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| 181. Grave of the Fireflies Director: Isao Takahata | |
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Reviews (396)
It seems brining up the topic of this movie results with two knee-jerk reactions. A) This is an Anti-American movie where Americans are blamed for all deaths in Japan while ignoring Japan's role. OR B) An indictment of America for killing these two children, and a call to avoid war at any costs. The first is a poor description of this movie due to the movie's elements. Americans are almost never mentioned, save as the pilots of the inhuman planes that fire-bomb the villages. The movie instead raises questions that many should be able to ask: who was at fault? The Japanese people for refusing to help these children? The aunt for expecting too much of a 14-year-old boy traumatized by his mother's death? The Emperor of Japan refusing to surrender when he was obviously defeated? Seita for having too much pride? The Americans for retaliating after Pearl Harbor? Or, as I wonder if the movie suggests, that when people are dying of starvation, politics and finger pointing cease. The movie spends almost zero time blaming a set of people for Seita and Setsusko's situtation (interestingly, the only "bad guys" there seemed to be in the movie where people like the farmer who beats Seita for stealing his crops). When people are set in a blame-first mentality, it's refreshing to see a movie that has little of this pop-culture quality. Because of all of this, the 2nd Knee-Jerk reaction to this movie ("I'm sure Bush had a hand in this!") is incorrect as well. Overall, everyone else has done a good job of describing the basic content of this movie, so I won't repeat it all. However, this movie is recommended for those who want to see the power of an animated movie that is usually not done in the US. The characters of Seita and Setsuko are so well done (I don't think I've seen a 4 year old portrayed that real in a long time) and strong that you can't help but have a sinking feeling in your gut everytime you know something is going to happen to them. Most notable, Setsuko is not a stereotypical cartoon child. She cries wildly during the night -supposedly due to bad dreams about the war, she refuses the food that could keep her healthy, and plays around her cave with an utter disdain for the war going on around her. There are no cutesy catch-phrases to sell Burger King cups by. By the end, the wasting away of the characters is a very difficult things watch. In the end, I didn't cry (I'm bad at this, I rarely cry at movies), but was still speechless for a few hours afterwards. This is not a movie to watch if you are emotionally unstable at the moment or prone to depression. But, you will be moved. We are fragile.
Sure, I've seen almost all of Miyazaki. My kids love them and I love, for instance, the playfulness of Totoro and how Kiki finds her self confidence. And then there is the technical brilliance of, say, Spirited Away. But Takahata's Grave of the Fireflies is a cut above. It shattered me emotionally, yet somehow uplifted me spiritually. I don't see it as a sad movie, devoid of hope, as someone wrote here. It is a beautiful tragedy with a message to tell. It is a film for adults and it hits on many levels and I am still seeing meaning in it after three times viewing it. The hope comes from the love of the brother and sister for each other and their dignity. Despite their many hardships they are, with a few exceptions where Saita completely breaks down, well mannered. Meanwhile, everyone they meet cares only for themselves, or at least shows a rude ambivilance towards the two. The contrast is incredible. Yet, judgement is not passed upon them. It is left to us to judge. Nor is judgement passed on the enemy, whom the closest we get to, is seeing them as they streak overhead in their bombers. Also, the hope is shown by the "spirit" Saita and Satsuko who shadow the real characters at important crossroads in their lives and in the very last scene as ghosts watching over modern Japan. But the movie is not about Japan or World War Two or even War itself. It is about compassion and the human spirit. As a film, it is most like Schindler's List and the same emotion and depths of emotion I felt in that movie I feel with Fireflies. Everyone should see this movie.
