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| 101. Selma, Lord, Selma Director: Charles Burnett | |
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Reviews (10)
While this film portrays the harshness of the situation, including two deaths, it is not graphic or gratutitous. I personally appreciated the way the non-violent Civil Rights movement of Rev. King and his followers was based on their Christian beliefs. The film is not preachy, but the religious context of the movement is realistically portrayed. As the school librarian, I will be recommending this video to teachers in our elementary school as an option for the Martin Luther King holiday.
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| 102. Napoleon Director: Abel Gance | |
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Amazon.com Reviews (17)
The original plan was to create six films highlighting all of Napoleon's life. But Gance spent the entire budget on this one and it really shows. From the opening scene depicting a snowball fight, I was immediately impressed with the sheer number of techniques Gance used to make it more enegetic. From "Russian montage" (rapid edits at a blinding speed) to mounting the camera on snow sleds, boats, and even a horse to put the viewer in the middle of the action. Gance also invented the idea of widescreen by mounting three cameras on one tripod. Perhaps the single finest scene in the film has the intercutting of Napoleon in a small boat at sea fighting through a typhoon as the French parliment is falling apart (with the camera attached to a pendulum to simulate the ocean waves). Few scenes pack so much incredable energy as this one. I was also very impressed with Albert Dieudonne's performance as Napoleon. He seems to channel the spirit of Napoleon himself through his eyes. And the film goes to great lengths establishing the future emperor as a man of destiny. All this, in spite of the fact that Dieudonne is clearly too old to play the young (20 or so) Napoleon. It's a shame that this film still isn't on DVD. If you're a lover of films, this is a must-have for your collection. The four-hour length of the movie may seem daunting, but it can be watched in 2 two hour viewings.
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| 103. Allosaurus - A Walking With Dinosaurs Special | |
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Amazon.com Reviews (28)
In "Allosaurus", we followed the life of "Big Al" literally from birth to the grave. Life wasn't all "blood in tooth and claw" for the top predator in Jurassic America, as we're shown. As a baby, Al had to watch for predators, especially his own kind! He had to literally teach himself to hunt, and some prey was just too big to take on without help. And mating was no pinic either; Al needs more than flowers to win a female's heart. As a sequel of sorts to "Walking with Dinosaurs", "Allosaurus" does quite well. We're treated to the same CGI and animatronic effects seen in the previous series, and while the puppetry still needs a little work, IMHO, the CGI is top notch. All of the dinosaurs featured in the episode "Time of the Titans" - Diplodocus, Brachiosaurus, and Stegosaurus - return here. Three more dinosaurs are added to the cast; Dryosaurus, Othnelia, and the famous Apatosaurus. As with "Dinosaurs", there is a "Making of..." episode, included on the VHS, giving us insight into the research of what is one of the most recognizable predatory dinosaurs, second only to Tyrannosaurus and Velociraptor. While "Allosaurus" is a wonderful series, I do have one little complaint. Surely the Framestore and BBC teams could have added a few more dinosaurs to the episode. They didn't need to have added more sauropods; three is enough. But what about Ceratosaurus, or Camptosaurus, both contemparies of Allosaurus? Surely both these dinosaurs could have been included, especially since its likely Ceratosaurus could have competed with Allosaurus for the same food source. Despite this "flaw", "Allosaurus" is a fine follow-up to "Dinosaurs". Part of the continuing "Walking with..." series, which now includes "Prehistoric Beasts", "Chased by Dinosaurs", and now "Walking with Cavemen", "Allosaurus" definately belongs in anyone's collection. And here's a message to the folks at the BBC: please, *please* do something about the time *before* the dinosaurs.
