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| 1. What the Bleep Do We Know Director: Betsy Chasse, Mark Vicente, William Arntz | |
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Amazon.com Reviews (315)
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| 2. Winged Migration Director: Jacques Cluzaud, Jacques Perrin, Michel Debats | |
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Reviews (160)
I do have several gripes with the film. First of all, the selection of birds that were shown in the film had a glaring omission. I only noticed one scene showing ducks in full flight. This was the scene of a single male Mallard duck flying through the French countryside and eventually joining a flock of geese over the river Seine in Paris. Why weren't more ducks showcased in the film? Second, the scene where a mother bobwhite quail is nesting in the path of moving farm combines is an unnecessary addition to the film. Third, the scene of the Canada geese drinking water from a broken-down truck is unique, but in my opinion, out of place with the rest of the film. Also, the scene involving the same geese flying over a herd of running mustangs is so fake that its inclusion in the film is almost embarrassing. What is such a shot doing in a film that claims to have no special effects? This DVD of the film is amazing. The picture quality is stunning. The transfer is amazingly clear. The sound quality is rich and clear. Several extras are included. They are well worth viewing. The Behind-the-Scenes featurette is a pleasure to watch. It explains very well the process that was used in filming the birds and all the effort that went into making the film. We learn that the white pelicans became sick during the airplane flight from France to Senegal. We also learn that the footage of the film showing snow geese flying through snowy weather in the Adirondacks in New York State was improvised when bad weather conditions forced the film crew to abandon a staged scene of geese hunting. Watching the cute baby birds at the beginning of the featurette, especially when they are running with ultralight planes on the ground, is an absolute delight. In one shot, you can see that baby white storks demonstrate the same weird neck-bending, beak-clapping behavior as adult white storks. The narrator of the featurette makes a few mistakes. He pronounces "Adirondacks" as "A-DIR-on-dacks" instead of "A-dir-ON-dacks". The last part of the featurette is about the filming of white storks flying over the Sahara Desert. The narrator mistakenly refers to the storks as "swans" at least twice. I highly recommend the film and its DVD. Your view of birds will be forever changed by watching this film. Anyone who has had a chance to watch this film has been incredibly lucky. As you know, the film only received limited theatrical release in the US. Sony released the film in American theaters only in the summer of 2003. This was months after it was nominated for the Academy Award for Best Documentary. This makes absolutely no sense. Also, Sony did a huge disservice to the film by not running any ads on American TV for it. The people who run Sony should be ashamed of themselves.
The film begins along a minor waterway in Europe as a flock of geese begins its annual migration north to its summer breeding ground. It then cuts to other locales around the world as other species of large birds - usually cranes, swans, and storks, but also gannets, loons and others - begin their respective journeys. In all cases, the captioning identifies the species, their start points and destinations, and the miles between the two. Occasionally, Perrin makes the point more spectacularly by superimposing the flying flock on an image of the Earth taken from near-orbit. Voice overs are kept to a minimum. Except for New York (with the WTC still standing), Paris, and a dismal industrial wasteland in eastern Europe, the flocks are shown flying through unpopulated landscapes both varied and magnificent: beaches, ice fields, Monument Valley, northern tundra, open oceans, snow-covered mountains, Asian farmlands, forest-enclosed lakes, deserts, and tropical rainforests. The sunset and weather (blizzards, fog, thunderstorms) provide dramatic backdrops. Then, at journey's end, the birds are shown in their summer habitats - usually steep, dramatic cliffs or rock-strewn shores with sea-ravaged margins. But certainly the most eye-popping camera work is with the bird formations on the wing. The apparent vantage point of the lens is among the flock, with individual birds only an arm or hand-length away above, below, or to the side. I mean, you're RIGHT THERE! You'd think they'd have to be computer animated models. But a disclaimer at the film's beginning states that no special effects were used in the filming of the birds. While Perrin emphasizes the round trip to, and the stay in, the breeding grounds, he doesn't gloss over the dangers. The viewer watches as individual birds fall victim to animal predators, human hunters and poachers, and industrial pollution. Some circumstances are heartrending, as when a disabled bird is surrounded and overcome by predatory crabs on an African beach. Before concluding back at the same waterway and with the same flock of geese which began his documentary, the filmmaker makes a digression at first seemingly inconsistent with the title, i.e. with flightless Emperor penguins in the southern hemisphere. Of course, they use their wings to swim a couple hundred miles. WINGED MIGRATION is a film to remind us that the real world can be just as spectacular and amazing as any one of the mega-budget, FX-laden, mindless thrillers dished out to the masses. It's wonderful.
