U.S. However, this specially reconstructed version of the missing episode contains the first regeneration sequence. The story centers on the return of the tenth planet to Earth's solar system. The planet's inhabitants, the dreaded Cybermen, who make their first appearance in the Doctor Who series, may prove too much for the ailing Time Lord. ... Read more

Reviews (29)

5-0 out of 5 stars At long last...
If you only own one other Dr. Who video, your collection is incomplete without The Tenth Planet. It depicts, of course, the most significant turning point in the history of the show, the departure of William Hartnell as the Doctor. That, in itself is more than enough reason to buy this video.

As a special bonus, there are the Cybermen. Don't be fooled as I was by the still photos which gave them a cheesy appearance. They don't appear terrifying at all until you see them in action. The lip action and voice characterization are nothing less than chilling. I first saw the Cybermen in "Revenge" then later in "Earthshock" and "Attack" and found them scary enough then. Now that I've seen "Tenth" I realize that they actually got less and less scary as time went on, which makes this one the scariest ever.

The reconstruction of the unfortunately missing final episode is surprisingly and absolutely brilliant. The audio track is complete and there are stills that refresh every couple of seconds. The only times that I was reminded that it was a reconstruction was when lines of text would scroll across the bottom of the screen to depict what was happening or when brief clips of actual film would delightfully appear. And the regeneration scene is complete. So there is not much that is missing after all.

Bottom line, get this one.

5-0 out of 5 stars A Historical Moment in Doctor Who Finally Available!!!
Sure the Cybermen look crude, the scenes of them communicating through just opening their mouths at times are laughable and the sets are cheap. Still, if you are a fan of Doctor Who "The Tenth Planet" is an absolute must for several reasons.
1) This was a corner stone moment in Doctor Who where the Doctor suffers his ultimate fate, then regenerates into Pat Troughton.
2) Its the first Cyberman story.
3) It's actually is a damn good story, well written by Kit Pedler and Gerry Davis and further enhanced by William Hartnell's superb swan song as the cranky Doctor.
4) The incredible reconstruction of the missing fourth episode. Through still photos, the preserved audio recording, rediscovered missing footage and preserved "regeneration scene", the people in charge of reconstruction did an outstanding job.
The final episode alone is worth the price!

4-0 out of 5 stars Missing for 20 Years - A Must Have For Who Fans
What can I say. When I finally sat down to watch The 10th Planet, I was truly excited. I've been a Dr. Who fan for the past 15 years, and have always enjoyed the early black and white Who's; that's why I couldn't wait to see The 10th Planet. The 10th Planets plot is very simple, Doctor #1 lands at the South Pole with companions Polly and Ben only to discover that the missing sister planet to Earth, Mondas, is coming back and that its inhabitants are the Cybermen. Anyone familiar with the Cybermen will have a little chuckle when you see their first incarnation. William Hartnell, still one of my favorite Doctors is great, but you can tell that he was getting tired and probably glad that this was going to be his last story. The fourth episode is a rebuilt version since most of it is still missing, but it was enjoyable to be able to finally see the First Doctor regenerate. Perhaps not the best of the First Doctor, but The 10th Planet is a must have for Dr. Who fans. Lets hope the BBC is out there trying to find other classic Dr. Who for true blue fans!

4-0 out of 5 stars A 5 star for true fans, for everyone else a 3
As is usual in older Doctor Who episodes (and some of the later ones as well), you have to ignore the bad special effects and use your imagination. If you can do that in this one, it becomes one of the better episodes of the William Hartnell era, not to mention an intriguing look at all of the hopes and fears of America's then (1966) burgeoning space program and technological advances. The travelers have arrived at an arctic, military run space station in the year 1986. Fascinating to see how the folks at or working for the BBC in the '60's imagined what space travel would look like in 20 years. They obviously couldn't have imagined the advances in technology that would exist in a mere two decades. Even the cybermen, former humans who have technologically adapted themselves so as to have superior strength and no emotions, bear bulky technology, have difficulty speaking anything like normal humans, and are surprisingly easy to defeat. Yet they are, at the same time, if one uses one's imagination, as terrifying as the Borg of Star Trek Next Generation and even more alien than the Vulcans. Even the Cybermen's claim that "resistance is useless" seems to predict the Borg.

Technically speaking, this series is a little rough, particularly the sound, so careful viewing is required. But in many ways, it seems a more modern series of episodes than some of the later ones, as it still seems to be a realistic view of a remote space station, and the general who runs it, although seemingly a bad caricature of John Wayne, represents all too well the kind of cowboy American thinking to which many people can still relate to all too well! The sets are wonderfully realistic and claustrophobic, and the existence of a national agency run by a Swiss man whose native language is French seems a precursor of how in the future the world would need to work together more as one body and those bodies would not necessarily be run by England and America.

I agree with the other reviewers that it would have been nice to see more of William Hartnell in his last episode, but it's kind of exciting to see the first regeneration in the show, even though it's in the lost episode which is mostly just audio of the show over stills, with descriptive information in text at the bottom of the screen. By the time of the last episode, however, one is so into the story that it's easy to ignore the fact that it isn't playing out with full video.

If you're new to Dr. Who, this isn't the place to start, but for Who fans, this is really a must episode as it's not only a well-told story, but has the first appearance of the Cybermen and the first regeneration. It's a fitting final episode for William Hartnell, who really remains the quintessential Doctor. He may not be everyone's favorite (personally I find Tom Baker much more fun and warm), but he's what the creators had in mind and every other Doctor draws from him.

4-0 out of 5 stars Quite good!
Though one of the most important adventures in the entire history of Doctor Who, "The Tenth Planet" doesn't immediately spring to mind when you think of a 'classic' story. And I admit... it's no "Caves of Androzani" (but what other regeneration story is?), but it's tremendously entertaining and I had a fine time watching it. In fact, I ended up viewing all four episodes in one sitting... I didn't want to stop!

The story is a good one, though it was rather disappointing to see so little of the Doctor. In fact, that's the real reason why this misses that one final star from me... I loved Hartnell's portrayal of the grouchy old eccentric time traveller and I wasn't happy at all to learn that we'd have to sit through one whole episode (part three for those of you who didn't know) seeing nothing of him but a couple brief scenes of him asleep in a bed! I know, Mr. Hartnell was ill at the time, so it couldn't be helped... It's just that knowing that doesn't take away my disappointment.

Still, it's not a total loss... episode three focuses quite a bit on the Doctor's young companion, Ben, and I ended up liking him quite a lot. Polly too... a very pretty girl, very sweet. I'd never seen either of them before, as the first six years of Doctor Who are sort of my 'final frontier' as far has viewing goes (while I remain very familiar, for the most part, with the 1970-1989 years)

Even though I know many have mocked them for their appearance, I found the Cybermen to be very very creepy, not silly at all. From the bandages that seem to hold their heads together, to the bare fingers of their hands (if this story were in colour, what would those fingers look like? Would they be flesh coloured, or blue from lack of circulation? Just how alive are the flesh parts of the Cybermen? I'm under the impression that the Cybermen, at least here in their earliest incarnations, were basically cadavers animated with mechanical parts). The thing I will always get me, though, was the way they spoke... I mean, the head Cyberman drops open his mouth, holds it open, and words come out of it till he shuts it again **shudder**.

The fourth episode of this four-part adventure, sadly, no longer exists, as it's one of the many 'lost episodes' of the early seasons of Doctor Who. In its place, the kind folks at the BBC have provided us with the complete soundtrack of the episode (all dialogue, music, and special effects), and have supplemented this visually with surviving still photographs taken from the episode. It's not the same, but it works... I wasn't distracted by the change, and after a little while I was so into the story that I hardly noticed it.

I'll finish up by saying that "The Tenth Planet" is a highly enjoyable adventure with the Doctor (well, a highly enjoyable adventure with the Doctor's companions), and definitely worth a look. It's one of the very best Cyberman stories, in my opinion sharing the top spot in that category with the Sixth Doctor adventure, 1985's "Attack of the Cybermen", which I'd recommend you buy together with this story, if of course you've got the cash.

Carry on Carry on,

MN ... Read more

170. The 13th Warrior
Director: Michael Crichton, John McTiernan
list price: $9.99
our price: $9.99
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Asin: B00003BE3X
Catlog: Video
Sales Rank: 8014
Average Customer Review: 3.64 out of 5 stars
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What happened to The 13th Warrior? Directed by John McTiernan (Die Hard), it's the tale of young Arab ambassador Ahmahd ibn Fahdalan (Antonio Banderas), who's vanquished from his homeland for loving the wrong woman. On his journeys he associates with a ragtag group of Vikings who are traveling back to their homeland to confront a nefarious threat that's cloaked in such superstition they're forbidden to speak its name. It is prophesied by a witch doctor that 13 warriors must confront the evil; however, the 13th chosen man must not come from the north. Suddenly Banderas is forced into the breach, somewhat against his will. More poet than battle-worn warrior, he must not only fight the aggressors but come to terms with the unfamiliar Norse culture. What follows is a vigorous and brutal adventure reminiscent of Kurosawa's Seven Samurai. Sumptuous and invigorating battle sequences fill the screen from beginning to end as the brave Norsemen battle insurmountable odds.

Sounds good. So why did this film, once known as the Eaters of the Dead, sit on studio shelves for two years? Presumably because of the thoughtless editing that trimmed down the film to its bare bones, crafting an actionfest out of an epic. It's not often that you crave for a movie to be longer, but The 13th Warrior could've benefited from fleshing out of its subplots and characters. On the surface it's good eye candy with some fine pulse-quickening moments, and Banderas and the accompanying cast turn in sympathetic performances, epitomizing camaraderie in the face of impending doom. However, if you're looking for a good thematic tale from the Dark Ages (akin to Braveheart), you may be disappointed. --Jeremy Storey ... Read more

Reviews (261)

4-0 out of 5 stars Wonderful movie....mediocre DVD...
This is the film version of Michael Crichton's book EATERS OF THE DEAD. Told through the eyes of a young Arab ambassador Ahmahd ibn Fahdalan (Antonio Banderas) this is basically a retelling of one of literature's classic epics, Beowulf. Fahadalan is banished from his homeland for loving the wrong woman. On his journeys he meets up with some Norsemen and joins their encampment (look for Omar Sheriff in a small part as Translater.)

