Description

A baker and his wife journey into the woods in search of a cow, a red cape, a pair of golden slippers and some magic beans to lift a curse that has kept them childless. Tony Award winners Bernadette Peters, Joanna Gleason and the rest of the original Broadway cast weave their magic spell over you in Stephen Sondheim's masterpiece, directed by James Lapine, a seamless fusion of fairy tale characters and what happens after "happily ever after. "With oft-recorded songs such as "Children Will Listen" and "No One is Alone," "Into the Woods" is a music lover's delight from start to finish--and will forever cement Stephen Sondheim's unparalleled position as the giant of the American musical theater. ... Read more

Reviews (175)

A Broadway Masterpeace
This DVD is the best Musical DVD I have ever gotten. INTO THE WOODS is such a great show and is great for the whole family to see. Bernadette Peters is amazing in this and so is the whole cast. It is the story of the Baker and his wife as they go into the woods to undo the witch's spell. Along the way they meet Cinderella, Jack, Little Red Riding hood, and are taught lesions that you will never get any ware else. The story makes you want to make you cry. It is such a moving show with songs like "No one is alone," a beautiful song sung by Ms. Peters, "Agony" a great duet, sung by the two princes who are trying to find Cinderella and Repunsul and sing about their difficulties and "You're Fault/Last Midnight," witch really makes you think about life and why you place the blame. This is a wonderfull peace of work and needs to be seen, by any story, Sondheim lover, or a person with a heart. Bye it NOW and get prepared to say WOW!

Amazing show!!!!
Into the Woods is definitely one of the most amazing shows I've ever seen. There is not a single dull moment in this musical. Stephen Sondheim is pure genius. As for the Broadway cast of ITW, I absolutely LOVED them. Every single one of them gave outstanding performances. However, Bernadette Peters obviously stood out a great deal as the Witch, and I thought another actress who did well was the lovely Kim Crosby as Cinderella..She had a beautiful voice. But the shining star here was definitely Joanna Gleason, no question about it. Her stunning performance as the Baker's Wife could have you holding your stomach, laughing; or it could make you cry. Joanna Gleason is an amazing actress...Her acting is so simple, yet complicated at the same time..She's just incredible as the Baker's Wife. A show stopping number was her "Moments In the Woods," along with "Any Moment" sung by Robert Westenberg as the HiLaRiOuS Cinderella's Prince... Every time I watch this part it cracks me up. Also, the beautiful duet "No One is Alone" done by Kim Crosby as Cinderella and Chip Zien as the Baker brings tears to your eyes... And the opening number "Into the Woods" is not to be missed. Another fun song is "Your Fault," done in the second act which is very awesome...I've proceeded in memorizing this whole thing and I'm pretty proud of myself, lol. I have no clue how Sondheim wrote that. The finale, "Children Will Listen," is a amazing as well...A great closing for the show.

Into the Woods is simply amazing... I prefer the first act over the second, though...The first is funny, heartwarming, and hilarious as we follow the Baker and his Wife into the woods to find a cow as white as milk, a cape as red as blood, hair as yellow as corn, and a slipper as pure as gold to break the curse that is keeping them from having a child. The second act is a lot more deep and dark when the giant arrives and upsets the whole kingdom. It's sad but still very enjoyable. If you are thinking of buying this video, DO! I promise you WON'T regret it.

(btw, that ending phrase sounds SO corny but oh well, that's me.)

Into the woods to buy this movie!
I apologize for the poor quality of the joke in the title.

Anyhoo, I saw this musical in high school (let me rephrase: I saw this video in high school...oh wait, I forgot. I DID see the play in high school too. Weird. But the video came first, so...end of aside) and have loved it ever since. I am an optimistic person by nature and like the phrase "happily ever after." I don't understand why our cyncial society is so determined to sink that phrase in the cruel, unforgiving sea of reality (for more on this subject see Cervantes' soliloquoy in "Man of La Mancha"). It is, however, always a great relief to me when I see that "Non-happy ever after" type shows generally always prove themselves wrong. The ending to this musical is...not what you'd expect! Ha! Thought I was gonna spoil it, didn't ya? But just the same it is a happy one. If any ending can be called happy in the wake of horror and death, and I say sure. Sondheim's best work, in my book. Bernadette Peters is as wonderful as always as the Wicked Witch, and since the most recent revival had (Shudder!) Vanessa Williams in the role, this is the show for you. I reckon.

i wish, more than anything...
Cinderella, Little Red Ridding Hood, The Baker and his Wife, and Rapunzel-- all in one! The opening number "I wish" is when the Baker and his Wife, Cinderella, Little Red Ridding Hood and Jack sing what they want (to sell a cow, a child, to go to granny's house, to go to the festival) and everything and the Witch comes in and stirrs up trouble and due to her all your average day fairy tales turned upside-down and on their big fat magic butts!

Now of course, the Witch does something (duh)! she makes the Baker and his Wife in order to get a child to get a golden slipper (Cinderella) a cape as red as blood (Little Red Ridding Hood) a cow as white as milk (Jack) and hair as yellow as corn (Rapunzel). Of course, they get all the things with a lot of obsticals. Duh, I mean come on people it's not like they're really going to get all those stuff easy cheesy in a 3 hour play. That's where they sing their other hit song "Into the Woods".

Anyhow, Jack killed the Giant and the wife has come back to find Jack and guess what-- you'll have to find out what happens. So ha! It's so good it's magical.

Starring Bernadette Peters (the Witch) Kim Crosby (Cinderella) Danelle Fernland (Little Red Ridding Hood) Pamela Winslow (Rapunzel) Ben Wright (Jack) Chip Zien (Baker) Joanna Gleason (the Baker's Wife) and of course the Narrator, who does do a lot-- (Tom Aldredge)

HOPE YOU ENJOY! (I saw the 2001 one, so I can't say which one's better) SEE YA! I GUESS YOU'LL BE ON YOUR JOURNEY!

Very Obsession Worthy
I love many broadway musicals and plays, but this one takes the cake. Everything about it is superb! This taping of the play is excellent, gives you the broadway stage experience while also giving excellent close ups and a little bit of film magic, together creating an ecellent buy! Well, well worth the price, just to see the superb Bernadette Peters! This is a must have addition to any DVD collection! ... Read more

Amazon.com essential video

Barbra Streisand made her directorial debut with this 1983 adaptation of the Isaac Bashevis Singer story about a young Eastern European woman (Streisand) who disguises herself as a male at the turn of the century in order to get an education. Except for an excessive musical score with too many songs and Streisand's tiresome tendency to play characters who suppress their beauty, the film is crisp and engaging, and the gender-bending love story complications are fun, if gimmicky. Streisand gives a smart, vulnerable performance and gets fresh work from costars Mandy Patinkin and Amy Irving.--Tom Keogh ... Read more

Reviews (56)

A Triumph for the Director, Not the Actress
When "Yentl" was first released it proved to be neither the I-told-you-so triumph producer-director-star Barbra Streisand hoped, nor the total failure nay-sayers gleefully predicted. In years since, "Yentl" has become the punchline for many jokes (men who were dragged to see this with their wives or girlfriends can't seem to say enough nasty things about it), but most of those jokes aren't warranted.

As a director, Streisand has much to be proud of. She gets stellar performances from co-stars Mandy Patinkin and Amy Irving (Streisand has proven herself to be an actor's director), the photography is lush and she makes the non-commercial story quite compelling. The movie's main weakness, though, is Streisand's work in front of the camera. Being miscast is nothing new for the star of "Hello, Dolly!" and "A Star is Born," but usually she's buoyed by her star power. In "Yentl," that star power is a detriment. This is a movie that needed an actress, not a star.

However, not many film actresses have Streisand's voice, and this is a musical, after all. The songs in "Yentl" (all sung by Streisand; fellow singer Patinkin doesn't even hum along) function as internal monologues, and as such they work fine in the context of the movie. But this is no "Funny Girl"--despite a finale that looks very similar to that movie's "Don't Rain on My Parade" sequence. There are few tunes that'll be stuck in your head by the final credits. Turning "Yentl" into a musical seemed more of a concession to the studio, anyway.

Despite its shortcomings, and despite what all those snarky husbands and boyfriends say about it, "Yentl" proved Streisand's formidable talents aren't just limited to singing and acting.

Why isn't this on DVD!
I just adore this movie. Great acting, sweet story, lots of culture and absolutely fabulous music... I listen to the soundtrack all the time.

Barbara Streisand is perfect at playing an intelligent, yet vulnerable woman in a time and place in which women were supposed to be illiterate and considered to be silly. Her father was a more forward-thinking man in a culture that considered teaching a woman to read something perverse and criminal. When her father dies,she loses everything... women can't read, own property or make decisions concerning the course of her life.

She decides that her persuit of knowledge of the holy scriptures is too important to let the opportunity slip through her fingers, so she cuts her hair and lives life as a male Rabbinical student. Life takes a twist she doesn't expect when she falls for her classmate and subsequently is forced to marry a young girl.

There are a lot of laughing-out-loud moments, but this is mostly just an extremely sweet story of love, sacrifice, tradition and freedom. It's definitely a feel-good movie that will put a lump in your throat. I highly recommend this film.

Poor Quality Copy
The VHS desperately needs remastering. If people want to see Babs dressed up like a man, then we need to get this released on DVD.
I know I can't wait!!!

LESS WOULD OF BEEN MORE
I love Barbra. I saw her final Concert in Los Angeles so I am a fan! I like this movie! HOWEVER I did not Love it! I think this movie is TOO LONG! Since this is Streisand's baby you can see every frame was a labor of love! If you want to see a great Streisand movie get "Funny Girl" However Barbra if your reading I would trust you would do a great job of acting and directing in the muscial adaption of Sunset Boulevard! You are the greatest star of them all!

There are moments you remember all your life...
... and seeing Yentl certainly was such a moment. The movie had a profound impact on my life when I was a girl of 14. More than 10 years later, it has not lost any of its message. "Revisiting" Yentl from time to time has helped me choose the path I really want to go. Some of my dreams have come true, but there is more to come, I am sure. It also gives me courage to do what I need to, like Yentl, and like Mrs. Streisand whose work as female director was groundbreaking at the time. Chapeau! ... Read more

Amazon.com

This 1943 version of thehorror story is more Technicolor musical than scare piece. Claude Rains plays the unfortunate, masked anti-hero, but he doesn't get the room to showcase a promising and sympathetic performance. Susanna Foster and Nelson Eddy, on the other hand, get plenty of screen time to warble. Well worth a visit just for the look of the film, which won an Oscar for cinematography.--Tom Keogh ... Read more

Reviews (44)

A cute but not particularly deep little flick
I wanted to see this because it had Claude Rains mostly, but also because I wanted to see Nelson Eddy as a person after hearing him in the Disney short "The Whale Who Wanted to Sing at the Met". Besides, I've been a fan of the book by Gaston LeRoux and the musical by Andrew Lloyd Webber for some time, have seen the silent movie version of this story, and wanted to chalk up another credit to my Phantom experience.

Overall, this wasn't a bad little movie - I felt that the fact that it was in colour rather detracted from the sombre, ominous mood this kind of tale needs - it should really be sort of Victorian film-noir, shot in black and white. But then, I felt that they really changed the story so much in this film version that it can only be looked on as a story independent of the book which was its inspiration, and so for that reason the colour is okay. I also felt that Claude Rains' character seemed as though it was going to be a main character at the beginning of the film, but then he seemed to disappear from the film for much of the rest of it. Also, the progression of his adoration complex for Christine was sadly overlooked throughout the film, and we are to understand his descent into bitterness toward mankind from the few scattered minutes of screen time that he has?