Second, to obtain the spectacular footage for the film, the birds shown in the film HAD to be IMPRINTED. Otherwise, it would have been impossible to film them up-close on their migration routes. Which wild birds do you know of that would let filmmakers fly close to them while they are flying their migration routes? Answer that, critics of the film!!!! Third, the birds were taken to a wildlife sanctuary in Normandy, France, after the filming was over. They are taken care of by seven workers. This film is GORGEOUS and all bird lovers should see it. Ignore the people who feel compelled to bash it. After having read Errol Fuller's book "Extinct Birds", I felt lucky and honored to be able to see up close and personal today's birds in wonderful flight. Fuller's book contains illustrations and descriptions of so many EXTINCT birds that it saddened me. Watching "Winged Migration" has uplifted my spirits. Man has caused the extinction of at least 75 bird species since the year 1600. Be glad that a small percentage, but wide variety, of today's bird species are captured on film for your viewing pleasure and for posterity. If passenger pigeons, which once numbered in the BILLIONS, were still alive today, I have no doubt that footage of their SPECTACULAR mass migration flights would be included in this film. Such footage would make the starling flight footage in the film look puny in comparison.
According to the film's credits: "The hunting scene was filmed in North America, on sites where it takes place every year." As if the sport of bird hunting is somehow limited to North America, or was introduced to the world by North America. And Duck L'Orange isn't a French dish? At least for me, the swipe detracted greatly from this otherwise wonderful film.
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| 3. Walking With Dinosaurs Director: Tim Haines, Jasper James | |
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Reviews (148)
I would have gave this film 1/2 of a star more IF the computer animation overlay sequences always had correctly adjusted contrast to match the natural scenery. And an additional 1/2 of a star if there were a few more exciting scenes added. There is one scene were this huge sea dinosaur jumps out of the water and gulps down a large land walking dinosaur. This scene is startling. It will make you jump and clap. Exciting stuff. A little more of this and this DVD would be much more entertaining. The second DVD that comes in this set is very nice. It shows how everything was done and is quite entertaining. This DVD gets 4 1/2 stars!
"Walking with Dinosaurs" is a visually brilliant piece of documentary work, combining a dazzling array of computed-generated imagery and animatronics. The 2-disc set comes with bonus pictures such as PIP, a "making-of" featurette and subtitling. The main feature is divided into 6 main chapters, with each focusing either on a particular period (e.g. Late Triassic in "New Blood") or type of creature (i.e. a pteranodon in "Giant of the Skies", ocean-dwellers in "Cruel Seas"). What can I say? It's a visually breathtaking experience, presented ala a National Geographic or Discovery Channel special, actual documentary. Some scenes are very graphic (i.e., when the velociraptor was feasting on a newly-hatched diplodocus, when a baby diplodocus was accidentally killed by the spiked tail of a stegosaurus). Some where hair-raisingly shocking (e.g. when the hige sea creature came out of nowhere to grab the unsuspecting raptor-like dinosaur). It's simply amazing, especially for one such as I (and I believe millions of other people) who grew up with a wide-eyed fascination for dinosaurs. It's like seeing them for the first time (check it out - the T-Rex' saliva even splashed onto the camera lens! Ughhhh....:) Trust me, you have to get this. As an avid DVD collector (I have over 200 titles, including some of the better animal documentaries such as those by IMAX), I'd consider this a top 10, "must have".