When they hear of trouble on one of their lands, the norsemen consult their oracle who tells them that 13 warriors must confront the evil (and of course the 13th chosen man must not come from the north). Thus Fahdalan is coerced into joining their ranks. What follows is a thrilling action/adventure Beowulf style as the group tries to battle against insurmountable odds to defeat the cannabilistic "Eaters of the Dead".

Besides from being well written adventure, it is a wonderful glimpse into norse culture and mythology. John McTiernan shows us a time filled with brave but very human characters where fealty to your lord and land meant everything -- where fighting for the greater good was more important than any one man's life. This is a story of courage and survival that is at times mesmeririzing to watch.

It's main weakness is that it was unanble to fit in all the nuances and relationshop complexities that the book described so well. Many key definative moments and characterizations (most notably the cultures of the norsemen and their relationship with their new arab "little brother") are lost or edited out. This I believe was not so much the fault of the director but of the studio who rushed to get the film released. My other complaint is with the DVD version of the film, which SHOULD have included an audio commentary of some kind, and preferably some of the deleted scenes which would have developed the film more thoroughly. This it is worth seeing for fans of epic adventure and mythology. Here's hoping for a Director's cut of The 13th Warrior to be released soon.....

5-0 out of 5 stars John McTiernan's The 13th Warrior
Loosely based on Michael Crichton's novel "Eaters of the Dead," this is a triumph in the pre-gun action film genre.

Antonio Banderas plays an Arab who joins up with twelve Viking warriors recruited to fight what seems to be a band of cannibalistic monsters who are wiping out whole villages in the Norse land. Along the way, Banderas learns their language and begins to help the warriors, who doubt his fighting abilities because of his small horse and smaller sword. After repelling an attack, the warriors decide to track the cannibals back to their cave, where they kill a priestess. After making it back to their adopted village, they wait for the climactic, gory, and vengeful battle.

I think I liked this movie so much because it jumped feet first into the mayhem, and yet kept the picture centered around Banderas and the warriors. "Jurassic Park III" jumped into the mayhem, but then started killing characters off so fast, you did not care. Here, Banderas provides a solid anchor to the film, and his compatriots are very likeable.

Another plus: no forced romance. Banderas has a purely physical fling, but we do not have a Viking fall in love with a cannibal (ouch!) or Banderas discovering his paramour in his saddlebag at the battle so she can prove even women can fight people eaters. The story is very straightforward, think of it as a remake of "The Magnificent Seven" crossed with "Quest for Fire." Another plus is the fact that the Vikings do not suddenly invent the world's first grenade or a machine gun that shoots horse dung. They have swords and arrows. They fight with swords and arrows.

The location filming in British Columbia is breathtaking. The movie is very cloudy, dark, and grim, and this works. Jerry Goldsmith's score enhanced the creepiness of every scene, and McTiernan proves he can direct some excellent action film that have more behind them than just explosions (like the first "Die Hard", although avoid "Nomads").

I think the studio marketing department screwed up this film. I expected a weak comedy about peace lover Banderas trying not to fight in a war. The ad campaign never mentioned who the enemy was, or even what time period this took place in. I think action and Crichton fans will be impressed with this film. I know I was. I highly recommend "The 13th Warrior."

This is rated (R) for strong physical violence, strong gore, mild profanity, and adult situations.

5-0 out of 5 stars Fantastic movie that could have been even better
This movie had the makings of an epic film that could have given competition to Lord of the Rings. It was a classic tale, with good casting and great costumes. The Viking band was reminiscient of the Seven Samurai or the Magnificent Seven. It was a little bit of a letdown when you realized the evil monsters were really just a bunch of cannibals, but they still turned out to be quite a challenge for the group of heroes. Had they not cut out so much of this movie, it would have been great, instead of just really good.

A definite buy. You will enjoy watching this one over and over again.

4-0 out of 5 stars Great movie, but missing alot.
I saw this movie maybe 8 times on the TV and once in the movies theatre. I really loved the bad ass Viking characters. They were big, tough, and smart. One thing that appealed to me is that they wore armor from different places around the world (rome, spain, germany,etc), and even under danger they were always laughing. BUt just like the book (eaters of the dead) the characters werent explored. ya heres Ewogoth, kills a bunch of guys, then dies. There is little depth to the characters or the nordic ways. Both of those are what i want. And yet for some reason i really like this movie.

5-0 out of 5 stars Intelligent, Imaginative, Well-informed, Well-interpreted
Anyone at all familiar with Anglo-Saxon literature, especially Beowulf, the Norse Sagas and the account of Ibn Fadlan, will quickly understand that this is a superior and intellectually sophisticated piece of creative film-making. Although it telescopes history from the 6th to about the 13th century, and throws in quite a chunk of what at best might have been folk-memory from a far earlier millenium, this doesn't bother me. It scores heavily in the accurate realization of the social values and fatalistic life philosophy of this period. Particularly good is the extreme pithiness of these Northeners' take on life. Let's be clear on this: these men were amazingly tough, but they weren't stupid, they were generous in spirit, and they had high concepts when it came to how a man should conduct himself. They just didn't believe in wasting words, or indulging in a lot of useless clever talk. They lived their lives in a harsh environment, at the very edge of a totally untamed natural world. The characters are excellently acted, and the direction is highly skilled. The location was effectively atmospheric, although a little too North American to be convincing --- the Denmark of Beowulf is in fact almost dead flat, although the idea of a cave behind a waterfall was imported from Iceland. The language question was very deftly handled. I didn't know they were speaking Gaelic, which somebody wrote, but they were certainly speaking Danish and Norwegian at times. Virtually all Northeners during this age could understand each other, although they would have spoken with varying accents. It seems tragic that the footage has obviously been mindlessly mutilated by what must have been a bunch of utter morons, the equivalent of all the dullards who have panned the film. Far too much is left unexplained and unresolved: the role of the nasty fellow called Unferth in Beowulf, for instance. I would very much like to see everything totally restored as the director originally intended it. It looks like almost an hour's worth has been chopped away. ... Read more

171. Babe - Pig in the City
Director: George Miller (II)
list price: $9.98
our price: $9.98
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Asin: 078322561X
Catlog: Video
Sales Rank: 574
Average Customer Review: 3.65 out of 5 stars
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Deservedly acclaimed as one of 1998's best films, this sequel to the beloved 1995 live-action fantasy proved a commercial catastrophe and a source of dismay to parents expecting another bucolic, sweet-natured fable. Every bit as sly and visually stunning as its predecessor, Babe: Pig in the City is otherwise a jolting ride beyond the Hoggetts' farm into a no less vivid but far darker world--the allegorical city of the title, which for the diminutive "sheep pig" proves truly nightmarish. Australian filmmaker George Miller (Mad Max, The Road Warrior), who produced and cowrote the first film, this time takes the director's reins, and he ratchets up the pace and the peril as effectively as he did on his influential trilogy of apocalyptic, outback sci-fi thrillers.

From the opening scene, Babe: Pig in the City means to disrupt the reassuring calm achieved by the conclusion of the previous film. Babe's prior triumph proves short-lived, and within moments Miller has us literally peering into the depths as he sets up a horrific well accident that nearly kills the taciturn but good-hearted Farmer Hoggett (James Cromwell), Babe's beloved "Boss." Journeying with the equally pink, even plumper Mrs. Hoggett (Magda Szubanski), the young pig finds himself in a city where animals are outcasts, staying in the lone hotel that allows pets. When Mrs. Hoggett is detained, Babe must contend with the suspicions and rivalries of the hotel's other four-legged guests. The film's G status doesn't fully telegraph the shock Miller induces: bad things happen to good animals, and Babe's new acquaintances are a far cry from his colleagues on the farm. In particular, he must contend with a cynical family of chimps given wonderful, dead-pan voice characterizations by Steven Wright and Glenne Headly.

Miller's use of effects to transform his animals into "actors" is even more seamlessly integrated than in Babe. The sequel's production design is crucial to the creation of a complete, absorbing world, and purely visual ideas--such as a deluge of blue balloons during the climactic ballroom battle--achieve a splendor and originality that a room full of computer-graphics desktops couldn't muster. Ultimately, though, the film does more than amaze: as Babe's compassion and courage transform those around him, we're moved in ways that purveyors of by-the-numbers family fare can only dream of. --Sam Sutherland ... Read more

Reviews (150)

5-0 out of 5 stars A kind and steady heart still prevails, in spite of all!
People who say "Pig In The City" is "too dark" are forgetting the darker elements in the first Babe movie. In the first "Babe" movie, Maa the sheep dies violently, Farmer Hoggett almost shoots Babe with a shotgun, and Rex and Fly fight, with the end result being that Rex bites Farmer Hoggett and is muzzled and tranquilized for a while. None of these events are cheerful and lighthearted. Yet in the end Babe's goodness and innate talents help him prevail and repay Farmer Hoggett's trust. "Pig in the City" is different, but its subject matter is different. Rather than do as most children's filmmakers do, and offer up a nauseously sweet retread of whatever was least offensive in the first movie, Miller chose to make a movie that addresses a serious issue. It is one thing to be kind and steady on the farm where everything runs as it should under the benevolent eye of the Boss. But how well does goodness fare under pressure? This is a lesson that children NEED to know. I am utterly astounded by the parents who miss the moral lessons taught in this film and call it a "travesty" and "too frightening." None of the characters comes to any permanent harm, and in the end it is made perfectly clear that Babe's "kind and steady heart" makes the difference! How is it harmful for a child to learn to do good even for your enemies, as Babe does when he rescues the pit bull dog who was trying to chase him down? How is it harmful for a child to watch Babe being honest and forthright and doing the best he can, under terrible circumstances? This is a fabulous movie by any standard, and like the first "Babe" it outdistances most of the movies released in 1998. Gene Siskel was not wrong to call it the best film of 1998. This movie will, like the Wizard of Oz and Willy Wonka and the Chocolate Factory, eventually outdistance the critics who are too cynical for its message and the lily-livered parents who are afraid to teach their children hard lessons, and become known as a classic fantasy film. This movie deserves careful watching and rewatching. Do not believe the critics and the overprotective parents! This is an important movie, a beautiful movie, and a brilliant movie. Watch it for yourself and find out.

