Description

Starring Reese Witherspoon (LEGALLY BLONDE), Colin Firth (BRIDGET JONES'S DIARY), and Rupert Everett (MY BEST FRIEND'S WEDDING), here is the hilarious adventure of two dashing young bachelors and the outrageous deceptions they find themselves in over love! Whenever Worthing (Firth) wants to leave his dull country life behind, he makes visits to the city posing as his fictitious "brother" Ernest. There, he becomes smitten with the ravishing Gwendolen (Frances O'Connor, A.I.). But when Worthing is in town, his playboy pal Algy (Everett) is in the country and falling for Worthing's young and beautiful ward, Cecily (Witherspoon) -- while also impersonating Ernest! Pandemonium ensues when these two would-be Ernests find themselves face-to-face and in the predicament of explaining who they really are! ... Read more

Reviews (102)

The Importance of "Seeing" Earnest
Since I have not read the play by Oscar Wilde nor seen any previous performances of this work, I came into this movie completely unprejudiced, and left utterly delighted. I thought the film was hilarious; in particular the interplay between the two male leads, Colin Firth (Jack)and Rupert Everett (Algy). Judi Dench, as the austure Lady Bracknell, is of course perfection, and although less impressive, yet still quite good, are the two romantic interests of the gentlemen: Francis O'Connor (Gwendolyn) and Reese Witherspoon (Cecily). The tangled webs woven by our two heroes lead to some wonderful moments for Firth and Everett, especially when Algy shows up at Jack's manor to woo the fair Cecily. The scenes where Jack takes matters into his own hands had the audience roaring, and it was a treat to see Mr. Firth in a more playful role then is his usual.
There is also a sort of side plot involving the vicar (Tom Wilkinson)and Cecily's tutor (Anna Massey) which is also quite entertaining, and both actors display their humourous sides most credibly. All in all, a wonderful movie. I thought it was a shame, however, that the studio saw fit to release it only as a limited engagement. I, myself, had to drive nearly 200 miles to view this gem(well worth the trip, I might add), yet the lack of accessability disturbed me as it seemed to assume that only those in "larger metropolitan areas" would make the effort. Well, not only did I make the effort, I fully intend to purchase the DVD when it is released, and am looking forward to that date with relish, so that I may watch Firth and Everett over and over and over....

Run! (don't walk!) to see "The Importance of Being Earnest"!
This movie is a must-see and the epitome of a playful, feel-good comedy. Having never seen nor read the original play by Oscar Wilde I went to the theater with the expectation of merely staring at Colin Firth (whom i LOVED in P&P2!!) & Rupert Everett for an hour or so. I was pleasantly surprised and elated to discover that the movie was comedic, witty and filled with a cast of actors who played off each other wonderfully.

The movie is hysterical-i laughed throughout the entire thing-and it was not merely the verbal wit, but the physical comedy and dare I say again the chemistry of the actors that made the movie a true delight. Colin Firth and Rupert Everett are absolutely perfectly fitted to their roles, and "the muffin scene" (which those who have seen it must remember!) had me laughing so incredibly hard! Reese Witherspoon is grand, as is Frances O'Connor. Judi Dench's role was perfectly suited to her, and the twists of the story put the characters in such hilarious situtations. I must say, my only regrets after viewing this movie are:
1. It was only opened in limited release
and
2. I did not go and see it sooner.

I cannot wait for the DVD ~ the extra features *sigh* ~
...i can only imagine...

a treat
I haven't seen the 1952 version of Earnest, but I must say that I love this one. I laughed the whole way through. Purists might say that the dialogue goes too slowly, that the acting was underdone, or that Reese Witherspoon was miscast. My opinion: the dialogue is, of course, brilliant. It's Oscar Wilde. It is also delivered wonderfully, with perfect expressions that make the witty lines even more funny. Attention is, at times, required to catch these little expressions, but they are what help make the film so great. Also: I loved the casting. I loved it the first time I saw the film. I appreciate the casting even more now that I've read the actual play--the actors portray the characters exceptionally well, with all the quirks and nuances that I gleaned from the book. The add-ins (like the knight in Cecily's daydreams) make the movie, in my opinion, even more delightful. It should be quirky, and, thank goodness, it is. I highly recommend this film--it is a very well-done, lighthearted story full of wit. I definitely enjoyed it.

GOOD except some...
Brilliant, lovely, impeccable casting by the entire Oliver Parker's production team. Almost perfect performances by GORGEOUS actors and actresses upon beautiful costumes design, greenest of the countryside, and exquisite interior decorations. This Oscar Wilde adaption will no doubt remain timeless for the next three decades at least before another remake emerges in Hollywood.

Everything's so agreeable except Reese Witherspoon's cast here... Parker must have been mistaken for Christ sake! Witherspoon is so NOT right for the choice. Her indifferent beauty and bubbly profile are totally incompatible with the rest of the casts - who has got the lordly Englishness. She plays the "ward" of Jack Worthing (Colin Firth) who's kept and schooled in his country house, no wonder.

Superb
I must admit that I decided to watch this movie for just one reason. Colin Firth. And needless to say, I was not disappointed. The movie itself was very funny, not the slapstick stuff that has invaded the cinema screens in the recent past but hilarious dialogues and characters that are so rich in their stupidity that you can't help but laugh away. The concept of the play itself is lovely, the fact that so much importance is given to being christened with an appropriate name. However, I was quite upset with Witherspoon being cast as Cecily, there are a million wonderful British actresses for God's sake, why her ? I have this image of her in Legally Blonde, and then you see her faking this Brit accent and its sad, to say the least. Evert, Firth and Dench are superb in their roles, a must must watch movie. ... Read more

Amazon.com essential video

Garry Marshall's 1988 drama about a 30-year friendship between two women, one wealthy (Barbara Hershey) and the other (Bette Midler) seeking her fortune in show business, is well written (based on the novel by Iris Rainer Dart) and nicely textured in its contrast between the characters' separate destinies. When Hershey becomes ill with cancer, the film takes a predictably sentimental course, yet Marshall brings out the best in both actresses and catches some very fine drama. The film is a little too long, perhaps, but overall it is a fine experience.--Tom Keogh ... Read more

Reviews (100)

ENTERTAINING SUDS
Barbara Hershey and Bette Midler form an unlikely alliance in this contemporary/traditional "woman's picture". Well-produced musical numbers, charting CeCe's (Bette) singing/performing career, add zest and emotion, though the central relationship is exceptionally well-played by both the young and older versions of the characters. I particularly loved the way this movie grows with the characters; the story evolves over much time, and, unfortunately, spends too much time, and the film's most overrated song (Wind Beneath My Wings, which has a bizarrely self-involved lyric) in its final half hour wallowing in suds. However, the actresses retain a power throughout, and the tears this movie works to summon forth do not feel shameless -- an age-old friendship will likely always suffer its highs and lows, though perhaps not with this many strings playing in the background.

Friendship that never dies.....
I fell in love with the movie the first time that I saw it and still love it. One of the most brilliant performances by both Bette Midler and Barbara Hershey I have ever seen.I enjoyed very much seeing Bette showcase her voice in the movie because she has such a strong and beautiful voice, not to mention she is so hilarious. The scenes in this movie are emotional, uplifting, comedic and poignant. This film reminds of a special friendship that I have, and just watching the movie reminds me a lot of my relationship with my friend. It depicts that all friendships aren't perfect, everyone has their differences but that in the end that one special friend will always be there for you. In this world today, it is hard to find a friend like that. There were also some stellar performances by John Heard as the love interest of Bette Midler, Laine Kazane as Bette's mother Leona. What a wonderful movie, a real tearjearker and call it a chick flick if you want but this is a movie that was made for both men and women.

I love this movie
Bette Midler is wonderful in this movie. Barbara Hershey gives an outstanding performance. I love their friendship and how it goes through the different phases, and yet at the end they are there for one another, to support one another. This movie is definitely a tear-jerker, yet a classic.

