Description

Winner of five Academy Awards(R) including Best Actress (Julie Andrews), Best Song ("Chim-Chim-Cher-ee"), and Best Visual Effects, Disney's musical masterpiece MARY POPPINS has formed an unbreakable bond with audiences of all generations! In her star-making performance, Julie Andrews plays the lovable nanny who flies out of the windy London skies and into the home of a no-nonsense banker and his two mischievous children. Hoping to bridge the gap between them, "practically perfect" Mary Poppins magically turns every chore into a game and every day into a whimsical adventure, including an unforgettable rooftop dance with a carefree chimney sweep named Bert (Dick Van Dyke). Filled with spellbinding effects and many wondrous, endearing moments -- how else could you possibly describe this timeless treat but "supercalifragilisticexpialidocious"! ... Read more

Reviews (160)

Mary Poppins on DVD
This is probably one of Walt Disney's best films, if not the best. It is the most excellent realized combination of live action and animation. It contains eternal charm, wit, and magic as it introduces us to the "practically perfect" nanny who brings profound change to the Banks family of London in the early twentieth century. Every song composed by Richard and Robert Sherman is pure magic. The believable visual effects, the heartfelt scripting, and the solid performances by Julie Andrews and the heart rendering Dick Van Dyke are truly eternal. Every element of production came together at their zenith to create a treasure of cinematic endearment. The DVD is excellent. The supplemental material is very good and nostalgic. One of the best films ever made. The superb cast also includes: David Tomlinson, Glynis Johns, Elsa Lanchester, Arthur Treacher, Ed Wynn, Hermione Baddeley, Reginald Owen and Jane Darwell as The Bird Woman. Director, Robert Stevenson is at his best.

Do Movies get much better than this???
This is my favorite musical of all time. It's wonderfully done, and the story is excellent. Julie Andrews did a great job in her first ever cinematic role, she plays a magical nanny that comes to a rich man's house in order to bring the family back together. What I love about her performance is that she looks very confident and so straight forward and firm, not as playful as you may think. The film also has Dick Van Dyke in the role of Bert, who is a very good friend of Mary Poppins and also handles magic very well. That role was funny and very entertaining(the accent is a bit confusing though), and i loved all of his dance numbers, especially Step In Time, the dance on the roof-top. Another excellent performance was David Tomlinson, who did the role of George Banks, the father of the children. He is very firm and strict, but he can also be very clumsy and forgetful, which is another reason I liked him. His song The Life I Lead was also great. This film was prized with five well-deserved Academy Awards, for the excellent Film Editing, the Visual Effects, like the jump into the pavement picture, the tea party on the ceiling and the smoke ladder, the excellent score, the song Chim Chim Cheree, which may have not been the best song, but one of them had to win, and last but not least, the excellent (oscar-winning) performance by Julie Andrews. I cannot find any more words for this film, so I'll leave you with one word. Supercalifragilisticexpialidocious

"Perfect Nanny"
Mary Poppins is my favorite movie. I love the charictors, the singing, the dancing. It is fun for the whole family. When I was alittle girl I watched it over and over again. I love to dance with the chimeny sweeps; I can't do everything they do, but still. This is the best master piece Walt Disney ever created besides Micky and friends. I love it and I am a teen.

It is about a fun nanny who has magic. That is probobly why I like her. There is never a dull moment when Mary Poppins is around: fox hunting, laughing in the air, riding a merry-go-round without the going arout. One of the best parts of all, supercalafagilisticexpialadocious.

My Kids Love it!
I have a preschooler and a kindergartener. They both watch it together. They get up and dance to "Step in Time" and "A Spoon Full of Sugar". We purchased the music CD, and listening in the car, makes the time go faster.

This Movie is Defintately a "Jolly Holiday"
I had not seen this movie for a very long time until last week I borrowed a copy from my cousin and it was very good.It was so much better than I remembered.My favorite part of this movie is the scene where Mary,Bert,and the children go into the painting and they see the pinguin waiters who do a very funny dance with bert,and they sing my favorite song in the movie called "Jolly Holiday".This is a very good movie.I recomend this movie to anyone. ... Read more

Amazon.com

Lina Wertmüller (Seven Beauties) made this pointed, 1975 comedy-drama about class and sex conflicts. Mariangela Melato plays a rich woman marooned on an island with a crude sailor (Giancarlo Giannini). The two initially assume their accustomed class relationship with one another--she expects service, he grumbles about it--but then a revolution takes place and the subjugation is reversed. The film comes down on you like a hammer, but Wertmüller adroitly traces the shifting nuances of the relationship, and the two stars are excellent. Numerous scenes stick in the memory many years after one viewing. The DVD release has a widescreen presentation, production notes, biographies of cast and crew, and English subtitles. --Tom Keogh ... Read more

Reviews (26)

Interesting Island Love Story
"Swept Away" is an interesting italian 1974 release about a greedy woman who expects her male servent to accommodate her with anything she pleases in all costs. Her cruelty takes an unexpected turn once they become trapped on an island together. Then the job roles turn around, and her trials return to haunt her. The war that erupts between each other takes an unusual turn.

This creative plot was written wonderfully. They combine drama, comedy, romance, and slight erotica to make this unforgettable movie. Its conflicts and its trials keep audiences watching closely at what will happen next. The love story theme is one of the most unique in cinema history, though cruel. Twists and turns arise in various scenes giving it the added edge, leading to a surprise and powerful conclusion. Though there are some flaws not relating to the writing, namely the woman managing to keep her make-up on throught the entire island stay without reapplying, the interesting storyline greatly makes up for it. The acting is interesting, especially the two lead actors: Giancarlo Giannini and Mariangela Melato. Though Melato occasionally overreacts some words, she keeps her character interesting with her unique charisma. Giannini keeps his aggressive edge intact in every moment. All other actors also perform their roles wonderfully.

"Swept Away" is a great film for those looking for something unforgettably unique. This will surely keep audiences entertained. Those who like this film should stay away from the 2002 American remake, starring Madonna. It's not nearly as good.

Madonna remake rumor hopefully unfounded
For those of you who loath foreign films, put that prejudice aside and check out this sensational movie. Giannini and Melato make the best screen couple I've seen since Bogart and Bergman. "Swept Away's" filled with witty, intelligent dialogue, hilarious banter and breath-taking scenes of the Mediteranean. Moreover it's fairly politically literate, which is a rarity in Hollywood these days (and in most other movie making outlets).
The plot sounds as formulaic as humanly possible, but wait! This one's different. It's got a style and panache that barely any other films can match. Sure it was controversial (the misogynistic violence is quite disturbing) but Lina Wertmuller offers up a masterpeice that should not be ignored. It's easily her best (some would argue "Seven Beauties" but I disagree) and most enjoyable movie. They just don't make movies like this anymore, and especially not in Hollywood. When recommending foreign films to your friends you can't go wrong by pushing this video into their hands.
To see this one on a large screen would be quite an experience, just looking at it on my regular television made it seem as if I was cruising the Medeteranean right along with them.
Wertmuller rightly deserves to be considered one of the world's finest directors (a label that often eludes her, as I feel she's somewhat underrated) with this and other fine productions under her belt.

Wertmuller is amazing
Director Lina Wertmuller's provocative film takes the class struggle to a desert island where only the man and the woman exist. Wertmuller's scenario is that of the man assuming the role of ruler and the woman one of worker-slave, and this becomes a love relationship. Naturally, the man is the one most reluctant to go back to the society where he is worker-slave and the woman is ruler over him! The black humor is wonderful because it is visual, via the camera angles and shots, and it is beautifully filmed. I'm afraid the new version, from what I've heard,(and I will not pay to see it)meddles with the ending and hence changes the meaning of the film. With a world-class filmmaker like Lina Wertmuller, why fix what isn't broke and do a remake of a perfectly fine work of art?

Better than the new version with Madonna
The new version with Madonna is very good, the production is better because was made 30 years later. But this original version is so much funny, the actors are amazing.
The story is about a woman who is having vacations with her husband and friends in her yacht and one day she and a sailor take a boat to go to a beach so she could swim. When she suggests this to the sailor he says that it was late and dangerous but she didn't care and as result they got lost and ended in a deserted island. So in the island the sailor who wasn't well treated in the yacht because of the master's wife, now decides that it's time to be the master so the rich woman has to do everthing that he wanted if she wanted to eat or be in the cottage that he found. As a result of all this they fall in love.
I'd really like to tell more beyond that point but you'll really have to see the movie.
This edition is in italian with subtitles in english, but it's better that the movie is in italian because the voices are really funny.
Between the original version and the new one there are some changes but not very big because basiclly the story is the same. But if you're choosing between one and the other, I'll strongly recommend this one, the first one. It's much more funnier.

Very Good
TAMING OF THE SHREW set on a desert island, and very good with great acting. Didn't like the woman-hitting scenes, but over all a well done, intelligent film. Very very well written. ... Read more

Reviews (11)

"Jolson Story II": script only OK but Parks better than ever
"Jolson Sings Again" picks up where "The Jolson Story" left off and takes the singing star into the 1940s, when he finds himself in professional decline until his movie biography comes out. Because this sequel covers far less territory than the original, "Jolson Sings Again" lacks the stature and story values of the earlier picture. But in many ways it's even more fun to watch.

By this time Larry Parks, already impressive in "The Jolson Story," was in full command of the role. Parks is often very amusing and inventive here, adding little bits of business to his performance. As for his song scenes, this writer submits "Sonny Boy" for special praise. Parks is letter-perfect, so much so that the film editor doesn't cut away from Parks's face as he delivers one long, flawless take. Barbara Hale is excellent as the romantic interest, and Ludwig Donath and Myron McCormick are fine in support. (Look quickly for "Gong Show" bandleader Milton Delugg as a young accordionist.)

Fans of Al Jolson will enjoy hearing many popular hits, and movie buffs will especially enjoy the scenes showing the preparation and filming of "The Jolson Story." You don't have to know the original to enjoy "Jolson Sings Again."

JOLIE SINGS AGAIN
My favorite of the two Jolson Movies. Watch this wonderful DVD and be brought back to a time of Inocents. When movies really were Spectacular....Get the popcorn ready..Put your feet up and get ready for a wonderful Experience...........Enjoy !!

Never get tired of this one!
Larry Parks is incredible once again as Al Jolson. Sure, its kind of predictable, and some of the more popular scenes from "The Jolson Story" are redone here, but I could watch this movie every day and not get tired of the music, story, and especially Larry Parks! Would LOVE to have it in DVD if/when that happens!