With the creation of the Walking With Dinosaurs series, however, everything began to change and I, still that boy with an interest in that hobby, found myself addicted. The key that separated this series and made it "unique" - a word I try to use sparingly - is in the way the dinosaurs, our main actors and actresses, are portrayed. Instead of turning then into a depiction of a colossal, toothy menace or dryly discussing their lifespan in the way one discusses ancient relics, the series showcases dinosaurs by allowing one to walk with them through their terrain. From the flora and the fauna, the insect life and dinosaurs themselves, a depiction of CGI effects, prosthetics, and of "dinosaur knowing" comes to life. Here, you see the landscape the way it would have been, the animals roaming free and observed naturalistically, and the experience is incredible because it looks so vibrantly realistic. In Allosaurus: A Walking With Dinosaurs Special, the Allosaurus "Big Al" is showcased as he struggles from the cradle while trying to grow into something fearsome. In sixty minutes, the fifteen years from the egg to the eventual demise it faces are depicted, showing a person that going to the head of the class wasn't easy in that age. Here, other dinosaurs walk as well, and the efforts of one of the top predators of its age seem a tad on the hard side - making me rethink the allure of being the biggest kid on the block. Survival while growing, it is dramatic and enlightening experience, and its pretty interesting how harrowing an introduction can be and how brutal it can be. For anyone that has yet to watch this series, I'd recommend tuning in as soon as possible and catching up on all those moments you missed out on. I would recommend starting with Walking With Dinosaurs, however, and moving on from there. Still, that is far from being a bad thing. Besides this video that focuses on Big Al and a few of species, other DVDs house other forms of life that are entrancing. Wonderfully fast predators, Megladons swimming the high tides and eating enough to be interesting, and other strange species await you. And they, all the DVDs released thusfar in this series, simply look fantastic.
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| 104. Eyewitness - Seashore | |
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| 105. A Young American Rider | |
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Reviews (5)
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| 106. Amazing Animals Video: Rainforest Animals | |
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| 107. America's Great Indian Leaders | |
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| 108. 9/11 - The Filmmakers' Commemorative Edition Director: Gédéon Naudet, Jules Naudet, James Hanlon, Rob Klug | |
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Amazon.com Reviews (126)
Originally planned to be a documentary about a probationary firefighter, the filmmakers, two French brothers, just happened to be filming at the firehouse on that horrible morning. The first brother was actually riding along with some of them firemen who were on a call right near the World Trade Center. He managed to capture on film the roar of the first plane overhead and the startled looks of the firefighters hearing it, then actually followed the first plane's path into the building. He stayed with the team and actually has footage of being inside the lobby of the Tower. He stayed there until the second building was evacuated. The second brother also managed to capture some truly remarkable film, as he stayed with the "newbie", then set off to find his missing brother, who he assumed was killed. This film is not about gore, but just a very real, very personal story of a bunch of guys who were just doing their jobs and what happened to them that morning and in the days following the disaster. This is a great story.
Only God, knowing what was going to happen, could have placed the Naudet brothers exactly where they needed to be to fully cover this horrific event. With the brothers separated, one inside Tower 1 and the other outside anxiously trying to get to his brother, we are able to witness what the firefighters and New Yorkers experienced on September 11, 2001. We also see the trauma of loved ones separated from each other as the filmmakers try to find each other. The suspense of waiting for each of the firefighters to return to the station at the end is also well orchestrated by God with the initial focus of the film, Probationary Firefighter Benetatos being the last to arrive. WELL DONE JULES AND GEDEON NAUDET! PTL! ... Read more | |
| 109. Pop & Me Director: Chris Roe | |
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Amazon.com Reviews (11)
A second premise of the movie addresses the emptiness sons feel when their fathers have deserted them. However it assumes that having a father present, even when he is not supportive or loving, is better than no father figure at all. This is not convincing. For all the "I love you's" from Mr. Roe to his son, his actions in the movie, and the DVD outtakes, show he was foul mouthed tyrant that had to control everything, leaving little regard for his son's input, and at one point in India, his son's health. The main point of contention centered around money (apparently Richard Roe had never heard of the word "allowance", but had to tightly control all expenditures). The highlights of the movie are the interviews from around the world of fathers and their sons. The movie is worth seeing if just for these interviews. However, it is disappointing to discover in the credits at the end of the movie that many other father/son pairs were interviewed from other parts of the world, but they did not appear in the movie. Perhaps these other interviews were not as gripping as those presented, but I think they would have been more interesting then the petty interplay between the Roe's. The movie is worth seeing if just for these interviews.
