Amazon.com

One of the most endearing and intelligent romantic comedies of the '90s, the Oscar-winning Shakespeare in Love is filled with such good will, sunny romance, snappy one-liners, and devilish cleverness that it's absolutely irresistible. With tongue placed firmly in cheek, at its outset the film tracks young Will Shakespeare's overwrought battle with writer's block and the efforts of theater owner Philip Henslowe (Geoffrey Rush, in rare form) to stage Will's latest comedy, Romeo and Ethel, the Pirate's Daughter. Jokey comedy, though, soon takes a backseat to ravishing romance when the beautiful Viola De Lesseps (Gwyneth Paltrow) disguises herself as a young man to wangle herself an audition in the all-male cast, and wins both the part of Romeo and, after much misunderstanding, the playwright's heart. Soon enough, Will's pirate comedy becomes the beautiful, tragic Romeo and Juliet, reflecting the agony and ecstasy of Will and Viola's romance--he's married and she's set to marry the slimy Lord Wessex (Colin Firth) in the near future.

The way that Oscar-winning screenwriters Marc Norman and Tom Stoppard enfold their story within the parameters of Romeo and Juliet (and even Twelfth Night) is nothing short of brilliant--it would take a Shakespearean scholar to dissect the innumerable parallels, oft-quoted lines, plot developments, and thematic borrowings. And most amazingly, Norman and Stoppard haven't forgotten to entertain their audience in addition to riding a Shakespearean roller coaster, with director John Madden (Mrs. Brown) reigning in his huge ensemble with rollicking energy. Along the way there are small gems to be found, including Judi Dench's eight-minute, Oscar-winning turn as a truly regal Queen Elizabeth, but the key element of Shakespeare in Love's success rests on the milky-white shoulders of its two stars. Fiennes, inexplicably overlooked at Oscar time, is a dashing, heartfelt Will, and as for Best Actress winner Paltrow, well, nothing she'd done before could have prepared viewers for how amazing she is here. Breathtakingly beautiful, fiercely intelligent, strong-willed, and lovestruck--it's a performance worthy of Shakespeare in more ways than one. By the film's end, you'll be thoroughly won over--and brushing up your Shakespeare with newfound ardor. --Mark Englehart ... Read more

Reviews (456)

Not of an age, but for all time. And better on DVD
Purists who turn up their noses at Shakespeare in Love don't know what they're talking about - or rather, don't know what they're missing. This was, after all, written by Tom Stoppard, author of some of the very best plays of modern times (Arcadia, Rosencrantz and Guildenstern are Dead - the latter filmed with Gary Oldman and Tim Roth). He's done a splendid job of balancing accessibility with genuine wit. The screenplay is littered with allusions to the bard's works, and gives some great - albeit hypothetical - insights into how and why he wrote.

Beyond that, in true Shakespearean style, we are offered the "play within the play" - in this case Romeo and Juliet. Excellent editing gives us just enough to convey the mood of an Elizabethan performance, leaving us wanting more. This film does a great job of broadening the appeal of the most popular writer.

And don't miss the topical in-jokes - the "cabby" rowing the boat, and especially Glenda Jackson saying she knows what it's like to do a man's job (she plays "M" in the Bond movies). Bill S. would have approved. High praise indeed.

Top-Ten Romance, and One of the Most Clever Screenplays!
"Shakespeare in Love" is a triumph, pure and simple. With screenwriters Tom Stoppard and Marc Norman at the top of their game and feeding immortal lines to a top-notch cast, "Shakespeare in Love" could not fail to succeed.

The film opens with young Will Shakespeare (Joseph Fiennes) struggling with writer's block . . . he is clearly not yet the magnificent WILLIAM SHAKESPEARE (insert trumpets here), the world's most famous writer. Indeed, the top playwright of the age is Kit Marlowe (Rupert Everett), as Shakespeare is reminded several times. And young Will is also hopelessly infatuated with Rosaline, a woman completely unworthy of his affections.

After some psychotherapy that anticipates Freud, Will is no better. Still, heavily in debt, Will attempts to stage his next opus, "Romeo and Ethel, the Pirate's Daughter." Working with Henslowe (Geoffrey Rush, who would have stolen a lesser film with his perfect performance), who's also heavily in debt, Will seems headed for disaster.

That is, until he sees his muse, young Viola de Lesseps (Gwyneth Paltrow, never better). Smitten, young Will begins to write the romantic poetry that becomes "Romeo and Juliet." Viola, who recognizes Will's genius, meets Will through some classic Shakespearean disguises and mistaken identities. Of course, Viola is betrothed to a true slug, Lord Wessex (a plump Colin Firth), who plans to take her to Virginia in seek his fortune across the sea -- essentially sending her into exile.

Despite the roadblocks, Will and Viola are soon hopelessly in love. Viola, daring to breach the silly rule that only men can play parts on stage, has taken the role of Romeo by day. By night, Will and Viola write Will's most romantic play together.

"SIL" keeps the wheels turning mighty fast, and one of the joys of watching this movie over and over is catching a quick joke that you didn't get the first time around.

It's also a pleasure to watch this stellar cast go through its paces. While Judi Dench won her Oscar for her surprisingly brief performance as Queen Elizabeth, other actors turn in equally entertaining performances. Tom Wilkinson, Simon Callow, Martin Clunes, and Imelda Staunton each bring amazing proficiency to the supporting cast, and even the much-maligned appearance of Ben Affleck elevates the movie -- he is perfectly cast as a self-absorbed theater star (first line -- "What is the play, and what is my part?"). Affleck's comeuppance, when he realizes that he, as Mercutio, doesn't have the title role, is handled wonderfully well.

This is simply a movie that doesn't miss a trick. The film is shot beautifully, the extravagent costuming gets at the ridiculous conformity that we associate with jolly old England (and makes the torrid romance of Will and Viola that much more intimate), and the music is uplifting.

The film's final shot, as Viola walks along the beach and we realize that we've just seen the birth of arguably Shakespeare's greatest heroine, Viola of "Twelfth Night," is a masterpiece of powerful understatement.

This movie is simply a must for the film library!

A GOOFY YET DELICIOUSLY SEDUCTIVE ROMANTIC COMEDY!
The DVD casing claimed in big bold letters "Best Screenplay" Academy Award winner. I can surely see why! Must have been some deviously creative team that crafted this crisp comic period-piece.

The film is really two love stories: one a bawdy romance between two smitten humans, and the other an ode to the art of theatre. The writers'/director's love for showmanship is loud and evident throughout the brilliant screenplay, and if you're a fan of wordplay in any way, well then this is a surefire delight.

Both Paltrow and Fienners turn in lusciously romantic performances in their respective roles -- she pulls off the formidable order of gender-switching without a hitch, and he has just the right pitches and patterns for a young, struggling Shakespeare. Geoffrey Rush is magnetic as usual.

Don't be fooled by the Elizabethan accoutrements, this film and its arsenal of laconic quips could easily shoot several contemporary romances to dust. Buy this one in fact, don't just rent, it quite comfortably stands the test of more than one viewing..

Rush in an unforgettable role
Although Geoffrey Rush is not the star of the film, he delivers a memorable performance, as usual. Fiennes does, also. The costuming is very beautiful, and the humour is delightful. Highly reccommended.

Emotionally Fraudulent and Morally Offensive NON-Love Story
Before I start out, I should say that I am NOT one of those people who think they have to deride "Shakespeare in Love" because it's a "chick flick" and therefore unworthy(?!) of Oscars. Nor do I feel the need to condemn it for winning Best Picture over "Saving Private Ryan," as so many have done. I certainly do have a beef in that regard -- and it's that my own favorite film of 1998, "The Truman Show," wasn't even nominated for Best Picture! But none of these things have anything to do with my loathing for "Shakespeare in Love." My beef is solely with the offensive nature of the film itself. It's advertised as a love story, but is emotionally and morally empty when it comes to any notion of love.

