Description

U.S. special agent Cleopatra Jones returns to fight crime in this action-packed sequel. ... Read more

Reviews (5)

It's cool, baby!
"Cleopatra Jones and the Casino of Gold" was my initiation into the "Blaxploitation" film genre. In this film, Tamara Dobson stars as a statuesque African-American secret agent woman. She teams up with an Asian woman named Mi Ling (played by Tanny) in order to rescue two undercover agents from the clutches of the Dragon Lady (Stella Stevens), a casino-owning drug pusher. Written by William Tennant, the film is directed by Chuck Bail.

"Cleo" is full of outrageous costumes, hip dialogue, action, and funky music composed by Dominic Frontiere (starting with the opening credits song, "Playing with Fire"). There is a fair amount of graphic violence. Cleo is a fun character; she's sort of like an African-American female James Bond (in fact, I found the tone and pacing of this film to be similar to that of the Bond flicks of this time period). The film makes good use of its Far East setting.

Dobson gets solid support from the rest of the cast, but I especially loved Norman Fell (an actor best known as TV's Mr. Roper from "Three's Company") as Cleo's grouchy but likeable boss. Fell and Dobson have a really enjoyable chemistry in their scenes together.

"Cleo" is a fascinating film that could, I imagine, inspire some lively analyses grounded in race, gender, economics, post-colonial politics, criminology, and other fields of inquiry. Or you could just enjoy it as a fun, slightly campy adventure flick with a kick-...heroine.

Better than the original!
This sequel is that rare bird... one that is better than the original movie (CLEOPATRA JONES). Largely because of the exotic setting (Hong Kong and Macao are more fun than East L.A., after all), and certainly because of the villainess, Stella Stevens.

Cleopatra Jones tends to find herself up against Evil White Lesbian dope queens, and Stella Stevens is certainly nicer to look at than Shelly Winters (in the original). Her climatic fight scene ... with the foxy black Cleo is OVER THE TOP! The ladies must have been covered with bruises after shooting this (NO stand-ins apparent!).

As for Stella's "wild" outfits, they are conservative compared to the title heroine's!

A "must see" for Blaxploitation fans!

Good, Enjoyable Bubblegum Nonsense Action Sequel
The sequel to "Cleopatra Jones" benefits from the authentic location of Hong Kong and its good production design. The story is almost the same as the original one, showing us Cleo fight against drug syndicate, of which mastermind, this time Stella Stevens, lives in a gorgeous casino.

You might remember Warner Brothers once produced "Enter the Dragon" featuring Bruce Lee, which became a worldwide hit, and probably this fact influenced the studio's judgment to shoot the film in Hong Kong. The film is full of shoot-outs and kung-hu fights, but unfortunately, not as good as Lee's deadly fighting style, but still it is mildly entertaining. The final action sequence, chain of good stunts using motorcycles running in a casino, with its riders shooting machineguns (!), is the showdown of the film, and though the film nearly gets so close to ludicurousness, still remains enjoyable as a whole. And check out Stella Steven's outrageous costume.

On how the East was won
By far, this movie is fierce. tamara Dobson is the original Grace jones

Go, girl!
This is not much of a film, but I don't think it was ever intended to be. Low-budget and B-grade, this 70's action film is a riot, sort of a female Matt Helm movie without the martinis. Dobson has big fun, and that's what makes this fun to watch. You've got to be in the mood for camp, though. Don't expect much, and be ready to laugh. Oh, and Stella Stevens' outfits. Child. ... Read more

Reviews (91)

Cinema, not Documentary...
Is it full of historic inaccuracies? Sure. Is it an accurate portrayal and timeline of the events as they occured? From time to time. Was it a thoroughly intriguing journey, seen at "ground level" of what is arguably one of the most notorious "crash and burns" stories of our time? Without doubt. Did Gary Oldman and Chloe Webb accurately portray Sid and Nancy? In essence, YES. The soundtrack (provided by ex-Clash member Joe Strummer), the lighting, and settings serve to push you (I have to admit, for me sometimes unwillingly) through the fall and then plummet of Sid and Nancy. The movie was in turn serious, grotesque, cartoonish, erotic, embarassing, fascinating, and beautiful. All of it seemed appropriate. Throughout, I felt I was in a seat, right behind Sid and Nancy's, on a wild roller coaster ride with them. I just seemed inevitable that it ended the way it did. The story never leaves the rollercoaster tracks. The world just seemed to rush by faster and faster, until it is just a blur. You can't help but feel uncomfortable as you watch the lives of these two characters reduced to a hopeless,"from high to high" existence in room 100 of New York's famous Chelsea Hotel. (Watch for Iggy Pop and his wife in a quick cameo in the hallway at the Chelsea) You realize that Sid Vicious is a modern "Everyman" representing every "famous" and non-famous junkie caught in a great downward spiral. The movie provided, for me, unforgettable images. For all of the other elements, this movie is in the end a love story. These two tragic characters are left with only the deep love for each other and addiction. The love was not enough for Nancy and too much for Sid.

great movie
Wonderful movie!Very hard to find in my area,unless you order online.Gary Oldman amazingly is a dead ringer (no pun intended) for Sid Vicious at the beginning (although in most of the film he looks nothing like him,except for the hair).The only I didn't like what how unclear they made his death at the end.If you don't know much about Sid,the ending is confusing.They way Nancy died was confusing,too (You can't really tell whether he stabbed her,or if she ran into the knife).But it does add mystery to the movie at the same time,which is why I rated it a 5.

Anarchy in the Sid Vicious
Wow, now that is what I call a shocking film. Sid & Nancy is not so gory or grotesque as it makes you turn your head sideway. Yet through their outrageous dialogue, disturbing actions and the gut to document the most vicious lifestyle in such colorful details and tribute to reality, the movie gives viewers cold shudders like never before.

I won't leak much of the film story-wise. What I would is that Gary Oldman and Chloe Webb reenacted Sid & Nancy to near perfection. They make audience really feel their passion and pain towards each other.

Criterion Collection did an amazing job in releasing this powerful documentary film with invaluable extras. It's long out-of-print and it could be quite pricey, but it well worths it. Afterall it's just like Sid said, "What do you do with money, for instance? I can think of one thing to do with money. One thing. That' s what I do with all my money. Every half-penny of it." :)

Brilliant, sad, and disturbing...
God, What a movie. The story of Sid and nancy was not only pitiful, but strangely romantic. This was not easy to watch- it was disturbing and really sad, but undeniably brilliant. I would recommend it.

a disturbing film but it has an important message
This review is for the Criterion Collection DVD version of the film.

This movie while distrubing has an important message. This film shows the devastating effects of heroin abuse in graphic detail.
We see the couple lying in bed high on heroin, completely oblivious to the danger of the fire that they started in their apartment. We see them become severly depressed and suicidal. As a Christian I find a message like this important to a film.

With regards to the graphic detail of the troubles one can liken it to the depiction of the crucifixion in "The Passion of the Christ" or the graphic depiction of radiation poisoning in the anti-war film "The day after" While some scenes I found unnecessary for the depiction, it is clear they wanted to appeal to a broader audience.

This film may offend many audiences and is certainly not for children.

The Criterion DVD has many extras including a phone interview with Sid. It also has the the infamous TV interview by Bill Grundy which led to thousands of complaints and ruined his career.