Big Shock! Jolson's voice was not used on all songs!
Columbia Pictures was not happy with at least three of the tracks Jolson sang. He was older and not well so they brought in Jolson "sound-a-like" singer Norman Brooks to sing them. If you ever heard Mr Brooks you would be amazed! He HAD AL Jolson's voice!!
Once source told me that Jolie never knew the difference.

Entertaining sequel to "The Jolson Story" with Larry Parks
"Jolson Sings Again" is a worthy sequel to "The Jolson Story" with Larry Parks repeating his amazing portrayal of the sensational Broadway entertainer Al Jolson. The film takes up where the original ended with Jolson singing in a night club then he goes home to find that his wife Julie (Evelyn Keyes) has left him. William Demarest is back once again as Steve Martin (Jolson's friend and manager) with Ludwig Donath and Tamara Shayne repeating their roles as Jolson's parents. Jolson is only happy when singing on stage to a live audience but finds that he is now no longer in demand and it is difficult to get work. Steve Martin tries hard to discover some Broadway producer who will put Jolson into a show but no one is interested. Jolson then volunteers to entertain the troops abroad and is one of the first of the big stars to do this. While on one of these Tours he meets Col. Bryant (Myron McCormick) who is a big Jolson fan. On another Tour Jolson contracts an illness and is taken to hospital. Ellen Clark (Barbara Hale) is a nurse at the hospital where he is recovering and they fall in love and get married. Jolson still pines to be singing again and Steve Martin manages to get him a spot in an all star benefit show. The show is extremely long and Jolson doesn't appear until the finale by which time many people have left. However, Col. Bryant is in the audience that night and he stays to the end specially to hear Jolson sing. Bryant is now a Hollywood film producer and phones Jolson after the show with an offer to make a film of Jolson's life story. Much of "Jolson Sings Again" shows the background to the making of the earlier film which is fascinating - particularly when Larry Parks (as Jolson) is introduced to Larry Parks (as himself)!! "The Jolson Story" became a smash hit putting Jolson back on top and he went on to even greater success than before with another biographical film a few years later continuing his story in "Jolson Sings Again".

Some favourite lines from the film:

William Demarest (to Robert Emmett Keane): "I'm not going back to that guy with some lame excuse that adds up to only one thing - he's not wanted. I can't do it Charlie, and you're not going to make me do it".

Myron McCormick (to soldiers at Jolson troop concert): "I don't know what the name means to you. When I was your age it meant the world's greatest entertainer - Al Jolson".

McCormick (to Parks as Jolson): "Meet a young fellow named Larry Parks".

Barbara Hale (to Parks): "It's your right to hear those bobby soxers squeal".

It is interesting to note that the storyline in both films was not entirely accurate and took a few liberties with the facts. Jolson's mother died when he was eight years old yet in the films she lives on to see him become a big success on Broadway and in talking pictures. Many people who played active parts in Jolson's real life story did not even get a mention in the film versions. His long time manager Louis Epstein, his dresser valet Frank Holmes and his brother Harry Jolson were all eliminated!! The character of Steve Martin excellently played by William Demarest did not actually exist and it has been suggested that this role was probably a composite of the three men referred to above plus several other people. Jolson's first two wives were not even mentioned in "The Jolson Story" and Ruby Keeler (Jolson's third wife) would not allow her name to be used in the picture so attractive Evelyn Keyes had to play the fictitious Julie Benson instead.

Harry Cohn (the notorious head of Columbia Pictures) is to be congratulated for going ahead with Jolson's life story when all the other major Hollywood studios had turned it down. Even Warner Bros. (for whom Jolson had starred in several films) were not interested. Filming was started on a small budget and in black and white. When Harry Cohn saw the early rushes he decided to film in colour and make "The Jolson Story" a major prestigious production. This certainly paid off in a big way for him as the film became one of Columbia Pictures top money earners and led to this sequel "Jolson Sings Again". James Cagney and Danny Thomas were both offered the part of Jolson and surprisingly both of them turned it down! Jolson desperately wanted to play the leading role himself and was opposed to another actor portraying his life. Unfortunately for him the studio decided that Jolson was too old (he was 60 at the time of the first film) but Columbia could not have found anyone better than the young Larry Parks (31) who perfectly captured the Jolson style and threw himself into the part with relish. However, Jolson did manage to play himself in one scene of "The Jolson Story" singing "Swanee" on the Winter Garden runway (all filmed in longshot with no close-ups). A clip from this scene was also shown in "Jolson Sings Again" so he did manage to appear in both films after all. Following the completion of "Jolson Sings Again" Larry Parks only made another four films due to the McCarthy communist "witch hunt" which was a shame as he was a very talented performer. He died in 1975 but will always be remembered for these two magnificent Jolson films. It is remarkable that over 50 years after Jolson's death there is an active "International Jolson Society" still in existence which has hundreds of members worldwide and publishes regular illustrated journals. "The Jolson Story" and "Jolson Sings Again" are two of my favourite musicals and I can watch them over and over again. ... Read more

Reviews (1)

awesome
I love this movie, mainly because I was in the musical. I would have given it 5 stars but it is relatively different from the stage version. At least four songs aren't in the movie, Jeannie's Packing Up, My Mother's Wedding Day, The Real Love of My Life, and a great song called Come to Me Bend to Me. Almost Like Being In Love is in the Campbell house, and Waitin' for My Deary isn't. Tommy and Jeff aren't in Bonnie Jean and there's more to Meg Brockie than what they have in the movie. And the Campbell family is actually the McLaren family. If you just watch the movie and not the play, then it is awesome. It shows true love is out there, you just don't know where you'll find it. "And that the hardest part in life is giving up everything, but that's the only way you'll get everything." ... Read more

Reviews (3)

Not on DVD? It should be
This is a hidden treasure of a film. It is unfortunate that quite a few garbage movies make it to DVD format before movies like this one.

Cai-ro ai-ro, Illinois!
I agree wholeheartedly with Mr. Frost's review, except for the fact that a soundtrack LP was indeed released by Reader's Digest. The music is as grand as the movie as a whole! What a great movie! What happened to Jeff East?

If it came out today, it would be considered a classic!!
Just listen to the beautiful songs in the score and notice the magestic sentiment... Although this movie has all but been forgotten, I'm sure that one day people will give it a chance. If you like musicals and you like Twain, then it's a must see, even for its many imperfections. There are some incredibly witty songs and some truly poinient moments. The song "Freedom" is one of the most powerful songs I've ever heard-- and for some reason the LP was never even released... go figure. ... Read more

Reviews (7)

Lovely
An absolute must see for all age groups, but especially the kids. Has to be Shirley's all time best.

poor little rich girl rich in talent & music
This is one of my favorites, not only an engaging storyline but great music engaging charictors & great dance number at the end. This has great songs like you gotta eat your spinach baby & Oh my goodness.

A TEMPLE OF DELIGHTS.
When eight year old Barbara Barry, the daughter of a wealthy, widowed soap manufacturer, sneezes three times at the dinner table, the strict servant Collins (Sara Haden) sends her off to bed. Woodward, (Jane Darwell) another servant - who has a kinder approach - suggests that little Barbara be sent to a school in the Adirondacks where she can be happy with many other children her own age...A thoroughly delightful Temple vehicle, this colorized video will please children from 5-95. The picture bears little resemblance to the 1912 Eleanor Gates novel because many of the incidents in the movie come from a Ralph Spence story entitled BETSY TAKES THE AIR. A highly successful version - which was much truer to the original book - was filmed as a 1917 silent starring Mary Pickford. Amusingly, Shirley sings the song BUT DEFINITELY in a manner a'la Crosby singing WHERE THE BLUE OF NIGHT MEETS THE GOLD OF THE DAY. By 1939, this movie reaped a $2.5 million profit. One of Shirley's better films, to be sure.

Shirleys talent radiates the screen
In this movie Shirleys talents shine. Her singing and dancing are a cut above. I especially love when she sings to her dolls!
The dance sequence in the end with Alice Faye and Jack Haley is incredible! I just LOVE this movie!!!

Shirley Temple
This movie is so funny it is one of my favorits. ... Read more

Amazon.com essential video

"Say, he looks like an actor," says the platform conductor. Andwith that introduction, Gene Kelly steps off the train and into his film career. After starring on Broadway in Pal Joey, Kelly made his film debut inFor Me and My Gal opposite Judy Garland, with the pair playing vaudevilleperformers who team up to find success and, of course, romance. But just whenthings are looking up, World War I intervenes, and Kelly has to take drasticmeasures to keep a promise and avoid the war, at least temporarily.

Bad move, Gene. Filmed in 1942, For Me and My Gal vigorously supports thewar effort, including teaching Kelly the error of his ways. The old-time settingalso allows for a basketful ofnostalgic charmers, including "After You've Gone," "Oh You Beautiful Doll,"and "Ballin' the Jack," and Kelly and Garland's crooning and tapping of thetitle tune is pure joy. --David Horiuchi ... Read more

Reviews (35)

A Musical Masterpiece
"For Me And My Gal" was one of the first musicals I saw, and one of the first I bought on video. Judy Garland is great in her first "adult" role. This is also the splashy debut of Gene Kelly to movie audiences. Movie hoofer and later politican George Murphy rounds out the love triangle. It's interesting to note the difference in the stars ages though. Garlandwas 20 when the movie was made. Kelly was 30. And Murphy was 40.

Most movies of the 1940s, let alone World War II movies, dealt with serious issues, but this musical is full of them. Some of the issues include draft dodging and the horrors of war among others.

The music portion of the movie is the highpoint. My personal favorite is Garland's teary rendition of "After You've Gone". Reportedly, she filmed it the day after her divorce from bandleader David Rose. Another memorable scene is the famous Garland-Kelly duet of the title track. The musical numbers are countless and timeless and add to the movie's greatness. If you are looking for a great musical, with dramatic moments, and a tearjerking ending, then "For Me And My Gal" is for you...

Gene Kelly's film debut
Judy Garland plays Jo Hayden, a Vaudeville performer who has big dreams to reach the top along with her partners Jimmy Metcalf (George Murphy) and Sid Simms (Ben Blue). But then Harry Palmer (Gene Kelly) comes along with a great duo act. A Vaudeville performer himself, Jo finds that he too has big dreams, to be able to play at the Palace. This is the tale about how these two team up and through hardships and the war effort, reach out for their dreams and to their surprise, find love.

I'm a big fan of all musicals so hearing that this was Gene Kelly's first film, I knew I had to see it. And though I didn't enjoy it as much as I do other superior musicals, I still thoroughly enjoyed it.

Judy Garland is one of the most wonderful actresses, a one in a million. Every note she sings is pure perfection and she is one talented actress. "For Me and My Gal" is more of a musical/drama than a musical/comedy, so expect Garland to have many scenes where her eyes are full of tears. And this being in black and white, these scenes come out simply beautiful since Judy Garland is a stunning actress.