You could see the writers straining to convince us that those two awesomely idiotic characters, Will and Viola, were really deserving to be the inspiration for "Romeo and Juliet." The film wanted to show that "the truth and nature of love" so magnificently expressed in Shakespeare's play resulted from this casual (and to my mind very unromantic) affair between a lying weasel of a married man, and an apparently dimwitted girl who can't be bothered to decide whether she wants to marry him or not, though she's being forced into marriage with a man she hates.

Starting out by having a man needing to fall in love for a mercenary reason -- so he can finish his play -- and then conveniently having him decide that the first pretty girl who comes along is the love of his life, doesn't strike me as a convincing way to start a love story. Did writers Marc Norman and Tom Stoppard really stop to think this out? From the beginning we know he's using this girl, and they never find a convincing way to show us that this ever changes.

The worst line in the film, to my mind, comes right after their first soft-core sex scene. Viola murmurs: "I never would have believed that there could be something better than a play -- even your play!" Will: "Huh?" Well, there goes any possible higher emotional or spiritual aspect to their relationship.

This is the deepest flaw in the movie (which was otherwise well acted, gorgeously shot and beautifully costumed). I could not enjoy it or buy into it in the slightest because the fundamental conception of the filmmakers was based on modern notions of love that don't go beyond the purely physical. Descriptions of love in Western literature have at least on occasion gone much deeper than that. The Will in "Shakespeare in Love" not only couldn't have written "Romeo and Juliet"'s dramatic sonnet "If I profane with my unworthiest hand this holy shrine. . ." he wouldn't even have been able to understand it.

Not to mention the glamorization of a man's adultery, and the strenuous attempts to avoid all the real-life emotional ramifications of such an action, in favor of a feel-good justification of it, in spite of the obvious harm to the young virginal woman who was used by a cad. But it's excused and made to seem no real harm, by having her anger abated by thinking Will is dead, then readily going back to him when she discovers he's alive (a cheap dramatic trick if I ever saw one). Above all, no matter what a real Elizabethan girl's attitude miught have been, Viola is made to adopt the "modern" attitude (love is just a "stolen season").

I think there actually could have been a believable story in the idea of Shakespeare falling in love while writing "Romeo and Juliet." Why not start with the historical fact that Shakespeare didn't even make up the plot of the play at all, much less make it up out of his own love life? In fact, "Romeo and Juliet" was an Italian novella that had gone the rounds of Europe, had been turned into a French play, an English poem and at least one preceding English play. What if Shakespeare finds himself adapting this love story, not believing in love, then actually falls in love in a way that resembles the plot of "Romeo and Juliet"? I think it would have been nice if he had fallen in love with a virgin like Viola, realized in all conscience he couldn't take advantage of her, and wrote his play out of his frustrated love, which he turns into art. I think it would have been more convincing. But of course then it wouldn't have been a Miramax film . . . ... Read more

Amazon.com

Now you can achieve multiple viewings of the best Sex on TV.Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah JessicaParker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girlSamantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes, few of which can be described on a family Web site. Seinfeld has nothing on Sex and the City when it comes to shallow, self-absorbed characters or coining catch phrases. Episode 2, for example, introduces the term "modelizer": a guy who is obsessed with and will only date models. Some may accuse this series of male bashing. But women, after years of enduring shows with "men behaving badly," will relish the equal time. Some may blanch at the ladies' graphic language and ribald humor, or dismiss some of the situations as unrealistic (Carrie doesn't bat an eye when she discovers that an artist friend surreptitiously videotapes his sexual conquests). Still others will view Sex and the City as documentary. Regardless of your view, this groundbreaking series will have you longing for more. --Donald Liebenson ... Read more

Reviews (236)

Sophisticated & Fun: Loved It!
This must have been great Cable-TV when it was on HBO, to which we don't subscribe. It's even better in the DVD version. High quality resolution AND surround sound via DVD make this a must-see for intelligent, sophisticated viewers who don't find much to satisfy on standard network TV.

In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)

A great collection of one of the best shows on TV
Sex And The City and HBO are the only reasons I keep that too-expensive premium cable package. Sex And The City makes it worth it. I only started watching this funny and strike-a-chord series this summer and don't know why I waited so long. Fortunately, you can catch up instantly on the first season and second seasons on video/DVD. Each season has 12-18 episodes, and they're like an amazing batch of chocolate chip cookies. You will not be able to stop and you will not be bored, even if you go through the entire season in one sitting. It left me wanting more. The characters' through-it-all friendship will have you appreciating your own tried and true friends. Carrie, Charlotte, Miranda and Samantha are all likable, real, complex, funny and a pleasure to spend one or eighteen episodes with. If you've been a single woman for more than six seconds, you'll also appreciate the bewildering and recognizable behavior of the men in these friends' lives. New York City as the vibrant backdrop makes the show even more watchable. Interestingly, a male writer wrote several of the episodes, so clearly, there are some good ones out there. And guys, I know several men who are surreptitiously hooked, also ... for any men out there who'd like to know what women think and talk about when they're on their own ... here are all our secrets spilled. I recommend this great series to everyone.

The beginning.
The first season was just ok, it had more of an unfocused feel to it. The show also had more of a grainier texture to it. The first season really doesn't deal with relationships that much, it focuses mostly on random dating, which makes it hard to get a reading on these women aside from their generic label (the sexually adventurous one, the cynic, the uptight one). Only SJ Parkers character is explored deeper, even though her character is mostly negative, self-absorbed, neurotic and prone to relationship sabotage. As for people who critize SJP looks, she isn't supposed to be a model she's supposed to be a normal woman who is comfortable with her looks, a woman normal women can relate to. Overall an ok season. EP

PSEUDO-INTELLECTUAL DRIVEL!
(...)This reveals exactly why the terrorists hate our country. Shallow, materialistic, decadent, pseudo-intellectual drivel. I remember hearing one sentence of the show (before throwing the tv out the window) where the main character said "I finally realized" followed by some pseudo-existential "witticism" with a straight(dumb)face. The only positive aspect of this show is to teach kids to stay in school.

Fresh and fabulous
I got into this series when it was almost over and can recommend it. Yes, it's explicit at times so beware of that, but it's fresh and fun and most importantly absolutely fabulous. The characters are all played wonderfully by this cast and the stories have you chatting later about it with your friends saying things like "GEEZ, I'd never put up with that" etc. Depending on your favorite character as a woman it's easy to find yourself in one of the cast.

LOVE THIS SERIES! ... Read more

Amazon.com

A decade has passed in the small town where the original Sandlot gang banded together during the summer of ’62 to play baseball and battle the Beast. Now comes the sequel, a campy romp back to the dugout where nine new kids descend on the diamond only to discover that a descendant of the Beast lives in Mr. Mertle’s backyard--a monster of mythical proportions known as "The Great Fear." Director/writer David Evans cleverly ties his two films together by introducing Johnnie Smalls, kid brother of Scotty Smalls ("You’re killin’ me, Smalls") who is well-versed in the legendary struggle for possession of the Babe Ruth baseball. Smalls befriends the sandlot gang (which now includes three girls) and its leader, David Vincent Durango, and relates the rumor of "a mutated, insane Bigfoot dog thing" behind the left field fence. Summer unfolds with baseball rivalries, rocket launchers, and the infamous Carnival kissing booth, but fate will forever change the history of the sandlot when a crisis forces Smalls and Durango to join forces against The Fear. Regardless of one’s sentiments on sequels, Evans’writing in this remake is nearly as fresh and full of memorable quips as the original, including his characteristically understated narration. And while the film may be faulted for its forced melodrama and unseasoned cast, James Earl Jones lends his star appeal and the 70s soundtrack will make you wish for the days when fireworks were legal. Rated PG for profanity and raunchy humor. (Ages 6 to 14) --Lynn Gibson ... Read more

Reviews (29)

My son loves it, mom doesn't
HI All! My son is 5 and is a huge baseball fan, so this movie is right up his alley. He has already watched it about a dozen times... I do not care for it at all...I think the original is a classic, and so much more fun. This poor version takes place in the 70's when the girls were going through "liberation" , "equality", and first loves, all of which is over my son's head. He thinks the kissing is gross and doesn't understand a lot of it. At least there is a little bit of baseball which can keep him happy. For our family, this much anticipated movie is a major dissappointment. :o(As they say "If it ain't broke, don't fix it". They should have left the original alone and never attempted this disaster. Lots more name calling, insults and language than the first, not what a mom wants her 5 year old to emulate. If you MUST see it, rent it before you buy it, so you don't totally waste your money. Hope no one is thinking about Sandlot 3....YIKES!!!