PROS * "Making of" bonus DVD is a treat for older viewers interested in seeing how the episodes were made. THERE WAS A LOT OF INTERACTION WITH PALEONTOLOGISTS DURING THE DEVELOPMENT PROCESS THAT ADDS TONS OF CREDIBILITY AND REALISM TO THE END PRODUCT. * Animations as real (or better) than Jurassic Park * Comprehensive focus on different periods (Triassic, Jurassic, and Cretaceous) of the dinosaurs and wonderful background on the different climates and geology of these periods PURCHASING RECOMMENDATION | |
| 4. Nadia Director: Alan Cooke | |
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Amazon.com Reviews (43)
The gymnastic sequences were very well done, although some of the editing was pretty bad. If you can get your hands on this movie, than I think you should see it, because it deserves to be seen.
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| 5. Super Size Me Director: Morgan Spurlock | |
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Reviews (22)
In this film he targets the fast food industry--in particular, McDonald's--to show how the "McDiet" eaten on a regular basis can lead to horrifying health problems. He does this by committing himself to a 30-day nothing-but-McDonald's-food diet, three meals a day, and while prior to the onset of the diet his blood chemistry is clearly healthy, at the end of the 30-day "binge", things have taken an extremely alarming turn for the worse. The doctors who monitor him are shocked by the startling change and advise him to stop the diet immediately. Along the way the viewer is treated to a sizeable number of interviews including, among others, of lawyers with clients suing the fast food industry, health officials, school officials, average Joes who eat the stuff regularly, and one obese man who undergoes extreme surgery--gastic bypass--to relieve him of his terrible symptoms. At times the film dives into disturbingly unpleasant images. For example, the man undergoing gastric bypass surgery is interviewed prior to the surgery, and then the film actually shows details of the surgery itself, specifically focusing on the massive amount of fat that is extruded from the patient. In another scene, Mr. Spurlock is sitting in his car eating a McDonald's lunch and after 20 minutes of ingestion, he suddenly regurgitates what he ate--also shown in detail. These are probably unnecessary, but the filmmaker is obviously making a point. Luckily there is abundant humor here as well, of the Moore-ian ironic type, interspersed with the serious material so well that the viewer is almost constantly entertained. Much better than one might think, this is an excellent addition to the documentaries that pave the way for change. In fact, a mere six weeks after the film was initially screened, McDonald's discontinued its Super Size policy. Definitely recommended.
That this film is worth noticing is proven by the number of critics, mostly on the right wing, who have lined up to take potshots against it. So Spurlock might have exaggerated, even cheated to make his point about how fast-food chains are contributing to America's obesity epidemic. Any fool can see that there's an agenda behind this film. The facts are incontrovertible, however: sixty percent of American adults are overweight. Obesity is now the second leading cause of preventable death. Major food manufacturers spend billions of dollars a year promoting their largely unhealthy products to the most vulnerable American consumer: children. This documentary should be mandatory viewing in all schools.
He starts out being in great shape, having tests done (blood, cardiovascular--you name it, he had it done!). Three different dr.'s take his case, plus a nutritionist as well. All the results were better than normal. So he starts out on this binge of eating ONLY what's on the McDonald's menu for a month. If anyone suggests to Supersize, he has to say yes! AND he does! Breakfast, lunch & dinner all from McDonald's. In a matter of over a week, his body has changed. The more he eats, the more he craves. It's the sugar that gives him the "high" & once that drops, he's useless. His girlfriend (whom doesn't eat any meat whatsoever), is against this, but stands by him. After roughly 2 weeks, he is depressed, followed by mood swings, heart palpitations occur, some chest pains, headaches, etc. Nothing good by any means. Going back to have more tests done by the Dr.'s who are watching him closely, they all say the same thing: "You should stop, your liver has damage. This could cause more if you continue. You might in fact have done damage to your heart, which might cause problems in the future. If something happens to you, please call us immediately & there will be help ASAP". More and more bad news. He just is dreading eating another meal, but for the duration of this month, he continues to eat this. It literally is a struggle for him in the end, but he doesn't quit no matter how horrific the test results are. He's determined. There is a part where he consults his mother (via phone) & for a few minutes I was convinced he would stop. The next scene you ask? YES, he is eating another burger. Seems to go for the value meals best. By the time the end of the movie arrives, he has gained almost 25 lbs., cholesterol has risen from roughly 165 (?) to 225 & the fat count is way above what it should be. Dangerous levels. The sugar intake is unbelievable. I won't give away the ending because it ruins it. Just an amazing documentary & well done. A lot of humorous parts, to which it displays how clueless Americans really are. Two girls think that suing the McDonald's co. for making them overweight is going to get money, well think again! They chose to eat it! Didn't see any arm twisting going on. Please go see this true & factual movie. It's worth every penny you spend & then some! It changed how I look at fast food--don't eat much myself, but now that I've seen this movie, won't at all. It's a real eye opener. Encourages exercise & healthy diet. This is on my "A" list of movies to buy. A treasure you'll want to share w/ others. I know a few people that should see this!