5-0 out of 5 stars Perfect! Babe with a bite!
"Babe: Pig in the City" is a perfect blend of elements to make one of the best live-action animal/kids films ever, surpassing in many ways, the original itself. It takes us into scary territory, leaving Babe without the stoic, but kind-hearted Mr. Hoggett, without the maternal Fly or the friendly sheep for the bulk of the film. Its just Babe and Esme Cordelia Hoggett to save the farm and a whole slew of new animal characters in a frenetically-paced adventure that carries a "Fellini meets Willie Wonka" feel to it.

The sets are absolutely magic and watching them transported me straight back to my 4th grade imagination. Its frantic, funny, adorable, intense and even scary, but despitethe chaos around him, Babe stays loyal and true to the big-hearted character presented in the 1st movie. And like that film, he wins over his detractors in the city, too.
Highly recommended!

1-0 out of 5 stars NO STORY! Take Steve Jobs' Advice Next Time!
When an avid movie fan asks the question, "Who wrote this?" it can be a great complement. In this case, it isn't -- I just needed to know who was responsible for this ill-conceived train wreck, and discovered it never had a real "writer", per se, just a producer / director who cobbled together a storyboard and made a movie out of it.

Production values, art direction, cute pig voice, lots of special effects, WHO CARES about any of it if the story SUCKS? Here's some advice from Steve Jobs: "Story Is King". Without a cogent, compelling story all you have is noise.

To give you an example of the endemic stupidity of this non-story, there is a scene where the pig DOESN'T KNOW WHAT A DOG IS! He was f**king RAISED BY DOGS, and he can't tell the difference between a sheep and a PIT BULL? Didn't he head-butt a dog not unlike a pit bull in the first movie? You know, the poacher scene?

Another doozy: the chef stealing the pig. At least in "The Little Mermaid" the chef's actions make sense, as it's a crab the chef's after, and crabs are customarily killed by the chefs who cook them. How many chefs slaughter their own pork? Is he going to do the deed on the cutting board next to the Spinach Alfredo?

This movie is more like a comic book or Moulin Rouge, in that it's filled with disjointed iconography more concerned with making an artistic statement than telling a coherent story. I guess there's a place for that sort of thing, but just the same I'll save my money for Pixar.

5-0 out of 5 stars So Funny and Surprising!
I loved this movie! It was quite a surprise and not what I was expecting though. Nothing happens that children can't handle. My kids loved it. It's SO FUNNY! Things happen that you won't believe and in such unusual ways. It's bazaar in a wonderful way and everyone should see it with an open mind. You'll laugh at the strange things that happen. It's not your happily ever after sugar coated fairy tale, but all's well that ends well. Buy it, you'll love it.

5-0 out of 5 stars My all time favorite movie
This movie is astounding in so many ways. The filming is gorgeous and surreal - very painterly. The acting is so believable that when I saw it the first time, I felt that the chimp should get an academy award and then I remembered that he was an animal - totally suspended belief there!

But most importantly, the message of the movie is one that really took root in my heart - I strive to be as brave and honorable as Babe (with mixed results, I admit).

I am a sophisticated movie watcher and no one believes me when I say that Babe, Pig in the City, is my favorite movie. It's that good. ... Read more

172. Muppets From Space
Director: Tim Hill (III)
list price: $9.95
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Asin: B00000JYLP
Catlog: Video
Sales Rank: 5826
Average Customer Review: 4.25 out of 5 stars
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The film that answers the immortal question: what species is Gonzo?Kermit the Frog's curly-nosed friend feels alone in the world. When his breakfast cereal starts spelling out questions and he hears voices, Gonzo is convinced he must be from outer space, and his alien brothers are coming to earth. Of course, there are evil scientists (led by Jeffrey Tambor) who kidnap Gonzo to learn his secrets (like "What do you do with a nose like that?"). The usual brand of merriment from the gang is in good order, especially in the opening scene when the Muppets start the morning under one roof.It's not as memorable as earlier films, but nevertheless the joy and sly humor will warm most souls age 5 and up. Human cameos include Ray Liotta, Rob Schneider, Josh Charles, Andie MacDowell, David Arquette, and F. Murray Abraham (as Noah, no less). --Doug Thomas ... Read more

Reviews (52)

5-0 out of 5 stars Lacking some of the Henson Magic, but still a lot of fun.
This movie has some big shoes to fill. The original Muppet Movie, Muppets Take Manhattan, The Muppet Christmas Carol and the Muppet take on Treasure Island are classics in my mind. Muppets from Space ranks about fourth of the six, but these are six films at the top of the list of all time favorites. This film holds more tru to the earlier films, where our favorite fuzzy friends play themselves and the cameos fly fast and furious. Gonzo (The Whatever) decides that he is tired of being the only Muppet that is specialy challenged. A series of dreams and a sequence lifted directly from Contact help him to realize that he is actually from ?Out there?. Not only that, but his family is finally ready to come get him. From here the movie does what Muppet films do best- Vaudeville type gags and pop culture references that sometimes fly over children?s heads, but help keep parents entertained. I originally saw this film with my wife, brother, sister in law and 6 year old niece. We adults (all raised on The Muppets on TV and at the movies) laughed longer, harder and more often than the moppet. References to contemporary science fiction films and TV series abound and are among the more clever gags peppered through the movie. Be sure to keep an eye open for a reference to Brent Spiner?s appearance in ID4 once Kermit and friends get into the secret lab. It?s a riot. The ending of the film is the only place it really misfires. It can be seen from a mile off and we all knew what would happen before we even entered the theater. Bu that?s OK. We need the happy ending for the kids. The first 90 minutes were for us.

4-0 out of 5 stars Lacking some of the Henson magic, but still a lot of fun.
This movie has some big shoes to fill. The original Muppet Movie, Muppets Take Manhattan, The Muppet Christmas Carol and the Muppet take on Treasure Island are classics in my mind. Muppets from Space ranks about fourth of the six, but these are six films at the top of the list of all time favorites. This film holds more tru to the earlier films, where our favorite fuzzy friends play themselves and the cameos fly fast and furious. Gonzo (The Whatever) decides that he is tired of being the only Muppet that is specialy challenged. A series of dreams and a sequence lifted directly from Contact help him to realize that he is actually from "Out there". Not only that, but his family is finally ready to come get him. From here the movie does what Muppet films do best- Vaudeville type gags and pop culture references that sometimes fly over children's heads, but help keep parents entertained. I originally saw this film with my wife, brother, sister in law and 6 year old niece. We adults (all raised on The Muppets on TV and at the movies) laughed longer, harder and more often than the moppet. References to contemporary science fiction films and TV series abound and are among the more clever gags peppered through the movie. Be sure to keep an eye open for a reference to Brent Spiner's appearance in ID4 once Kermit and friends get into the secret lab. It's a riot. The ending of the film is the only place it really misfires. It can be seen from a mile off and we all knew what would happen before we even entered the theater. Bu that's OK. We need the happy ending for the kids. The first 90 minutes were for us.

5-0 out of 5 stars This hilarious film is truly out of this world
Muppets From Space (not to be confused with the original Muppet Show's Pigs in Space) is one terrific movie. The Muppets redefine themselves on the cutting edge of entertainment, put together a film of nonstop action and hilarity, pull off a rather touching ending, impart an important lesson about life to children as well as adults, and really bring their own special magic to the viewing audience. Feature films permit the Muppet universe to expand in altogether new ways. For one thing, you get to see full-body shots of Muppets doing extraordinary things (rather than having to settle for the old above the waist only shots). More significantly, in relation to this movie, there are some pretty good special effects that really make the Muppet world seem more believable than ever. All of the Muppets look great, and some relatively newer characters are nothing short of hilarious (Pepe the Prawn in particular).

Muppets From Space centers around Gonzo, the little guy with the big nose and no real history. He's tired of being a one-of-a-kind creature and yearns to know where he came from. First things first, though. The film opens with the start of a new day in the Muppet house; everyone gets up out of bed and quickly gets down with their bad selves to the funky music of "Brick House." The Muppets have definitely found the funk, and this makes for a really happening, memorable soundtrack. Just when Gonzo is really down about being alone in the world, he receives a communication from outer space (via his alphabet-shaped breakfast cereal). Soon, he is convinced that he is an alien and, what is more, he claims his alien family is on its way to earth. A certain secret agency picks up signs of the aliens and comes after Gonzo, thinking he can tell them what the aliens want and where they will land. The leader of this secret group, played by Jeffrey Tambor, is a little bit out of his mind, and Gonzo falls right into his pending trap by showing up at the local news studio to announce that the aliens are coming. The other Muppets don't really believe Gonzo's claims, but they are eager to help rescue him when he falls into the evil clutches of the Men in Black. The conclusion of the movie is a real hoot indeed, delivering a close encounter of the truly unique kind.

