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| 1. To Kill a Mockingbird Director: Robert Mulligan | |
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Amazon.com essential video Reviews (220)
In a Pulitzer Prize winning novel by Harper Lee, the small town of Macomb, Alabama is portrayed in the summer of 1932, during the deepest depression that the United States had ever experienced. Over the course of the next year and a half, events will burrow inside this sleepy southern town and the lives of its residents will be transported by actions, ideas, perceptions and convictions that will influence one and all in ways that will ring true for years to come. Atticus Finch (Gregory Peck) is a lawyer and widower, raising two small children, Scout (Mary Badham) and her older brother Jem (Phillip Alford). Into their lives enters a visitor, Dill (John Megna) from Meridian, Mississippi, come to spend two weeks with his Aunt Stephanie (Alice Ghostley). Macomb is a town with nothing to do and if there were, no money to spend on it. The stage is being set for a life shattering episode that will not go quietly into that good night. Childhood holds its fascinations, its myths, its coming of age and through the eyes of the three children, the audience is allowed to peer into the adult world around them as perceived through the minds and souls of innocence that will be all too easily shattered as time whistles down the track. One of the stories woven so masterfully within its covers is the local urban legend of bogeyman, Boo Radley (Robert Duval), who lives on the same block as the Finch family. In a narration, rather like playing telephone, his persona takes on all the familiar attributes of a raving lunatic, a monster out for blood. His aura becomes the end all for Scout, Jem and Dill as they seek to master the mystery surrounding Boo and the ability to live to tell the tale! Into this world of innocence, a shattering crescendo of complexity wraps itself in the lives of the townspeople in the form of an alleged rape of a white woman, Mayella Violet Ewell (Collin Wilcox) by a black man, Tom Robinson (Brock Peters). Atticus Finch is called upon to act as counsel for Robinson and in doing so, the stage has been set for a dance with race relations and the exemplary lengths that are gone to in order to allow justice to prevail in the face of malcontent. The performances throughout To Kill A Mockingbird are stunning. Gregory Peck, as the gentleman lawyer, mired in small town attitudes and thoughts that were so representational in the southern gothic sphere, has collected and held a restrained order to his character, and in the process, he has allowed us all to be on the receiving end of hate as conveyed through the actions of small minds and small people. The children, especially Mary Badham, are siblings of more than a movie making venture. They show the absence of preconceived notions, and the guile of beings before the actions of adults can render their world as lost and gone with the shedding of time. James Anderson as Tom Ewell is the complete representation of oily slime as Mayella's father. He embodies all of the hate and prejudice that continues to be harboured to this day in the souls of those who would attempt to wield their vision of the way things should and ought to be. He has a foul baseness that lingers like a bad rash as he attempts to invoke his arguments through drunken bullying and hatred. Collin Willcox as Mayella is excruciatingly convincing as the bored, housebound white woman who tries to tempt Tom Robinson into kissing her and through her actions sets in motion a rollercoaster of tragedy to come. Her speech to the assembled courtroom is superb and as the audience, you feel her anger and resentment at having to be put in such a position, having to lie to save face and what little position she has in the town. Brock Peters as the aforementioned Robinson is equally sure in the allotted time he spends on the screen. There is a noble demeanor to his bearing, and yet we are aware of the restrictions that blacks were held to in their relationships with whites at the time. Robert Mulligan, the director and Horton Foote, the screenwriter, have presented us with a look into our pasts and faithfully etched a portrait of quiet and artfully rendered proportions that draw us into the canvas and the lives of those assembled. We have walked a mile in their shoes and been under their skin. Foote worried about being able to do justice to Lee's novel, but he worried for nothing. He has completely evoked an era that now rests behind clouds of dust, blown by the winds of time into oblivion. The cinematography by Russell Harlan and the set decoration by Oliver Emert carry us back through the courtesy of black and white to a depiction seen only in old photographs and clouding memories of those who lived in those precarious times. Black and white films seem to have had a curse thrust upon them by the younger generation today, as boring and tedious, but through the courtesies extended by Harlan and Emert, we are richer for those perceptions that would harken back throughout the pages of history. Elmer Bernstein's film score carries us like an old friend and helps us to make our acquaintances with the characters held within this framework. He has achieved much with a simple theme and persuades us that said simplicity is fulfilled with less rather than more. To Kill A Mockingbird is beautifully haunting and having been made in the 60's, at the height of the Civil Rights movement, it garners our attention to stop and take the time to truly 'see' what the human race is all about and what it can and should be, if taken over the bumps in the road and onto a path of sincere honesty and purpose. No special effects were needed, no huge Hollywood budget, no splashing of a story that had a happy ending for everyone involved. It is an open book into the realities of a world tilting temporarily off its axis, and being brought back on track through the goodness that sits in the hearts, minds and souls of mankind, if given half a chance. See it and be amazed at what real moviemaking is all about.
