Amazon.com

Sally Potter's self-reflective film stars Potter (an actress and the director of Orlando), more or less as herself, learning to tango from master dancer Pablo Veron and considering making a film called The Tango Lesson. The film that we happen to be watching, however, is concerned largely with the delicious conflict between the politics of tango--the need for one partner, typically the woman, to yield to the other--and the expectations of the filmmaker to do things on her own terms. Can Potter simultaneously surrender and control for the duration of this circular project? The question is made more complicated by Veron's desire to be in one of Potter's films--in other words, to follow her lead. Potter may not be Veron's equal on the dance floor, but that isn't the point of this interesting movie and its provocative, internal debate. --Tom Keogh ... Read more

Reviews (56)

Striking movie that captures the spirit of the Tango
Most dance movies obscure the actual dancing in a barrage of MTV-quick-cut shots of heads and feet. This one doesn't. Why not? Because it doesn't have to. The dancers are terrific, and shooting them full-length, with the camera on them for minutes at a time, shows them and the Tango to advantage.

After a distracting yet stylish introduction, the movie settles down into its intelligent portrayal of two exceptional people learning to love each other and dance together. The director wisely keeps the dialogue to a minimum, and lets the dancing tell the story. And what dancing! The Tango is a captivating dance to begin with, and these folks dance it with grace and passion.

Pablo Veron has more screen presence than any other actor alive, and he's a world-class dancer to boot. Sally Potter, the movie's director who plays his partner is also an excellent tanguera. Did I say it before? The dancing is amazing!

From the parks of Paris to the Tango salons of Buenos Aires, the characters speak to each other in French, Spanish, and English. This ain't Hollywood fare. No car chases, no pulling of heart strings, no wacky characters. Just striking cinematography, a fine, spare script, and delightful dancing. If you like beautiful things, you'll like this movie.

To set things straight...
I saw the Tango Lesson and found it a genuine work of Art. I recommend those who love good movies to watch this one. The Tango Lesson perhaps has a weak plot, but a film director isn't necessarily a story teller. The meta-narration which takes place in the Tango Lesson certainly makes this movie an advanced art product, which has nothing to do with the telling of actual occurrences, but rather focuses on the developing of Art itself in the mind and life of an Artist. In my opinion, one of the strong-points of this film is that it allows us to peek into the director's head, and see Art through her eyes (I can assure it's quite a sight). Some may interpret this film as an "exercise in self-indulgence," but personally, I think this approach misleading, in the age of the "Self." We're talking Art here, and Sally Potter is the Artist. Herself: no one else should be the starting point and centre of her own movie. The Lady knows how to direct, act, dance and sing: why shouldn't she do all of the above? I think she deserves much admiration: she's a well rounded Artist, and there aren't many! (Besides, as I've said already, to me the film is about Art and Life before anything else: the director uses her own experience and many skills to make a point and to get things done exactly how she wants them, but the movie isn't "about" Sally Potter.) Now to the point. The editing has character, it's intelligent, original, definitely not a Hollywood product. The photography is breathtaking - and eloquent: it says "the Tango Lesson is about Aesthetics, Beauty itself." The acting is honest, fresh, and charming. In my opinion, the acting is superb: Sally Potter really knows what measure and elegance are. The soundtrack is exquisite. The tango pieces are great, and so is the leitmotiv of the movie: the seagull-like cry in the airport scene tears my heart out every time I listen to it (it's also the one track that made me decide to buy the CD). This film, someone said, has little to offer the general public. I'm afraid this is accurate. Or rather, "the general public" probably would have some difficulty in tacklig this art-movie, which I don't believe was meant to give easy answers to difficult questions (like so many other films) but to make people think. Nonetheless, seeing this movie made me realise all over again that it's definitely worth trying.

Great dancing, great locales, not enough courage.
Sally Potter is a great director and Pablo Veron, her sometime teacher/boyfriend is a great dancer. Having said that, there is a reason why this film , despite its apparent honesty, fails.

It doesn't cut deep enough into the dark or shamefull flaws of the leads. It's too subtle for its own good, or rather it's subtle by default, it lacks courage. Sally plays herself and wistfully looks up at the apartment building where her teacher, Veron (who also plays himself) resides. It's a beutifull shot, with snowflakes falling. . .

In another scene she tells him she has been in love with him as a woman for over a year but that he just wants her to get into the movies and be a star, whereupon his reaction is once again, er...subtle.

The point I'm getting at is that she's much more than merely 'wistful' , she'a a middle aged woman who is making a complete ass of herself, acting like a 14 year old with a crush towards a man who is indeed ruthlessly exploiting her for the money of the lessons and for his chance at a movie role.

But we don't get to the heart of that.

These dark sides are whitewashed in wistfull snowflakes . . .

Had these flaws been brought out the characters would have been infinitely more vulnerable and interesting. The love between them (yes , despite their flaws there is love) would still have been there, the magic of the dance and its art would also have been there in all its glorious obsession. Most of all, the contradictions that make these two human beings unique and interesting would have come forth.

Still worth watching for some of the best Tango numbers choreographed. But it's a pity compared to what it could have been. . .

One of My Favorite Movies
I absolutely loved it because it's an adult love story told from an adult point of view. The two main characters have strong personalities, and because of their occupations, are used to being in control. They learn that in life, sometimes you lead and sometimes you follow. The cinematography is perfect; you only see what needs to be on screen, nothing superfuous. The same can be said about the dialogue. Sally Potter was involved in every aspect of her film: directing, writing, acting, dancing, writing music/lyrics, and singing. There is great chemistry between the two main characters and the music and dancing are wonderful. You won't be sorry you purchased it. The music will make you raptuous and the dancing will inspire you to dance.

Choregraphy is great!
The film as a film justly explores the politics of tango and is well directed. The film may lead the uninitiated to believe a student could reach such an advanced level of dance in such a short period of time. However . . . it is a film produced as entertainment.

All in all - for tango lovers, the dance scenes are worth watching again and again. ... Read more

Amazon.com

The first gymnast to ever score a perfect 10 at the Olympics was Nadia Comaneci. From a small town in Romania, Nadia (Leslie Weiner, in her only feature film role) rose to international stardom. Under the coaching guidance of Bela Karoli, she pushed herself with the will of a champion. This movie does a wonderful job of showing how hard gymnasts must work as well as showing how much they must give up in their personal lives in order to achieve success. After winning three gold medals at the 1976 Olympics, her life spins out of control when Bela is removed as her coach. For the first time in her life she is on her own, she is the object of jealousy from her teammates, and her weight is out of control. She seeks out her former coach and asks for his help. Together they put Nadia back on the winning track. A family film with a lot to offer, Nadia shows in a credible way the highs and lows of celebrity. The gymnastics portions are terrific. A must if there's a budding gymnast or gymnastic enthusiast in your home. Made in 1984 for television. (Ages 5 to adult) --Peggy Maltby-Etra ... Read more

Reviews (43)

Where's the rest of the movie?
I bought this VHS for my daughter, who is starting gymnastics lessons on the fall. While it was a good introduction to gymnastics for her, I can't help but feel really cheated. There is a LOT missing from this VHS version! There are scenes that abruptly cut off without explanation. There is a nice scene in the beginning where Nadia meets another little gymnast, they do an impromptu gymnastics routine together and lie on the mat and talk. That entire scene was cut out, so you're left not even knowing that they are friends. The was a lot more missing - more towards the end, that I realized after the film was over. I'm not sure why they didn't just release the film in its entirety, but it left the viewer with a feeling that character development was rather shallow, and it was more like a quick after-school special than a "bio", which is what the original version was. I would suggest waiting for this to eventually reappear on cable, rather than buying this version if you want something complete.