Made me feel dirty
Watching this movie was a very unpleasant experience for me and left me feeling like an emotional voyeur. It was just too harrowingly weepy. I'm not saying that there's anything wrong with a movie that appeals primarily to the emotions, but I felt that Beaches went way past the saturation point. By the end I was simply tired of feeling!
I have, however, given Beaches three stars because the fact that it is so well loved by so many suggests that it must successfully fulfill some sort of need for many viewers. Just be warned that, depending on your tastes, you may want to fulfill that need elsewhere.

Sad but Good!
I never read the book this movie is based on but we rented Beaches and I thought it was a good movie. It is a tearjerker that is really sad and I don't always like sad movies because sometimes they can be too melodramatic and real downers but I liked this movie and I think Bette Midler and Barbara Hershey gave good acting perfomances and I was also impressed with Mayim Bialik (Blossom) who played Bette Midler's character C.C. when the character was 11 years old. I recommend this movie! ... Read more

Reviews (79)

Good film, great extras
The breezy rehab story of Gwen Cummings(Sandra Bullock) and her 28 days towards the road to recovery isn't a perfect film by any stretch of the imagination, but it's definitely enjoyable.The key points to the DVD that may warrant you buying it are Betty Thomas's directors commentary, three character testimonials that were cut from the final film, instructions on how to make a gum wrapper chain like the fiesty heroine,theatrical trailers,and talent files. But the best thing, and possibly worth the price of the rest of the disc, is the hilarious 26 minutes of "lost episodes" of the fictional soap "Santa Cruz" that everyone at the rehab center watches.That alone is almost as funny as the movie, with the actors playing their scenes with intense seriousness amid ridiculous plot situations even more far fetched than the average soap.

Here's Looking at You, Sandra Bullock
Director Betty Thomas has achieved something rare: A modern movie that tackles a serious issue and emerges with it's tastefulness intact. "28 Days" has the plot of a drama, the soul of a comedy, the feel of a documentary and a fabulous performance by Sandra Bullock that gives each genre a place in the delicate mix of this wonderful movie.

Bullock is Gwen Cummings, an alcoholic, pill popping journalist who is sentenced to spend 28 days in a rehab center she drunkenly steals a limo and crashes it into a house. Leaving behind her boozy British boyfriend Jasper (superbly played by Domonic West), Gwen soon finds the support and understanding of her eccentric and often hilarious new neighbors. There's Eddie (Viggo Mortensen), the washed up baseball player who'll sleep with anyone; Oliver (Mike O'Malley), the wisecracking Park Avenue pot addict; Andrea (Azura Skye), a young woman addicted to drugs and a preposterous soap opera called "Santa Cruz," which she eventually turns everyone on to; and Gerhardt (Alan Tudyk), the wacky German. "28 Days," unlike an "Erin Brokovich" where one star dominates, is an ensemble film that allows a variety of talents to shine. And with a cast of this caliber, sometimes that shine rivals the stars themselves in brightness.

Despite many humorous moments, it's the dramatic aspects of "28 Days" that make it great. When Gwen becomes so desperate for her pills that she jumps out the window to get some she threw away earlier, the obsessiveness and despair of dependency are captured at their most vivid. Then there's her troubled relationship with her sister Lily (sensitively portrayed by Elizabeth Perkins), who can't decide whether she wants to give up on the woman who has never been there for her, or stand by her in the hope that she will reform, risking having her heart broken yet again.

It's because Bullock and screenwriter Susannah Grant have made Gwen such a likable character that these situations have real bite. Sine we can't decide whether we love her or hate her, we keep watching the movie on the edge of our seats, searching for something that will proove to us once and for all what Gwen Cummings is. The movie wisely avoids giving us a straight answer to that and many other questions, allowing the viewer instead to make their own decisions and create their own relationaships with the characters and the things they encounter.

"28 Days" is a triumph for all involved. There's nothing better for a cynical critic like me then proof on the screen that films moving stories with engaging characters are still being made. Perhaps the best news of all is the resurrection of Sandra Bullock's career after three flops in a row. If she continues to show such wise judgement in choosing her projects, this poor man's Julia Roberts may be topping the A-list once again.

drunks on parade......
While the film was entertaining, I do not find anything in the least entertaining about the subject matter of drug addiction. In Gwen's book it was booze and Vicodin......a killer combo.....Alcoholics are often seen as hilarious, but in reality most of the time they leave a trail of tragedy not only for those who are closest to them, ie families and their friends, but they create pain in the lives of total strangers.....witness Gwen's destruction of a limo and a residence when she left her sister's wedding reception. I suppose we should be happy she did not end up on the freeway with the limo.
I found the characters in this film just too cute.....From what I have seen on COPS, they don't appear to be that cute in reality, or maybe if you have the 50K, which rehabs centers like Gwen was staying at cost, perhaps you see a different bunch of addicts.

Good movie with some strong performances
I liked this one- am finally adding it to my video collection.
Sandra Bullock is a believable drunk who has a very tough time relating to anyone and everyone. Was nice seeing someone who is not overly likeable in movie like this.
Nice performance by a clean cut and hunky Viggo Mortenson livens this up.
For a double downer line up of sobering drama
see Meg Ryan and Andy Garcia in When a Man Loves a Woman.

Santa Cruz & Gum Wrapper Chains
Sandra Bullock's character goes to rehab. She hates it at first then sees she should be sober. Its a funny movie thats not very preachy and it has good characters. The dvd has cool features like how to make that gum wrapper chain thing, and actual scenes from Santa Cruz. ... Read more

Reviews (265)

Wonderful, gentle romance.
Ever wish you could find a romantic movie not filled with cynicism and sex? Well, this is the one. Grace (Minnie Driver) is dying of a heart ailment and needs a transplant. Bob (David Duchovny) and his wife are blissfully happy... until a tragic accident takes her life. Bob agrees to donate his wife's organs. In one night two families are changed and united forever.

One year later Grace is fully recovered physically, but is still emotionally tired and lonely. She yearns for love, but fears being treated differently. Bob is angry and pained as he slowly lets his wife go. Then he meets Grace. The two soon realize they are perfectly matched and begin a sweet relationship.

However, Grace still needs to tell Bob the truth, that she had a heart transplant. When she realizes that it was his wife whose heart she received, she is devestated. Will the love they've created be enough to help them through this trial?

The supporting cast in this film is absolutely perfect. From womanizing David Allen Grier to best-friends Bonnie Hunt and Jim Belushi to old men Carol O'Conner and Robert Losiar... all of them will make you laugh out loud as they root for and meddle with Grace and Bob. The ending will make you tear up and you will come away believing in true love.

Highly recommended!!

What A Pleasant Surprise
I wasn't expecting Return To Me to be bad, but I originally thought the premise sounded a little sappy and the cast sounded a bit odd. I wasn't sure about how the on-screen chemistry btw DD & Minnie Driver would work, and what plot could have David Allen Grier, James Belushi and Carrol O'Conner in the same movie? So, I didn't go in expecting too much.

I was really happy with the movie, though. It tugs at the heartstrings and it also makes you laugh a lot. The entire crowd at the screening I attended seemed to enjoy the movie.

I highly recommend it as a great date movie. As DD has said in interviews, RTM is wonderful because it's an old-fashioned love story. The soundtrack is wonderful too -- lots of big band music which adds to the old-fashioned feel.

It was also really nice to see David Duchovny in a much more light-hearted role. He had some great comedic moments and some great romantic moments.

Carrol O'Conner, Robert Loggia and co. almost steal the movie with their hilarious banter. I can't wait to see Return To Me on the big screen when it opens, and I will definitely be adding it to my video collection.

Absolutely wonderful! And finally, nothing offensive!
This film is the first romantic comedy in a LONG time that has been worth two hours of my time. It is absolutely fabulous, and is not filled with offensive language, sex-scenes, or adultery. I LOVED it, and I do not typically enjoy romantic comedies.

Unapologetically, unabashedly sentimental
Check your cynicism at the door, please. This film is somewhat courageous in the way it wears its heart on its sleeve in these days when any spark of sentiment is usually couched in irony. Bob Rueland (David Duchovny) has lost his beloved wife (Joely Richardson) in a traffic accident; Grace Briggs (Minnie Driver) has received her heart in a transplant operation. It's not giving anything away to let you that fate brings them together in the end. As soon as the film opens, you know that it couldn't go any other way.