"Mockingbirds don't do one thing but... sing their heart out for us. That's why it is a sin to kill a mockingbird." The movie 'To kill a mockingbird' depicts the destruction of the innocent by the evils of the society. Mockingbird is a symbol of innocence, characterized by Tom Robinson and Arthur Radley (Boo) where racial prejudice and ignorance are the symbol of evils in the society. Tom Robinson, an African-American is accused by Mayela, a white woman, of sexual molestation. Atticus, a prominent lawyer of the town Maycomb, has proved that Tom Robinson is innocent but still the "all-white jury" convicts Robinson of the guilt. Tom Robinson, a "quite humble respectable Negro", becomes the victim of racial prejudice. Arthur Radley (Boo) has been emotionally destroyed by his father, as his father did not let him step outside the house. Boo is one of the "mockingbirds" in the story, who is the victim of ignorance; evil of the society which is trying to kill the good. Boo had a deep affection for children, which is later displayed in the story, when Boo saves Jim and Scout from Bob Ewells. "There are some men in the world who are born to do unpleasant jobs for us; your father is one of them", said Maudie to Jim after his father (Atticus) lost the case of Tom Robinson. Atticus helped his children to learn values of life and he showed them how to live life by the values; preaching by practicing. Atticus allowed his children to call him by his name instead of 'father'. He wanted his children to explore freedom, but also taught them to stay in limits. Jim is brave, intelligent, and caring. He learns courage, dignity, and value of life from his father. He is transforming into adulthood. Scout is still a kid; she does not know anything about the existence of evil in the society. She is learning about evils from the real life example of the victims (Tom and Boo) of the evils in the society. By the end of the story Scout's perspective on life develops from that of an innocent child into that of a near grown up. "Mr. Tate was right", said Scout to Atticus, after Mr. Tate, the town Sheriff explained Atticus indirectly that whatever Boo did was correct and he is not supposed to be punished for that. "It would be like shooting the mockingbird, wouldn't it." Scout shows a high level of ability to comprehend at the age of five, and understands the whole situation and judges what is right and what is wrong. The Music Director of the movie has done an excellent job. Music plays an important role in the movie, by setting the mood for what is been screened. The movie starts with a musical note, which seems like it is played by a kid, one note at a time. The movie also has gothic music to create the horrifying or thrilling environment, when Jim and Scout were walking home after the Halloween Party and they had an encounter with Bob Ewells. Most of the places the movie has melancholy music to produce the feeling of thoughtful sadness. The pleasant arrangements of musical notes in the movie create an atmosphere where we feel that we are a part of the movie, and we go back into our nostalgic memories and look back into our childhood. The movie itself seems like a mockingbird song. My favorite scene in the movie is when Atticus is walking out of the courtroom after the trial is over and all the "colored" people sitting in the balcony stands up to pay respect to Atticus, a white man, who tried his level best to save a "Negro." The Reverend says to Scout who was sitting, "Stand up Jean Louise. Your father is passing." The scene says it all, there is not much dialogue but the expressions on the faces of the black people was marvelous, with a slow melancholy music at the background. As it this situation there is nothing left to say, because everyone knows in the courtroom that Tom Robinson is not guilty but still the jury has convicted him of the rape, just because of racial prejudice. _____________________________________________ Kuldip Kumar Garhwal(...)