The movie was made by Morgan Spurlock, who after hearing about he lawsuits against McDonalds, decided to try something out. He went to see many health doctors, found out that he was in great condition for his age, and then went on a new diet. He could only eat McDonalds food. Three meals a day, and he has to try everything that is on the menu at least once. He could only eat McDonalds food, so that means he can't have vitamins or anything like that. He also has to get the larger "super size" if he is asked. That is a must. The diet will last for thirty days, and throughout he will get advice from different kinds of doctors, as well as us getting treated to interviews from these doctors. His vegan girlfriend Alex begins to worry about Morgan during his entire diet, and how he's changed. At the end of the "child's dream" you'll see the changes that Morgan encountered physically and mentally, and if any of it is permanent. It is hard to write a plot for a documentary, because you don't want to give too much away. You don't want to describe what happens at the end, and what is proven, and you only want to describe, in this case, what the man is like, and what he intends to do. The movie showcased him eating the food in different states. He travels, and he shows what is different at all the different McDonalds around America. We also get a "taste" at the obsetity of America, and which states are the fattest. He provides enough background information for us to understand why he is doing what he is doing. "Super Size Me" is one of the most intriqing looks at the weight of America, and it could be an early contender for an Oscar next year. The next documentary that I hope to see is "Fahrenheit 9/11" which should be a very different idea. ENJOY! Not Rated, but should be close to PG-13 for brief strong language and some thematical elements. ... Read more | |
| 6. Dear America - Letters Home from Vietnam Director: Bill CouturiƩ | |
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Amazon.com Reviews (35)
I have seen other Vietnam movies (Full Metal Jacket, Apocalypse Now,) but none rivals this one. It's just a hauntingly beautiful film. See this movie. It applies now more than ever.
Does anyone no the sound tracks that were used in the movie, or to be more specific, the one at the start.
I first saw this film when it first aired on HBO, and I taped it then. That was a long time ago. I don't know where that tape is anymore. I was part of the generation depicted in this film. I did not go to Vietnam. In the draft lottery back in the day, my birthday was picked way down the list. That made my mom very happy. It left me with mixed emotions. I didn't support the war back then, but I would have gone if drafted. In some ways I feel guilty that I never went. And in some ways I am grateful. Watching this movie will make most viewers, of whatever age, grateful that they did not have to experience any of that. I would not want my children to experience such horror. We can play "what if" as much as we want - what if we had sent more troops, what if we had not held back. None of that matters now. This movie shows the tragedy of that war, that era, to full effect. It teaches lessons that folks in positions of authority seem unwilling or unable to learn. It is embarrassing to note that the majority of "chicken hawks" among the policy makers in the US government right now are of my generation - the generation depicted in this film. It's enough to make one despair.... ... Read more | |
| 7. Latcho Drom Director: Tony Gatlif | |
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Amazon.com Reviews (25)
not a documentary in the usual sense in that there is no script or text, no interviews. the story is told wholly through gorgeous visuals and incredible music----and it is not any less informative for that fact! furthermore, by beginning in india and moving its way circuitously west to spain, one hears in sequence the transmutation of the musical styles---an obvious and simple yet truly amazing cinematic structure. the sensitive viewer will absorb the pathos of rom people without difficulty. not a film for literalists, however, or those who need their cultural experiences explained to them. in this way the film is also very french.