Haven't seen it but I already know it...
I haven't seen it but I know it'll be a flop! You can't make a sequel to The Sandlot! It's not designed for a sequel! It's a horrible horrible crime! I tell ya, the movies these days...

Sandlot 2
This is a good movie, not near as good as the phenomenal Sandlot. It is basically a lame replica of the original Sandlot. Is entertaining when nothing to do i watched this movie about 4 times ona camping trip with younger kids who enjoyed it, i stayed around because of the hottie in the movie; Max Lloyd-Jones who plays David Durango.

Boo To The Sandlot Two
Yeah I liked the first, but when I saw the sequal I was dissapointed. First of all who lets a girl in on the Sandlot Gang?How would anybody not know about Benny if he lived there ten years ago?I say stay away from the sandlot 2!!! I quote what Squints Says in the first "If you had been thinkin' you wouldn't have thought that."

Boo To The Sandlot Two
Yeah I liked the first, but when I saw the sequal I was dissapointed. First of all who lets a girl in on the Sandlot Gang?How would anybody not know about Benny if he lived there ten years ago?I say stay away from the sandlot 2!!! I quote what Squints Says in the first "If you had been thinkin' you wouldn't have thought that." ... Read more

Reviews (260)

Weather Report: Tuscan Sun Fun, Diane Lane Shines
Take this for what it is and you might enjoy it -- complete fantasy stuff, wish fulfillment, a brief escape from real world life and complexities into the stuff of make belive, completely lacking in any substance whatsoever.

Why make a book into a movie and COMPLETELY change it? This is Audrey Welles inflicting HERSELF, her agenda, in fact, her completely different story, onto Frances Mayes' story, where the only thing left is the name of the house (Bramasole) and the name of the main characer (Frances/Fran/Francesca Mayes).

In real life Mayes is married to Ed Mayes, they're university professors, writers/poets, and they bought a house in Tuscany over ten years ago and started cranking out books about their new adventure (it's HUGE house, even more imposing than the one in the film).

Apparently not seeing any dramatic potential in Mayes' work, Welles arrogantly GRAFTED a completely different story onto the title ("Maybe no one will notice") wherein HER "Frances Mayes" is married then divorced then goes off to Italy and buys a house on an impulse (and strangely meets a man named "Ed" at the end which is supposed to bring some kind of nod to the real Ed Mayes, like an inside joke or something or a little piece of magic that plays out like a lump of coal on a Christmas morning. Stupid (her last name is already Mayes before she meets this Ed so his had better be Mayes too if you're following the silly logic of the story).

Don't pick this movie apart (pull one thread and it unravels rather easily). Instead see it for the wish fulfillment fantasy of buying a house in Tuscany, the Italian countryside (most of which was actually rainy and overcast all through filming) an attractive cast (Diane Lane is STILL stunning after all these years), and a complete dose of fantasy -- a guilty pleasure, like watching "Dynasty" in the 80s.

Leave the critical thinking elsewhere and pretend the world today is no more complex than an episode of The Brady Bunch (yeah right). Watch the scenery. Watch Lane's comic performance and stunning beauty, and Sandra Oh's great supporting performance. Then forget this crazy thing.

And if you liked the book, may I recommend At Home in France by Ann Barry and Extra Virgin by Annie Hawes, both of which I liked better than the book Under the Tuscan Sun and its followups as did many other reviewers on amazon and elsewhere they report.

The best part of this movie, for me, was seeing it in the theatre and suddenly seeing on screen the love interest's 1980s Alfa Romeo Spider Veloce two-seat convertible driving "picturesquely" through Italian cityscape and Italian coastline, and laughing to myself because it was the same car waiting for me in the parking lot.

Do a theme night. Make some bruschetta and other Italian culinary items and watch this fluff with friends. You won't be able to keep a straight face at how "schmaltzy" it is. You'll be absolutely embarrassed, but you still may take a second look later in privacy for an indulgent pleasure.

Ciao!

Such lovely scenery - such an awful film!
This is a really bad film. Okay, so it has nothing to do with the book except that it shares a title - that I could live with. But the story is hopelessly cobbled together and totally unbelievable. Surely this was a first draft of the script that they accidentally filmed?

The main character is played by the pretty Diane Lane, but looks alone cannot salvage this dreadful character. She cries, she pouts, she is unbearably naive and, let's just say it, she is an idiot.

The storyline is full of cliches. And where there are not cliches, there are gaping plot holes: why does her far-too-attractive-to-be-true Italian boyfriend drive a sports car when his family run a modest cafe on the beach that is supposed to support all of them? And just how does she manage to up and move to Italy without even having to fill in an immigration form? And if she was so broke that she had to move out of her mansion in San Francisco into a run-down fleabag hotel, just how the hell can she afford to suddenly buy and renovate a house in Italy, as well as living there for months with no visible means of income?

The worst part of a spectacularly awful script is the love interest suddenly written in at the very last minute to tie everything up neatly - that really is bad writing of such magnitude that it deserves a special Oscar.

Still, if you turn the sound off, you can enjoy genuinely beautiful photography of Italy.

hooked on tuscany
I have watched this movie twice so far, and will probably watch it more often. Tuscany is a countryside that got me hooked the first time I saw it appearing in front of my train window, and it is the same with the movie. So, I could empathize, seeing the same happening to "Frances" (Diane Lane) when she sees Tuscany and decides to buy a house and stay. Diane Lane in one of her best roles, her face very expressive, her acting excellent.
The only disappointment came when I read the book the movie was made after: in the original autobiographic story, Frances Mayes is not at all a divorcee struggling with recurring bouts of loneliness, but rather, a woman already happily attached again to a new steady boyfriend, with a fulfilled life, and full of energy for the work on their new house. The movie trailer says, the character were "changed for dramatic effect". Wonder who did not like the idea that a woman could be happy again so soon, and decided it should not be shown in the movie that way ? Anyway, both are definitely worth your while, and in the book you can even find the recipes for all that great Italian cooking too.

YAWN!
I eagerly anticipated watching this movie, as I thoroughly enjoyed the book; however, the movie shares only a passing resemblance to the book. It gets 2 stars because I enjoy Diane Lane and Tuscany is gorgeous, but other than that the movie was dull, Lane's character is nothing short of pathetic, and the ending is trite.

Get Your Passport Ready
I loved this movie. I don't usually watch too many movies but a friend loaned me this one and am I glad she did.
It is about a woman betrayed and how she goes on with her life. It made me think that I too could do something exciting with the rest of my life.
For the scenery of Italy alone, this movie is worth watching. Just beautiful.
I had never seen Diane Lane in any performances but I will seek her out now. All in all I give this movie a 5 star rating. ... Read more

Description

Get ready for fun! (Leah Rozen, People) with the "feel good movie of the year!" (Clay Smith, Access Hollywood)Love Actually is the ultimate romantic comedy from the makers of Bridget Jones's Diary and Notting Hill.Funny, irresistible and heartwarming, an all-star cast (Hugh Grant, Liam Neeson, Colin Firth and Emma Thompson, to name a few!) will take you on a breathtaking tour of love's delightful twists and turns.Fall under the spell Love Actually and share the laughs and charm again and again. ... Read more

Reviews (397)

Romantic fluff, but a little romance never hurt anyone
I was only mildly interested in seeing this movie, but I really enjoyed it. Yes, there was an amazing amount of different threads to follow as this film told the story of nine or ten different people and their partners over a five week period leading up to Christmas. Nevertheless, the witty script and the first rate acting made the whole process relatively painless.

