Reviews (291)

'The Rocky Horror Show' Movie
There is one reason why everyone should see "The Rocky Horror Picture Show": it is the best cult film ever made. There are also three reasons why everyone should want to watch it: 1) It is one of the only 'R' rated musicals in existence. 2) It has strong science-fiction overtones. 3) It is very funny. The movie starts Barry Bostwick and Susan Sarandon (before they were stars) as the recently engaged Brad and Janet. However, they are upstaged in nearly every scene by Tim Curry who plays Frank N. Furter, the mad doctor. The cast delightfully performs many memorable songs including "Over at the Frankenstein Place" and, of course, the "Time Warp". To fully enjoy RHPS, one must not be closed minded or the picture could prove to be quite offensive. Don't think it's gratuitously violent- it isn't. Merely, the situations the characters find themselves in could shock or appall overly sensitive viewers. If you think you won't enjoy RHPS, going to a midnight screening might be your best bet. The live audience participation will guarantee you a good time, despite your opinion of the actual film. So overall, RHPS is quite a good adaptation of Richard O'Brien's original concept, which always honors its roots on the stage.

DVD = Perfect format to truly experience "Rocky" at home
I loved going to "Rocky Horror" when I was in college, but watching on home video just wasn't the same. I'm probably committing heresy but there's a reason why this sci-fi, horror, B-movie satire, rock musical didn't really make it big until theaters started showing it as a midnight movie and fans started attending in costume and talking back to the screen. The 25th anniversary DVD, with several audience participation options, really is the next best thing to being there.

For the uninitiated, "Rocky Horror" tells the story of two clean-cut American youths, uptight Brad Majors (Barry Bostwick of "Spin City") and Janet Weiss (Susan Sarandon of "Dead Man Walking") whose car breaks down on a dark, deserted road in the middle of a storm--the classic beginning to many horror movies--and who seek help at a nearby castle. Castles, as Rocky fans know, don't have phones! What this castle has instead is a cross-dressing mad scientist Frank-N-Furter Tim Curry, in perhaps his finest performance), two very creepy servants, Riff-Raff (Richard O'Brien, who wrote the musical) and Magenta (Patricia Quinn), and various other hangers-on, including lovers Columbia (Little Nell) and biker Eddie (Meat Loaf). Brad and Janet walk in on a party celebrating the creation of Frank-N-Furter's muscle-bound boy-toy "Rocky." Bed-hopping chaos soon ensues, until the servants reveal their true identities and take control.

Punctuating this wacky plot are some of the wildest rock-musical songs ever written. In addition to the classic "Time Warp," there's O'Brien's salute to cult-classic B-movies, "Science Fiction Double Feature," Meat Loaf's "Hot Patootie," and Sarandon ode to sexual self-discovery, "Toucha Toucha Touch Me!"

So much for the "Rocky virgin" portion of the review... What makes the DVD so exceptional is the chance to experience "Rocky Horror" at home nearly like you would in the theater. The DVD has the option of turning on the audience screen comments as well as another option for viewing members of the Rocky Horror Fan Club performing select scenes before returning to the main movie. For those less familiar with audience participation, the DVD can prompt when to throw toast, toilet paper, rice, etc., light a match, put your newspaper on your head, etc.

The second disc contains fascinating interviews with cast members, where fans can find out about their reaction to starring in this cult classic. Meat Loaf's description of not realizing what "Rocky Horror" was going to be about and running out of the theater when Tim Curry entered wearing fishnet stockings, spiked heels, a merry widow, and a leather jacket and singing "Sweet Transvestite" is hysterical. Patricia Quinn talks about how her fondness for the opening song, "Science Fiction Double Feature" made her want to take the role even though she hadn't read the rest of the script. What? Don't remember Quinn singing that number? In the stage versions she did, but the song got reassigned in the film version--and Quinn makes her feelings about that QUITE clear. Sarandon makes the interesting observation that "Rocky Horror" probably kept a lot of art house theaters in business over the years, since they could count on good revenue from the midnight movie, even if the latest regular-hours offering flopped. In Bostwick's interview, however, the actor sounds a bit like William Shatner giving his anti-Trekkie diatribe on "Saturday Night Live."

The only disappointments on the DVD are that the outtakes really aren't that interesting and actor bios aren't provided. I would have liked to see what else the "minor" cast members did after Rocky, but that information is limited to a few lines in the companion booklet. Also, some of the audience-participation comments are nearly impossible to understand because fans are talking over each other. But then that's part of the modern-day theater experience. Even Sarandon noted in her interview that talking back to the screen has gone from the more unison catechism approach to a loud free-for-all.

What seemed so risqué and shocking a few decades ago seems much more innocent today, but it was great when it all began and it's still great! If you've never ventured into the theater to experience "Rocky Horror," this is the best way to experience it at home.

Mesmerizing film.
This is a very outrageous movie. The rock is the background to tell us a horror movie but also spiced with sex , ransvestism and above all a splendid tribute to the movies specially King Kong .
One couple strands in an old house full of weirdos . This movie (here between you and me)could have inspired for Tim Burton in Beetle juice .
In this decade there were great visuals films too . Sherman built a magnificent story absolutely free , intelligent and sarcastic, irreverent and bitter . You might state that Fellini's influence (dressed of english manners and clothes) is present all along the film .
Inmediatly after its release this one acquired the status of cult movie.

The original is still the best!
Don't bother with the play, or the music from the play. The original is still the best. Nobody can fill the shoes of Sarandon, Curry, etc. They originated the roles and have been associated with them for far too long for anyone else to come in try to change them so many years later and attempt to redo them. Stay with the best.

Those Gold Shorts!
Ahhhhh...Rocky had such a lovely outline showing in his gold lame shorts. ... Read more

Amazon.com

TV's Saturday Night Live has been like the evil twin of the legendary alchemist's stone, which supposedly could turn lead into gold. SNL usually does the opposite, taking rich comic premises from short skits and extrapolating them into overblown and unfunny full-length films. ("The Coneheads"? Puh-leeze!) But this film proved to be the exception, thanks to Mike Myers's wonderfully rude lowbrow humor and his full-bodied understanding of who his character is. Wayne Campbell (Myers) and his nerdy pal Garth (Dana Carvey) are teens who live at home and have their own low-rent cable-access show in Aurora, Illinios, in which they celebrate their favorite female movie stars and heavy-metal bands. When a Chicago TV station smells a potential youth-audience ratings hit, the station's weasely executive (Rob Lowe) tries to coopt the show--and steal Wayne's new rock & roll girlfriend (Tia Carrere) at the same time. It's filled with all kinds of knowing spoofs of movie conventions, from Wayne talking to the camera (and forbidding other characters to do so) to hilariously self-conscious product placements and labeling a moment a "Gratuitous Sex Scene." Dumb--and very funny. --Marshall Fine ... Read more

Reviews (73)

Awful... Not
Based on the popular "Saturday Night Live" sketch, 1991's "Wayne's World" is the funniest movie I've ever seen. I don't remember going longer than 20 seconds without even smirking. The "Bohemian Rhapsody" sequence is worth the price of the film alone, but it's an altogether hilarious effort.

Wayne Campbell (Mike Myers in his breakthrough film role) and Garth (Dana Carvey) host their own cabel access show in Aurora, Illinois. One night, a sleazy tv exec Benjamin (Rob Lowe) catches their show and gets video arcade honcho Noah Vanderhoff (Brian Doyle Murray) to sponsor it. Wayne and Garth agree to sign the contracts and broadcast the show nationally. They indeed reap the pleasures of fame - baxkstage passes to meet Alice Cooper, $5, 000, 000 plus Wayne winning the affections of robobabe Cassandra (Tia Carrerre). But soon, things go awry. Wayne loses Garth and Cassandra, and his show's cancelled. What could possibly make it worse? Find out in this hilarious comedy romp.

This has proved to be the only good movie based on an "SNL" sketch. It's sad to se that so much of Dana Carvey's talent is in this film, because it's a shame that all of his subsequent efforts tanked ("Master Of Disguise", anyone?). The extras included trailer and a nice documnetary.