"Grave of the Fireflies" is the sad tale, based on the semi-autographical book "Hotaru no Haka" by NOSAKA Akiyuki, which tells of the author's experiences during the aftermath of World War II, in which he lost his little sister to malnutrition, for which he blamed himself. In "Grave of the Fireflies," 14 year old Seita and his 4 year old sister Setsuko lose their mother after the Allied forces bomb their village. Their father is in the Navy and at sea, and hasn't been heard from in a long while. Without going through the entire plot, suffice it to say that the story is a moving and frightening look back at the lives of two young children who should never have to face such horrors at their tender ages. The tone and mood of this heartwrenching piece is set from the very first scene, when Seita utters the fateful words "September 21st, 1945. That's the day that I died." Before watching "Grave of the Fireflies" I'd heard that it'd been referred to by many, like movie reviewer Roger Ebert, as one of the greatest war films made, and after watching it, I have to agree. Only a person with the emotional depth of a gnat or the heart of block of wood could watch this film and not feel the emotional power of it. It's the kind of story that lingers in your consciousness long after, and forces you to see the true face of war, the REAL consequences and victims of the violence we seem all too quick to inflict upon each other these days. And the most incredible thing about this movie is its subtleness, its complete lack of political propaganda or any attempt to try to blantantly force a moralistic ideal down the viewers throat. Director Isao Takahata shows supreme trust in the story itself, choosing to use the beautifully illustrated film to portray the tale in all its moving glory. In Japan this movie was shown in schools as an educational piece. I don't know if this has been done in America, but I think that it should. We need to learn to understand the entire spectrum of war, and on an even more basic level, we just need to teach our children the lessons of empathy and compassion so that when they find themselves in positions in which their decisions impact others, they'll take care to consider the consequences before making those decisions. I also think that every world leader should be forced to sit down and watch this film over and over until its message is ingrained into the nooks and crannies of their brains, because it often seems that compassion and empathy are qualities sadly lacking these days.
I've seen this film some days ago, and now i continue thinking about the story of this film. I felt love, happy, sad and pain when i watched the film. Only i tell you that I have NEVER cried so many like in this film. You must to see it!!!!!!!! pd1=I think that should be obligatory to view at school. pd2=I'd like that all governings of the world watched this film. pd3=I recommend it for people older than 14 or 15 years. (It's too sad for the children)
To truly convey the sense of immenent tragedy and hopelessness throughout the entire film they have the opening scene showing Seita (one of the main characters) die and his spirit reunite with that of his sister's, Setsuko, whereupon we watch the rest of the film as Seita remembers the events unfold around them. Right away we know that whatever they go through, whatever good or bad happens to them, Tragedy is lurking somewhere, waiting to strike. Personally, from then on, almost every scene was heartbreaking, but none more so than watching the slow degeneration of his sister's body trom malnutrion, but thankfully not her spirit. This is not to say they were all harsh. There were a few scenes that were just centered around the joy of being alive, but even then there was always something to remind us of what was going on around them. I was as happy as they were getting to watch them run down the beach and into the ocean, or seeing them chase fireflies outside of thier aunt's house, but the best time for me was their first night alone in the cave, and to help his sister to not be afraid, Seita helps Setesko catch a bunch of fireflies to light up their darkened abode. Seeing the wonder and enjoyment on her face was almost enough to bring me to tears after all the previous emotional despair. And it was then extra sad to see them wake up in the morning to dead fireflies and then taking the time to dig them a grave. Very touching. This young girl, while visibly suffering, was generally more prone to have fun and let her attention be diverted. You can see this come to its fufillment when Seita gives her a bite of the watermelon, and she uses her last words to say that it tastes good. No complaints about the pain she is obviously dealing with. No crying out to her brother that she doesn't want to die. Just a simple way of saying thank you to her brother. In this same scene we also see how much Sieta truly cares for Setsuko. After giving her the bite of watermelon, he generously sets a piece on her chest, and the rest within easy reach. Instead of breaking his fast with her, Seita selflessly rushes outside to start the rice cooking, more for her than for himself. In his rush to meet her needs he doesn't even realize that she has said her goodbye to him, and she dies while he is in the act of helping her in the only way he knows how. Another heart rending scene is after she dies and we see a rememberance of how she played and tried to help take care of their small live-in cave. Seeing all that innocence