I was pleased to discover the other (at this time)nine reviews posted here express the same sentiments I was eager to express about the film (and as an aside, Chris Roe and his father Richard were in attendance at the film's screening, and were very generous with their time, and as seemingly honest, and funny, as they are presented in the film.) If you were to read a capsule summary of the film as I did, you might be misled down avenues of thinking that, fortunately, this film does not take. I thought it would be overly sentimental (considering the father-son subject matter), which it is not. I thought it would be too "heavy" (again, the father-son stuff). It is not. And I thought it would be too cool, too self-aware, precious or "Iron John-ish." Anyway, let's forget what kind of film I thought I was going to see, because I never saw that film. Chris and his father are gifted with the ability to be honest, intelligent and humorous all at once. After a few scenes with these two, I felt like I had met them before. Obviously I can't speak for everyone who's seen it, but I felt comfortable and familiar with Chris and Richard as people on the screen, and I feel that added to the success of the film for me. "Pop" Richard is going through what "Me" Chris calls, a "mid-life crisis," where the elder Roe wishes to retrace the steps of his life, back to his "Golden Years," before the disillusionment of middle age set in, before his divorce and the great personal pain associated with it. Chris wants to travel and to make a movie about their trip. Richard suggests they make a film about fathers and sons throughout the world, and, there you go: instant (it took three years to make)documentary. But as one viewer that was in attendance last night suggested, the "world" of monuments and cultures (all beautifully photographed, ranging from the Leaning Tower of Pisa to the Eiffel Tower to Tineman Square and everything else in between and beyond), of recognizable and famous places, soon becomes a pretty background to the more important stories within the film: those of fathers and sons attempting to bridge a gap created by time, age or culture. And the gap between Chris and his father is noticed, then voiced, by Chris as the film progresses. He asks himself (and us), "Should I mention how I feel to Pop? Or, for fear of upsetting the applecart, keep it to myself?" With six days left of the six-month trip, he does at last tell his dad what he thinks about him. There is a lot to enjoy in this film, and to be enjoyed on several levels. Like I said earlier, one could enjoy the film on a mere aesthetic level with the sound turned down, for in one way, it's a beautiful travelogue (and, if I understand correctly what Chris said last night, this was kind of what he had originally intended the film to be, a (as he said) "Gee, aren't we cool?" movie); on another level it's about Richard trying to accept what growing old means, what not being a father in the "traditional" sense means to him. And the film, in turn, is about Chris getting to know his dad, about Chris getting CLOSER to him, which, in some way, is realized at the end of the film, with father and son plunging together (with attached bunjee) off a bridge. And finally, of course, the film is about fathers and sons talking and crying together. There are many wonderful scenes where the fathers shown speak from their hearts to their sons and vice versa. Perhaps BECAUSE of the camera, these men felt allowed to say what they felt about each other. There are many, many emotional scenes that seem very real to me, and this, ultimately, is what "made" the film for me: the honesty captured and portrayed in the film is rarely scene in regular feature films, or in most documentaries. Sure, both Chris and his dad are self-conscious (how could you not be, when making a film about yourself?), but this self-awareness is tempered by their humor (the Karate scene in the hotel room had me and a bunch of others laughing long and hard), their frustrations and very real (to me, anyway) observations. I think both Chris and Richard are great at speaking about themselves and others in a way that is candid without being exploitative. In short (or long), the Roes have made a film about themselves without it seeming that way. There is an immediacy to the filmmaking that I look for in most documentaries and seldom find it. On a technical level, the editing is very sharp and superb (where no scene goes on too long, where EVERY scene seems imperative), and I feel is a major part of the film's success. I seem unable to stop my praise for this movie! If any of what I've written strikes a chord with you, please seek this movie out. It will well be worth the effort, and it's only a minor misfortune that it was considered, but didn't qualify, for an Oscar nomination. I didn't personally get to thank the two Roe's for their film, so...guys, if you're reading this, thank you! You've done a great service to any father and son who happen to come upon this in a video store, and who may be looking for a reason to talk and spend time together.
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| 110. The World At War - 9 Volume Gift Set | |
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Amazon.com essential video The Second World War was different from other wars in thousands of ways, one of which was the unparalleled scope of visual documents kept by the Axis and Allies of all their activities. As a result, this war is understood as much through written histories as it is through its powerful images. The Nazis were particularly thorough in documenting even the most abhorrent of the atrocities they were committing--in a surprising amount of color footage. The World at War was one of the first television documentaries that exploited these resources so completely, giving viewers an unbelievable visual guide to the greatest event in the 20th century. This is to say nothing of the excellent, comprehensible narrative. Some highlights: The World at War will remain the definitive visual history of World War II, analogous to Gibbon's Decline and Fall of the Roman Empire. No serious historian should be missing The World at War in a collection, and no student should leave school without having seen at least some of its salient episodes. Rarely is film so essential. --Erik J. Macki Reviews (75)
Narrated by Sir Laurence Olivier and covering all aspects of the war, this definitive series is used by many colleges and universities as a source for History and Documentary Film courses. There is an incredible depth of archive footage used; skilfully woven with interviews of major figures in the War from Britain, US, Canada, Europe and Japan. Many major eye-witness leaders and ordinary people who were still alive in 1981 contributed sometimes surprising, sometimes incredible, and sometimes haunting interviews. Yet, for all its skilful editing and historical sophistication, it is clearly presented and emotionally compelling. In my opinion, it is, along with Kenneth Clark's "Civilisation", the best ever produced British documentary. What makes this a stellar and overpowering account of the War is Olivier's narration. Never blustery, patriotic, or theatrical, Sir Laurence delivers pointed, thoughtful analysis with his incredible command of English and oration. Music for the series was composed by Carl Davis and even the opening credits set an unforgettable tone in a haunting image of a child in a photograph, dissolving in flames. This series is for those trying to make sense of a 6 year period when the world went mad. Five Stars PLUS.