From what I've seen, it's pretty good
I saw a small part of this movie on the Internet, and from what I saw, it was pretty good. I just wish I could see the whole movie!

The gymnastic sequences were very well done, although some of the editing was pretty bad.

If you can get your hands on this movie, than I think you should see it, because it deserves to be seen.

Good!
I remember watching this movie about Romanian Gymnast Nadia Comaneci when it first aired on TV and for a made for TV movie it was pretty good though some scenes were a bit rushed but I'm disappointed to hear that that when they put the movie on video they edited it and cut things out but maybe someday a restored version will be released on DVD. I see that there is some complaints that this movie didn't cover her comeback and her move to America but that is because this movie was made before her comeback and her move to America so that is why it's not mentioned in this but maybe someday an updated movie will be made about her.

Good Film
I saw this movie when it was on TV and loved it! My sister and I taped it and must have watched it over 100 times! We knew every routine, every line, etc. Then I went to College with tape in hand and taped over it on accident. I was absolutely devastated until I found it on-line! I am so excited to get this movie back in my hands again. I read that this is an edited version, but I think that'll be ok.

Decent portrayal
I felt the movie could've used a little more gymnastics action, and a little more of Nadia's come back from adversity. Also, little Teodora reminds me of another past Romanian star, Alexandra Marinescu. ... Read more

Reviews (142)

A sumptuous Renaissance feast!
Franco Zefirrelli's 1967 film was revolutionary in using teenaged actors to play the two most famous lovers of all literature. Olivia Hussey is heartbreakingly beautiful, a vulnerable and courageous Juliet, while Leonard Whiting's poetic good looks make him a sensitive and appealing Romeo. Zefirrelli's career as an opera director is put to spectacular use here--each scene is meticulously crafted to be an exact replica of the Renaissance. Stunningly beautiful clothing, jewels, furniture, food, glass, sculpture--it is an overwhelming feast for the eyes. The preserved medieval towns of Tuscany, and the lovely Borghese palace where the balcony scene is set, give the film the look of an animated Renaissance painting. Zefirrelli took some liberties with Shakespeare's original script for the sake of brevity, but unless you are a die-hard purist, this is a minor flaw. I saw this film a dozen times in the theater, and never without the sound of girls weeping by the end--I was often one of them. Leslie Howard was a better actor, and Leonardo DiCaprio/Clare Danes more modern, but if you love beauty, this is THE quintessential Romeo and Juliet on film. END

Zeffirelli's Quintessential Version! Every Aspect Excellent!
This is THE must see version of Romeo and Juliet. Zeffirelli's 1968 masterpiece stars 17-year-old Leonard Whiting and 15-year-old Olivia Hussey with great music by Nino Rota. Filmed "on location" in Italy this version also has the fingerprints of the 1960s all over it, from moddish long hair, the debut of Michael York as Tybalt, John McEnery as Mercutio, the lush balcony scenes, the nude scene, and an emotional intensity throughout. McEnery brings just the right comic touch to the comi-tragedy and screenwriters Franco Brusati, Maestro D'Amico, and Zeffirelli keep true to Shakespeare with a take on the story that's easily accessible to a wide audience, thereby making this one of the most popular films of the '60s.

Especially effective is the ambiguity of intent of the Tybalt-Mercutio duel, and the overall editing of dialogue just enough to keep it succinct and believable yet retain the poetic and philosophical virtuosity of the playwright's playwright. The music is used effectively and as it rises during the love scenes it's a manipulation that's an enhancement to rather than distraction from the emotion--a rare successful pull-off of this. And that balcony scene is extraordinary, the lush dark atmosphere, Romeo's giddiness, Juliet's beauty...I believed it.

Milo O'Shea (who later played the Judge in "The Verdict") does a believable Friar Laurence and Robert Stephens (I)(with a long list of Shakespearian roles to his name) an intensely serious Prince of Verona. It's hard not to fall in love with Olivia (watch for her new film role as Mother Theresa).

Some bits of trivia: Before 1968 Romeo and Juliet was not generally taught in US high schools and this film's popularity changed all that as most of you reading this had it in high school. Michael York turned down the role of Oliver in Love Story--one may read into this he felt it was a poor man's Romeo and Juliet...just a thought. Also Olivia Hussey briefly dated Prince Charles. And here's the clincher: Paul McCartney got the original offer to play Romeo. I'm glad he turned it down, as Whiting is perfect here. And for those who wonder, the story did not originate in historical fact, though one may wish it so. The story came from mythical legend starting in 5th century Greece, later evolving into "The Tragical History of Romeus and Juliet" translated into English in 1562 by Arthur Brooke and originally written about 1530 by Luigi da Porto., 'til Shakespeare got a hold of it (circa 1594) and breathed into it the life that will last as long as humanity does most probably.

This towers over the 1st film version with a 34-year-old Norma Shearer and a 43-year-old Leslie Howard, and as for the 1996 mess sorry guys; American accents, present day gang violence, over-the-top overacting, LA locales, and Leonard DiCaprio do not great Shakespearean tragedy make. This 1968 one is the one to see over and over.

Excellent movie...Great actors
Watching this as part of a highschool assignment, the teacher only allowed us to watch about 15 minutes of it. When I saw it playing on cable, I sat down to finish it. This, I must say, is the best version of Romeo and Juliet. In the '68 version The actors are young and even though it was made in '68, you can relate to them in this day. The acting is superb, no one better could have been picked for the parts. It was a real tearjerker. Not to mention the soundtrack...the songs were just amazing to hear. Just watch the movie once, you'll fall in love with it.

The Defintive R & J
I could watch this version of Romeo and Juliet over, and over, and over. The performances are dead on, especially John McEnry's turn as Mercutio (you understand the reason why he's killed off: people would have cared more about him than about the tragic heroes if he'd been around too much longer!). I would advise teachers, however, that this is not the first version they show students of the show. While most ninth graders read this play, the giggling that can abound in a classroom watching Romeo in tights often distracts from the meaning of the film.
So, for with the exception of ninth graders, this is the Romeo and Juliet to see.

Zeffirelli and Shakespeare: A Perfect Match
There is nothing worse than bad Shakespeare but not to worry here-- Franco Zeffirelli and Shakespeare come together here in a lavish, opulent production of ROMEO AND JULIET, just when we thought there was nothing fresh to say about them. Zeffirelli has broken new ground by casting Leonard Whiting, who is 17, and Olivia Hussey, who is all of 15 but looks even younger, in this timeless classic story about "star-crossed" lovers. With the possible exception of some parts of the musical score-- although much of it soars-- this film is as good today as it was when first released in 1968. (The musical theme was beautiful the first 50 times I heard it on the radio. Then it became trite.)

There are no bad actors here. In addition to the two lovers, Michael York as Tybalt and Pat Heywood as the nurse give outstanding performances, just to name two. My only negative comment about the acting is that Romeo always seems to run to and from an event or meeting; he never walks. Perhaps that is what a seventeen-year-old, testosterone-laden lad does, however. On the other hand, Romeo and Juliet's tragic story is completely believable and will put chills on your spine. Additionally, the dance scenes and duel scenes are quite wonderful. The wardrobe department got everything right as well.