Schawing
"Wayne's World" is a movie that shouldn't be funny but is. It shouldn't be funny because its plot is so ridiculous and pointless as to render the story almost meaningless. The basis of the plot is that two guys named Wayne Campbell (Mike Myers) and Garth Algar (Dana Carvey) have a cable-access show in Wayne's basement in Aurora, Illinois. The show, which is just Wayne and Garth goofing on stuff, catches the eye of Benjamin Kane (Rob Lowe), a smarmy television producer who wants to buy and remake it into a cash cow. Meanwhile, Wayne falls in love with a local musician named Cassandra Wong (Tia Carrere). After Benjamin comes into the picture, Wayne is afraid of losing Cassandra to him because of his music industry connections, good looks, money, and fancy car.

What saves "Wayne's World" from the purgatory of its plot is Wayne or, more specifically, Mike Myers. Myers was still an unknown in 1992. For those of us who had seen him on "Saturday Night Live" we already knew he could be stomach-hurting funny. However, until "Wayne's World" you just didn't know if he coud keep it going for a whole movie. As everyone knows now, he can.

Myers comic timing created gold out of lead. "Wayne's World" is a movie more memorable for its lines than its story. That can be a dangerous way to make a good movie as the lines can grow tired with age (see "Spaceballs"). That's not the case with "Wayne's World" though. It's still as good today as it was ten years ago.

It makes me feel kinda funny
Long before the world ever heard of Austin Powers, Mike Myers was infusing pop culture with the catch phrases and wild doings of Wayne Campbell and hastening the move of multiple Saturday Night Live characters to the big screen over the course of succeeding years. Wayne and his trusty sidekick Garth raked up at the box office and left us with a classic comedy that will be making people laugh for years to come. Aside from all the Wayne-isms and Garth-isms, this movie changed forever the way we listen to a number of classic rock songs.

Okay - let's review. Wayne lives in his parents' basement, but it's okay because he and his buddy Garth have their very own public access show on their local cable station in Aurora, Illinois. Wayne thinks his dream of doing Wayne's World for a living (and thus escaping from the world of name tags and hair nets) has come true when he gets an offer to do the show on a Chicago TV station, but there's a certain matter with the fine print. Will Wayne sell out? Yeah. And monkeys might fly out of my butt.

Myers and Carvey take their SNL trademark routines as far as they can, going a little too far once or twice (as with the Scooby Doo and Mega-happy endings - although they did make possible the much-appreciated Tia Carrere bikini scene), and it's not hard to see why: Wayne's World was the most popular SNL skit for a good two to three years running. The film has a surprising number of familiar faces: besides the aforementioned Tia Carrere, you get Rob Lowe (fresh off a certain little infamous home movie), Brian Doyle-Murray, Ed O'Neill, Lara Flynn Boyle, Donna Dixon, and - making cameo appearances - Chris Farley, Meatloaf, and Alice Cooper. Of course, Mike Myers and Dana Carvey take center stage at all times. They satirize everything, from Grey Poupon commercials to the entertainment industry, to themselves.

There are a number of memorable scenes: the Bohemian Rhapsody bit as the guys cruise town in the Mirth-mobile, Garth's Foxy Lady dance number (many of us will never be able to listen to that classic Jimi Hendrix tune the same way again), all of the Dreamweaver moments, the Laverne & Shirley take-off trip to Milwaukee, Wayne's Marilyn Monroe impersonation, and others. Whether you knew it or not, you were exposed to Wayne's World lingo throughout the 90s, so if you haven't seen the movie, isn't it time you learn why you should have laughed at all those jokes you didn't understand way back then?

Mike's Best
Wayne's World takes you through the world of Rock'n Roll, through the lives of two friends, Wayne and Garth, who own their own television sitcom. Wayne and Garth's friendship, along witht he show, is threatened when a bigtime producer, Benjamin, tries to takeover the show.

Good movie
This movie is very funny. If you liked Dumb and Dumber you would like this movie. Mike Myers is hilarious. And also the chinese man is hilarious. Anyway you should definately buy this movie. Its worth spending the money. ... Read more

Reviews (188)

It's about time
It may not be one of the best films ever made, but I love it anyway. The scenery and costumes are beautiful...not to mention the beautiful Jane Seymour & Christopher Reeve. But what's fascinating about the movie is element of time travel. It's not that Richard (Christopher Reeves) falls in love with the woman in the picture (Jane Seymour); rather, the picture stirs a remembrance within him. Not realizing what it is at first, Richard seeks answers through research which eventually leads him to the belief that...he was there. Thus the obsession with time travel and the quest to return.

Watch for the details and the glimpses of things in the present and see the connection when he's in the past. For instance, watch his relationship with Arthur.

There are all kinds of details that I appreciate about the movie. Notice the view from Miss McKenna's room at the beginning of the movie and compare that with the view from Mr. Collier's room at the end. Notice the use of camera angle, lighting and furniture (namely the fabric) to transition Richard from the present to the past.

Probably the most disappointing thing about the movie is the ending. But as a hopeless romantic, it's none-the-less a favorite movie.

A Love throughout Time
Somewhere in Time is an excellent film that combines Time Travel with romance, using an interesting and unique idea involving hypnotizing your mind to believe you are actually in that moment in history. If you can avoid analyzing the rationality of time travel and suspend your disbelief, this film will be very enjoyable for you. The idea of travelling back through time to find your soulmate is something both men and women can believe in. It is to the credit of the performances of the leads, Christopher Reeve and Jane Seymour, that the viewer believes that such a thing is possible. Reeve and Seymour also look well together and have obvious chemistry, making their love affair entirely believable. Especially with their first kiss, there is a deep and passionate love that seems entirely real. The third element is the acting of Christopher Plummer, who is always excellent and quite effective here as the overprotective manager of Seymour's character. But, there are two more elements that contributes greatly to the atmposhere of the film - the moving music composed by John Barry, and the Grand Hotel where most of the movie is set. The handsome and expressive Reeve, the calm beauty of Seymour, the brooding and calculating Plummer, the romantic and moving music and the timeless presence of the Grand Hotel combine into a magical film for the hopeless romantic.

DVD Comments: Compared to reference DVDs the video and audio quality are average, with slight graininess at times. However, this can be forgiven because of the excellent quality of the film. Those who have only seen Pan Scan versions on Cable and VHS will enjoy the widescreen presentation. The extras include a Behind the Scenes Special, Trailer, Fan Club Information, Bios and Production Photos. All are excellent and welcome additons. Of note, I found the Behind the Scenes Special added to the film experience. You will learn interesting tidbits about the making of the movie, with comments by the director, Reeve, Seymour and other players. It becomes readily apparent that the actors and crew loved making this film and hold it in a special place in their hearts. To see Reeve, who suffered a horseback-riding accident that left him paralyzed years after making the film, lends to the heartbreaking experience of seeing the film again. His comments about the final scenes of the film are very interesting and insightful to his own tragic life experience. The production photos are excellent, especially the stills of Seymour with her incredibly beautiful face and long, flowing hair. It is easy to relate and believe that Reeve's character would fall so hopelessly in love with her picture alone. The events that occur in the film, the time travel and events that happen at the end of the film are believable because of Seymour's beauty and acting ability. All of the actors, the setting, and the music are important aspects of the film, but Seymour makes the movie. Therefore, if you are a hopeless romantic, or a fan of Reeve or Seymour, I highly recommend this DVD to you.

Get the Ben & Jerry's and settle in...
At times this movie does put the "suspension of disbelief" to the test... it is far-fetched, but enjoyable if you allow yourself to accept the story as it's presented. The acting is ok, the music beautiful and haunting.

This is a great movie for those times when you feel the need to have an emotional outlet. There are some scenes where you can almost think it's a comedy, and then the mood changes to something more serious. The end seemed a little awkward, and is a real tear-jerker if you've let yourself get sucked into the story. With a pint of Ben & Jerry's and a few tissues (and some friends, if you're into sharing tears with them), it's worth the time if you're in the mood.

In a Class by Itself
As other reviewers have said, this movie seems to transcend all of its faults and strike a a very personal chord in the romantics among us. Its intense romanticism prompts us to break the rules in judging what makes a good movie, much as Christopher Reeve's love for Jane Seymour allows him break the rules of time. And, the movie is even more poignant today, since it's about going back into the past, and it reminds us of the past physical vibrance of Christopher Reeve, not as Superman, but as the healthy young man he was.