It also has 2 short films and an audio commentary track which is also good. ... Read more

Amazon.com

For a couple of hours in 1990, David Lynch took over the network airwaves and subtly, subversively transformed American television forever. Amazingly, the TV series that followed this rich and strange feature-length pilot became an international phenomenon as people all over the world became obsessed by one question: Who killed Laura Palmer? Twin Peaks is the apotheosis of all things Lynch, and arguably his single greatest achievement. Set in the dark, damp, woodsy atmosphere of a small mountain town in the Pacific Northwest, Twin Peaks is a murder mystery, detective saga, soap opera, sitcom--the essence of television distilled into one mind-blowing serial. Lynch subverts TV conventions right and left, not the least by concentrating on the grief of Laura's friends and family, and orchestrating their tears into a symphony of mourning. Twin Peaks is about the endlessly seductive idea of "mystery," of the ways human beings find to deal with the unknown. It was never about solutions; after all, answers (which are invariably anticlimactic) only kill the Mystery! So, although it took another year or so before Lynch and his partner Mark Frost were eventually forced (by the network and public opinion) to reveal the identity of Laura Palmer's murderer, the tantalizing clues are the real heart of the enterprise, and they're all right here in the debut. And so are some excerpts from Agent Cooper's surrealistic dream sequence (which appeared in the third episode of the series), featuring the dancing, backward-talking little "Man from Another Place," as part of a special European-release finale (you wouldn't want to use the word "conclusion") for this video version. --Jim Emerson ... Read more

Reviews (19)

SENSATIONAL--MINUS 20
I've been hearing for years about "Twin Peaks", whether by word of mouth or on the internet. It's popular to mention the numerous pop-culture moments this show created and the fact that so many shows try to imitate, and fail, this landmark show. So after reading recaps of the pilot and first couple episodes, I decided to buy the whole thing.

I took a risk and I'd do it again because this show is one of the greatest achievements of all TV time. The pilot is a perfect intro to the show, establishing the characters and plots, the main one and various subplots, that it's addictive. WHO KILLED LAURA PALMER!? The mix of light and dark, quirky humor, heavy drama, fantastic production values, and so much more! If you haven't seen any of the show, stay clear of the last 15-20 minutes. I heard about the special ending and found out that the original pilot ends at Sarah Palmer's scream after her dream. End it there, watch the rest of the series, then go back and watch the ending.

Other than that, sit back, relax, and ENJOY! And believe me, YOU WILL!

The Best 2 Hours of Film Anywhere!
Twin Peaks is the premier for the greatest TV series ever created. Brought in to investigate the murder of Twin Peaks Homecoming Queen Laura Palmer, Agent Dale Cooper "Kyle MacLachlan" becomes wrapped up in a town full of mystery, murder, damn good coffee and killer cherry pie.

Start here.
This is pretty much what any fan of the show or David Lynch needs to start with. It's the original movie/pilot, and is a great piece of work. The story, the characters, and the whole northwest environment really make for an interesting and sometimes creepy watch. Many cool actors showed up in "Twin Peaks", among them Kyle McLachlan, Lara Flynn-Boyle, Sheryl Lee, Jack Nance, and the sexy Sherilyn Fenn. If you enjoy this, seek out the VHS collectors series, episodes 1-7. Or the DVD first season, which is also episodes 1-7, minus this pilot.

sdrawkcab dneb smra ym
So I'm sitting on this chair, in this house, on mars when this movie comes on. TWIN PEAKS. The first thing I saw was this grotesque factory-mill type place. And then there was this close-up shot of some rusty machine, and it moved...it moved with the music. Sparks were shooting out everywhere, and it was all moving to this other-worldly melody. Then waterfalls, ponds, ducks...in less than one minute, Lynch had sucked me in, shattered me, put me back together (the way he saw fit), and then he dropped me off into TWIN PEAKS.
The whole thing was beatiful. Lynch and Frost had created this soft cloud of a world that was filled shards of glass and rusty nails. It was all like a dream -a dream that you don't want to wake up from. Bobby, Donna, Shelly, Big Ed. I was lost.
"I too have been touched by the devilish one. Ahh, but when I saw the face of God..." This sleek-Norman Rockwell-wrong way on a one way street-imitation silk-nightmare is a mountain top work of art that leads you dead on into the midst of the footstool of the heavens.
-be sure to watch it in the full blossom of the evening, and you just might experience the beatific vision...FIRE WALK WITH ME.

One of TV's best pilots!
If only it were on DVD! This tape contains the classic 2 hour pilot for David Lynch's extraordinary and quirky TV cult favorite, "Twin Peaks". This 2 hour intro is NOT part of the six tape "complete" series collection that has the actual 29 episodes. There is a neat, confusing, untelevised 15 minute ending that was used to "wrap up" the whole murder when this same tape was released in Europe as a made-for-TV movie. Still, it is simply Twin Peaks at its best. ... Read more

Reviews (375)

There's No More Room in Hell, So the Dead Now Walk the Earth
1978's DAWN OF THE DEAD is the second entry in George Romero's "DEAD" trilogy, though it isn't as scary or as groundbreaking as his first, the classic NIGHT OF THE LIVING DEAD (1968). Still, for a low-budget sequel, it is an interesting and entertaining film, an unusual mix of action, drama, comedy, and horror that actually functions on two levels: One, it is a stomach-churning study of the depths to which people will sink in order to ensure their survival; and two, it is a dark satire that takes several pokes at Western consumerism.

The plot of DAWN OF THE DEAD builds on the premise of its predecessor. The world is now becoming overrun with the flesh-eating zombies, and in the United States, martial law has been declared and all survivors are required to go to state-run "rescue stations" for shelter and protection. The manager of a TV station and her helicopter-pilot boyfriend decide to defy authorities and seek out their own save haven, and two police officers--friends of the helicopter pilot--decide to abandon their duties and go along with the couple. The group eventually arrives at an abandoned shopping mall, and when they realize that the stores within contain all they need to survive--food, clothing, and weapons & ammunition--they seal off the building, dispose of most of the zombies inside, and take up residence. But when their claim on the mall and its goods is challenged by a band of motorcycle-riding marauders, the quartet is soon fighting for survival against not only the zombies, but also against their own kind.

Although the audience has been made to sympathize with the film's four protagonists, there is no true heroism in this world of Romero's making. Instead, there are only different levels of self-interest and narcissism. After the four move into their new home and start living off the "fat of the mall," they quickly develop a sort of bourgeois attitude towards the comforts they now enjoy. Of course, that is exactly the Western attitude that Romero is ridiculing--that sense of security and satisfaction one feels after amassing material goods. And when the group's right to possession is violently challenged by outsiders, Romero clearly demonstrates just how tenuous a security based on personal possessions really is.

Romero is a master storyteller who knows how to manipulate the emotions of his audience. In this film, he creates a relentless sense of unease by juxtaposing the repulsive and grotesque with the lighthearted and humorous. For example, when the quartet of protagonists first occupies the mall, they turn on the mall-wide Muzak system to mask from the zombies the noises they make while looting the stores. So for several scenes there is this macabre contrast between bloody, pasty-faced zombies and syrupy instrumental music. Uncomfortably comical and humorously disturbing.

Creepy, bloody (FX by Tom Savini), boisterous, and constantly full of surprises, DAWN OF THE DEAD is easily one of the most entertaining zombie movies ever made. True, it does have an underlying anti-materialism message that is none too subtle, but that doesn't detract in the least from the enjoyment of being playfully spooked and repulsed by all the zombie grotesquerie. All in all, horror fans will have a good time watching this minor Romero masterpiece.

The Divimax Edition DVD from Anchor Bay offers an excellent digital transfer of the U.S. theatrical cut (often considered superior even to the director's cut), and there are lots of cool extras, too, not the least of which is a feature commentary with writer/director Romero and FX man Savini. A worthy addition to the film collections of serious horror fans, and well worth amazon.com's very reasonable asking price.