The movie starts however with a seemingly unrelated event, the lives of Atticus Finch's two children. His daughter is a tomboy and his son is trying to keep her from getting into more trouble. The stumble upon some strange items and look at the house of a strange man called Boo Radley. Then the movie goes into the court case. It is of course very obvious that the black man is innocent, but this is 1930's South with an all white jury... Then the two parts of the movie come back together again... The acting in this movie (in black and white) is superb. I recall that Gregory Pecks perfomance was voted the best of the century. Even the little girl is superb, she even got a nominatation for an oscar. Boo Radley is played by Robert Duvall, though he says next to nothing and is only in the movie for a few minutes. He of course 10 years later would play Tom Hayden in The Godfather. For Star Trek fans: Tom Robinson, the black man accused, is Sisko's Father of DS9
Tom Robinson, a black guy living in the same town called Mayconb was one of the central characters in the movie has been accused of raping a white woman. However, eventually he was convicted as guilty of charge and subjected to unfair justice system by the ignorant majority that have taken part in the jury. But there were other themes that also have significance to its crafts also. Its amazing reality of children's life that is so universal. It created a reality of vividing contention that helps the viewers to understand how the children see and think about the world. It also calls into attention of the activities that children by their vary nature involve in a family. For instance, Scout and Jem who are the central characters have enormous interests in scary yet joyful venture to Boo Radly's house even after being forbidden by their father. It was also important to observe how the children have collected gifts from the tree given by a isolated guy who they never been acquainted with. The phenomenal curiosity of children is almost inescapable from the viewer's notice in the movie. They were inquisitive in every detail of what has been happening around them. That gives us the idea of their emotional reopens to the world and family relationships. As you will see, if you watch the movie, their father atticuls who has been a significant moral authority to them. He has great influence on how they develop the ideas of people and differences of good and evil that remain in their fantasy world. The story of the movie has a unique way to tell you about a community and what is going on to its families. It takes us to the journey to reflect on our own childhood fantasy world and the adventures that still remains in our mind a thrill. ... Read more | |
| 2. Johnny Tremain Director: Robert Stevenson | |
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| 3. The Secret Garden Director: Agnieszka Holland | |
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Reviews (56)
There are moral lessons to boot all throughout the story. And for sure, the photography deserves praise. Suberb! Overall a perfect film that deserves a place in a collection. Frances Hodgson Burnett would not have been ashamed to see this film version of her classic novel were she alive today. Don't miss out on this one.
Having the parents die in an earthquake while Mary is watching is a needless, though minor liberty (though it does mean that the touching line about "there's no one left to come" must be left out). But there was no need to change the plot to make the housekeeper (a wasted Maggie Smith) evil, and the chanting around the campfire is just weird. The movie is worth watching for the scenery alone, but make sure that you read the book first. It is much better.
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| 4. Savannah Smiles Director: Pierre De Moro | |
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Amazon.com Reviews (112)
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| 5. The Secret of Roan Inish Director: John Sayles | |
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Amazon.com essential video What's remarkable about this film (which Sayles adapted from Rosalie Fry's novel Secret of the Ron Mor Skerry) is that it's not told as a cute fantasy for children, but as a straightforward, unsentimental story of a young girl's family history. That gives the film--which was beautifully photographed by master cinematographer Haskell Wexler--an understated charm that is completely absorbing in its atmosphere and subtle tone. There's magic as well, to be sure--you could almost swear that the seals and seagulls in the film took direction from Sayles as well as any human actor! --Jeff Shannon Reviews (70)
Roan Innish means Seal Island in Celtic. The story is of a young, orphaned Irish girl determined to uncover her family's secret. Her brother has been missing, and is never mentioned by her traditional and loving grandparents, who are raising her. The intrepid girl uses her detective skills, perseverance, hard work, and all the resources at hand to uncover a mystery greater than she or her grandparents ever imagined. This is a movie for adults more than children, as the heavy Irish brouge is a bit difficult to translate at first, and the beautiful filmography may seem slow-moving to children. Amazing acting will transport you to a place you have never been and will never forget.
Director John Sayles and cinematographer Haskell Wexler have crafted a simple story, told in leisure about a young girl who believes in her heart long before she has evidence for her eyes. Besides any film that involves a young man having to be tied between two cows for warmth after the sea refuses to drown him is obviously a film worth seeing. Then there all those lilting Irish accents and their wonderful way of coming up with a phrase to describe each situation. Add to this the wonderful soundtrack of Irish music and the captivating mystery and I do not think you will have to worry that the relatively slow pace of the film will lose the interest of your children. They too will want to learn if their suspicions about the island's secret are correct. "The Secret of Roan Inish" is a delightful family film, of the sort we will all agree they simply do not make enough of any more.