A word about the language-- it goes without saying that Mr. Shakespeare is and ever shall be the greatest writer in English. Hearing his words again is a transcendent experience. ... Read more

Description

The story of a young man?s amazing journey from a slave prison to the very inner sanctum of Egypt?s Pharaoh ... Read more

Reviews (39)

Gripping and accurate ...the ending will bring you to tears!
As a teacher of ancient history with a doctorate in Biblical theology, I can say--without hesitation, this account of the Joseph story is as good as it gets! Although some of the sexually explicit (though historically accurate) scenes should be screened from the very young, this film is an ideal platform from which teens can search out characteristics of moral uprightness in a character of whom the Bible has not one negative thing to say! Kingsley (as he did in 'Moses') steals the show, and Mercurio does an admirable job as Joseph. Especially capable are the actors portraying Joseph's wicked brothers, with Vincenzo Nicoli sterling is his performance as the wicked Simeon. Having watched the film dozens of times with adults--as well as with my middle-schoolers in the classroom, I can say that the greatest of Bible stories is captured in all its power, pathos, and glory. Although creating a few anachronistic vignettes (such as Joseph's 'foreshadowing' Christ's "My God, my God..." speech from the Egyptian prison), the film also captures all of the great ironies of the Joseph story. When Mercurio tenderly reveals himself as the second most powerful man in the ancient world--to the brothers who hated him as a youth, the words 'I am Joseph' will not fail to bring even the most calloused heart to tears. As my students synthesized the thirty or so characteristics of moral goodness extant in Joseph into an essay, one asked why no such heroes existed today. The question revealed both the effectiveness of this presentation, and the dearth of role models in our society. 'Joseph' is both gripping in narration, and brilliant its direction. It is faithful to Scripture and well-acted. It is THE finest of the TNT productions to date, of which only one ('Jacob') was a failure. Everyone will appreciate this wonderful story of forgiveness, but those those who are looking for the 'hidden things of Christ' cannot miss the poignant messianic threads which are so skillfully woven through the life of Joseph. HIGHLY RECOMMENDED!

"The Joseph story as it was meant to be told!"
This account of the Joseph story is as good as it gets! I teach ancient history and civilizations, and have an earned doctorate in theology. I say this only to lend perspective to this review.

This film is Biblically accurate, well-acted, and the producer and director are to be praised for the sound Biblical reasearch!

Although some of the sexually explicit (though historically accurate) scenes should be screened from the very young, this film is an ideal platform from which teens can search out characteristics of moral uprightness in a character of whom the Bible has not one negative thing to say!

Kingsley (as he did in 'Moses') steals the show, and Mercurio does an admirable job as Joseph. Only Leslie Ann Warren (Potipher's wife) seems to strain as an actor, nevertheless, her performance detracts little from the drama. Especially capable are the actors portraying Joseph's wicked brothers, with Vincenzo Nicoli sterling is his performance as the wicked Simeon.

Having watched the film dozens of times with adults--as well as with my middle-schoolers in the classroom, I can say that the greatest of Bible stories is captured in all its power, pathos, and glory. Although creating a few anachronistic vignettes (such as Joseph's 'foreshadowing' Christ's "My God, my God..." speech from the Egyptian prison), the film also captures all of the great ironies of the Joseph story.

When Mercurio tenderly reveals himself as the second most powerful man in the ancient world--to the brothers who hated him as a youth, the words 'I am Joseph' will not fail to bring even the most calloused heart to tears.

As my students synthesized the thirty or so characteristics of moral goodness extant in Joseph into an essay, one asked why no such heroes existed today. The question revealed both the effectiveness of this presentation, and the dearth of role models in our society.

'Joseph' is both gripping in narration, and brilliant its direction. It is faithful to Scripture and well-acted. It is THE finest of the TNT productions to date, of which only one ('Jacob') was a failure.

Everyone will appreciate this wonderful story of forgiveness, but those those who are looking for the 'hidden things of Christ' cannot miss the poignant messianic threads which are so skillfully woven through the life of Joseph. HIGHLY RECOMMENDED!

a man of character and faith
Though this interpretation of Joseph's life has been substantially embellished, the heart and soul of the story remain intact, and is ultimately quite faithful to the Biblical account covered in Genesis Ch. 33:18 through Ch. 46:30.
Much of the acting is marvelous, especially Ben Kingsley as Potiphar, whose part has thankfully been enlarged, because he is riveting in every scene he is in.
Martin Landau is also excellent as the patriarch Jacob, who mourns the apparent loss of his favorite son, Joseph.
Australian actor/dancer Paul Mercurio ("Strictly Ballroom") is good in the lead, and others in the cast include Leslie Ann Warren as Potiphar's lying wife, the always beautiful Dominique Sanda as Leah, and some fine character actors playing Joseph's brothers, notably Michael Attwell (Judah), and Vincenzo Nicoli (Simeon).

Included in this film, and intrinsic to Joseph's life are the stories of Tamar and Judah, and the horrific tale his sister Dinah, both done effectively.The only parts that are less than first-rate are the scenes in Pharoah's court; almost campy in costuming and acting, they can provide some amusement in the midst of all the drama. Stefano Dionisi is a most unlikely and modern looking Pharoah, and has the ultimate babe for a wife, the pulchritudinous Monica Bellucci. The entire film though, is always mentally and visually entertaining, and has much spiritual content. As with so much of the Old Testament, there are allegories that run through its narrative that point to the New Testament, and the story of Joseph has much of this symbolism.

Filmed in Quarzazate, Morocco, with its exotic ancient structures and landscapes, the cinematography by Rafaele Mertes is wonderful; this is a way above average production for television, and a film about a man who "does nothing against his conscience even on pain of death" is worth watching again and again.

Great Movie
I truly enjoyed this film. I think it was superbly done, however, I did not agree with the scene between Joseph and Potipher's wife. I think it was a bit too sexy and it was not necessary. This scene does not make it suitable for younger audiences and I think that is a shame because it is such a great movie. However, that was the only scene where I saw Hollywood getting carried away.

Excellent biblical account and well done!
Thoroughly enjoyed this depiction of the life of Joseph and learned much by viewing the movie! Even though I have read the biblical account, seeing it come to life in the movie filled in things in the story that I missed in the biblical account.

Sometimes it's nice to read the bible story first and then follow it up with seeing the movie.

Movie very well done! Highly recommend! ... Read more

Reviews (39)

What Goes Around.....Comes Around...in Spades!
This gorgeous film is the concluding story of Jean de Florette. That the two films aren't boxed together is ridiculous, because although they stand alone, taken together they become an unforgettable film experience and a devastating masterpiece.

In this film, the little daughter of Jean de Florette, who knows what was done to her father and by whom, has grown to become a stunningly beautiful young woman (Emmanuelle Beart). She is a free spirit, a shephardess, and so achingly gorgeous that one of the participants in her father's tragic downfall (Daniel Auteuil) can't help but fall hopelessly in love with her (no mystery there!). That his love is hopeless and will ruin him is just the begining of the reverberations from the sins commited in the first film that will befall the sinners in this concluding second film.

The other is what happens to the character played by Yves Montand. I will not spoil it for you, but what comes back on this cruelly calculating old man is something to behold. Montand capped a wonderful career with his brilliant and nuanced portrayal of this man. The role, which spans both films, is a beautifully deep performance, and you will be surprised by your different emotions about this character. It is a full-range performance, and shouldn't be missed by anyone who loves great acting.

Although each film is complete unto itself, it is together that the full artistry and power of the story is experienced. So if you get one, by all means get the other.

Directed with care and photographed beautifully in the countryside of Provence, this is a visual and emotional treat. A terrific story of human passions, each is a 4 star film, together they are a 5 star masterpiece.

Second film of a two part story.....
I love this film. Emmanuelle Beart made her debut in this film and she is breathtakingly beautiful. Her husband Daniel Auteuil also starred in the film. I don't know if they met on the set or not but it was certainly made at the beginning of their careers in film.