There was charm in abundance from Hugh Grant, playing Hugh Grant as usual, but he does it so well that you can't help but warm to him. Martine McCutcheon as his love interest was surprising unannoying, and not in the least bit chubby!

Plenty of laughs from Bill Nighy and Gregor Fisher as a faded rock star and his long-suffering manager. Colin Firth in pursuit of his Portuguese maid also provided a few laughs courtesy of the language barrier, and the nerdish caterer with his dreams of being a sex god based soley on the strength of the lure of his British accent would have on American women kept the humour flowing.

Acting kudos go to Alan Rickman, Liam Neeson and most notably Emma Thompson. Ms Thompson once again plays the kind of gung-ho, upper middle class woman who has contributed to my usual dislike of her chosen roles, but she outdid herself in this slight role. I was moved to tears by her brilliant acting performance in the scene where she retreats to her bedroom to adjust to the knowledge that her husband is having an affair with his secretary.

Eye candy was provided for both sexes in the shape Keira Knightley and Andrew Lincoln. I enjoyed their storyline, despite it's flaws, but that may be because I'm just a sucker for physical beauty. Laura Linney and her erstwhile Latino lover were also very attractive, but slightly less sympathetic. And what can I say about the wonderful performances given by young Thomas Sangster and Liam Neeson as his grieving stepfather? Excellent, believable acting rescuing a storyline that verged on unashamed bathos.

Overall, I would recommend this film and commend Richard Curtis for an enjoyable, feel-good movie that left me smiling with tears in my eyes.

Lovely actually
Love Actually is a wonderful movie in all respects. Its cast, script, and direction are all absolutely top-notch. Set at Christmastime, the story encompasses numerous plots, all of which are equally interesting and effective in leaving one on the edge of one's seat, waiting to see what's going to happen with each group of characters next.

One of the most wonderful aspects of the film, in my opinion, is how we eventually discover that every single one of the vignettes is interwoven. For example: one story is about Karen (Emma Thompson) and her husband (Alan Rickman). The latter, although certainly not without affection for his wife, has begun to dabble in infidelity - thanks to his attractive secretary. Working with Rickman's character is Sarah (Laura Linney) who has been desperately in love with her co-worker Karl (unfortunately, I can't recall the actor's name, but he does a nice job) for years. And then of coure there's David, the prime minister (Hugh Grant) - who just happens to be Karen's brother.

Wonderful performances are also given by Liam Neeson (as a recent widower), 13-year-old Thomas Sangster (as Neeson's young son), Rowan Atkinson (who does a hilarious job as Rufus the Jewelry Salesman), and in one of the best vignettes, my personal favorite, Colin Firth.

This is an extremely funny and extremely touching movie. As usual, I hesitate to give away too much more about it. Nothing, and I repeat, NOTHING, should deter you from seeing it.

One of the Best Current British Comedies I've Seen in Ages.
I saw this in the theater when it first came out and, despite the fact that a couple behind me kept talking through it, I fell in love and decided to own it as soon as it was released on video. Now I have it on DVD, and want to spread the word. Love Actually is a great English romantic comedy full of several different stories going on at the same time, and each engages you in its plot quickly.

1. We have a young couple who are just married, and the groom's best friend is in love with the bride. Keira Knightley plays the role of Juliet with such sweetness and innocence, that even her dialogue free acting is powerfully convincing. Watch the scene where she views Mark's video of her wedding day and realizes he's in love with her.

2. Liam Neeson is Daniel, a newly widowed father who has to bridge the communication gap between himself and his son Sam. Sam's crush on an American girl provides this link, and the story is touching to watch as it unfolds throughout the film. Thomas Sangster is a promising child actor in his role as Sam, so keep your eyes on him. He is sure to be cast in more movies down the line.

3. Emma Thompson is always exceptional in every movie she's in. This is no exception as she plays Karen, a devoted and loving housewife who must come to terms with the fact that her husband Harry (Alan Rickman) is cheating on her with the office tramp.

4. Laura Linney plays Sarah, an American office worker who is in love with another American at work, but her sick brother makes the relationship difficult to see to its fruition.

5. Hugh Grant is David, the newly appointed Prime Minister of Britain, and he falls for his staff caterer Natalie, played by Martine McCutcheon. This story line is not without charming, laugh-out-loud moments, but it's also a bit corny and Benny Hill-ish at times.

6. One of my absolute favorite stories is the one involving Colin Firth's character Jamie, a writer who leaves England for the European countryside to write after discovering his brother is cheating with his wife, and he falls in love with his Portugese housekeeper Aurelia (Lucia Moniz). Neither of them can speak the other's language, but they manage to communicate in their own way, and the plot is very sweet.

7. Chris Marshall is very funny as Colin, the ugly, rude guy who strikes out romantically with English women, so he thinks he'll have better luck in America because of his "cute" accent. He goes to Milwaukee and discovers supermodel-type girls hanging out in a bar that fall for him instantly which really makes me laugh. I live an hour away from Milwaukee, and we are NOT plentiful with thin beautiful girls hanging out in bars. This was one joke that wasn't lost on me for a moment, and I couldn't help laughing quite loudly.

8. My favorite storyline is Billy Nighy as Billy Mack, a washed up 50-something rock star who makes a comeback on the charts with a shameless revamp of the old Troggs song, "Love is All Around" for Christmas. He is absolutely hysterical with his outrageous behavior as he publicly bashes the song and pulls all kinds of defiant public stunts. Of note is his relationship with his longtime manager Joe (Gregor Fisher) who, despite all the headaches his charge gives him, is still admirably loyal and proud of him.

One small storyline I detest is the porn actors we see a few times, conversing as they shoot dirty scenes on a movie set, and I also don't like the anti-American plot of the evil lecherous US president played by Billy Bob Thornton. These are two points for my not giving this film 5 stars.

Other than my minor grievances, I couldn't recommend Love Actually more highly. This movie is rated, R so please don't expose children to it just because one of the stories involves a little boy. This is great adult entertainment, and some of the DVD extras are a bit blue as well. Moving, funny, and full of clever dialogue (A favorite line: "Ten minutes with Elton John, and you're as gay as a maple!"), Richard Curtis has directed one of his best comedy projects yet. With the exception of small children, there's something here for everyone. You shouldn't just come away liking this one; it should be Love Actually.

Quite simply the worst movie I have ever seen...
Really! This has to be one of the worst movies ever produced and speaking as a Brit, I am ashamed. The plot or lack of any plot(s) is absurd. The jokes aren't funny, the premise is farcical and it is about as entertaining as being stung by a wasp.
Really, avoid this movie at all costs - it is that bad.