shown so purely in the face of a child in the midst of war moved me to tears and made me thankful to be a father of a similar aged little girl. This is a movie that truly stays with you and changes how you look at things. Normally after watching a movie I will read, write, or socialize with my wife of friends for awhile. Not so after this one. I went to bed deeply impressed by what I had seen. I awoke the next day thinking about it. I had one of the most mellencholy days that I have ever worked because I was in a constant remeberance of it, trying to soak up all the lessons in it, as I knew I would not watch it again for a long while. It was almost twenty hours later that I finally picked up a book again, a long time for me. And even now it is still right there, beneath the surface of my normal thoughts. Just writing this review brings back vivid scenes. One last thought about the movie. As other reviews have said, it was upsetting to see the way their aunt treated them. She basically drove them out of the house in all ways short of actually telling them to leave. But one cannot really blame her for her actions. Sure she was being selfish. But she was also living in fear. It really was taxing her family's resources having them there. There wasn't much to go around.In these kind of circumstances most people will try to hold onto everything, becuase you might not survive if you have to share your meager things with others. She shared with animosity and disaproval of their every action because she had no ideathat giving out of Love and a desire to help your fellow human will bring you more back in return. My final words are watch this. Even if it is hard for tuo to see, or brings up things you thought were past, watch it anyhow. You will be better off for it. Personally I would not recomend letting children view this though. Let them retain their innocence while they have it. War, pain ,and death are not pretty sights, but even less so for our young ones. ... Read more | |
| 182. Dragon Ball Z:Imperfect Cell | |
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| 183. Digimon (Vol. 2) Director: Wendee Lee, Michael Sorich, Shigeyasu Yamauchi, Jeff Nimoy, Minoru Hosoda, Mamoru Hosoda, Chiaki Konaka, Yukio Kaizawa | |
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Amazon.com Reviews (15)
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| 184. Rg Veda Part 1 Director: Mokona Apapa | |
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Reviews (16)
CLAMP's drawing style is quite unmistakeable; especially the eyes, and I have to admit to being rather partial to their style. The animation quality in the OAV is a bit of an odd mix however using a combination of some very nicely detailed shots, combined with camera pans over less detailed still drawings. Definitely not a high budget production, but using the budget in an innovative manner. The music is a bit unusual; rather dark in places, and makes heavy use of a synthesizer, but is still well done. The translations are also decent although there is occasionally a bit of awkward wording due to literal translations. The story while interesting on its own leaves many, many questions which are not answered unless you go to the manga series (ex. just who is Kujaku? ) Unfortunately, these questions won't be answered in the anime. There is a brief background narrative at the beginning of the episode which helps to fill in some of the history which passed and gives the viewer a starting point. Otherwise my only problem with the animation, was that I find the concept of exchanging looks in animé just looks too contrived.
However, despite it's great action, character design and great plot, the ending seemed far too rushed. But in most short anime it always seems hurried. It could have been longer but yet still, I would be proud to recommend one of the greatest anime series of all time.
However, if you read the books you will see that it cannot be compared to the books...
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| 185. A Chinese Ghost Story Director: Andrew Chan | |
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Amazon.com Reviews (8)
I will call you later if I get the chance, maybe even use email if I can get connected. We shall see. If you want you can leave a message for me here, put the word Liza in the review title. Use the children's review form, you do not need an email address. BTW it is a fine film for all you who are interested. I was lucky enough to see it on TV a while ago....
If you are looking for an animated kids movie, I would recommend some of the old Miazaki films like "Castle in the Sky: Laputa", "My Neighbor Totoro", or "Kiki's delivery service" over this film. Definately I would say rent this one before you buy it.
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| 186. Sailor Moon R Director: Kunihiko Ikuhara | |
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Amazon.com Reviews (681)
Menu's: B+ Video: B+ The disc quality isn't very good, that's why the audio and video quality aren't very good. The content is a B because the menu's arent taht good, and the actual video is mpstly all you get, minus a Pioneer (Geneon) interactive menu where you can see upcoming titles. The menuing isn't very good, it's too basic. Although, I wish they could have digitally remastered this movie. It would bring up the grade a lot. Also the translations... most of the time they were accurate, but sometimes most lines are very off. (Examples coming soon).