The story of Manon (Beart) continues in this film. In JEAN DE FLORETTE she was a little girl, who accompanied her parents to Provence where her father took up the cultivation of Carnations on the old family farm. Uncle (Yves Montand) and cousin (Daniel Auteuil) next door objected as there was only enough water to supply one farm. The result was a water war.

In MANON, the young Manon has grown into a young woman. She lives a relatively wild life on the old homestead, raising goats who follow her everywhere like children. Cousin (Auteuil) realizes one day that he is in love with her. But a dark secret hangs over his head and if Manon knew the secret she might hate him (has to do with water).

The rest of the plot consists of the resolution of problems, tensions, difficulties set up in JEAN DE FLORETTE. I can't imagine anyone buying one film and not the other. I am buying both DVDs. They are a set. The cinematography is wonderful, the actors are superb. If you love Provence you will want to own these DVDs so you can watch them on those cold rainy days when you aren't in France.

The sweet smell of revenge
In the first part of this sequel, Jean de Florette, there has been a murder. So remeber Emerson statement: Commit a crime , and the world is made of glass.
Emmanuelle Béart is one of the most beautiful actress in the world, his charm is so arresting that gives us the perfect role for this work. She made her debut in the screen in this one.
She knows more than Daniel Auteil believes, he falls in love with her but...
The second part of this work is extraordinary. You can miss the absence of Depardieu, that's why the director makes a clever less lineal with more surprises and even satirical approach. Remember the miracle water, for instance.
Yves Montand may well have done the best achievement of his long career in this role.
Watch this enjoyable film, and remember this is the second part of the story.

Make sure you see Jean de Florette first
This is the second part of a two part series, and picks up where Jean de Florette leaves off. If you do not see Jean de Florette, then you will be missing much of the background of this movie, and the context is important. For example, without viewing the first movie, the viewer will not know Manons background, what happened to her father, and their farm. The viewer will also not know the full relationship she has with the Soubeyran clan.

The quality of the DVD picture is avarage. The picture is fairly clean and clear.

Good film !
American friends,I am agree with you about Manon of the spring("Manon des sources" in french) so I can only add one thing.Because the action of the film is set in the south-east of France,the actors speak with the lovely accent of this part of the country.That contribute to "add sun" in the film. ... Read more

Amazon.com

This gorgeous adaptation of Lucy Maud Montgomery's classic children's story is well worth watching with the whole family. Produced for Canadian television, it's one of those rare productions that actually sticks to the book and even enhances it through first-rate performances and an excellent script. Set on bucolic Prince Edward Island in the late 19th century, Anne of Green Gables is the story of Anne Shirley, an imaginative and headstrongorphan. When brother and sister Marilla and Mathew Cuthbert decide to adopt an orphan boy to help Matthew work the farm, they are astonished when Anne arrives at the train station by mistake. "What use is she to us?" grumbles the gruff Marilla."We might be of some use to her," answers Matthew, who has taken an instant liking to the talkative Anne.As Anne grows up, her adventures are both hilarious and moving. It's a delight to watch as she forms a friendship with the beautiful Diana and her admirer--the dashing Gilbert Blythe--then dyes her hair green, cracks a slate over Gilbert's head when he calls her "Carrots," and finds a sympathetic teacher who encourages her to attend college.

Richard Farnsworth is perfect as the shy and gentle bachelor Matthew, who confides to Anne that he never went courting because "I would have had to say something." Colleen Dewhurst delivers a nuanced and powerful performance as Marilla, a seemingly cold-hearted spinster whose no-nonsense exterior conceals a warm heart. And as Anne, Megan Follows strikes the perfect note, maturing from freckle-faced orphan to elegant and poised young woman. --Elisabeth Keating ... Read more

Reviews (231)

Excellent film!
This is a terrific adaptation of the classic L.M. Montgomery coming of age story. It centers on young Anne Shirley, a strong willed, independent orphan who is adopted by siblings Marilla and Matthew Cuthbert. They originally wanted to adopt a boy to help out at their farm, but instead received a surprise when Anne arrived at the train station. Anne's adventures growing up are both funny and heart-warming. This is a fantastic movie that will please youngsters and adults alike, as there is something here for everyone! Megan Follows is excellent as Anne Shirley, Colleen Dewhurst is wonderful as the stern but loving Marilla and Richard Farnsworth is great as gentle Matthew. The supporting cast also give splendid performances. Highly recommended!

Timeless memories of a Canadian childhood
I can still remember the excitement I felt when I first saw Anne of Green Gables almost fifteen years ago. It accurately and lovingly captures the thrills of childhood, of breathless anticipation, the joys of friendship, and the final moment when we must bid our childhood goodbye and take our place in the grownup world. The performances are flawless and capture the original flavour of each of the characters from the book. Megan Follows IS Anne Shirley, Shuyler Grant is a kindred Diana Barry, and Colleen Dewhurst is the stern Marilla Cuthbert who finds her heart unexpectedly embracing the joys of motherhood.

Everything about Anne of Green Gables is done with the utmost love and respect in regard to the original novel by Lucy Maud Montgomery. Anne is every child, with her eyes open to the world, her thirst for knowledge, her immediate trust, her quest for adventure, and most of all her imagination. Megan Follows captures the timeless appeal of the orphaned Anne with spirit, grace, and wit. Her humorous mishaps, personal struggles, and her newfound love for the Cuthberts as well as her love for Avonlea make her an enduring heroine throughout the ages. Who knows? After seeing this film you may discover that you are a kindred spirit as well!

its a classic!!!
What can i say, I LOVE this movie. I grew up watching this one and Anne of Avonlea(now the sequel) I also read the books when i was young. I still enjoy watching them as an adult. I just wish i had a daughter to watch it with and enjoy with me. (we have two wonderful boys and most likely wont have any more) The characters fit the roles perfectly and are excellent. You just fall in love with them all.

DVD QUALITY GREAT ! I can see the print of the wallpaper
After watching this often on vhs I bought a DVD and I noticed the difference right away! You can see the print of fabrics, wallpaper, and details of everything much better. This is a wonderful story and the music is beautiful. All the actors are excellent. Great movie for little girls with red hair! Its not easy growing up with red hair. I love the way Anne is portrayed in this movie. There is a black and white version made in the 1930's and its okay. This movie also shows a girl taking her education seriously. The only thing I didn't like was that Gilbert is a little too much the lovesick fool. I think most guys would have given up on her, she was very mean to him.

A Favorite For Any Generation
This series has always been in my heart and always will be. I can always see myself in Anne Shirley, just as I'm sure every other young girl will. Kevin Sullivan did a beautiful job of bringing to life the works of Lucy M. Montgomery's series of Anne of Green Gables. I loved this movie the first time I saw it on television on PBS and I was thrilled to finally find it on DVD. Anne Shirley is a young orphan girl with a huge imagination, daydreams, and a huge talker. She's transferred from home to home and then back to the orphanage until she is finally picked to live in a town called Avonlea. She lives with a family Marilla & Mathew Cuthbert (played by: Colleen Dewhurst & Richard Farnsworth). After worrying she wouldn't be adopted because she's not a boy she warms their hearts and starts a new life with them. And she then soon meets her bosom friend Diana Barry (Schuyler Grant) and of course Gilbert Blythe (Jonathan Crombie). We follow the lives of these characters that Anne meets along the way. This series is for any young girl or for any girl at any age to enjoy and the entire family. The fun part is you can also see parts of the cast that end up being in Kevin Sullivan's production of Road to Avonlea. But this series is wonderful, charming, and full of adventures. The supporting cast is quite amazing as well they include: Rachel Lynde (Patricia Hamilton), Miss Stacy (Marilyn Lightstone), & Aunt Josephine (Charmion King) just to name a few of my favorites. This movie is also about life and the human heart that we see through Anne's eye's. The DVD is full of tons of great stuff such as Megan Follow's audition, a small behind the scene's moments, missing scene's, & tons more. So I do highly recommend this film for everyone. ... Read more

Amazon.com

After their brilliant collaborations on Howards End and The Remains of the Day, director James Ivory and Anthony Hopkins reunited (along with producer Ismail Merchant and screenwriter Ruth Prawer Jhabvala) for this controversial film about the life and loves of the great artist Pablo Picasso. Hopkins is outstanding in the title role, portraying Picasso as a brilliant, manipulative egotist who used his power over women to fuel his artistic impulse and voracious sexual appetite.