In many ways, this is Reeve's movie. He almost ruins it with his occasional lapses into Clark-Kentish oafishness, but he also injects into the film its dreamy sweetness, with his hungering eyes and his boyish awe of Miss Seymour. Speaking of her, I think she is one of the most beautiful and competent screen actresses in films and I have no idea why she never really became a huge movie star.

Christopher Plummer adds the right notes of meanness, thinly-veiled jealousy, lurking menace, and his own inner hurt as the blunt end of a love triangle. He also embodies reality, reminding us, by his dissapproving presence, of the vulnerability of the fragile love affair between Reeves and Seymour.

The special segment on the making of the film (in the collector's edition DVD) is a good one. It convincingly shows that the director, crew, and cast loved making this film and had high hopes for it. It also provides some interesting insights into how the novel was adapted for the screen and the choices, sometimes painful, that had to be made in the process. It's gratifying that this segment, which is low-key and refreshingly sincere, features the three principal stars of the film, the director, the composer, the author, and other players and crew members. Only the composer, John Barry, seems a bit taken with himself.

Somewhere In Time was nominated for the American Film Institute's list of the 100 most romantic movies of all time, but it didn't make it. As far as I'm concerned, it should have topped the list.

Somewhere in Time
I really didn't care for this movie that much.I guess it's just not my genre.The film seemed very boring.The plot is extremely deep and intellect which is probably the only reason it got such a good grade.The dialogue is your usual love/romance dialogue.Everything is just so much like a fantasy that I felt stupid.If this was a book it was probably really well written and this would have been a good adaption, but this just isn't my type of film.I think I would have liked it better with a different cast.Christopher Reeve did a good job ;though.The setting is also nice.That and some of the plot is mainly the only reason it gets a 6.It lies on border line of fresh/rotten.Only check this one out if your a fan of the genre.

"Come back to me." These were the strange words uttered by aged actress Elise McKenna to playwright Richard Collier, and they have haunted him ever since. When he hears that Elise has died, an irresistible impulse leads him to travel to the historic hotel where she lived. There he discovers an old photograph of Elise and realizes, to his amazement, that in another life he was once her lover.
Richard wills himself into the past and meets Elise again, now young and beautiful and acclaimed. Their romance blossoms anew, but not even true love can defeat the power of time... ... Read more

Reviews (43)

Interesting concept
Neighbors is a pretty interesting movie cause John Belushi and Dan Aykroyd's roles are reversed meaning John Belushi plays the serious role while Dan Aykroyd plays the crazy role.
This movie is about a middle aged man named Earl Keese (Belushi) who is a bored suburbanite and he and wife don't speak to each other often, then a younger couple (Dan Aykroyd and Cathy Morarity) moves in next door and the fun begins.
This movie doesn't have much of a plot but it's a good way to spend an hour and a half by watching this movie, for those who want a great performance by John Belushi may not think much of this movie but I truly think that you should give this movie a try, unfortunately this was John Belushi's last movie cause a year later he died of a heroin overdose and he will always be in my heart cause he has done so much is his short lived career from Animal House, Saturday Night Live, Blues Brothers and the underrated romantic comedy Continental Divide.

I'm glad the NEIGHBORS are here to stay!
I truly love the late-John Belushi's work, seeing as his acting in "Animal House" and "The Blues Bros." were sensational, but "Neighbors" offers a different type of role for Belushi. The film has a bizarre usage of dialogue, lighting, costuming, and an exceptionally uncanny soundtrack, not to mention the twisted storyline and 110% intriguing plot. Belushi works so hard to play his serious-character and comes out looking like an pro in the end. The role was definetly for him! Aykroyd, this time, is the zany, manic "salesmen-type" personality, similar to his SNL sketches, to play Belushi's next-door neighbor. Totally humorous on the part of Aykroyd, the novelty of his character keeps the laughs going. Cathy Moriarty, from "Raging Bull" is sultry and sensual as Aykroyd's "wife.". Wonderful, wonderful, wonderful. "Neighbors" is a dark, surreal jaunt as many of the fans make it out to be -- it's simply a fabulous disaster! Don't wait to watch something else -- watch "Neighbors" -- and pray a Ford Ranchero with a Red Baron biplane in back doesn't pull in to the vacant house next door!

I thought I was the only one who loved this movie
I was glad to see other favorable reviews about this movie. I saw Neighbors on cable way back when at something like 2 in the morning. Perfect time to see this movie for the first time. I loved it immediately but until now, I thought I was the only one who did. My VHS copy is long gone and I still want to see the movie again. If it ever comes out on DVD, it's going into my collection.

Another Champion of Hollywood Studio Avant-Garde
A great atmosphere movie for any Friday night, "Neighbors" is still as funny and bizarre now as it was when released. This is a wonderful companion to films such as Scorsese's "After Hours" or Dante's "The 'Burbs." An often over-looked film, "Neighbors" is a brilliant symbiosis of the comedy and thriller genre.

Earl Keese is an unimaginative Walter Mitty stuck in boring suburbia. After Captain Vic and Empress Ramona move next door, Earl begins on a 24-hour journey to save his soul -- to be released from the stagnant swamp of dead-end living -- and 9-5 working. Both Belushi and Aykroyd expand their comedy by switching their normally stereotyped roles. Oscar-Nominated (Raging Bull) Cathy Moriarty also turns in a great performance as the temptress Ramona.

The swamp scene behind Earl's house is a powerful and mythic metaphor of Earl being "sucked down" by outside forces. It's also where he becomes baptized into a "new world" where he will reign. The Gelbart script (heavily rewritten by Belushi and Aykroyd during the Writer's Guild Strike) follows many of the Joseph Campbell tests and trials of the mythic hero. In addition to story, the film also boasts some fast, screwball comedy dialogue. Here's one of the witty exchanges in the post-modern Robert Riskin vein:

Vic: We're waiting, or do I have to pound it out of you?

Earl Keese: Don't ever speak to me like that in my own house!

Vic: Why would I?

Earl Keese: You just did.

Vic: I didn't mean anything -- it's just something a guy says.

Earl Keese: I never say it.

Vic: I don't blame you.

Experience "Neighbors" with some spaghetti from Caesar's Garlic Wars, a small spaghetti and wine dealership at Valley Field Mall on Route 3, next to the Cinema-Cineplex and the Singer Sewing Center.

Oh, and for breakfast the next morning, tell your loved one: "I hope you like blueberry pancakes and little baby sausages --'cause that's what yer getting'!"

Neighbors
This is a really funny dark comedy. The last movie John Belushi made, and maybe his best. Based on the book by Thomas Berger. ... Read more

Reviews (5)

The Best Part is the Score
Even if the movie were far sillier than it is (and to be fair, it is extremely entertaining) it would be worth it for the exquisite Miklos Rozsa score, which ranks up there with his best (though, with Rozsa, there is no worst!) and includes some absolutely rapturous and sensuous music. A couple of decades before I ever finally saw the film on television, I had fallen in love with the (hard not to laugh when one says it) "Love Theme from Sodom and Gomorrah" encountered on a record of '60s epic music. Finally, much more recently, I found a CD of the score, and the theme remains as romantically seductive as ever. As for the film itself, it has a very watchable cast and remains a guilty pleasure - probably more so than if it had been more explicit in demonstrating its characters' sinfulness (other than their obvious sadism).

Sex and the cities.
An early 60's Italian Bible epic, with decent acting and a fairly literate script, although it varies considerably from the biblical account. Rather than taking on the subject of homosexuality in Sodom and Gomorrah (probably unthinkable even in 1960's Italy), the film instead depicts the twin cities as centers of "evil in general", with everything from gambling to incest to death cults. There is some implied lesbianism on the part of the Queen of Sodom, but no reference at all to the men of the city wanting to "know" Lot's angelic visitors. Effects are good for the time period, and Stewart Grainger pours some genuine humility and human weakness into his Lot characer. Not bad as Bible epics go.

sodom and gomorrah
This movie dispicted excellent costumes, makeup, background and script along with appropriate accents to make this film one that can be watched over and over again. I highly recommend it.

Don't look back!
This film is way too long and outdrawn in its depiction of the fate of the two cities which are only briefly described in the Book of Genesis. It's another big-budget biblical film made in the sixties which has a lot of similarities to those make in the fifties; but as usual, quantity doesn't always mean quality. There are a lot of action scenes here, but also plenty of corny overacting from its top stars. Also, the eventual destruction of the cities takes too long to happen in order to consume everyone. The special effects used to show the destruction aren't the best.