All of the Muppet characters are great; Kermit and Miss Piggy don't get as much screen time as usual, but that may well be a good thing. Gonzo and his roommate Rizzo the Rat (another fantastic, relatively new character) are more than capable of carrying the movie by themselves - of course, they don't have to do it alone because many of the Muppets play important parts. Pepe the Prawn absolutely steals the show, if you ask me; he may be the funniest Muppet yet created. As usual, a number of famous stars make cameo appearances in the film, including Andie MacDowell, Ray Liotta, F. Murray Abraham, Kathy Griffin, Hollywood Hogan (as his NWO self), and an always annoying David Arquette. Kids as well as adults should love this movie. Older viewers will appreciate some of the subtle nods to popular culture; for example, you will find parallels to big movies such as Close Encounters of the Third Kind, Star Trek, Men in Black, Independence Day, and The Shawshank Redemption.

This is as funny and enjoyable a Muppet movie as you will find. Don't let the kids get all of the enjoyment out of Muppets From Space, though; there are plenty of things incorporated into the plot and script to make adults smile and laugh, as well.

5-0 out of 5 stars CLASSIC
this is such an unexpected movie. This is my kind of humor. Its definetly worth watching, especially if you are a muppets fan.

5-0 out of 5 stars My favorite Muppets movie!!!
After being disappointed by Muppets Treasure Island (which had so much potential) we were reluctant to see this movie. What a pleasant surprise! This movie is really fun, funny, and the soundtrack rocks. This movie turmed my significant other into a muppet lover. We love the MST2K version with the muppet commentary too. Lots of neat extras. No disappointments! ... Read more

173. Star Trek IV - The Voyage Home
Director: Leonard Nimoy
list price: $9.95
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Asin: 630021463X
Catlog: Video
Sales Rank: 10260
Average Customer Review: 4.27 out of 5 stars
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Widely considered the best movie in the "classic Trek" series of feature films, Star Trek IV returns to one of the favorite themes of the original TV series--time travel--to bring Kirk, Spock, McCoy, Scotty, Sulu, Uhura, and Chekov from the 23rd century to present-day San Francisco. In their own time, the Starfleet heroes encounter an alien probe emitting a mysterious message--a message delivered in the song of the now-extinct Earth species of humpback whales. Failure to respond to the probe will result in Earth's destruction, so Kirk and company time-travel to 20th-century Earth--in their captured Klingon starship--to transport a humpback whale to the future in an effort to peacefully communicate with the alien probe. The plot sounds somewhat absurd in description, but as executed by returning director Leonard Nimoy, this turned out to be a crowd-pleasing adventure, filled with humor and lively interaction among the favorite Star Trek characters. Catherine Hicks (from TV's 7th Heaven) plays the 20th-century whale expert who is finally convinced of Kirk's and Spock's benevolent intentions. With ample comedy taken from the clash of future heroes with 20th-century urban realities, Star Trek IV was a box-office smash, satisfying mainstream audiences and hardcore Trek fans alike. --Jeff Shannon ... Read more

Reviews (168)

5-0 out of 5 stars A socially conscious Trek movie
On the fourth installment in the Star Trek movie series, Kirk and company are flying their captured Klingon vessel back to Earth to face the punishment for their misdeeds. On the way though, fate intervenes in the form of an alien probe wreaking destruction upon Earth's oceans. With quick thinking, the crew figures out that it is attempting to speak to an extinct species of Whale, so they slingshot their crummy "Klingon fleatrap" around the sun and travel back in time to San Francisco circa 1986 to save the future.

The time travel cliche is done very well by the Star Trek crew, and although the movie is incredibly dated, it's still a very humerous film that takes a pressing social issue (mainly ecological conservation) and wraps it into an enjoyable sci-fi plot. One of the biggest strengths of the Star Trek series has always been its social conscious, and they deliver yet again with "The Voyage Home".

I'd like to stress again that this is a very lighthearted and humerous film that is saved by the fact that it doesn't take itself too seriously. If nothing else, where else do you get to watch Spock develop a penchant for profanity? Add to that the usual interplay between him, Kirk, and McCoy, and you've got a winning movie that hard core Trek fans and casual moviegoers can enjoy.

5-0 out of 5 stars EXCELLENT!
After the often overshadowed Star Trek III, producer Harve Bennett and returning director Leonard Nimoy wanted to make a light-hearted adventure with no deaths. That was understandable because III had the destruction of the Enterprise, the death of Kirk's son, and an overall serious revival adventure for Mr. Spock. After a script by Steve Meerson and Peter Krikes (with Eddie Murphy originally supposed to have a role because he was a big Trek fan), Harve Bennett needed a rewrite. The man chosen: Nicholas Meyer, writer and director of Star Trek II.

What we have here is one of the magnum efforts in the series. Not only does it deliver solid laughs from start (ok, more so middle) to finish, it is also a grand adventure that Roddenberry probably loved. The relationships between the characters are fully exploited here and Nicholas Meyer even takes advantage of Spock's rebirth as humor. The laughs? Filled with classics like Scotty's "Hello computer" scene or the hospital chase scene, this film perfectly blends urban realities with the world of Star Trek in a similar way to Beverly Hills Cop's blending of action and comedy.

The only thing that flaws this film is Leonard Rosenman's somewhat lackluster score. The film manages to blend (or hide, depending on if you like the score or not) the music enough that you really don't notice it. I still would've preferred James Horner or Jerry Goldsmith, but I'm not complaining.

Hate Star Trek? Watch this film. Even if you hate Star Trek, this will keep you entertained. An excellent film in every sense of the word with great humor abounds. Some people may claim II or VI as the best, but this one's got its share of moments. If you're looking for great humor and a decent story (ok, it's corny... "save the whales", so what?), this one's for you.

5-0 out of 5 stars classic star trek, with a twist
Another classic trek movie, this one from 1986, is awesome, and the most shocking thing about it is that it doesn't even take place in space, save for about 15 minutes! Instead it takes place in 1986, where the crew members go back in time to capture two whales to stop the destructive calls of an intergalactic whale species trying to contact the long-extinct whales. The whole plot sounds like it would suck beyond belief, but it comes close to being the best trek movie, and is one of my faves ever.

The awesomeness of the movie, unlike the rest of the series, comes not from suspense and action scenes, but the hilarious and often touching culture shock the crew faces in mid-80's San Fransisco. There is so much to laugh at: the crew earnestly walking along the SanFran streets, Sulu in his cape, Kirk in his red StarFleet uniform, and unforgettably, Spock in his monk robe with the belt tied around the tops of his pointy ears, making him look like an angry ninja master with a botched Botox job. Also hilarious is McCoy's disgust at how rudimentary 20th Century medical practices are/were. In a scene inside a hospital, he asks a woman what ails her, she responds she has kidney dialysis, and he's like, "What is this, the dark ages?! Swallow this, and call me if you have any problems." Several scenes later she is wheeled out claiming a miracle.

There is much more in the movie I won't spoil for you (or more like I'm too f*#&ing lazy to write any more), so turn the PC off and rent this great flick, also it's been on AMC recently, so try that too.

4-0 out of 5 stars I agree with everybody.
I read a lot of these Amazon reviews on Star Trek IV, and oddly enough I can agree with almost all of them -- the 5 star as well as the 1 star.
I agree with the 5 star reviewers that this probably is the best Trek movie, that a lot of the humor is good, that the movie captures much of what was loved about the original series.
But I also agree with some of the 1 star reviews that the humor may be overdone and may wear thin on repeated viewings, that Catherine Hicks' character is overemphasized, that the environmental message is heavy-handed, that the aliens at Kirk's trial look ridiculous, etc.
But ultimately the question is this: If I stumble on this movie while channel-surfing, will I stop and watch it? Will I laugh, or at least smile, at the designated humorous moments? Answer to both questions: Yes. On balance, it remains an entertaining flick.

4-0 out of 5 stars The Enterprise crew in the 1980's=AWSOME ADVENTURE!
O.K., first my one complaint-The plot where a mysterious, massive, invincible alien force that threatens the Earth was already done before. (Remember the first Star Trek film?) Otherwise, this is a wonderful addition to the Star Trek legacy. Just about everyone already knows the story, where the crew of the now destroyed Enterprise must pilot a captured Klingon Bird Of Prey back in time to the present day (well, 1986 WAS the present day when this came out,) to bring back some humpback whales. It seems to be a toss-up between which is the best Star Trek movie-this one, or part II. The second film, where Kirk and Khan have their last battle, has the most action, but this one has the most comedy, so they both have their strengths. Unless you absolutly hate Star Trek, check this one out. ... Read more

174. Mighty Morphin Power Rangers: Goldar's Vice Versa
Director: John Weil, Paul Schrier, Jonathan Tzachor, Worth Keeter, Adrian Carr, David Blyth, Robert Radler, Armand Garabidian, John Blizek, John Stewart, Vickie Bronaugh, Terence H. Winkless, Robert Hughes (II), Shuki Levy, Larry Litton, Marco Garibaldi, Strathford Hamilton, Isaac Florentine, Jeffrey Reiner, Douglas Sloan
list price: $12.99
(price subject to change: see help)
Asin: 6303381243
Catlog: Video
Sales Rank: 4381
Average Customer Review: 5 out of 5 stars
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Reviews (2)

5-0 out of 5 stars my favorite episode
this is one of the best episodes. i love it because it mainly focuses on my favorite ranger adam- the black ranger. this was the first episode taped where adam, aisha, and rocky were actually rangers. it is one of the best a must own for any pr fan

5-0 out of 5 stars The White Ranger Series : Goldar's Vice Versa
This video is really awesome! It is one of the shows that comes from the best series of Mighty Morphin Power Rangers and includes the Thunder Ultrazord that is rarly seen on Mighty Morphin Power Rangers. ... Read more

175. Tex Avery's Screwball Classics
Director: Tex Avery
list price: $14.99
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Asin: 6301978285
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Sales Rank: 7819
Average Customer Review: 4.88 out of 5 stars
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Reviews (8)

5-0 out of 5 stars Tex Avery at his nuttyist
i like all the cartoons in this video collection because of the way the characters fall in love

5-0 out of 5 stars A Great Collection!
Tex Avery's "Screwball Classics" contains a great selection of cartoons that I loved as a kid, and which I still find wonderfully funny. "Magical Maestro," "Bad Luck Blackie," and "Symphony in Slang" are by far very original and funny. "The Cat Who Hated People" is a cartoon with a moral: "Things could always be worse!" Although "Who Killed Who" has its moments, it doesn't seem to fit with the other cartoons selected. Overall, "Screwball Classics" can be enjoyed by young and old and features some of the best in cartoon entertainment!

