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| 1. Heavy Metal Parking Lot Director: John Heyn, Jeff Krulik | |
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Reviews (4)
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| 2. The Hardly Boys in Hardly Gold Director: William Wegman | |
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Amazon.com Amateur sleuths Batty and Crooky have returned with their parents to idyllic Rangely Lake--scene of their previous case--and it's soon clear that foul play is afoot yet again. Gladiola Mason is missing, and her nurse and caretaker have plotted to poison the local water supply and claim a lucrative mineral deposit. While Mr. and Mrs. Hardly (played by "Fay Ray" and "Chundo") enjoy recreational activities, the boys employ their "secret dog powers" (and human hands as "paws") to save Rangely Lake from the nefarious plot. The mystery is pure fluff, but the wonder of Wegman's work--apart from the appeal of his talented hounds--rises from the patience and tenacity required to make a film as unique as this. First shown at the 1996 Sundance Film Festival, The Hardly Boys in Hardly Gold is a genuine marvel, made even more delightful by Wegman's kindly narration--words and voice from a gentle soul who just might be part Weimaraner himself. --Jeff Shannon Reviews (4)
It's also a fun party film. Get a bunch of friends together in a mood to have fun, put on the tape... I can remember lots of parties in college where this would have gone over big as the party wound down and more people began to occupy the couches instead of the kitchen. My uncle used to have a weimarauner and I'm getting this for him for Christmas. ... Read more | |
| 3. Barn Of The Naked Dead Director: Alan Rudolph | |
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Reviews (2)
What we have here are three young ladies traveling to Las Vegas in order to perform in a show. One of them knows a great shortcut through the desert - you know nothing good is going to come of that. Well, they end up stranded in the middle of the desert overnight; the next morning, though, help arrives in the form of a nice young man who offers to drive them to a phone, etc. But wouldn't you know it? The nice young man is actually a psycho who thinks himself the ring leader of a very special circus - a circus made up of female human "animals." He has quite a menagerie already, although he doesn't seem to be training them for much of anything. When they get out of line, he takes the whip to them, and when any one of them proves herself unwilling to be trained, he takes it upon himself to discipline her severely. I have certainly seen worse exploitation films than this one, but that doesn't make Barn of the Naked Dead a good movie. While the acting of Andrew Prine as the insane ring master is actually quite good, a significant number of roles went to actors and actresses of less impressive quality. The print of this film is also very bad. The colors are the polar opposite of vibrant; this film could deteriorate horrendously in the coming years without anyone even being able to notice. I didn't care for the ending, as it introduced an element that robbed the film of the bit of effectiveness it had managed to generate, yet there is a story here that holds together and makes sense - and that keeps it from being a truly bad movie.
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| 4. The Little World of Don Camillo Director: Julien Duvivier | |
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Description Reviews (2)
Gino Cervi, the mayor Peppone is also great, his physique is stiffer, bulkier, his face is also stiffer - a perfect communist-mechanic, earnest and passionate but slow, Don Camillo's opponent, on the surface thoroughly different but inside very much like him. An explosive pair, that also gets things done in the little town by the river Po, where summers are so hot, that people's brains get heated up from time to time, as Guareschi often says in his books, which are the basis for these movies. There are at least five of them altogether, though Amazon now has only one. In one of them Don Camillo disguises himself as a communist and travels to Soviet Union with Peppone's group. Books can be found on Zshops, get some and have fun. Movies are based on Guareschi's short stories, so they usually don't have a very consistent story (except the one, where they travel to Soviet Union), but they are very well put together, with a clever narration leading the story. And the action is delicious: from little things action builds up and suddenly the whole town is on the move, everyone fighting everyone and Don Camillo and Peppone in the middle leading their troups and in the quiet moments continuing the argument by themselves. This is the priest, who sounds his church bells, when communists are having speeches on the town