Dawn Of The Dead Is A True Horror Masterpiece!
An intense and overlooked horror classic, George A. Romero's "Dawn Of The Dead", the second and most popular in his Dead trilogy, is probably his most epic tale to date. Regarded by many, including Roger Ebert, as the ultimiate definition in horror films, "Dawn" is truly the thinking man's horror movie. Its horror is far more subtle than that of in-your-face suspense films like "Halloween" or "Exorcist" or for that matter, Romero's first Dead film, "Night". Where most slasher films provide those quick thrills that make us jump but dissapear from our memory almost as quickly as they appeared, "Dawn" creeps into our fears and shows us a view of our downfall as a civilazation.

"Dawn" centers around four survivors, two Philadelphia S.W.A.T. members and a couple from a newstation, who are trying to escape a zombie plague that has engulfed the country. The film opens with chaos ensuing as a handful of newscasters attempt unsuccesfully to put together an emergency broadcast. We move forward to a project house where the tenants are protecting the undead because as one of the central characters explains, "They still believe there is honor in being dead". Guns blaze as seemingly more humans are taken down than actual zombies courtesy of a SWAT team bigit who goes buckwild but ends up getting his before the smoke clears.

As the violence in the city seems to be piling up, our four characters use the local news chopper to escape to the country side where the situation isn't any less of a problem though a handful of trigger-happy rednecks seem to be having a great time with their beers and shotguns. After a brief touchdown at said location where the group runs into a few problems with both the zombies and each other while gassing up their helicopter, they head back up into the sky and eventually land at a shopping center, the film's cental location.

Placing the story at a mall makes for not only a unique and creative backdrop but also allows for Romero to provide an intriguing social commentary on the madness of consumerism that seemed to sweep the late 70's. The zombies who try to break into the center are portrayed as people who loved shopping there so much in life that all they want to do is be there after death.

Romero and make-up effects wizard, Tom Savini are at the most sadistic during the concluding act of this film as our heroes do battle with another band of survivors, a motorcycle gang who shows up and tries to take over the mall for themselves. The zombies, who prior to this were pretty much an afterthought regain their power because their human counterparts are far too busy with each other to notice that they are regaining control of the place. Savini's graphic make-up effects really make for a great finale.

"Dawn Of The Dead" is very much a different film from "Night Of The Living Dead". "Dawn" takes a far different approach to the "dead taking over the world" concept that George helped create in "Night". The mall setting is far less clostrophobic than the farmhouse in the original but it is the nightmare outside that our characters must deal with. In "Night", it was all about getting past the problem that lie in front of them and it's smooth sailing. In "Dawn", the problem is almost reversed. They are safe inside their location, though their safety is an illusion, and it is the outside world that is coming in. They don't want to get away. The outside world is falling apart and the mall is almost a false symbol of protection.

"Dawn" probably will not be an instant overnight favorite. I, myself, was expecting a much different movie than the one I watched. Having caughts bits and pieces of "Day" before I actually sat down to watch it, I was expecting it to have more of the look and feel that I associated with that movie. I honestly didn't know what to make of the weird clothing, the Smurf-blue make-up effects, and the strange Goblins music that popped up through out the film. Within two weeks of watching it, it had become one of my favorite films. All these weird visuals that I found strange actually kept dragging me in over and over again. Though the film is over 25 years old, I can still honestly say that there are very few films of any genre that resemble it.

THE BEST ZOMBIE MOVIE EVER!!! AT LAST!!!
A four disc edition? Who can ask for more? Obviously we saw it coming... the remake was there... the Divimax edition early this year... everybody was saying a big multi-disc edition was coming... and here it is!

To start analyzing this film we must take a look at NIGHT OF THE LIVING DEAD. This film was a landmark as it introduced the zombies as we know today. Now, DAWN OF THE DEAD set a new landmark. In it, the zombies were a mature (sub)genre in modern cinema.

What makes this film so important? Everything! First it is the brilliant screenplay. The story... you already know: as the zombie population increases more and more, four people barricate themselves inside a big shopping mall, where they endulge themselves with all consumering desires they can think of.

Sounds simple? It is, but there is more than meets the eye: as the zombies try to get in (you'll have to wonder why) the four heroes inside discover their paradise makes them more empty than they would have thought it would... and slowly, life start making no sense.

DAWN OF THE DEAD is the kind of film that has been changing as the decades pass. Its violence seems to have softened if we think of all the action and horror films who came in the decades that followed (just like it happened with other horror landmarks like THE TEXAS CHAINSAW MASSACRE, FRIDAY THE 13TH, HALLOWEEN and NIGHT OF THE LIVING DEAD). Its makeup is not comparable to the vast majority of horror films that came after (who had bigger makeup budgets)... but on the other hand, elements like tension, drama, character development and social critique have all grown more powerful then in all of the films that followed.

In other words, audiences who see this film today, many times discover the fact that its weight is changing fields... from graphic horror to social horror. And this kind of horror is no less potent and much more rare.

Mr. Romero is one of those rare horror screenwriter/directors who do have a strong critic point of view (and we can see it as he continues to deliver so in his later third zombie film - the sadly underated gem - DAY OF THE DEAD).

Clearly, this is a multi-layered film that demands multiple levels of reading. You must be aware of all the issues put inside this film. Otherwise, if you're in just for the cheap thrills, gore and violence, you'll probably be disappointed.

As a product of the late seventies, this is a production triumph because it manages to deliver a lot with minimum budget. The remake released early this year made a great update on this basic premisse.

I loved them both.

This edition seems to be more than we've all asked for (now that the simpler Divimax edition made all the money it could...). Here, you'll find all the versions and lots of extras.

But again... DAWN OF THE DEAD is a film that I am sure will be seen and celebrated for years to come. See it with an open mind and you too will discover why.

DAWN OF THE DEAD
A GREAT ZOMBIE MOVIE AND SEQUEL TO NIGHT OF THE LIVING DEAD. THIS IS A MUST HAVE FOR ANYONE WHO ENJOYS GUT RIPPING,FLESH TEARING ZOMBIE FILMS.VERY WELL DONE AND ACTED WITH LOTS OF GORE.ANOTHER MASTERPIECE FROM GEORGE ROMERO. GET IT!!!! A++++

Can't Wait
I must be honest, I almost got tricked into buying the DiviMax edition aswell, but after taking a look at what features it had on it and hearing rumours about this four-disc edition, I decided not to bother. All in all by looking at the cover art and reading about what will be on it, I believe that this edition will be a great buy for the month of September and for any Dead fan out there and, hopefully it will be the last edition for this particular movie. I can just see it now, six months from now, brand new "SIX DISC" Special Edition, that would be quite a sight . ... Read more

Reviews (5)

Not to be considered as serious filmaking
I saw this mess when it first came out in 1978 under the title "The $6,000." Yeah, it's junk, but it has a kind of "so bad it's kinda good" quality. "Wild Man Steve" Gallon who was a low-grade ghetto juke joint comic who never hit the big time (for good reason) appears as a drunk bum who is given super powers by soem mad scientist crooks who plans to use his powers to commit robberies. That's the plot folx. But hey, any film where somebody with as little going for him as WMS gets the FINE girl in the end can't be all bad! Oh yeah, the guy who was accurately described as "looking like Chuck Berry after a night of drinking" was "The Boss" Lee Cross, who was a Dj at WPAL-AM in Charleston, SC in the early 70s.

This isn't a movie to watch seriously.
This is one of the silliest movies I've ever seen in my entire life. Wildman Steve isn't funny or even talented, but hilarious in his attempts to be so. The VHS tape I saw this on didn't have an FBI warning or anything. It's one of the lowest budget films you'll see, which makes it funnier. I'm thinking of actually purchasing it for a laugh! ...Anyway this movie is one to sit down and laugh at. Not at any jokes told, but at the overall production.