Being a musical, expect to see some great musical numbers. All the dance scenes are well choreographed. Most favorite is probably the "Ballin' the Jack" where Garland and Kelly share a number. But since this is Kelly's first film, don't expect him to do any of his famous outstanding solo tap numbers. He does get a short number towards the beginning which gives really only a glimpse of his talents. He tap dances... with huge rubber shoes worn by clowns!

Another character is in this movie called Eve Minard played by Martha Eggerth, a beautiful operatic singer. Though I'm not a big fan of opera type music (Kathryn Grayson is the only one I love in the movies), I must admit that Eggerth has an astounding voice.

As I said, there is a lot more drama than comedy in "For Me and My Gal". But don't worry, the end is terrific, and my only reason for giving this movie four stars is that I do have other musical favorites which I think are a bit superior to this one.

To see Gene Kelly REALLY show off his tap-dance talent, watch:
*SINGIN' IN THE RAIN* - If you claim to be a fan of all musicals and STILL haven't seen this one... well, tsk tsk tsk on you!
*COVER GIRL* - Kelly has this one amazing number where he dances... with himself! VERY cool!
*ANCHORS AWEIGHT* - Great number where he dances with the cartoon, Jerry the Mouse! Also a scene where he plays a matador.
And just in general, watch any of Kelly's films, they won't disappoint!

I liked it too
I greatly dislike and resent reviewers who give away plots and endings. Why do they do it? This is one of my all-time favorite musicals. It is not a flag-waver and it does not sugar-coat war (rah-rah-America!), though as one reviewer mentioned, there is a note at the ending saying that war bonds would be sold in the lobby. War is hell. Everyone in it was wonderful, Garland actually kept right up with Kelly in the dancing, and she came across strong, professional and abundantly talented, all of which she is. (Incidentally, before Pal Joey, there was a straight play by Saroyan called The Time of Your Life which I think was Kelly's first big break (he danced), and before that a part in the chorus of a Porter musical called Leave It To Me, more than that I don't know.) The movie is singing and dancing from stem to stern, all wonderful, all Garland and/or Kelly, and I loved every minute of it. The directing was also good, though I'm no judge of that kind of thing, but it struck me as inventive and original while I watched it. I totally abhored Murphy's bit in France when he makes a sap out of the poor dumb foreigner with the fake money. And then his men have a good laugh. I thought it stunk. And on the subject of George Murphy (whose career in movies was about as stellar as Ronald Reagan's), Tom Lehrer said (sang, actually), "Gee it's great! At last we've got a senator who can really sing and dance!" That's about the size of it, folks. And I didn't think he did either of those particularly well. If he'd gotten the girl, I wouldn't have watched the movie a second time. One last note. I cried during this movie when Danny left for duty. And I really cried at the end.

Watching the Easter Parade
There is apparently a shortage of the Great Easter Parade film, one of the truly GREATEST musicals (of which not enough have been released). I don't know what is available RIGHT NOW, but a wonderful copy came out several years ago on Lasar Disk, so IT HAS BEEN RELEASED.

BLACK & WHITE....not color!
So many have done such a great job reviewing this movie I won't rehash....but Amazon.com taking their cue from Warners (on the DVD box) say this is color and it is NOT....its in its glorious original Black and White and a beautiful print at that! Didn't want anyone out there afraid this masterpiece had been colorized! Yiiikes
Kelly / Garland......please this should be a no-brainer! ... Read more

Reviews (53)

The end all and be all of car chase movies
Gone does not pretend to be anything other than a car chase movie. The plot, such as it is, is purely a set-up for the 40-minute sequence that destroys (at least) 93 cars. Whatever anyone thinks about the non-chase parts of the film, the brilliantly-edited pursuit is well worth the wait. Not only does it stand up to the 2000 remake, Mr. Halicki's masterwork does not suffer in comparison to accepted classics such as Bullitt, The French Connection, or Ronin. The new soundtrack, by itself, is professional and supports the action quite well. While I, as well as other Gone cultists, miss the original music, the re-issue should not be faulted for its omission.

I liked it more than I thought
After learning that the 2000 movie was actually a remake of a 1974 movie, I got the bug to watch the original. I had a hard time finding it.

I read some reviews that said to skip this 25th anniversary edition and watch the original Media VHS release. I was lucky enough to get my hands on both this weekend.

I liked this movie much better than I thought I would. True, the real highlight is the car chase, everything else is just filler, but it was still a fun movie.

I've read complaints about the remastered anniversary edition available on this DVD. Let me say that after watching both versions, this DVD has a much better, cleaner picture than the old VHS tape. The sound wasn't bad either. My only beef with the anniversary edition was the new soundtrack, everything else was just fine. The anniversary edition on DVD features a generic new pop synth soundtrack. Most of the time, I really wasn't listening to it. But, if you are going to have those 70's hair styles, sunglasses, clothes and sideburns, why mess with the 1970's music? Yes, it was dated, but the music went along with the movie and added to at least a couple scenes.

The original soundtrack should have at least been an available option as an alternate version to watch, even if it was recorded in mono. If that had been done, I'd have given it another star.

As is, it's not bad. The music is a little distracting because it doesn't go at all with the rest of the movie, but if you can get past that annoyance, this DVD is certainly watchable.

It left me wanting an old Mustang.

greatest car chase ever!!!
Just sit back and let H.B. Halicki entertain you. this gives all car chase's a standard to live up to. and the Extras are very interesting as well. this just goes to show that holywood is out of ideas and tried to atempt to remake a trend setter with a big name actor and failed. do yourself a favor and watch this the " origanal"

Decided never to watch it ever again in under 0.60 second's
This movie is terrible. It reminded me of the bad acting you see in a porno movie, I kept expecting the twangy music to start playing and people to start striiping off and getting it on! Thats how great there acting is!

I suppose if your a car lover, which im not, then this movie would be of intrest, but to me, it was a porno movie without any nudity! It was shockingly bad acting! The remake might have had better actors and a plot, but even that one didnt intrest me.

If your into cars and like to see them on screen going fast? then youll probably love the movie, if your like me and thats not your fancey, then youll agree with this.

Gone in 60 Seconds - Re-issue comments
This DVD is a great reissue of the original movie. The widescreen feature is a nice touch, as well as the digital re-mastering of the video. Very nice job! My only negative comments are the lack of the original soundtrack, featuring songs by Phil Kachaturian. A sort of B-grade "suspense" background track was added, which sort of reminds you of the cheesey old karate movies. Sadly, an important dimension was lost from the film by deleting the original music, especially in the scene with Pumpkin in the office alone, waiting for her man to return..(check out the original movie to compare..). The commentary feature is nice and full of cool trivia, but it too fails to mention anything about the original songs. Another bit of information that would have been a great addition, would have been current interviews with the old cast members, as a sort of follow-up as to their current where-abouts. Other than those few points, the movie is great and a trip down memory lane. Enjoy! ... Read more

Amazon.com

Robert Donat won an Oscar for his portrayal of the humble British don in the 1939 film Goodbye, Mr. Chips--and Peter O'Toole was nominatedfor his version of the role in this lackluster musical (he, along with Dustin Hoffman and Jon Voight of Midnight Cowboy, lost to John Wayne in True Grit). O'Toole is affecting as the shy English schoolteacher at a private boys' school who is brought out of his shell by the love of a good woman, then goes on to become a teaching legend after her tragic death. But the idea of turning this touching tale into a musical (with totally forgettable songs by John Williams and Leslie Bricusse) was almost as wrong-headed as having O'Toole do his own singing--or as casting singer Petula Clark as his wife. --Marshall Fine ... Read more

Reviews (30)

Time For The Critics To Become Wrong
A dismall profession, that of critics. Anyone who has been exposed to massive doses of awfull musical-movie production of the 50s and 60s (usually through 70's afternoons TV features) is absolutely honest in labeling them crap from Hollywood's sadest period.

Then, as decades pass, you keep remembering scores like 'Where Did My Childhood Go', by Peter O'Toole, in this Goodbye Mr. Chips, while the whole score of Singing In The Rain goes down the drain (as you always wished it to go, despite all the hype around the crap).

I vaguely remember 'Mr. Chips, but I am pretty sure it is very cheesy. But the songs are becoming better with the years, and ABSOLUTELY non-existent in CDs. So I am buying the movie on DVD, just to hear the score.

Wouldn't it be astonishing if the movie also became better with time?

The score has definitely to be reapraised by the critics. It is very honorable of Amazon.com to criticize so heavily an item it intends to sell (I have used this candid advice many many times). But I really recomend the critics to hear to O'Tooles performance with 2000's ears (rather than with 70's TV watcher's).

A Warm and Touching Film
"Goodbye, Mr. Chips" is a classic, sentimental tale about a reserved British schoolmaster (Peter O'Toole) who meets and falls in love with a beautiful show girl (Petula Clark). The dour school teacher and the flamboyant show girl stand in stark contrast to one another, yet they share a love and devotion that only deepens through the years. Slowly, the classics teacher emerges from his shell to become a much beloved figure to generations of young boys who profit from his teaching and guidance at the mythical Brookfield School in England.

Peter O'Toole is a versatile actor whose range has been exhibited in his role as the driven scholar, warrior, and Messiah in "Lawrence of Arabia," as the comic and cunning art thief in "How to Steal a Million," and here, in his touching and affecting performance as Arthur Chipping, schoolmaster. Petula Clark is the renowned song stylist who adds spirit and sensitivity to her role, not to mention a brilliant, soaring voice. Together, O'Toole and Clark create a chemistry that gives the film a universal appeal, transcending time and generations. This motion picture will leave a lump in the throat and a glow in the heart.

Overlooked ignored masterpiece.
Goodbye Mr Chips (1969) always has and always will be one of my all time favourite movies. I have directed three stage versions over the years with young actors based on Terrence Rattigan's brilliant, witty, theatrical script. I am always amazed the film was not well received in its initial release. When it was released in Australia in 1970, it was a smash hit, yet its failure in the States forced distributors to pull it out of theatres and slash 30 minutes out of it. There were so many various cut versions I have seen over the years. Thankfully it was released on VHS about fifteen years ago and was restored to its original length (well almost, the song "When I Was Younger" has always been cut from the film altho on the soundtrack). I despair it has never been released on DVD and only a shortened CD exists where it is doubled up with songs from the soundtrack of "The Boy Friend:"/. I feel sure if it was released on DVD it would find a whole new audience. I watched it again recently and was amazed at how fresh and charming it is, its one of those rare movies that never date. A movie desperately needing to be re-evaluated by critics again. Also, the music is wonderful, why do people criticise Bricusse. His style is so subtle, hummable? What does that mean> These are gentle, tender love songs with a couple of theatrical showstoppers....PLEASE PLEASE PLEASE someone get a full length CD (its pefect for Rhino to release) and DVD of this movie out very soon., O Toole and Petula Clarke were never better. My one criticism of the VHS is that it is a little misty (and I dont mean in the sequences that are supposed to have that effect) and not very sharp and clear. It needs to be srestored to its original 70MM brilliance.