square, and who asks Jesus for a permission to hit the communist mayor, who is kneeling down to a prayer in front of him. And when Jesus reminds, that his hands are meant for blessing, he realizes: "But my feet aren't!" And with His permission he kicks. And this is the mayor, who wants his baby baptized as Lenin and in the dark of the night attacks the priest and paints his behind red... (read the books!) I also love the black and white pictures in these movies, they are so 50's and very Italian. And though Orson Welles is wonderful, I almost dropped my stars from five to three. I missed the original narrator's and the actors' voices and the fluent, energetic, passionate, fast Italian, that really creates the feeling of these movies. But I couldn't do it to Fernandel and Cervi, four stars is bad enough. But I'm hoping that Amazon gets more Don Camillo movies - with subtitles! Maybe some day they are finally relesed on DVD's... ... Read more | |
| 5. Laurel and Hardy.- Rare Home Movies (1932-England) | |
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| 6. Selected Works 1970-78, Dog Baseball 1986 Director: William Wegman | |
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Description Dog Baseball , made in 1986, features Wegman at bat against nine canine fielders.This piece, in which Fay Ray made her debut, was shot on 35mm film and originally aired on Saturday Night Live. Reviews (4)
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| 7. School for Scoundrels (1959-England) Director: Robert Hamer, Hal E. Chester, Cyril Frankel | |
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Description Reviews (2)
Or How To Win Without Actually Cheating. That's the subtitle of School For Scoundrels, this brilliant piece of British comedy from 1960, a title my father saw long ago and which I got him for a Christmas present, with a screenplay by Peter Ustinov no less adapted from three Stephen Potter novels. Poor Henry Palfrey! Clearly, he's constantly in a one-down position to the whole world. In a flashback, we see how despite being an executive in his late uncle's firm, he's dominated by his chief clerk Gloatbridge, who treats him like a non-entity. He literally bumps into the girl of his dreams, April Smith, a stunning but sweet, clean girl who's a brunette version of Betty Grable. However, a rascally, gap-toothed, smooth-talking acquaintance, Raymond Delawney, impresses April with his savoir-faire in wines and food, and even his snazzy Bellini sports car. Palfrey ends up getting a lemon and horribly losing a tennis match, where Delawney replies with a plummy "hard cheese!" every time he misses a point, causing him to lose face in front of April. He thus enrolls in Professor Potter's classes on lifemanship. What is lifemanship? It's "the science of being one up on your opponent at all times. It's the act of making him feel that somewhere, somehow, he's becoming less than you, less desirable, less worthy, less blessed." After graduating in classes of gamesmanship, onemanship, businessmanship, and that most important one, woo-manship, he gets back at those who caused him to lose face, and how! Next time I find somebody's who a life of the party, I'll use Potter's technique in deflating him/her. If Dingle, the gangly student in the class where that technique was demonstrated is familiar, that's Jeremy Lloyd, who would have a bit part jumping up and down in a club in A Hard Day's Night and the co-writer of Are You Being Served? in the 70's, and Allo Allo in the 80's. There are some misogynistic references on the "woo-manship" part, where Potter advises Henry to use a blase attitude to April in one scene. "Leave her alone and she'll come back home wagging her tail." Ouch, but good ones, Prof! Ian Carmichael (Henry) would later be known to American audiences watching PBS's Mystery as Lord Peter Wimsey in the Dorothy Sayers series. Terry-Thomas (Delawney) has another one of his comedic supporting roles, and it's incredible to see how he's suave when with poise, to a point where his frustration causes him to lose his temper. But hands down, veteran Alistair Sim as the impish Potter steals the show with his characteristic expressive eyes, toothy grin, and droll wit. Janette Scott shines as April, showing she could handle adult roles as well as child roles (James Stewart's super-intelligent daughter in No Highway In The Sky). Six years later, she'd have singer Mel Torme as her second of three husbands. Being someone constantly in a one-down position to the world, taking Potter's class would've been better than all those years I wasted in college. If I could do it all over, I'd take those classes and be one-up on everyone. However, Potter leaves the audience with a final warning: "once sincerity rears its ugly head, lifemanship is powerless." Me sincere? From now on, never! This movie is clearly one-up-up-up-up-up!