Although the rival banter between Raoul and Anatole was very amusing, it seems a little out of place in a story of such tragic dimensions, and draws one's focus completely away from the relationship between Christine and the Phantom of the film's title, which really is the core of the entire book and should be the same or similar in the movie. As another example of distraction - I like hearing Nelson Eddy sing, but at least two of the operatic numbers could have been shortened to make room for some more character development and depth in Erik and Christine's relationship.

I felt that the silent version of the film not only followed the plot of the book more accurately, but that the emotions and experiences of the characters were ones easier to "jump into", even despite the common (for a silent) over-acting of its players - but at the same time, this 1943 version was easier to watch. It's not as long or nervewracking. Still, I would recommend you to do it all - read the book, watch both films, and listen to the original London cast recording of the musical if you can't go and see it. Each one of these things will enhance your appreciation and enjoyment of the story in some way or another.

A Beautiful Film
I saw the 1943 version of "The Phantom of the Opera" before I read the book and (last) saw the 1925 version. I have to admit that it was not like the book at all, but the Lon Chaney version was a little. Claude Rains was very convincing as the tormented and lovesick Phantom, and was always more interesting than Lon Chaney. But Claude Rains was not given very much screen time, except near the beginning and end of the film. The sets were fabulous. Nelson Eddy and Edgar Barrier were almost constantly trying to win over Christine, and even though these scenes were funny, I've noticed that they can very easily become distractions that seem designed only to de-emphasize Claude Rains, which only hurts the film. Susanna Foster and Nelson Eddy sang a lot, and while these numbers were very nice and a joy to listen to, they were the only time Nelson Eddy really got a chance to shine, which is unfortunate. However, Susanna Foster fared well throughout the entire film. I would not recommend this film to anyone who doesn't like opera, or to anyone who wants to see a lot of the Phantom.

Horror fans will be disappointed
This film is more about the opera and the courting of an opera singer by two suitors than a deranged murderer running amok in the hidden chambers of the Paris Opera House. A great deal of screen time is devoted to the pursuit of the lovely Mademoiselle Dubois by a baritone and a Paris detective as both men are comically inept in trying to win the woman's favors. Claude Rains' phantom is a poignant figure, his madness notwithstanding, and he also has designs on the opera star and spirits her away to the catacombs under the building to possess her forever and have her sing the concerto he composed especially for her. The lush color and sets give the production a professional and polished look but the movie lacks suspense and thrills and is strictly for aficionados of the opera.

Pretty Good
Not my favorite interpretation of Phantom, but still good. Susanna Foster kind of bugs me, but that's okay. And they really changed the story. It's not at all like the origional novel, but it's about Phantom, and that's a good enough excuse for me! Anyways, it was pretty nice. The Raoul character was most realistic. I just don't like Susanna. :)

The Phantom Goes Musical
Gaston Leroux's penny-dreadful novel was hardly the stuff of great literature, but it did manage to tap into the public consciousness with its gas-light-gothic tale of a beautiful singer menaced by a horrific yet seductive serial killer lurking in the forgotten basement labyrinths of the Paris Opera. Lon Chaney's silent classic kept the basic elements of the novel intact'-and proved one of the great box office hits of its day, a fact that prompted Universal Studios to contemplate a remake throughout most of the 1930s. Although several proposals were considered (including one intended to feature Deanna Durbin, who despised the idea and derailed the project with a flat refusal), it wasn't until 1943 that a remake reached the screen. And when it did, it was an eye-popping Technicolor extravaganza, all talking, all singing, and dancing. The Phantom had gone musical.

In many respects this version of PHANTOM anticipates the popular Andrew Lloyd Webber stage musical, for whereas the Chaney version presented the Phantom as a truly sinister entity, this adaptation presents the character as one more sinned against than sinning'an idea that would color almost every later adaptation, and Webber's most particularly so. But it also shifts the focus of the story away from the title character, who is here really more of a supporting character than anything else. The focus is on Paris Opera star Christine Dae, here played by Susanna Foster. In this version Christine is not only adored by the Phantom; she is also romantically pursued by two suitors who put aside their differences to protect her.

Directed by Universal workhorse Arthur Lubin, this version is truly eye-popping in the way that only a 1940s Technicolor spectacular could be: the color is intensely brilliant, and Lubin makes the most of it by focusing most of his camera-time on the stage of the Paris Opera itself and splashing one operatic performance after another throughout the film. But in terms of actual story interest, the film is only so-so. Susanna Foster had a great singing voice, but she did not have a memorable screen presence, and while the supporting cast (which includes Nelson Eddy, Edgar Barrier, Leo Carrillo, and Jane Farrar) is solid enough they lack excitement. And the pace of the film often seems a bit slow, sometimes to the point of clunkiness.

The saving grace of the film'-in addition to the aforementioned photography, which won an Oscar-'is Claude Rains. A great artist, Rains did not make the mistake of copying Chaney, and although the script robs the Phantom of his most fearsome aspects, Rains fills the role with subtle menace that is wonderful to behold, completely transcending the film's slow pace, the lackluster script, and "sanitized for your protection" tone so typical of Universal Studios in the 1940s.

Like most "Universal Horror" DVD packages, this one is superior. The centerpiece of the bonus material is a very nice documentary, "The Opera Ghost: A Phantom Unmasked," which details the origins of the novel and the numerous film adaptations of it'and which is actually quite a bit more interesting than the 1943 film itself. There is also a nice, if somewhat perfunctory, audio commentary track by historian Scott McQueen, trailers, stills, and the like. But when everything is said and done, it's the film that counts'and unless you're a diehard Phantom fan you're likely to be unimpressed. ... Read more

Amazon.com

Talk about your tween fantasies: Jumping Ship traps knee-weakeners Joseph, Andrew, and Matthew Lawrence (TV's Brotherly Love) in the Tropics after their charter boat falls prey to a trio of troublemaking Aussie pirates. A Spanish galleon full of bare-chested male bonding ensues; while moneybags Michael (Joseph) gets schooled in humility by loner Jake (Andrew), his kid cousin Tommy comes to terms with the loss of his dad. In between, they tackle coconut cracking, raft assembly, and some sorry attempts at spear fishing. Once high-stakes dangerous-rescue time rolls around, the fellas' foibles are all figured out, something we saw coming a nautical mile away. Though a gee-whiz-nice quality beats beneath Jumping Ship's perfect-pecs surface, if suspense is your thing, skip it--the pinup boys are all that's keeping this featherweight Disney made-for-TV flick afloat. --Tammy La Gorce ... Read more

Reviews (8)

Excellent!
There was so much more to this movie than just three guys shipwrecked! There were lessons on the value of friends and family... and just how valuable material objects are. But it's just like Disney to add a moral to a story... thank goodness! This is the reason I feel comfortable turning on the Disney channel when our family sits down to watch a movie together.

I really liked to see all the Lawrence brothers together, as well. I still can't decide which is my favorite. The movie had action, adventure, and drama all rolled into one. Though the plot seemed unbelievable, it didn't seem completely impossible either... and usually I watch a movie for its entertainment value, not necessarily it's realistic possibilities. Anyways, this is an excellent movie, the whole family will enjoy!

Great light hearted family fun
Although slightly implausible, "Jumping Ship" is a good all round family entertainer - ideal for those lazy summer afternoons, when you need something fun and light to entertain the kids. Certainly worth watching. There are no Oscar winning performances from the young cast, however, its pace is at a comfortable jog and worth sticking though all the clichés. The director left a couple of "bloopers" in the final version that are a nice touch.

Jumping Brothers
When the Sequel to Horse Sence I was steaming mad cause I didn't like it. When I saw it it became a really cool movie to watch. All three Lawrece brothers are in it making it even better. Its a gotta see

Great scenery, ok plot
Joey and Matthew Lawrence are impossibly gorgeous -- you can't look directly at them, or you fall into a catatonic stupor. (Andy needs another few years of bulking up.) Putting them together in a movie set on a tropical island, where they wear as little as possible, is a risky proposition -- who's going to pay attention to the plot?

Ok, I didn't. There's some minor character-building and relationship problems with pat Disney-esque solutions. Joey bonds with Andy. Pirates attack. Andy bonds with Matt. Pirates kidnap Andy. Matt bonds with Joey. Etc. The conclusion is fairly touching, with the trio deciding to stay together even after their rescue -- I think they go into business together, but I'm not sure. I was just coming out of the catatonic stupor.

Better than Expected
Too often, movie critics don't take Disney Channel Movies seriously enough. This is another example of that. This is a really good movie for the age-group it is made for (pre-teens). It's really nice seeing a clean-cut movie out there for all to enjoy (even adults will enjoy this one). I personally love it. ... Read more

Reviews (30)

Reel History: Johnny Tremain
Nostalgia compelled me to rent Disney's 1957 adaptation of Johnny Tremain. I remember seeing the film in grade school and indeed, some of the visuals from those early screenings left an imprint on my mind whenever I heard the terms "colonial life" and "Revolutionary War." Part of that, I think, is because Johnny Tremain (the movie, not the book) makes the era (1773-1775) seem like a great place for a 10-year old boy to seek adventure and take potshots at the villainous Redcoats. It's a glossed over (some would say "dumbed down) version of Esther Forbe's classic book, and unfortunately, the film, and not the book, is often what many educators choose to incorporate as part of their curriculum when teaching students about the origins of the Revolutonary War.
Aside from that, the film is classic in the Disney sense. Ever notice how 1950s and 60s Disney movies have a distinctive "look" all their own? As a "History Lite" lesson, I suppose the film works on some level. Most of the actors are fine, and some of the set pieces are also nice. The Lexington sequence near the end of the film is probably where young people will begin to pay more attention. Teachers for 6th grade and up might do well to consider Esther Forbe's book over the film, or perhaps "April Morning" by Howard Fast. PS - It's interesting to look at Johnny Tremain and consider that it was made in 1957 with the Cold War in full swing. The Cold War is something that most kids today cannot fully relate to. In the 1950s, Disney no doubt had the current political climate in mind when Johnny Tremain was produced. Youth, freedom, political principles and ideology are recurrent themes throughout the film, and the Revolution serves as a metaphor, ever so subtle, for the struggle against the Reds as well as the Redcoats.

An enjoyable Disney rendition of the cause of the Revolution
This is an enjoyable Disney rendition of the causes of the American Resolution. No, it may not be faithful to the novel, and some of the historical events may not ring true to how they actually happened, however I am sure Disney did not intend them to be. This movie was made in 1957, the same time frame that Davey Crockett played by Fess Parker was made, America was caught up in patriotic fever and Disney was more than happy to serve this up to the viewing public. I did enjoy this movie, and the overall theme it was trying to portray, such as freedom from tyranny, the rights of every man from the wealthy to the silversmiths apprentice. This may not be a movie to analyze the Revolutionary War with, however it is a great starting point to discuss the Revolution with young ones, and those who do not know very much about the American Revolution. An enjoyable film that is recommended to those who like Disney and "light history".

Very Good Movie!!!!
This movie was different than the book for sure, but it was very good. My sister and I bought this movie and we were very satisfied. Excellent casts, great history. This movie deserves five stars, but don't expect it to be like the book.