5-0 out of 5 stars The reason VCR's were invented.
One of the best reasons, at any rate. One hour of pure uncut slapstick insanity directed by MGM's gonzo animator, Tex Avery. A must have for any animation fan!

4-0 out of 5 stars Who Killed Who With The Cat Who Hated People
Tex Avery first made a name for himself at Warner Brothers, but it was with MGM that his comedic genius burst forth to its fullest. These eight cartoons display the fast pace of gags, animation, and reaction shots that are the hallmark of Avery.

Who Killed Who was Avery's first MGM cartoon, and lampoons the mystery genre in terrific fashion, from the victim who's read the book based on the film to the suspects who put "a gun" on a table and it turns out to be a lot more than that.

The Cat Who Hated People sends its title character to the moon, where he finds it is A LOT stranger than home.

Bad Luck Blackie is a charming revenge cartoon where a black cat helps out a white kitten, and later Blackie's kindness is repaid in an ending that can almost be taken seriously in its message about mutual help.

Symphony In Slang is a different Avery cartoon, in that sight gags are done not for their own sake but to directly back the story, which is a hilarious tale of a man's romance told in a sea of cliches.

Avery's libidous wolf appears and jousts with Swing Shift Cinderella in a cartoon so popular with wartime servicemen it was replayed halfway through many features. The cartoon's sexual undertone is surprisingly effective in the gag where Cindy mashes Wolfie with a sledgehammer and now flattened to only two feet tall he deadpans, "Just call me shorty."

And so it goes with the king of cartoon comedy, Tex Avery.

5-0 out of 5 stars A great choice to start you Tex Avery collection
I have not seen these toons in a while. The last time I watched these toons on cable, they were hacked up and censored, mainly due to the racist humor in them. For example in 'Magical Maestro' an ink pen is squirted onto Poochini and transformed in a "black faced" performer. Well I was glad to see the cartoons on this tape were not touched by the censors, and everything is in tact!

This is a must for any Tex Avery fan, I plan on purchasing the next volumes in this series.

I would loved to have seen it on DVD :) (hint hint) ... Read more

176. Pete's Dragon (Restored Edition)
Director: Don Chaffey
list price: $22.99
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Asin: B00004R9A5
Catlog: Video
Sales Rank: 6047
Average Customer Review: 4.4 out of 5 stars
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This story of a winsome orphan and his guardian dragon features an Academy Award-nominated score and song, Helen Reddy's "Candle on the Water." The combination of a live-action story with an animated figure was innovative in 1977, and the green dragon with pink wings will still charm youngsters today. However, its plot has the boy running from a nasty family to whom he's been sold into slavery, as well as an evil magician who tries to steal the dragon for his parts. These dark story lines may scare or bore younger children, who only want to see Elliot the dragon belch fire and give Pete rides on his back. And older children who might appreciate the plot may scoff at the relatively crude animation. This leaves a rather narrow audience window of about ages 3 to 7. A cast of veterans includes Shelley Winters, Mickey Rooney, and Red Buttons, who all turn in the hammiest of performances. Acting newcomer Reddy demonstrates both why her acting career never took off and why her singing career did. (Lines like "You're a bunch of superstitious ding-dongs" don't give her much help.) However, her sometimes awkward performance as the lonely lighthouse keeper who gives the boy a home provides the film with its heart. Bottom line: it's a keeper for diehard Disney fans, dragon lovers, and those who remember this movie fondly from their childhood. --Kimberly Heinrichs ... Read more

Reviews (67)

4-0 out of 5 stars Reddy, Rooney and a dragon named Elliott
The seventies were rough on the family entertainment market. Disney, once untouchable in this respect, found itself in a bit of a quandry, the likes of which the theatrical release of "Pete's Dragon" didn't help. Most critics found it hammy and, with the exception of Elliott, the dragon, discarded the movie as just a trite piece of fluff. Well, it was and it is - but why does anything so light-hearted, gay and original have to be anything but? In the intervening decades "Pete's Dragon has gone on to become a much loved Disney classic and for good reasons. Helen Reddy, Mickey Rooney, Red Buttons and Jim Dale are inspired casting choices, giving a depth to their characters that greatly enhances the film. True, the film's score doesn't match the staying power of Mary Poppins but 'Candle on the Water' is a great romantic ballad, 'Brazzle Dazzle Day' is a fun-loving feel good song and 'Passamaquadi' is ultra camp played in the best sense. Not much to complain about with Disney's transfer of the film. It's anamorphic, near pristine and remixed to 5.1 stereo. One note - 'Candle On The Water', for some inexplicable reason, may suddenly freeze frame in the middle of the song on some players the first run through. If you are worried about this, play the song first to see if it does this and if so, simply still frame advance to the next track, then go back and replay the song. This solves the problem for all subsequent times you choose to play the song. As I say, I'm at a loss to explain why this problem sometimes occurs. Over all, this is a wonder film experience no matter your age. One only regrets that there is no making-of documentary included.

4-0 out of 5 stars Pure Disney Musical Magic
There's something about live-action, animation Disney films that just seem to fascinate me. For one, Disney can go beyond two hours of a movie, and still keep it G-rated. Now that's pretty impressive to me. Most companies would probably have rated it PG, but not Disney. They try and it keep for the whole auidience. Which is what everyone needs to see in a film. And the special effects isn't bad either.

This film also includes the legendary Mickey Rooney. The story of Pete's Drangon is pretty simple. Pete is a young orphan, who is running away from his abopted parents, and end up in Maine, a fishing town with his best friend, Elliott. Sometimes you can see him, and other times, you can't. A kind lighthouse keeper, Nora played by (Helen Rebby), and her father (Mickey Rooney), Elliott's pranks gets them into a whole lot of trouble.

The music in this film is Ocar-nominated beautiful. Like "The Happist Home in These Hills," "It's Not Easy," "Candle on the Water," & "Brazzle Dazzle Day." A simply marvoulous soundtrack for the whole family.

Now you must know, that Pete's Dragon was made in the late 70s, which was long before computer technology was invented. You know, like CGI grahpics and so forth. Which is another thing that impressive me, how Disney can create these images and actually make them work. Pete's Dragon is a wonderful story, that will be treasured for the next generation to come.

4-0 out of 5 stars Good movie for a Disney musical
I remember this movie from my childhood, so I bought it for my toddler. He loves it. My son points at the DVD case and grunts. He watches it everyday (for 2 weeks now). It must be the music and singing because the storyline is lackluster. Everytime he sees the dragon or hears a song he starts chattering away with his gibberish pre-talk. My preferred character is Doc Terminus - the con man / man of science. I give it 4 stars because I have watched it so many times the melodies are stuck in my head. I hope he gets a new "favorite" movie soon :)

5-0 out of 5 stars One of Disney's Best Live Action Films!
This is one of those films that you never forget. I saw this movie when i was little and I am still a fan of it. Pete's Dragon is one of the first Disney films to use live action and animation together in a film. The story follows a boy who is on the run from his terrible adoptive family the Gogans (Shelley Winters, Rob Conaway)and his friend Elliot the dragon (voiced by Charlie Callas) who is sometimes invisible. Together, they are the best of friends until they come upon a quaint fishing town where they soon start to get into mischief.
Eventually Pete is taken in by Nora(Helen Reddy) a lighthouse keeper and her father(Mickey Rooney) where he soon becomes part of the family. But soon, the Gogans discover where he is living and are determined to get him back. There are many delightful performances in this film including Jim Dale who plays the terrible Dr. Terminus and his obnoxious side-kick Hoagie(played by red Buttons). The funny thing about this movie is that Mickey Rooney and Red Buttons are drunk through most of it. Lastly, I recommend this movie because of the music. This film has some of the best Disney songs. Most notably Helen Reddy's "Candle on the Water" and "There's Room For Everyone". Along with the singing and dancing, this is one great Disney film and it is not to be missed. If you've seen it, watch it again and if you haven't ,DO!

4-0 out of 5 stars Woo-hoo! My kid likes it as much as I did!
Yes, the animation is dated. Yes, the plot is kind of corny BUT my daughter is just as enchanted as I was (and still am). You can't miss with this one! Pete's Dragon shows you what it means to be a kid with an unbelievable (only to the grown-ups) best friend who helps you out when you think that there's no one else left to care. The songs are still catchy and the baddies are still scary. The DVD is sooooo much better than VHS; and unlike my VHS copy there is no fear of it wearing out from over-playing. ... Read more

177. Star Trek - The Next Generation, Episode 102: Darmok
Director: Larry Shaw, David Carson, Gabrielle Beaumont, Timothy Bond, Kim Manners, LeVar Burton, Richard Compton, Jonathan West, Marvin V. Rush, Michael Vejar, Robert Becker, Chip Chalmers, Peter Lauritson, Joseph L. Scanlan, Alexander Singer, Robert Iscove, Gates McFadden, Winrich Kolbe, Robert Wiemer, Robert Legato
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Asin: 6304111088
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Sales Rank: 5028
Average Customer Review: 4.93 out of 5 stars
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The Children of Tama are a mysterious, rarely encountered race whose language is indecipherable even by the Universal Translator. This is because Tamarians speak in metaphor, which is strange and poetic, but, without a frame of reference, also gibberish. After yet another failed attempt at communication, the Tamarians take drastic measures: they kidnap Picard and beam him to the surface of a hostile planet along with their own captain. What follows is an interesting, well-acted story of the struggle to understand.