The Bible--Hollywood Style!
Stewart Granger plays a serious, patriarchal Lot in this epic of the fall of Sodom and Gomorrah.Pier Angeli is her usual lovely and winning self as a beautiful slave girl, Anouk Aimee is smoldering, sexy and dangerous as the licentious Queen of the doomed cities, and Stanley Baker is a lecherous Prince, who seduces both of Lot's daughters. This film was made in the heavily censored 1950s style, so the sin named for Sodom is never even implied--instead, the Queen is the sexual predator,lusting after her many attractive slave girls, but a series of smoldering looks between them is all the movie can show. The men, on the other hand, are portrayed as a pack of sex-crazed overgrown teenagers, but their lust is strictly reserved for young and luscious girls. If you can stop laughing long enough, this is a fairly good Bible epic--the acting is much better than the script deserves, and by the end of the film, Pier Angeli's fate as a pillar of salt is touching. For fans of sand-and-sandal epics, but don't look for any historical accuracy here. Don't even look for any Biblical accuracy, either--the subsequent incest between Lot and his daughters that the Bible relates would have been unthinkable in this era of film. END ... Read more

Reviews (567)

More like A Clockwork Tangerine!
Some consider this to be Kubrick's masterpiece. In my opinion Dr. Strangelove was his masterpiece, but Orange is a master work, nonetheless. It's a dark tale of prophecy, a vision of a bleak future, violent and vicious in the extreme, which some might also say we're living in today, judging by the headlines.

So this is a great movie, but this DVD is a great disappointment! Despite what the details above say and what it says on the disc snap-case, the film is not in widescreen letterbox format, but is in full screen format! And the image quality is only fair-to-good. The sound is OK on my mono TV speaker but evidently is not Dolby multi-channel. And the theatrical trailer freezes at various points during playback. There's a chapter index and a list of awards the movie won or was nominated for, and that's about it for bonus features! One can only hope that the next release of this movie on DVD will do it justice, and make it a true Kubrick collectible!

Substance and Style!
Perhaps the greatest irony in "A Clockwork Orange" occurs in the scene where Alex is reading the Bible in prison. He informs the viewer that he loves the violence and sex contained in the first part, but really has no use for the preaching in the latter half. I've come across a lot of folks who have seen this flick and it never fails- there are many out there who, like Alex and the Bible, love the brutality of the first hour of the film, and cannot abide the preachy second half. If you are one of those, stop reading this review.

"A Clockwork Orange" is an ingenious comparison of two theories of punishment- retributivism and utilitarianism. Debate has raged over the proper role of a criminal justice system. Is the goal to punish the criminal according to the old eye for an eye standard (retributivism) or to reform the criminal into a useful, law abiding citizen (utilitarianism)? At the outset, many people dismiss utilitarian values as a lot of liberal silliness: soft on crime. A more important question is whether we should reform criminals whether they desire to be reformed or not for the good of society. One of the more interesting aspects of this film is that is shows utilitarianism can be a far more brutal method than retributivism, contrary to popular thought.

Here we have the debate crystallized as if the proponents of both, Kant and Bentham, were debating the merits before our very eyes through the characters on screen. Alex is unquestionably rotten to the core; he maims and rapes helpless victims for laughs. The first hour of the film is dedicated to underscoring this point. When Alex is apprehended by the authorities, he is dealt with in the old fashioned Kantian way- punishment.

Alex then volunteers for a special treatment that will "cure" him, in exchange for freedom. The cure is a form of conditioning that causes Alex to become terribly ill whenever any inclination towards sex or violence surfaces- he now has a reflexive aversion toward evil, and "ceases to be a being capable of moral choice". The final act of the film deals with the consequences of being "cured" in such a way.

By now you probably get the idea- go see this film (but not as a "date"). To further entice you, it's one of the most visually exciting movies ever made, with vibrant images that will burn themselves into your mind. If you've never seen it on DVD, the transfer is great, and you will see things you've missed before. And as a final bonus, look for the guy who plays Darth Vader as a bodyguard.

I'm laughing at clouds
"A Clockwork Orange" is screenplay writer/director/producer Stanley Kubrick's interpretation of the book of the same name by Anthony Burgess. The dialog includes some of Burgess' made-up language from the book.

The plot revolves around Alex de Large and his group of friends who are very violent, and get their kicks by raping and assaulting people. After Alex and friends commit various crimes, Alex is finally arrested and put in prison with a sentence of 14 years. Eventually, his sentence is commuted in exchange for him undergoing experimental aversion therapy which makes him physically ill at the thought of sex or violence. However, it also makes him hate Beethoven's 9th Symphony which was played as background music to some aversion films during treatment. After an attempted suicide, Alex is re-treated with apologies by the government for inhuman treatment, and Alex appears he will resume his old ways.

This movie is highly stylized, including wardrobe, hairdo's (mom has purple hair, another woman had dark blue hair), set dressing, location and props. There is a fair amount of full frontal nudity of both sexes, and some stylized and slow-motion violence. Kubrick has made some good and bad movies, but this is his most stylized and over-the-top effort. Not for everyone.

DVD has chapters, English or French spoken language, several subtitle languages, a trailer and list of awards.

MUST SEE!!!
Amazing portrayal of the effects of a violent youth on society, and the effects of society on the violent youth in turn. Not enough can be said for Malcom McDowell's genious, artistic performance as the lead character "Alex". This character would be despised if played by any other actor, but Mr Mcdowell's rendition somehow finds us leaving the film with an almost endearing "fondness" for the boy.Fabulous must see art film, but definitely not for sissies!

gorgeousness and gorgeosity made flesh
With this provocative, amusing and beautiful tour-de-force Stanley Kubrick established himself as the most audacious and original directors of his time. Though the are thoses who despise it, no one can deny the power of this film to spark impassioned discussions on the film's sudject matter. And I for one feel this is an achievement all on its own. This stirring classic, I hope, will endure and inspire generations of young film enthusiasts like myself. ... Read more

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When Goldie Hawn recommended Elizabeth Berkley for a small role in First Wives Club, she publicly stated that Berkley deserved the opportunity to redeem herself after starring in the ridiculous Showgirls. That says it all: this sleazy, stupid movie, which mixes soft pornography with the clichés of backstage dramas, is the kind of project an aspiring actress would have to put well behind her to keep a career going (though costar Gina Gershon certainly benefited from her, uh, exposure in the film). Berkley plays a drifter who hitches a ride to Las Vegas, becomes a lap dancer and then a performer, and discovers--gasp!--there's a whole world of sex and violence involved with these things. Gershon is probably the best element in the film, playing Berkley's bisexual rival for the big spotlight on stage. Joe Eszterhas was well overpaid for writing this howler, and director Paul Verhoeven (Basic Instinct) should have known better than to take it seriously. --Tom Keogh ... Read more

Reviews (183)

Unique & Different - A Campy Cult Classic
This is a differen't movie, from any other movie that I've ever seen. You could definately tell that Paul Verhoeven had more creative freedom, because of the big-budget, and the NC-17 rating which allows you to do basically anything you want.

I LOVED the dance sequences. All of the bright, big, and fancy dances and the over-the-top props and desings. Verhoeven did a good & effective job with the dance sequences. Elizabeth Berkley can't act, but she can dance. The dance at the Cheetah Club, where she dances to a Prince song, is pretty good. Kyle MacLachlan was worse than Elizabeth Berkley; Kyle just can't act anymore, although he was very good in "Blue Velvet". Gina Gershon pulled off "Cristal" very well. She was mean and sneaky. Elizabeth Berkley looks beautiful though. She has a very exotic face, and the differen't color eyes, makes her more mysterious. As a person who likes "Valley of the Dolls", I enjoyed the campy acting, and dialogue. So few movies are afraid to go down that road, that it's refreshing to see something differen't once in a while.

Three of my favorite scenes, are when Nomi does the gospel-singing disco dance sequence, and when she finally gets to rise out of that volcano, and the announcer says "Ladies and gentlemen, the stardust proudly presents Miss Nomi Malone!". And my third favorite scene is when Nomi and Jeff drive past the billboard with her face on it, and they drive off to L.A. with the Siouxsie and the Banshees music playing.