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| 6. Shiloh Director: Dale Rosenbloom | |
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Amazon.com Reviews (11)
However, both my 9 year old and I enjoyed the book far more...it gave such a deeper insight into Marty's heart, and into the world of a boy and his dog. We were both very affected by the book; it made an impression on us that the movie did not. I especially did not like the addition of another child, a girl, into the story. It seemed Hollywood wanted to add a little childhood flirting to make the movie more sellable. That just served as a distraction from this fine story. There were many differences from the book, but this was the one that irked me. It still was a very good movie with a heartwarming ending. If you haven't read the book, you'll like it even more cause you won't be comparing differences.
If you are looking for a good family film and have not read the book you will not be disappointed.
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| 7. Little Miss Marker Director: Alexander Hall | |
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Reviews (10)
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| 8. The Education of Little Tree Director: Richard Friedenberg | |
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Amazon.com At first it might seem easy to dismiss this movie as hokey, especially when Little Tree's Scottish grandfather teaches him to make whiskey and he befriends a dog. But the film gains emotional power when Little Tree becomes close to an older Cherokee who tells him about the Trail of Tears. When the government places Little Tree in an Indian school, where he is abused physically and psychologically, the tough issue of the forced assimilation of Native Americans isn't glossed over. Excellent performances and a gripping story make this well worth watching with children ages 8 and up. An interesting side note: Forrest Carter, who wrote the book the movie is based on, was a one-time KKK member and speechwriter for George Wallace. It's hard to imagine how a former white supremacist could write such a moving tale about racism. Despite the controversy surrounding Carter, this sensitive film deserves to be taken on its own terms. --Elisabeth Keating Reviews (32)
The Native Americans that are included in this film are The Cherokee People, and their story, including, "The Trail Of Tears", play a prominent role. Like other Native Americans, The Cherokee lived without destroying the land and the wildlife they coexisted with. They only used what they needed, greed did not drive them to exploit nature and destroy her, as we and our ancestors have, and continue to do. The movie is beautifully filmed in the mountains of Tennessee, and the director took the time to capture the natural beauty that European settlers were to exploit and ruin. It's true some of this beauty still exists, but is largely because it has become national parkland, rather than having been left unmolested out of respect for its intrinsic value. Poignant moments are frequent in this film, and one is certainly when a young boy who is half Cherokee is sent off to a Dickensian nightmare of a school to be abused because of his, "Indian Blood". Upon his arrival he is stripped of his Native American name and given an, "American replacement", Joshua. It appears that biblical names were originally written for re-naming true Americans. Graham Greene is a familiar face to many moviegoers and he is a pleasure to watch in this film. Tantoo Cardinal who plays the role of the young boy's Cherokee grandmother is also wonderful. The movie does not resolve its tale on a completely happy note, nor one of complete despair. As it has in real life, time has shown all that was lost when Genocide was carried out against Native Americans as federal government policy. Had good judgment, and lack of stupefying greed worked to integrate the newcomers to this country with the natives that were here, I have little doubt our country would be better for it, and the facts of the country's history would not include the genocide of those people we deemed to be in our way.