Weak link
the movie stunk. First of all the movie had all the details mixed up and how could u not have the Famous John hancock or laviinia Lye as a character.In stead of Dove there id some guy named caleb. talk ABout disney making movies they cant meake anything true. i REGRET I BOUGHT IT. 50% OF THE MOVIE WAS ALL mixed up stuff, totaly differnt from the book and the other 30% was bad quality effects even for an old video released.

not good...for shame*tisk**tisk*
I wasn't even a fan of the book, but I know that this movie is terrible. This movie has no elements from the book and this movie hardly deserves a star
My I.Q. (117) plummeted to room temperature....*tisk* ... Read more

Reviews (156)

A MOVIE WITH EVERYTHING BUT THE KITCHEN SINK!!
am 36 years old and I never saw this movie until this year..
I have to say that I thought it was FANTASTIC!! I have a 3 1/2 year old and she loved it !!
The actors did a Great job!! especially Lesley Anne warren who in my opinion is Cinderella... no hype or overdoing it, she did the part simply and classy, taking her scenes beyond what most actresses would do. (you really feel sorry for cinderella with all the amount of neglect she gets,I enjoyed the fact that she tries to remain good natured and happy spirited with the situations that were given to her). Beautiful singing voice and a great dancer! ("In my own little corner", "Impossible","A lovely night" are wonderful songs).
. Her together with the prince were a match made in HEAVEN!, BRAVO to the both of them!! they look, act and sing VERY well and speaking of Stuart Damon....(where do I start) He is SO HANDSOME in this movie my jaw dropped!! I thought he was very humorous in many scenes,(He new what he was looking for in a woman and test ran all the maidens at the ball, maybe he was a little harsh with the step- sisters but he had an idea of who wanted him for her "prize"). . His singing voice is Excellent (especially with his songs "loneliness of evening", "10 minutes ago" and "do I love you because your beautiful". I loved how he would look at her especially at the ball when he saw her at the top of the stairs(one will never forget that gaze along with the silence that followed as they walked toward each other...aaaaah!)and the end when he realized that this poor gal was his true love, and when he tried the slipper on her, My gosh where did they find him! -A GREAT CHOICE OF A MAN FOR THE PRINCE.
The rest of the cast is great!... Pat Carol was quite funny as Prunella especially at the ballroom,and when the prince tried on her slipper!) she has alot of humor (especially her little laugh) and with her wicked sister they make quite a pair( I thought the sisters were supposed to be Anastasia and druzella??) Unfortunately Walter pigeon and Ginger Rodgers didn't have enough "Air time"(I thought) but made a grand King and Queen when they were shown. Jo van fleet's version of the wicked stepmother was very interesting (she really does not like cinderella) and the interplay between her and Cinderella was very good, her facial expressions are priceless, you have to pause your vcr and have a good laugh!!. Celeste Holmes was a very convincing Fairy god mother(a very silly one)her singing voice was good.
The sets/ special effects are totally fake but you tend to overlook that and concentrate on the story. The movie rolls right along ,(no time for boredom). There are parts in the original "Cinderella" children's book/film (the WALT DISNEY version) that are not shown in this film (examples: the mice that help Cinderella, her trying on the dress the mice made for her and having it ripped by the stepsisters, and getting helped at the end to get out of her room to try on the glass slipper.)etc
I TOTALLY recommend this classic movie to anyone.. I have the VHS version and It's GREAT!!(picture and sound) I also have ordered the soundtrack cd!! Do your family and yourself a favor and buy this!!It is sooooooooo romantic... I have actually cried at some scenes, I wish I could have seen this as a child but I APPRECIATE this now.....

Do I love you because you're beautiful?
As a lover of the fairy tale "Cinderella," I have watched this over and over again since I was a child. I can't remember a time when I didn't know the songs in this musical. I used to go around singing "Impossible" all the time as a young girl.

The story is simple and straighforward, we all know it, so there's no need to go into any plot details. This story does not deviate from the story we all know and love.

What makes this particular rendition a bit unique is simply that it's filmed as a play, rather than as a movie. The sets are very stage-y, and the acting is overdone and a bit cheesy for a movie -- but you'll find that it works well on the stage.

The reason it works in this is because they didn't TRY to film it like an ordinary movie -- because it wouldn't have worked. They filmed it as though they were just video-taping a play, and it was charming.

Leslie Ann Warren is positively adorable in the role of Cinderella. The rest of the cast is wonderful as well; the stepsisters can be a riot sometimes, I can't help laughing at "The Stepsisters' Lament." This is a movie any fairy tale lover will enjoy.

lamp lady
i saw this film a long time ago, when I was 3 or 4. Of course I didn't know who Ginger rogers was, and the only thing I really remember about her performance is that she puts a lamp shade over her head. well, no wonder I'm not surprised that she brings a smile to my face in all her movies. she's a natural.

great musical
One of the best "Cinderella is great and a wonderful romantic story starring Leslie Ann Warren its for children and adults a must see film.

Is the JULIE ANDREWS Version Available for DVD or NOT???
I read or heard that the 1957 JULIE ANDREWS version of Cinderella was not saved, but I've just seen lots of scenes from it on a PBS special about Rogers and Hammerstein. And it looked great! Sadly, the 1965 color version with Leslie Ann Warren is not nearly as good. Try listening to the CD with Julie Andrews and then watching the Leslie Ann Warren version. You might agree. Lets have the Julie Andrews version on DVD!!! ... Read more

Amazon.com

This remastered, pan-and-scan 30th-anniversary edition of that kiddie-car caper is flawed but solid family fare. It retains a quaint charm while some of the songs--including the title tune--are quite hummable. A huge plus is Dick Van Dyke, who is extremely appealing as an eccentric inventor around the turn of the century. With nimble fingers and a unique way of looking at the world, he invents for his children a magic car that floats and flies. Or does he? The special effects are tame by today's standards, and the film is about 20 minutes too long--but its enthusiasm charms. The script was cowritten by Roald Dahl and based on the novel by Ian Fleming, best known for his James Bond adventures. --Rochelle O'Gorman ... Read more

Reviews (121)

A fun family film, kiddie winkies!
This attempt by United Artists to craft its own version of Mary Poppins comes oh so close. The period setting (pre-WWI England), two young kids, Dick van Dyke, and super music by the Sherman Brothers make this seem like a Disney product.

However, the somewhat overlong film seems to lack the charm found in Poppins. This may be the result of adult elements subtly worked in, such as the wife-hating Baron and double entendres ("You'll find a slight squeeze on the ... an excellent safety precaution..."). The hook-wielding child catcher character is likely to be downright scary for small children.

On the plus side are terrific performances by the lead and supporting characters. You will keep humming the catchy tunes in your head for hours afterwards. The movie also has lots of visual goodies, including some beautiful automobiles.

The DVD is disappointing, since widescreen is not available. Despite the shortcomings, this film is worth having, at least on VHS.

Truly scrumptious !
Chitty Chitty Bang Bang is one of the best movies ever made.
It is on dvd now in all it's glory. Ignore the Amazon editorial review which was obviously written by someone who disliked the movie entirely- perhaps they are too young to appreciate the splendor of it as they stated it was too long, out-dated, lacking special effects,etc. See and hear for yourself the delightful wonders that Hollywood used to make. Unlike the most recent movies made by Hollywood in the past decade -high budget disappointing typical movies filled with high-tech special effects yet no decent story at all ! By comparison Chitty Chitty Bang Bang holds it's own based solely on a great script, superb acting, songs that make you want to sing along, dancing that makes you wonder " how can Dick Van Dyke dance like that ?" with action,comedy,adventure and a love story all thrown into this family film. Who could ask for more ? They just don't make'em like this toot-sweet story anymore !

Great Movie Finally in Widescreen!!!
Theyve finally rleased this film in widescreen as they should have done years ago. And for the record this is NOT a DISNEY movie! It was made and released by UNITED ARTISTS. Don't you guys read the credits?

Bang Bang at Last
Chitty Chitty Bang Bang on DVD is now in WIDESCREEN and at last we get a bang for our buck. "Why issue a classic widescreen epic on DVD if you are not going to present it in its original aspect ratio?" That was my original question along with many many more fans as this Ian Fleming tale. Count Zborowski is no longer as disapointed about this DVD as he must have been when he lost the original Chitty-Chitty-Bang-Bang in 1922. This is an outstanding DVD presentation with pleny of extras for the young and old alike.

Good film, bad packaging
Please read this review to the end, because it discusses several important highs AND lows about this DVD package. It'd be unfortunate & unbalanced, if you only got half the picture.

1) The main DVD (1 of 2) has the widescreen version of the film on one side, and the TV-square version on the other side. This format makes SO much sense, and is good value for the customer.

2) Disney, which usually overloads their VHS video and DVDs with ads, and shovels them at you BEFORE the main feature, has let their ads sit in the PROPER place, this time-- under "extras" in the DVD menu. There are LOTS of extras-- a kids' book built-in on the DVD case, and some slightly puffy ad-interviews... but generally satisying despite the happy-happy-joy-joy quality of the interviews.

3) If my copy is typical, then the plastic Disney used in the DVD is substandard. My copy of the DVD has no other signs of heavy use, but already has a PAIR of fractures extending from the center of the DVD to the silvered data-bearing surface. Repeated insertion and removal from its standard pressure/friction-fit DVD case, will cause this DVD to quickly disintegrate into an unreadable coffee-cup coaster.

4) Oh yeah-- the MOVIE. *grin* It's pure Dick Van Dyke musical. I'd love to say it's Dick Van Dyke + Julie Andrews, like Mary Poppins, but it's not. However, the Julie Andrews replacement used in this film is completely acceptable, and does a job equal to Ms. Andrews' performances, and almost as pretty onscreen.
Like the Andrews films "Sound of Music" and "Mary Poppins", the childrens' performances are somewhat weak. Dick Van Dyke, however, is at the top of his game. Amazing, in someone old enough to have grey in in his hair (40 something, at this point ?) is energetic enough to do over 20 takes (by his own reporting) of the "Old Bamboo" piece, where he's required to jump over a piece of bamboo that he's holding for himself (at slightly over waist height). Good GOD, I may only know one person who can do that, even ONCE.

The music is memorable, especially the "living doll" duet late in the film. The plot is predictable, and silly kids' stuff, but-- heck, this IS a kids' musical, so one can't expect a Dustin Hoffman acting level, with a Michael Moore punch and a Silence-of-the-Lambs plotline.

5) Do you REALLY want to buy a Disney film, this year ? I don't. It'd send the wrong message to them, after they've withheld distribution (through their daughter-company Miramax) on the latest Michael Moore film (Fahrenheit 9/11). Their excuse is, it'd endanger the million-dollar tax breaks they get from Bush's brother, Florida Governor Jeb Bush. So, they're copping out on their contractual obligation to distribute the film that got Cannes Film Festival's top award. That ain't right. If they'd had objections, the time to raise them was when the contract wasn't yet signed. Don't support these guys. Not this year. ... Read more

Description

Irene Cara (Fame) and Lonette McKee (Round Midnight) sing and struggle their way to show-business glory in a Supremes-like girl group. Dynamite Curtis Mayfield soundtrack. Year: 1976 Director: Sam O' Steen Starring:Philip M. Thomas, Irene Cara, Lonette McKee ... Read more

Reviews (27)

MY FAVORITE MOVIE!
I must say Sparkle is my favorite movie. I've seen it probably hundreds of times since the 70's. Lonette McKee and Irene Cara were great in this movie. Making it big in the "Music Business" was their dream until Sister (Lonette McKee) let something over power her dreams. Fortunately, Sparkle (Irene Cara) was able to succeed with the help and encouragement of her boyfriend Stix (Philip Michael Thomas). This is definitely an African-American Classic. I hear there's going to be a remake of this film soon. It may be good, but it will never come close to the original.

