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| 121. Carol Burnett Show Collector's Edition: Sammy Davis Jr/ Shirley MacLaine | |
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Product Description | |
| 122. National Geographic's Season of the Cheetah | |
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Amazon.com Reviews (1)
Hostilities from lions and hyenas are touched upon, but the video's focus is really on the cheetahs' relationships with eachother. We follow three groups through a rainy season on the African savannah - a mother and her cubs who join up with a young female for mutual hunting benefit and companionship, male/female twins who have left their mother but have a year to go before they can be successfully independent, and three young brothers who terrorize them all. The footage of the three brothers stalking in perfect symmetry is simply unforgettable. You'll be on the edge of your seat when they finally face the twins, with the outnumbered young male's life depending on their mood de jour - and his sister's sexual maturity or lack thereof. This is one of the greats. ... Read more | |
| 123. Wars in Peace:Falklands/Special Force | |
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| 124. New Clinton Chronicles | |
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Reviews (18)
This documentary's detractors throw the usual liberal's ad-hominem attacks, filled with invectives....but, they can't refute a single fact. Once you see this movie, you'll want to see "Waco-The Rules of Engagement".....then, add the Juanita Brodderick interview from "60 Minutes", and you'll have a proper perspective on the man who left us helpless to corporate crooks and Muslim terrorists, while accepting every Chi-Com dollar he could get his hands on in '96.
I think they should try this again, but have Jim Carrey or Chevy Chase narrate. They may also considering adding a flashy soundtrack to spice it up. Or they might consider finding real jobs and stop spewing this slanderous (...)! And no, I did not vote for Bill Clinton, I just find this type of garbage absurd. ... Read more | |
| 125. Cosmos Boxed Set (Collector's Edition) | |
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Reviews (134)
Watching the series again on DVD, I enjoyed the less-hard science episodes. All thirteen are great. I especially liked: "The Harmony of Worlds" Each of these episodes is rich with history and gives me a new respect for the man as a speaker. Especially the last episode, though somewhat dated as it was written during the Cold War. The sound quality's excellent too. Note: Science changes so fast, some of the updates may be 'out of date'. The final update, in light of current events, where Dr. Sagan expresses optimism for the future, well it's a bit chilling.
However, anyone with a university degree will probably be familiar with the science Dr. Sagan speaks of. The shining jewel of COSMOS is not its scientific content, but its deeply humanistic message of hope. We have all heard about the cruelty of the so called "real world" and "human nature." But Dr. Sagan shows us that human bravery and intelligence has transformed our world for the better and that our world is what we make of it. In one of the most poignant moments of the entire series, Dr. Sagan describes the human longing for an explanation of the universe as an eternal part of our species. We, citizens of the 21st century, are the first generation of human beings priviledged with some of the answers to the questions that have fascinated our ancestors. Dr. Sagan also outlines the philosophy and history of science. This is especially essential to today's society in which science has become increasing gadgety. While cell phones, computers, the internet, designer drugs populate every segment of our society, the philosophy of critical thinking, factual analysis and of questioning every statement, the very heart of science remains as rare today as ever. Our present civlization is forever indebited to those brave men and women who choose the pain of truth rather the comfort of lies. For those who ever wondered how we human beings progressed from tribal hunters to technogical beings, Dr. Sagan's documentary provides a riveting account. Finally and perhaps most importantly, Dr. Sagan's documentary provides a unifying vision for the future of human kind. We have reached a time in the development of our species when the power in our hands is extraordinary. The destiny of our world and our species is fully in the our own hands. We can either use this power to continously squabble amongst ourselves, to fight our pointless wars and to poison our environment with blatant waste and race headlong to self annihilation, or... we can set aside our differences, recognize the fragility of our world and embrace the common destiny of humanity to explore the final frontier. Dr. Sagan does not pretend that this journey will be an easy one; every age and time has had those who would at the expense of our world, stirr up hatred, fear and greed. However, by showing that science is our candle in the dark, Dr. Sagan encourages each one of us to struggle against the irrationality and ignorance inside each of us to literally reach for the stars. From the beginning of time to the future of our world, Dr. Sagan's account of the struggle of the human mind to attain sentience is highly passionate while at the same time even and objective. Science, he describes, is the ultimate manifestation of our humanity, the quest of starstuff to understand itself. I am pleased to say that as the light from Dr. Sagan's house continue to pierce the darkness of Ithaca's gorges to inspire me, so too does his visionary work: COSMOS.