Lisa Nary
The connection of the people to the land and nature was very evident, but, understated, and they were not stereotyped as turning into mystical beings, but, rather, being one with the beauty around them- poor but rooted there. My humble Grandparents also took me to rock ledges and the woods to pray. Showed reverence for all living things. Someone has mentioned that characters were stereotyped as typical of mountain people. I would like to say that one of the reasons I like this movie is that I was very moved by the way a filmmaker set down scenes and family interractions that I experienced. There are people still alive who I have known well, who are good nurturing souls like the Grandparents and John Willow. Even now, in Hollers and on country cowpaths, there are folks like these, believe me. So much hurt and antifamily abuse came out of so many Indians going off to Indian boarding schools. But, here and there, and where I am from, there are pockets of country Indians, registered tribal people, living in harmony. Holding us together. Could have been my grandma's cabin,inside and out, or my adopted Dad and Mom. There was much good said in this movie, and implied, about traditional values of kindness and caring. About family, friends, and how if an Indian child does not have relatives, they are given relatives and taken care of. The Ongoing, the future of the community. Closeness to the land. | |
| 9. A River Runs Through It Director: Robert Redford | |
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Amazon.com Reviews (66)
His only direct presence is the narration he does at various times during this movie. It also does not take a great deal of imagination to see in the actor Brad Pitt, of 11 years ago, a man that bears a remarkable resemblance to Redford himself. This story of the zeal with which aficionados dedicate themselves to the art of fly fishing is a beautiful film to watch. Redford puts Montana on the screen in such a way as to make virtually anyone desirous of having a home amongst the mountains. The story is much more than a feast for the eyes as the story of a minister's two sons, who are strictly raised, ultimately have such divergent lives, both in type and length. This is not a very happy story, although it has moments of pure joy that balance tragedy as well as tragedy can hope to be balanced. One of the best examples is when Brad Pitt as Paul does battle with a prize catch in one of their favorite rivers. To say he almost fights the fish in its world as opposed to his own is not much of a stretch, and it is wonderfully filmed. Robert Redford has made his place amongst the legends of the film industry, and he has done this by not only appearing in front of the camera, but behind it as well.
Set in early 20th century rural Montana, this is the coming-of-age story of the author and his brother Paul, sons of a Scottish Presbyterian minister who raised them with both love and sternness and instilled in them, more than anything else, an understanding for the divine beauty of their land, symbolized by and culminating in a fly fisherman's skill in casting his rod, and his ability to become one with the river in which he fishes. For, in Norman Maclean's words, in their family "there was no clear line between religion and fly fishing;" and growing up, the brothers came to believe quite naturally that Jesus's disciples themselves must have been fly fishermen, too; and that consequently every good fly fisherman is closer to the divine than any other human. But while they were united by their love for their native land and its rivers and fish, the brothers couldn't have been any more different on a personal level. And thus, this is also a story of brotherly (and parental) love and loss, of the inability to communicate, and of dreams and aspirations nurtured and fatally disappointed. While disciplined, sensible Norman (Craig Sheffer) left Montana for a six-year college education at Dartmouth and ultimately - after having temporarily returned home and taken a bride - to assume a teaching position at the University of Chicago, rebellious Paul (Brad Pitt in a truly career-defining role) knew that he would never leave his home state and "the fish he had not yet caught;" and opted for a journalist's life instead. But ultimately he wasn't able to fight the demons that possessed him; and his parents and brother had to stand by and helplessly watch him embark on a path of self-destruction, reduced to comments on symbolic matters like Paul's decision to change the spelling of their last name by capitalizing the "L" ("Now everybody will think we are Lowland Scots," scorned their father), where to open topicalize their concerns would have destroyed the careful equilibrium of mutual respect, love, hope, caution and guardedness characterizing their relationship. And so, only after Paul's death could his father tell a hesitant Norman that he knew more about his brother than the fact that Paul had been a fine fisherman: "He was beautiful" - and mourn in a sermon, even later, that all too frequently, when looking at a loved one in need, "either we don't know what part of ourselves to give or, more often than not, the part we have to give is not wanted. And so it is those we live with and should know who elude us. But we can still love them. We can love completely, without complete understanding." Craig Sheffer and Brad Pitt are perfectly cast as the earnest, reasonable Norman and his maverick brother Paul, who relies on his innate toughness in his fateful attempt to take life to its limits and still beat the devil, but who also turns the casting of a fishing line into an art form that makes a rainbow rise from the water, and who with his greatest-ever catch stands before his father and brother "suspended above the earth, free from all its laws, like a work of art." Moreover, this movie reunited Robert Redford with Tom Skerritt, with whom he had first shared the screen in the 1962 Korean war drama "War Hunt" (both actors' big-screen debut), and who gives a finely-tuned, sensitive performance as the Reverend Maclean. Notable are also the appearances of Brenda Blethyn as Mrs. Maclean and Emily Lloyd as Norman's bride-to-be Jessie. But the movie's true star is Montana itself, particularly its rivers and streams; every frame of Philippe Rousselot's Academy Award-winning cinematography and every sweep of the camera over Montana's magnificent landscape, and along the silver bands of its rivers with their gurgling cataracts and waves curling softly against their banks, powerful testimony to Robert Redford's genuine love and respect for the West and for nature in general; the causes closest to his heart and matched in importance only by his efforts to promote a movie scene outside of Hollywood. And Redford himself assumes the (uncredited) role of the narrator, thus bringing to the screen Norman Maclean's lyrical language and uniting words and pictures in an audiovisual sonnet, subtly accentuated by Mark Isham's gentle score. Both movie and novella end with the lines that have given the story its title: "[I]n the half-light of the canyon, all existence fades to a being with my soul; and memories, and the sounds of the Big Blackfoot River, and a four-count rhythm, and the hope that a fish will rise. Eventually, all things merge into one; and a river runs through it. The river was cut by the world's great flood and runs over rocks from the basement of time. On some of the rocks are timeless raindrops. Under the rocks are the words, and some of the words are theirs" - those of Norman Maclean's now-lost loved ones; those he "loved and did not understand in [his] youth." As we have had to learn, it is not only human life that is terminal; even nature itself (including, incidentally, the Macleans' beloved Big Blackfoot River) is not immune to destruction by human carelessness. This movie is a powerful plea to all of us not to wait until it has become too late.