Not for the kids!
My inlaws came over to visit me from England, and raved on about this movie. They were keen to take us to the movies with our 2 children, 8 and 10 yrs to see it again with them. In the end we chose something more fun for the kids, as children don't want to go to the movies to watch a love story.
Anyway, not long after it came out at Blockbusters, and we hired it out of curiosity.
After the first 5 minutes we and sent the kids off too bed, as it wasn't really the swearing /cursing but the just that it seemed a little too explicit for my kids to watch.)
I would say that some scenes are just too crass, and they could had done without them.
In the second half of the movie, I noticed that the swearing and the sexual content tended to calm down...unless I was just getting used to it by then. The story was very funny at times, but alittle confusing having so many couples to follow...hard to get into their characters, or you forget at times that someone was in the movie, until they showed up on screen 20 minutes later, and would have to remember what their life was all about.
I'm not a prude in the slightest, and love comedies like Euro Trash, Coupling (the BBC Series) and American Pie etc...but the beginning half of this movie really did make my husband and I cring at times.
I'm surprised that my inlaws, who are in their late 50's really wanted to show this to my children...especially as they are very conservative.
Anyway it does get better, if you can stick with it after the first 30 minutes.
Hugh Grant's story line was also bit too cheesy. ... Read more

Description

High school freshman Angus is the class fat-boy, an object of scorn and derision. Despite his portly demeanor, Angus is on the football team and has a secret crush on cheerleader Melissa, who unfortunately belongs to the school's ace quarterback and resident blonde-Adonis Rick, the one who is the cruelest of all to poor Angus. This familiar, yet genuinely heart-tugging youth drama chronicles Angus' triumph over Rick when a mean-spirited practical joke goes awry and leaves Melissa in the big lad's arms and Rick with egg all over his perfect face. Year: 1995 Director: Patrick Read Johnson Starring:Charlie Talbert, George C. Scott, Kathy Bates ... Read more

Reviews (53)

[Insert generic positive title here]
This is a great movie about growing up and fitting in (or not fitting in), blending comedy, heart, drama, and the spirit of the mid-1990's. The movie is about Angus Bethune (Charlie Talbert - why don't I ever see more of him?), a fat kid who's good at science and fair at football. Angus has a crush on a chearleader named Melissa LeFevre (Ariana Richards), who, sadly, is dating Angus's sworn enemy, Rick Sanford (James Van Der Beek, before Dawson's Creek). Angus hangs out with his little goofy friend, Troy Wedburg (Chris Owen). It is fall, and when its time to vote for the king and queen for the upcoming Winter Ball Dance, Rick, being the [jerk] that he is, rigs the vote so Angus wins and has to dance with Melissa, just to watch Angus humiliate himself. But then Angus also has to work on a project for another school for science. Which one will he pick? You'll have to see it to find out. This is a great movie that should be seen by everyone.

Also, to whom it may concern, PLEASE RELEASE THIS MOVIE ON DVD!!! Thank you.

a message for fat kids but this movie chews the fat and dies
this movie sends a good message about geeks and popular kids and the tension between them all. but it sorta makes the movie downfall with all the comedy and the grossness of it all. Scott is funny as Angus' grandpa and it you dont know who that chess player he plays chess with its veteran director Irwin Kershner who directed The Empire Strikes Back. also not that there's a young James Van Der Beek(Varsity Blues, The Rules Of Attraction), Ariana Richards(Spaced Invaders, Jurassic Park) and Chris Owen(Cant Hardly Wait, October Sky, American Pie 1 and 2). fun all around but boring in sections. soundtrack includes Green Day

GREAT MOVIE, VERY ENCOURAGING
I'm actually watching the movie right now as I'm typing.. This movie is absoultely wonderful!! Although, how come I don't see Charlie Talbert in any other big movies? Anyways... Being a 13 year old fat kid going into high school myself, this movie encourages me to try for what I really want to be, and not become what everyone else is... just to be myself..... you know what I say?? "Screw 'em!" haha If anyone hasnt seen this movie GET IT or if you have Comcast Digital Cable, its on Starz! OnDemand until August 8th or somethin like that.

Finally a movie that states the truth!
I love this movie! This movie shows that there is no such thing as "normal" when it comes to people. This movie also shows the stupidity of people, and that looks aren't everything. Everybody has issues. The cruelty in this movie shows just how some people get treated and it's not right. When at the end of the movie, when Angus makes his speech, I was rooting for him. When he kissed a certain someone, I was having the lovey dovey factor. When a certain someone is gone, I cryed until I had to leave the room.

Highly recommend!
Angus is about the fat kid that every class has (maybe you were that fat kid, who knows?). Although Angus, played by Charlie Talbert, is huge, he is very sensitive and sweet. He is a scientific genius but wishes every day that he were someone else. It examines how to survive being the outcast in high school. Troy (Chris Owen) is his big-eared, red-headed friend who is also an outcast. Angus realizes that he must be brave and stand up to his oppressors. This film is both funny and touching. You will enjoy it! ... Read more

Reviews (13)

A Real Classic
This is a real classic movie. Don Ameche and Tom Selleck did a supurb job. As any movie it has its slow spots but keeps you laughing. Ive watched this flick a dozen times already and still laugh just as hard and times even harder. I highly recommend this movie to anyone who's looking for a warm comedy with lots of laughs. Now if it would only come out on DVD.

Folks Is One Of The Funniest Movies Out There!
I would recommend this title to everybody! It is one of the funniest movies that I have ever seen and I couldn't stop laughing the first time I saw it! This Video is a MUST GET for all movie lovers!!!

My uncle loves it!
I purchased this for my uncle to show at the VA Hospital. Alot of the veterans had not seen "Folks". THEY LOVED IT!

the worst movie ever
I'm sorry, but this is one of a few movies I've ever seen that I couldn't finish. It's that bad. Poor acting, poor script, poor everything. Only good for tormenting someone.

very funny
Totaly enjoyable, very funny. Tom Selleck is very good in this movie. ... Read more

Amazon.com

Ever spend eight hours in a "Productivity Bin"? Ever had worries about layoffs? Ever had the urge to demolish a temperamental printer or fax machine? Ever had to endure a smarmy, condescending boss? Then Office Space should hit pretty close to home for you. Peter (Ron Livingston) spends the day doing stupefyingly dull computer work in a cubicle. He goes home to an apartment sparsely furnished by IKEA and Target, then starts for a maddening commute to work again in the morning. His coworkers in the cube farm are an annoying lot, his boss is a snide, patronizing jerk, and his days are consumed with tedium. In desperation, he turns to career hypnotherapy, but when his hypno-induced relaxation takes hold, there's no shutting it off. Layoffs are in the air at his corporation, and with two coworkers (both of whom are slated for the chute) he devises a scheme to skim funds from company accounts. The scheme soon snowballs, however, throwing the three into a panic until the unexpected happens and saves the day. Director Mike Judge has come up with a spot-on look at work in corporate America circa 1999. With well-drawn characters and situations instantly familiar to the white-collar milieu, he captures the joylessness of many a cube denizen's work life to a T. Jennifer Aniston plays Peter's love interest, a waitress at Chotchkie's, a generic beer-and-burger joint à la Chili's, and Diedrich Bader (The Drew Carey Show) has a minor but hilarious turn as Peter's mustached, long-haired, drywall-installin' neighbor. --Jerry Renshaw ... Read more

Reviews (493)

Way underrated
Anyone who has ever worked in corporate America will relate to this hilarious gem.
It is low key as opposed to slapstick comedy. I think the movie was well cast about a cube dweller who had enough and basically quits working and gets a promotion to upper management while his hard working and dedicated buddies get slated for layoffs by "The Bob's" two management consultants.
Ron Livingston does a great job as Pete Gibbons, and Ajay Naidu as "Samir Nu, ne, nunu, uh nnn ,not work here anymore" David Herman as Micheal-why should I change - Bolton.
The boss Lundbergh is played perfectly deadpan by Gary Cole, and I think there is a Tom Smykowski and Milton Waddams in every organization. Lets not forget the "Bob's" I knew two idiot consultants just like them.
Office Space has it all, from stupid meetings, CI programs, and of course the infamous TPS reports - "didn't you get the memo about the new cover sheets?"
I could not stop laughing through the whole thing.

Well worth the price of the DVD, even though the transfer was only fair.

Hiliariously Close to the Truth
Though the situations and characters in Office Space are certainly larger than life, they are not that far from the truth--to which those of us in the corporate world will readily attest. That's what makes the movie so delightfully funny: seeing characters on screen act out (without much exaggeration) the trials and tribulations of today's desk-bound workforce.