It must be difficult to make such an innocent story work for today's audiences, but writer/director Bonnie Hunt (with co-screenwriter Don Lake) pulls it off. The cast is warm and likeable, the dialogue is sharp, and the music is romantic. Hunt and James Belushi are wonderful as a couple whose affection for each other shines through their constant bickering.

Cute
This movie is one of my favorites. It has a great story, puppy love, a doting grandfather, and offers lots of laughs! What else could you want? It does drag a bit at the end.... but I could watch it a million times without tiring. ... Read more

Description

Jane Austen's classic novel about the prejudice that occurred between the 19th century classes and the pride which would keep lovers apart. ... Read more

Reviews (84)

Miscast Elizabeth
Greer Garson stars as Elizabeth Bennet in this 1940 version of Pride and Prejudice. She plays the clever and witty eldest of five daughters, who are all looking for rich husbands. Lawrence Olivier plays Mr. Darcy, a suitably wealthy prospect, however he is too arrogant for Elizabeth's liking. The story follows the two as they tease and rebuff, only to end happily with their engagement, as we always knew it would.

Being such an old film, the quality of the picture and sound were poor. Even so, they were better than the outrageous casting of Greer Garson as the lead. She was much too old to play Elizabeth, and was utterly unconvincing. Two of her sisters were played by Anne Rutherford and Maureen Sullivan. They were both excellent and would have done better in the lead. Olivier was wonderfully snooty as the aristocratic Mr. Darcy.

The other major weakness with the film was the costume design. The ladies' gowns and men's suits looked like they were borrowed from the set of Gone With the Wind. The dresses were full and puffy, not at all like the delicate and low-cut gowns of the early 1800s in England.

There were no exterior shots of the grand houses; rather we saw only small rooms with very ordinary furnishings. The photography was drab, even considering the age of the film.

The screenplay was co-written by the famous Aldous Huxley, who, it seems, had no knack for reproducing Austen's glorious dialogue. All in all, I found this film an acceptable introduction to Jane Austen's classic book, but not deeply satisfying or beautiful.

Wonderful movie of a timeless novel
This version of Pride and Prejudice first got me interested in Jane Austen. Though it may not be the most acurate version of the famous novel, it is very funny and all of the characters are played well. Lawrence Olivier IS Mr. Darcy, and Greer Garson shines as Lizzy, despite her age difference to the character.

An inferior adaptation of a great book
There are three film versions of Jane Austen's immortal "Pride and Prejudice" extant, and this one, the first, is by far the weakest. It would be hard to tamper with the great story, which is so well known as to need no rehashing here; but although the film tries to follow the story, Aldous Huxley proved incapable of incorporating Austen's incomparable dialogue into the film script, as the two later versions were able to do with remarkable success. There are other, more egregious shortcomings, in this film, which are:

1) Casting Greer Garson as Elizabeth Bennet. Whoever had this idea should have been put in the stocks and pelted with water balloons. Elizabeth Bennet is 20 years old in the book, and Greer Garson, on the wrong side of 35, looks absolutely ridiculous trying to play a young ingenue. Who was she kidding? She doesn't even look like Austen's description of Elizabeth. Vivien Leigh might have made a great Elizabeth, if she wasn't already fixed in the public mind as Scarlett O'Hara. Which brings us to:

2) The 1860-ish costumes. Were they trying to move the timeline up? Somebody should have told the costume department that Longbourn and Tara were six thousand miles and sixty years apart. "Pride and Prejudice" was set sometime between 1790 and 1810 (Austen's biographers are in disagreement as to the exact date), but the costumes in this first version of "Pride and Prejudice looked like leftovers from the set of "Gone With the Wind". A big no-no.

3) The casting of Lawrence Olivier as Darcy was a mistake. Austen describes Darcy as being tall and handsome. Olivier was handsome but he didn't look much taller than Garson. Or maybe Garson was too tall. Whatever... it was a total mismatch.

4) The whole scene at Pemberley, which is central to the book, was eliminated. So how did Elizabeth's one-eighty from loathing to love take place? The movie doesn't say and we're left totally unconvinced.

It is a truth universally acknowledged that "Pride and Prejudice" is one of the best-loved books in English literature. It certainly deserved a better film adaptation than this one. Fortunately it has not one, but two: the BBC version of 1985 starring Elizabeth Garvie and David Rintoul (my personal favorite), and the A&E film of 1995 starring Jennifer Ehle and Colin Firth. Watch either or both of these after seeing the Garson/Olivier movie, to see what a good film adaptation of a great book really is.

Worst Adaptation!
This film was the worst adaptation of Jane Austen's famous novel that I have ever seen in my life. It is not really true to the novel, the costumes are ridiculous looking, not to mention that they do not match the kind of clothing that was worn in Austen's time. They hardly ever use the famous words and/or phrases from the book, only once or twice but they are somewhat changed. Granted I think Laurence Olivier made a great Darcy if he was more like Darcy is suppose to be, instead his version of him was more perky and uppity than nonchalant and melancholy and a little arrogant, which to me is what Darcy is actually like. If you want to see the greatest adaptation of Jane Austen's "Pride and Prejudice" ever made then check out the BBC and A&E production starring Colin Firth and Jennifer Ehle, I guarantee you'll watch it all the way through with a satisfied and happy smile on your face.

It is a truth universally acknowledged that this movie is
Misleading, to say the least.

I saw this movie last week on Turner Classic Movie channel, expecting to see a nice little 40's style rendition of that book we oh-so dearly enjoy.

What a silly movie.

Granted, I'm sure making a two hour movie out of the novel is difficult, but if you were to take a high school test on Pride and Prejudice after seeing this movie instead of reading the book, you would fail miserably.

The dresses were too elaborate. Mary is way too pretty. Greer is too blonde to play Elizabeth, where are those dark "fine eyes"? Darcy grossed me out. I don't even remember Bingley or Jane, and Elizabeth's transition from hating to loving Darcy goes a little something like this (paraphrased, of course):

Elizabeth: "Oh, how I miss Mr. Darcy"
Jane: "What? I thought you hated him?"
Elizabeth : "Well now, quite suddenly I love him!"

This is without the reunion at Pemberly. Its rushed, to say the least.

I did like Lydia, and there is a lovely, albeit irrelevant scene where Mrs. Bennet and the girls Mrs. Lucas and Charlotte (who is much too pretty in this adaptation) are racing neck and neck via carriage to get to Netherfield to meet the eligible men.

And the slightly amusing part where Mr. Bingley is talking about what's wrong with Jane when she's sick. That was just weird. Trés 40's, no?

Mr and Mrs Bennet are enjoyable characters, but I imagine that it would be difficult to screw up those well-written characters in any cinematic endeavor.

And the part with Lady Catherine acting as a "secret agent" for Darcy. What the hell.

Ugh. This movie is slightly amusing, if it was 5 hours of nonsense I would give it one star, but since its only 2 hours you might as well watch it if you feel so inclined.

But read the book and check out the 1995 BBC production one, too. ... Read more

Reviews (9)

SONJA`S BEST
This is remembered primarely because of the excellent music of Glenn Miller. He was to do only another film, Orchestra Wife, before being killed in a planecrash.
However; by the early 40s, Sonja Henie had developed into a good comedienne and this is her best - as a dumb, simpleminded blonde. Her timing is impeccable as is her delivery of dialogue... As if that isn`t enough; the supporting cast includes great efforts by The Nicholas Brothers, Dorothy Dandrige(then married to 1 of the N. Brothers and with whom she gave birth 2 a multihandicapped daughter), Milton Berle, Lynn Bari(singing voice dubbed) and John Payne as Sonja`s loveinterest.

It`s 1 of the best musicals ever made, though Sonja`s skating in this 1 is not her best.

Want to see the mechanics of the Miller Band?
This review applies EQUALLY to Orchestra Wives and Sun Valley Serenade.

Remember the Elvis movies that were basically a thin plot excuse to have the "star" sing? Well these movies are the 1940's equivalent featuring the pre-war (and so definitive) Glenn Miller Band.