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| 8. Elvis on Tour Director: Robert Abel, Pierre Adidge | |
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"Elvis On Tour" is much looser than "That's The Way It Is". He does not seem nervous like he did on the previous tape, and he adds extra flare to the songs that he performed in the previous outing. Elvis's voice is in its greatest shape ever here. He delivers a powerful, intense vocal performance on "Bridge Over Troubled Water", then gives a gentle reading of "Funny How Time Slips Away". The rockers are also extremely good. Elvis gives electrifying versions of "A Big Hink O' Love" and "Lawdy, Miss Clawdy", plus a good version of "I Got A Woman". Closing this magnificient video is a beatiful rendition of "Can't Help Falling In Love". I do have one gripe however. On the "Lost Performances" video, there are several performances filmed for this video that should've have been included. These songs are a powerful "Are You Lonesome Tonight", "I Can't Stop Loving You", "All Shook Up", "Release Me", "Teddy Bear"/"Don't Be Cruel", and a stunningly beautiful "How Great Thou Art". However, this truly is a must - have. Elvis is truly at his finest hour, his last moment of glory before sinking into the pits of drugs and fatty food.
a highly appreciated movie ... Read more | |
| 9. The Last Days Director: James Moll | |
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The DVD version offers other features such as a Steven Spielberg introduction, outtakes and behind the scenes footage, a survivor's photo gallery and a production photo gallery.
Nazi's hated Jews so much. And after all what Nazi's did to all Jews and Humanity I find it extremely difficult to hate them too even though I feel that Nazi's to my eyes when I see them on TV are as Jews were to them in WWII. You must watch this documentary! It is a must. Especially for people who protested against American and British Policy about war. If U.S.A. goes into war - understand and be very sure that they do that only for one reason : LIBERATING and REKINDLING the lives of the oppressed, hopeless people. This is what makes U.S.A so PROUD and the rest of us so honored to know that in case we're treated unfairly we have someone watching over us. America on Earth and God from Above.
sonderkommando were the jews who were forced to work the ovens and dispose of the dead. ... Read more | |
| 10. The Innocents Director: Jack Clayton | |
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Amazon.com In one of her finest performances, Deborah Kerr stars as Miss Giddons, a devout and somewhat repressed spinster who happily accepts the position of governess for two orphaned children whose uncle (Michael Redgrave) readily admits to having no interest in being tied down by two "brats." So Miss Giddons is dispatched to Bly House, the lavish, shadowy estate where young Flora (Pamela Franklin) and her brother Miles (Martin Stephens, so memorable in 1960's Village of the Damned) live with a good-natured housekeeper (Megs Jenkins). At first, life at Bly House seems splendidly idyllic, but as Miss Giddons learns the horrible truth about the estate's now-deceased groundskeeper and previous governess, she begins to suspect that her young charges are ensnared in a devious plot from beyond the grave. Ghostly images are revealed in only the most fleeting glimpses, and the outstanding Cinemascope photography by Freddie Francis (who used special filters to subtly darken the edges of the screen) turns Bly House into a welcoming mansion by day, a maze of mystery and terror by night. Sound effects and music are used to bone-chilling effect, and director Jack Clayton, blessed with a script by William Archibald and Truman Capote, maintains a deliberate pace to emphasize the ambiguity of James's timeless novella. The result is a masterful film--comparable to the 1963 classic The Haunting--that uses subtlety and suggestion to reach the pinnacle of fear. --Jeff Shannon Reviews (66)
Although I'm not 100% sure about Deborah Kerr's performance in The Innocents, it certainly didn't tarnish my respect for this film. Miles and Flora are played by two outstanding children, who truly are stars. Miles' character was just the most eerie thing I've witnessed in a movie for a long time - he indeed had the air of an innocent, but there was definitely an adult, almost sexual side to the boy. Very creepy. The lighting effects, multitude of mirrors and spooky Miss. Jessel filled me with fear from the moment I started watching this - and I was hooked until the closing credits. My favourite part of The Innocents was the governess's bizarre dream sequence - spinechilling stuff. I'll be sure to recommend this film to all my friends in the hope that it'll get the recognition it deserves. More of this style of psychological horror please Hollywood - if I'm subjected to another bad teen horror movie I will not be responsible for my actions.