+Fred
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| 126. Streetwise Director: Martin Bell | |
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Reviews (12)
This film was made in 1985 and, as some of the other reviewers have asked, I too am curious about how these "children" are doing now, fifteen years later. Specifically, I want to know who is still alive. That's the kind of film this is. These "characters" get inside your head. How could they not? These kids recite the details of their lives so matter of factly as they go about their business of every day survival in the urban jungle; the "details" of their lives being the most unbelievable, heartbreaking stories of abandonment, prostitution, abuse and neglect. I always come away from this film asking myself, "how could these kids get so short changed so early in life?" Sometimes you get a glimpse of the parents of these children and it's equally horrifying. If I was a suburban mom with kids growing up in the lap of luxury, I would insist that they watch this film. I know people in their 30's who think they're tough, who never had to spend a single day the ways these kids live. These children have EVERYTHING going against them and yet they manage somehow to have simple hopes and dreams. Some of them want a life that other people are just born into. If you grew up in comfort, you'll see some things you may take for granted that these children were never told how to do. One child thinks it's perfectly acceptable that people in love should fight. Another girl has difficulty getting her mom to just buy her some Avon. One boy thinks he can change his personality by changing his hair color. The most disturbing thought that this film leaves you with is that this is just a microcosmic look at ALL the throwaway children in the U.S. This is a problem that still exists. It's not going away. I watch this film repeatedly, as it keeps me on my toes. Just when I start to get too comfortable, I remember the reality of the have's and have not's in this country and I am appalled. I recommend this movie to anyone with a pulse.
I went to elementary school with and lived in the same housing project as Tiny and Lily. I ran into them off and on because of mutual acquaintances, but was not friends with them. I continued on into middle school and rarely saw these girls. I moved out of state for high school, came back to the area after I graduated and shortly thereafter, I rented this movie. I was stunned--not only to see profiled these girls that I had known, but also to see what my life could have--and would have--been. I knew of the abuse these girls suffered (in school kids talk) and how they were throwaways. Unfortunately, where we grew up, this was more common than not. The only difference between Erin and me was that I caught a break and someone who cared reached out to me in time. I hope and pray that all of the kids profiled in this movie who are still alive, some day, also catch a break. I was one of the lucky ones. This documentary should be required viewing for training all social workers. Perhaps fewer children would fall through the cracks. In fact, all legislators should also be required to view it so they know who they go to bat for when laws are passed for the protection of children.
It should dawn on you then, that Streetwise is one of a kind. There may have been some hamming in front of the camera, but I'm fairly certain none of this was scripted. I'm not sure what it was competing against that year at the Academy Awards, but imagine if it had won... the film would certainly still be in print (probably restored and out on DVD), and the next generation would have the opportunity to see this important work of art... also, Martin Bell would probably have gotten more work as befits his incredible talents. As it stands, I figure this just may have been too painful to watch for Academy voters... or I wonder if they thought it was scripted too. Anyway, this film is a "must-see" even if you have to buy an expensive, used copy. Of course I may be somewhat biased... I live in and grew up in (near) Seattle, and have met the director (I was living nearby where "American Heart" was filmed). Still, this is a truly unforgettable film -- it isn't easy to watch sometimes, but you'll be rewarded a hundred times over.
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| 127. Endurance Director: Leslie Woodhead, Bud Greenspan | |
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Amazon.com Reviews (21)
What makes Endurance most satisfying, however, is that this is no myth. Haile's life is shown from childhood to adulthood through the use of simple, stark images that vividly portray the elements that melded together a man of uncommon focus, faith, and yes, endurance. We understand the how's and why's of Haile's development without being didactically bludgeoned by the director. The use of Haile and his family as actors lends not only a certain authenticity to the semi-documentary look but also adds an endearing naiveté to the performances. We see people who have actually lived the roles they are playing. And Bud Greenspan's scenes of the 1996 10,000m Olympic final are surely the best filmed running sequences seen in a movie. The directors of Prefontaine and Without Limits, take note. The musical score is also a wonderful complement to the film. Scenes of unabashed joy, crushing sorrow, and quiet solitude are enhanced, not overshadowed, by a mixture of African and Western music. While runners saw the movie in droves when it was released, most people did not. Too bad. This is a beautiful film telling a wonderful and true story.