Don't be put off by the premise. "Darmok" is one of the best episodes of TNG. It's action-packed and holds its own next to "The Best of Both Worlds, Part I," "Time's Arrow," and "Descent." Thanks to Joe Menosky's brilliant teleplay and Paul Winfield's solid acting, this uphill battle in futility shows what probably would happen when two truly alien races attempt to communicate. There is genuine desperation in Dathon's (Winfield) eyes when he attempts to explain "Darmok and Jalad at Tenagra" for what seems like the millionth time. Watching Picard struggle to understand is downright painful, as is the inevitable confrontation that follows. The viewer comes to care what happens to the Tamarians. We want to know this alien race; but at the same time, we also know we'll probably never comprehend them.

In series television, it's almost unheard of for a show to depart from canon. TNG takes a huge chance with "Darmok" and the end result is worth watching again and again. --Kayla Riggney ... Read more

Reviews (15)

5-0 out of 5 stars One of the best TNG episodes
Next to "Best of Both Worlds" or "Yesterday's Enterprise," "Darmok" is one of the most intelligent and vibrant episodes of the entire Next Generation catalog. Picard's attempts, and eventual success, to communicate with the Tamarian captain, wonderfully portrayed by Paul Winfield, is splendid. Obviously, most Star Trek stories, whether they be the original series or TNG, offer socio-political commentary on our own society, this episode is no different. It basically teaches that communication with peoples or entities that are different than us can be accomplished if one is willing to try. "Darmok" is Patrick Stewart's finest hour in TNG.

5-0 out of 5 stars In order to read, you must have read.
Have you ever read The Canterbury Tales? Allusions to classical literature abound. These references were a sort of shorthand or jargon of the time, a way of saying much by saying little. To refer to Zephirus, for instance, is to mention the warm, sweet breezes of Spring and to conjure up that time of year, with all of its freshness and new life.

Episode 102 presents a culture in which this sort of idiom is carried to the extreme. The words are getting through, but the meaning is not. The struggle of the two captains, the alien and Picard, to bridge the gap is brilliant and fascinating.

This is my favorite Star Trek episode of all time, of all generations.


5-0 out of 5 stars The best episode from the 7 years of ST:TNG
"Darmok" remains the best of the best of the seven years ST:TNG was on the air. In a short 55 minutes, one has learned a new language. Think of it: at the time Picard speaks with the Tamarian First Officer, the language exchange (if you paid attention to the whole episode) is completely understandable. There is no need for a translation scroll at the bottom of the screen...and was wisely done that way.

Highly recommended.

5-0 out of 5 stars A testament to the excellence of season 5...
"Darmok" captures what is the heart and soul of Star Trek: discovering new races and learning to coexist with them. In this episode, that is no easy feat for Picard, who is trapped on a planet with an alien captain who talks different from everyone else. The two cannot understand each other, but as a monster hunts them down, it becomes apparent that the two must learn how to communicate. This is a phenominal episode, downplaying the action and instead building on the characters of the alien captain and Picard. It's not just good Star Trek, it's great science-fiction. While the monster effects are very subpar (they always are for Star Trek), the being itself is of little importance to the story. What is important is how Picard and the other captain learn how to communicate. Truly a wonderful episode.

5-0 out of 5 stars An example of how Star Trek can be a good base for new ideas
One of the things I like about Star Trek was the ability for it to be a platform of new ideas. This episode certainly shows that strength- it's not loaded with special effects and technobabble but it shows good acting and an outstanding idea in having a race which talks solely by example. Though I've not watched much TREK recently this is one of the episodes I remember. ... Read more

178. Superman II
Director: Richard Lester, Richard Donner
list price: $19.98
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Asin: 6300268993
Catlog: Video
Sales Rank: 5507
Average Customer Review: 4 out of 5 stars
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Director Richard Lester (A Hard Day's Night) took over the franchise with this first sequel in the series, though the film doesn't look much like his usual stylish work. (Superman III is far more Lesteresque.) Still, there is a lot to like about this movie, which finds Superman grappling with the conflict between his responsibilities as Earth's savior and his own needs of the heart. Choosing the latter, he gives up his powers to be with Lois Lane (Margot Kidder), but the timing is awful: three renegades from his home planet, Krypton, are smashing up the White House, aided by the mocking Lex Luthor (Gene Hackman). The film isn't nearly as ambitious as its predecessor, but the accent on relationships over special effects (not that there aren't plenty of them) is very satisfying. --Tom Keogh ... Read more

Reviews (132)

4-0 out of 5 stars "Superman II: The Wrath of Zod!"
That would have made a better title when it came out into theaters in 1981(Giggle)! Anyway, the second Superman movie was definately a gem for anyone to watch! It is action packed as the Man of Steel (Christopher Reeve) takes on the 3 Kryptonian villains (wonderfully played by Terrence Stamp, Sarah Douglas, and Jack O'Halloran), and its romantic in terms of Superman becoming serious with Lois Lane (Margot Kidder)! Although it was sad that Richard Donner didn't get to direct the second movie, Richard Lester did a wonderful job filling his shoes! However, this was the first film which really began the down-fall of the series! It was clear that Richard Donner did set the tone for Superman which meant not to muck around with the legend! That being the case with the powers you see in this film! If you are a die-hard Superman fan, and know the character and his powers, you'll know what I mean when you watch it! Second, the romance of this film with Lois and Superman does reach it's peak, but then at the end of this film, the fans will be upset with the total outcome! The worst was yet to come with the next 2 films! Fortunately, this DVD is special to me because the magic is still there! Along with the "letterbox" widescreen version to the film which preserves this film and the other so well! Still, I know there were scenes cut-out of the original film that I wish could have been added onto this DVD! Maybe they will come out with the complete version someday soon! Still, a very good movie I recomend to anyone!

4-0 out of 5 stars Superman II - Extended ONLY
This film gets 4 stars from me based on its extended version and not on the pathetic theatrical cut! A lot of footage was cut from this film but did make it onto various extended versions that were screened across the world. The theatrical cut of this film is a poor reflection on what director Richard Donner intended the world to see. After his sacking by the Salkinds, Richard Lester was dragged in to complete the film and refilm perfectly filmed scenes which Donner filmed in 1977. This decision cost everyone a great movie.

In 1984 fans finally got a well edited film when a lot of Donner's footage was re-inserted into TV broadcasts of the movie. The longest version having accumalated some 24 mins of additional footage. This version has only been screened in Europe and Australia and contains 7 mins more footage than the 1984 ABC telecast. Most notable extended scenes are of Lex and Eve exploring the exterior of the fortress. Miss T to Les, "...It is funny that there is no front door...". Also present is Superman's "Blast off!" line after Lex and the villains are taken away by the Arctic police. These crucial scenes were cut from the theatrical and ABC extended broadcasts.

In saying that still, the film will get 5 stars when I see all director Richard Donner's footage restored into the film.

Anyone thinking that the theatrical is a good film is much mistaken. Any of the extended TV broadcast are a MAJOR improvement over an average film!

3-0 out of 5 stars A Richard Donner Cut is what I'm after
Not nearly as good as the first movie, this suffers from production problems as a result of Donner's sacking by the Salkinds.
It's plainly obvious which scenes were shot by Donner and which weren't. And sadly, they left out a hefty chunk of what Donner had filmed, giving Lester the top billing as director.
Another sad omission is John Williams rousing score, which has been poorly duplicated. Not nearly as uplifting and powerful as John William's efforts in one.
Although the primary focus is on Lois and Superman's relationship, it doesn't save this picture from stinking. Even Gene Hackman's wonderful performance(which was all directed by Donner, with the exception of scenes where Lester used a body double and an impersonator for Hackman's voice) can't salvage this.
So why do I give this three stars? Because it does have it's moments, though scattered, and I live in the hope that a Richard Donner cut, using primarily all his footage, which would bring back all the scenes with Marlon Brando, will eventually pop up and finally put to bed the question of what could have been.

1-0 out of 5 stars We need a 21st Century Superman movie!
Very bad film.
They released Spiderman into the 21st century, why not Superman?
I've always found him to be the most appealing comic book character. He is sure for an amazing performance.

5-0 out of 5 stars BETTER THAN THE ORIGINAL!!!
All you people complaining about what is and should have been (Donner not being able to complete the project) the end result is a movie that many people view as better! Leave my Superman II alone! ... Read more

179. Galaxy Quest
Director: Dean Parisot
list price: $9.99
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Asin: B00003CXDU
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Sales Rank: 524
Average Customer Review: 4.38 out of 5 stars
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Reviews (394)

4-0 out of 5 stars An good fun entertainment film.
This was one of the few good surprises that came out in December, last year. The film has good story which is clever and well written. Nice visual effects done by Industial Light & Magic(They also did all of the Star Trek films). Good Cast:Tim Allen(Buzz Lightyear from Toy Story Films), Sigourney Weaver(The Alien Series), Alan Rickman(Die Hard, Dogma), Tony Shalhoub(The Siege), Sam Rockwell(The Green Mile) and another cast in the supporting roles are engaging. Directed with a nice sense of humour by Dean Parisot(Home Fries) makes the film works with a lot of characters are fun to look at and some hilarous moments. Stan Winston(Aliens, The Terminator) did once again an incredible make-up and good looking alien designs.