Unwatchable garbage!
I rented Super Soul Brother after reading about Wildman Steve in blaxploitation books and articles, and after enjoying Rudy Ray Moore's films like Dolemite and the Human Tornado.

Unlike Rudy, Wildman Steve isn't even funny. He's the black version of Joe DeRita, the least Stooge ever. Steve whines and blubbers through this film. No one else seems to do much of anything. The acting is awful and most of the characters are totally repulsive, especially Dr. Dippy and the crook who looks like Chuck Berry after a night of hard drinking.

This is truly one of the worst films ever made, and its not even enjoyable in an Ed Wood way.

Don't insult Mr. Dolemite by Associating him with this!
WildMan Steve made a few appearances on Sanford and Son in the 1970's and he probably is more known than he should be. This film so thoroughly disappointed me! I was expecting 'Human Tornado' yet instead I got something equivalent to a flagulent mouse. Steve should have used a script #1 and maybe a cameo by some of the Dolemite crew...even Mr and Mrs. White would have been good...somebody! Low Budget is no excuse for making a film with no purpose...'Sweet SweetBack's Badass Song' was low low low budget and groundbreaking. This aimless effort was just grounded! Terence Knox Vuelveme@aol.com

Super Soul Brother is SUPER BAD!
If you enjoy the cult hit "Dolemite", then this mid-seventies low, low, budget(looks like they spent about $2,ooo.oo for the whole production)is right up your alley! L.A. based comedian Wildman Steve does a decent job at the lead role(look for him in a bit role in "The Devil's Son-in-law")Bottom line...this flick is super soul brother cool to spend some time with on a lazy afternoon! ... Read more

Reviews (5)

Beware! This appears to be the R rated version.
It appears that the upcoming release of Andromina: The Pleasure Planet on 10-5-2004 from Koch is going to be another hacked to shreds R rated version. Granted, I haven't seen it yet, and if it does turn out to be the unrated version, I'll come back and correct this review. But information elsewhere on the internet indicates that this will be the 80 minute R rated version. Not the 92 minute unrated version.

Amber Saved it
Well . . .Lemme see it wasn't horrible the sex scenes and do not have enough life in them it is as though actors are bored, although the opening sex scene with Amber Newman saved it all, the only reason I watch the film over and over and over again, I gave it a whole star just for that scene

What a great softcore film
I love Roxy (Shyra De Land), so a beautiful woman. the guys are bodybuilders and bad actors. Had anybody informations about Shyra DeLand, I need more satisfaction!!!!!!!

didn't work
gave it 1 star cuz when i first got the video, and put play, it didn't work properly until like 20 minutes into it.

Worth It. I think!
I've seen bits and pieces of this movie on Showtime or Cinemax I believe and I thought it would be good to have if it ever came out on Video. I found a copy here on VHS ... I heard from other reviews that this movie is softcore which I believe, but I have to admit there are a lot of sex scenes like one where this guy gets it on with this girl in front of everyone in a bar place and I liked some of the Lesbian Scenes, but they could've been a lot better. Anyway it's pretty cool of what i've seen so you might check it out. I would buy it if I were you cause it's kind of hard to see this movie on cinemax or showtime! ... Read more

Amazon.com essential video

Jean-Luc Godard and Luis Buñuel enjoyed an ardent misanthropicduel in the '60s and '70s, but who won is anyone's call. Godard's Weekend lays down the trump in a harrowing and darkly funny allegory in which social mores fray along political lines. Played out in a metafilm in which characters question their own reality, a morally bankrupt Parisian couple tries to leave the city on a much-loathed country holiday with the wife's parents. Along the way, endless traffic jams, sudden violence, and vistas of gory car crashes underscore their corrupted values. Their lethal encounter with the in-laws and kidnap by an anarchic band of radical cannibals finds the couple--and presumably "decent" society with them--reverting to a nasty primitivism. The idea is of course that the bored, apathetic heart of the bourgeoisie is never far from acting out its most homicidal fantasies. --Alan E. Rapp ... Read more

Reviews (16)

Spectacular film, embarrassing subtitles
I'm not sure who's idea it was to insert "arsehole," "collect my father from the clinic," and "he licked my arse" into the subtitles, and who it was that repeatedly forgot to translate "gens" into "people," but I really wish the French would get over their disdain for Americans and let someone who actually speaks English do the subtitles. In a way, the poor quality of the subtitles actually added to my enjoyment of the film, because it made it all the more ridiculous.

Speaking of ridiculous, let's talk about this film. Perhaps the ultimate expression of the New Wave in France, this film by Jean-Luc Godard is like a primitive cross between PULP FICTION and THE BIG LEBOWSKI. Essentially, a couple that hates each other goes on a journey to kill the husband's parents and take his estate. On the way, they encounter traffic jams, car crashes, cannibals, historical figures, Black militants, murderers, and hippies armed with automatic weapons.

I'm tempted to give away some of the funniest moments of the film... Basically, every situation the couple encounters is completely absurd, and sexual, social, and political commentary runs through every scene. I'll never forget the scene when the couple lights Emily Bronte on fire, or the lines, "If you'd like, you can screw her before you eat her!" and "Who would you rather screw, Johnson or Mao?" This movie is just ridiculous. Utterly ridiculous. Godard's courage and brilliant sense of humor is evident throughout the film, and his ability to weave well-conceived philosophical dialogue with slapstick comedy is a skill directors have been trying to emulate for years.

For people who don't need Hollywood to enjoy a movie, the French New Wave is fertile ground for experimentation and wild enjoyment. This isn't one of those films with a "good plot" or "profound dialogue." This is one of those films that's filled with scenes that you can't believe you just witnessed. "Did they really just slaughter a pig on film?" "Did they really just gun down a picnic for no reason?"

This film is filled with absurd scenes involving sex, violence, and class conflict that will delight you and make you hoot with laughter. The film's French perspective adds a subtly foreign character to the humor, which makes the film all the more dazzling - it's like eating a strange and exquisite delicacy - it's not just another funny American movie.

Skip MR. BEAN and order WEEKEND. This is one of the best weird movies in the history of film, and certainly one of the most important. And enjoy those awful subtitles :)

Godard's best
An utterly brilliant pastiche from Godard. JLG gives us a nightmarish vision of contemporary bourgeois society in which the apocalypse takes on the form of a series of bloody car wrecks and cannibalistic revolutionaries running wild. Even the scenes that don't work, like the bizarre encounter with Emily Bronte and Louis Carroll and the 18th-century French revolutionary reading a political tract, are forgiveable simply because they only add to the anarchic nature of the film. How many other movies have you seen that feature a woman screaming before a horrific car accident because she left her handbag inside, or a speech on Hitlerism and African slavery intercut with clips of traffic jams?

One of the most fascinating of Godard's new wave efforts
Jean-Luc Godard's film Week End is loaded with his obsessions with outrageous characters, political and philosophical ideas, and so on, and many viewers have claimed this to be a full on political film. From what I could gather after seeing a poor yet manageable copy of this film, I saw that this is possibly his best effort in terms of abrasive, surreal though bravura directing. He leaves the camera on his characters, with their flaws almost shining off them (which serves as an asset in some scenes), and yet most of the time it feels like he's directing a comedy of these events- comedy of errors.

Consider the scene where the woman has the monologue in her panties and bra, how she leads up such telling, informatory details to a payoff that gives as a reminder of the Walken scene in Pulp Fiction (though he is the better actor). Or in other times the comedy is in the sense of a Godard satire of his past work - the traffic set piece(s) gets the viewer to feel in the mood of the car he so pacingly follows, even as it becomes relentlessly obnoxious and tense, and acts like every other driver on the streets of the cities of America.