This movie isn't BAD, it is just too raunchy. The nude scenes and the dialogue from Henrietta Bazoom, are real raunchy. There is only 1 sex scene. I can definately see where people would be offended by Showgirls, but being offended doesn't make a movie bad. NC-17, means that only MATURE people should watch Showgirls because they can handle it, and that means that people who can't handle nudity shouldn't watch it.

I was shocked to see Jessie from "Saved by the Bell" doing lap-dancing, and pole-dancing.

Brilliantly Bad, Terrifically Terrible
As an avid fan of the wonderfully worthless "Valley of the Dolls", I thought I had seen the ultimate in the "so bad it's great" filmmaking genre. Then along came "Showgirls", which showed me just how wrong I was. Glory hallelujah, I have seen the light! Yes, friends, this is the most delightfully deplorable motion picture of all time.

As if Joe Eszterhas and Paul Verhoven (who apperantly have some SERIOUS issues with women) hadn't squeezed enough gratuitous nudity and sex in their thoroughly unenjoyable "Basic Instinct", they have topped themselves in one of only two movies ever to get an NC-17 rating ("Crash" is the other one, and it's actually pretty good). This perfectly pathetic film follows the adventures of Nomi Malone, a hot-headed drifter who hitches a ride to Vegas and becomes the biggest thing to hit the sex industry since former president Bill Clinton. Along the way, she'll throw many a hissy fit, befriend an angelic stripper, lock horns with a self-absorbed rival, avenge a brutal rape, and utter some of the worst lines of dialogue ever written for the silver screen. Former "Saved by the Bell" star Elizabeth Berkely plays Nomi like John Travolta played Terl; she overacts to the brink of Spontaneous Human Combustion, shouting the horrid dialogue at the top of her lungs, which surprizes me because they are buried under twin Everests of silicone. The other actors don't fare much better, partially because they are acting to the worst script ever, worse even than the plotline to the Carrot Top movie.

So why five stars? Because you'll love every minute of it. The film is howlingly hilarious, from the actors to the script to the dialogue. You'll be awestruck by the film's monumental depravity from beginning to end, and because the movie is 131 minutes long, you'll have plenty to savor. So put the popcorn on the stove, invite your closest friends, and enjoy the most deliciously detestable movie ever made. It's a guarenteed good time, and remember, this flick cost United Artists 40 million bucks. Oy!

Hea, we all know why we love this film
Let's all be honest with ourselves. This film is about Elizabeth Berkley and how gorgeous she was in the nude.

Eye candy
Showgirls is one one of the most universally panned movies of the nineties. Everybody hates it, or laughs at it.

Frankly, I don't know why. Or rather, I do know why, and it is not because it is bad. OK, granted, it is pretty bad when you consider some of the acting, and most of the story. But how many movies is this not true for? Certainly it is no worse than most action flicks, and you don't see Jean-Claude van Damme being drop-kicked all over Hollywood.

The thing is that this film is obviously eye candy. And today you cannot be politically correct and not attack something like that. I notice that it moved straight to the third place nationally when it came out on video, and that it has an average rank of four out of fives stars with the audience at Amazon. Critics; can't live with them.

See it for the girls. What girls! They can even move. Elizabeth Berkley's moves are smoking sexy.

And that's all I have to say about that... (Lahf is lahk a box of chokolates.)

Paul Verhoeven's most daring film to date.
Paul Verhoeven's Showgirls is a great film. It's flawless, it's funny, erotic, realistic, intense, violent, etc. It was very well received in Europe. It has a lot of cool modern dancing in it, being very close to be a musical. "Showgirls" is the "Dirty Dancing" of the 90s. See it for yourself. ... Read more

Amazon.com essential video

When the Devil (Peter Cook) offers suicidal short-order cook Stanley (Dudley Moore) seven wishes, Stanley easily surrenders his soul. All of his wishes are granted, to the letter. Unfortunately, as each wish comes to life, the Devil--cheeky sod!--manages to slip some unexpected problem into the mix, ruining everything in a deliciously funny way. Bedazzled was made long before 10 and Arthur made Dudley Moore an unlikely movie star. It's a much purer expression of the off-kilter British humor that Moore and his writing partner Cook pioneered, humor that would lead to Monty Python's Flying Circus and other absurdist goofballs. Moore is charming enough, but what really makes Bedazzled work is Cook, who combines upper-class arrogance with a cheerful, even casual lunacy. Though he played character roles in movies like The Princess Bride and Black Beauty, he was never able to parlay his sneaky sense of humor into starring roles. Bedazzled is his outstanding triumph. Not only does the movie offer some sly commentary on Christian morality, it has a cameo with Raquel Welch as the embodiment of Lust. A classic. --Bret Fetzer ... Read more

Reviews (54)

Why would anyone remake this film?
Yeah, I know, nobody in Hollywood has had an original idea in decades, but the news that they were putting out a new version of THIS near-perfect comedy stunned me. And with the guy from "Encino Man"! The original stars the great British team of Peter Cook and Dudley Moore back when the former was still alive, and the latter was still funny. It's basically a retelling of Faust, with short-order cook Stanley Moon (Moore) head-over-heels for a completely indifferent waitress. Stanley sells his tortured soul to The Devil (Cook) for seven chances at romantic bliss, only things never seem to be quite right. No matter how hard Stanley tries to spell out exactly how he wants his new life to be, George (that's the name Satan goes by here on Earth) manages to find a loophole in each wish. The situations that result are all priceless, and there's even a few steamy scenes with Raquel Welch as one of the Seven Deadly Sins (guess which one). The original film is a 10, and there's no more chance of the 2000 version living up to it than there is of Brendan Fraser winning an Academy Award. Like, ever.

terrific classic doesn't need to be re-made!
I first saw this film my first semester in college... in English 101 of all places! After reading the Goethe's "Faust," we were treated to this drop-dead, split your sides open comedy.

Dudley Moore is perfect as the bumbling, broken-hearted bafoon, Stanley Moon. Peter Cook is the evil, but somehow still loveable George Spiggot aka the Devil. Raquel Welch plays a small cameo role as "Lust," one of the seven deadly sins personified.

Moon (Moore) is lovelorn and secretly pining away for the waitress he works with at the local "Wimpy Burger" in London. When Moore realizes that the girl he desires will never notice him, he attempts to take his life and is rescued by none other than the Prince of Darkness.

Moore agrees to sign over his soul to Spiggot in return for 7 wishes. The poor sap just isn't street smart enough and constantly wishes for something he either didn't intend to wish for or worse, a wish he hadn't really thought out properly and thoroughly... exacerbating the meaning of the phrase, "be careful what you wish for... you might just get it!"

Cook does an exemplary job as the wolf in sheeps clothing. Spiggot gains Moon's confidence by being kind to him... despite his alterior motives, it is probably the first time anyone has been kind to Moon in his whole life and the Devil exploits this to the fullest measure. Lack of street-smarts gets moon in one hilarious pickle after another.

I can't say much more without ruining the plot and the hilarity, but suffice to say, you'll never hear "Julie Andrews" the same way again. I highly recommend this as a clever comedy... and one that's safe to show to teens.

I don't even wanna see the remake!
Ok, I only saw this movie once, so I don't remember all of the details properly, so I will try to keep my thought short. (besides, everyone else has filled in most of the details) The movie had me hooked with one of Cook's opening lines about suicide being the last thing you should do. But, I must disagree with those who have considered Cook's role as that of a hero. He was quite likeable on the screen, but I knew someone like that in real life, and it wasn't a fun experience. Ah, but the best part is the end where the devil ends up hosed and Dudly Moore's charactor has his life back. And, I liked how God was portrayed as a nasty type. It's kind of like the moral of the story is that you shouldn't trust either of them. This movie is on my must find DVD list, so I can put it on the shelf next to Dr Strangelove. Not that it is as good as Dr. Strangelove, but it comes closer than a lot of other comedy movies.

Spellbound...
Dudley Moore and Peter Cook were once the dynamic duo of comedy in Britain (and, to a lesser extent, America), having variously stage shows, television shows, and movies before going their mostly separate ways. One of their great collaborations is 'Bedazzled', a somewhat Faustian-influenced comedy about a man making a pact with the devil to get the woman he desires, only to have it get increasingly silly as it gets increasingly specific.