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| 187. Dragonball Z, Vol. 18 - Captain Ginyu: Assault (Uncut) Director: Daisuke Nishio | |
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Description Episode 55 - Incredible Force! Episode 56 - Frieza Approaches Reviews (18)
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| 188. Dragonball Z - Captain Ginyu / Double Cross (Uncut) Director: Daisuke Nishio | |
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Description Episode 58 - Calling the Eternal Dragon Episode 59 - Gohan Defeat Your Dad!! Episode 60 - Captain Ginyu... The Frog Reviews (49)
The two versions it contains in the English Dubbed version and the Japaneese Subbed version. I reccommend watching both, although some hardcore fans only watch the Subbed. Even though most of the dialog is changed in the Dubbed version (and the music is much worse) it is still a very fun watch and highly enjoyable. The DVD and story itself is really good. It has an exciting battle between Goku and Ginyu and the demise of Ginyu is really great and pretty funny too. It's an excellent DVD and I highly reccommend it.
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| 189. Sonic X:Super Sonic Hero Vol 1 Director: Hajime Kamegaki | |
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| 190. Those Who Hunt Elves , Chapter 1 | |
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Reviews (11)
The premise itself is amusing, in a sophomoric kind of way. The parts of a spell have been scattered and are now on the bodies of elves across the planet. You can see where this is heading, right? Hunt for elf, find elf, strip elf. Yep, that's about the size of it. Sure, it seems as though there might be hope on the horizon, but the premise itself, along with simplistic animation and less-than-interesting stories give one little reason to dish out the cash for the second tape when the first one was so lackluster. Put simply, "Those Who Hunt Elves" is for a specific kind of audience only. Everyone else need not apply.
So buy this, or steal it from a friend, or "eat s--- and die!" (Yes, actual quote from the anime.)
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| 191. The Razor: Sword of Justice Director: Kenji Misumi | |
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Reviews (2)
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| 192. Bubblegum Crash 3:Meltdown Director: Hiroyuki Fukushima, Hiroshi Ishiodori | |
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Reviews (4)
I liked the animation and design better in CRISIS, chiefly because of the bold lines, bright colors and graphic simplicity. There may be greater detail here, but the linework is softer and the colors more muted. On the plus side, there are not as many intrusive songs as in the earlier tape and, most importantly, the writing is so much sharper and the story clearer and more compelling. While it's important to note how much this series owes to such Hollywood sci-fi as BLADE RUNNER and ROBOCOP (which provided the model for one whole plot thread here), it's also part of a larger body of anime that probes the meaning of humanity in a world where humans and androids co-exist in a mutually dependent way. As such, it looks forward to the later anime sci-fi classics, GHOST IN THE SHELL and ARMITAGE III.
Overall this anime tries too hard to fit too much into too little. It's too action oriented and the characters and story are shallow. The final episode DOES have some insights into Sylia that are worth salivating over, but they were executed in a manner that leaves much to be desired. Recommended to fans of the original eight episodes, but not to someone who did not care for the original.
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| 193. Bubblegum Crash 1:Illegal Army Director: Hiroyuki Fukushima, Hiroshi Ishiodori | |
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Reviews (4)
I liked the animation and design better in CRISIS, chiefly because of the bold lines, bright colors and graphic simplicity. There may be greater detail here, but the linework is softer and the colors more muted. On the plus side, there are not as many intrusive songs as in the earlier tape and, most importantly, the writing is so much sharper and the story clearer and more compelling. While it's important to note how much this series owes to such Hollywood sci-fi as BLADE RUNNER and ROBOCOP (which provided the model for one whole plot thread here), it's also part of a larger body of anime that probes the meaning of humanity in a world where humans and androids co-exist in a mutually dependent way. As such, it looks forward to the later anime sci-fi classics, GHOST IN THE SHELL and ARMITAGE III.
Overall this anime tries too hard to fit too much into too little. It's too action oriented and the characters and story are shallow. The final episode DOES have some insights into Sylia that are worth salivating over, but they were executed in a manner that leaves much to be desired. Recommended to fans of the original eight episodes, but not to someone who did not care for the original.