This movie will produce feelings that will linger with you long after the ending credits !
This movie portrays that notion, just fine.
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| 10. Searching for Bobby Fischer Director: Steven Zaillian | |
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Amazon.com Reviews (61)
Joe Mantegna discovers his seven year-old son, Josh played by Max Pomeranc, has a gift for playing chess. He sees his son's talent, and the enter the world of chess tournaments, behind the guidance of tutor, Ben Kingsley. Before long, he becomes the number one child chess player, and is seemingly unstoppable. Conversely, Josh merely wants to be a "normal" boy and just wants to have the love and admiration of his family instead of countless trophies, so he soon loses his edge for the chess world. The cast is astonishing. Lawrence Fishburn, one of the most underated actors of our time, plays a wonderful "street smarts" chess player. Add in cameos by Dan Hedaya, David Paymer, and William H. Macy, who I can't watch on the silver screen without saying "Ah, Gees," and you have one entertaining film. This is a truly wonderful movies, with lots of depth. It is not so much about chess as it is about finding one's inner strength and character in the face of adversity and high-pressure challanges. The acting is superb, and the chess tournament scenes are, in fact, riveting. This film is a can't miss.
Ben Kingsley plays the chess teacher hired by his dad to coach him in the ways of this competitive world where many of the moves are based on games played by such greats as Bobby Fischer. Laurence Fishburn's role introduces the flip side of the spectrum, a street player who plays for money in Washington Square, and shoots from the hip. Conflict is bound to ensue when oil meets water and it certainly does. Director Steven Zallian, interlaces live footage of Bobby Fischer's genius which Josh narrates, adding an interesting aspect to the possibilities and incredible vigor behind the competition that these kids are up against. Based on a true story, this was a great movie for the whole family, with life lessons to be learned. I highly recommend it. Kelsana 6/19/02
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| 11. Fairy Tale: A True Story Director: Charles Sturridge | |
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Amazon.com Although fairies are the visible subjects, the enchanting video is really about faith. Frances's parents (Phoebe Nicholls and Paul McGann) recently lost their son, Joseph, who had originally discovered the fairies and would like to think he may be an angel. Sir Arthur also lost his son and is courted by clairvoyants who claim they can talk to the boy. Elsie waits patiently for her father to come home, although it appears hopeless that he will. Harry Houdini is an illusionist but acts against the fraudulent claims of greedy mediums and the like. They are all touched by a need to truly believe in what remains hidden. The story is very loosely based on an early 20th-century controversy involving the real Frances and Elsie who faked pictures of fairies similar to the ones in the video. The real girls never confessed, but the video suggests the manner in which the real life photos may have been produced. --Margaret Griffis Reviews (36)
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| 12. Andre Director: George Miller | |
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Reviews (10)
"Andre" is one of the best family movies that I've seen in awhile. Andre is a smart seal that can be both entertaining and hilarious at the same time. I'm not a kid anymore, but I can see where "Andre" is best suited for kids. A little girl is the one that mainly takes care of and hangs around Andre, so when kids watch it, they'll probably be imagining themselves raising a seal. As a matter of fact, you shouldn't be surprised if they ask for a seal or if they want to go to the zoo right after they watch this movie. If you have any kids that like seals, or if you just need a great family movie that you can sit down and watch over and over with your kids, niece, nephew, etc., I recommend getting "Andre."