DVD has good anamorphic Widescreen (2.35:1)picture quality and excellent dolby digital 5.1 sound also got the alien dubbed track for dolby surround track! is quite funny to listen. Seven deleted scenes. A small behind the scenes featurette and Omega 13, you have to watch the movie first to make it worth.

Travia:In one of those deleted scenes has Dian Bachar(Baseketball, Orgamzo) has a comic scene with Tony Shalhoub. Bachar is credited as Nervous Tech Alien. Is also in the film, cast like as a extra. You can spot the actor in a couple of scenes only. Grade:B+. Panavision.

4-0 out of 5 stars But What Happened After The Convention?
"Galaxy Quest" is a lighthearted satire of the whole sci-fi world, especially the "Star Trek" gang (here called "Quest-arians"). A group of TV actors now make their living from appearances and autograph signings, after being on the cult favorite TV show, "Galaxy Quest". Real aliens then come and need their help to save the aliens' planet. Tim Allen is positively Shatneresque as Commander Peter Quincy Taggert (shades of Captain James Tiberius Kirk!) Sigourney Weaver (playing actress Gwen DeMarco who plays Lieutenant Tawny Madison) has only one job to do - as she says, "Oh my God, I'm repeating the computer!" Tony Shalhoub is hilarious as Tech Sergeant Chen, sort of a Scotty-on-tranquilizers.... in a deadpan voice, "Commander, they tell me that the engines are about to blow...just a FYI..." Alan Rickman as Alexander Dane playing "Doctor Lazarus" gives a great performance as a classically trained Shakespearean actor who has been typecast as the Spock-like alien of the show. He's known for just one line ("If I have to say that line again I'll throw up!") But since The Show Must Go On, he does say it again and again. "By Grapthar's Hammer, I will avenge you!" One question for the fellow Quest-arians out there. The movie ended (SPOILER WARNING! SPOILER WARNING!) with our heroes taking part of the real alien ship and landing it pretty hard in the convention parking lot and convention hall! That is, scattered cars, busted walls, torn-up stage flooring all over the place! Now how are they going to explain this?

5-0 out of 5 stars Wonderful Spoof Of Both Trek AND Trekkies!
Dean Parisot's GALAXY QUEST (1999) was released at around the same time as some very big, high-profile, Oscar-nominated films during the Holiday season, advertising itself as the light in the midst of all the dark. Starring Tin Allen, who at that time had starred in films ranging only from cute (THE SANTA CLAUSE--1994, TOY STORY--1995) to lame (JUNGLE 2 JUNGLE, FOR RICHER OR POORER, both 1997), I had the sickening feeling from the trailer that this would prove to be the latter. I was encouraged by the presence of Sigourney Weaver, although unsure of her blond-bimbo role, Tony Shalhoub and Alan Rickman. But still, I wasn't sure...

That is, until I began reading the reviews, and then saw the film as soon as it came out on DVD. This is one of those movies that I can't believe has taken me this long to write about on these pages. Make that rave about: GALAXY QUEST is one of the funniest films I have ever seen, and would be in my Top 30 Listmania List if I were allowed to go to 30. It does help that I'm a STAR TREK fan (although not quite a Trekkie; please read my review of the documentary TREKKIES for more exposition on this point), but I honestly think that anyone with a good sense of humor will like this movie. It is written with a knowing wink to the Trekkie phenomenon as well as to Star Trek, and has smart dialogue courtesy of David Howard; unbelievably enough, this was his first---and still his only---film for which he has written.

The film opens with a convention for the immensely popular "Galaxy Quest" series, which starred full-of-himself screen hog Jason Nesmith (Allen) as Cmdr. Peter Quincy Taggart (not dissimilar to James Tiberius Kirk), Gwen DeMarco (Weaver) as Lt. Tawny Madison, former Shakesperean actor Alexander Dane (Rickman) and former child actor Tommy Webber (Daryl Mitchell) as Lt. Laredo, the ship's (very) young Navigational Officer. Nesmith secretly hates the Conventions, but plays up to the shows' fans, whose attention he monopolizes at every turn. Naturally, this long-established practice has alienated him from his co-stars, who hate his guts but like participating in the Conventions (except for Alexander Dane, who rues the day he became more famous for his character, and his character's famous rallying cry, than for being a 30+ year veteran of the Shakespeare stage). Nesmith finally loses his cool when being overly nagged by a teenaged nerdy fan (Justin Long), and yells at him in a manner that instantly recalls the "Get a life!" mock admonition that William Shatner gave in a 1986 Saturday Night Live skit. However, on the next drunken-hangover morning, Nesmith is visited by a strange-looking and talking man (Enrico Colantoni) who introduces himself as Thermian Cmdr. Mathesar, whose people are under attack by an evil alien leader named General Sarris (Robin Sachs). He pleads for Taggart's assistance, having seen the "historical documents" of his crew's many victories over greater enemies. Nesmith hazily just assumes that this is another nerdy fan with no life and goes along with him just to appease, and perhaps he has nothing better to do at this point. But then he finds out...

Of course, Mathesar and the Thermians are real aliens who had picked up the TV-wave transmission of the "Galaxy Quest" show and, in their childish impressionability, have assumed that the crew, the ship, everything was real. They have replicated the ship in full, both inside & out (since you know, for example, that Star Trek has always been so detailed that exact replicas of the Enterprise have numbered in the thousands) and have modeled their society from their example. Nesmith exitedly gets back to his fellow cynical and unbelieving actors, who go along only because they think it may be a well-paying job. Then they find out...

GALAXY QUEST is smart, funny and has a lot of fun with the TREK phenomenon, as portrayed through this fictional TV show and its characters. It also has fun with all the conventions (that is, *customs*) of Sci-Fi TV shows, such as gigantic, death-defying devices being present in a starship's engine room, or that the fate of our heroes comes down to one final second. It nudges & prods at all of these (plus more) with a complete love for the Sci-Fi genre. It also manages to convey a *sense of wonder* through visual effects that are really excellent. As for the acting, everybody---yes, including Tim Allen---gives a terrific performance, including Sam Rockwell as a minor "Galaxy Quest" character who constantly fears for his life during the actors' real mission, because nobody knows his last name, which, of course, is a sure sign that he is going to die, just like his character did on the one episode of the TV show! Enrico Colantoni's performance as Mathesar is infectious, and is perhaps the biggest revelation in the entire film; it can be argued that he may have deserved an Oscar nomination for Best Supporting Actor. Robin Sachs creates an evil presence as the murderous, slimy alien General Sarris. Best of all, everybody's in on the joke.

GALAXY QUEST is a great buy on DVD. The "On Location In Space" feature is entertaining and informative. The deleted scenes are a hoot! All in all, this film is a great way to entertain the entire family, as it is among the few comedies that are intelligent yet can be viewed by children. I wholeheartedly give it a "thumbs-up"---wait, no, that's the other guy! In other words, I deem this movie to be


If you have seen the earlier episodes of "Futurama", you'll know how effective a cleverly done sci-fi satire can be.

Galaxy Quest mines a shuttle-full of sci-fi cliches for its banter, and while I don't remember anything laugh-out-loud rip-roarious, there is a good deal of congenial charm that permeates throughout. Which makes it a perfect family flick to watch on a lazy Sunday afternoon.

Apart from the spoof gags, what took me by surprise were the superb special effects, as octopodal aliens morph effortlessly into humans and back again in articulately designed space (the interior of the spaceship itself borrowed its staid cardboard looks from Star Trek of yore, perhaps as an intentional sardonic effect)

Overall, the film's affection for its audience (especially those weaned on Lost in Space, or The Next Generation, etc) and for the characters it parodies covers up for the gaping blackholes in its highly implausible and goofy plotline.

Great rental, and even a good buy because it lends itself easily to repeat viewing.

5-0 out of 5 stars A terrific sci-fi spoof
"Galaxy Quest" was woefully ignored at the box-office, which is a crying shame because it's one of the best films of its kind to come down the pike. Writer David Howard did a tremendous job in drafting a film that is equal parts spoof and homage to science fiction television shows, most notably Star Trek, but there are hints of other shows as well. You can tell that Howard is obviously a fan of science fiction because as a sci-fi film, Galaxy Quest stands on its own two feet proudly; but he also appreciated the cheese that went into the shows as well, everything from the ship's commander who loses his shirt in every episode to that irritating line that gets repeated so often the actor who utters it comes to abhor it (think "Live long and prosper" or "He's dead, Jim").

The premise is simple enough. "Galaxy Quest" was a TV show that rode the success of "Star Wars" in the late 70s to join "Battlestar Galactica," "Buck Rogers in the 25th Century," and "Star Trek: The Next Generation" as the popular programming of the time. But like those shows, "Galaxy Quest" didn't survive through the early 80s, and now the cast is a bunch of washed-up has-beens who are lucky to be earning paychecks from convention appearances and electronics store openings. That is, until they are approached by a group claiming to be Thermians needing assistance with the interstellar bully in their quadrant of the galaxy. The cast takes the Thermians and their leader, Mathesar (Enrico Colantoni, "Hope and Gloria"), as ardent fans of the show wanting a private appearance of the cast, but the truth is, the Thermians are real aliens with a real problem; it seems the Thermians are a very naive race, believing the television signals from Earth to be real historical accounts of the NSEA Protector and it's gallant crew, and at the same time, gifted scientists and engineers capable of recreating the NSEA Protector as a real spaceship. But they aren't warriors, so they come to Earth looking for the "real" crew of the original Protector to man their version, and to help them in their negotiations with General Sarris (Robin Sachs, TV's "Buffy the Vampire Slayer"), the resident bully.