Moore is the poor man in love with a woman unobtainable; Cook is the devil (in very seductive guise, as is the devil's usual image) who promises him he will grant wishes if in turn he gains rights to Moore's soul. During the course of conversation, the devil explains that he and God have been in competition, and the first to reach a set figure wins, and Moore will put the devil over the top.

So, Moore makes a wish. Of course, in typical devilish fashion, it goes awry. The devil, being a sporting sort, gives Moore the chance to be more specific, to refine his wish. And this he does, to the point of absurdity. Instead of simply wishing to have the woman he loves, he ends up wishing that he loves her and she loves him (poof! they're in love, but married to other people--still a bit of a no no in 60's Britain); increasing refinements bring him to the point of wishing that he loves her, and she loves him, they're not married, etc. until finally Moore finds himself and his love are both nuns (forget to specify that he would be male!) in a convent specialising in spiritual leaping (the scene of Moore on the trampoline wearing a nun's habit is worth the full cost of rental of the movie!).

In the end, the devil pays a call on God (who lives in a greenhouse that looks suspiciously like one of the major botanical research greenhouses in Britain, but...) who lets the devil in on the trick that the competition wasn't really on, releases Moore to go back to his life (which by this point Moore realises wasn't so bad), and the devil slinks away, disappointed.

There is so much subtle humour mixed in with the bawdy and tumbling humour that this really is a treat. One reviewer has likened it to Austin Powers, and that is not far off the mark, for this really was the swinging 60s in Britain.

It is amazing to see what passed for questionable morality in movies (given what we see on prime-time television today) with the hindsight that living in the 2000s gives us. This movie seems positively tame by comparison to more recent features. But, it still delights, and the plot is timeless (even if the details will change over time).

You'll be bedazzled too.

Damn L'Amour !
As an American, I typed Bedazzled as a Damn Yankees comparison, or contrast whichever you like. The only comparison is a lady named "Lust" to a zinger of a dancer named "Lola." The only contrast is a guy in Bedazzled who wants l'amour to a Damn Yankees guy with heart that snubs l'amour for the treat of humiliating those always winning damn Yankees. Bedazzled has an apt approach to the Faustus myth; dishing out humor in vignettes-- and it works. The humor? Well, it is a WOW. This is the kind of movie which provokes the question years later, "Do you remember that scene in Bedazzled where . . . ?" ... Read more

Reviews (12)

Trashy! Ridiculous! Awful Performances! DON'T MISS IT!
This movie is so bad, it's good!

Without giving away the wacky concept behind this mess, "The Lonely Lady" has all the appearances of being a made-for-TV movie produced sometime around the late seventies/early eighties, with some superficial nudity thrown in for good measure. Definitely a period peice.

The characters are so two dimensional, it's almost like watching lip-syncing cardboard manikins. Pia Zadora's squirrelly acting style is particularly amusing. The storyline is sort of nonexistent.

So Martha S. says here's what to do in order to make this occasion a cheery holiday funfest: Have a low-rent party!!! All you have to do is make a batch of fruit punch and spike it with MD 20/20 or some other cheap wine; Whip up some Hors Deuvers made of Ritz crackers, Spam and Cheez Whiz. Fry up some Okra!

Then, get a copy of the other Pia Zadora Epic, "Butterfly", invite all your freinds over, and have a Pia Zadora Film Festival... So what's not to like?

An American Classic
Don't listen to all of those stuffy movie critics and people who ripped on this movie without even watching it. If they had their way, we would watch nothing but endless reruns of foreign films (w/ subtitles) and hapless domestic productions that are short on action and long on boredom.

This HOLLYWOOD rags to riches story was truly inspiring! Pia Zadora gives an Oscar worthy performance while displaying all of her assets (no pun intended).

In short, if there is one movie you see this year, "The Lonely Lady" should be tops on you list.

Sometimes your in the mood for that
Don't listen to all the uptight reviewers who say this movie is awful. People need to lighten up. I hardly think Pia and company were aspiring to great art here; instead they've created a deliciously tacky movie that has plenty of sex, drugs, and campy acting. Sometimes your in the mood for that, you know. p.s. pia's body is to die for.

Glop!
This was one of those movies I watched on cable one night when I was a kid and my parents were not at home and It was one of the worst movies I have ever seen so vapid and trite and stupid! A pile of glop!

Total "Camp" Classic!
I didn't like this movie much when it was released back in 1983. Over the years it has sort of grown on me. I seemed to always catch it playing on TV and couldn't stop watching it. Recently, I saw it on TV, and figured I might as well buy it on video since I like it so much. The copies I purchased here in Canada from a record store were awful, and was I able to find a clean playing copy that was new on the internet. It's basically about an up & coming writer that sleeps here way to the top and meets a lot of unscrupulous people along the way. It's a drive-in movie through & through. Lots of nudity, violence, and a really lame script, but it has a certain charm that I can't put my finger on. If you like 'B' movies, this one is a must have for your collection. ... Read more

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Saturday Night Fever is one of those movies that comes along and seems to change the cultural temperature in a flash. After the movie's release in 1977, disco ruled the dance floors, and ablow-dried member of a TV-sitcom ensemble became the hottest star in the country. For all that, the story is conventional: a 19-year-old Italian-American from Brooklyn, Tony Manero (John Travolta), works in a humble paint store and lives with his family. After dark, he becomes the polyester-clad stallion of the local nightclub; Tony's brother, a priest, observes that when Tony hits the dance floor, the crowd parts like the Red Sea before Moses. Director John Badham captures the electric connection between music and dance, and also the desperation that lies beneath Tony's ambitions to break out of his limited world. The soundtrack, which spawned a massively successful album, is dominated by the disco classics of the Bee Gees, including "Staying Alive" (Travolta's theme during the strutting opening) and "Night Fever." The Oscar-nominated Travolta, plucked from the cast of Welcome Back, Kotter, for his first starring role, is incandescent and unbelievably confident, and his dancing is terrific. Oh, and the white suit rules. (Note: Saturday Night Fever was cut from its original R-rated version after its initial release in order to obtain a PG rating. The PG version is 11 minutes shorter and is missing parts of scenes and some street talk. Both versions are available on video.)--Robert Horton ... Read more

Reviews (93)

The Disco Era Classic Film
In 1977 not everybody knew what the innovative disco music was, and to what extent night clubing was going on. This film depicts John Travolta as Brookyn's Tony Manero, hero to the dance floor. His dead end job at a paint store makes him live for The Saturday Night disco scene. Travolta meets Karen Gorney and enters a dance contest with her but she refuses his sexuall advances. Gorney sees herself going to Manhattan to move on with her life. Travolta sees her as a snob. One local girl played by Donna Pescow likes Travolta but is pushed away by him for Gorneys character since she's a better dancer and Pescow is considered boring. What underlies is Trvoltas often at odds relationship with his family. Racial gang wars and a friend you can't help but wonder about his sexuality. Not only did this movie imitate the era, it influenced the next seven years with it's record selling soundtrack and the great timing in which some of the best nightclubs in America remained open. The movies message is vague but lets you fill in the blanks as Travoltas (Manero) becomes fed up with his existing lifestyle. Moviegoers became so enthralled with it, it would continue into the mid 80's. A PG version was recut to feature the dancing and less social conciousness with virtually no explicit language. This movie had one of the biggest impacts of late 70's films!

More relevant after all these years
After reading all the reviews, the one by Gareth from Disco Mountain hits it right on the head. I loved it when it came out almost 25 years ago, I think it's a masterpiece now. There's no dead space in that movie. When you consider all the issues raised, it's astounding that more people don't see the authenticity and humanity within all the flaws of the characters. What Badham did was create a seamless integration of many contemporary themes, and they still hold today in some other neighborhood anywhere in the world. First, it has some of the most natural dialogue ever written. Gritty and powerful and sexy. When I first saw it, I reacted to it with passion. Today, I see the brilliant writing and directing, and those issues! feminism, racism, class consciousness, family dysfunction, religious uncertainty, teenage angst, the inevitable changes encroaching the neighborhood. And all these social commentaries to the beat of nonstop, exhilirating music. The apathy and despair in the family scenes alone go right to the gut. I know these people! Finally, blend that in with those great Brooklyn accents, the dancing, Travolta and company, and you've got one of the most authentic movies made in the last 25 years.