However that, and a moment of argument over a corpse in the passenger seat (he cuts to the faces of the onlookers who happen to find such dialogue rather amusing), show by the time Godard reached this stage in his career he wasn't taking himself and his work 100 % seriously, though that's not to say that the element of the woman's path to guerilla-hood isn't a serious topic. For his art film die-hards he also uses a peculiar, non-linear style in story-telling- an added advantage for a week-end timepiece.

I'm reminded of Fellini (as I was while watching another Godard film of recent, Contempt) in one aspect of the picture, in terms of how he portrays his women- he can love them, ignore them, belittle them, or even glorify them in the most drastic of measures, but he can't control them. One also wonders if this is how he just makes it for his films, or if in real life the women of his life were really this (how do I put it) out-there.

The script occasionally veers off on it's tale of a couple going on a disastrous week-end out for stretches of poetry, discussion, things that don't have much to do with the story, and yet there's a catching, eccentric, melodic aura to these scenes and passages. These kinds of scenes make it perfectly clear that Godard has created an original work here, one that may put off audience members who "don't get it" or expect total sense in the outcomes. Certainly a movie made for it's time, country of origin, and target group.

To sum up my review let me put it this way - this is the kind of picture that would've heavily influenced The Doors.

Foolishness on film
This film is easy to describe:
Sophomoric speechifying and utterly foolish.

The dangers of French Bank Holidays!
With influences ranging from Freud to Marx, De Sade and Eisenstein having walk-on roles and the Parisian weekend transformed into an allegorical bourgeois hell,
Week-End is one of the defining films of the 20th Century. Born out of the nouvelle vague cinema (French New Wave), this is the terrible birth that is brought to light from J.L.Godard's obsession with prophesising the destruction and decline of the West. Even after taking into account his overt political messages, Weekend still exist as one of the most technically revolutionary pieces of cinema to emerge from his studios into a blinding glare of publicity and hostility.

Not content with depicting the destruction of western commercial values, Godard disrupts the visual narrative by interspersing film titles, book titles and music onto a background of patriotic red, white and blue colours. From a personal perspective, one of the most impressive sequences is an eight minute long tracking-shot of the Parisian highway which progresses from straightforward traffic jams to car-wrecks and the inevitable symbol of multinational Capitalism, a Shell oil truck. Essentially Week-End marks the 'Maoist period' of Godard's film-making career, during which he declared that 'the only way to be a revolutionary intellectual is to give up being an intellectual.'

Starring Mireille Darc and Jean Yanne, Week-End's fabular narrative is a weekend journey from Paris to Normandy which slowly becomes an apocalyptic struggle against the French peasant revolutionaries who continually intervene to prevent the couple meeting Darc's mother in order to find out whether they have successfully poisoned her father. This emblematic quest for the Capitalist Grail is hindered by a philosophising character from Dumas, two rebels (African and Algerian) masquerading as refuse collectors and Saint-Juste, before the couple are captured on their return to Paris by the Seine-et-Loise Liberation Front, a group of cannibalistic freedom fighters.

Godard's continued affinity with politics can be witnessed in his other Maoist films, Les Chinoise (1967), Le Gai Savoir and Tout Va Bien (1972). Despite accusations of pretension, he still remains one of the most provocative and influential film makers of his and future generations, whilst his immense cinematic output can be regarded as a Marxist biography of the previous century.

What was an initially ground-breaking piece of cinema has evolved into an essential European film. Heralded by Pauline Kael in the New Yorker as 'Godard's Vision of Hell, and it ranks with the visions of the greatest' and 'somewhere between Swift and Samuel Beckett, alternatively violent and tender, humorous and cruel' (Jan Dawson, Sight and Sound) Week-end is a film that must be seen to be believed and to miss this is to miss out on one of the spectacles of 20th Century cinema. ... Read more

Reviews (7)

'Maids' - - -Three Pretty Stars in A Row.
An odd, (and hardly publicized) little black-comedy/bedroom farce written and produced by STAR TREK creator Gene Roddenberry and directed by Roger Vadim (AND GOD CREATED WOMAN, BARBARELLA). One could understand Vadim involved with this piece of light-hearted sleaze, but Roddenberry? Boasting a great and diverse cast with Rock Hudson, Angie Dickinson..., Telly Savalas, Roddy McDowell, Keenan Wynn, and James Doohan (Star Trek's Mr. Scotty himself), the film has dark humor, [love]situations, and a murder mystery to boot. Rock Hudson, in one of his weirder and misogynistic roles, plays a coach/counselor (Tiger) at a western university. He's bedding some of the college ... coed's, killing them when they want commitment, and leaves their bodies strewn along various parts of the university (a far cry from his characters in films with Doris Day). An on-campus investigation (headed by Telly Savalas as Capt. Sam Surcher) begins and Tiger is the prime suspect. In the meantime, one of his students, Ponce (John Carson) is having a tough time scoring with girls. Tiger (Hudson) is willing to give the young man some advice. Then, enlists the help of Miss Smith (Dickinson) to help Ponce along but gets (and gives) more than she bargains for. Much of the humor is the relationship of Hudson's and Dickinson's characters in the film when helping out Ponce (Carson), and the weirder humor comes when Tiger (Hudson) is "sampling" the coeds. The film is slightly entertaining. Satirical at times with it's point of view of women and the education system. However, it is mostly worth watching just to see these actors play against type. A curiosity from the man who created STAR TREK. Note: Look for actress Joanna Cameron (as Yvonne), one of Hudson's ...co-ed/victims. She played ISIS - - in the Saturday morning live action kid's show part of the SHAZAM (Captain Marvel) hour. Also, William L. Campbell has a supporting role as a sheriff deputy (Grady). He played one of Star Trek's (orig. series) memorable alien villains, Trelane from the 1967 episode "The Squire of Gothos."

Before Wild Things there were...
Wonderfully sleazy film with Rock Hudson doing his best to fool all the other characters and the viewers of his innocence in various rapes and murders around the high school where he is the clean cut Phys Ed teacher.

Vadim's sensibility really has no place in the US how he managed to get this one ... is beyond me.

The Sexual Revolution Has (Had) Arrived!
It is shocking to look back and see how screwed up America was during this time of "free love," as the concept of this movie would be totally unacceptable now. But the country was 'feeling itself out,' as it were, and the pendulum always swings a little too far at first.

The movie is very cheesy, but the most surprising thing about it is how comical Angie Dickinson is in this role. I do wonder why she chose to play a B movie role that is so overtly sexual at that point in her career, because I wouldn't expect to be taken seriously as an actress after this. But this movie is a moment in time, and has historical significance as part of the swinging 60's-70's era.

Rock Hudson is always good, but Angie Dickinson is absolutely delightful in this role. Her scene being seduced by Rock Hudson is classic camp, and her timing is great. She was forty when this was made, and became a major sex symbol well into her forties. "Dressed to Kill" was made when she was near fifty. Go Angie!

Teasing short skirts
I suppose the '70s promoters of this thing thought there was some sort of serious "message" in satirizing the importance of football against the backdrop of sexy coeds being murdered.

I'm a bit of a Roger Vadim fan since his movies tend to emphasize pretty girls. This movie has lots of pretty girls, mostly in short skirts. One of the earliest scenes is a boy walking towards the school as a girl in front of him bends over to pick up her books. At that time in fashion history, skirts were so short that girls *never* bent over, except in movies (see "Smile").

Eye candy from the golden age of free love
I actually saw this in a theater when it first came out (ok, I'm old, get over it) and I'd been really curious to see it again. It was just as bad (and good) as I'd remembered.