The plot of the movie itself is somewhat secondary to its entertainment value. Basically, the main character (Ron Livingston) isn't happy with his job; having been asked once by his high school guidance counselor to picture what he'd do without being paid and consider that his ideal job, he responded that he's like to sit around and do nothing. The rest of the main plot centers on his attempt to get his life back on track, from discovering a love interest in a local waitress (Jennifer Anniston) also unhappy with her job to plotting revenge on his company for firing his friends.

Quickly one sees exactly why the characters are so unhappy with their jobs: a clueless, paper-shuffling boss who speaks in total monotone; inane office regulations requiring more time spent on reports than on real work; faulty office equipment; and so on. Carefully crafted to represent archetypes we all know from our own office experiences, the characters and their attempts to break free of the 9-to-5 drudgery are absolutely hilarious.

You don't have to be a computer programmer or engineer to enjoy this film--all you need is to have worked somewhere once in your life that was far from the ideal environment. Watch this film and enjoy a laugh at schmucks who have it ten times worse than you ever have!

THE comedy movie to see from the late 90s
If you see one comedy from the late 90s, see this one! The cast is great, and the story is better. The only person I know who didn't like this movie just doesn't understand the modern industrial/metroplitan environment. Driving to work in Silicon Valley REALLY IS THIS BAD, and if your definition of heavy traffic is going 15-20 mph on the freeway, you might not appreciate this film.

Dilbert's got it easy!
OFFICE SPACE either suffered from bad marketing or poor distribution because I had never heard of it nor did many of my movie-going friends. When I saw it on cable, I kept asking myself, "Where did this come from?" While the film occasionally breaks down in predictable sequences and cheap shots, it really does hold together remarkably well. This is one of the better written, directed and acted comedies in a long time. Even though the late 90's office world it illustrates is long gone, muddle-headed supervisors, know-nothing consultants, and very weird office workers are not. Enjoy this movie!

A MODERN CULT CLASSIC
Having seen and enjoyed bits and pieces of this movie countless times on cable (usually on Comedy Central) over the last couple of years, I finally broke down and purchased it to add to my DVD collection. Smart move on my part. Now that I've seen the entire movie from start to finish, it makes a lot more sense now (I'd never seen the hypnotism scene). It has all the makings of a modern cult classic. How do I know? Because every time I roll across it on cable I usually wind up watching the balance of the film and enjoying it all over again. Having 2 Geto Boys songs on the soundtrack and co-starring Jennifer Aniston doesn't hurt either. Damn it feels good to be a gangsta. ... Read more

Description

Academy Award(R)-winner Julie Andrews (Best Actress, MARY POPPINS, 1964), enchanting newcomer Anne Hathaway, and Hector Elizondo (PRETTY WOMAN) lead a charmed cast in Disney's THE PRINCESS DIARIES, a hilarious, hip, and heartwarming modern-day Cinderella story. Mia Thermopolis (Hathaway) is a bright but terribly shy and gawky teenager whose goal in life is to survive each school day with a minimum of attention and embarrassment. Unfortunately, her wish to be invisible is thwarted when her estranged grandmother arrives and delivers the shocking news that she's a real-life princess -- heir to the throne of Genovia! Furious and incredulous, the reluctant royal agrees to take "princess lessons" and make the biggest decision of her life -- in three weeks. And so begins a comical transformation toward poise and princess-ness when she finds herself in the middle of a media storm, jealous schoolmates, and a takeover plot of her country! Funny, uplifting, and affirming, your entire family will thoroughly enjoy this crown jewel. ... Read more

Reviews (351)

A Predictable, But Delightful and Optimistic Gem
Pretty Anne Hathaway, who, interestingly enough, has the same name as Shakespeare's wife, plays the lead character in a modern fairy tale that the Bard himself might have found amusing.
Hathaway's Mia Thermopolis is a gawky teen living with her artist mother (gently and generously portrayed by Caroline Goodall) in San Francisco (whereas, in Meg Cabot's book, her home was New York). She attends a private school via the financial support of her father, who had passed away shortly before the story begins, has a best friend involved in social activism, (played by a loud and cynical Heather Matarazzo), a crush on a heartthrob who doesn't notice her, and a clique of annoying cheerleaders who constantly taunt her, led by pop singer, Mandy Moore.
One day, a meeting with her grandmother changes her life, and Mia discovers that her father was the Crown Prince of Genovia. While reluctant to accept her heritage at first, Mia gradually warms to the idea. As the very regal Queen Clarice, Julie Andrews combines her two Broadway roles in "Camelot" and "My Fair Lady" as she begins the process of training the gawky Granddaughter she had never met before for the role she may one day have on the world stage. Scenes of Mia's Princess lessons are reminiscent of scenes in the film, "Gigi".
The makeover scene is enjoyable to watch, as we see Mia turn from looking like Sarah Jessica Parker's character in "Square Pegs" to looking more like Queen Rania of Jordan. She is truly beautiful with her big, sparkling doe eyes and softened hair as she sees her outwardly polished self in the mirror.
Her friend, Lilly, taunts her about her metamorphosis, while Lilly's brother, Michael, played by an adorably sweet Robert Schwartzman, admires it. After a few tumultuous and embarassing incidents, Mia must make a final decision about where she belongs, and is ultimately influenced by her best friend's opinion in so doing. Genovia may receive a new heiress, and the prospective Princess might be on her way to finding true love as well.
All the while, it is the cool-headed Hector Elizondo's Joseph, the head of the Queen's security detail, who helps the young girl through her dilemma, providing sage advice, and helping to reconcile both grandmother and granddaughter after Mia generates some bad press.
The books on which this film was based have a bit more of an edge and may be more cynical. The premise is a teenage girl's answer to the 1991 film, "King Ralph". But once again, Disney has provided viewers with light and wholesome entertainment.

DELIGHTFUL FAMILY FILM
In the great tradition of such Disney live-action family films as The Parent Trap, Garry Marshall spins a perfectly fine fairy tale with The Princess Diaries. Featuring a sparkling performances from natural comedienne Anne Hathaway and seasoned vet Julie Andrews, this movie is one virtually all members of your family can enjoy together -- it is truly G-rated, and in this case, the G-rating does not mean boring. A nerdy San Francisco highschooler is dumbfounded -- and not terribly happy -- to learn that she is in fact royalty -- and the chaos that ensues is both compelling and highly entertaining. What a welcome sight to see Julie Andrews -- the 60s queen of G-films -- return to form in the role of a Queenly grandmother! The movie has the amiable pacing and gentle humor of a romantic comedy, and unfolds in a way that is predictable without being flat. The score, laden with pop music, adds to the fresh warm-hearted gloss. Watch for a minor car accident, and its subsequent scene, to earn the biggest laugh, though there are giggles and smiles aplenty.

PRETTY GOOD!
PRETTY GOOD MOVIE!GREAT ACTORS,GREAT EVERYTHING!JULIE ANDREWS IS REAL GOOD AS THE GRANDMOTHER!ME AND MY MOM LOVED IT!WE LAUGHED THE WHOLE TIME!

really cute
this was a really cute movie, really different from the books which i think are better. Something for the whole family to watch.

The book is better!
Apparently based on some of the reviews I've seen here, a plethora of people do not seem to know that the movie is based upon (or is supposed to be) the book "The Princess Diaries" by Meg Cabot, I believe.

This movie is cute. However, this is not to say that it barely follows the book. The only things that are in the movie that are like the book, are the fact that Mia acquires princess lessons, goes out with Josh to the dance, finds out she's a princess, Mia's mother dates one of her teachers, Lilly yells at her when she sees her hair, and a few other things.

In the movie, when Lilly sees that her friend is turning to someone similar to Lana, she becomes angry. In the book, she ignores her for quite a large bit of the story. In The movie gives the impression that Mia's grandmother is a loving woman but they have not spoken in fifteen years. In the novel, Mia does speak to her grandmother but never was able to figure out that she was a princess (in the book grandmother is a princess, not a queen) of Genovia herself. In addition, Mia's grandmother is not the nicest of people. Furthermore, the Prince of Genovia, Mia's father is still alive. The only thing is that he can not have any more children.