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| 128. What Do You Say to a Naked Lady Director: Allen Funt | |
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Reviews (1)
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| 129. The Great War and the Shaping of the 20th Century | |
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Description Reviews (14)
It's done in the "Ken Burns" style of documentary, with voice actors reading from period correspondence, poems, etc. to give a sense of "living history" and illustrate key themes. However, unlike in Ken Burns' documentary about the American Civil War, we rarely if ever learn the IDENTITIES of these letter writers, what have you. So you'll hear a soldier commenting on the war, or an editorial in the Times commenting on the war, but apart from contextual clues, who exactly the voice actors are trying to portray can be very unclear. (This is more frustrating than it sounds.) Not to mention Ralph Fiennes practically ruined the poetry of Wilfred Owen for me with his snooty, disaffected whine. As other reviewers have remarked, the treatment of how the war broke out, the battles, the Armstice, and everything is between is very cursory. That would be understandable if this documentary was only 2 hours long, but on four video cassette tapes, it just comes across as sloppy and full of broad generalizations. It does indeed concentrate on "politically correct" events like socialism and feminism that are currently fashionable. It's nice to give voice to neglected facets of the war effort, like the female munitions workers or the African-American soldiers who served alongside the French, but I also would have liked some more standard commentary on weapons and battles. For a documentary of such length, it has a very rushed, incomplete feel. By far the best thing about this series isn't the pastiche of voice actors and images, it's the interviews with famous (and infamous) Great War historians like Paul Fussell and Niall Ferguson. Hearing Fussell et alibi talk with real passion about their interest in the First World War was great, but it hardly justifies buying "Great War."
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| 130. ADD/ADHD Smart Solutions: Ways to Improve Your Child's Behavior | |
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Reviews (2)
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| 131. The McCourts of Limerick Director: Conor McCourt | |
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Amazon.com Three of the seven McCourt children died while still very young--"sheer ignorance" being the cause of their preventable illness, according to Frank. Angela never fully recovered from the loss, and her husband's selfish disappearance into a life of perpetual youth left her to persevere as best she could. But The McCourts of Limerick is far from being a chronicle of sadness; indeed, humor is abundant throughout the film, and each of the brothers has a gift for telling wonderful stories from their eventful pasts. What emerges from this heartfelt, highly personal portrait is a sense of lives well lived, of deep, abiding love throughout the hardship and pain, and a rich appreciation for the kinds of people who, as Frank observes, were able to make "poetic statements about their plight." --Jeff Shannon Reviews (3)
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| 132. Harlan County, USA Director: Barbara Kopple | |
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Amazon.com essential video Reviews (10)
There are shots inside the mine where I can almost taste the dust and feel the claustrophobic confines. There's a shot of a woman giving a small child a bath in a tin bathtub and promising that when the strike is over, they might be able to live in a house with a real bathtub and running water. There are the miners' wives who are organizing to take a big part in the strike. And there are labor songs sung with the voices of people who really understand what these songs mean. Most of all though, it is the faces of the people that I will never forget. There are no professional actors here; all these people are real. They are hollow cheeked, with deep lines etched on their faces and rotted which teeth which have never seen a dentist. Some are already victims of black lung disease. Others speak of husbands and grandfathers who died in mine explosions. All this is mixed with just the right amount of historical footage to give background. There is no annoying voice over, just an occasional line of writing superimposed on the screen to clarify a point or give specific details. The miners and their families speak for themselves, sometimes directly into the camera, other times among each other. Because of their thick Kentucky accents, I sometimes found it difficult to get every single word of dialog but this actually added to the authenticity of the video. I found myself moved by their plight, and feeling shivers of emotion throughout. This stands out as an outstanding film and understand why it won an academy award. Recommended.