It's just as Austin Powers said: consequence free, unprotected free love. And terrific miniskirts as well. I watch it for the fashions, and Roger Vadim's make-out scenes are more appealing than hard core. ... Read more

Description

Tully High School seniors Richie, Joey and Perry run with a gang called the Wanderers in the Bronx.The time is fall 1963 but their experiences are universal:falling in love, surviving in school and defending turf against rivals like the Fordham Baldies, the Del Bombers and the Ducky Boys. ... Read more

Reviews (26)

The original Boys from the Bronx........
"The Wanderers" is a class act and a stylish movie that has a brassy toughness to it that is both infectious and moving. It was probably overshadowed on it's release by the other gang movie of 1979 "The Warriors", but "The Wanderers" easily holds an equal footing as an excellent period piece of working class lives in 1963. The film centres around the lives of a gang of young boys in the Bronx in mid 1963 coming to terms with friendships, school, girls and other gangs. Ken Wahl ( a promising actor who for some reason never quite made it to the big time !! ) plays a great lead as the smooth talking and charismatic, Richie, the leader of the Wanderers. Richie is struggling to maintain his gangs strength and position in the local neighbourhood as well as juggling his many relationships with different girlfriends. He meets a young and attractive Karen Allen whilst out on the streets with his buddies, and from there another relationship develops. Allen plays her role with style, and even though Allen is not a great beauty, she has that unmistakable feminine charm, especially when that wonderful smile lights up her face.

What makes the movie all the more interesting is the way it goes behind the scenes into the home lives and the hopes, fears and dreams of some of the gang members. We see Joey's artistic talents put down by his fearsome, aggressive father...we see Turkey struggle with his own identity within the different gangs...and we see Richie forced to take responsibility for his actions near the film's conclusion. Backing the movie up, is a dynamite soundtrack containing some top numbers including "Stand by Me", "Runaraound Sue", "Soldier Boy" & of course "The Wanderer" !!

A movie that has charm & talent, and stands up to repeated viewings with ease...if you haven't seen it already....catch up with "The Wanderers" soon !!

LEAVE THE KID ALONE....and let him watch this movie!
These were the OLDEST''TEENAGERS''since the Sweathogs!I mean,not one looked at least 18.That said,this is a wanderfull movie.The music,the acting,the chemistry,the atmosphere,everything worked.it had drama,comedy,horror(enter Ducky's Boys),action,and a love story(even though Terror's a lil too old for her!)The plot is basic gang rivalry set in the age of the do wop.We are introduced to the core members of a local gang,the Wanderers.Not a drug dealing,neighborhood wrecking gang.But the loveable,wiseguys you find bowling and hanging out.Tension mounts between rival gang the Del Bombers and the battle is set.Calmer heads prevail and the fight turns into a football game,which turns into a bonding inspired fight.There are subplots;1 Wanderer stealing anothers girlfriend,1 Wanderer becoming a traitor,the home lives of 2 Wanderers,to keep the pacing just right.I am glad to see this on DVD.Too bad theres no extras.Anyway,theres no question youll enjoy this movie,but would you ever mess with the Wongs?

a era we all wanted to live
I seen this movie at the theatre when it was released,
because it starred a guy i went to high school with
ken wahl.

this historical aspect on what gang life may have been like
in 1963, sorta a serious west side storey.

i also boight the soundtrack album and now have it
on cd as well.

good movie for a saturday afternoon

A VERY ENJOYABLE FILM.
"The Wanderers" is the kind of movie that you don't expect a lot from it before you watch it, but after the movie is over, you feel that seeing this film was the right choice, because it's incredibly amusing. In fact, "The Wanderers" is one of the few films that can make that the audience cares and feels interested for the life of the teenagers portrayed in the movie, "The Warriors", "West Side Story" and "American Graffiti" are some films that have that quality too.

All the characters in "The Wanderers" are very human and believable, some performances are slightly better than others, but overall all the cast is uniformly well in their roles. Definitely "The Wanderers" is a very recommendable movie, the characters, the situations and the script (based in a Richard Price's book) are very good. This is an enjoyable movie from beginning to end.

THOSE GUYS LOOK LIKE A BUNCH OF PRICKS WITH EARS
this has got to be one of the greatest gang movies ever made along with The Warriors. the best part of the movie is the big fight at the end in the football field. Joey's dad was kickin some major A** ! I like how all the gangs got together in the end to help each other out. Goes to show that in the end besides our differences, were all just a bunch of squirrels trying to get a nut. the soundtrack for this movie is off the hook too ! ... Read more

Reviews (8)

A near perfect movie from Full Moon!!!!!
I have grown to love and sometimes hate Full Moon over the years, because alot of their past efforts have failed. Many of Full Moon's movies usually have no plot, boring, terrible acting, or is just plain stupid. That was the not the case with Shrieker. Shrieker is full on fun suspense and slasher! It builds up to the deadly climax when the Shrieker is going to get some one! It makes you wonder who is it going to get next? Full Moon have ripped off of some movies in the past and Hellraiser was one of them. Somewhere in the opening credits it shows these markings and has someone talking. One of those markings were the puzzle box from Hellraiser. It wasn't shown in the rest of the movie so Full Moon didn't ripp off Hellraiser in the plot. That was the only putdown in this movie, because they ran out of ideas so they used the puzzle box from Hellraiser. I have seen other movies that have ripped off of other peoples ideas. For example Jason Goes To Hell : The Final Friday somewhere in the middle of that movie someone finds a book which turns out to be the Book of the Dead from Sam Raimi's gory cult classic Evil Dead. The Shrieker was an awesome looking creature and killed people in a disgusting way. I loved it! Shrieker is one of the few good Full Moon movies!

If You Hear It...It's Too Late!!!!!!!!
It strikes without warning. It can morph through walls, ceilings, floors.
There is no place to hide. Behind every corner lies a potential doorway to death. After fifty years, the SHRIEKER has been summoned again. Five will die tonight. The sixth will become its master. When you hear the sound of its voice...your time has come.

If You Hear It...It's Too Late!!!!!!!!
It strikes out without warning. It can morph through walls, ceilings, floors.
There is no place to hide. Behind every corner lies a potential doorway to death. After fifty years, the SHRIEKER has been summoned again. Five will die tonight. The sixth will become its master. When you hear the sound of its voice...your time has come.

NOT THAT GOOD!
I was dying to see this movie,coming from Full Moon Pictures but I was very disapointed with the results.This is not a horror movie.It is more like a stupid movie.Don't buy this movie without renting it first.

good movie
I don't know what the guy is talking about this was entertaining. Yea it may be cheesy but it is good. It has cool killings and is very fast -paced. ... Read more

Reviews (21)

Richard Gere is sensational
I loved Breathless the first time I saw it and I have watched it many, many times now. The main reason is Gere's performance. It may not be his best but it's his most original and spaced-out performance of his career. The movie itself is quite entertaining, but no masterpiece. It never takes itself too seriously and mostly depends on the charms of Gere to keep it going. The ending is the best part, where his character seems to have nowhere to go and everything is closing down on him, and his only answer is to escape to his fantasy world and of course; sing the opening lines to Jerry Lee Lewis's Breathless. Another plus is the music, for this is the only film I know of that has Presley's Suspicious Minds playing in the background.

A great performance by Gere and an entertaining film.
This film is a remake of Godard's "A Bout du Souffle" but that is more of a problem than a blessing for this film. Breathless is not good enough to cut it as a worthy US version of the original but, seen as a film it it's own right, it makes a lot more sense and it is entertaining to watch.

Richard Gere plays Jesse Lujack, a small time criminal who just happens to kill a cop. He doesn't set out to do so, it just happens but this one act drags him into a trap which is, of course, of his own making.