At the college, Henry learns that "the world is divided into winners and losers," and he is instructed in the art of Lifemanship or "the art of being one up on your opponent." The college's founder and head scallywag is Mr. Potter (Alistair Sim). He takes a special interest in Henry, and soon Henry learns how to manipulate circumstances to his advantage. This is an extremely funny and clever film. It does not seem dated at all as the issues have not altered one bit in the last 40 odd years. The scenes between Sim and Carmichael illustrate the subtle nuances of one-up-man-ship in social settings, and after watching these scenes, it's easy to see how poor Henry is maneuvered by everyone in his life. Henry has his revenge on all the cads in his life--including Terry Thomas and a couple of unscrupulous car salesmen. Terry Thomas is at his fiendish best here as the playboy Delauney--he is such a great comic actor. "School for Scoundrels" is a black and white film, and the copy I saw was excellent quality--displacedhuman ... Read more | |
| 8. The Ladies Room Director: Cynthia Salzman Mondell | |
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Amazon.com The Ladies Room is a 42-minute low-budget (shot on video) documentary chronicling some of what occurs in women's bathrooms in Texas. And it's right on the mark. Punctuated by the sound of flushing toilets, women discuss dating, mothers, bodies, and of course, sex.The snippets are divided by theme, so women of all ages (high schoolers to senior citizens) kibitz and curse, telling stories that will make you laugh and sympathize (one groupie, who's been married four times, chronicles her sex life; an older woman announces that she's finally left her verbally abusive husband; a young woman complains about her prom date). The fun in this is the voyeurism, making it great to watch with girlfriends (although the boys might learn a thing or two from it). --Jenny Brown | |
| 9. Second To None Director: Matt Hoffman | |
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Description Gilda Radner, Bill Murray, John Belushi, Mike Myers, Chris Farley
these are but a fraction of the comedic geniuses who launched their careers at Chicagos world famous comedy theater.Hit television series like NBCs "Saturday Night Live," ABCs "Whose Line Is It Anyway" and "MAD-TV," and films like "Ghostbusters," "Animal House," "Waynes World" and "The Blues Brothers," would not exist without the groundbreaking style of improvisational sketch comedy that has been developed on the stages of The Second City. To create this exciting and very funny documentary, cameras were permitted behind the scenes while the brilliant Second City improvisers created a mainstage comedy revue. "Second To None" is the exclusive backstage pass to the inner workings of The Second City creative team as they create the revue "Paradigm Lost," one of the finest and funniest productions ever to grace the stages of The Second City.And, fittingly, two of the cast members featured in "Second To None"Rachel Dratch and Tina Feyhave already gone on to national fame as cast members of "Saturday Night Live."In "Second To None," viewers see the birth of Dratchs famous "Wicked Boston" character. Reviews (3)
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| 10. Old Mother Riley Meets the Vampire (1953-England) | |
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| 11. Miss Tatlocks Millions Director: Richard Haydn | |
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Description Reviews (4)
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| 12. Cartoonal Knowledge: The Return Of Farmer Gray (1920S-USA) Director: Paul Terry | |
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| 13. Cartoonal Knowledge: Farmer Gray Looks At Life (1922-1929-USA) Director: Paul Terry | |
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| 14. Farmer Gray Goes To the Dogs (Cats, Monkeys & Lions) (1926,1927 - USA) Director: Paul Terry | |
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| 15. Enlightenment Guaranteed Director: Doris Dörrie | |
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Description Reviews (6)
I was delighted to find a bunch of great and well-written reviews already here, so I don't need to say as much as I thought I might. I am an American with European links who has lived in Japan several times for some years. I am a professor and I teach Japanese culture, lit., film, etc. In my opinion, this film lets you know how things really are in Japan now, and how the Zen temple tradition manages very well to coexist with a pretty materialistic and Americanized culture in Japan today. I have also been in Germany now and then, and the German scenes in the first part of the movie seem to me to ring very true in terms of what life is actually like there--since the makers are German, that is to be expected--though sometimes both Japanese and European directors create movies that are less realistic and cater to American stereotypical impressions instead. One last thing. By accident, I watched the first part, set in Germany, about the lives Gustav and his brother led there, and then I stopped for the evening a bit after they got to Japan. I figured the film was almost over, and I'd spend maybe a half hour watching the rest the next evening. The Japan experience turned out to be in fact the most important part of the film, and and I had a great time watching it for another hour or so, because it was so absorbing, authentic and true to real life. It was like getting two films for the price of one--both really good. I think it may be good to watch the film in two sittings this way, but that's up to you.
It's one of those things that is so great, it cannot be put into words.