A few days later, I felt impelled to return to the library and get this VHS. I sat down to watch it one morning and could not turn it off. It's compelling, intriguing, educational and emotional. I cried several times, watching the struggle and learning more and more about a coal miner's life. For the last few months, I've been doing research (in preparation for a book on Sears Homes) about Standard Oil's coal mines in Macoupin County, Illinois in the 1920s. "Harlan County" showed archival footage and presented information that showed what a miner's life looked like - through the ages. Duke Power's coal mines in Harlan County, Kentucky were so backwards and Standard Oil's coal mines in Macoupin County, Illinois were so progressive, that I learned more than I ever expected about early 1900s mining techniques. The story about the man and the mules is something I'll never ever forget. Or the miner's conversation with the New York policeman. Thank God for the director Ms. Koppel, who was inspired to create this documentary! And for her having the wisdom and foresight to record these old miners' reminiscences of life in the coal mines in the early years of the 20th Century. Suddenly, all the puzzle pieces from my months of book reading and research came together when I saw these old films and heard the miners talk. I'll be watching it again and again - with my family, too. And I hope every person who uses electricity in this country will watch it, too. An interesting aside - in the 1920s in Macoupin County, Illinois, one coal miner died (on average) for every 279,000 tons of coal that was mined. Between 1900-1969, 100,000 miners died in this country. Standard Oil's mines (operated from 1918-1925) in Macoupin County may have been the safest mines in the country, but several men died in those mines, too. In 1918, Standard Oil of Indiana built 192 Sears Modern Homes for their (mostly immigrant) miners in Macoupin County. (The term "Modern Homes" simply meant that the houses had kitchens, bathrooms, running water, central heat and electricity.) In 1973, Duke Power's miners in Harlan County were still living in shacks with no running water. Rose Thornton
The Salaried Employees will respond: I hate my job, I hate my boss, if I could kill everyone in this office, I would; NO---- Not my boss, "like the Nazis", he's only following orders. Not my co-workers---They're only doing their job and trying to lead a healthy life. Whom then? Who do we crucify? In every management situation there is an overseer and a slave, in every salaried position, there is an overseer and a slave, AND in every rank and file position there is an overseer and slaves. Rank and File, Unite! You have nothing to lose but your chains, held by your big union and management Overseers! Jason ... Read more | |
| 133. The Farm: Life Inside Angola Prison | |
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Amazon.com What begins as a traditional documentary transforms into an investigation of the human spirit, of hope in the face of hopelessness. We see the parole board pass judgment before the applicant even makes his case and make their decision before the door has closed behind him. Yet this is not so much a work of investigative journalism as a cultural study. What the viewer comes away with is a glimpse into an almost surreal atmosphere best defined by an incongruously chipper clown who wanders the halls on Christmas Eve to cheer up the prisoners in isolation. On the surface this seems like a well-integrated, safe, supportive environment, but under the surface of normalcy is a mix of doom and hope. --Sean Axmaker Reviews (8)
I rank this film up there with my other favorite documentaries such as the "Up" documentaries and Bud Greenspan's Olympic documentaries. The film shows that racism is alive and well in our "justice" system. I was particularly moved by the man who says he was falsely charged with rape and the parole board refuses to hear exculpatory evidence about his case. This film will stick with you for a very long time. It's a shame that consevatives who believe that prison is a joke filled with luxuries ignore films like this. As a muslim, I wish they had shown the presence of Islam at Angola, for that reason I gave the film 4 1/2 stars.
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| 134. Eyewitness - Dinosaur | |
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Amazon.com Reviews (2)
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| 135. Imagine: John Lennon - The Definitive Film Portrait Director: Andrew Solt | |
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Description Reviews (27)
Those immortal words at the end of the movie bring tears to everyone who was a fan of John Lennon. I remember hearing and seeing that news report from a hospital bed at 6 years old. It was and always will be a tragic memory. The man who resurfaced after a 5 year absence with a powerhouse of music destined for new life had been cut short just a few hours after an interview where he said: "My work won't be finished until I'm dead and buried. And I hope that's a long, long time." The long time was 2-3 hours. The movie is an intimate portrait of Lennon's life and legacy. It exposes the chaos behind the myth, as well as the genius behind the man. With all the tales from friends, associates, Paul, George, Ringo, and George Martin on "The Beatles Anthology," this one focuses on Lennon's life in his own words and home videos. Taken directly from the archives of the man himself, there has never been a better documentary on Lennon. From Liverpool beginnings to the end in New York City, watch the boy become a superstar, the superstar into a man, and the man become a legend. Remember John Lennon 1940 - 1980 Robert Eldridge (...)