Forget about the plots which are almost identical and don't even stand up today. Boy meets Girl, Falls in love, Another girl is jilted or gets in the way, disharmony in the band, all is sorted out. Big set piece number to finish. (Both movies - honest!). In fact unless you are interested in period movie making and Hollywood fashions you can safely fast forward between the tunes. You can figure the plot as it whizzes by - though how Milton Berle (playing the band's "publicity agent" in Sun Valley Serenade) got his wise crack about the size of a girl's chest past the production code is beyond me! Must have been the war.

BUT - the real reason to own these tapes (when are we going to get the DVD versions?) is watching the mechanics of how the Miller Band produced the sound. Sure - it was shot to be showy - and it is - but it is WELL shot and you can see how the components of the sound were built - even if the "recording studios" are the size of movie studios...... Couple this with the restored soundtrack (some tracks are in early stereo!) and you have a reason to own these movies. If you can only afford one - Orchestra Wives - there are more hits on it!

A fine slice of wartime Americana
This light romantic comedy is one of only two feature films to include Glenn Miller and his big band (the other being the superior "Orchestra Wives")... Miller himself is stiff as a board onscreen, and his acting parts are entirely unmemorable, although the musical performances are stellar. The orchestra's highly choreographed stage routines translate well onto film, and the visual razzle-dazzle of Miller's well-honed showmanship gives this film its real sizzle. Tex Beneke shines on a hep vocal update of "Chattanooga Choo-Choo," a number which closes with some singing and hoofing by the ever-acrobatic Nicholas Brothers, as well as actress Dorothy Dandridge, who sort of appears out of nowhere, just to take a brief solo. The plot is simple enough: actor John Payne stars as Ted Scott, a featured performer in Miller's (supposedly) struggling band, gets caught between two gals, Lynn Bari's tempremental big band diva, and Sonja Henie, as a perky war refugee from Norway. (War refugee? Norway?? Oh, never mind...) As ever, Henie's appeal may be lost on some; personally, I find her incredibly vapid, and her giant, phony smile is somewhat disturbing. That being said, this is actually one of her better performances, and Payne is a very likable leading man. The film is padded out with extensive skiing sequences and plenty of Henie-delic skating scenes, so the fast-forward button may come in handy. Milton Berle also has a big role as the band's fast-talking, nebbishy business manager -- a surprisingly nonabrasive early performance in the late, great comedian's decades-long career. All in all, a nice bit of pre-war American fluff. A must-see for Glenn Miller fans.

Watch the most sensational musical number in movies!
I can't believe this movie isn't on DVD. Shame! I'm glad I bought this years ago on Laserdisk (a double with Orchestra Wives, another winner). I've watched it a dozen times at least.

True, the plot is pretty clichéd & old. The most recent time I saw that snowed-in-together-in-a-ski-cabin scene was on the Simpsons. But the MUSIC - WOW!! Glenn Miller & his orchestra at their most brilliant (thankfully, since it was to be their last appearance).

The Chattanooga Choo-Choo number is unbelievable. It's breathtaking. I'm paralyzed every time I see it. You watch each section of the band play & bounce off each other with fanastic joy & precision & verve & the number just goes on & on. Tex Beneke puts his sax aside & strolls over to join the Modernaires in their perfect 4-part harmony (which set the bar for vocal groups for decades) & their part is filmed like a Busby Berkeley musical. Then when you think it just can't go on being this good, it gets even better with Bayard & Harold Nicholas, the most exciting dancers who ever lived, leaping into the frame with the incredibly scrumptious & gorgeous & talented teen-aged Dorothy Dandridge in what has to be one of the screen's greatest show-stoppers - & it's still The Chattanooga Choo-Choo!

That number by itself makes the movie worth having (& with the laserdisk, I've watched it many times in a row) but there are other fine numbers as well, & it is a funny movie thanks in great part to a young Milton Berle.

So how about a DVD?

Glenn Miller and His Orchestra Revisited
If you want to see Glen Miller leading his orchestra and hear the original music plus see the orchestra perform...this is it.
It brought tears to my eyes to see the orchestra that I had been
reading about.I feel the loss and tragedy of Glenn's death at such an early age and at the height of his career. The men and women that performed are on their way to their own deaths or have
already died due to the 1941 time frame of this movie. This is a valuable video because it's an important piece of history. I believe Glenn wanted us to see the orchestra in an accurate way. ... Read more

Amazon.com

After building up the duo's popularity through popular recordings and several performances on Saturday Night Live, John Belushi and Dan Aykroyd--as "legendary" Chicago blues brothers Jake and Elwood Blues--took their act to the big screen in this action-packed hit from 1980. As Jake and Elwood struggle to reunite their old band and save the Chicago orphanage where they were raised, they wreak enough good-natured havoc to attract the entire Cook County police force. The result is a big-budget stunt-fest on a scale rarely attempted before or since, including extended car chases that result in the wanton destruction of shopping malls and more police cars than you can count. Along the way there's plenty of music to punctuate the action, including performances by Ray Charles, Aretha Franklin, Cab Calloway, and James Brown that are guaranteed to knock you out. As played with deadpan wit by Belushi and Aykroyd, the Blues Brothers are "on a mission from God," and that gives them a kind of reckless glee that keeps the movie from losing its comedic appeal. Otherwise this might have been just a bloated marathon of mayhem that quickly wears out its welcome (which is how some critics described this film and its 1998 sequel). Keep an eye out for Steven Spielberg as the city clerk who stamps some crucial paperwork near the end of the film. --Jeff Shannon ... Read more

Reviews (141)

Helloooo Boys!......
This review refers to the Universal Widescreen(Digitally THX Mastered) VHS edition of "The Blues Brothers".....

Saturday Night Live Alum together with a Who's Who list of the greatest Rhythm and Blues artists ever assembled in one film, make for one very entertaining, funny, action packed musical.The hard part of this review is keeping myself from revealing every funny line, and all the classic scenes that came from this film(and also all the great cameo performances you'll spot throughout the story).For those too young to remember this classic comedy, or if you haven't seen it for a while let me just refresh your memory(just a little).....

Jake "Joliet" Blues(the late great John Belushi)has just been released from prison. Brother Elwood Blues(Dan Aykroyd) picks him up and they're off to fullfill a promise to visit "The Penguin". Sister Mary Stigmata(Kathleen Freeman), the head nun at the Catholic Orphanage where they grew up informs them that the Orphanage will have to close down unless she can come up with the Five Thousand Dollars neccessary to pay the property taxes.No problem for "The Blues Brothers", they'll have the money she needs by tommorrow. But NO! NO! NO!, she does not want their filthy bank robbery money, and they are not to return until they can "redeem themselves"!

While on a visit to church, where you'll find James Brown as The Reverend Cleophus James leading the congregation in song, Jake literally "sees the light!".They'll just put "The Blues Band" back together for one big night and raise the money for "The Penguin" and the Orphanage. Getting the band back together is easier said than done though.Along the way, we are treated to some musical performances by these great names..Aretha Franklin, Cab Calloway, Ray Charles and even Chaka Khan. The hysterical action also heats up as they make enemies all along the way. They are being chased by the cops,the Nazis(led by one very funny Henry Gibson), and a very angry ex-girlfriend(Carrie Fisher) who has a thing for Flame Throwers. They leave a path a destruction in their wake that is unsurpassed in chase scenes.

It's a riotous romp, directed by John Landis(Animal House/Trading Places), that will leave you wanting more..and luckily...there's a sequel! "Blues Brothers 2000", which has the terrific addition of John Goodman to the cast.This VHS tape is terrific. Not only does it have a great picture in the original widescreen image(1.85:1), but the sound is digitally mastered, and is excellent in the stereo surround. There are even a couple of bonus features on this edition. There is the "Making Of" the sequel, talking with all the stars about coming back to do it again, and after the credits, you'll find the "making of" for the original, which clues you in on lots of little trivia details.