His flight from the police who are determined to nail the cop killer takes him back to student Monica Poiccard (Kapriski) an old girlfriend. To him, she was an important and significant part of his life but to her, he was just an interlude whom she never expected to see again but, in a kind of "what the heck" mood she takes up with him and his troubles.

Gere really is doing a fine job here. The script favours him but nonetheless, he is totally convincing in this film He really is Lujack.

However much he tries to prevent it, the ending is pretty much inevitable but on the way Gere and Kapriski have some laughs. They live for the moment and, essentially they do enjoy the moments despite the bigger picture and that is what this film is all about. It's good to watch and enjoy. It is not a polarising moment in cinema history but, if you can forget the film's origins and hope only for an entertaining movie, it will not let you down.

If you like this film, I'd recommend "The Passenger" with Jack Nicholson and Maria Schneider. It shares the same theme of a woman taking up with a man in big trouble and it is a much better movie although it is a serious film and does not have the laughs of Breathless.

If you had to pick 10 Richard Gere films ...
Just say you were asked to pick 10 of Richard Gere's all time great films. Ok, I agree he's probably only done 5 great films so finding 10 enough would be hard. But I think I could do it. "Breathless", however would not be included because it is one of the most boring and ridiculous films I have seen. Back in 1983 it hit the cinemas and people went and saw it because of Richard Gere's full frontal nudity. But blink and you will miss those bits, they are so fast on your screen.

"Breathless" may be a remake of a French classic, but that does not make it a masterpiece.

jean-luc godard's vision was killed.
Jean-luc godard's first major motion picture, BREATHLESS, is still known to this date for being one of the most influential films of all time. It has a serious plot, but very comedic undertones and that's what this director and these actors could not capture. They took everything that was unique and original in Breathless and still would be to this day, and they painted a soap opera picture over it with over-dramatized acting and unnecessary suspense.
whoever made this is a moron.

See Richard Gere in all his glory!
This film is Richard Gere in his heydays. Gere was a likeable actor at this time in 1983. This role is probably the most wildest he has ever played next to LOOKING FOR MR GOODBAR (1977). This is one of those films that you could have watched over again when on television. However, this will be heavily edited for television. Recommend the DVD version. DVD is in Full-Screen, however their are no extras or bonuses. This DVD contains all the language, sex scenes and full frontal male nudity (use the 1/2 on the APEX) and female nudity cut out on television network. Some nude scenes are necessary to watch due to story development. You'll also see some recognizable Southern California locations. Twenty years old, this film is no longer considered a great film, but some people will watch it again, even if the tone is crude. Good soundtrack music. Actor Art Metrano who plays "Birnbaum" is also in this film! ... Read more

Amazon.com

This camp spectacle stars Sherilyn Fenn (Boxing Helena) as an upper-crust Southern belle who abandons the posh life for sex on the road with a carny worker. Naturally, the older folk (Burl Ives, Louise Fletcher) take exception. Typically silly, soft-porn stuff from director Zalman King (Wild Orchid), this erotic joke of a movie is good for putting one's busy brain on hold for awhile. Colorful support from Kristy McNichol as a cowgirl, Screamin' Jay Hawkins, and the late Hervé Villechaiz (Fantasy Island). --Tom Keogh ... Read more

Reviews (27)

Lust, sex, deception and the old South
This fairly erotic movie features strong performances by Sherilyn Fenn, who displays quite a bit of skin in the movie, Louise Fletcher, the late Burl Ives, and a surprisingly not bad looking Kristy McNichol, in a tale of lust, sex, and the old South.
Without giving the plot away, Fenn is a girl who can't say no to an all teeth, tanned, and long haired carnival worker; befor she marries into an upper class Southern families (or better to say merges the two families). (And she has the nerve to wear white!) Her grandmother and the local sheriff and friend of the family (Ives)have other ideas. There is a fairly hot dancing sequence with Fenn and McNichol (who definitely left any traces of her character on "Family" behind, exposing a little skin of her own; though she's clearly overmatched, bodywise, by Fenn). Not a bad movie, I wonder how the sequel will be.

An erotic story for women
I went to see this film in a movie theater when it was released. A man in the audieance yelled out "What is the point of this?" during the movie. Honey, there is no point. Zalman King's movies typically are geared toward male sexual fantasies, but this film will appeal more to women. Sherilyn Fenn is gorgeous and Richard Tyson will have women drooling. This is what porn should look like, from a woman's point of view. Every woman friend that I know that has seen this has liked it. The plot is questionable, like plots are in a lot of Zalman King's films, but it is erotic and steamy visually. Check out "Red Shoe Diaries" & "Delta of Venus" for more hot and sexually charged visuals.

Chick Flick Indeed
OK. So it's either a masterpiece or cheesy soft porn. This is still one of the best chick flicks to see after a break-up. I own it now and watched it for the first time while in a long-term relationship. It still works. The cinematography is beautiful, the costumes are white and the story is timeless. What woman wouldn't want to cross over to the dark side if she can encounter someone like Richard Tyson? Yum! Besides, men can appreciate Sherilyn Fenn and women can see the full monty, although not Tyson's. Order a pizza, pour a diet Coke or Pepsi, invite your female friends and just enjoy.

hardly worth it
I picked this film up after seeing Fenn in Kiss of the Beast. The love-making and overall acting of this one are both very weak! It's basically a cheesy romance novel with no heat. They need to make Kiss of the Beast into a DVD version. That film is much better!

about the movie two moon junction.......
This movie is basically about the actress whom at first gouing to marry someone but got 'intimated' with another man whom work in the fun park(something like knots Berry farm) and then he switched job top become a dish washer after he went to the actress home to bathe without her consent to enter the house. The story ends with him almost killed by 'rangers' during the time when the actress is about the get married(excution plan ordered by the actress family members). The last part shows that she in the end went to the actor's place to bathe and this concludes the story. There are two sex scenes in this movie as I've seen the Malaysian bootleg version DVD9(as good as code 1's clarity) after my friend brought back from there. For those whom are interested in this genre of movie by Zalman King....recommended purchase...... ... Read more

Reviews (110)

Unbelievable
Almost as eerie and unexplainable for me as the film itself, is the fact that this film has made it to DVD and by Criterion no less. This movie is close to my heart because I know Larry Sneegas, who played the young hood at the beginning who asks the girls "Wanna drag ?" (Larry was also part of the production crew for this and many other "industrial" films with director Herk Harvey). The historic Englewood theater here in Kansas City showed CARNIVAL a few years ago as part of a tribute to local film makers and what a treat to see it for the first time on the big screen! Larry has been gracious enough to loan me his VHS copy of THE MOVIE THAT WOULDN'T DIE documentary that Criterion has included ... some great background on this small-but-mighty film and I can't wait to see all the other "extras" on the disc as well. I've seen both versions of the movie (again thanks to Larry) and while they each work marvelously, who wouldn't prefer the director's "more zombies" cut? The reviews below really capture the film's essence, so all I can say is ENJOY !

Finally on DVD! One of the spookiest films ever made....
I had the great pleasure of seeing Carnival of Souls in its theatrical re-release in the mid-90s. Having seen it on video beforehand, I had some idea of what atmosphere the film created for the viewer. Seeing it in the theatre though was a completely spooky experience! Though the film may not be shocking or especially terrifying by today's standards, it still holds it own as an outre masterpiece of suspense.

A thousand THANK-YOUs to Criterion for bringing it to DVD. What a great package to have both cuts of the film, plus all the extra features (especially the extended montage of outtakes set to that bone-chilling soundtrack!) The documentary featuring the cast reunion is another bonus, as is the very interesting history of the SaltAir Resort from which Herk Harvey took his inspiration for the story.

The film is timeless in its use of stark black-and white, and light and dark to convey the extreme isolation felt by Candace Hilligoss' character, Mary the church organist. The soundtrack is quite eerie and used so effectively.