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| 194. Leda: The Fantastic Adventure of Yohko Director: Claude Chabrol | |
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Reviews (4)
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| 195. AD Police Files: Bad Blood | |
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Reviews (3)
Act 1 Partner In the first episode a young, loner, and unconventional A.D. police officer named Kenji Sasaki whose previous two partners have all died while working with him decides to involve himself in a hostage situation that has taken place outside of his jurisdiction. The situation in question involves a man with a stick of dynamite who has taken some people in a building hostage. He threatens to light the dynamite if his ex-wife isn't brought to him. After handling this situation Kenji and his partner Paul Sanders just happen to be cruising near an area where a runaway Voomer is at and so they decide to split up and take the Voomer out from opposite sides. Unfortunately, Paul is seriously injured in the process taking Kenji's number of lost partner's up to three. Eventually Kenji is partnered with a good-looking German man named Hans Kleif and they just happen to not get along which makes things interesting. Also Hans begins his pursuit of the affections of a cute nurse. Act 2 Runaway In this episode a runaway Voomer just happens to take-over an ambulance that Paul happens to be in. Naturally, Kenji goes out to try and save him. His new partner Hans and his love interest also end up getting involved in the situation. Act 3 Bargaining In this episode a seemingly important and intelligent villain named Liam Fletcher is introduced and Hans and Kenji finally learn the meaning of the word teamwork. I'll admit that I've never ever watched Bubble Gum crisis or any other series related to it before but I thoroughly enjoyed this tape and I'm looking forward to the next volume to learn more about who's really behind the recent Voomer activities and where Liam Fletcher fits into all of this.
While the Armored Foursome don't appear (and established AD Police Officers Leon McNichol and Dailey Wong don't make an appearence here as well; plus the fact that the storyline doesn't have a setting of MegaTokyo, rather Genom City; and, the time seems to be around 2032, where the original series began(not the 2040 version), the story revolves around Officer Kenji Sasaki, a Officer that seems to have the knack of having his fellow partners either killed or maimed. Plus, he has a serious Loner problem and always breaks the rules; and, he cannot deny his regular police roots. While slapped with Administrative leave, he gets a German Partner named Hans Kleif. Let's just say how they met is best left for viewing via the tape. (Also, Hans has a serious secret...one that can get him killed at anytime.) With a chance to redeem himself after his previous partner is seriously injured in a VOOMER Attack (Yes, it's VOOMER, not BOOMER in this series), he must not only work with Hans, he also must face personal demons and figure out the serious rise in VOOMER related incidents (all the while trying to work with his teammates). While the Animation seems to be outdated and old, truely one to watch, and in the similar vein of the BGC saga. ... . ... Read more | |
| 196. Burn-Up Warrior, File 1: Skin Dive Director: Hiroshi Negishi | |
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Reviews (23)
Starting off with a terrorist demand for a nude bungee jump which has to be performed by the Warrior Rio, the stories feature other fun crap like an Evangelion parody and a trip to a used underwear shop. Eventually it wears down to a hard-boiled revenge story; in episode four, Team Warrior has to dispose of three deranged murderers which make for some decent fight scenes and a strangely whimsical battle theme. Alas, the main organization behind everything is never destroyed, and the grand conflict is never resolved. The DVD is by far a better deal than the VHS tapes, which have only one half-hour episode on each one. One last note, this anime isn't rated 18 up, it would be more like 13 up. This is far from hentai, which is 18+ anime.
techinically, the animation is some of the best you're likely to see from an anime series, the detail is great, althogugh it does lack in some areas like minor characters and backgrounds. The music, is just great, wheras episodes 1 and 2 are laugh out loud funny, the second two are more serious and emotional, what is commendable is that these characters progess believably, and are consistent, its not like they are going for laughs, these are who they are. classic scenes are evident evwrywhere, rios constipation, maya trigger happy nature and the funniest evangelion tribute/joke ever. Complete with many spoofs of mission impossible, die hard with a dash of inuendo from yugi and rio's love-hate? relationship This is really opne for those who like their anime funny and serious with lots ofr action, a bit of everything basicly. Did you like project a-ko, slayers or tenchi? if so this is for you, its also on one disc so it s cheap, like the budgy. why did i give it only 4 stars if i praise it so#? thats a personal peeve as to the fact that its only 4 episodes period, theyran out of budget or something and leave the series on a ambiguous note, if only adv would put up the money for a second outing for the warrior team.
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| 197. Bubblegum Crash 2:Geo Climbers Director: Hiroyuki Fukushima, Hiroshi Ishiodori | |
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