But Surviving Picasso is not intended to be a screen biography and, as many critics noted in mixed reviews, this 1996 film fails to provide any substantial insight into Picasso's complex personality. It's more about Françoise Gilot (Natascha McElhone), the aspiring artist who was one of the few women to "survive" Picasso's love and emerge as a stronger, more confident person with a life of her own outside of Picasso's often destructive sphere of influence. McElhone is impressive in this breakthrough role, conveying the seductive effect Picasso had on women, but also holding her own against the artist's unpredictable temperament.

Surviving Picasso was based on the unflattering book Picasso: Creator and Destroyer by Arianna Huffington, so the Merchant-Ivory team did not have the cooperation of Picasso's estate. The result is a film that shifts its focus away from the artist and onto his positive and negative effect on those who entered his inner circle. It's a fascinating portrait of a fascinating man and his equally passionate lovers, fueled by excellent performances. Even though you know you're not getting the whole story of Picasso's best and worst behavior, the movie grabs and holds your attention. --Jeff Shannon ... Read more

Reviews (6)

Enduring Picasso
I find Anthony Hopkins to be a master at becoming whatever he intends to create. He was just as believable as President Nixon in "Nixon", as he was a madman in "Silence Of The Lambs". Here again, he does not dissapoint me. The movie is dark, and I would tend not to agree with the accuracy of the historical aspects of the film, but I did find Hopkins to be a compelling Picasso. And, yes once again, I found myself watching Pablo Picasso. I enjoy biographies of painters and creative souls, and I would be hard pressed to find a biography that is uplifting and has a happy ending. I found the same in "Surviving Picasso". It is a little long in the tooth, but I found the cinematography to be beautiful and again, Sir Anthony Hopkins' performance is beautiful. I would reccomend this for any Hopkins lover.

No me gusta all that mucho
While Anthony Hopkins is a good actor, you know, he's really not like Lon Chaney, Man of a Thousand Faces. By which I mean, there's a limit to his versatility, and "Surviving Picasso" is a case in point. I really didn't believe him as the Spaniard painter. He sort of reminded me of Otto Preminger's Mr. Freeze from Batman rather than the most famous painter of the 20th century. Try it for yourself to see if you survive to the end; I almost didn't.

Is there anybody better than Anthony?
If you love Anthony Hopkins and you love stories based on real (and very interesting) people, you will love this movie. Its a movie with a story of a man that has it all and wants more, he loves hard and paints beautifully, and Anthony Hopkins pulls it off beautifully playing Picasso. I was amazed at his ability to be romantic and seductive one moment, playful the next, and suddenly turn to a madman. It was beautiful.

MOSTLY A GREAT ARTIST
It's a common fact that great artists often make poor human beings, unable to connect with real life in a decent way.It was certainly the case with PABLO PICASSO and we knew that before this movie was made.The film seems to say that he only loved women for the sake of his art.Being SPANISH, he was a latin man with a deep inclinaison towards his own ego.His control over the people he knew really destroy them in many ways.While it is a work of fiction, the performances keeps it interesting ,even if we don't have to take it all too seriously.

Intriguing
I've watched this movie many times because I'm fascinated by the man, especially hoping to get a better understanding of what his life was like. The more I learn about him though, the more this movie is so one dimensional and inaccurate. It was based on the harshest biography of Picasso which is unfortunate because it gives a false impression of what he was really like. I would still buy it because the scenes are filled with his studios and artwork, however it would have been one of my all-time faves if it focused more on his work and his passion. ... Read more

Reviews (57)

The Soundtrack Of Your Dreams
How can you review something like Anastasia's "Before The Rain"? Well it's practically impossible to do it. But here are a few things that ought to help you understand the incredible beauty of this album.

"Their music is a unique blend combining: the Byzantine past, through Eastern Orthodox church music, with a rich gamut of ethnic rhythms" says their official web-site (anastasia.com.mk). I couldn't agree more on this. The music is a blend of acoustic instruments fused with modern technology. Goran's voice is relly fantastic. This is macedonian ethno at it's best. Excellent night music, exellent for that early dawn just when you are waking up. It's great if you really want to listen to it, but it's also great as a background music.

I think this will do for now. Now check the sound samples so you'll get a faint idea of what i'm talking about. But don't hesitate to buy it. It will make your life more beautiful. Trust me. This is unlike anything you've ever heard before. After you get it slip in the CD in your player, lay down, relax and enjoy.

If you can see the movie too. It's fantastic, very poerful, very emotional ( it was nominated for an academy award - a real shame it didn't win ).

Oh, by the way - if you have a chance go and see them live. They're good as hell!

Powerful Drama, In Need of a DVD Issue
Although this movie is currently out of print in VHS in the US, if you go to the DVD section of Amazon and do a search for it you can sign up to be notified should it ever get a DVD issue. Amazon also indicates that it will let the studio know that there are people hoping for a DVD release.

Circle of thought
By far the best foreign film I have seen. After you see this film take a good half hour and try to figure out the order of the parts. Think about each part's significance to the film. You'll find the message is very deep.

It worths 10 stars!
Ends with a highly philosophical question!

TIME WELL SPENT!
This is one film, i'm just glad i know about! the narrative structure is quite inventive and its right up there with memento, pulp fiction, run lola run, etc.. it definitely will have you going in circles, no doubt it. ... Read more

Amazon.com

Beautiful young French people romp on an idyllic country estate in Tender Cousins. The story, set in 1939, centers around Julien, a young adolescent boy in love with his cousin Julia, who is in love with the foppish Charles, who is engaged to be married to Julien's older sister Claire, who... you get the idea. Julien and Julia's little sister Poune, who seems to know what everyone is up to, engage in pranks; a visiting actress puts on a theatrical revue; everyone pursues the new maid; a scientist believes he has isolated the soul, which he captures in balloons; and, when war against Germany is declared, the adult men must go off to war, giving the otherwise lyrical story a sad undercurrent. Flashes of wit, bits of silliness, and a good dose of nudity make Tender Cousins pretty much the definition of its brand of French sex comedy. --Bret Fetzer ... Read more

Reviews (9)

Tender Cousins
Unless you are a David Hamilton collector, I would suggest you buy another movie. The amount and duration of early teen nudity was very disappointing. While there are a few adult nude scenes (also short in duration), teen and pre-teen nudity is seriously lacking. For a brief moment you get to see one nude teen (full frontal nudity) lying in the grass outside. Later you get to see her bathing with only a slight glimpse of pubic hair. The prettiest and youngest girl in this movie you don't get to see nude at all. Such a disappointment for a David Hamilton film. If you're looking for movies with good story lines, good acting and pre-teen or child nudity look at "Pretty Baby", "Tom and Lola" and "The Annunciation".

I hope this review provides potential buyers with information that other reviewers seem to overlook. While many of these movies have great acting and solid story lines, what many people are interested in is nudity, so to that end all GateKeeper reviews will focus on providing that information.