If you're looking for something really funny, something with a great music, a great script, and one that will be a terrific addition to your classic comedy collection, look no further, you've found it! And don't forget to look for all the great cameos along the way..(I think I restrained myself pretty well from giving them away... don't you?)
Have a great time with this one and maybe you too will "see the light".......Laurie

...it's dark and we're wearing sunglasses
This DVD is the Director's Cut of the film. That means 17 minutes of extra footage is included making the film a good 17 minutes too long. The added material just makes the pacing falter and so, ironically, the VHS release displays a better film. But, with that gripe out of the way, this is one fun film.

Jake and Elwood Blues are the creation of Saturday Night Live veterans Dan Aykroyd and the late John Belushi. They took the first step to the big screen amongst the countless other Saturday Night Live and SCTV characters (The CONEHEADS, WAYNE'S WORLD, ONE NIGHT AT THE ROXBURY, SUPERSTAR, THE LADIES MAN, STUART SAVES HIS FAMILY and STRANGE BREW amongst them.) And THE BLUES BROTHERS is the film to compare all of these too. That is bad news for them because this is an entertaining musical comedy. Filmed with the gritty look of a drama, the musical is indeed a surprise but with Jake and Elwood as 'musicians', what else can you expect.

The storyline follows the brothers as they try to raise money to save an orphanage. This means putting the band back together. As they piece it all back together, they encounter more colorful characters looking to block their success. John Candy, Charles Napier and Carrie Fisher take their hunt seriously. They also encounter assistance by Aretha Franklin, James Brown, Ray Charles, Cab Calloway and Frank Oz amongst them. There are even small appearances by Paul "Pee Wee Herman" Reubens as a waiter and Steven Spielberg as a clerk in the finale. Now, this is Aykroyd and Belushi's film as they nonchalantly ignore life-changing catastrophes. Director John Landis brings these huge occurrences to the screen like a master. You can just feel the fun put into this production.

The greatest charm in the film is the musical numbers. Wherever the boys go, people just seem to break out into infectious song. You'll find yourself tapping along. With the exception of the 'restored' material, this is a nice DVD with a good video transfer and audio transfer that'll put your receiver to the test. Also a recent making-of documentary is included. If you get a chance to join Jake and Elwood, I recommend it.
They're on a mission from God.

I feel good and you will too!
Here is one of the few movies in my lifetime that qualifies as a "feel good" flick, one where I left so fulfilled I actually missed the characters, story and fun when the movie is over, wanting it all back again. Fortunately, through the miracle of tape and DVD, you and I can both do that!

This production was the linchpin event for the Saturday Night Live characters that wore black suits and sunglasses before the equally fashion-challenged "Men In Black" showed up. Along with "Animal House", this flick reminds me what a great comedy career John Belushi would have had in cinema had he lived more safely (as long as he stayed away from bombs like "1941").

Back to the film...this is loaded with great music, music from many 20th Century ages, music that makes you want to hum, tap your toe, dance, delight, smile, kiss your girlfriend and say hello to God. The plot -- something about getting money for an orphanage -- is superfluous but the movie has memorable scenes and characterizations equal to the equally uninhibited "It's A Mad, Mad, Mad World" from 1963.

A hyperactive musical street scene coming out of a music store -- led by the late Ray Charles doing a great blues tune -- is a typical venue in this film. Another time, Aretha Franklin takes a break from her waitress job to sing threateningly to Jake and Elmore. Still another time, Cab Calloway entertains kids so the brothers can get their cash to Chicago. In another scene, the Blues Brothers band does it up good in a honky tonk but drinks too much beer and ends up in a police-car-RV chase with some good old boys known as...the Good Old Boys!

This movie destroyed about 200 cars in and around Chicago and has one of the funniest car crash scenes and accompanying lines in American film history. The line is: "We're in a truck!" Watch the movie to get the joy from it. You'll laugh out loud and enjoy it almost as much as those Nazis driving off the end of the incomplete freeway overpass in Chicago!

If you want to experience mayhem disguised as two hours of uninhibited escapism filled with great fun, a thousand car chases and car crashes, lowlifes, ex-convicts and rednecks, and some of the best choreographed music sequences ever, buy, rent or borrow this DVD today and get set to ENJOY YOURSELF!

Unique and historical achievement
Unique, wonderful, hilarious.

"The Blues Brothers" holds up even better than one might have hoped. And that's a beautiful thing for one of the most unique movies ever made. Conceived, as Belushi once put it, as a show case for African-American music, the movie is exactly that and so much more.

I was moved to watch the "Shake Your Tail Feather" scene due to Ray Charles' recent death. The performance is so wonderful, so full of life; we have lost a true national treasure. But his amazing performance for the movie will live on forever. The soundtrack's 5.1 remix (including the reintegration of old footage cut from a preview at the Picwood Theater in LA. According to Landis, in the DVD's liner notes, the movie distributors complained no white people would see the movie!) is simply amazing. Even on my bargain set, it is crisp, pure and clean and is probably my candidate for best sound DVD ever. Landis again demonstrates his technical mastery, understanding of technology and choice of brilliant helpmates.

As the same Landis once put it, "Where else can a white kid see Cab Calloway, John Lee Hooker and James Brown in the same two hours?" He left out Ray Charles and Aretha Franklin as well as studio legends Steve "The Colonel" Cropper (who almost single-handed reintroduced cocaine to Hollywood, the number of people who began their addictions under his tutelage is frightening but no names here; you'll have to look it up yourself); and bass legend "Duck" Dunn, one of the greatest bassists of all times (sorry, Duck, my man, even you have to bow, with every other bassist, to Geddy Lee). Normally invisible, we get to see and here the Blues Brothers' amazing band. These studio legends get there fifteen minutes, often to hilarious effect. Willie "Too-Bit" Hall, the drummer even shows really comic talent, as does Dunn and "Mr. Fabulous," the horn man.

The movie also preserves the now destroyed Maxwell Street, one of the great centers of African-American music and R&B and one of the seedbeds of rock n roll. This is the only place anyone can see Maxwell Street in its prime. In a sense the movie is also a historical document, preserving those people and places who have left us.

The plot is almost irrelevant, beside the almost hysterical comedy and stunning musical performances (Calloway and Franklin never did BETTER jobs on their two signature classics), but there is a story there. The cameos are hilarious as well, from Carrie Fischer (who has said she quit coke because Belushi, on set, one day pointed at her and said, "You're becoming just like me." On that note, Robin Williams also says his visit to Belushi on his ultimate night helped him give up the Life that took his friend) and the Keystone Nazis the Boys have to avoid in their quest to save their childhood home, a dilapidate orphanage on Chicago's South side. The "Flight of the Pinto" scene is not to be missed. And be sure to listen for the tell-tale mating call of a most un-endangered species, "hut-hut-hut."
A movie for the ages. It also highlights the bitter tragedy of Belushi's self-destruction. One can only imagine what a sobered and cleaned-up Belushi could do when he did this movie whilst doing 4 grams of coke a day, dropping acid, downers, booze, marijuana (all of this is in Boobward's sensationalist "biography" of Belushi called "Wired"). Unlike other famous drug addicts and alcoholic (Monroe, Presley, Dean) Belushi's fortunately has been taken as a warning sign of Hollywood excess and hasn't lead to his apotheosis.

Despite his tragic end, the movie is one of the few that, no matter my troubles I can put this movie in the DVD player and know I will be smiling in mere minutes. As I smile now, writing this.

Every American teenager should see this simply for the musical numbers alone. The word classic is misused as often as the word "hero" these days, but it's not misused here. What could have been the umpteenth bad iteration of "Animal House" instead attained the temporary immortality of the true classic. Belushi's been gone for more than twenty years now, but the brilliant John, the hilarious John, the gifted performer John Belushi will live on forever.

And, wherever you are John that has to make you smile.