Absolutely great film!
This is the film which is filled with affection.
This is the film that I will never forget.
Everytime I watch this film, it leaves me with warm and gentle feelings.
I have a VHS and a vinyl record.
When will they make a DVD and a CD?
The acting, music, lyrics, cinematography, everything is great.
I was dumfounded to find out how badly the critics in USA treated this film.
It was an era of 'new cinemas.'
It might have been considered nonsense or out of date for them to evaluate this kind of lovely film as a good film.
I saw this film in Japan in 1970.
The critics in Japan were sensible enough to choose this film to be one of year's best.
Peter O'toole is perfect in his role as always, you know.
Petula Clark utterly fascinates us with her voice and act.
And I believe this is the best work of Herbert Ross.
I must say it deserves to be treated more fairly.
This is a must-see film for all generation.

Why is this not on CD???
This has to be my favorite movie of Peter O'Toole's. John Williams' score is, as always, perfect. Petula Clark sings so beautifully and has wit to boot, and O'Toole brought tears to my eyes as Chips. I never care about what the critics say, I thought the songs were memorable and kinda sweet. This should have already been on DVD, if not on CD. It's sad how some of Williams' early works are not given the royal treatment as the most recent ones. ... Read more

Reviews (20)

Hans Christian Andersen not quite, but very entertaining
Hans Christian Andersen (1805-75) was an Ugly Duckling. He lived in the third largest town Odense, in Denmark. The son of a cobbler he was poverty ridden and a failure as an actor and it wasn't until he moved to Copenhagen and won the patronage of Frederick VI, through his poetry, that he wrote his fairy tales and developed into a swan. Like many artists he wasn't particularly happy, and never did marry, although he was very fond of Jenny Lind (1820-87) the Swedish Nightingale a soprano given the name by P.T. Barnum during her tour of the United States between 1850-52.) Charles Vidor's film does state at the beginning, This is not the story of Hans Christian Andersen but a fairy tale about the great spinner of fairy tales. The Danes objected to the way Hans Christian Andersen was portrayed even though Goldwyn had rejected 21 previous manuscripts, so the film company inserted this statement in the credits.

Danny Kaye with his chiselled features does resemble H.C.Andersen when looking at his profile, but apart from this facial feature that's where it stops. Kaye had dark hair but Hollywood soon changed that and he became a blonde, Andersen also had dark hair but he kept it that way.

Unlike some earlier musicals, this film does have a strong story line with loads of songs written by "Baby, It's Cold Outside", Frank Loessen, such as Thumbelina, Ugly Duckling, No Two People, and of course Wonderful Copenhagen. The scenery is very clever, the backgrounds look like illustrations from fairy tale books, but as the camera zooms in to the foreground the buildings and props become three dimensional similar to a pop-up-book.

There are four ballet scenes that I probably found boring back in '52, but revisiting them now, they are visually very interesting, technically I wouldn't know if they are good or mediocre but for a Hollywood musical film, four ballets must of taken an enormous amount of consideration seeing as the film is really for kids. Once again the backdrops for the ballets also resemble fairy tale illustrations and pop-up-books.

Instead of a soprano, Andersen falls in love with a ballet dancer and here's a musical that doesn't have a very happy ending because poor Hans gets mixed up with a married woman. The ballet dancer Doro, is played by Zizi Jeanmaire, and is married to Niels played by Farley Granger. During the last part of the film, the audience is taken behind the scenes of the ballet company playing at the Royal Theater in Copenhagen, but this isn't a film of a show included in a show, similar to earlier musicals, but an uplifting musical film with lots of music with catchy tunes helped by a ton of children.

The last ballet scene takes 17 minutes, quite long for a popular movie. In the film Hans writes a story especially for his love Doro, unfortunately Niels locks him in a cupboard so Andersen never sees her perform but has to use his imagination.

The ballet takes place on land and under the ocean. The surface waves are pop-up so that the dancers can be seen dancing in between the swells, it's really very clever visually, and there's no trickery here. Under the sea filled with monsters and witches, the heroine is probably attached to a pulley so that she can be seen swimming for the surface. There are no blue screens in this film, all effects are up-front and work perfectly similar to a staged ballet. Once again the technicolor process is used and this enhances the fairy tale effect with vivid colors.

Hans Christian Andersen fairy stories are not violent when compared to the Grimm brothers, but the themes usually have a lesson, and in the story written for Doro's ballet, "The Little Mermaid," it is saying that aiming for the stars does not always bring happiness, but then of course Walt Disney hadn't yet arrived on the scene and he soon changed that philosophy.

A good kid's movie
HAns Christian andersen is a good movie. Andersen (Danny Kaye) is a cobbler who can't stop telling stories for the little kiddies. This gets him in trouble with the top bananas in town, who vote to have him run out for making kids miss school. Andersen moves to Copenhagen, falls in love with a beautiful french ballerina, and gets himself famous for his stories, all the while going from song to song with true Kaye spirit. It was a good movie, but not one to be overly thrilled about.

Delicious performer, wonderful introduction to ballet!
I fell hopelessly in love with Danny Kaye when I was 8 years old, and I'm still crazy about him many years later. . . no other performer of whom I'm aware has ever shown his unique combination of comic virtuousity, tenderness, silliness, physical bravado and dramatic depth.

He could also really sing, not just comically but straightforwardly, in his naturally rich, sweet lyric-tenor voice. If you really listen to the "Inchworm" song, you will hear just how fine his voice really was.

The ballet sequences in the movie transfixed me as an eight-year-old ballerina wannabe. Maybe they look hokey to present-day grownups, but I bet most kids would immediately understand.

One of the best movies ever!!!!

Correction
I'd just like to make a correction on another customer review that I read of this movie. This was not Danny Kaye's last movie. I don't know what was, but in 1954, he did "White Christmas" with Bing Crosby, Vera Ellen and Rosemary Clooney. It's not a really important thing, I suppose, but I just wanted to make sure that the information was correct.

Delightful Children's Musical
Danny Kaye plays the Danish cobbler-storyteller, Hans Christian Andersen. At the beginning he is said by the schoolmaster of the village of Odense he is causing trouble. The trouble is he tells stories to the village children, and they learn things like numbers falling in love and marrying each other. One town person said of his stories: They asked their daughter what time it was? She said "the minute and hour hands weren't speaking to each other. They were in love with the second hand. So they wouldn't make up until they met at 12 o' clock." After all the commotion with the village officials, Hans goes back to his cobbler shop. There his apprentice friend, Peter talks him into getting away from the village and going to Copenhagen.

Reluctant at first Hans agrees to go to Copenhagen with Peter. There Hans meets and falls in love with Doro (Jeanmarie), a beautiful French ballerina. But later learns that she is married to the demanding Niels (Farley Granger). Overwhelmed by his love for her, he is inspired to write, 'The Little Mermaid' for Doro. The story of the Little Mermaid, like Doro goes-that she looked for love from the wrong man. Hans becomes popular with the people of Copenhagen and his gift in telling stories to the children. So Andersen's fame grew out of his plays and stories. Some of the musical scores that stand out are the most known of Andersen's best loved works. Those most memorable numbers are from 'Inchworm,' 'Thumbelina' and 'The Ugly Duckling.' Hans later finds that the ballerina truly loves her husband, so Hans returns home to his village of Odense. There he tells his stories to the children who loves to hear his fairy tales. You may not find Kaye's usual comic flair here. He extends his more poignant side of the famous storyteller. This was Kaye's final film of his career beofre embarking on his life's love of working with Unicef. If you like to read about Andersen, he wrote his auto-bio, 'The Fairy Tale of My Life.' The film itself is a delightful children's story that the whole family can love. ... Read more

Reviews (7)

TEMPLE, COOPER & LOMBARD SHINE.
With a knock-out cast like this movie has, it will almost certainly please lovers of vintage movies. Jerry Day and Toni Carstairs (Cooper & Lombard) are a pair of vagabond thieves in love. On a boat from Shanghai, Jerry receives word from Connecticut that the parents of his dead wife want to take possession of his little daughter, Penelope. Jerry is willing to sell the tyke to his brother-in-law for $75,OOO - but Toni has different ideas....Although this "Temple film" isn't exactly ideal for the kids (its theme is really too mature) it will please those who will appreciate the clever antics which ensue. The talented, chubby Alice Faye-like Dorothy Dell was originally supposed to play Lombard's role but she was killed in an auto accident. Dell played the female lead in LITTLE MISS MARKER. If vintage moviegoers saw her sing WITH MY EYES WIDE OPEN I'M DREAMING - in SHOOT THE WORKS - you haven't forgotten her. The original title of the source material for this film was entitled HONOR BRIGHT by Jack Kirland and Melville Baker.

Deeper than it first appears,
... I hasten to say that Now and Forever is a worthwhile
film. Shirley Temple gives a great performance with memorable scenes
and lines, as in "Oh, Daddy, you said Honor Bright," when Cooper, as
her father, breaks a promise.

Gary Cooper is trying hard not to be
completely villanous,and he has his daughter's best interests at
heart. My favorite thing about the movie is the way it shows life as
being more complicated than just right vs. wrong. That a child is
affected by grownup vices seems realistic to me.

No easy answers,
and good acting. I loved it.

Not a movie for young children
My entire family disliked this movie and found it inappropriate for children. First of all, Gary Cooper is featured much more than Shirley Temple, and Shirley seems tired throughout most of movie, especially during her dull, listless song and dance routine. Gary Cooper and Carole Lombard were not able to rise above their unrealistic, jaded dialogue, which failed to make them sympathetic characters nor explain why they'd chosen a life of swindling and double-dealing.

I think several events in this movie would be disturbing to children: Gary Cooper's attempt to sell his daughter for a large sum of money, his theft of a valuable necklace and his lies to his daughter about it, his murder of another man, and finally his supposedly selfless act in giving his daughter to a wealthy old woman--without telling his daughter that she was being given away!

This movie could have had some redeeming value if the Gary Cooper character had undergone a true reformation. Carole Lombard's character does but then essentially becomes a filler role. The ending is quite depressing, because it offers no hope for their family. Perhaps one positive aspect is that it does demonstrate the consequences of one's actions, but I still don't see that children would enjoy or be uplifted by a movie featuring as many serious crimes and breaches of ethics as this one.