Admit it
You liked this movie when it came out. And John Travolta's dancing was possibly the coolest thing you'd ever seen. Then came the disco backlash and it suddenly was uncool. Which is unfair because this movie is a classic of time and place, despite it's technical flaws (the occasional visible boom mike, obvious reuse of 2nd unit dance footage, and conversations where lips aren't moving.) Not for nothing was this the late, great Gene Siskel's favorite movie instead of say, Roller Boogie or Can't Stop the Music.

I was going to write about some of the best scenes from this movie but who HASN'T seen it? Instead, let's just focus on this DVD. It does have some extras which are always nice but they are on the skimpy side. There are 3 deleted scenes that are largely throw-aways. I'm curious why they didn't include the extra footage they used for the PG version which includes more dance scenes. There is a decent VH1 Behind the Music episode about it. If you saw it when it was on, then there's no reason to see it again; although it does have some fabulous rehearsal footage of John that's definitely worth viewing. The best of the bunch is director John Badham's commentary which is very good and exactly what a director commentary should be-peppered with amusing trivia (e.g. the lady who played Travolta's grandmother kept presenting him with scenes she had written to beef up her part), technical details, and wry humor. And plus you have a true screen classic on DVD. Re-watch it after all these years and still discover something new to enjoy.

Any night fever
John Travolta makes his starring film debut in this film as Tony Manero,a paint store sales associate who during the day is at the store and is at the real non-existent 2001 Odyssey discotheque and nightclub at night. Karen Lynn Gorney is Stephanie Mangano,a girl Tony meets at a dance studio. They'd later go to 2001 Odyssey together. Tony still lives with his mom,dad and his little sister in Brooklyn and in the last scene,announces to Stephanie his plan to move to Manhattan where she lives. Tony's buddies went with him to the nightclub also. Tony loses his job at the paint store after he takes a day off against his boss's authority. Tony is later reinstated. John Travolta was the star of TV's "Welcome Back Kotter" when he made this film. It wouldn't be long after wrapping up this film that he'd do his next starring film "Grease" with singer Olivia Newton-John. The soundtrack album is the biggest-selling in pop music history thanks in part to 5 songs on the album by the Bee Gees. Their composition IF I CAN'T HAVE YOU,was recorded by Yvonne Elliman. The Bee Gees would later record the song themselves. However,there are 2 versions of MORE THAN A WOMAN on the album,recorded by the Bee Gees and Tavares. Get a load of,in one of the first scenes,Travolta strutting while simultaneously eating two slices of pizza! The Matrix in Bay Ridge,Brooklyn now stands where 2001 Odyssey did. In addition to the Bee Gees,we hear great songs by K.C. and the Sunshine Band,Kool & The Gang and even the Trampps' DISCO INFERNO(10 minutes and 52 seconds in length on the album). Director John Badham later directed Mel Gibson and Goldie Hawn in BIRD ON A WIRE. There's also in the film,Donna Pescow as Annette,who was Tony's girlfriend before Stephanie and Martin Shakar as Tony's minister brother,who quit the priesthood and returned home. After its theatrical release 26 years ago,SNF remains one of the most popular all-time films.

YOU SHOULD BE DANCIN' YEAH!!!!!
I LOVE JOHN TRAVOLTA WHAT A WONDERFUL MOVIE AND THE BEE GEES, TAVARES, AND OTHERS HAD REALLY CONTRIBUTED TO THIS SOUNDTRACK I LOVE THIS MOVIE IT SHOWS EVERYTHING THE UPS AND DOWNS OF LIFE, FAMILY LIFE, MEN, WOMEN, SEX, SUICIDE, SELF-ESTEEM , BUT MOST OF ALL DANCING AND HOW GOOD MUSIC IS AND HOW WELL WE ALL CAN DANCE THIS IS A GREAT MOVIE AND I WOULD DEFINITELY RECOMMEND ANYONE WHO LIKES THE BEE GEES, TAVARES, JOHN TRAVOLTA, DANCING, SINGING, AND DISCO, TO BUY THIS ALBUM AS WELL RIGHT ALONG WITH THE SOUNDTRACK I LOVE THIS MOVIE THIS MOVIE IS GREAT I LOVE ALL THE DANCING. I LIKE JOHN'S [appealing] STYLE AND HIS WALK AND THE WAY HE DANCES AND EVERYTHING IT IS A GOOD MOVIE. I SUGGEST ANY JOHN TRAVOLTA FAN TO BUY THIS MOVIE. ... Read more

Amazon.com essential video

This splatter flick, along with John Carpenter's Halloween, helped spawn the great horror-movie movement of the '80s, not to mention eight sequels, many of which had nothing to do with the films that preceded them. It also gave birth to Jason Voorhees, one of the three biggest horror-movie psychos of the modern era (the other two being Halloween's Michael Myers and A Nightmare on Elm Street's Freddy Krueger). Forever duplicated, the original Friday the 13th popularized a number of themes and techniques that today are now clichés: the increasingly gory murders, the remote forest location, the anonymous and nubile cast, the murderer as cult hero, and, of course, the moral that if you have sex, you will die, very painfully. Still, if you have to see a Friday the 13th movie, this is the one to check out. A group of eager (and horny) teenagers decide to reopen Camp Crystal Lake, which 20 years earlier was closed after the shocking and mysterious murders of two amorous camp counselors. You can take it from there, as the teens get picked off one by one, during a dark and stormy night; of course, their car won't start and there's no phone. The ending stole shamelessly from Brian De Palma's Carrie, but it still provides a slight if campy shock. Look for a young Kevin Bacon as the requisite stud--you can tell that's what he is because when the cast appears in swimsuits, he's wearing a Speedo--who's the beneficiary of the film's best murder sequence, an arrowhead to the throat. Right after having sex, of course. --Mark Englehart ... Read more

Reviews (359)

The Original Slasher Opus!
Camp Crystal Lake, 1957. A mysterious figure hacks up two love-bonding teenagers, kicking off a great, entertaining credits sequence with Harry Manfredini's great score!
Opening to 1980, a teenager is on her way to Camp Crystal Lake,
to meet up with other camp counselors who are putting the camp back up for the summer. She is warned by the town's people, but ignores their warnings. Ofcourse, being the original film in the Friday The 13th horror movie series, she makes a deadly mistake, picking up a ride from a mysterious figure in a jeep.

Meanwhile back at camp, the head, Steve Christy, leaves the young counselors to clean up as he goes to town. As night comes, a storm comes and so does Mrs. Voorhees hacking her way threw this horror venture, featuring special effects by Tom Savini (Dawn of the Dead).

This original flick in the great franchise has so far, spawned nine sequels, including the groovily fun Jason X! Ofcourse all these horror greats are fun! Some good gore abound in this flick, including a slit throat, arrow threw the neck, axe to the face and more! The sequels got even better, more [gore] scenes and ofcourse, Jason would take the axe over in Part 2!

HAPPY FRIDAY THE 13TH!

Friday the 13th (1980).
Written and directed by Sean S Cunningham, Starring Kevin Bacon...Make-up: Tom Savini. This early trendsetter spawned 8 sequels and set a new type of standard in the slacher genre. This bloody tale is about some youngsters camping around the area of Christal Lake. But what they don't know is that the camp has a curse, namely Jason's curse. Jason is(that most of us know) a young kid that drowned back in the 50's wile the dreadful teenagers made love. Now he is back for revenge, or is it his mother?

What more can I say then that this movie is amazing. Sean S Cunningham takes the genre one more step further then Halloween and adds a simple revenge story but whit a great touch of atmosphere and loads of gore. Fx guru Tom Savini gives us some truly terrifying death scenes (who can ever forget Kevin Bacons harpoon trough the chest scene) that really deliver entertainment to us dark souls. The Psycho inspired music and the dark settings give Friday the 13th a creepy stile. This is a historic flick in horror history that any serious fan of the genre should add in there horror collection. Many people underrate this kinds of films. I suggest you don't. Those people are boring moralists that are all to small minded. This flick deserves to be a classic as much as Psycho or Silence of the Lambs.

Earn your self to see this blockbuster. You will have a lot of fun seeing it (trust me). Remember this was one of those movies that started the hole area of 80's horror.

Rating: 5 stars of 5 possible.