I think you understand my meaning. Please, read the book instead. ... Read more

Description

Westward frontiersmen Hunt (Chris Farley) and Edwards (Matthew Perry) are out-of-doors and out of their minds as they try to overtake Lewis and Clark and be the first to blaze a trail across the American continent.Year: 1998 Director: Christopher Guest Starring: Chris Farley, Matthew Perry ... Read more

Reviews (34)

NO Lewis and Clark!
It's all about Chris Farley and Matthew Perry, not Lewis and Clark. They slapped funny people, watched a woman bathe and Farley cooked eggs over easy. It was splendid! Watch Matthew Perry gag after taking some medicine. Walking over coals is the best! "Almost Heroes," is Chris Farley's last movie and he will always be remembered for making a genius laugh. This movie which was directed by Christopher Guest, needs to be released on DVD. Any Farley fan will appreciate it. Purity.

If you are a Farly Fan You will Love this movie
What a great concept for a flick. Attempting to beat Lewis and Clark on their expedition to the Pacific Ocean. Being this is the 200th anniversary of that expedition made it a little interesting.

There are some very funny scenes indeed but Farly is Farly, yelling, getting angry, fighting and fussing. If you like that you will love this. My favorite scene is where he faces the Eagle at her nest. "Why didn't you tell me you only wanted the shell?" What a great one liner.

Perry is a little stiff as a character and is more of a straight man to Farly's funny man. My only problem with the movie is that there are too many places where it gets slow. Part of it is because you are in the wild and it was a slower time.

There are so many great one liners that seem to have too much time between them. The inuendos are a bit much especially at the beginning. The older Indians are just great. And the scenery, especially of the Tetons and the Snake River are outstanding.

If you want to have a fun night with mostly the guys this is okay for that. My wife did not like it. Anyone who knows and liked Farly for his antics and his in character concept, you will just think this is a hoot.

Intentional Stupidity
This was Chris Farley's last film. He ended on a high note. The movie is intentionally stupid--a hilarious GOOF--and directed by Christopher Guest (known for having directed "This is Spinal Tap"). They surely weren't pushing for an Oscar with this one - merely encouraging laughter. This is the story of Bartholomew Hunt (Chris Farley) and Leslie Edwards (Matthew Perry) who, in 1804, follow explorers Lewis and Clark, in hope of being the first men to see the Pacific Ocean. Along their journey they're sure to bring laughter to true fans of Farley's ways, and perhaps to fans of Mel Brooks' as well, as some of the comedy is similar to Brooks' humour in "Robin Hood - Men in Tights".
It is a real shame that this movie isn't available on DVD (yet?), because the presentation of it on VHS is awful. I quote the fine print on the back of the tape's case: "This film has been modified as follows from its original version: It has been formatted to fit your screen". The picture is zoomed in WAY too far, and the result looks distorted. In many shots heads are cropped, we sometimes see only approximately 75% of the face of the person who speaks, and at one point, where a sign reads "Welcome to Snakes Bend", we only see "elcome to Snakes Ben". I was hugely disappointed by the film's presentation, but surprised by the quality of comedy since this is not a much talked about movie.
Zero points to he who decided to crop the movie, and full points to whoever releases is on DVD (with OPTIONAL formatting).

"WHOS IDEA WAS THE CORN???"
that line gets me every time! farley, matt perry and eugene levy all give great comedic performances. this movie took about 2 or 3 viewings for me to really appreciate the style of humor, but the best comedies are usually like that. once you start listening to how ridiculous some of the dialogue is, you start to laugh from wondering how the actors kept a straight face for the scenes. one of the funniest movies of all time! maybe not as funny as tommy boy, but pretty close. i laugh to myself just thinking about some of the scenes as i type this. its a shame the world lost chris farley, but he went out with a great final movie.

A Guiltless Pleasure
Is this movie dumb? You bet! But I love it. The dumber "the better" I always say. Well sometimes. Farley and Perry play off each other quite well with their own styles of comedic humor in this interpretation of the Lewis and Clark exploration. But then so does the whole cast of zany characters in this whimsical historical tale. Some of the situations and lines of dialog are absolutely stupid, but they are just so funny in their own way. After I recently viewed this film again I just thought it was absolutely gut wrenching funny and worth the 5 stars. ... Read more

Amazon.com

Now and forever a favorite among kids, this 1990 comedy written by John Hughes (The Breakfast Club) and directed by Chris Columbus (Mrs. Doubtfire) ushered Macaulay Culkin onto the screen as a troubled 8-year-old who doesn't comfortably mesh with his large family. He's forced to grow a little after being accidentally left behind when his folks and siblings fly off to Paris. A good-looking boy, Culkin lights up the screen during several funny sequences, the most famous of which finds him screaming for joy when he realizes he's unsupervised in his own house. A bit wooden with dialogue, the then-little star's voice could grate on the nerves (especially in long, wise-child passages of pure bromide), but he unquestionably carries the film. Billie Bird and John Candy show up as two of the interesting strangers Culkin's character meets. Joe Pesci and Daniel Stern are entertainingly cartoonish as thieves, but the ensuing violence once the little hero decides to keep them out of his house is over-the-top. --Tom Keogh ... Read more

Reviews (111)

A Holiday Classic...
In 1990, another Christmas movie classic was made. This movie, "Home Alone" is a holiday classic that you can't find anywhere else. The cast is great, the scenes are hilarious, and it's wonderful family movie. Macaulay Culkin starts his fame as the family icon for parents and thier children.

The movie starts out in Chicago, IL at the McCillister house. Here we meet Kevin's family that is running all over the house preparing for their Christmas trip to Paris. Also in the house scoping out the place is Harry (Joe Pesci), a crook posed a cop that is planning on robbing the house after they leave. Now here is where the problems start. When the whole family is eating pizza for dinner, Kevin (Culkin) is looking around for his plain cheese pizza because that's all he eats. So his older brother Buzz (Devin Ratray) eats it on purpose. Then Kevin attacks him and the place becomes a mess and soda is spilled and the passports are soaked, etc. Kevin's mother Kate (Caterine O'Hara) sends him to his room. In Kevin's state of anger he says to his mother that he doesn't want to see his family again. Now while in bed Kevin says, "I wish they would all dissapear." During the night the power goes out and the alarm clocks goes out. The next moring they are rushing left and right to get to the airport. Here's the problem: THEY FORGOT KEVIN!

Now kevin wakes up an sees nobody is home. He actually thinks that his wish came true. Now at first Kevin loves this. He jumps on the bed, shoots his brother Buzz's BB gun, takes his brother's life savings, and eats all the junk food in the world and watches "R" rated films. While the family is on the plane, Kevin's mother gets the feeling they forgot something. Kevin's father Peter (John Heard) asks her, "What could we have forgotten?" Then Kate screams: KEVIN! Now while Kevin still is having fun back at home, the family is in Paris trying to get a flight back home. and calling the police, etc.

One day, Kevin goes out shopping and spots a misterious van in the neighbor's driveway. It's the crooks. Marv (Daniel Stern) and Harry (Pesci), The Wet Bandits. Now after Kevin actually goes out shopping to get food and milk, he notices the guys in the van. Now he realizes they are after his house. Sorry Christmas Eve night he plans his battle against the crooks.

The gadgets and the tricks he pulls on the crooks are undoubtably hilarious. First, when the crooks starts talking to Kevin through the back door pretending to be Santa Claus and an Elf, Kevin takes his borther's BB gun and sticks it through the cathole and shoots Harry is the lower region. Then Marv sticks his heasd through the cathole and he gets shot in the head. Now there is ice on all the stairways, the front door knob is burning hot and when Hary touches the knob, the knob's inprinted "M" is impronted into Harry's hand. Lol! Then in the basement there is tar paper on the stairs and eventually there is a nail sticking up which Marv steps on with his bare foot. See what other tricks Kevin has got up his sleeve.