One of little Shirley's best roles
Now and Forever is a perfect showcase for the acting ability that Shirley Temple had as a young child. Less contrived than some of her later pictures, the script gives her the chance to really play a three-dimensional character. Her range of emotion is simply stunning, considering she was only six years old at the time. Although there is little of the singing and dancing Shirley was known for, this is nonetheless a great movie.

Now and Forever Shirley Lives
Well for a while in this movie (the beginning) Shirley hasn'came on the screen yet and you wonder,is this the right movie ? But it later is ,as she is cute little Penny Day. I think in this movie she really is adorable,although she always is in this movie she is even more precious. I think the most touching thing in the movie is when she finds out her daddy stole the necklace,when she finds it on her bear. She breaks into a crying scene which I think is so sad. " Oh Daddy,and you said Honor Bright" says young Penny. The movie isn't the most interesting movie but I wouldn't miss it just because of that.Some scenes in the movie look very fake like the rollercoaster,but then remember this is the 30's ,you're lucky they made movies! I would also say if your looking for one which Shirley Temple totally stars in this isn't exactly the one.Although she's in it,it's not exactly her movie.The movie follows Gary Cooper mainly but she's in it alot though. I wouldn't recomend this movie as great but I wouldn't recomend it as horrible. But I do recomend it for you to see.I hope you find this helpful. ... Read more

Reviews (31)

Mozart miracle!
This is possibly the most beautiful opera video ever produced. It was not filmed on stage, but on location in Vicenza, Italy, with absolutely stunning setting. It features excellent performances, including Ruggero Raimondi (the perfect Don) and Kiri Te Kanawa (the perfect Donna Elvira). Of the 5 or 6 greatest operas ever written (all Mozart's, in my opinion), some say Don Giovanni stands out as the most perfect achievement. Whatever your opinion may be, by getting this video you will be getting the very finest rendition of this masterwork I have ever seen. It is sung in the original Italian, with English subtitles. Incidentally, one reviewer complained of the poor quality of the sound. This is unfortunately true (shame on Kultur Videos!) but don't let this stop you from purchasing this excellent video - you won't regret it.

The perfect opera to be your first!
I got this copy of "Il dissoluto punuto," ossai "Il Don Giovanni" for Christmas. This was my first opera, and I am astounded. I'm hooked on this style of entertainment, now. Kiri Te Kanawa and Ruggero Raimondi are the perfect opera performers to introduce you to opera. They both have wonderful voices and can act like nobody's business. Enough about the main performers. When I got this, I was expecting it to be a film of a stage performance.. and that's not at all what it was. These "opera films" are absolutely wonderful. Kind of unusual and take a bit to get used to, but are very nice. Excellent film. Great performance of the scene that made me want the opera (Don Giovanni, a cena teco). I love the happy, bouncy quality of the marriage party, where we first meet Masetto and his wife. It's so Mozart! I never really understood the purpose of the valet in black. (O.o). Mozart can be so intriguing... he was my favorite composer to begin with, and this only increased it. Great opera to be your first. I strongly recommend it.

SUBLIME film, but the sound is just AWFUL !
Having seen this film years and years ago in the cinema at least twice, I jumped at the chance to get it on DVD when I saw that it was released.

I wasn't disappointed - if you can abstract from, say, Dame Kiri te Kanawa, walking around in a corn field singing in Dolby stereo, you are in for a rare treat !

Aaaah, the settings, the costumes, the singers, the time details are just fantastic ! Especially Dame Kiri is at the height at her vocal powers and possesses enough dramatic flair to act as well as sing but the show stopper MUST be Kenneth Riegel, singing his heart out in "Il Mio Tesoro" - I have rarely heard a more heart-felt and passionate rendition of the aria !

This film would definitely get 5 stars if it hadn't been for the poor sound transfer ! On the back it is marked "digitally mastered audio" and "Dolby Surround" - full of anticipation I switched on my dolby surround system only having to switch it off again and go for "normal stereo". Sometimes during the film it sounded as if the singers were singing inside a tin can so I have to deduct a start for bad sound remastering - otherwise maybe the BEST opera adaptation for the screen EVER !

The Don Giovanni to buy!
There are countless recordings and videos of Mozart's masterpiece but this one surpasses each and every one of them! First of all there is the PERFECT cast: Ruggero Raimondi spoiled me for all other Don Giovannis, including Brownlee, Siepi, Hampson, Allen etc. etc. His seductive bass-baritone not only can sound as smooth as silk (E.G. in the sexy "La ci darem la mano") but also sound furious, excited, noble and incredibly HOT. No wonder Elvira is wax in his hands as he acts as if he were in love with her again. And being very tall and extremely good looking (Not in the boyish way but MASCULINE and SEXY) he fits the bill. At times he looks like a handsome demon. His acting is absolutely incredible, for his facial expressions alone were Oscar-worthy! Two thumbs up! Then there is Edda Moser, the best Donna Anna ever! Not a dumb, neurotic canary but a strikingly passionate and vivid woman who is obviously aroused by the Don (Hey, who wouldn't be?). She acts this conflict to perfection, her voice has the hotness of lava! Glorious, fiery coloratura and a WONDERFUL actress. Kiri te Kanawa gives her best performance as the loving Elvira who's torn between revenge and the love for her treasure. (She calls him that!) Her meltingly beautiful soprano fits Elvira to a T, her noble and heartbreaking acting are even more +++++++++++ for her. Teresa Berganza spoiled me for all those stupid lyric coloratura Zerlinas. Her lyric mezzo is seductive and beautiful, her chemistry with Raimondi is astonishing. The only weak point was the Don Ottavio who lacked a full middle. The Massetto and Commendatore were fabulous. Losey's direction is brilliant, the costumes lavish and gorgeous. Maazel conducts the score to perfection. This is the best DG ever!

A Masterpiece viewed through a broken window
This cast and production are a once in a century (if that) event; there is no better performance available, period. Raimondi is at the height of his career and the finest Don Juan in anyone's memory, Kanawa is brutally on target as Elvira, Edda Moser has only one better Donna Anna performance (but there is no better person to play her), van Dam is stupendously played (almost too well)... one can go on and on. Losey, and everyone else was involved in this project really know their performance history of Don Giovanni and the Don Juan legacy in general. This literary myth has a life of its own over the past few hundred years and this project created huge ripples throughout the European opera community. Casts like this almost never see the transfer to video. The actual production conditions were authentically grueling and difficult, much like a live stage performance.

This movie suffers from technical flaws in the filming, sound production, DVD transfer, etc. There is even an encoding mistake in the DVD that overlaps for about 5 seconds of audio at one point, though overall the audio and video are cleaned up from the previous VHS/PAL releases.

What I can say without hesitation is that it is akin to viewing Michelangelo's David, through a broken and slightly hazy window. Once you forget about the lens, you will never see anything to compare to what you are seeing. And the clarity of the window does not in any way reflect on the actual miracle. ... Read more

Reviews (505)

Very Good, but not quite great...
I hesitate to heap tremendous amounts of praise on this film. Its strongest point is clearly the exceptional characters. They make all the difference. The PLOT is, well, I don't know how to describe it. A bit disjointed I suppose, but still strong enough to pull you in. This movie isn't really about a story, it's about people being affected by the drug trade in North America.

Soderbergh's direction is excellent. The scenes in Mexico just LOOK hot because of that grainy yellow tinting. And living in San Antonio, near the border, I can certify that yes, that's genuinely how it feels down here. Often. The lack of steadycam shots gives it a "newsreel" feel to it. It will draw you in if you let it.

Now onto the characters. My favorite was Del Toro's. I just think the guy can act and he shows it to you here. His character faces the trials of loyalty, friendship and ultimately the choices between doing good and doing for yourself. Catherine Zeta Jones character was also captivating in her descent into the drug game. The characters I least liked involved the Michael Douglas storyline. While they were genuine and somewhat interesting, I found myself waiting for their scenes to end so that I could get back to the more intriguing developments. Also, I'm not quite ready to buy how easily it wrapped up near the end. A hint of optimism is good, but that was a little too much sunshine after a mostly cloudy set up.

Overall, it's a good film, and Soderbergh's Oscar for direction isn't a bad choice (though I still think it probably took more skill for Ang Lee to make people FLY). Watch it for the characters and the perspective on the drug "war."

A bleak look at the war on drugs
TRAFFIC is a great film. It showcases from many angles the world of the drug user and trafficker. Director Steven Soderburgh uses a wonderful cast, many different camera types, and many intriguing subplots that all somehow link to make this film great. If you enjoy fine acting, great directors, views from many locations, and just great films in general, buy TRAFFIC today.

TRAFFIC bases around the installation of a new drug czar, superbly played by Michael Douglas. How can he fight a war on drugs when his daughter is a user? This is the question the character seems plagued by throughout the film. This makes for interesting discussion. Meanwhile, two Mexican police officers are swept into helping ward off cartels in Tijuana. Benecio Del Toro is excellent in the role. There are other plots which call for wonderful performances from the likes of Don Cheadle, Catherine Zeta-Jones, and Albert Finney. All in all, this film is well scripted and acted.

TRAFFIC, like any film, has flaws. It is tedious at certain points, sometimes the language is too excessive, and it seems to offer a negative message to youth. However, for its few flaws, it is still a wonderfully crafted and shot film. It was lauded because of that fact. If you need a great film to watch, I urge you to buy TRAFFIC today!

Flat out, lousy movie-making
This is a frustrating film for many reasons. Firstly the schizophrenia of the plotlines is poorly done and distracting. It merely further hindered me from actually gaining any sort of emotional connection to the characters (and that's counting the headstart the dialogue had given).

The themes of the movie are so apparent that they become oppressive. A previous reviewer encapsulated the film with the phrase: Drugs R bad, and while I can appreciate a noble premise like this, the way Soderbergh badgers the audience with the futility of the "war on drugs" and the affect that drugs have on addicts is devoid of tact and feels contrived to the point of nausea.

The characters are not well-developed either. Their actions are completely obvious. While this is not usually a just complaint about a movie, the lack of intrigue in the plot, the often cheesy dialogue, and the general lack of subtlety makes for an obnoxiously assuming film. It comes across not only snobbish to the layperson, but boring to the average movie-goer.

This movie really drags. This is an in-escapable fact. There were too many trifling scenes in this movie.