One-of-a-Kind Musical
The musical was so out of favor by 1980 that had Universal advertised "Blues Brothers" for what it was it would have done even more poorly at the box-office than it did. But time has righted that wrong and Dan Ackroyd and John Belushi's wacky star turn has taken it's place beside the other great examples of this unique American film art. It's too long, the colossal car chase near the end is a bore, and it's based on the mistaken notion that church property in America is taxed (something Canadian Ackroyd, the main scriptwriter, apparently assumed and nobody else caught). But there are so many other wonderful moments of singing and dancing and left-field comedy that everything else is forgiven and then some. Directed by the erratic John Landis, who's main signature as a director is some of the best photography in the history of the American movies. ... Read more

Reviews (13)

Greatly goofy
I managed to grab this DVD from Ebay for dead cheap. Of course the back is all in a language that I can't understand, but it's great if you can grab it.

The film's pretty dodgy, but that's understandable, when it's a very early, almost TV film. Keanu Reeves is pretty much terrific, apart from his hair, and his dancing! OK, so he was pretty much high as a kite at the time, but if I'd been Lori Loughlin's character, I would walked out of there, no matter how cute he was! The dancing is pretty hilarious though, and the film should be seen for that alone.

Otherwise, it's a pretty average film. Not good, but not bad either. It is quite a romantic movie, but it's also extremely predictable. Good, popular girl at school falls for geeky, science class boy?! Where have I heard that one before?

BREAKS ALL THE RULES! WAY TO GO!
I am an very organized person who has an order for everything. This movie isn't like me at all (or most movies); that's what makes it so Great!

"The Night Before" shakes things up and is fresh, funny, and entertaining! I highly recommend this movie to all comedy lovers!

It is similiar to "Weekend at Bernies" in regards to the believability of it; however, comedies are usually better when they are a little "over the edge!"

Keanu transforms from a high school nerd into a cool big-shot "dude" who even wins over Lori's intimidating police Dad! Lori Loughlin is in her element in comedies; she should have her last name changed to Laughin!

You have to see this movie everybody, it's hiliarious! (especially the car chases and the dance scenes!) I can't say enough about this movie! Get it? Then go get it!

Loved It!
I was curious about this movie from the reviews... I decided to give it a go, and I bought it. I don't regret it for a second. I loved it. Soo funny and cute.

Lori and Keanu have a great chemistry and the progression of the relationship is believable.

Great Fun!

Keanu Reeves......Komedy King!
What a great little gem of a movie!

Keanu Reeves is Winston Connelly, school nerd, who gets to take the most popular gal in school to the Prom. The thing is, they never get there.....

I love it when they go off course and end up in the 'wrong side of the trax'. The disco scenes are hillarious and when Winston bucks up with two street hoods, who've just robbed a 'toy store' I fell about the place. 'Later oooooooooooooooon for you!' Briliant!

Keanu plays Mr Connelly with aplomb, bringing his unique, quirky personality to the role.

And he looks delicious on black trousers.........!

Whadda guy! A really goofy guy!

a very funny movie !
"The Night Before" is much more than a "teen flick", it's a marvelous farce with the fresh comedic talent of a young Keanu Reeves..he's wonderful in it ! It's also a movie full of visual morsels of humor and you'll need more than one viewing to see them all...I think this film should be in every video collection..if you ever get sad, Keanu will lift your spirits and make you laugh ! ... Read more

Amazon.com essential video

This huge 1993 hit for Robin Williams and director Chris Columbus (Home Alone), based on a novel called Alias Madame Doubtfire by Anne Fine, stars Williams as a loving but flaky father estranged from his frustrated wife (Sally Field). Devastated by a court order limiting his time with the children, Williams's character disguises himself as a warm, old British nanny who becomes the kids' best friend. As with Dustin Hoffman's performance in Tootsie, Williams's drag act--buried under layers of latex and padding--is the show, and everything and everyone else on screen serves his sometimes frantic role. Since that's the case, it's fortunate that Williams is Williams, and his performance is terribly funny at times and exceptionally believable in those scenes where his character misses his children. Playing Williams's brother, a professional makeup artist, Harvey Fierstein has a good support role in a bright sequence where he tries a number of feminine looks on Williams before settling on Mrs. Doubtfire's visage. --Tom Keogh ... Read more

Reviews (64)

A "LAUGH SO HARD IT HURTS" MOVIE!
Dude looks like a lady! I loved, loved, LOVED this movie! At times I laughed so hard I cried, and Robin Williams is most definitely at his absolute wacky, zany BEST! In the film, an estranged husband, (Williams), wants so desperately to spend time with his three kids, that he goes so far as to dress up as a kindly, matronly female housekeeper - hence, "Mrs. Doubtfire" is "born"! The most hilarious scenes in the movie involve Williams having to rush in and out of his heavily padded, Mrs. Doubtfire get-up! (Just visualizing this in my mind "cracks me up" right now)! Yet, at the same time, Williams' character also manages to tug at your heart with his sincerety and good intentions. If you haven't yet seen this movie, you're missing out on a real laugh fest. My advice is to treat yourself to this comedic delight, now, and add it to your collection of "feel good" movies!

rolling-on-the-floor laughing entertainment
If you want a funny movie with a good blend of human emotions and sensitivity, "Mrs. Doubtfire" is the one. It is just hysterical, and an excellent film. Robin Williams portrays Daniel Hillard, a laid-back father who is absolutely crazy about his three children, who love him just as much. When Daniel's behavior becomes more than his wife Miranda (Sally Field) can handle, she files a divorce. Daniel is devastated at the loss of his wife, but more than that, he cannot stand to be separated from his children. He is willing to make as many sacrifices as he needs in order to be with them, even if it means putting on a dress, a bodysuit and a little makeup and portraying a devoted old nanny whom Miranda instantly hires to help take care of the kids. In the process, Daniel works hard to shape up his own life and ultimately mature as a parent. You will laugh hysterically at Daniel's attempts as "Mrs. Doubtfire," and you will be touched at the special pains he goes to just to see his children every day. Of course, it's not just Robin Williams who supplies the entertainment in this movie. Mara Wilson, who plays Daniel's youngest daughter Nattie, will have you rolling on the floor laughing. With that sweet little lisp and the innocence of a 5-year-old, she almost stole the show (in my opinion). There is a very good cast here, and this movie has everything. Humor, tears, sensitivity....you name it. Do yourself a favor and watch this one. If you haven't seen it yet, now is the time. It's the kind of film that you can watch over and over and laugh just as often every time, if not more. You'll love it--trust me! =) It's pretty much impossible not to be touched in some way by this moving film about persistence, love, and dedication to your family.

The Last Great Williams Comedy
Hard to believe its already been ten years. William's hasn't done anything nearly this funny since. He seems to be getting more reflective and less whimsical in his middle age. A divorced dad pretends to be a middle aged british nanny to spend more time with his kids. Ingenious. Inevitable hilarity ensues. William's talent is in taking an obvious joke or set up and succeeding brilliantly whereas most other comedians would flail about and fall flat.

Not A Big Robin Williams Fan, But...
It's fine to see Mork from Ork fans gushing about how perfect everything is that Robin Williams has even touched or ever will touch. In reality, however, he's just a decent TV actor who can also do cartoon voice dubs.

That's why I feel that when someone like me praises a movie of his, it should mean a lot more. Watching Mrs. Doubtfire, I was forced to admire his sheer guts in tackling this Tootsie role (sans roll) despite the huge success Dustin Hoffman already had with it.

Most of Robin's film parts amount to a large junkpile of bad remakes, half-written plots and other "at least it's a fat paycheck" duds. It is also mind boggling how he got an Oscar for his minor foul-mouthed cameo in Good Will Hunting. However, every once in a long while he incredibly rises far above his journeyman talents and rightfully dons the mantle of a true master of the art.

(Not that co-star Sally Field was just using up air here, either - she was a great anchor of reality for the film. Which is not an easy task to perform for someone as cute and bubbly as she normally is.)

Robin's actually done five other proper acting jobs, which round out an even half dozen when added to Doubtfire. And these few other fine movies are, not surprisingly, parts where he really doesn't play himself: Good Morning Vietnam, Hook, Jumangi, Dead Poets Society and Cadillac Man.

Well, most actors when their careers are over should consider themselves lucky to even end up with a trilogy of film classics in the can, after doing the usual 25 to 50 major works. But right now Robin's got those six gems, and he still has time to complete a crown of an even dozen.