"Sparkle" SPARKLES!
I saw this film in the movies as a teenager and I've never forgotten how it made me laugh, cry and sing. It's the story of the fictional struggles of three sisters who are trying to make it in the music business, but each of them encounter individual problems. There are fine performances in this movie. Irene Cara (who plays "Sparkle"), Lonette McKee, and Dorian Harewood are particular standouts. Look for future "Miami Vice" star, Philip Michael Thomas, as Sparkle's enterprising boyfriend. It has been compared to Broadway's "Dreamgirls" and the Supremes' story, but it has its own strengths, plus a slammin' soundtrack, written and produced by the late, great Curtis Mayfield, and sung by the Queen of Soul, Aretha Franklin. "Something He Can Feel" is STILL the jam. I gave it four stars because the ending was predictable, but all around this is a wonderful film. Highly recommended.

Sparkle
I Really Loved This Movie, I Must Have Watched It About Fifty Times, And Everytime It Makes Me Want To See It Again. Please Can Somebody Put This Movie On DVD.

"Sparkle" is a hidden classic
The movie "Sparkle" is one of my favorite movies of all time. I love this movie and think that this movie is something that everyone should see at least once. Although I watch this movie all the time, I love the singing, acting and just overall concept of the movie. I reccommand this movie to everyone.

BEST Movie hidden!!!
Sparkle is a classic and excellent cast and directed film. This movie is hidden from getting the attention that is deserves. The story and acting is superb! It's a classic movie in the class with "The Imitation of Life" (but a different type of story here). I STRONGLY recommend this film. ... Read more

Reviews (8)

The Great Caruso..tape..
It took the longest to get here for whatever
reason..I don't know.. I wrote to the seller and he wrote
back..which made me happy.. I love the tape.. Fondly,

Mario Lanza at his Best
Mario Lanza displays his supurb talent in this music filled video and if you aren't already a fan "The Great Caruso" will make you one. The musical selections in this video are unsurpassed. A video you will watch over and over.
Beverly J Scott author of Righteous Revenge

Lanza, still the best!
I have been in love with this movie since first seeing it in the theater when I was a child. I am watching it again today, and it is still very good. I am moved by his singing like no one else's. The movie has so many musical numbers, it is wonderful. I just wonder why there was never a sound track from the movie, at least I have never been able to find it. The Ava Maria number still brings tears to my eyes!

A wonderful movie!
I really enjoyed this film, and would give it more stars if I could. Mario Lanza has such a beautiful and heavenly voice.

He is also a great actor as well. A great movie about the life of the Great Caruso. Well worth watching.

The perfect introduction to opera
This movie can truly be called life-changing. It certainly changed my life; I was totally ignorant of opera before a chance re-run of this movie introduced me to a whole new musical world. As it turned out, I was in illustrious company. There is not a single contemporary tenor of note who was not inspired by this movie.

Let's be honest from the outset: the movie bears little resemblance to the real Caruso's life, and, yes, it is corny in the grand tradition of Hollywood musicals. But who cares? Lanza's singing is perfection itself, and his vibrant personality overflows in practically every scene. The rest of the cast is good, with top-notch operatic singers Blanche Thebom, Giuseppe Valdengo, et al providing Lanza with some worthy (and rare) vocal support.

Highlights include a superb Vesti la Giubba, a moving Ave Maria and a rapturous Because. In all the movie contains 27 vocal items, with not a dull moment to be found amongst them.

See this movie and revel in a unique vocal talent. In the words of one admirer, Mario Lanza could "outsing the entire Mormon Tabernacle Choir", and the movie is a stark reminder of how bland today's singing idols really are. Viva il grande Lanza! ... Read more

Reviews (56)

Superlative!
This is a film that will appeal to children of all ages. A definite MUST, and this is no exaggeration. Secrets and hidden passages abound in Misselthwaite Manor, where orphaned Mary Lennox is to live after coming from India (her parents were killed in a great Indian earthquake which happened a few months earlier in the storyline.) Adding to the depth of the story is an almost absent uncle who lives in the shadow of a tragic past. There is also her sickly cousin of a brat, who just can't stand the sunlight and fresh air. Put in too, impatient Mrs. Medlock, who is your "perfect" housekeeper. And top these with The Secret Garden, a sanctuary where the story finds its turning point from dark and despair to one of life, healing and hope. It is a place where things begin, and not without the efforts of the children, to grow.

There are moral lessons to boot all throughout the story. And for sure, the photography deserves praise. Suberb! Overall a perfect film that deserves a place in a collection. Frances Hodgson Burnett would not have been ashamed to see this film version of her classic novel were she alive today. Don't miss out on this one.

A lovely, wonderfully done film
There are so many wonderful things about this vivid, affecting film: mesmerizing cinmetography, a captivating story, a pretty good script, a very good music score, wonderful acting, even gorgeous flowers! Agneiska Holland does a wonderful job of bringing out all the subtle little points and lavish details of Frances Hosgson Burnett's classic story, and also in getting great performances out of her child actors, particularly from Kate Maberly as Mary, who at the age of ten succeeds remarkably in carrying the whole film. At her most effective when biterly recalling her parents and angrily confronting Colin, also played well by Heydn Prowse, she also makes a believeable transformation into a good, caring little girl as she tends a lovely hidden garden. Maggie Smith also delivers as Mrs. Medlock, the housekeeper who seems to be mean but really is only doing what she thinks best, even if it means locking Mary up and attempting to control Colin's every move. There is not a dud performance to be found here, but those mentioned are the best. The magical qualities in the garden are very apparent here, and wonderfully demonstrated. There are many good film versions of this great book, and some that aren't so good. If you want to own only one, my vote would go to this one, the best of the bunch.

Beautifuly done but "creative" with the plot
This is a beautiful film, there is absolutely no denying that. It is also exceptionally well cast: Mary's transformation from sour little brat to glowing wee lass is completely believable, and the bratty, dour Colin makes a perfect "to the manor born" invalid. My only problem is the liberties taken with the plot.

Having the parents die in an earthquake while Mary is watching is a needless, though minor liberty (though it does mean that the touching line about "there's no one left to come" must be left out). But there was no need to change the plot to make the housekeeper (a wasted Maggie Smith) evil, and the chanting around the campfire is just weird.

The movie is worth watching for the scenery alone, but make sure that you read the book first. It is much better.

Nice Try
I didnt like it. It was not true to the book wich is wonderful.They left out when Mary was in India completely and they interpret the magic Mary and Colin are always talking about all wrong. Also Mary didnt get locked in her room at all. It was a poor job and a great disapointment.

looks like I'll have to explain the part about the chanting
The point of the Indian chanting is the sharing of the culture. Which is one of the things I love about this movie. The message is for all the people to see the difference of culture and ACCEPT it. If you have a certain religious belief and don't agree with it. Just think about your opposite: someone who don't believe in your religion and watches something that has its element. For example someone who isn't a Christian watching " the Crucible" how do you think they feel??? the only thing I don't like about this movie is that it didn't win ANY Oscars. This proves the Oscars are sooo ignorant of its visual beauty and music. screw them!!!! ... Read more

Amazon.com essential video

Sissy Spacek won a much-deserved Oscar for her lead in this entertaining biography of country-music legend Loretta Lynn. British director Michael Apted (Gorillas in the Mist) brings fine texture to the Kentucky backwoods section of the film, where the teenage Loretta meets her future husband (Tommy Lee Jones), who ultimately pushes her into show business. Lynn's adult life is well covered, from her spouse's philandering to her own on-stage crackups; but between the chapter-and-verse recollections, the script by Thomas Rickman is layered with life and moments of great humor. No wooden portrait, this is a vibrant film made outstanding by the colorful performances of the two leads, as well as Beverly D'Angelo and the Band's Levon Helm. --Tom Keogh ... Read more

Reviews (52)

Best Country Bio Picture Ever Made .Loretta is the QUEEN !
I never grow tired of this movie. I have seen it over 100 times since it was released in 1980.I own it on laser disc,VHS and hope to find it on DVD. Sissy Spacek did a outstanding job playing the "Queen Of Country Music," Loretta Lynn. She more than earned the Oscar & golden globe awards show won. The soundtrack album is also a winner ! Everyone cast in this film was perfect. This film received 7 Academy Award nominations includeing BEST PICTURE. Loretta Lynn is still going strong 20 years after this movie was released. I seen her in concert recently and she still rules as the "QUEEN." I look foward to a sequal to this all time favorite film.

Diamonds From Coal.
I LOVE this movie. This heartwarming, true rag-to-riches film about the life of Loretta Lynn took even the most sophisticated audiences by surprise when it was first released. Sissy Spacek is wonderfully accurate in her portrayal of the legendary but still humble and approachable country music star. This film made people who HATED country music take a second look. The story of the backwards, backwoods, painfully shy little girl whose simple, self-penned, biographical songs made her a huge star with almost unequaled # 1 country hits, is just as touching and great as when it was released. Tommy Lee Jones is perfect as "Doo", the man who stood by his woman, and Beverly D'Angelo gives a memorable performance as the legendary Patsy Cline. The fact that Spacek and D'Angelo so effectively do all their own singing, considering the shoes they had to fill, just makes this film all that much of a wonder. Levon Helm, of The Band, is also very good as "Lorettys" daddy. Just an all- around terrific film, with many touching moments from a by-gone time, when a little girl with a record could tap on the radio station window one day, and be a star a week later. Sissy Spacek's Oscar winning performance makes for a total class production about a total class lady. Loretta Lynn became one of this city boys favorites since seeing this film, and she remains so... a true, greatly admired, humanitarian *star*, who could teach most other celebrities a thing or two about "stardom". A perfect film for the whole family, the ultimate "feel good" movie. Thanks Loretty !! (And Sissy, too.) Just GREAT!!

Mostly Sexual Slurs
I can't fault Sissy Specak's outstanding performance or her superb rendition of Lorettta Lynn's songs but this movie has more sexual overtones then a peep show.
To suggest rural women are totally worthless aside from making babies {Lynn's fictional husband says "We finally found something you can do", when she gets pregnant.}and singing insults the audience's intelligence. This is not a "take your kids to movie".
A very minor point but worth a mention is that the movie left out Lynn's half sister Chrystal Gayle but included Patsy Kline.

FINALLY! Loretta on DVD
I remember being 10 years old and seeing this movie in the theater. Every time it came on TV I watched it. When we got a VCR, I retaped it every time it played just to have a fresh copy. I owned the VHS and now FINALLY after all these years, I have it on DVD.

This is one of the best movies ever made. The acting was so real it was amazing. I never thought of the characters as Sissy and Tommy Lee, I always thought of them as Loretta and Doo. It's one of the string of "Biography" movies to come out, like La Bamba, Sweet Dreams and The Buddy Holly Story.

The music. 'nuff said! The performances are just incredible. The old Grand Ole Opry gang was still alive and they were in the picture such as Ernest Tubb, Minnie Pearl, & Roy Acuff. Of course, Loretta... I mean Sissy's performances were stellar. In the DVD bonus interview with Loretta, she said that she taught Sissy how to play and sing her songs. And boy did she do a good job! All the way from the nervous but cute Loretta in the honky tonk singing "There He Goes" to the lovely queen of country music singing "Coal Miner's Daughter", the sound of her voice and the music perfectly imitates Loretta.