But that's just how it rubbed me. Although, I can see how many a pseudo-intellectual film buff could trick himself into gushing about how thought-provoking and "original" this film was, I can also see how many critics and sincere film-goers would like it as well. The message is certainly an important point of discussion regardless of how you feel on the issue, and the conclusions leave much to be debated (although, not about the film)

My main point is this: Unless you're interested in grinding your way through a movie with a plot that can be summarized in the political/humanitarian issue of the film, it's not worth seeing. If you're interested in drug-related issues, do yourself a favor and simply walk, don't run to your nearest bookstore and sift through the myriad of books on the matter. Heck, why not (since you're online anyway) look through one of the lists here at Amazon.com?!

Traffic, not your typical Half Baked
this movie ruled. the shaky camera and grittyness is awesome. but instead of some review on how it is an academy award brilliant film of substance abuse,etc i will tell you how cool it is, even if those cool parts glorify drug dealers.
i like the part where that girl is at the party and the kid topher grace from that 70s show is talking all philosophically cause hes so stoned. and the kid on the other couch is like 'im so high' and he passes out and they drop him off at the ER and the cop comes and he yells the F word. ya i cant say it cause of amazon.com policies. its also funny when he has to get that girl messed up in a seedy hotel downtown to get with her. and theyre like doing trashy drugs too, whats up with that? since when do private school seniors do heroin through their foot? man i thought it was all about coors light and weed. guess not.
the movie starts out cool too when benicio del toro is in the mexican desert with his highway patrol giant sunglasses waiting for this plane to go over them thats traffiking cocaine. hes such a mexican badass. and his buddy cop next to him is playing game boy. thats the first noise you here in this 3 hour plus long drug war epic: mario jumping over a green tube. i love it.
another great part is when don cheadle and that funny peurto rican guy luiz something shoot that drug dealer in a san diego chuck e. cheese place. and the clown gets scared and goes back into the kitchen.
o ya when michael douglas takes topher grace out of spanish class and the teachers like where are you going and hes like im taking seth on a field trip and he takes him to the ghetto to find his prostitute heroin junkie 17 year old daughter.
traffic is a great movie cause it has moments like this. stephen s. the director is a badass who makes movies like the limey and this and the writer is good too. hes like 21 and he got the oscar for best adapted screenplay. this movie rules for stoners, concerned parents and politicians alike.

Interesting look at drugs
"TRAFFIC" is three interwoven stories about the drug trade and its impact on people. It attempts toshows how drugs can affect everybody connected to the drug dealers and pushers eg. family. It works in a way, but not enough to make me feel empathy for the characters.

It's fast moving and engaging, but something is missing from this film. Big names like Zeta Jones and Douglas aren't enough to make the film great.

If you really want to see a film that tackles the subject really well but in a different light, may I suggest "Requiem for a Dream". The devastation of drugs is well told in this film. ... Read more

Reviews (96)

Absolutely perfect.
From beginning to end, this film is a flawless gem of acting, set design, costumes, make-up, MUSIC, direction, editing, and on and on. I will admit I knew very little of Gilbert and Sullivan beyond that they were the creators of several Victorian-period operettas. Now, after having first renting the film and the purchasing the DVD, I'm totally engrossed with the lives of all of the D'Oyly Carte company of the period in the story. To single out any one performance as exceptional would be doing a disservice to the other 20 characters you'll meet in this film. It almost seems as if the historical persons themselves had taken the roles, because the portrayals are so seamless, so effortless and natural. The songs are excellent, and will have you humming them for days afterwards. My children put this film on the machine themselves to hear the musical portions again and again. Rated R for a brief, comical French brothel scene, the film is otherwise completely suitable for a family to watch, although the character development is comprehensive and might puzzle and/or make younger viewers fidgety in its length. But that development is what makes all of these delightful people come alive. Each of the characters is so finely painted that you'll feel that they're good friends of yours when the final, beautiful scene fades off the screen.

Two Movies in One...
...and that's actually not such a good thing--keeps it from getting five stars from me, and I'm sure that will break somebody's heart somewhere.

"Topsy Turvy" is an excellently put together piece, but the problem is that it is dreadfully long, so much so that I suspect it was actually a miniseries that they decided to release at a single sitting. The first half of the film depicts the two very different men who comprised the team of Gilbert and Sullivan. We see the rather trashy bon vivant lifestyle of Sullivan, living it up in a house of ill repute at one point, and this is contrasted to the stodgy household of Gilbert, who seems vaguely repressed in his marriage and has one old "w"itch of a mother. Now, there I was in the movie theatre on New Year's Day with some friends watching all this and I was doing alright for well over an hour, when suddenly I was seized with terror as the thought popped into my head: "Hey, isn't this movie supposed to be about the staging of 'The Mikado'? They're not even REMOTELY near that yet!" And so I knew that I was in for The Long Haul, a movie that seemed to last for five hours. And of course, they did a wonderful job of that whole sequence too, when they finally got round to it.

So, the thing to keep in mind with "Topsy Turvy" is this length. If you rent it, consider it a two-parter, and stop in the middle to sleep or whatever, and then come back to it the next day. Also, I think you really would have to have some appreciation for the oeuvre of Gilbert and Sullivan beforehand. Two of my friends were so into it that the film just breezed by for them, while a third woman just conked out and slept through a large part of it. "The Mikado" is one of G&S's best scores, and the singers turn in A+ performances as the original Mikado cast members--you get as caught up in their lives as with G&S's. Wonderful costuming and the traditional British eccentric acting help put the film over beautifully, provided that you've got enough grit to make it through to the credits. Rent well advised, and you'll do fine.

COLORFUL AND FREQUENTLY HILARIOUS LOOK AT MUSICAL THEATRE..
While somewhat self-indulgent in its length (over two hours!), it's a complete delight in every way. Leigh's dialogue is as witty as his direction is fluid, the music is glorious, and the performances polished from almost everyone in the ensemble.

The principal reservation I have is that those of us in the audience who may not be aficionados of G&S works will leave the theater in the dark about the themes of the compositions. Just what is "The Mikado"--a piece which lampoons British society but which distances the satire by situating the action in Japan? (P.S. The features on the DVD take care of this, so they may be worth watching prior to the movie.)

Yet, Leigh evokes a very authentic atmosphere, creates credible characterisations, and is ultimately not afraid to balance the realities behind the performances with certain matters left in the air at the end. The passion for art (whether it be Gilbert & Sullivan operettas or, you know, clay sculpture) is what burns intensely in this movie. Some may judge this film as stuffy or high-nose, but the tremendous heart of this film is almost impossible not to be carried away by.

A very unusual but satisfying treat.

ONE OF THE BEST OF THE LAST DECADE
The Academy of Motion Picture Arts and Sciences might have revealed a glimmer of intelligence amid the cheap glitter had it awarded Mike Leigh and Jim Broadbent the Oscars they deserved (it won for costume design and makeup), instead of showering accolades on the excellent but far over-rated American Beauty.

The only reason I can see for other reviewers describing Topsy Turvy as a comedy is Broadbent's portrayal of Gilbert as a man of limitless wit. It is about comedy, and much of it is funny, but by the end of the film one has been touched by the humanity of its characters and the perfect period performances of G&S masterpieces.

A fine, fine movie, too subtle and witty for an audience that usually bestows its honors on the biggest noise.

An improbably great film from an unexpected source
This delightful retelling of the creation of the Gilbert and Sullivan masterpiece THE MIKADO is as improbable a product from the hands of Mike Leigh as a Hollywood shoot-'em-up would have been from Jane Campion. Leigh had made his reputation by crafting some amazingly intimate films about human relationships in films like the astonishing SECRETS AND LIES (which features in Brenda Blethyn one of the two or three greatest performances ever by an actress in any film). The idea of doing a historical recreation of Gilbert and Sullivan is not one that easily attaches itself to Leigh. Nonetheless, this film is in every sense masterful and entertaining.

With a director of the ability of Mike Leigh, it is no surprise that the film is superb as a production. Everything is superb about the film. The art direction and set design is extraordinary, and I can't imagine a historical film more compellingly done than this one. Moreover, the musical numbers are exquisitely done, and always convincing.

In the end, however, as superb as the direction and the design are, what drives this movie are the performers. This is a very fine ensemble cast, many of them Mike Leigh regulars, like the very fine Timothy Sprall, who winningly plays Richard Temple. Jim Broadbent has since the release of TOPSY-TURVY managed to establish himself as a superstar character actor through films like MOULIN ROUGE, NICHOLAS NICKLEBY, and IRIS (for which he won an Oscar). I always marvel at his range and his ability to sell any role. He is stellar here as the Stoic and emotionally conservative W. S. Gilbert. I really enjoyed Shirley Henderson (who I recently saw in a great Danish/Scottish film WILBUR WANTS TO KILL HIMSELF, which I hope will get released in the United States) in her smallish role as a musical performer who is struggling with problems of addiction (like many others in the D'Oyly Carte company). The relatively unknown (at least in the U.S.) Martin Savage stands out as George Grossmith, the person who not only starred in the Gilbert and Sullivan musicals, but was the foremost musical stage performer of the late Victorian age, sort of London's answer to Mandy Patinkin a hundred years later. Grossmith also wrote a highly popular book with his brother Weedon, THE DIARY OF A NOBODY. I could go on and on about other performers who stood out in small but impressive roles, such as Lesley Manville, who has a heartbreaking scene as Gilbert's unfulfilled and quietly unhappy wife.

It has to be emphasized that this is not a movie only for fans of light opera. It really is irrelevant whether someone does or does not enjoy Gilbert and Sullivan. This is primarily a movie about people, about show business, and about how a group of flawed and merely human beings can collaborate in producing something phenomenal. This is not a niche film. It is a film to be enjoyed by anyone who enjoyed movies at their best. ... Read more

Reviews (9)

Ever Wanted to Wake Up from a Bad Dream?
The plot of this film was a recurring nightmare that Alfred Hitchcock apparently tried to get out of his system with a starkly documentary type of movie that didn't go down too well with audiences. It's a tedious reworking of a case of mistaken iedntity in a robbery prosecution in New York City, entirely devoid of any of the glamour or wit that Hitchcock usually used to mask his obsessions. "The Wrong Man" might have been the subtitle of several of Hitchcock's films, and he laid his worst fears on the line with this one. Henry Fonda, the hapless musician victim, is reduced to praying for miracle to get out the trap, and one turns up, an echo of Hitchcock's Catholic upbringing. In the context of Hitchcock's other work it's an interesting couple of hours, but only in that context.