Of course he'd already have had time to do that by now, if only he had just said no when his agent called to ask him if he wanted to do flop-bound flicks like Shlubber, Jerk or Bicentennial Bum.

A Charming Movie!
Mrs. Doubtfire is a cute movie, it's one of Robin Williams best movies and he was hilarious. He plays an unemployed actor who's wife dumps him because of what she thinks is irresponsible behavior including letting his sons birthday party get out of hand and after a rather messy divorce only gives him limited visitation rights he disguises himself as an older woman when he hears his ex wife played by Sally Field is looking for a nanny/housekeeper for their kids and she hires him thinking he is really Mrs. Doubtfire and what follows is a great hilarious movie with some tender moments that tug at your heartstrings and I highly recommend this movie! Not only is Robin Williams good but so is the rest of the cast including Sally Field, Pierce Brosnan and little Mara Wilson. ... Read more

Reviews (46)

Absolutely great...until the ending
Animal Farm and 1984...along with Aldous Huxley's Brave New World...are my favorite books. So, naturally, I was ecsatic about TNT bringing this classic to life as a movie (TNT usually does better book-to-movie adaptations than Hollywood anyways)

Well, by the end of the film I had decidedly mixed emotions. As far as Orwell's story goes, the film was precise and to the number. The two warring philosophies of leadership, as embodied by pigs Napoleon and Snowball (Stalin & Trotsky) are voiced perfectly by Kelsey Grammar and Patrick Stewart. I think for megolomania, you can't do better than Stewart.

Jesse, the dog, is as I always imagined, the typical Russian citizen during communism, who realizes the evil of totalitarianism, but is too afraid to go against it. And the supporting cast, like Boxer the Horse, represent the many victims of a dictatorship, whose "uselessness" as judged by the state ends in their ellimination.

The makers of this movie put together a fine parallel to Orwell's novel. But the ending didn't sit right with me. Of course, certain imagery, like the rock wall collapsing, is an obvious metaphor for the Berlin Wall falling, and the end of communism. But I don't see why the filmmakers decided to tack on this happy, optimistic ending, with the "brave and free-minded" Americans coming in to take over the farm and save the animals. Why couldn't they have just left it the way Orwell left it, uncertain and hopeless?

Orwell probably knew when he wrote the book that communism would fall in the future, but he left that out because I imagine it wasn't his intention to be a prophet, or a bringer of hope to the Russians. It was his intention to show the evils of totalitarianism, which this movie does well until that ending. Oh well. In the end, it still remains a very good movie, both on its own and as an adaptation.

"All animals are equal, but some are more equal than others!"

"O.K., 'Babe', time to make you ham again!"
Orwell's bleak fable about revolution betrayed gets the full sunny "family-entertainment" Hallmark treatment and the result, as you can imagine, is abominable! Pity, for it has a great cast and several scenes worth looking at, but, as a whole, this movie -as all TNT "adaptations"- is completely off the mark! 'Animal Farm' ...for kiddies? With a happy ending? So the entire family can "squeal with delight"? Just who the hell thought that out?! No one, it seems, and it shows. The film is too tame for adult viewers who'd like to see the grim little novel on screen, and too violent for children who certainly won't expect to witness a cutesy Babe-like talking piggie executing his brothers-in-arms legs. My guess is they'll both be horrified at the end, its patched-up "happy" conclusion notwithstanding: Kids, because they're not stupid and sure realize it's back to the chopping block for their furry & feathered friends the moment the "new owners" step in, and adults, not only for the outrageous "liberties" taken from the book, but because -come to think of it- the sugarcoated finale holds a new ominous moral in itself: No, don't worry, the future won't be a Communist dictatorship after all; the future will be one big, happy, postcard-looking Americana, owned by cool Ken and Barbie, whose kinder, gentler slaughterhouse still awaits for your neck! "Hey! Whaddaya expectWe're running a FARM here!"

It made me sleepy.
I haven't read the book, but I've recently had to watch the film in class. Usually, I like watching movies, but this one made me sleepy.

The animals of Manor Farm, owned by Mr. Jones (who is a lazy, ignorant farmer), are hungry and tired. Mr. Jones doesn't know how to take care of his farm animals and farm itself properly. The animals are tired of waiting for Mr. Jones, and decide to take matters into their own hands.

Old Major, an old pig, speaks words of wisdom to the animals in the beginning of the film. He represents Karl Marx (or so I believe). But Old Major is soon killed after his speaking of a revolution and the animals are shocked. A group of the other pigs see this as a chance to seize the animals, particularly the new leader, Napolean.

The animals drive out the Joneses and Manor Farm is renamed to Animal Farm. At first, life is now dandy for all the animals. They are happy with the changes and believe that Napolean is always right because he is an intelligent pig.

Napolean and his pig croonies, however, slowly change their ways. They become more greedy and self-centered. The animals' number one enemy is man and they do not wish to do anything with man. The group of ruling pigs soon appear to act like man does and this appalls the other animals.

You can basically guess what happens afterwards. I heard that the ending of the film is not like the book at all, and I was disappointed with the ending.

BAD!!!
The movie is not the same as the book. They change the ending. that was the worst. They also have the dog Jessie narrate it and she doesn't in the book. TERRIBLE!!!!!!

Insulting! (Warning: Review Contains Spoilers)
I gave this movie 2 stars, because it is clear that a lot of attention and concern was put in the creation of the talking-animal effects. Unfortunately, one cannot say the same for the script. Orwell's "Animal Farm" was a thinly disguised allegory for the failure of the Russian Revolution. By 1999 the USSR was a thing of the past, so the scriptwriters must have felt they had to rework the story for modern times. Perhaps they assumed that their audience had never reads the book, menaing they could change it any way they wanted without opposition. The result was a badly thought out polemic that makes no sense, literally or allegorically.

For example, the characters of Moses the Raven (who symbolized religion) and Clover the mare (the refusniks) were written out. As a result the remaining animals seem to be little more than a faceless mob, differentiated by their species but remaining the same ideologically. When the mob starts to object to the pigs' rulership, they are pacified with television. Now, forgiving the supreme arrogance of a made-for-TV movie portraying TV as a pacifying force (I am sure the animals were not watching TNT, the producers of this film), this pivotal plot point makes no sense. Taken literally, how do you explain animals being interested in visual fare made by, for and about humans? Taken allegorically, the TV broadcasts were an outside force beyond the pigs' control, filling the viewers' heads with visions of unpartiotic decadence. Would-be dictators who permitted such things would have to be very foolish indeed.

Finally there is the ending, where well-intended humans take over the failing farm and become the benevolent guardians of the animals, with the animals' support. If this was an attempt to paste a happy ending over Orwell's cynical but powerful conclusion, it failed. If taken literally it suggets that the animals' sacrifices and efforts were for nothing, making the movie irrelavent. If it was meant to be taken allegorically, the message is that people should not even try to better their society, they should just submit themselves to benevolent masters an avoid this fuss of self determination (any nominations who said masters should be?).

Failed allegory, cheesy animal flick or greedy attempt to cash in on the success of "Babe," the movie version of "Animal Farm" fails on every level. ... Read more

Reviews (28)

Mandingo is an Eye Opener
ROOTS was to make viewers sympathize for the plight of the African-American, and MANDINGO was to make viewers cringe and forget that the slavery south ever existed. The film had this viewer wanting to turn it off, but wanting to see what was going to happen next. Therefore, the film had done its job in its manipulation of the senses. The movie boasts an impressive and diverse cast with the respected James Mason, Perry King (Lords of Flatbush, Riptide), Susan George, Paul Benedict (tv's Jeffersons) and boxer Ken Norton. The story revolves around a southern plantation owner Warren Maxwell (James Mason) and his son Hammond (Perry King) and their dealings with the buying and selling of slaves. Hammond beds every young girl slave in the joint while marrying Blanche (Susan George), and at the same time, he wants to buy himself a prize black prospect for fighting purposes... a Mandingo(Ken Norton as Mede). Hammond seems to have some sympathy and care for the black women, and has little interest in his own white wife who takes on the mandingo as a lover to get back at her husband. Some of the goings on are outrageous (i.e. Mason's character trying to get rid of his rheumitsm by transferring it to the soul of a young black boy etc..) The film's portrayal of white southerners is as offensive as the portrayal of the black slaves. However, it is still the black characters that are exploited, especially the scenes of blacks vs. blacks and the name of the game is survival. A lot of kudos goes to the actors who took on roles in this film and a movie like this could not be made today. When this film was made it was a sleeper hit and caused some controversy, Saturday Night Live did a parody sketch called "Mandingo II" and O.J. Simpson, who was the guest host, played the title character. Garrett Morris, Bill Murray and Larraine Newman were also in the bit...it was one of the funniest sketches of the show.