Interesting for David Hamilton Fans
David Hamilton, who began as a fashion photographer, made his considerable reputation from a large number of glossy and beautifully executed coffee-table-sized photobooks of undraped adolescent girls, soft-focused, highly romanticized, and decorous almost to the point of being chaste. In 1977 he began making motion pictures with the same general theme as his books. He made five altogether: "Bilitis" (1977), "Laura" (1979), "Tendres Cousines" (1980), "Premiers Désirs" (1983), and "A Summer in Saint-Tropez" (1984). Four of these are available on VHS. The fifth, "Premiers Désirs," notable for featuring the 18-year-old Emmanuelle Béart in a minor role, has never been released in the US.

Unfortunately, Hamilton, while brilliant at photographic composition and with a keen eye for the sensuous, fails as a motion-picture director. Apart from the images, his films are not very interesting. The scripts are dull and predictable, and the mostly wooden dramatic performances of his adolescent and adult stars are less than praiseworthy. If you are a David Hamilton fan and collector as I am, you will not be able to pass up the opportunity to have any of his films on VHS or, better still, DVD. Otherwise, rent before you buy.

A Boy's Dream Summer-done by David Hamilton
A teenage boy is left on a farm during the war when all the men have gone. There are females of every age who are desiring a male's company-any male. The boy finds himself much desired. However, he has a crush on an older teen girl who doesn't seem to like him too much. He has difficulty dealing with this, and all the other attention that comes this way. Since this is a David Hamilton work, there is nudity, but not as much sensuality as his other movies.

Dubbed Version
This VHS version is dubbed into english, and the quality of the recording is not the best. I would recommend getting Tender Cousins instead (same film but in french with english subtitles).

I first saw the french version of this film on cable when I was 15. I was glued to the set - The beautiful young ladies, fantastic cinematography, and wonderful scenery from the french countryside in 1939.

The plot is a little thin, namely that Julien, a young maturing lad has just returned home at the family farm, and he starts discovering the ladies, or more appropriately that they start discovering him. However his heart desires his beautiful cousin, and alas she doesn't seem too interested in him, at least not at first.

There is quite a bit of nudity in this film, but it is tasteful, albeit often gratuitous. I definitely would give the film 5 of 5 stars, but I gave it 4 because the dubbed voices aren't the best - you'd think that with a french title it would have been in french, but it's dubbed in english.

Also, female viewers will probably think the film is stupid because of the gratuitous nudity, whereas most heterosexual men will probably appreciate the film as an art form.

Hamilton Fans will Enjoy
Yes, it is kind of slow and a bit 'corny' in parts but the topic and the videography are sure to please. I wish he'd put this title on DVD. For those with DVD players, I recommend 'Rituals of Summer' DVD available thru Amazon. ... Read more

Reviews (540)

Simply Astounding
This movie has a very simple message and you read it in the title Life is Beautiful taking place during the holocaust in Italy no one could ever guess that this movie could be so touching and honest...Roberto Benigni who I believe won the Academy Award for his performance does the wonderful job in the role as a happy go lucky man who's whole life changes during the holocaust and it is up to Benigni to keep his family together...Another refreshing thing to see was the fact that this movie takes place in Italy during the holocaust and what is was really like for jewish families in Italy during the holocaust and very few history students know today that Italy was allies with Germany for a time...I love Benigni and enjoy watching his struggles and watching his love for his son and his wife. Why can't there be more guys like Benigi out there? The DVD features an English language track and of course English subtitles...I prefer the subtitles myself so I can get a real feel for the movie.I have been moved by this movie and you should rent or buy this movie for...by the end of this DVD you'll either be in tears or screaming life is beautiful!

Life is Beautiful, Movies can be Weird
After skimming the reviews here, Roberto Benigni has obviously struck a chord with a lot of people.
I would not argue with them but I found myself with the reviewer who called this film MR. BEAN GOES TO AUSCHWITZ. Actual history proved just too distracting for me to get caught up in this "fable."

Actually, the film I kept thinking of has never been seen: Jerry Lewis' THE DAY THE CLOWN CRIED. I've read the script and I can only imagine the reviews of that film if it was ever released! (Now there's a film in itself: a daffy but deranged filmmaker, popping pills and performing pratfalls, producing his movie about a German clown entertaining Jewish kids on their way to the ovens. Yikes.)

LIFE IS BEAUTIFUL doesn't go that far, but I found myself constantly distracted by Benigni's rubbery slapstick taking place in a concentration camp. Yeah, it's sweet that he wants to spare his son the horrors of the camp...but they're in a camp, a concentration camp.
The first half of the film actually plays like a whimsical, slightly-more-witty Jerry Lewis movie. Then the Nazis arrive. Individual scenes manage to touch and charm, but overall it just feels very odd.

Jerry Lewis must have gone nuts when Benigni won the Best Actor Academy Award (William Goldman, the sage of screenwriters, certainly did in print by saying this was the greatest Oscar abomination since THE GREATEST SHOW ON EARTH won Best Picture in the 1950s). I admit I was put off at Benigni's antics at the Oscars--"I LUFF YOU, I LUFF YOU ALL, I MAKE LUFF TO YOU ALL!" I can't even picture Jerry Lewis carrying on that much if he'd won Best Actor for THE BELLBOY. Now that I think about it, maybe he would....

Yes, movies are a great escape from reality--but there are some realities that shouldn't be part of that escape.
We have new generations of kids coming up who are quite removed from the terrifying reality of the Holocaust and the near-slapstick version of it portrayed in LIFE IS BEAUTIFUL could diminish the true horror of it.
That heaviness, that memory, made buying into the humor nearly impossible.

"I want to make love to all of hollywood"
The pride of Italy Roberto Benini in his WWII masterpiece, tastefully combining comedy with drama in an oscar winning foreign film. A must have. Make sure you watch it in Italian with the subtitles.

ETMR - Life is Beautiful
1. Humanity: How does Guido express the human quality of endurance?

2. Implications: Life is Beautiful expresses the need for family strength. What does this mean for today?

3. Evolution: Life is Beautiful employs a style that is at first jarring to watch, and then succeeds on its own as a force of comedy. How has this affected cinema since its release in 1998?

4. Realism: Is the game Guido plays with his son feasible realistically?

5. Stageplay: The basic story is one of a man trying to remain optimistic during a time of intense suffering. How does the light-heartedness of the plot change the realistic consequences of the Holocaust?

A Beautiful film
Never before has such a brilliant hybrid of comedy and the tradegy of war been so skillfully woven togen. The film, although disjointed slightly in its early stages, presents a delicate balance between the otrocities of the second world war and the genuine warmth and kindness of its protagonist. There are times when you will you laugh, others that you will feel deeply saddened by the plight of the characters, with the comfortable compromise reached at the film's conclusion leaving a pleasant after taste in spite of the circumstances. Brilliantly acted and filmed, Life is Beautiful presents a different take of what life was like in that dark period of history whilst leaving intact the integrity of the central themes and the brutality of war. This is a movie that can be enjoyed on multiple levels and is a worthy Oscar winner. ... Read more