"Andre" is one of the best family movies that I've seen in awhile. Andre is a smart seal that can be both entertaining and hilarious at the same time. I'm not a kid anymore, but I can see where "Andre" is best suited for kids. A little girl is the one that mainly takes care of and hangs around Andre, so when kids watch it, they'll probably be imagining themselves raising a seal. As a matter of fact, you shouldn't be surprised if they ask for a seal or if they want to go to the zoo right after they watch this movie. If you have any kids that like seals, or if you just need a great family movie that you can sit down and watch over and over with your kids, niece, nephew, etc., I recommend getting "Andre."
yes i realize these are parts from twister, air bud, and ghandi | |
| 13. The Kid Who Loved Christmas Director: Arthur Allan Seidelman | |
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| 14. Wide Awake Director: M. Night Shyamalan | |
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Amazon.com Reviews (39)
Joshua, despite being a mere 10 years old, is amidst a faith crisis shortly after the death of his beloved grandfather. Throughout the movie, we see many flashbacks of the time spent between Joseph and his grandfather prior to his death, so Shyamalan allows his audience to come to understand how strong their relationship truly is. Unfortunately, his grandfather's death has affected Joseph in negative ways. He's confused over the existence of God and he's searching for his faith. Also, he's lost much of his independence. We see this every morning when he wakes up and goes to his private school - he can't get up on his own and brush his teeth and dress himself - his parents must help him. Joshua just wants to contact God to see how his grandfather is faring up in heaven, yet prayer and the Cardinal have been to no avail. During his religious search, we are introduced to Waldron Academy, his all-boys private school. To some of the public school population, this might seem like a different world. "Kids in uniforms don't smile much," Joshua says. He narrates the film from beginning to end. Waldron Academy was an actual school. Now, it is known as Waldron Mercy Academy and has since gone coed. How do I know? I graduated there in the year 2002. Shyamalan is another alumni - he attended when it was all-boys. So, I thought, perhaps some of Joshua's experiences were derived from his own. When filming took place, many Waldron students received the opportunity to be cast as extras. Some people are surprised this movie didn't do as well in the box office. But you've got to consider the fact that WIDE AWAKE is an independent film - it was released only in certain theatres, very few, actually. I received tickets through my school to see it at the Ritz in downtown Philadelphia. Joseph Cross does indeed deliver a strong performance, but WIDE AWAKE also has a strong supporting cast. Julia Stiles, then unknown, plays his older sister. Rosie O'Donnell gives a nice, 3-dimensional comedic performance as a nun school teacher at Waldron. Dana Delaney plays his mother, Mrs. Beal. She seems the ideal candidate for that particular role. WIDE AWAKE is an independent gem. And, unlike some films, it is the type of movie that gets better after each watch, not tedious. It finds the perfect balance between comedy and all-out seriousness during a young boy's journey in the world of faith. He comes out more self-aware, more mature, than the boy he was in the beginning. Audiences will enjoy watching as he undergoes this tranformation. However, if you hate the idea of religion, are athiest, disregard Jesus, etc., you might find this a bore. Not that you need to be a fundamentalist Christian to enjoy it, either. Religion has evidently played a pivotal role in Shyamalan's life, that's all. This movie speaks volumes of how God has effected him and that, perhaps, in turn can effect audiences.
I am not sure why some reviewers lament that it's a pretentious theme. Sure, it's not anything that'd be seen rocking boxoffice records or winning grand prizes, it even has some necessary contrivances. But it moved me, impelled me to think, and impressed me with a number of brilliant moments that are sensitive and engaging without becoming cloying. Shyamalan is now a familiar name, so I approached his debut effort with high expectations, and while it could be sappy in bits for some people, I'm guilty of having clung on until the very last shot. The writing is taut and the production values are all-round immaculate. I was not disappointed one bit! If you have kids, this is a fantastic movie to watch because of the sweet yet universal messages it couches. Plus, the kids in the movie are not freckled 10-year old brats, they have thoughts deeper than what you and I give them credit for. The script is by no stretch of imagination an overly ambitious one, but I highly recommend this underrated gem for its thoughtful dialogue and crisp direction.