I am a huge, huge, huge Beatles fan. I own every Beatles record and I have a wall in my room dedicated to them. But John...John went past the Beatles. He was a philosopher, a poet, and a brilliant man. He invented the concept of Bagism, one that I completely understand and live by. He was also one of the most if not the most active peace activists and anti-war human beings this world has ever seen. Few have been more passionately against world wide conflict and worked harder for it to cease. And he did play a part in ending one of the most unnecessary wars this country has ever seen. This documentary successfully captures the essence of John and gives those who did not know him a small glimpse into who he was. I strongly recommend watching this to any Beatles fan or fan of John Lennon. It is a wonderful, poignant film that will provoke tears from you. LENNON LIVES ON. Diva.
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| 136. Everest (Large Format) Director: Greg MacGillivray, David Breashears, Stephen Judson | |
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Reviews (114)
And watching these climbers was riveting--ascending sheer sheets of ice, yards high, that look as though they are leaning in towards the climber; crossing bottomless chasms by placing an aluminum work ladder from one side to the other, and using it as a bridge; and feeling (in part through the excellent cinematography) the pull the mountain exerts on them to continue on. But I was floored, completely, by the thought of the cinematic team following along, all the way to the top, regardless of the weight and awkwardness of the equipment. For example, in the aforementioned aluminum ladder scene, shots seem to be taken from each side of the chasm. Had they carried that heavy equipment accross that ladder? And, once they came down from such a difficult and draining climb, they still managed to piece together a marvelous film. The cinematography, once again, is gorgeous. Shots of the mountain convey not only its beauty, but its terrifying danger, as ice and whirling snow tower over the climbers, as a rescue helicopter wavers, uncertainly, as Liam Nelson explains the scientific impossibility of a helicopter to work in such thin air (it does). Seeing the Icefall alone, I think, was worth the price I paid for the video. Warning: If you get this movie expecting it to be a documentary covering the Adventure Consultants and Mountain Madness Expeditions, chronicled in "Into Thin Air", you will be disappointed. The IMAX expedition was unrelated to the others, and of course the crew could not predict that those expeditions might yield more interesting, if tragic, results. But the teams do interact with each other when it becomes clear that members are facing unexpected danger. I enjoyed "meeting" many of the folks I had read about. Finally, "Everest", the film, stands on its own. With a terrific story in Araceli Segarra, wonderful images from Utah and Spain as well as Nepal, and a score assisted by George Harrison melodies, it provides a great armchair journey to the top of the world.
David Breashers deserves a medal of international honour for making such a masterpiece of a documentary. In addition, I wish pay a great tribute to the late George Harrison for making such awe-inspiring and chilling music scores for the backdrop of this movie. If you were moved this movie on DVD, you owe it to yourself to buy the audio CD soundtrack as well. Every you go where Mother Nature shows off her wonders, take the CD with you and get inspired. When you listen to the audio CD, you can visualize the raw beauty of the Everest region and seens from the DVD in your mind. May the climbers from the 1996 Everest Disaster rest in peace. Also to all potential Everest climbers, you need to learn from these climbers fatal mistakes before you become a statistic yourself. As Ed Viesturs says regarding risk and climbing, "Getting to the top is optional, getting down is mandatory". My last words for this review are, "Always respect the power of Mother Nature"....and when out in nature "leave no trace"..
But the beauty notwithstanding, what especially intrigues me about the film is the obsession that the mountaineers have to scale Everest. Part of the story of the film details the multiple deaths in a party trapped in a storm on Everest's slope. The leader of the party had a seven-month pregnant wife; all the other slain climbers had loved ones they left behind; the survivors placed rescuers--helicopter pilots and other mountaineers--in jeopardy. Is so much death and threat of death worthwhile? Isn't there a certain point where responsibility for others trumps a desire to stand on the "top of the world"? The film doesn't explore these questions, nor the issue of why so many people have such a compulsion to scale Everest. I wish it had, because I found myself both captivated by the mountain's beauty and angered by the wanton disregard for life displayed by the climbers.
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| 137. Girl Groups: The Story of a Sound | |
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