The best Friday ...
Though I enjoy Jason Voorhees a lot, this is the best Friday the 13th. For the most part, this movie actually didn't have that bad of acting, as did the sequels. It's better because it is the original storyline. The sequels are better in that since Jason is the killer, he has unique and gruesome ways of killing people, and he's much scarier and would be much harder to get away from.
This movie has everything that a horror movie should have. There is no way someone can go through their life claiming to be a huge horror fan and have no seen this movie INCLUDING the sequels. If you like teenage horror with plenty of killings, get this. A good movie to start off your horror collection.

Don't listen to the critics!
"Friday the 13th" is a typical slasher from the early 80's, only it's better than most. Despite critics, like Roger Ebert and Lenorn Maltin giving it ridicuosly low ratings, it really isn't as bad as they claim. In fact, the scripting, at least, is every bit as good as that of "Halloween"'s, only it isn't as well made and certainly not as original. Almost everyone knows the plot-line, even those who have never seen it, so I won't bother on outlining it. And if you are familiar with it, then you know what just about every "Friday the 13th" is about.

The Friday the 13th film franchise kicks off with a whimper.
Some things defy explanation, the success of this lame and predictable series is one of them. Perhaps the minimal amount of explicit violence was shocking in 1980, but by today's standards it is tame and would be unscary to even bed wetting pre-teens.
This is a low budget film about a summer camp being finally reopened after a decades old drowning tragedy. Shortly after the arrival of the young camp counselors, the legendary Camp Crystal Lake is rocked by a series of gruesome murders.
This is a pioneering film in the genre of the slasher film and follows the formulaic plot of horny teens retreating to a secluded area to have sex and smoke pot before being killed for their sins by an anonymous killer. If you are a fan of this genre, you have seen this a million times and probably much better than this.
Some of the gratuitous violence and murder in parts I and II could be considered clever and inspired, if it were not essentially plagiarized from an earlier and much better italian film entitled Twitch Of The Death Nerve (now available on DVD) by Mario Bava. The influence that Bava's film had on this crap is blatant, especially in part II.
The cast is uninteresting, even a pre stardom Kevin Bacon puts in a lethargic performance and the film is mostly dull and tedious. One of the most harrowing sequences, the abduction of the female hitchhiker, happens during the first half of the film and its basically all downhill from there.
There is nothing to recommend this even to hardcore gore fans as most of the effects fade to white before you can get a good look at them.
In the end the whole mess seems overlong and boring. With the absence of any character development or significant suspense, this is a very shoddy exercise compared to the immensely successful Halloween which predates this by two years. No wonder this sorry excuse for a series never produced a veritable horror icon like Jamie Lee Curtis.
The DVD is lame also, almost completely devoid of extras. My advice to fans is to save their cash for the upcoming box set, which will be reasonably priced and contain the first eight entries in the series. ... Read more

Description

Brigadier General Frank D. Merrill leads the 3,000 American volunteers of his 5307th Composite Unit (Provisional), aka "Merrill's Marauders", behind Japanese lines across Burma to Myitkyina, pushing beyond their limits and fighting pitched battles at every strong-point. ... Read more

Reviews (5)

"Merrill's Marauders"
I have the movie in VHS, part of (I like to feel) a good collection of war films, in both VHS & DVD, from - "All Quiet on the Western Front '1930'" to "Saving Private Ryan '1998', some '140' war films. I can certainly use the 2 former as a benchmark for comparison & rating. If "Saving Private Ryan", the finest war film I have ever seen, with the most graphically realistic & brutal battle scenes, ever shown on film, has, without a doubt become the benchmark by which all later war films would be judged, then "Merrill's Marauders" is a '60's classic, with, in my opinion, some of the finest acting ever portrayed in a war film! Jeff Chandler, as an earlier review stated, gives one of his finest performances, (He truly is a gifted actor!)This movie portrays, as was intended the American involvement in the Burma Theater of Operations against the Japanese, a 3000 strong unit, put together of mostly seasoned troops, volunteers, for 1 mission against the enemy. From Jeff Chandlers gritty performance, such as when he tells his men - quote -"Everybody back into the swamp" instead of waiting for desperately needed food & ammo supplies, to avoid enemy troops searching for them, to a very poignant scene by actor Claude Akins. All the soldiers are completely exhausted from continuous battles with the enemy, and literally starving, from lack of food supplies that had run out, He's approached by an old Burmese woman & young boy, in a village they have just occupied after a brutal battle, the pair attempt to feed him the
only food they have, a bowl of rice. Overwhelmed by it all, he not only breaks down in tears, but in a gesture reminiscent of the generation, and considering the horrific battle he's just been through, removes his cap in a show of gentlemanly respect
to the old woman. To me the most touching & realistic scene I have ever seen him portray. As far as accuracy, I give the movie
"High Marks", there is a scene in the reservoir night battle scene when the Japanese are attempting to infiltrate the American lines, a Japanese soldier who tries to bayonet Claude Akins is stopped by him and flipped over the stone wall and killed. If you look closely at the Japanese soldiers footwear, as he is flipped over the wall(you may have to do it in slo-mo)you'll notice he is wearing the standard split-toe style shoe worn by Japanese troops during the war. The film makers, working for this type of accuracy, though it may well have not been noticed by the general public, only speaks for the realism that they worked to achieve. I agree with another review, in that the Japanese were, in many instances easy kills in the battle action, but I consider this a small slight against what I deem an excellent movie filled with gritty realism, good battle action, and an excellent look at the common American soldier in action and the constant fear, hunger & deprivation he faced, exemplified by the courage & tenacity with which he persevered and eventually triumphed over the enemy!
Sure it's meant to rous the American public of the "60's" with the unbeatable fighting spirit of the Ameircan G.I., and that's exactly what it does, and does well! To all who read this, I am fairly new to the internet, and just learning my way around, but at age 48, I've seen most every war film shown, and I feel I am a fair judge. I give this film and the director & cast a solid "4 STARS ****!!!
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Merrill's Marauders
This is a rugged and gritty WWII film set in the CBI Theater directed by Samuel Fuller. The action concerns Jeff Chandler, in his last screen portrayal, as Brig. Gen. Frank Merrill. Merrill leads a band of battle fatigued GIs (Ty Hardin, Peter Brown, Claude Akins, Will Hutchins and others) against the Japanese in the Burmese jungle. It is beautifully photographed in color and CinemaScope by William Clothier. Fuller co-wrote the script with Milton Sperling. This film has been highly underrated. It is a good depiction of the stress, determination and humanity experienced by the average GI in everyday face-to-face confrontation with the enemy. Jeff Chandler gives an accurate performance of the real Merrill. Jeff Chandler truly was a gifted actor and deserves more recognition for his talents as this film demonstrates. The VHS copy is in Full-Frame, but it retains the images in vivid color and is very enjoyable. It was released theatrically in 1962.

Reasonably good WWII action from Fuller
Not in the top rank of war pictures, Merrill's Marauders is still a great way for fans of the genre to spend a couple of hours. I would rank one particular scene, the fighting in the oil refinery among the concrete bases for the huge tanks, as one of the best and beautifully choreographed action sequences I have ever seen. I thought that Jeff Chandler's performance was excellent and that the rest of the cast was quite up to the task. Weak points in the film include the rather stock military band music used throughout and a sudden ending with some "modern" footage pasted on that makes one wonder if Fuller didn't just run out of money.

good war movie shows the horror and strain of war
This movie did not glamorize the war instead it showed the hardships the men went though to get the job done. Chandler was excellcent in this movie he showed compassion for his men all the while trying to get the job done. I enjoyed it and would watch it agin.

No Gritty Action; Japs are easy to kill;Incoherent story
This movie is a big disappointment particularly after relying on Martin's review. There is no gritty action as one finds in Hamburger Hill/The Longest Day/A Bridge Too Far. Jeff Chandler has no role worth mentioning. Wasted taelnts, money and effort. The movie's only strength is its Title. The real fight that happened was far more gruesome, and intense. The movie only caters to American patriotism my flambouyantly displaying the American flag and completely disregarding that the Burma campaign was a 70% British effort versus only a 30% American. While, it might be unrealistic to expect history in fiction, the movie fails on all grounds. The story is aimless--Chandler's GIs lack any particular objective/mission and seem to be taking a walking tour. ...