Someone said that they wanted a 5.1 soundtrack to the movie. Well... the movie was recorded in stereo. The country songs in the movie for the most part were in glorious 1950s one-speaker mono to give that authentic 1950s country sound. It plays mostly through the center channel and that's good enough.

The bonus materials also show Loretta's Coal Miner's Daughter museum. It houses alot of pieces from her past as well as alot of stuff from the movie. It will be interesting to go actually see this and be able to see it in person.

If you love CMD, get this DVD! If you haven't seen it yet, what are you waiting for? DO IT!

Enjoyable whether you like country music or not
Whether or not you have an appreciation for Country Music or Loretta Lynn herself, you'll surely be entertained by this rags-to-riches biopic in the same vein as, 'La Bamba,' and, 'Sweet Dreams.' Great performances are in no short supply here with Sissy Spacek and Tommy Lee Jones in what would turn out to be career-making performances for the both of them. As good as Spacek and Jones are the supporting role that 'steals' the film in my book is Beverly D'Angelo's spirited performance as Patsy Cline.

While the video transfer quality of this 2003 released DVD is excellent, what baffles is the lack of a Dolby Digital 5.1 mix. Surely a movie dripping from start to finish in vibrant Country music deserves more then the Dolby 2.0 Mono audiomix on the disc. Very puzzling indeed. ... Read more

Reviews (8)

an unfairly treated ELVIS " movie.
from the very first time i saw this film, i've been convinced that Elvis can act as well as sing. Unfortunately, he was not given too many chances to do so. His performance is credible, noteworthy, and unforgettable. The up-state NEW YORK scenery is beautiful,the veteran actors also in the movie- GIG YOUNG, CHARLES BRONSON, ED ASNER, all give outstanding performances.
The songs may have been few, KING OF THE WHOLE WIDE WORLD, I GOT LUCKY, etc, but still Elvis at his best.This movie is my favorite Elvis flick hands down. PLEASE MGM produce this movie on DVD FULLSCREEN AND WIDESCREEN 5:1 DOLBY DIGITAL . DO IT SOON, FOR I WANT TO ADD IT TO MY COLLECTION. THANKS,oldugly1911

Not enough meat on the bones
This was Elvis' first "bad" movie, in my opinion. The reasons for this lie in the awkward, and unnecessary, interpolation of musical numbers which bear little relevance to the on-screen action. While the film has a nice look, the locale is especially pleasant, and the supporting cast is good (particularly Gig Young) "Kid Galahad" strays from its original dramatic source to focus more on current youth fads such as tight sweaters and the Twist.
The film is burdened with lightweight, disposable songs (with the exception of "King of the Whole Wide World"), and concentrates more on standard boy-girl frolics than on the central dramatic story of a seriously gifted prize-fighter. Even with Charles Bronson and an uncredited Ed Asner in the supporting cast (indicating that the original intention was to make a solid action-drama film)"Kid Galahad" is the first serious mis-step in Elvis's film catalogue. With few exceptions, his subsequent films virtually jettisoned drama in favour of pop-gloss.

Elvis' best from United Artists.
"Kid Galahad" stars Elvis as an ex-G.I. who comes back to his hometown in upper state New York. Beautiful scenery, I might add. He wants to be an auto mechanic after returning from the Army, but instead he's reluctantly roped into being trained to be a boxer. Elvis has an anvil-fist and an iron jaw. Soon, he becomes boxing champ nicknamed "Kid Galahad". Joan Blackman returns and plays Elvis' love interest and the sister of the boxing camp owner Gig Young. Great picture formula, great songs and beautiful and breathtaking mountain scenery. Recommend this must-see to everyone.

Excellent Boxing Movie
KID GALAHAD (1962) is an excellent boxing movie. If you liked the ROCKY series, you will enjoy this movie of an ex-GI who has a winning knock-out punch. Elvis is credible as a boxer. The rags to riches story also rings true.

The opening scene is unforgettable with Elvis riding on the back of a Mayflower truck singing KING OF THE WHOLE WIDE WORLD. There are six songs including I GOT LUCKY.

This is a remake of a 1937 movie that starred Humphrey Bogart and Edward G. Robinson. The 1937 version was directed by Michael Cutiz who directed Casablanca and the Elvis movie King Creole. The movie examines the corruption of boxing and the gambling and crime associated with it.

Oscar-winner Gig Young is excellent as the promoter and DEATH WISH's Charles Bronson gives a spectacular performance as the trainer.

Elvis' acting is very good here. The song sequences are excellent especially one where Elvis and Young and Bronson are riding in a jalopy that Elvis restored and then painted red.

A man who can sing when he ain't got a thing, he's the king of the whole wide world. Indeed. Nobody proved it better than Elvis, the King of Rock and Roll and the Artist of the Century.

Kid Galahad- A Pleasant Surprise
I have not seen the original "Kid Galahad", but this one was very good, compared to anything, not just Elvis' other movies. I wouldn't agree with the "Oh well, at least it's not as bad as his others" angle that many seem to take. I think anyone would enjoy it. It has a good cast surrounding Elvis, most notably Gig Young and Charles Bronson. This movie also further proves that Elvis was a good actor, given the chance. The whole movie just seems to click, somehow. And about the songs, give them a break! It's an Elvis movie. The man can sing! Let him! Be thankful it wasn't a musical. It had a few songs, yes, but that fact is not nearly as annoying as others try to paint it. It had a great depiction of the corruption of the boxing industry, and some good fighting scenes. Elvis looked like he enjoyed his part and was interested, contrary to many other opinions, and by no means was he "chubby". He was very well-built, and worked with a real-life boxing trainer, who said that Elvis could've been a professional fighter. So anyone who says he wasn't convincing as a boxer should take a second look. Watch this movie, not compared to anything, but just as the movie itself, and there's a big chance you'll enjoy it. ... Read more

Reviews (92)

"A bear in his natural habitat....a Studebaker!"
This is one of the first films that I ever remember seeing, and it is still one of my favorites today. This story about the Muppets' cross-country excursion to Hollywood is beautifully told through the wonderful vision of Jim Henson. It answers the question about how the Muppets first came together, and offers the audience a glimpse into the lives of the various eccentrics that made up 'The Muppet Show' before they became famous. My favorite is, of course, The Great Gonzo, the "prince of plungers." His out-of-this-world weirdness always adds more fun to the chaos of the situation, as Kermit and Co. try to outrun the evil Doc Hopper and make it to Hollywood on time to audition. I also love the big Studebaker that Kermit and Fozzie drive around in as they sing "Moving Right Along." All of the songs are memorable, from "Rainbow Connection" to Gonzo's "I'm Going to Go Back There Someday." I have seen this movie a million times and I will watch it a million more. It's just one of those films that you can never get tired of viewing.

A classic for kids and adults
The Muppet Movie is a classic movie that shows how Jim Henson's Muppets made it big. The story begins with Kermit the Frog sitting on a log in a swamp when a Hollywood agent finds him and tells him to go to Hollywood for a casting call for frogs. Kermit hits the road and along the way picks up plenty of new friends while also running into some trouble. The evil Doc Hopper wants Kermit to be his spokesperson for his new frog legs restaurant, but Kermit refuses. Along the way to Hollywood, Kermit meets Fozzie the Bear, Miss Piggie, Gonzo the Great and many others. This is a great movie that has humor for both kids and adults. There are very funny parts that intermingle the talents of many real movie stars in small cameos.

All the Muppets are here from Kermit to Miss Piggie, Fozzie, Gonzo, Rolf the dog, Dr. Teeth and the Electric Mayhem, Dr. Munson Honeydew and Beaker, and many others. There are plenty of cameos including Edgar Bergen, Milton Berle, Mel Brooks, James Coburn, Dom Deluise, Elliot Gould, Bob Hope, Madeline Kahn, Carol Kane, Cloris Leachman, Steve Martin, Richard Pryor, Telly Savalas, Orson Welles, and Paul Williams. Steve Martin and Mel Brooks are the funniest as a sarcastic waiter and a mad scientist. Charles Durning is also very good as Doc Hopper with his bumbling assistant, Max played by Austin Pendleton. Fans of the Muppets of all ages with love this classic about how the Muppets came to be!

Never give up your dreams.
A simple story with simple themes: Don't give up on your dreams; sharing your dreams brings you more friends to help you find your dreams. As early as 5th grade I would rewatch this movie, and each time reminds me to keep going an not give up. Yes, its got great songs, great lines, great cameos; but to me its message to not give up is what makes it such a great movie.

Creme de la Kermie.
Mini review of one of my alltime 10 favorite films.

Many people question why this is on my top 10. I think the question is why is it not on theirs? This is pure entertainment for the whole family. It is a movie that works on all levels. The story is enchanting. The music is charming and whimsical. The muppetry is fantastic. It is hard to imagine a better opening to a movie than the rainbow connection sequence.

The movie is a cornucopia of awesome quotes. I think my favorite still remains: If frog's couldn't hop, I'd be gone with the Schwinn.

The cameo roles are excellent as well. Steve Martin excels as a put upon waiter. Dom Delouise is impressive as a hollywood agent adrift in a swamp and Mel Brooks steals the show as a german mad scientist.

Better than a Bucket of Doc Hooper Frog Legs!
I had the pleasure of introducing my two and half year old son to the magic of the muppets through DVDs of the original "The Muppet Show", the syndicated TV program, that I had watched and enjoyed, while growing up in the 1970s. He loved Kermit & company's surealistic, yet hilarious comedy and music, so the next logical step was to move on to the Muppet's various adventures on film. Luckily, the first DVD I bought was the original 1979 film, "The Muppet Movie". The plot is quite simple.In his hometown swamp, Kermit meets up with a lost and nervous agent (played by the ever hammy, Dom DeLuise) who informs him that a major Hollywood studio is looking for frogs with talent.Armed with a dream of making people happy through his dancing and singing, Kermit goes on a road trip to the West Coast to break into the movie biz. Along the way he picks up new found friends Fozzie Bear, Gonzo the Great, Miss Piggy (starting their long running, tumultuous romance), and the rock group, Dr.Teeth & the Electric Mayhem, who all share in dreams of Hollywood fame .Unfortunately, Kermit also gets the attention and ire of Doc Hopper (Charles Durning), a Col. Sanders knock-off, who wants to force our hero to be the spokesfrog for his fast food, frog legs chain, "alive or stuffed". What an adventure! This is a wonderfully entertaining film, which will appeal to both kids and adults alike. Its obvious, that Muppet creator, Jim Henson and his fellow performer, Frank Oz were at their creative peaks.The writing is sharp and never 'dumbed down' ("I think I've lost my way"..."Have you ever tried Hare Krishna?") and the musical numbers are well staged (including Kermit's now classic, "Rainbow Connection"). What's more the film is filled with entertaining cameos from 1970's Hollywood including Madeline Kahn, Richard Pryor, James Coburn, Mel Brooks, Elliot Gould, Steve Matin ETC. My son and I have now collected all the DVDs in the Muppet's cannon of films and we pretty much agree, that this movie is by far, the best of the lot! For great family entertainment get "The Muppet Movie"! ... Read more

Amazon.com

John Gregory Dunne turned the true story of Los Angeles's Black Dahlia murder case into a compelling novel and then adapted the novel (with wife Joan Didion) for this meaty movie mystery directed by Ulu Grosbard. A study of the ways power corrupts, and the way corruption consumes the soul, the film stars Robert Duvall and Robert De Niro as a pair of brothers (a cynical police detective and a rapidly rising monsignor, respectively) who come into conflict over the case of a murdered woman in 1940s Hollywood. De Niro gives a beautifully shaded performance, while Duvall, who never gives a bad one, gets the slightly flashier role. Yet there's nothing showy about Duvall, who gets under the skin of this cop and who knows better than to get personally involved in a case but ultimately can't help it. A fine supporting cast includes Kenneth McMillan, Charles Durning, and Burgess Meredith. Maybe too studied for some, but worth watching if only for the two leads. --Marshall Fine ... Read more

Reviews (7)

A story of brotherly love and sibling rivalry
It is hard to believe that a film with outstanding performances from both Robert Duvall and Robert DeNiro could slip through the cracks of the movie going consciousness. True Confessions perfectly captures, in an effortless manner, the feel of post-war California, we don't see men in costumes or old cars, we're put right in the time and place through artful direction. Two brothers, one a pious priest with a head for high finance, the other a hard bitten detective, now clean after an earlier career stint as a bagman, must handle the problems of their separate worlds. A brutal crime - the murder and dismemberment of a young woman - is about to bring their two worlds crashing together. The up and comers of the building in boom in California, who the Church is using to advance their goals of schools and hospitals, may not be the pillars of the community that wish to appear to be. A well balanced mystery of money, power, politics and principles. Don't miss the scene in which Charles Durning dances an Irish jig at a wedding.