Intense suspense
This is an extraordinary Hitchcock film. It's very powerful and very different. "The difference lies in the fact that this is a true story - every word of it"; a quote of Hitchcock's from the opening of the film. It is sad that a story like this is true and that it has happened, but it's part of what makes the film as powerful as it is. Another power-factor is the black and white cinematography , which lends a whole other mood, than if it had been shot in colour. Great acting, great directing. I'm very much looking forward to this film's being released on DVD, I'm surprised that it isn't available yet, considering how much of Hitchcock's work is.
Enter your e-mail address above, and thus vote for the release of this disc, everybody - it's a lock!

Is the DVD coming out soon?
I hope the DVD comes out really soon. "The Wrong Man" is a wonderful film filled with drama, suspense, and action. Go see it!

WRONG MAN RIGHT FILM!!
Alfred Hitchcock again shows his mastery of the art of film making. "The Wrong Man" is done in a true documentary style..and Henry Fonda is so perfect he is scary.

With Fonda's superb low key style you will find he isnt acting at all.. he IS Manny Balestrero !. Fonda's inner rage is completely under control..and one wonders if it will ever explode..this fact sets up the tense drama to a breaking point.

The emotional breaking point is visited on his wife played by Vera Miles. The films plot has overtones of another film called " Call Northside 777" with the Police on one side and the rest of the characters on the other.

One of a kind film experience !
CP

A great thriller!
"The Wrong Man" is wonderful, it deserves five stars. The movie stars Henry Fonda and Vera Miles. They are both great actors. This film is actually true. It is a thriller but it is also a drama. An excellent Hitchcock film. Go see it! ... Read more

Amazon.com

After a government-spawned "superflu" wipes out more than 90 percent of the earth's population, the devastated survivors must decide whether to support or resist the advances of a mysterious stranger from way down South (heh-heh) who wishes to claim this new world order for himself. Although the six-hour length makes it nigh-impossible to digest in one sitting, this well-paced adaptation of Stephen King's apocalyptic magnum opus ranks among the best adaptations of the author's work, with strong performances from Gary Sinise, Miguel Ferrer, and especially Jamey Sheridan as a good-old-boy version of Old Scratch. The opening scene, set to the strains of Blue Oyster Cult's "Don't Fear the Reaper," is one of the most chilling things ever shot for television. Director Mick Garris is no stranger to King's world, having also helmed Sleepwalkers, the recent television remake of The Shining, and the upcoming Desperation. --Andrew Wright ... Read more

Reviews (217)

Amazing....but missing something
I eagerly bought this movie after finishing the novel. I know that a lot of movies based on books are different from the original story, but this really isn't one of them, at least not exactly. Almost all of the main and important aspects of the novel are included in the movie. The time constraints obviously play a part of the limited detail, at least compared to the novel, but what seems most annoying is the fact that different characters play the parts of characters in the book. For example, Susan Stern, who travelled in Stu Redman's group originally suddenly is part of Mother Abigail's group. It's small differences like this that get to me in this movie.

Other than that, the movie is awesome. The makeup effects used are amazing. The actors chosen to portray the characters seem perfect, especially Gary Sinise, Adam Storke, Ray Walston, Bill Fagerbakke, Jamey Sheridan and particularly Rob Lowe, who plays a wonderful Nick Andros. I've already watched this movie a number of times, and there are scenes I can't get enough of. I really like it, but I'm going to have to say, read the book first, because it will not only help you keep better track of what's going on in the movie, but it will you keep you informed on the characters as well. Plus, the book is definitely worth it's 1141 pages and you'll be really missing something without it!

Greatness Has a Name
First off, I'd like to say I have never read the book. But I will soon. Even though, I absolutely LOVED this movie. The acting was amazing, especially the performances by Gary Sinise (can that guy play a bad role? Knock on wood) and Rob Lowe, supposedly in a comeback role. It was probably very hard for poor Rob to play a deaf mute! Anyway, the story goes that a virus created by the Army gets loose at it's base and spreads through the United States. Only a few people survive, and the ones that do are separated into two groups. One group is called in dreams by Mother Abigail (played by Ruby Dee) and the other is called by Randall Flagg, the devil (played by Jamey Sheridan, who did an awesome job). Mother Abigail's group is led by Gary Sinise, Molly Ringwald, Adam Storke, and Rob Lowe (although he didn't lead the group, he played an incredibly important part as a retarded man named Tom Cullen. I'm talking about Bill Fagerbakke). The bad guys, led by Flagg, flock to Las Vegas (yes, Sin City itself) and the good guys go to Boulder, Colorado. I won't give away the ending, but it is truly a wonderful movie with many twists and surprises. It made me jump, scream, say aww, and at times cry ew! It is incredible!

It's not the book, but what movie is?
I was disappointed in the amount of changes in the mini-series; I found the book much more filled out. However, this movie brings about all my greatest fears about the end of our way of life. I have worked in the medical field for a number of years and I have often imagined this kind of scenario. Many people focus on the religious aura of this film, but I enjoyed the all encompassing nature. Stephen King did not write about religion, or how one faith survived while all other belivers died. He wrote a story about good versus evil. Don't look for a hinted meaning and enjoy the movie; it's well worth it.

Religious propaganda - cheap and blatant
I feel that I genuinely wasted my time watching this excessively long DVD (TV series).
It is a cheap production, proving how celebrity does not equate to talent.
Worse of all is the blatant religious "stand" which the story takes... It reminds me of the awful movie productions used by missionaries uninvitedly imposing their beliefs upon others.
Oh! And it is worth pointing out that Mr. King should stick to writing and NOT acting....
Although, it would probably appease many, and reinforce their monochrome ideas and perceptions of good and evil.....

Worth it
I am a relatively new fan of Mr. Kings work. My first exposure to his material was when The Stand miniseries aired. I recently read the book and find the movie adaptation to be just about as complete as you could hope for.

The performances are good, with some nice peaks into the early works of some now well known actors.

The only disappointment for me... in both the book and the miniseries.... is that ending. Won't spoil it here. For me it was a sort of "thats it?" moment. ... Read more

Amazon.com essential video

Lizard-like Draconian Louis Gossett Jr. and his mortal enemy, earthling Dennis Quaid, crash-land on a hostile planet during a brutal space battle. Forced to rely on one another for survival, they overcome their differences and become fast friends. You can almost hear them break into an off-key version of "It's a Small World." German director Wolfgang Petersen, so brutally honest with his film Das Boot, turns warm and cuddly on us with this intergalactic buddy movie. Much of the problem, though, is that the script sets us up for an intriguing encounter, then settles for a simple and sentimental resolution. Noteworthy set design and strong performances, especially by Gossett, push this beyond mere mediocrity. His performance is fascinating, as he must speak in an alien tongue, which he maintains with artistry and consistency. --Rochelle O'Gorman ... Read more

Reviews (38)

A new twist on sci-fi
Enemy Mine is a great depiction of what we would do when confronted with our greatest fear/hate/loathing and forced to deal with or die.

Dennis Quaid and Louis Gossett Jr. are fantastic in this film! Quaid as the human astronaut is great, and gives a real sense of his loathing for the Drac species. His character's growth and change in attitude is very well done and a believable performance. Gossett is also remarkable as the Drac, and his portrayal of an asexual creature so different (and yet similar) to us is nothing short of extraordinary. He also grows, learning to love the human Quaid as a friend/brother and giving him the ultimate gift: his child.

The special effects may not be Academy-material, but they do the job well for this film. While this is science fiction, the story is what makes this film so great. I don't know if it would work in any other setting/genre, but it certainly works here. If you haven't seen this, watch it!

Good movie, a true tale of friendship
"Enemy Mine" was one of the good movies of the 80's. It's about an alien called a Drac (Louis Gossett, Jr.) and a human (Robert Quaid), who's species are brutal enemies. But they must learn to cooperate with each other to survive on the barren planet that they both crashed on.

"Enemy Mine" is a good movie in just about every way. The special effects, landscapes, and aliens are great. Quaid and Gossett Jr. also do a good job of acting. The movie drastically changes when one of them has a baby. If you like sci-fi movies, "Enemy Mine" would be a good movie to get. My only complaint is that it didn't have much action in it like many other classic sci-fi movies, but it's still a good movie.

Interesting but disjointed film.
Well into filming of "Enemy Mine",the director was sacked and replace by Wolfgang Peterson whom had the previous director's footage destroyed as to avoid comparisons. A pity as that footage would have made an interesting extra as that film was said to have some good footage.
This unwarranted sacking has resulted in a disjointed film which has had major parts ommitted. There is also an attempt at humour that doesn't work such as a creature burping and a Mickey Mouse joke. Such stuff does not work in a serious science fiction film which this attempts to be .When I saw this in the movie theatre,there was sniggers as Dennis Quaid's character goes from regarding his opponent as his mortal enemy to talking as if they were old friends.
Despite this,the production values and set design are outstanding and it ends up being a warm-hearted story reminiscent of "Robinson Crusoe On Mars". A disjointed and uneven story,but still entertaining.
The "extras" on this DVD consist of a paltry 3 photos and a scratchy 4X3 trailer. Not much there.
Fortunately,the film is in widescreen.

Boy, this premise sounds familiar! Rehash, anyone?
I haven't seen this in a long time, but isn't this basically the same idea as the 1968 Lee Marvin/Toshiro Mifune war drama "Hell in the Pacific?"

Another Classic Sci-Fi Flim For Anyone
What if two enemies both from alien races crash landed on a deserted planet in the middle of a waging war? Would they work together as a team to survive long enough to be rescued? Or would they not be able to settle their differences and wage their own war? Enemy Mine starring Dennis Quaid and Louis Gossett Jr. gives us this very scenario. Enemy Mine's story is great, and the special effects and makeup are great for their time also. I'd suggest this movie for anyone who is looking for more than just a "Shoot em' up, Blow em' up" type Sci-Fi movie. Three stars. ... Read more

Amazon.com

Two innocent sisters from Ohio hit Greenwich Village and must cope with wall-shaking subway construction, the neighborhood kooks, and a whopping $65 a month for an apartment. My Sister Eileen is one of those "Look out, world, we're conquering Manhattan!" movies, with Betty Garrett as a plain, would-be writer and Janet Leigh as her knockout sister, an aspiring actress who draws men like milk draws kittens. The 1955 movie's well-scrubbed Greenwich Village is a delightful fantasy playground. The city wasnever like this, but it probably should have been. In one of his early roles, Jack Lemmon (crooning one of the Jule Styne-Leo Robin songs quite charmingly) plays a magazine publisher, one of the many Young Men with Ideas he would play in the subsequent decade. Even more interesting is the presence of future director Bob Fosse, as a soda jerk who romances Leigh. Fosse also choreographed the film's musical numbers, and his dances include a delightful quartet at a bandstand and a sensational showdown with Tommy Rall. Fosse and Rall try to outdo each other in a male rivalry dance that will remind Fosse fans of his obsession with hats. The breezy direction is by Richard Quine, who cowrote the script with another future director, Blake Edwards. The original source material, stories by Ruth McKenney, formed the basis for a play and a nonmusical 1942 Rosalind Russell movie, also called My Sister Eileen (in which Quine played the Fosse role); there was a Broadway musical adaptation of the stories, Wonderful Town, which is not related to this film. --Robert Horton ... Read more

Reviews (6)

A charming, screwball musical
Most folks will pay attention to this film becuase it's an early piece by choreographer Bob Fosse -- but it is a fun bit of froth that easily stands on its own. An absolutely delightful musical comedy, starring Betty Garrett as a smart smalltown girl determined to make it in New York City. She moves there with her with her glamourous, ditzy sister Eileen, whose good looks open more doors than do Garrett's brains and moxie. A nice film about struggling to get ahead in the Big Apple, with a script that takes its time and several exuberently goofy dance numbers, gleefully choreographed by a young Bob Fosse, who also plays one of the sister's avid suitors. The penultimate dance scene is side-splittingly hilarious, featuring a swarm of recently disembarked Cuban sailors on the prowl for American women, who form an inexhaustable conga line that snakes chaotically through the gal's tiny apartment. Thoroughly entertaining... a great, lighthearted film with some fabulous acting and bright, winning performances by all involved.