It is obvious how many "horror" films have been influenced by Carnival of Souls, in particular NIGHT OF THE LIVING DEAD by George Romero. The jerky/choppy editing style, the b/w photography, hysterical/hyperkinetic acting are all mirrored by so many present-day films. CARNIVAL is and always will be a unique piece of film-making. The excellent presentation on DVD shows it to its best advantage.

6 stars out of 5!!!

crap
It sounds cheap. It looks cheap. There was nothing scary or entertaining about it. The plot doesn't make sense. People talk to her, everything blurs then they don't see or hear her. Dumb. I had to force myself and my friends to watch it. I love old horror films but this one was a dud. I don't understand the reviews saying how great this movie is. Don't waste your money.

Disturbing and Creepy cult classic comes to DVD!!!
Carnival of Souls was made on a shoe-string budget by industrial filmmaker Herk Harvey and stars the enigmatic and beautiful Candace Hilligoss as the lead character who manages to be constantly isolated from everyone around her. There are so many excellent transitions and shots in the movie it was obvious that who ever put it together had been an excellent film editior at the very least. As the film has been extensively reviewed here I want to focus on the DVD releases. Aside from the original cut of the film, 82 minutes, there where several prints that had been trimmed down both by the director and perhaps for TV although I have seen the complete film on cable as well as edited versions. The Image "movie-only" release (by the way Image also co-produced the Criterion Collection release) has the complete version of the movie and best print that I have seen. There is an active menu with some of the spooky organ music with icons for chapters and the films trailer. At first I thought the icon for "recommendations" was just a link to a one page marketing promo. However, if you click on the title boxes you get a trailer for each of the other Image releases shown. Quite a nice little "Easter Egg"!
I am glad I have the other versions as well because I think the edited prints are also interesting. The Alpha Video version actually has a slightly higher bit rate than the Image edition and only a tiny amount of pixelization here and there detracts from a very sharp picture, it clocks in at 77 minutes and is a great bargain. The Diamond DVD release has an identical running time, but a lower bit rate and still some pixelization in a couple of scenes. However considering that you get a copy of 1960's "Horror Hotel" with Christopher Lee included it is a great buy for just a few bucks. Curiously, the Diamond edition "Carnival of Souls/"Horror Hotel" is supposedly out of print yet I found a copy in a store recently and got another new copy on-line for my little brother's collection. Goodtimes has released "Carnival of Souls" with a high bit rate and sharp picture but a few more skips and pops. Also, the running time is the shortest, 75 minutes, as it cuts out a couple more scenes such as when Candace Hilligoss stops for gas and directions entering Salt Lake City. However, my Goodtimes edition is a two sided disc with "Carnival" on one side and a decent print of "Night of the Living Dead" on the other. For those of you who don't like two sided discs, Goodtimes has also released both films seperately for just a few bucks each. Criterion Collection has released the utlimate edition with two cuts of the film and loads of extras including a commentary. However, it you are on a budget you do have other options. So make some popcorn and enjoy the show. Thanks, CAL

"I'm not taking vows. I just play the organ."
Carnival of Souls is the horror movie Albert Camus might have made. It's a lot like George Romero's original Night of the Living Dead - - black and white, low-budget, a simple horror story that's really about human beings' isolation in their own skins.

The acting ensemble in Romero's film is consistently better, but Carnival of Souls only has one real character, and Candace Hilligoss as Mary is very good. It's probably only her performance that has kept this movie around for over forty years.

It's 1962 in a small town, and two young guys in a hot rod and three young women in another car are drag racing. They get to the bridge outside of town, finally going fast enough to feel alive when . . .

. . . Mary crawls out of the river, covered in mud, the only female survivor. The other two girls paid the price for giving in to the thrill of the boys' challenge.

Seemingly unaffected (almost in the clinical sense of being without affect), Mary follows her plan to go to another small town where she's been hired as a church organist. She doesn't believe in the church, though; she's a musician and playing the organ is just a job.

Mary's drive to her new town is the scariest bit of filmmaking I've seen in a long time.

Trying to settle into her new life, Mary starts to crack up. Besides seeing an apparition connected to an old ruined carnival, Mary is suddenly unable to hear the people around her.

Three men say they want to help her - - a would-be boyfriend who's only interested in sex and leaves her when she lets her despair show, a doctor who violently shakes her and orders her to his office for his expert help, and the minister she works for who fires her when something possesses her and she "profanes" his church with carnival music. Love, science, and God all fail her.

If Mary had only been able to hang on for five or ten years, maybe she would have found more satisfying work, or support from other women, or been stronger herself. In 1962 Mary felt the nothingness eating her alive, but she couldn't see a way out in time. She lost the race. ... Read more

Amazon.com essential video

The Adventures of Buckaroo Banzai: Across the 8th Dimension is one of the most agreeably insane movies ever made. Peter Weller stars as Buckaroo, an acclaimed neurosurgeon, particle physicist, and, of course, rock star. He travels with the Hong Kong Cavaliers, a band of hard-rocking scientists who are also really good dressers. Buckaroo's interdimensional experiments with his Operation Overthruster throw him (and the Earth) straight into the middle of an alien war, and before you know it, he's got just a few hours to save the world. Confused? Hang on, we're only 10 minutes into the movie. Buckaroo Banzai hurls you right into the middle of its comic-book universe and keeps going at a breakneck pace. It's chock-full of overlapping jokes (even as we're trying to make sense of Dr. Lizardo's hospital room, a voice calmly announces that "lithium is no longer available on credit" over the PA system), hilarious throwaway dialogue ("You're like Jerry Lewis: you give me hope to carry on."), and weirdness just for the sheer joy of it ("Why is there a watermelon there?" "I'll tell you later."). You'll want to watch it at least twice--there's just no way to catch everything the first time around. Ellen Barkin has a terrific time doing a dead-on film noir moll parody as Penny Priddy, and John Lithgow turns in a brilliant manic performance as Dr. Lizardo/John Whorfin. There is no reason not to own this movie unless you are cold and dead inside. Laugh while you can, Monkey Boys. --Ali Davis ... Read more

Reviews (167)

Best. Movie. Ever.
The following is quoted from the Official Buckaroo Banzai website, and should be taken as canon. These guys work with the facts, and I hope this helps people who are on the fence about buying the DVD edition...

"Wow - we've just gotten our hands on the revised and final list of specs on MGM's upcoming The Adventures of Buckaroo Banzai: Special Edition (street date 1/1/02), and you guys are gonna flip for it! These come straight from the amazing Mojo, who was an associate producer on the project. The disc was produced by Michael Arick, whose other recent work includes Forrest Gump and The Magnificent Seven. So here goes... special features on the DVD will include a brand new anamorphic widescreen transfer (presented for the first time on home video in the original 2.35:1 aspect ratio), remixed Dolby Digital 5.1 audio, 2 versions of the movie (the theatrical cut plus a special extended version with restored opening sequence starring Jamie Lee Curtis), feature audio commentary from director W.D. Richter and Reno from the Banzai Institute, a behind-the-scenes documentary and retrospective, 14 deleted scenes, the original teaser trailer, an all-new "Jet Car" special effects trailer, extensive interactive menus with new material from Buckaroo Banzai screenwriter Earl Mac Rauch, special 'watermelon' Easter eggs, Pinky Carruther's Unknown Facts subtitle track, the Banzai Institute Archives, a Banzai Radio segment, original production designs, Jet Car secrets revealed and a still gallery with never-before-seen photos. SWEEEEET! I actually ran into Mojo at the recent Studio Day event here in L.A., and from what he told me, this may be one of the coolest discs in a long time! Everything on this thing is done up as if t