Dissapointing...
I was pretty disappointed in this film. I'm a fan of Duvall and DeNiro (who isn't?) and they do great work here, but I couldn't shake the feeling that their roles should have been reversed -- DeNiro should have been the edgy detective and Duvall the Priest. But the biggest disappointment is the causal use of the ''Black Dahlia'' murder; here disguised as ''The Virgin Tramp'' murder. This was a heinous, brutal crime that's used here only as an excuse to buck up a thin plot. (I'm getting pretty tired of scenes in which hard-boiled detectives stand over a nude dead woman and make cracks about her body.) I feel sorry for the dead women who populate this movie for no other reason then to provide titillation between the endlessly dull scenes of patriarchal posturing and male bonding. Skip it.

Unrecognized classic
I am in complete agreement with 'A viewer from Summit N.J.', unable to understand why this thoughtful, moving film failed to achieve the recognition is so clearly deserves. De Niro and Duvall are both at their distinguished best, their interaction as brothers one of the most persuasive and compelling I have ever seen on the screen. The evocation of the period - including the Catholic Church of the day - seems flawless, and the slowly unfolding drama of personal redemption gives the movie very unusual dramatic weight. An excellent film in every way.

IRISH AMERICAN CATHOLICS IN THE FIFTIES,PLUS COPS&HOOKERS
I CAN WATCH THIS MOVIE OVER AND OVER. I GUESS BECAUSE IT IS A GOOD STOREY AND A WELL MADE MOVIE. I ENJOYED THE RELATIONSHIP BETWEEN TO IRISH, AMERICAN, CATHOLIC, BROTHERS (AS IN SIBLINGS) IN THE FIFTIES. YOU GUESSED IT. I AM ALL OF THE ABOVE. MY WIFE LIKED IT AND SHE IS NONE OF THE ABOVE.

critics are sometimes wrong
Simply stated, this is a great watch. The critics did not care for this effort. Some say it is too complex, too much thinking required to follow the plot. Not at all. It is a perfect blend of hero, anti-hero, humanity's darkside and finally, a redeeming closure. DeNiro and Duvall "made" this movie! ... Read more

Amazon.com

Produced in 1982, Savannah Smiles tells the story of Savannah, a girl of privilege who runs away from home. She ends up in the company of Boots and Alvie, two ex-convicts on the run. This bumbling duo soon realizes who Savannah is and that a large reward has been offered for her return. They try to give her back, but instead of the parents being grateful, they accuse the two of kidnapping. Boots and Alvie have no choice but to go underground with Savannah, and the three soon become a family whose days are filled with kite flying, home-cooked meals, bedtime stories, and a puppy. But Boots and Alvie know in their hearts they must do the right thing and return Savannah to her parents. For its time, this is a sweet movie filled with innocence and fun. However, in a time when children are told never to go off with strangers, it is hard to justify a movie that glorifies that very thing, no matter how goodhearted the two felons are. (Ages 6 and older) --Peggy Maltby-Etra ... Read more

Reviews (112)

Laughs, Tears and A Lasting Memory
I recommend this movie to anyone who hasn't seen it. It will make you laugh and even cry. Bridgette Andersen portrays Savannah, a child who runs away from home and ends up in the back seat of two criminals' car. Although she seemed to be neglected at home, after she is found by these men she learns to love them and they learn to love her. For two people who didn't do anything honest, they both loved and cared for her as her parents should have. They love her so much, that they must give her back. A wonderful film with a wonderful story and cast!!

When Savannah Smiles I hear The World Saying Hey Loser You W
This is so heartwarming. You'll laugh and cry and just want to snuggle with the kids. Your kids will want to snuggle with you. It's just one of the great films of the 80's. I had seen it, as a child loved it had to find it as an adult to show to my girls. I searched far a wide for a copy and I'm pleased to see they've re-released it. It took me a long time to acquire it but so happy with it. You can get for 17.99 on Amazon. I paid close to 40 dollars for it before the re-release and I'd pay that much for a used copy again in a heart beat. It's just that good. Fall in love with Bootsie, Alvie, and of course Savannah.

Wonderful!
This movie is a must see for everyone. It is an incredibly touching story. I saw this movie when I was 10 years old (I am now 30)and it has remained a favorite.

Savannah Smiles on PFE
I bought this movie because I loved it as a kid and now have 4 girls, I read that the Pacific video was awful, it was certainly not DVD quality but it was like a good VHS video and the sound was kind of low thank Goodness for Bose.... All in all I still cried at the end and I would recommend this video to anyone with a heart....

Not bad guys
The review I just read made it sound as if Savannah just bumped into and left with Boots and Alvie, but she didn't. She was hiding in the back seat of their car, and these two(who are rather short on brains) don't know what to do with her. So in my opinion this isn't suggesting to children that it's o.k. to go off with strangers. Also, kids need to be taught that what happens in movies and in real life are 2 entirely DIFFERENT things!!! ... Read more

Reviews (1484)

Great Action Film
"Gladiator" is a film that should suit all tastes. It is an expertly mounted and eye-filling event; the blood and gore, delivered in split-second imagery (allowing your head to fill in the rest) should satisfy the most blood-thirsty movie goer; and the story is a superb tale of good vs. evil, power vs. honor, and "Might for Right". I was reminded of "Camelot" many times during this film, especially by the almost unrecognizable appearance of Richard Harris as the wise and noble Marcus Aurelis. Joaquin Phoenix gives a bone-chilling performance as the evil and cowardly Commodus, who inherits the title of emperor upon his father's death. But the sole weight of this overwhelming piece rests on the shoulders of the magnificent Russell Crowe. If one doesn't believe in him, then one doesn't believe in this epic costume drama. Kudos to the rest of the cast as well, and hand over heart for the late Oliver Reed. But back to Crowe--he is an actor to contend with. His work in "Gladiator" is a tour de force performance; he very nearly sprays testosterone from the screen. It's what was exactly demanded from him in this role, and he exceeds expectations in that regard.

Gladiator ROCKS!!!
I completely dug this film from beginning to end,and every aspect of it,from the breathtaking cinamatography,the expertly staged battle sequences,and exqusite set-design,to the stellar performances of a top-notch cast,rang true.The film starts with a stunning battle and doesen't let up from the time Maximus says"on my mark,unleash Hell". Do they ever.Russell Crowe is perfect in the lead role,as an expert warrior with a grieving soul and a deep sense of honor and loyalty.It's a true star-making turn,and he oozes rugged charisma from every pore.Equally impressive,but in the exact opposite way,is Juaquin Phoenix as the conniving,decadent,deeply evil Emperor.Also great support from Richard Harris and the late,great Oliver Reed.Director Ridley Scott uses his gift for composition and visual flair to great effect,giving each scene a painterly burnish and unforgettable depth,whether it's the after-life of Maximus' dreams,the bustling,grand sprawl of Rome,the rip-roaring battles of the Coluseum,or the sinister twinkle in the Emporer's eyes.At one point Maximus admonishes the bloodthirsty crowd:"Is this not what you wanted? Are you not entertained?" Indeed we are Russell,very much so.What a great film.

okay
this is a three star movie with a five star dvd. one of the biggest problems with the movie was the first battle. i was expecting braveheart quality but ended with a battle less entertaining than the one in dragonheart. the blurry camera and closeups made it impossible to tell what was happening. if you want to see a movie like this but better, see the last samurai or braveheart.

A Modern Classic of an Old Age
I seldom write reviews for anything, but for a movie like 'Gladiator' I'm willing to make an exception, and gosh if it's worth doing it!!
The movie, by far the best of the year 2000, is not only an award-winning production, but it is also one of the few that I personally enjoy watching again and again and again. Not because it is flawless (at times the storyline is quite predictable) but because it portrays life and death in the Roman Empire in such a way that it really bring those old buildings we all know since childhood (the Coliseum, the Forum, Via Appia, etc) back to life.
And yet it does so not at the expense of the story but through it, from the characters, to the script (they're so many quotables lines from Maximus and Commudus alone to make a CD)...in fact everything in the movie, from the battle in Germanica to the last fight at the Coliseum, is portrayed with realism plus an amazing score lacking in so many movies these days.
The movie of course is not to be seen as "history" in the academic sense but rather as an historical exercise, Holywood style, of one of the most facinating and complex periods of Western History. The attention to the detail is amazing, especially in the opening scene (the battle in Germanica) and the gladiatorial fights. Even most deleted scenes are great in the sense that they allow us to understand the characters a little bit more (Commudus' sword smashing of his father's marble bust is a most see), although they neither add nor take of the story. The casting is superb, with Russell Crow in the main role, Joaquin Phoenix as the Emperor Commudus, along with such legends as Oliver Reed as the freedman slaveholder and Richard Harris as the great Marcus Aurelius.
I'll recomend strongly that anyone who sees this movie shoudl do his/her homework and do a little of reading about Rome, both as a Republic and after, and the huge importance of the entertaining business in her late everyday life (an importance unreached until recent times).
Overall, a classic epic of an scope and ambition not seen since 'Ben Hur'; full of action, drama... and yes, more action.
As the Romans themselves said, Faber est quisque fortunae suae... each one is the architect of his own fortune. Feliciter!

Decent story, captivating effect
Ridley Scott's movie, "Gladiator" is one based on fiction of a General in the times of Marcus Aurelius. It tracks the life of a general who is effective in battle and is to rewarded by the emperor with the crown of Rome until it can be handed back to the senate. The movie won 5 oscars and is compared to Ben-Hur, which is ludicrous. For starters, Ben-Hur had William Wyler as the director who went to Gore Vidal to fix the screenplay. This movie will imaginative has so many historical inaccuracies, it is funny that it can be even thought to be in the same league.