Amazon.com

On his evening commute, bored accountant Sugiyama (Koji Yakusho) always looks for the beautiful woman who gazes wistfully out the window of the Kishikawa School of Dancing. One night he gets off the train, walks into the studio, and signs up for a class. Soon Sugiyama is so engrossed in his dancing he practices his steps on the train platform and under his desk, and becomes good enough for competition, compelling his wife to hire a private investigator to find out why he stays out late and returns home smelling of perfume. Among the colorful characters Sugiyama meets is his coworker Aoki (Naoto Takenaka), who transforms himself from geeky systems analyst to hilariously flamboyant (and bad-wigged) lounge lizard. Aoki explains to Sugiyama, "When I finish work, put on the clothes, the wig and become Donny Burns, Latin world champion, and I start to move to the rhythm, I'm so happy, so completely free." Here lies the chief charm of Shall We Dance, the contrast between the ultracompetitive women of the studio--including the one who caught Sugiyama's eye, Mai (Tamiyo Kusakari)--and the men who dance simply because they enjoy it. This 1996 film is somewhat comparable to the flamboyant Aussie favorite Strictly Ballroom, but Shall We Dance is especially noteworthy for contrasting the boldness of social dance with the buttoned-up societal mores of Japan, where people avoid public displays of emotion. Even in Japan, the joy of dance is irresistible. --David Horiuchi ... Read more

Reviews (105)

Save the Last Dance For Me
A clever late 90's Japanese film with English subtitles about ballroom dance lessons. No, this isn't your Arthur Murray dance studio. The cast is a memorable diverse, intriguing, group of characters taking dance lessons. Since the Japanese are reserved about public intimacy, dance lessons should be of a clandestine nature. The consensus in the movie is that men are considered losers if they take dance lessons or is it "just a reason to hold a woman in your arms."

The story focuses on Mr. Shugyima, a workacholic who spots an attractive woman through a window. Burdened with a mortgage and life's pressures, he seeks dance lessons to get closer.

Another character, a balding, quirky, looney Japanese/Latino, Mr. Aoki, has been dancing for five years, he wears a long frizzy wig piled loosely on his head because he believes the wig gives him inspiration to be like his idol, Donny Burns, a Latin dance king. The funny contortionist facial movements work equally with his suave, cool, bawdy dance numbers. He comes across like a combination Don Juan and Madonna striking a pose! A dance partner offends him when she refuses to dance with him as he dances "creepy."

An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz.

"Shall We Dansu?"-great story and cast!
This has to be the best Japanese movie I've ever seen and my all time favorite! It's the story of a 40 something year-old salaryman who, after seemingly attaining all his goals in life, a wife and child, a company position with a bright future and a new house, begins to ponder if there's more to life than just the "9 to 5" grind and mortgage payments. During his train rides home from work, he notices a beautiful young woman standing in front of the window of a dance school. What happens after that might seem obvious, but me believe it's not...Even if you don't understand one word of Japanese, the subtitled version, like the touching story are so well written, that you'll want to watch it over and over again. I hope the rumors of this movie coming out in U.S. theatres are true because it's sure to be a hit, until then i'll be waiting for this one on DVD! Aoki-san Gambatte!

to dance is to be free!!!!
This is the tale of Sugiyama, a Japanese "salaryman" who, in the tradition of modern-day Japan, essentially lives to work depsite the boredom and neglect of his family. On his morning commute aboard the train, he sees a beautiful dance instructor in he classroom. He decides to sign up and finds a life outside the office and his family via dancing. His wife hires a detective to find out what he is doing and why he smells like perfume when he gets back.

The great thing about this movie, and what I believe is true for everyone in every nation, is that everyone needs a passion that has absolutely nothing to do with their job or any of the skills required for it. Something to do just for the sake of enjoying yourself. As his coworker and fellow dance fanatic Aoki says, it makes him feel free.

The fact that they have to hide their hobby at work is hilarious. Aoki says their improved posture is a dead giveaway. They are caught ballroom dancing in the men's room so Sugiyama pretends he has just fainted and Aoki happened to catch him.

Humorous with a message, this is a great flick.

Gai-jin rates Shall We Dance as Ichi-ban (number one) Movie
I first saw Shall We Dance? on the big screen and was captivated by its storyline and cast of characters. I felt then, as I do now, that this was a film out of the ordinary. Viewers can relate to the various personalities and their dreams or desires. Because I am an expatriate living in Japan, I enjoyed the glimpse into the daily lives of my neighbors. Ichi-ban movie...a heart-warming story that you won't get tired watching over and over again. It needs to come on DVD a.s.a.p.

Save the Last Dance for me!!
This is a clever late 90's Japanese film with English subtitles about ballroom dance lessons. No, this isn't your Arthur Murray dance studio. The subtitles are very easy to read and clearly defined. The cast is a memorable diverse, intriguing, group of characters taking dance lessons.

Since the Japanese are reserved about public intimacy, dance lessons are of a clandestine nature. The consensus here is that men are considered losers if they take dance lessons or lessons are just a reason to hold a woman in your arms.

The story focus is on Mr. Shugiyama, an overworked middle-aged man with a wife, daughter at home. From his commute, he spots a beautiful woman in a window as she teaches her students dance steps.

His intention is to meet the girl, but she blatantly tells him that she takes this serious and if he is there just to meet her, then he should not take lessons. She adamantly informs him that this is a classroom, not a disco. To "save face", he hangs in there and learns to dance rather than become a failure.

The array of characters:
A balding, quirky, Mr. Aoki, has been dancing for five years, he wears a long frizzy wig piled loosely on his head because he believes the wig gives him inspiration to be like his idol, Donny Burns, a Latin dance king. While he dances, he gives these funny facial movements that equate with his suave, cool, bawdy dance numbers. He comes across like a combination Don Juan and Madonna striking a pose! He is known to dance "creepy."

An extremely shy and reserved heavy-set man with thick glasses gets his fulfillment learning to dance. He becomes alive once he learns the steps.

Also, an abrasive dance instructor who isn't afraid to spew her insults when needed and she trades verbal jabs with the male customers.

As the movie reaches the climax, a number of dance halls and amateur dance contests are held.

An unusual treat is the Drifter's song "Save the Last Dance For Me." It is the only English lyrical song, quite fitting for the occasion. This movie is a gem, full of humor and silliness. See it!......MzRizz. ... Read more

Amazon.com

While the plot of this Australian film may seem a bit familiar (The Ugly Duckling meets Dirty Dancing), the whimsical tone and superb dance sequences will make you forget the movie's predictability. Scott (Paul Mercurio) is a champion ballroom dancer who wants to dance "his own steps." Fran is the homely, beginning dancer who convinces Scott that he should dance his own steps... with her. Complicating matters are Scott's domineering mother (Pat Thompson), a former dancer herself, who wants her son to win the Australian Pan Pacific Championship (the same contest she lost years ago), and a conniving dance committee that is determined that "there are no new steps!" The dancing is enjoyable, yet not overwhelming, and the movie strives hard not to take itself too seriously (the beginning of the film is even styled as a pseudo-documentary). Strictly Ballroom, while not so subtly imparting its moral ("A life lived in fear is a life half-lived"), is a laughable romp that's sure to be a crowd pleaser. --Jenny Brown ... Read more

Reviews (149)

My anti-depressant
Okay, maybe that's an overstatement, but the first time I watched this movie, I checked it out of the library. I was a recently divorced single parent of two, struggling with a house note and bills I couldn't pay. On this particular day, I was fighting a bad cold, and feeling generally tired and unhappy. I took this movie out based only on the "Two Thumbs Up" recommendation of Siskel & Ebert at the bottom of the case. After viewing this film, I felt energized and full of good humor. I eventually bought it and have shared it with my mom, sister, kids, friends, and new husband. They all loved it! Where do I start? 1. The performances. Everyone in this movie is wonderful. They are believable and credible even though the material is completely over the top so much of the time. I love these people. 2. Then there's the romance. The main love story is very sweet, but all throughout the film, you feel like romance is literally in the air. It's also amazing how much sensuality is conveyed without any overt sexuality. 3. The dancing. I never gave ballroom dancing a thought until I saw this movie. Now, I love watching it. 4. The family relationships. They may seem unbelievable, but that mother is all too familiar to me. 5. Paul Mercurio--he's hot! Enough said.