I wanted to give 4.5 stars and only knock a half off for the sometimes annoying menu (it could have been presented in a more orgnaized fashion, I thought), or other small problems, but half points aren't allowed on the system. Very close to perfect!
If you are a war buff, particularly WW2, this is the set to have. Can't say enough good things about it. ... Read more | |
| 111. National Geographic's Really Wild Animals: Wonders Down Under Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (2)
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| 112. Zoboomafoo - Play Day at Animal Junction Director: Jacques Laberge, Pierre Roy (III) | |
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Amazon.com essential video Reviews (6)
Highly recommend! ... Read more | |
| 113. Anne Frank Remembered Director: Jon Blair | |
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Amazon.com Reviews (17)
Directed by Jon Blair, who previously produced a documentary on the life of Oskar Schindler, brings his skills and expertise to bringing to life the life of Anne and her family as they first flee Germany to set up her home in Amsterdam, and then, to flee into hiding once German invades the Netherlands. As told through the eyes of her childhood friends, Anne is precocious, impish and fun. Interviews with Lies Gosslar and others provide first hand accounts about her, and make her real and authentic, not grandios or distorted, as the tendency may be for someone as famous as Anne. This documentary also doesn't shy away from Anne's burgeoning sexuality and her feelings about her adolscence, which provides a more complete picture of this girl. The documentary moves into the Frank family needing to hide from the Nazis in their Secret Annex, and we meet the impressive Miep Gies, who sustained the people living there for two years. The footage of Miep in the Annex itself was astounding, and her testimony honest and compelling. A scene in which the son of Fritz Pfeffer, the Jewish dentist who also hid in the Secret Annex, meets Miep in Annex itself reduced me to tears in an instant; kudos to Blair for making this reunion happen and capture it on film. Amazing cinema. What I appreciated most about this documentary occurs after everyone in captured from the Annex and forced into the hands of the Nazis. Blair painstakingly recounts the final months of the Franks lives, which in past documentaries seems to be rushed over. Blair brings Jewish survivors who knew the Franks back to the camps they were imprisoned in, and shared their experiences. The effect is chilling, and allows us to truly understand the last months of Anne's life more than I ever have before. He brings back Lies to talk about being with Anne during her last few days; incredible. Also amazing, Blair digging up a very brief movie clip of Anne herself, leaning out the window watching a wedding happen on her street. The twelve year old girl becomes even more alive as we see her, hair blowing in the wind, looking up and behind her, not knowing what her fate will be in just a few years. Anne Frank so longed to be known around the world, dreaming of becoming a famous writer, and even began to prepare her diary for publication after the war. While she never lived to see that occur, her legacy and gift to the world, through her inspirational words, remains with us today. And this documentary serves as an excellent tribute to her short, short life.
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| 114. Fighting Black Kings | |
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Reviews (5)
The only reason the film is called "Fighting Black Kings" is because it focused on a number of prominent black karateka from New York such as Willie Williams and William Oliver who were preparing to compete in the All-World. They trained in the Kyokushinkai system which is known for it's emphasis on full-contact kumite with no pads or gloves. The fighters are interviewed and offer their perspectives on fighting in the All-World Tournament.
The matches are good, but what is especially interetsing is following the training that these individuals go through to enter this tournement. This is fighting karate and anyone interested in rugged sparring and work-outs should view this film.
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| 115. Biography - Mozart Director: Kevin Burns (III), Lawrence Williams (III), Jeff Scheftel, Gidion Phillips, Andrew Thomas (IV) | |
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| 116. Heavy Metal Parking Lot Director: John Heyn, Jeff Krulik | |
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Reviews (4)
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| 117. Living Edens - Madagascar: A World Apart | |
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Description | |