Some of the actors did a decent job, these include Richard Harris as Marcus Aurelius and his daughter, Lucilla. I had problems with Russell Crowe's acting. He is unmistakably patrician, however, and physically very like Richard Burton, with Burton's battered face and gravel-voiced machismo. But Crowe's Maximus is no Mark Antony; there is no destructive love interest in the picture. Maximus is sweetly devoted to his late wife; though it turns out he once had a bit of an unbuckling thing going in his backstory for Commodus's lovely sister Lucilla (Connie Nielsen). I did not think that he deserved the best actor oscar. He has a very limited repertoire of actions and emotions. Crowe is no Tom Hanks or Geoffrey Rush in acting, he does not have depth and breadth of acting.

This movie cannot stand the test of time, it does not have great screenplay and historical integrity. It will gradually ebb away from the minds of the people. To stand out from the other movies, it has to have a new paradigm, either in acting or story or screenplay, none of which are depicted. Another one of those movies that do not deserve the best picture oscars. It is OK to watch this once. If you compare this director with Ang Lee, who did "Crouching Tiger, Hidden Dragon", "Eat, Drink, Man, Woman", and "Sense and Sensibility" you can see the difference in directing talent. See them and judge for yourself. ... Read more

Amazon.com

The short life and passionate music of romantic composer Frédéric Chopin provide the foundations for this 1945 drama, which proved influential in its gaudy, undeniably watchable formula of historical exaggeration and shrewdly simplified motives for its principals.In an Oscar-nominated performance, Cornel Wilde presents the Polish native as a passionate nationalist driven by his love of his native country and his hatred of its czarist regime, a thematic focus that can be forgiven in light of the political backdrop at the time of the production.Already a prodigy in his native land, where he's mentored by a shamelessly scenery-chewing Paul Muni as Professor Elsner, Chopin flees to Paris where his flashing eyes, dark nimbus of curls, and florid technique earn him stardom, while his involvement with the writer George Sand (a beautiful Merle Oberon, even when draped in then-provocatively masculine garb) introduces a romantic crescendo.Still, the tortured pianist-composer pines for his homeland, frets about its political fate, and begins to wither under the rigors of his new career as ur-superstar; in a typically over-the-top but riveting image, we see drops of blood spatter across the keyboard as he thunders through a recital, gallantly ignoring his failing health to spread his music and, by extension, awareness of Poland's fate.Numerous subsequent musical dramas (including two more Song-titled biographies from the same studio) would ply a similar mix of grand gestures and larger-than-life emotions, yet the most interesting comparison to be made is with 1991's Impromptu, a more acerbic spin through the Sand/Chopin affair (and the Parisian demimonde including Alfred DeMusset, Franz Liszt, and Eugene Delacroix) directed by frequent Stephen Sondheim collaborator James Lapine. --Sam Sutherland ... Read more

Reviews (9)

Magnificent music and drama
Saw this film when I was a young gal. My friends and I gathered around the popcorn this past week and watched it-enthralled by the amazing finger placement by Cornell Wilde. So believable!
The composers during the Romantic period were God's gift to us, and their music will live on in our hearts.

If you haven't seen this one, don't miss it.

The Majesty of the Music
My sister and I were talking about music and got around to dicussing Chopin's Grand Polonaise. It is, beyond all others that I've heard and loved in my life, my favorite piece of music. My sister feels the same and remarked that she was surprised she did not have a copy of it. I mentioned that I have different renditions but not one that I'm 100% satisfied with. This movie came to mind and I said I would kill to hear it again as played in "A Song to Remember," which she instantly remembered and rhapsodised over. We agreed that there was no rendition of the Polonaise more sublime than the one in this movie. We were little girls then, are in our early 60's now, but never forgot this movie, Cornel Wilde or Chopin's Polonaise. Critics can say what they like about the unimportant inaccuracies of this old film, but it's burned into the emotional memory of those of us who saw and loved it in our childhoods. I'm putting in an order for my copy right now. You won't regret it if you put in yours.

The Best Classical Musical
Although some liberties may have been taken with the actual life story of Frederic Chopin, the story is appealing. The optimum amount of music is interspersed with the story so that there is enough music, but not too much. Chopin is perhaps the finest composer of piano music ever and the majesty of his music lifts this movie to the heights of musical entertainment. I loved it when I was ten years old and I love it today at the age of 72. It is a wonderful inspirational movie and I personally wish it could be remade with today's technology.

A Song to Remember
Well, I have not seen the video yet. But I will.

I saw this picture when it was a new film, 13 times. I remember exactly, because I had just turned 13 when it came out. (I'm now 69.)

When I saw this movie, I fell in love, total love, with Cornel Wilde and Frederic Chopin simultaneously. I had just started taking piano lessons the year before, and I became obsessed with Chopin's music, played in masterful fashion in the film by Jose Iturbi. Cornel Wilde also did a masterful job, pretending to be playing the piano. He was totally believable. And beautiful Merle Oberon was so good as George Sand, Chopin's lover and a great novelist of that time. Paul Muni was memorable as Chopin's teacher. But for me, the film was all about Cornel Wilde, Chopin, and Jose Iturbi. That wondrous music!

I have not been able to see this film since 1945, but I still remember it. Of course it is shamefully a Hollywood product, they take great liberties with the truth, but oh, when I was a 13-year-old, it was magical to me! Everyone on the screen vibrated, shone! The story grabbed me by the throat, I sobbed when seeing it the second time and all subequent times when Chopin made the decision to go to Majorca with George Sand, because I knew it was his doom. I sobbed when Chopin slogged through the torrential rain to attend his piano lessons, knowing that (according to the movie) he was going to "catch" tuberculosis later, and die far too young. I believe he was only 39 when he died. I sobbed when those telltale drops of blood hit the piano keys while he played his thunderous Polonaise, nobly protesting the czarist regime. Oh, the emotions! Oh, the drama!

Well, that's the way movies were made back then. The truth was ignored in the interest of a good profile or a dramatic plot device. The handsome/beautiful stars drove the story. The way the movie looked and sounded was more important than any historical accuracy. And this movie delivered: beautiful images and lush sound, in spades. I still remember it, after 57 years!

So, if you love Chopin, or Cornel Wilde, or Merle Oberon, you won't be disappointed in this film. The music is glorious, the actors are gorgeous, the scenery gets chewed to a fare-the-well. I'm gonna buy the VHS! Wish I had a DVD player, I'll bet it's fantastic in that format.

A Song to Remember
My husband and I loved this video-- played it for our grandson (only 9 and an accomplished pianist) and he and his mom loved it too. The piano playing is so wonderful it brought tears to our eyes! ... Read more

Amazon.com

America's pastime gets a Faustian twist in this 1958 studio musical, which recounts the ballpark bargain struck by an aging Washington Senators fan obsessed with helping his team trump the Yanks. With echoes of the real-life 1919 Shoeless Joe Jackson scandal, and tart observations on the tradeoffs between youth and experience, Damn Yankees fuses a classic dramatic dilemma with musical comedy to often charming effect.

In transferring George Abbott's Broadway hit to the screen, codirectors Abbott and Stanley Donen are smart enough to retain Richard Adler and Jerry Ross's clever songs, Bob Fosse's sizzling choreography (with Fosse himself on camera for the sultry mambo number), and stars Ray Walston and Gwen Verdon, reprising their devilish turns as the Horned One himself, Mr. Applegate, and his temptress, Lola. Where the team strikes out, unfortunately, is in their concession to marquee politics, handing the pivotal role of Joe Hardy to handsome, vapid, celluloid heartthrob Tab Hunter, whose thin voice and unsteady screen presence argue that he should have stayed in the dugout.

Walston is reliably spry and acerbic as the canny archangel, and Verdon, in one of her rare starring screen turns, confirms the comedic timing and sexy, muscular grace that made her a deserved draw in subsequent stage hits including another Fosse triumph, Sweet Charity. With her combination of feline grace and alternately steely, flirtatious femininity, Verdon makes you believe her when she sings, "Whatever Lola wants, Lola gets." --Sam Sutherland ... Read more

Reviews (15)

Whatever Lola wants she gets!
The film version of Gwen Verdon and Bob Fosse's first success together. With Ray Walston as the devil and Verdon as his muse, Lola, this film can not fail to please. An excellent example of Fosse's early choreography. Unfortunately, its producers thought that they could cut "The Game", a wonderful song sung by the Senators. A must for any musical video collection

Hollywood's Hall of Famer: a Grand Slam!
Forget about carping reviews. If you like: musical comedies; baseball;Gwen Verdon; selling your soul to the Devil; great dancing; happy endings; ironic gambits reaffirming olde time(pre-PM) morality, DAMN YANKEES is grand slam hit.This film adaptation of Broadway's World championship rendering of "The Year The Yankees Lost the Pennant" is classic Americana(It's more like"The Devil & Daniel Webster" than Goethe's Enlightenment epic,"Faust"). Tab Hunter does a fine job as guileless, baseball-loving, middle-aged dreamer who sells his soul to Mr.Applegate (My Favorite Devil/Martian; "Paint Your Wagon" schemer,Ray Walston).

Star of the show is Gwen Verdon. She's the devil's 007-ette,LOLA with"license to get-down".Down and sassy-classy she bedazzlingly is,as she funks; punks;Bob Fosse's-n-weaves/"sleezes" her way on Applegate's satanic service to seduce Superstar Joe Hardy into "eternal contract".WHATEVER LOLA WANTS (ultimately)she doesn't get. Because...like the show's theme banners...YOU GOTTA HAVE HEART! In The Ninth,Verdon's not-so-wicked witch of the West(like this superbly entertaining; funny; full-of-good-will fun flick) has Valentine Heart to the max.If you're a Yankee fan (as lovers of baseball begrudingly become)catching a glance of baseball legend Mickey Mantle in the film is a nice touch recalling innocence in values that've been lost to the Real Applegate and cohorts.Being from Houston, I look forward to some Yankee greats pitching for us next year. Until then, DAMN ASTROS(er)YANKEES is a Hollywood Hall-of-Famer well worth checking-out and cheering on.

SONG LEFT OUT!!!
This movie has been one of my top 20 favorites for a long time. I first saw it on television in the mid sixties. The very first song that begins the movie during the opening credits is "Think About The Game". When the home video was released, this song, sung by the Senator's while Joe Hardy was busy with the Shifty McCoy trial, was, without explanation or reason, was stupidly left out of the video version. I feel cheated and wanted my money back. Can anyone tell me why?

Thank-you.

Good soul-searching musical.
This is another film which would probably be better rated if it wasn't so slavishly compared to its stage original. It does its job just fine, thank you, but you must remember that stage and film are two different media. In the conservative postwar 50's there was very little controversy shown (or allowed to be shown) in the film and TV media; a Faustian book made into a film musical probably scared the Hays moral office to death! That said, the Abbott-Donen collaboration does a more than competent job of telling the story, and scores an extra base hit retaining most of the Broadway cast of the show in the first place. I've read that the studio tried to lure Marilyn Monroe into playing the Lola role (and assuring box-office returns), but the producers were smart enough to know that the role needed a real dancer-actress combination. In short, it needed Gwen Verdon. It needed her special brand of eccentricity, sexiness, and heartbreak. And it got her. If you're still not convinced, take another look at the exquisite cafe' dance of "Two Lost Souls."

How Lola can he go?
Shoeless Joe from Hannibal, Mo is the mysterious "Joe Hardy" who makes a pact with the Devil to be young again and the greatest baseball wonder the Washington Senators have ever seen. His agreement comes with an "out" clause but hired temptress, "Lola" uses all of her most beguiling tricks in order to put the vamp on innocent Joe and keep him from short-changing the Devil of another hard-earned soul.