"ENLIGHTENMENT GUARANTEED" "Too much enlightenment dazzles me." Combine a German movie with English subtitles about Zen meditation in a Japanese culture and you have all the basic ingredients necessary for a very entertaining and 'enlightening' movie. At the onset, chaos and mayhem ensues as a typical couple with four small children face yet another hectic start of their day. The husband and father, Uwe, is seemingly unconcerned and uninvolved in the children's needs as the morning ritual turns into a crying and screaming match where everyone is miserable. Switching scenes to his brother Gustav's home, there is peace and tranquility, with an underlying, hard to detect tone of the same nature. The movie flashes back to Uwe's home, as Petra, disgusted with her husband's belittling attitude and lack of assistance, packs the children and moves out of their home. Discovering their absence upon his return home from work, Uwe panics and grieves, then visits his brother who is packing for a vacation to a monastery to study Zen meditation. Begging to go along and promising not to be of any trouble, Gustav agrees to allow Uwe to come with him. The distain Uwe initially feels toward his brother's beliefs quickly turns to compete acceptance of the strict discipline enforced upon them during their stay. Not until the loss of their possessions as well as the directions of the hotel where they stay in Tokyo, Japan do they realize the inner peace that can be obtained by peace and understanding of the beliefs of the monks. The trip causes both brothers to reevaluate their lifestyles and attitudes, promising to make their lives better upon their return to Germany. It was so appropriate that, as the brothers have always had their differences, they share a common thread. It was a clever move by director Doris Dörrie to have the brother's trades reflect an uncanny tie-in with the Zen meditation beliefs before their journey even began. Uwe is employed as a kitchen countertop salesman with an aesthetic eye for form and balance and is as polished as the products he sells. This constrasted and blended perfectly with Gustav's job as a neurotic, compass-dependent feng shui consultant. I enjoyed the movie very much, and would honestly have a difficult time choosing my favorite scene. Their unforgettable rendition of "I Will Survive" stands out as one of my favorite scenes, and is a turning point in the film as a kind, young German woman recognizes the language and helps them on their way. The comments filmed with Uwe's home video camera were hilarious, revealing, tragic and entertaining all at the same time. I thoroughly recommend this film to anyone who would open their minds up to a foreign film and open their hearts as well to these two very fine actors and the amazing director who put the entire endeavor together with style, respect for differing cultures, and 'enlightenment'.
In addition, there is a wonderfully gentle but transcendent Zen message lying underneath. These two hapless German brothers prove that when you've hit rock bottom, the one thing that is guaranteed to help is looking at things differently. Watching two middle-aged German men achieve a certain degree of Buddhist enlightenment is not only hilarious, it's also heartwarming. When you first start watching the movie, you will think to yourself, "man, these are cruddy production values. It looks like it's on video tape." But by the end of the journey you will understand. And you will love it all the more for its untraditional production values. Because ultimately, the value of the film is not determined by the film's budget. You only have to fall into one of the following categories to love this movie: | |
| 16. goaltending wins championships - TECHNICAL FUNDAMENTALS | |
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| 17. The Ambassador's Daughter Director: Loivia De Havilland | |
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| 18. Le Gendarme De Saint-Tropez Director: Jean Girault | |
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Description Reviews (13)
Like Peter Sellers, Jackie Chan and Jerry Lewis, and even Charlie Chaplin, de Funes' humor is in his missteps just as it is his choreographed moves. They all share a thread of technique that, though their genres are different, are similarly funny. This farce has de Funes acting as Ludovic Cruchot, a local police officer who receives a promotion. Cruchot and his daughter move to where the new job is and try to fit in. He tries to achieve great discipline with his new men, and for a while, earns their respect. His daughter, however, wants to impress some of the wealthier neighbors and flirt with their sons, and claims Cruchot has a huge yacht. This lark leads him to mixed up with the high rollers of the town, and also, unknowingly with a few art thieves. What ensues is tremendous, but hilarious confusion, as Cruchot tries to keep his daughter's ruse while avoiding his boss' catching him, and somehow deal with the art thieves. Can Cruchot pull all of this off without getting in trouble? It does not seem so, as things go wrong unexpectedly. Cruchot squirms and wriggles, and it works almost 30 years later. Although it is subtitled from French in English, the humor comes through. Surely the French speakers will find it funnier, but it is still a film worth recommending. Anthony Trendl
Zoubous! Mirjam
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| 19. God Wants Your Body | |
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| 20. The Tall Blond Man With One Black Shoe Director: Yves Robert | |
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Description Reviews (8)
For trivia buffs, it is interesting to note a few facts such as (1) the part of the conductor during the concert scene was a cameo by the director, Yves Robert; (2) the score was one of the first showcases for the pan-flute music of Zamphir; and (3) the film was such a hit that it spawned an immediate sequel (The Return of the Tall Blond Man).
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