The actors that played the original Protector's crew are lead by Jason Nesmith (Tim Allen, TV's "Home Improvement" and the "Santa Clause" series), who played Cmdr. Peter Quincy Taggart, a character not unlike the original Star Trek's Capt. Kirk, constantly mugging for the camera and sleeping with every alien princess. Gwen DeMarco (Sigourney Weaver, the "Alien" series) played Lt. Tawny Madison, the buxom blonde kitten whose only real job on the show was to look sexy and repeat everything the computer said. Alexander Dane (Alan Rickman, "Robin Hood: Prince of Thieves" and the "Harry Potter" series), a Shakespearean actor, is Dr. Lazarus, the alien science officer. Fred Kwan (Tony Shalhoub, TV's "Monk") is the laid-back engineering officer, Tech Sgt. Chen. Tommy Webber (Daryl Mitchell, "Sgt. Bilko") is the actor who as a child played the Protector's helmsman, Lt. Laredo. And Guy Fleegman (Sam Rockwell, "Matchstick Men") was Crewman #6, who died in his lone episode (in the original Star Trek, Fleegman would have been the crewman in the red shirt on the away mission), but who tags along on the mission anyway, constantly fretting that he'll die in real life on this mission just as his character died on the show.

These guys are in no way heroes. For example, none of the other actors can stand Jason Nesmith, for example, because of the constant attention he gets being the commander (which does much to fuel an already sizeable ego), but especially Alexander Dane, who sees him as a scene-stealing hack with no talent, and Gwen DeMarco, who's simply tired of him hitting on her all the time. Are you reading this, William Shatner? In the end, though, the prima donnas find their inner-strength and succeed against Sarris, but that much you already knew going in, right?

This movie should have been an instant classic. Seeing actors playing actors is always loads of fun, as we get a peek at how Hollywood really views itself. The sci-fi spoofing is dead-on accurate, and it really is an homage to the classic series as well, most notably "Star Trek." There are also great bonus stuffs on the DVD, including a "making of" special, deleted scenes that made me wonder why they were deleted, and an alternate soundtrack in the Thermian bark-and-squawk language.

If you love "Star Trek," you'll love "Galaxy Quest." If you hated "Star Trek," you will also love "Galaxy Quest." ... Read more

180. Doctor Who - Meglos
list price: $19.98
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Asin: B0000AGWHE
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Sales Rank: 9040
Average Customer Review: 3.75 out of 5 stars
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On the planet Tigella, the mysterious source of all power, the Dodecahedron, is failing.So Zastor, the leader of the planet, decides to call on an old friend - who travels the universe in a blue police box - to help them. Meanwhile, on the nearby dead planet of Zolfa-Thura, a rag-tag band of space raiders form an uneasy alliance with the cactus-like alien Meglos. Their first goal is to prevent the Time Lord from arriving on Tigella.Aboard the TARDIS, the Doctor, Romana and K9 find themselves trapped in a Chronic Hysterisis - a time loop that keeps them running through the same few moments again and again and again. Double trouble awaits them if they ever get to Tigella. ... Read more

Reviews (4)

4-0 out of 5 stars Barring some plot points, this story is a classic.
I agree with other reviewers that this story is a comparatively weak entry for Season 18. However, compared to any number of stories from seasons 11, 15, 17, and 24, this one is superlative.

I'll start with the bad: The only thing fundamentally wrong with this story is that it does too many things without saying much about why those things happen. Yes, there apparently was a civil war on Zolfa-Thura regarding the Dodecahedron power source. We would like to know more about that as the emphasis on this story feels flat because of it. Meglos can change form and inhabit other creatures - is this related to the civil war or a natural trait? Why does Meglos need a human (non-Tigellan) to inhabit, what's so special about the Tigellans that they couldn't be used as hosts? Meglos' ability to control time is the one remaining factor of interest... he's able to be and do so much and the viewer isn't told anything as to why. Except for mentioning a war... We know the Dodecahedron energy source mysteriously landed on Tigella - could this power source have been a key reason for the Zolfa-Thuran civil war, based on some sort of morality? Who knows? We do know that the Deons, ruled by Lexa, claim the energy source to be given to them by the Gods. The Savants, scientists, don't believe in the idea that the Gods helped them out and wish to study the device. But are barred by the Deons. It's a straightforward example of a theocracy and manages to keep the viewer from thinking of WHY they got the device in the first place, but that is also an anti-climax.

In short, the story essentially begs for a prequel (unlike re-using the Autons as rumored for this new Dr Who TV series...).

Now for the good:

Tom Baker's cactus make-up is superlative and almost disturbing to look at, the idea was conveyed exceptionally well.

The direction and camerawork is pretty inventive at times too.

So is the model work, though upon repeated viewings some of the limitations become obvious. (But for a low budget show made in 1980 to compare with mindless fluff like "Buck Rogers", this stuff still looks very good for the time. And if you look at any Buck Rogers episode, it looks cheaply done too.)

Whatever else can be said for the plotline (it needs a prequel!), the music makes it all the much better. Fortunately, the soundtrack had been released on its own and is well worth the purchase.

K9 gets abused and kicked around.

Jacqueline Hill (original companion Barbara - 1963-1965) was hired to play Preistess Lexa. As a couple of companions had played unrelated characters in the past, I see no reason to say this casting was biased in any way. Indeed, she does quite a passable job in the role of Lexa.

Acting, overall, is rather good. Tom Baker, as in all of season 18, excels. I'd gotten very tired of the excessively comic style and producer John Nathan-Turner made the right decision to make him more somber. The entire season has this somber effect, though it was never explained why the 4th Doctor's persona changed. (an "untelevised adventure" featuring a significant defeat against the Doctor would readily explain the change in attitude.) If only Tom Baker stayed on, what would season 19 have been like?

All in all, this story is worth at least a rental. Far worse stories exist, and this story is not worthy of the low reputation bestowed upon it.

3-0 out of 5 stars Not the best story of Season 18, but not unwatchable
Romana: "Oh blast! Here we go again!"
Doctor: "Now what's wrong?"
Romana: "Now his probe circuit's jammed."
Doctor: "Well, that's easy. Waggle his tail."
Romana: "All right. I've tried everything else."
K9: "Thank you mistress. Repairs complete."

Like Monty Python's "Deja Vu" sketch, that bit of dialogue gets repeated over and over inbetween Episode 1 and 2 of Meglos, when the title character traps the TARDIS in a Chronic Hysteresis, which is a time loop. Whether or not you like hearing the same bits of dialogue and action over and over will determine whether one will like Meglos. However, there are some slow parts and not many memorable characters--save Deedrix, Zastor, and Lexa--that don't make this an outstanding story. So, as the Doctor says, "first things first, but not necessarily in that order."

The planet Tigella is ruled by the elderly Zastor, who has to mediate between two factions--the Savants, or the scientific caste with their white one-piece body suits and blonde hair, who use the unstable Dodecahedron as their power source and the salmon and black-robed Deons, who worship the Dodecahedron. This conflict between rational and religious-minded people is universal, those who demand proof and those who believe. The Deons have an advantage, in that they believe it came from the heavens, where the Savants think it came from somewhere, anywhere, but not the heavens. To fix the instability of the Dodecahedron, and to placate both sides, Zastor calls on the Doctor, who's in orbit nearby. He describes him as the man "who solves the insoluble by the strangest means. He sees the threads that join the universe together, and mends them when they break." In other words, he has the "maturity to respect many points of view."

That twenty-sided object is the cause of all the fuss in this story. As part of a peace treaty ending the war between Zolfa-Thura and Tigella, the Dodecahedron was taken to Tigella. Ten thousand years later, Meglos, the last Zolfa-Thuran, enlists the aid of General Grugger and the Gaztaks, which isn't the name of a cheesy rock band but a band of marauding mercenaries for hire, to get the Dodecahedron. Meglos, having intercepted Zastor's invitation to the Doctor, impersonates the Time Lord.

There are some interesting bits. General Grugger's hat and costume are akin to a Tartar chieftain. The concept of unstable body transfer was also explored in the last Star Trek episode "Turnabout Intruder", but since when did Captain Kirk start turning into a humanoid cactus? Tom Baker's cactus makeup is quite a sight and fright.

Who fans will recognize Jacqueline Hill (Lexa, the leader of the Deons) as one of the First Doctor's very first companions, Barbara Wright (1963-1964). This was Hill's last Who appearance, as she died in 1993.

"Not impossible. Merely beyond your comprehension," says Meglos. As for this story, "not unwatcheable--merely away from greatness." I will say it's the worst story of the 18th season, but not all that bad.

Like Monty Python's "Deja Vu" sketch, that bit of dialogue gets repeated over and over inbetween Episode 1 and 2 of Meglos, when the title character traps the TARDIS in a Chronic Hysteresis, which is aEoh dear, I think I'm in a time loop. Help!

3-0 out of 5 stars Revenge of the cactus face!
in my opinion this is not one of the best of Tom Bakers as are any of the ones from his last season.

A cuctus like creature takes over the body of a human who then impersonates the doctor sounds like something blake edwards would be better at writing. It was nice to see jacqueline hill,who played barbara all those years ago in the begining, have a big part in this one, however the rather silly special effects (including some very bad CSO effects) make this one a bit hard to give more than 3 stars.

I also has some problems with the video as it flicked at times and the picture became 'washed out' but i wasn't sure if this was a problem with this copy or with the release in general, and it was not bad enough to make me spend the time and effort to get a replacement only to find out it that every video was like that, so no biggie there.

5-0 out of 5 stars "That man can do anything! What a mind!"
This is one of the best from the latter Fourth Doctor era.

Meglos captures the essence of the mathematic-scientific theme so common to Tom Baker's last season and Peter Davison's first.

The culture of Tigella is divided between scientists and spiritualists. Neither knows true nature of the Dodecahedron, the powerful 20-sided orb that powers their civilization.

Meglos is a super-intelligent plant who can alter his shape at will. With a motley group of space pirates he goes in search of the Dodecahedron.

Those who liked Leisure Hive, Warrior's Gate, Logopolis, and Castrovalva will like Meglos. ... Read more

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