A Nice Musical Comedy With a Young Bob Fosse
"My Sister Eileen" was Fosse's first official assignment as a film choreographer. He had already co-choreographed his dances for three musicals he made at MGM but didn't get any credit for it.
This film offers a rare chance to see him perform his own steps in front of the camera. He wasn't just a legendary Broadway director and choreographer, he was also a brilliant and nimble dancer with a sweet singing voice. His early stuff was influenced by Gene Kelly, Fred Astaire and Jack Cole, so don't expect the small intricate dancing with bowler hats that became his trademark.
Fosse is featured in three numbers: the quartet "Give Me A Band and My Baby", which is pure fun, the romantic ballroom routine "There's Nothing Like Love" where he partners "Psycho"'s Janet Leigh, and the explosive "Alley Dance" in which he competes with one of the best yet underrated dancers of Hollywood's Golden Age: the versatile Tommy Rall. The number shows a couple of early Fosse favorites such as the "Steam Heat" hat trick, cartwheel jumps and somersaults.
The rest of the cast is also quite remarkable: Betty Garrett is adorable with her dead-pan humour and Janet Leigh is simply sweet as Darlin' Eileen. And if you ever wanted to hear Jack Lemmon sing, here's your chance.
Director Richard Quine and young Blake Edwards wrote a rather unspectacular screenplay. Jule Styne and Leo Robin did a decent job with the songs but I definitely prefer Leonard Bernstein's "Wonderful Town".
"My Sister Eileen" is a nice little musical comedy. It's ideal to cheer yourself up on a dark and rainy evening.
By the way, this film isn't presented in its original Cinemascope format. The video version was slightly formatted. Well, let's hope for the DVD release.

Entertaining Classic!
What a great movie! It is refreshing to see so much energy brought to the silver screen. The casting makes this movie! It has something for everyone: dancing, singing, funny misunderstandings, apartment problems and much more. This movie provides the entire family with good clean entertainment which is almost extinct in today's Hollywood. Jack Lemmon is wonderful opposite Betty Garrett. Janet Leigh also does a superb job as the sister with everything!

Good Star Vehicle
Although the first version,starring Rosalind Russell and Janet Blair,is by far superior,this musical version with Janet Leigh and Betty Garrett as the two sisters in Greenwich Village is quite a good romp. Bob Fosse and Jack Lemmon (in a rare musical role )add the needed chemistry to make the girls sparkle. The story was later musicalized on Broadway as 'Wonderful Town',which again starred Rosalind Russell as Ruth Sherwood,and won a Tony for her work.

Watching a young Bob Fosse dance is incredible
A great cast with Jack Lemon and Betty Garrett doing a great job together and Bob Fosse showing why he is among the greatest dancers of our time. ... Read more

Amazon.com

If you've never seen this popular production performed on stage in its original form as one of the longest-running musicals in Broadway history, the movie version is probably your next best option--heck, it's your only option! But beware the major difference between the experience of stage and screen, because A Chorus Line is a perfect example of a show that doesn't translate well from one medium to another. Director Richard Attenborough gives it his best shot, cutting some of the production numbers and adding new ones while "opening up" the show to explore the off-stage lives of struggling performers as they prepare for another grueling audition. Michael Douglas plays the harsh, workaholic director who puts the auditioning "gypsies" through the paces, winnowing a large group of hopefuls down to eight lucky cast members for his next big show. There's a subplot about the director's former girlfriend, who returns for the big audition, and along the way the other hopefuls sing and dance while revealing their various hopes and fears. On screen, the musical works best when focused on its dramatic passages; otherwise it's impossible to escape the fact that this material is best suited to live performance. --Jeff Shannon ... Read more

Reviews (74)

good grief
A Chorus Line is a truly great show, when performed onstage keeping true to the original *ahem* SONGS, but the movie kind of failed in the attempt to re-create the magic. I mean, "Music and The Mirror" is a perfect example. Did they think it was too subtle for the movie-watching American public? Did it really have to be replaced with something as blunt as "Let Me Dance For You"? Puh-leaze. And they cut out the entire montage, which really helps in exploring the character's personalities, etc. Why did Cassie seem like such an...annoyance? She did interrupt "I Can Do That". She did harass him into giving her a role. She didn't seem graceful, like in the stage version. (ie, falling while getting into the taxi) I really liked the Sheila, and I loved Terrance Mann. I also found the drag show monologue very well done. It's good, but not even close to the singular sensation it was onstage.

"One Singular Sensation!"
The screen version of Michael Bennett's landmark Broadway musical lets the audience experience the struggle, anxiety and triumph of a group of dancers auditiong for the chorus of a Broadway show.

This is a classic and not to be missed. One of the best "backstage musicals films" ever made. Michael Douglas soft-shoes 16 dancers through a grueling audition to Marvin Hamlisch's Oscar nominated music and Jeffrey [Flashdance] Hornaday's sizzling, synergistic choreography.

The cast is excellent most notably, Michael [Chaplin] Blevins, who brings charming honesty to the role of 17 year old Mark, the youngest dancer on the line. Other fine performances are given by Gregg Burge, Audrey Landers, Nicole Fosse, and Terrence Mann. For such excellent dancers they all bring great credibility to their respective acting roles.

Oscar winning director Richard Attenborough heads-up this dazzling three-time Academy Award nominated adaptation of Broadway's long running musical that received nine Tony awards and the Pulitzer Prize. Attneborough gracefully blends big production numbers with intimate moments.

This movie is so enjoyable to watch because the transition from stage to screen is smooth and entertaining. Afterall, the New York Times called the film :

"A single burst of breathtaking inspiration!" -New York Times

The Dance and Theatre critics raved about it:

"It is the best dance film, and for that matter, the best movie musical for years!" -Clive Barnes, New York Post

"...exhilarating...one of the year's best pictures..." -Jeffrey Lyons, Sneak Previews, INN

This is a Great White Way phenomenon. Join the chorus of this high-stepping piece of celluloid - it is truly "One Singular Sensation"!

Fun movie, very true to life of a dancer
Considering I have never seen the Broadway show, I found this movie to be quite enjoyable. The songs were fun, the dancing fantastic, the acting was relatively good, and I thought the plot would have been very good without the Cassie/Zach relationship being thrust into the limelight. Many people did not like "Surprise, Surprise," due to its replacing of an original song. However, I thought Gregg Burge did an absolutely amazing job with it. His dancing was so high-energy and almost technically impeccable. No complaints there. I loved: "Dance Ten, Looks Three", "Nothing", "Hello Twelve", and "At the Ballet." My one major complaint with this movie is Cassie. I felt she was annoying, she detracted from several of the musical numbers with absolutely pointless shots of her sitting in a chair, and I didn't enjoy her songs very much. Other than that, good movie, and hopefully I will get to see the Broadway show sometime.

Don't delete old songs
While I can understand the need for space and time in a movie, the two new songs, Richie's "Surprise" & Cassie's "Let me dance for you," are both fascinating and reveal to us something more about their characters. It was good that part of the excessively long montage went away, though they should not have left out Richie's previous part, in which he reveals that his athletic skills give him a scholarship to college in which he intends to become a kindergarten teacher, until he realizes that "Nobody's going to be standing there with no scholarship to life" and selects dancing instead.

But Cassie's distracting subplot gets in the way a bit. It would have been better to have Cassie appear twice, singing both her original "Music & the mirror" (and emotionally stronger song) earlier, getting tossed out, then returning later to sing "Let me dance for you."

In addition, Kristine's song, "Sing," reveals more about this pathetic bride whom we know or care nothing about in the movie. Her husband (and assistant in the song) is more powerful, but he too suffers from losing all importance to the plot.

Beyond this, the character of Connie is completely ignored. She didn't even get a song, nor much to say. She could at least have helped out a bit with Diana's "Nothing."

That's it. My tirade is over. I like the film, but I could bear to watch a further half-hour to include more for these characters.

Unjustly Underrated!
I can't believe all the negative reviews I am reading for this film, but then again, I haven't seen the stage version, so I can't compare. The film adaptation of "A Chorus Line" is the quintessential backstage musical, a celebration of the lives and tribulations of the dancers who turn up by the hundreds to audition for a handful of jobs on Broadway.

The simple story goes like this: A choreographer is casting eight dancers for a new musical, and during one long and truthful day he auditions hundreds of dancers before he makes his final selection. The remaining dozen pour out their hearts and souls through song and dance, all desperate for a part, and all deserving of one. We learn about their lives, loves, fears, and sacrifices through the brilliant lyrics.

From what I understand, Richard Attenborough's film treatment of the story sticks to the outlines of the stage version, although he takes the liberty to fill in the details of the choreographer's old romance, and he leaves out some of the original songs to make room for new ones. I think it's a wonderful idea, and hey, for me, it works.

The result may not please purists who want a film record of what they saw on stage, but this is one of the most intelligent and compelling movie musicals in a long time. Everybody, at one time or another, has been on a line similar to this one--anxious to be accepted and terrified of being rejected by someone judging his or her worth.

Attenborough (Gandhi) makes the most of this dramatic tension, along with the hopefulness of all those in the audition. Best of all, he captures the vibrancy of modern dance from the free-form confusion of the opening scenes to the high-stepping kicks of the finale.

This is truly one of the most underrated films EVER, an emotional, powerful, and anxious musical definitely worth seeing. Give it a chance, it won't hurt! ... Read more