This movie is funny, touching, and like nothing I've ever seen before or since. I can't even compare it to anything else. I'm happy to see how favorably other people have reviewed it.

Can I bend your ear for a tic?
I can't believe this movie completely escaped my attention during it's release in 1992. In fact, I hadn't even heard of it until about two years ago. However, after one viewing, it quickly became one of my favorites. The biggest plus, in my humble opinion, is the cast. Paul Mercurio and Tara Morice are wonderful leads. They both possess an intensity that makes for wonderful sparks between the two. I also love the fact that the character of Fran was not a dressed-down supermodel-type. Tara does a wonderful job of conveying Fran's determination but, at the same time, her self doubt. As her confidence and dancing ability evolves, so too does her appearance. It's such as gradual and completely believable transformation. It is wonderful to watch Scott's feelings for her also change. The supporting cast is top-notch too. Pat Thompson was magnificent as Scott's overbearing mother. She could sometimes border on viscous but, at the same time, remain somewhat sympathetic.

Now for the DVD itself. I may get raked for this but, as OK as it was, it could have been better. During the commentary by O'Connol, Martin, and Luhrman, Ms. Martin referred to some scenes that had to be cut before the release of the movie. I would loved it if they would have included deleted scenes on this DVD edition but they didn't. And, speaking of the commentary, I really didn't find it too enlightening. Well, let me put it this way, if you're watching it to get a background on ballroom, and other types, of dancing - then this is the commentary for you. However, if you're like me and want lots of interesting tidbits on cast, crucial scenes, etc., you'll only find them sparsely placed in between long stories about ballroom training, the history of the Paso Doble, and descriptions of sets. Even Baz, at one point, had to proclaim it was time to get back to commenting on the movie. Lastly, since I didn't see the movie during its original release, I would have loved it if they included its original theatrical trailer but it was not to be.

Nevertheless, even if this DVD were to come only equipped with the movie itself, it would be a bargain at whatever price it was offered. If you haven't seen it, watch it! If you're wondering if you should splurge on the DVD, despite my nitpicky complaints about the DVD edition, I'd encourage it.

Awesome movie, not so the DVD
I have loved this movie for years, and had it on tape. I was so happy when I saw there was a DVD, and it had a commentary. But, surprise! The commentary is absoluely rotten. I can't believe people who could make such an entertaining movie couldn't find anything interesting to say about it. I found my self yelling at the TV screen for them to get moving. Don't remember ever doing that before...

There are a few interesting extras, but really, the only thing I got for my money as a slightly clearer picture.

Some spectacular dance scenes
I've never really been a great fan of Baz Luhrmann's. Moulin Rouge was also a 3 out of 5 rating, in my opinion. I think it must be his style of cinematography - its neither theatre nor film, its halfway in-between... but I'm like this : If I watch a film I want to see a film, and if I want to watch a musical, I go to the theatre. Still, I gave this a shot after reading lots of glimmering reviews about it here. What I can say is this : the dancing was spectacular, and I love dancing, so that was why I gave this movie 3 stars. Apart from that, its just a run-of-the-mill love story... The lush prop sets and costumes might be a main attraction for some who loved this film enough to give it 5 out of 5, but I tend to look for something original and a bit different in a movie, and this just wasn't it.

strictly superb.....oh, and sweet.....
When I started dance classes in 1992, I was probably one of the gawkiest, most unconfident little dancers you would have ever seen......chubby, shy, not very well-coordinated. You know how tough it can be to be ten years old! Anyway, the year was 1993, and I went to see a film called STRICTLY BALLROOM, that had just been released at a local art house movie house. Not many people had even heard of it, let alone of the director, Baz Luhrmann. It was a small film about ballroom dancing, of all things...and a comedy! All I knew was I always enjoyed watching ballroom dancing on PBS, and dreamed about being slender, graceful and perfectly tan! Just like all of those competitive dancers I saw. This film was probably one of the best tonics I needed. The storyline is about Scott Hastings (Paul Mercurio), a young man who has grown up with the dancing gene ever since he could remember. He even started competing in ballroom (modern and latin) since the age of six. He truly had the ultimate "stage mother" mum forcing him to stick to the moves (and the partners) that will get him the ultimate in coveted honors in the Ballroom dancing community--first prize at the PAN PACIFICS. His partners are all the same: blonde, busty and bossy. Also, divas with a capital "D." Scott upsets and shocks the ballroom dance community with his "crowd pleasing" steps during one of the performances, which leads to an immediate and messy break-up between him and his current partner, Liz (Gia Carides). Scott does not want to give up on his original footwork, and stubbornly practices his spins, jumps and twirls, completely unaware that Fran (Tara Morice), the beginning dancer and ultimate "ugly duckling" from his mother's dancing studio is watching him in admiration. Fran longs to break free of the "beginning dancers" mold, and team up with someone like Scott who has the guts to challenge the authority of the traditional dance steps drilled into him through years of rigourous training. She also has some spicy moves of her own--being of Spanish extraction, with a background in flamenco.

This film is a real confidence booster for anyone who felt awkward on the dance floor. It is also great fun for people who need an attitude booster, and want to see a really wonderfully crafted, quirky, low-budget Aussie comedy. This debut by Baz Luhrmann is delightfully unaffected, and beautifully done. Guaranteed to have you dancing in the aisles...and, in spite of what you might think, this has the potential to be a great date film. That's right, fellas....though it has "chick flick" written all over it in the title alone, you might find yourself having fun, too!
Don't miss this treat. ... Read more

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Sir Richard Attenborough's 1982 multiple-Oscar winner (including Best Picture, Best Director, and Best Actor for Ben Kingsley) is an engrossing, reverential look at the life of Mohandas K. Gandhi, who introduced the doctrine of nonviolent resistance to the colonized people of India and who ultimately gained the nation its independence. Kingsley is magnificent as Gandhi as he changes over the course of the three-hour film from an insignificant lawyer to an international leader and symbol. Strong on history (the historic division between India and Pakistan, still a huge problem today, can be seen in its formative stages here) as well as character and ideas, this is a fine film. --Tom Keogh ... Read more

Reviews (108)

BEN KINGSLEY'S FINEST HOUR ON DVD
Richard Attenborough's "Gandhi" is a masterfully told, massively mounted epic motion picture, depicting the life and times of Gandhi, a benevolant crusader for peace, whose shocking assassination rocked the world. Ben Kingsley rightfully took home the Oscar for his subtle but stunning transformation into the title role. WARNING: This is a slow paced movie but well worth the three hour plus investment of your time.
Columbia Tristar has given us a very beautiful print of the film. Colors are rich, bold and vibrant. Contrast levels are good. Although black levels are not always at their darkest, this is relatively forgivable, since most of the film takes place during the day. Shimmering, aliasing and edge enhancement are all present but in extremely minute amounts, leaving one with nothing to do but admire the visual presentation in all of its breathtaking cinematography. The soundtrack is 2.0 surround but well represented. Some of the audio has a tendancy to appear thin or strident but, again, considering its dated fidelity and the source material, it is remarkably well represented. No extras - disappointing for a big time Oscar winner like this. Perhaps we'll get a special edition eventually.

Excellent movie about a 'mover' in this world
Every once in a while this world produces an exceptional human being whose presence makes it a much better place to live in. Such a person was Mahatma Gandhi; the Indian 'radical' whose teachings about non-violent resistance lead to the eventual independence of India from British colonial rule. His teachings have inspired other such movements in the world and his life has been looked up to as a standard which others have tried to emulate.

Every once in a while those re