Gorgeous boy Tab Hunter plays the part of quiet, innocent and unpretentious Joe, an easy soul target for the Devil and his indebted temptress, played by Gwen Verdon. Although the singing was slightly less than what it could have been, the dance parts were terrific.

Unfortunately, this famous Broadway show was placed before a movie camera and little was done to take it from the ranks of the contrived enthusiasm of a play to the artful poise of a feature film. The scripts made for stiff dialogue and the sets were composed as they would have been on a fixed stage. What could have made for a very entertaining musical became a stage play adapted by convenience with no consideration for creative filming. ... Read more

Amazon.com essential video

Gérard Depardieu plays a court composer at Versailles whose sense of artistic emptiness causes him to reflect upon his old music teacher (Jean-Pierre Marielle), a man who taught him more than music but whom he ultimately betrayed. (The younger version of Depardieu's character is portrayed by the actor's son, Guillaume.) Alain Corneau's gorgeous 1991 film has a slow, deliberative air about it, with little dialogue and a painterly look (shot by cinematographer-director Yves Angelo, maker of Colonel Chabert) that paradoxically inspires both excitement and meditation. A period costume piece that chooses to understate pageantry for ideas and emotions, this film is quite special. --Tom Keogh ... Read more

Reviews (19)

A deep, poetic and philosophic masterpiece
A must own masterpiece for every art lover.

It seems like that Pasqal Quignard, the writer, have been involved in Eastern Philosophy very deeply. If not, then once upon a time the Western music had been a meditative tool to escalate human soul, similar to Eastern music which is still so.

The similar guru-disciple dialogs and relationship as it is still in Eastern art.

The same search for the truth, as it is in Zen in Japan, Sufism in Middle East,.... You always search the truth, but never discover "what it is", you only discover "what it is not" just like a sculpture who cuts the stone.

I am not sure whether the existence of the French Film Industry is a benefit to humankind or not : They have created a masterpiece but they dont bother providing English subtitles in the DVD :
http://www.amazon.fr/exec/obidos/ASIN/B00004VYCO
(seems to be "Out of stock" as of the date of this review)

Some reviewers have compared this movie to Amedeus. Amadeus is a masterpiece itself, but its main concept is not music, it focuses on tragedy of human beings. ( "Eternal Love" and "Farinelli" are not in this leage, so comparison is irrevelant ) However this movie questions the art itself.

French counterpart to a 1670s Zen meditation on sound
After seeing ALL THE MORNINGS OF THE WORLD / EACH DAY DAWNS BUT ONCE a number of times, I discovered its unexpected message: "Listen!" Freed by repetition from concern with a complex plot, I was able to witness key scenes I'd hardly noticed before and to find they carry central meaning for this subtly powerful art work. I had noticed the first time I saw TOUS LE MATINS DU MOND that for the master musician his music was a rigorously pursued meditative practice...ruthless to the exclusion of all else. But it's all there, spelled out as methodically as a "Shin-mondo": a zen teaching story. As in the scene where the master takes his pupil to the studio-home of his [only?] friend, the painter. They sit, silent except for the touch of wine to cup, as across the spacious room the painter paints. The master gropes for words to convey his wordless knowing. He says, "Listen to the sound of the brush." 'Painter stops and [irritably]: "What are you mumbling about?" Master: "I was telling him that your brush is to you as my bow is to me." Painter: "WORDS! Only words!" It's in scene after scene [they take several walks where the student is probed to listen to sounds...wind, night, ...to hear the sound itself.] And this life of searching and communion is juxtaposed--as it would have been in Japan of the same period-- against the opulent distractions of an imperial court. Sound...sumptuous or subtle...permeates all levels of this masterpiece, and is wonderfully augmented by Vermeer-like cinematography. This is one to own.

A Very Pretty Picture
All the Mornings of the World, I really didn't get what the title had to do with the movie, but the movie itself is really beautiful.
This is the story of the 17th century composer St. Columbe, who was a master of the viola de gamba (or what I would identify as the viola di gamba), ancient cousin of the cello. Very little is known of the real St. Columbe, so the movie takes poetic license with the man, based on his music.
Ste Columbe is an interesting study. He is presented as no-frills type of guy. This plays in stark contrast to the gaudiness of the Courtiers who visit him, and want him to come to play for the King. Ste. Coloumbe cannot be persuaded to come to court, earthly riches, fame and fortune mean nothing to him. He is a man who suffered a great tradgedy with the death of his wife, who was in addition to his music,his greatest passion. Without her, he is half a man. Nothing illustrates this better than his relationship with his unfortunate daughters, who suffer this half life with this thoroughly uninvolved father.
Because St. Columbe is miserable & disappointed in love, his daughters live like nuns, without any of the fun.
Entering this happy scene is the eager young student, played with a total lack of conviction by the pretty but wooden Giulliame
Depardieu. Ste Columbe reluctantly takes on this student, but it's trouble from the get go, including an affair with the eldest daughter that results in her pregnancy. The young man is kicked out, but goes on to great fame & fortune by joining the musicians at the Royal Court, ultimatly becomming the head man.
Meanwhile, back at the Ste. Columbe residence, the eldest daughter loses the baby, and starts a descent into madness that begins with anorexia and ends with suicide. The younger. less sensitive daughter goes on to lead a normal life.
All the while, Ste Columbe indulges in his fantasies involving his dead wife, they meet very regularly. I have wondered why this woman doesn't take her husband to task for his rough treatment of their children, but she is always sweetness & light, nattering on about thier love life & his love for crushed peaches.
It might seem like I don't like this movie, au contraire! Its a joy to watch. It's a tragic but interesting story, very sad. The performances by all are excellent, with the exception of Depardieu the younger.
The filmmakers use of natural light, including candelight is stunning, and the locations have a great feel of authenticity. It might not be every ones cup of tea, but if you enjoy foregin films of this genre, it's definitley worth a watch.

A Masterpiece of French Filmmaking
Whenever I think of the highlight of French filmmaking, I think of this film. Absolutely gorgeous in every way: camerawork, art and design, audio and soundtrack, acting and direction and story - everything came together to create a truly beautiful piece of work. One of my all time favorites despite a more than occasionally hollow performance by the younger Depardieu who proves that talent isn't always genetically transfered from father to son. But despite the disappointment of Alain, the soundtrack and filmmaking are enough to make you forget any flaws. Find the best television you can - hook up the highest quality VHS player you have - and enjoy. Hopefully sometime in the near future we will see a Region DVD of this outstanding example of the French film cannon.

beautiful music, awful movie
The music is superb in this movie. I give you that. But the movie is simply downright awful. To me this movie is about a man who becomes obsessed with the viola da gamba to escape the pains caused by the death of his wife. His obsession not surprisingly drives hime to be utterly self-centered and bizarre. He is a monster who abuses and neglects his whole family to focus only on himself. He wasn't making music for us or for the world ... he was making music for himself but by luck his music making is also enjoyable to our ears. Otherwise most of us would recommend that he be locked up in an insane asylum.

If one were asked what makes a French film a stereotypical bad French film, one feature pops into my mind: pretentious philosophical babbling. And this film delivers a bucket full of it. Ugh.

Get the soundtrack. Forget about this movie. This is my honest opinion. ... Read more

Reviews (17)

OUR FAVOURITE WAIF
This was the first movie actually crafted just for Shirley and the kids should find it a fun diversion, even today. It's in this movie in which Temple sings her famed version of ON THE GOOD SHIP LOLLIPOP - while on an airplane! The supporting cast includes the little seen silent screen actress Lois Wilson who plays Shirley's mother (employed as a maid) and the talented Irishman, James Dunn - he won an Oscar for the happy alcoholic singing waiter in A TREE GROWS IN BROOKLYN - does well as Shirley's kind uncle. Cheeky Jane Withers (Remember Josephine, the plumber who endorsed Comet cleanser in the sixties?) plays Joy, and she's fun in contrast to Shirley's goody-goody personna- she's wild, mischievous, noisy, jealous, messy, angry and not particularly cute; she was eventually ranked second in popularity to Temple as a thirties female child star. Recommended for the little ones because these Temple films are inoffensive (with very few exceptions) and are expertly computer colourized!

Jane and Shirley light up the screen!
Shirley Temple and Jane Withers are a dynamic duo together as Shirley plays a orphaned child that everybody wishes to adopt and Jane plays a selfish brat who has no compassion for Shirley or anybody else. This movie is simply hysterical with the rude Joy (Jane Withers)and the funny and political Uncle Ned. I have never laughed as much as I did in any other Shirley Temple film! Shirley sings her trade mark song "On the Good Ship Lollipop" and will dazzle you with her charm. The plot of the story is easy for young children to follow and consists of tear jerkers, hysterical moments, and dramatic scenes. I have to say this movie wouldn't receive 5 stars without Jane Withers!

"Sweet Landings"....
This review refers to the 20th Century Fox DVD edition of "Bright Eyes".....

I've always been a sucker for little Shirley Temple singing "On The Good Ship Lollipop" and couldn't resist picking up this DVD.From 1934, this story takes you back to a time of innocence that just can't be done again in today's world. Shirley will tug at your heartstrings and you're happy to let her do it!

This story was tailor made for Temple's charms. Already having lost her father, "the best aviator there ever was", she is now the apple of they eyes of all the flyers at the airport.Espcially one,'Loop' Merritt(James Dunn), her father's best friend who loves her dearly.Shirley lives in the home of a wealthy but nasty couple where her mother is a maid. When tragedy strikes again, and Shirley's mom meets with an unfortunate accident, the fight begins over who will adopt this adorable orphan.

In the short span of 83 minutes, it's a story that has laughter, tears, adventure and lots of love. If you love Shirley..this is a must have. But it's not just the Shirley show...the rest of the cast is terrific. James Dunn, Jane Darwell,and Lois Smith will all touch you, but the two that nearly steal the show are Charles Sellon as Uncle Ned, an old curmudgeon who becomes a real softy around Shirley, and little Jane Withers...the brattiest brat there ever was. All this little tyke wants for Christmas is a machine gun!

I was very pleased with this DVD by 20th Cent Fox. Yes it was a bit on the grainey side, but the film, now 70 years old, showed no scratches, lines or cracks.I hope I look that good at 70! I nearly had a panic attack though when I read the back of the box and it said that this version was colorized, but don't worry, when you pop it in the player, the first thing that comes up is a choice of the original B/W or the colorized version..so you can watch both and see which you prefer. You also get the choice of viewing it in the newly enhanced stereo or mono.There are also subtitles in English(captions), and Spanish.

It's a nice one to watch during the holidays as a good part of the story takes place during Christmas.If you are a fan..introduce a new generation to Shirley. This a great one to start with.

Sweet Landings.....Laurie

One of her better movies.
The movie has the seen that the TV networks always have qued up with her singing: On the good ship lollypop.

One of the cutest films!!!
Shirley is VERY cute in this film. She plays a very unselfish and cute little girl who likes to help out and visit the airport. She basicially does not have to act in this film because the way her chartacter acts is how Shirley acts herself . (Notice that her name is Shirley in this film.)
It deserves a three star though because I didn't see much dancing in this film except for The Good Ship Lollipop, and when you watch Jane Withers and Shirley together you can feel guilty when you act selfish. ... Read more