Hollywood style stupidity
Let's face it - Hollywood is a provincial little burg whose movers and shakers know little or nothing about anything outside of the city boundaries - from Hollywood we get amazing takes on, for example, Japanese culture: (Karate Kid part III) - the last scene of the movie looking very un-Japanese and more like a voodoo ceremony - German culture: all Germans are Jew chasing Nazis - and Italian culture: all speak Brooklynese and have Mafia relatives. So it doesn't surprise me that Hollywood would come up with a piece of dreck like Mandingo, produced by someone named Dino De Laurentis - an expert on the South if there ever was one.

I have no doubt that some slave owners, who weren't exactly "gentlemen" slept with their slaves - however, this depiction of what might have happened on a southern plantation was made to appeal to a prurient taste and is imho far removed from reality. On the other hand, I'm in agreement with Gore Vidal on the Sally Hemmings case - a gentleman like Thomas Jefferson would have never slept with a slave due to what it would have done to his reputation. I will, however, give Ms. Hemmings the benefit of the doubt - we don't know for certain, and only DNA will tell the truth.

This movie will appeal to people who don't know or don't want to know historical fact, and those looking for light interracial porn. Unfortunately, our dumb European and other foreign friends, as well as the uneducated and immature in our own country will consider it to be the gospel truth on the beginning of race relations in America.

hot Southern sleaze...but riveting
Part Harold Robbins and part Euripedes, this film has brutal depictions of slavery, abhorrent language, and extraordinary cinematography by Richard Kline.
The imagery of Falconhurst, the huge but decrepit plantation of a cruel and vicious man (James Mason in a strange and brilliant performance) is fantastic; with peeling paint and filthy mosquito nets, winding staircases of gleaming wood, dark steamy rooms, and lush exteriors with drooping wisteria.
The score by Maurice Jarre also adds much to the atmosphere, with Muddy Waters singing "Born in This Time".

Perry King is excellent as Mason's son, broken in body, weak in spirit, knowing what is right and often doing what is wrong; as his wife, Susan George is appropriately annoying and trashy, and as his "wench", Brenda Sykes is lovely. Heavyweight boxer Ken Norton, who won over Mohammed Ali (and broke his jaw) in 1973, made his impressive screen debut as Mede the Mandingo.
This film is a mass of contradictions, which is probably what keeps one glued to the screen. It is manipulative yet unpredictable, gratuitous and raw but thought-provoking; some of it might be absurd, but many of the situations shown did happen.
With all the brutality, nudity, incest, and most of all, the repellent language, this is not a film for the young, or anyone squeamish about violence.
Total running time is 127 minutes.

Great Scenery, Trashy Story
Mandingo depicts the cruelties of slavery in a much more graphic manner than made for tv movies like Roots and Queen ever could. Lots of nudity, sexual situations and sadism. While the movie is highly unsettling, I would recommend it to those who want an un-sentimental look into antebellum southern life. The scenery (Louisiana and Missisippi) is fantastic, and Susan George's hammy performance as the mistress is amusing.

Have we forgotten??? Or do we choose to forget???
As I read these reviews, I have to wonder what is going in in this country today. Have we really been able to wipe out the cruelty of slavery from our history books. As offensive and unpleasant these scenes may be for us to bear, it is nothing compared to the slaves to which this was their day to day reality. It DID happen. To hear so many people state that the movie showed untrue scenes is very disturbing. You know the bible says that the biggest feat that the devil has achieved is to convince us that he doesn't exist! This is a good movie and it is a much watch to get a true depiction of just how cruel and insensitive slaveholders could be. The sexual aspect of slavery is often ignored in the history books - this movie does a great job bringing that part of history to light. ... Read more

Reviews (20)

JUST LIKE A FULL HOUSE MOVIE - WITH BOTH GIRLS!!
I have loved watching these twins grow up on tv, and 'To Grandmother's House we go' captures them on home video. Mary-Kate and Ashley are super cute and adorable, which we should al expect. And, unlike so of their movies, there is a plot!!! (Or atleast one viewers pick up on!) This is really family friendly - we all loved it. If you looking for an olsen twins gift for a young child, I would highly recommend it! :)

totally cute
to grandmothers house we go is the most adorable film ever. mary-kate (sarah) and ashley (julie) are always arguing and their mom is sick of it so she says that she wants christmas alone so they set off of a wild journey to their grandmothers.with the twins only 5 years old any olsen fan would be blown away by their cute-ness!

KIDS LOVE THIS MOVIE !!!
This is a really cute movie. My 4 year old girl and my 7 year old boy both like it. It has just enough adventure and funny stuff that even he thinks its cool. Any MK and Ashley fan will love it.

movie review(Part 1 of 2)
This movie is grand!The girls julie(Ashley Olsen)& Sarah(Mary-Kate Olsen) are so cute,once you see them your eyes will burn!THE MOVIE(if you never saw it).:julie and sarah are giving their mom the time of their life.First,they hear thier mom talking to the baby-sitter about them."their a handful" or"I wish that I could spend a christmas by myself,you know,without them."After the girls hear that,a few minutes after their mom left,they go inside their room and start packing.first,they get their bags down.They full it with clothes.Next,julie and sarah put chicken from the refrigerater inside their bags.Packing their stuffed animal was hard,so they kiss it bye-bye.Money?Julie and Sarah think kiddie.2 pans and hitting their piggy bank with it was golden.After all of that,they are ready to go.After finding out that they'll end up in the same spot when you take a bike,the girls catch a bus into the city.From there, they spot the truck of the man who is in love the girls' mom,Rhonda.They sneak in.By that,Sarah ends up having to use the bathroom.She screams out"hey mister!I have to use the bathroom!"Eddie turned as if a robber was in his car.At a bar, Sarah finally uses it.They are taken to a ice-cream shop.Julie and Sarah going home?No way.Eddie is clonked in the head by Shirly and Harvey,two F.P.D. bandits.The girls are kidnapped by them.So sad.But luckly their not hurt.After the bandits discover the girls...(find out what happens next tomarrow tues.december16,2003)!

2 cuties in 1!
This movie has 2 michelles in 1.I say that because they look the same, so their in one body.This movie is so cool.The thing is that almost the whole gang of "full house" is in it.first,we have mary-kate and ashley,Bob Saget,Lori loughlin,Candance Cameron Bure,and And Andrea Barber.Any mk&a fan will enjoy this movie.I've heard some kids even Act out the movie.JUST FOR KIDS:you can ACT out this movie, but you must NOT really do this.WHY:
1.kidnappers won't take you to chuck e.cheese or the carnivile.
2.never go into other people's car.
Thats all for now!(check out every week for new rules)! ... Read more

Reviews (245)

Opening sequence is as sexy as this movie gets
Even as a straight female, I found the opening shots, scanning a variety of STUNNING women, engaged in their NYC lives, quite erotic, especially as choreographed to "Butterfly, by Crazy Town.

The rest of the film is "watch-able" - but highly unbelievable. Neither Diane Keaton, nor Jack Nicholson impressed me much. They're charming and quirky in the ways we're familiar with - watching them over so many years. This isn't a sexy film - and doesn't do much to negate stereotypes of aging men and women.

For me, Frances McDormund (spelling?) was the revelation of the film. She's the one who defies streotypes. She's cast as the no make-up, dressed like a boy, Women's Studie's Prof. She delivers a feminist rant one minute , and laughs at herself the next. Most surprsing, in going against stereotypes of the hot chick (like those at the beginning of the film), she is actually really sexy