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| 11. Sarah, Plain and Tall Director: Glenn Jordan | |
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"Sarah" is a story told in the first-person by Anna, a young farm girl who lives with her widowed father and younger brother, Caleb. Anna's father sends by mail for a prospective new wife: Sarah, a woman from the Maine seacoast. As the story unfolds, Sarah arrives on the farm and gets to know the family. MacLachlan writes in a simple but poetic style that expertly conveys the emotions of her characters. MacLachlan is wonderful at catching the details of farm life, which the reader discovers along with Sarah. I also like the way MacLachlan evokes the Maine coastal landscape through Sarah's dialogue. There is a subtle suspense to the story: will Sarah decide to stay and become a part of the story? I won't give away the ending. But I will say that "Sara" is a gentle and compassionate book for readers of all ages.
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| 12. Woodstock - 3 Days of Peace & Music (The Director's Cut) Director: Michael Wadleigh | |
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Not having been alive in the 60s, I only know what I've read and been told by those older than myself, but I'd guess that the first assessment is a bit idealistic, while the second is unfair, and that the truth is "somewhere in between," to fall back on the cliche. What the film does successfully document, I gather, is what it felt like to be young and hippie and excited about music and social protest and all the things Woodstock at least appeared, at the time, to represent. The feeling is what's embodied in the filmic techniques, the scenes chosen, and the performances themselves, and this makes Woodstock a successful documentary. The 60s were many things, and no film could capture all of them. Actually, in spite of the fact that it allows itself to get very much caught up in the excitement, I think the film has its moments of ironic distance and sobering reality, such as the port-a-san scene (particularly the extended shot of the average joe cleaning the things). For a good counterpoint, I recommend the Isle of Wight festival film, which captures the darker, more selfish side of the hippie generation.
Despite the mud and the squalor, this is an extraordinarily beautiful film, with the screen often breaking up into two or three segments. (Note on the closing credits the name of Martin Scorsese on the production team.) It's well worth contrasting this movie with the DVD of the 1970 Isle of Wight festival. Only a year separates the two concerts, but the late 1960s idealism of Woodstock gets replaced by prototype British vandalism. The Who perform at both concerts, and make an equally good account of themselves. Daltrey's emotional delivery of 'See Me, Feel Me' helps to explain why 'Tommy' became such a phenomenon in America. Hendrix also performed at both, but his meandering solo at Woodstock was not of the highest standard. The other highlight of the show was Santana, a Latino band only just beginning to establish themselves in California at the time. As others have noted, the drum solo by Mike Shrieve is impressive for one so young. As with the Who, Santana's album sales will have multiplied as a result of their Woodstock performance. It's interesting how many great acts weren't at Woodstock -- e.g. Joni Mitchell (despite her song about the concert!), the Doors, Bob Dylan or the Stones. The first two clearly realised how important these festivals were in the breaking of artists into markets, and so they appear on the Isle of Wight DVD. For most of my life, Woodstock has been a set of static images, largely taken from the cover of the album. But as this film reveals, there is so much more imagery than pictures of beautiful women bathing in the lake. Quite apart from all the idealism of passing whisky bottles and reefers around, of sliding in the mud, the film shows the flip side: of people queuing in the mud to phone home, of helicopters rescuing the sick, of helpers cleaning toilets, and of barefoot stragglers looking for a pair of shoes amid a post-concert site that looks more of a wasteland than the trenches of the First World War. Enjoy it in all its glory and all its grime.
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| 13. Fahrenheit 9/11 Director: Michael Moore (II) | |
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