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| 15. Radio Flyer Director: Richard Donner, David M. Evans | |
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| 16. Miracle in Lane 2 Director: Greg Beeman | |
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Amazon.com Reviews (23)
But Justin really wants to be like Seth, and so he wants to win a trophy because Seth is really good at sports. So he decides to start racing in soap box derby races. Seth doesn't really think it's a good idea for Justin to be doing something like that, but their parents start supporting Justin because they think it's a great idea. With a lot of heart and faith and hard work, Justin manages to make his dreams come true! Frankie Muniz portrays his character wonderfully, as usual. By the way, Frankie Muniz earned a 2001 Golden Globes nomination for Best Actor in a Comedy Series and he recently earned a 2001 Emmy Award nomination also for Best Actor in a Comedy Series. Patrick Levis is a terrific young actor, too. And the rest of the supporting cast is superb as well! This movie is based on a true story. I am seventeen years old and I think this is a wonderful film. I don't think that just because I'm a teenager then I shouldn't be watching the Disney Channel. I actually enjoy watching the Disney Channel and Disney films. If a teenager like me can enjoy this film, then anybody can enjoy MIRACLE IN LANE 2. Remember, that it's Disney and they couldn't be TOO realistic or serious - they had to make it so kids would understand and enjoy it, too. All, in all, MIRACLE IN LANE 2 is a must own.
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| 17. Jack the Bear Director: Marshall Herskovitz | |
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Amazon.com Reviews (12)
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| 18. Seal Morning Director: Jim Goddard, David Cobham | |
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| 19. Primo Baby Director: Eda Lishman | |
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Want a great horse movie? Check out "King of the Wind", 5+ stars!
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| 20. The Secret Garden Director: Alan Grint | |
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Reviews (51)
I usually hate spoiler reviews that give away the ending of a movie, but I am going to do that here, for reasons I hope you'll understand, as the epilogue affects the whole spirit of the film. Frances Hodgson Burnett, the author of the original classic novel, cut the story off before the three main characters grew up - a wise decision that let the readers make up their own minds about what happened next. Unlike other versions, this movie includes an epilogue that reveals what happened to them - always a dangerous decision when one doesn't have the last words from the author herself, but here disasterous. Years later, we meet up with an engaged-to-be-married Mary and Colin. To deal with the somewhat reasonable notion that this might be a bit unlikely with Dickon around, our Yorkshire Angel has been killed off in World War Two. Anyone who knows the story and what Dickon represents understands how outrageous this is. Apparently Hodgson Burnett knew what she was doing the first time around. Stick with either the 1993 or 1940 versions, preferably in that order, unless you're a Secret Garden fanatic who wants all three versions.
The setting of Yorkshire England and the rich cast of characters including the maid Martha, Dicken, Martha's brother, and many others make this a wonderful book for all ages. I have read the secret garden hundreds of times and each time I get something new out of the book. It's a true classic.
The Secret Garden has always been one of my favourite stories and I have an extensive collection of movie presentations. My two favourite ones are the classic MGM version with Margaret O'Brien & Dean Stockwell, and the 1984 BBC production (the most true to the novel) with Sarah Hollis Andrews & David Patterson. The 1993 Warner Brothers production also takes liberties, but is preferable to this Hallmark version in my opinion. It's too bad the producers did decide to change this detail in the Hallmark version, making the purists like myself unhappy, because otherwise they did a good job of it.
I don't know how fairly I can review this, because just thinking about I find myself thinking about a million other parts of my childhood. This movie was so important to me that it means childhood, and it takes a good movie to do that. I love the cast. The actress who plays Mary is a bit stiff, but it fits well with her character. Derek Jacobi is wonderful, tragic, and when necessary, frightening as Archibald. The soundtrack is haunting, and I occasionally find myself humming it, even though I haven't seen the movie in at least a year and a half. The movie follows the tone of the book, even with the occasional added scene. I don't know what devotees of the book would think of the frame with Mary as an adult, but since I knew the movie long before I ever read the book I love it. It doesn't take away from what the book has, and I think it contributes something to it. Plus it has Colin Firth in it, and who can argue with that? ... Read more | |
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