This movie, "Home Alone" is the perfect holiday movie that the entire family can enjoy. It's another Christmas classic. One thing this movie does for me is it gets me into the holiday spirit. In the beginning when Kevin said he didn't want to see his family again, throughout the movie, you realize how important family is, especially around the holidays. Buy this movie for you and your kids and you will love it as much as I do. Merry Christmas! Ho, Ho, Ho!

A Christmas Favorite
Home Alone has always been one of my favorite Christmas movies, It's funny and entertaining!

The movie is about a boy named Kevin McCallister[Macaulay Culkin] who accidently gets left behind in his home in Chicago when his family goes off on a trip to France. While Kevin is at home, two burglars are trying to break in. The burglars are played by Joe Pesci and Daniel Stern. One of the burglars was at the house at the beginning, pretending to be a policeman, to check out the house. After Kevin finds out, he sets up a set of booby traps on the night they arrive. Meanwhile, Kevin's mom[Catherine O'Hara] wan'ts to get home as quickly as she can when she finds out that Kevin was left behind. So, instead of going on a plane she travels back to Chicago on a truck with a group of musicians and their polka king of the midwest[John Candy] when they offer to take her home. After the burglars get arrested with one of Kevin's plans, Kevin's mom arrives home with the rest of the family including his dad[John Heard] and they all feel so grateful to see him.

This is a movie your whole family will enjoy!!!

Home Alone
This is a great family film. You will laugh and laugh when you see keven (macaulay culkin) jumping for joy that his family is not at his house, but when robbers try to brake in the house he starts to see that he really wants his family. This will make the kids laugh seeing growns up laughing. This truely is a great movie!

Great Maculay Culkin
I own 1,2,and 3! I don't own 4. I don't like it!

My favorite holiday movie of all time (Or for any other day)
I am EXTREMELY happy that this movie finally made it to DVD because this is one of the most exciting and nicest holiday and family movies ever made. Everything from beginning to the end reminds me of the Back to the Future movies - when I watch that movie, I always notice something interesting, familiar, funny, or exciting when I see those movies and Home Alone. Many people may not like this DVD release because of inferior picture and sound quality and lack of bonus features - I THINK THIS DVD IS GREAT! Of course, the only bonus features on this DVD are the trailers to the Home Alone trilogy, and the sound is only stereo, but still, that's great because I LOVE THIS MOVIE! You know, because I love the funny parts - including the fake movie Kevin watches and uses to scare off the pizza guy and the villians (I always wanted to try that!) The fake movie, in case you didn't know, is translated into foreign languages as well! Speaking of which, this DVD comes in English, French, and Spanish audio and English subtitles. I've seen this DVD in English sound with closed-captioning from the TV, and on the computer in Spanish sound with English subtitles (still remains Kevin's infamous scream)! Yeah, I'm glad Fox has a Spanish option for this disc because I'm currently finishing up my Spanish class at my prep school and from time to time, I watch DVDs in Spanish (if available; otherwise it's French for the Canadian viewers!) You know, this week or next week, I'm bringing this DVD into Spanish class for my teacher to show. EVERYONE WOULD LAUGH!

This is a sweet movie. The DVD may not be the best, but it's still a great buy! Enjoy!

sethn172 ... Read more

Amazon.com

Mel Brooks's 1970 comedy (his second work as a film director) is based on an old Russian folktale, and was first filmed in Yugoslavia in 1927. The story concerns an old woman who reveals on her deathbed that she has hidden jewels inside one of 12 chairs that were formerly in her home but are now scattered. Ron Moody plays the poor Russian nobleman seeking them, and Dom DeLuise is his rival. After Brooks's wild and even controversial first film, The Producers, The Twelve Chairs seems relatively tame; but it is still a funny and slightly exotic work owing to its director's longtime interest in classic cinema. --Tom Keogh ... Read more

Reviews (25)

What People Will Do In Pursuit of Wealth!
This movie is one of Mel Brooks' best works, but is seldom shown anywhere anymore. Its humorous depiction of what three men will do in order to retrieve the jewels in the twelve chairs is hilarious. The tall, good looking actor pairs well with Dom Deluise, and his faking of an epileptic seizure in order to make money is one of the best ways of "panhandling" (i.e., begging), ever done on-screen! This is well worth your viewing time. Makes the post-Russian Revolution look like a humorous time to live!

Change of Pace
If you think Mel Brooks is only good for broad, obvious humor (Robin Hood- Men in Tights, or History of the World) or sharp parody, (Young Frankenstein) then you owe yourself a look at this movie. Made after The Producers, this is Brooks's first attempt at combining serious and comic elements. The film is NOT a laugh fest, nor is it meant to be. Brooks deals with character over comedy in the two main characters, creating an interesting (and often touching) relationship between the two, leading to a final shot in the film that is emotionally pure and effective. Dom Deluise provides wonderful comic relief as the priest who is also after the chairs, and Brooks himself makes a short cameo as the former servant to Ron Moody. Carl Reiner has said that to him, the funniest man on the planet is Mel Brooks. That's pretty high praise, but after seeing this movie, my bet is you'll come away with a deeper appreciation for Brooks's talent, and you might just wonder why he didn't make a few more films like this one.

Hilarious, The Best Mel Brooks Movie EVER!!!
By far my favorite Mel Brooks movie. Highly reccommended! I found this in a friends parents movie cabinet, lonely and unwatched. I ended up keeping it.
The comedy is a bit more subtle than many of Mel's movies.

Ostap Bender, the main character is a sexy con man, best liar in the world. Mel Brooks plays a former slave who misses the good old days when he master "hardly ever beat us." There's really not much I can say, except-WATCH THIS MOVIE!!!!

One of the greatest movies no one has ever heard of.
This is one of the very best movies ever made. It holds up over time and is fine for all audiences. Great dialogue, tremendous sight gags and just general genius brings this movie off of the screen and into your heart forever.

Mel Brooks has made many funny movies but this one is perhaps his least known but maybe, just maybe his funniest movie of all.

One of Brooks's best
For my money, the best Mel Brooks movies are those in which he appears the least or not at all. It's not that I don't think that he isn't a brilliant comedic actor: he is. But my top three Mel Brooks movies are THE PRODUCERS, THE TWELVE CHAIRS, and YOUNG FRANKENSTEIN. Although he does have a few minutes on film in this movie, they're brief and effective. But he never comes close to stealing the scene from Ron Moody, Frank Langella or Dom DeLuise--and all three of these actors are perfect in their roles. DeLuise is at his best here, and Moody, with his Trotsky looks and high strung personality is hysterical.THE TWELVE CHAIRS is brilliant historical spoof of strong materialism in a place where no one is to have possessions: post-Revolutionary Russia. But humans will be humans, and the desire for comfort and money will always be with us, I'm afraid.

But this isn't a morality film. It's huge fun, great satire, and loaded with an understanding of humanity. ... Read more

Amazon.com

If you were a kid in the early 1960s, then you saw The Parent Trap with Hayley Mills--it's as simple as that. Now Disney has pulled the beloved comedy--about a pair of twins who meet for the first time at summer camp and vow to reunite their long-divorced parents--out of the mothballs and remade it with a decidedly '90s feel. This time, the twins act is performed by newcomer Lindsay Lohan, who plays both Hallie and Annie, who each live with one of their parents (Dennis Quaid and Natasha Richardson). Adversaries when they first meet at camp, Hallie and Annie become, well, sisters when they figure out that they are siblings. The comedy springs from their efforts to sabotage Dad's impending marriage to the gold-digging Elaine Hendrix, while reintroducing Dad to Mom. Quaid has a nice, loosey-goosey way with slapstick, as does Richardson, who plays a very funny drunk scene. --Marshall Fine ... Read more

Reviews (291)

subtle and hilarious
The parent trap is a great movie for several reasons : just like the original movie the main caracter is played excellently by L