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| 181. Dinosaurs Vol. 1 | |
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Reviews (15)
Disney, who has made its *last* hand-drawn animation film (something about an Alamo -- apparently, nobody cared), are afraid to release such a masterwork of magical puppetry, because it's just gonna make us fall that much more OUT of love with Computer Generated Imaging, the wave of the future. (Mind you, I'm not one of these anti-CGI cranks. Much as I love "Dinosaurs", or "Labyrinth", I also dug "Attack Of The Clones." Go, computers. Yay.) But it's a shame, shame, shame -- because not only is this brilliant puppetry, it's EXTREMELY good *writing* and *acting.* Funny as can be! Laugh upon laugh for the kiddies and adults!! Me, I have no children, and I would buy up ALL the theoretical Complete Season DVD box sets, to sit proudly among "The Simpsons" and "South Park." I don't know how typical I am -- but Disney folks, do you really want to TAKE THE CHANCE that you are MISSING OUT on tapping the Simpsons/South Park fan base?!? Are you THAT sure of yourselves? Seems to me you guys keep missing the mark. ... Read more | |
| 182. The Little Engine That Could Director: Dave Edwards (II) | |
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Reviews (11)
Here's a quick synopsis so you know what I'm talking about: Chili, the little blue switch engine, desperately wants to pull a train of her own but she is mocked for being too little by the mean dispatcher (in the form of a talking control tower). When the engine pulling the Birthday Train breaks down, Chili see's her chance to sneak past the sleeping tower and pull the train over the mountain herself. The results are nearly catatrophic as a storm washes away part of a bridge and the caboose plumets into the ravine. After the train get buried in an avalanche, Chili gives it one more try and saves the day. In the original book, the little blue engine doesn't know about the broken-down train until she stumbles upon it. She agrees to help out of kindness even though she's not entirely sure she can do it. In this video, the message is entirely reversed. Chili wants to pull the train out of self interest in order to prove herself and she is quite sure of herself. She defies authority to do what she wants, at great peril to herself and the train. Do you want your 4-year-old to sneak past you and cross the street without supervision, just because she really believes she can do it? This video says it's OK to do that. Not to leave bad enough alone, we also have a tower that yells and a big sister that taunts her little brother. What about "I think I can?" It's in there, but so distorted as to be unrecognizable. This video does teach one good lesson, though: never trust a video based on a beloved book love until you've viewed it yourself.
First (mainly an annoyance), the control tower character yells all the time, except once when he pretends to be nice just so he can yell really loud. Maybe it's setting things up for the next: Second, a wrong lesson: It's okay to disobey your parent / local authority figure, especially if they aren't nice. And if they don't give you permission to go somewhere, it's okay to trick them and sneak out because you really want to do it, and you think you can. (I don't want my kid deciding to start his own search & rescue mission because someone says his son lost his puppy, and his son would be really, really sad if my kid can't find it.) Third, a really wrong lesson: By repeating the mantra "I think I can" you can do anything you can think of (safe or unsafe), as opposed to those things that are merely difficult as in the book. (In the book, if the Little Blue Engine fails at her task, nobody's much worse off, and in fact the train is closer to town so she was still a help). I want my boy to use that mantra when normal childhood challenges arise, like running a lap faster or getting better grades. I do not want him thinking it will keep him safe when he encounters a rain-swollen river, or wants to race a real train over a railroad trestle. (Especially if a peer taunts him with "Yer tew little!") Fourth, and kind of related: the avalanche that buries the engine makes the fire in her firebox go out. Then in the morning she magically wakes up, pushes her way out, and off they go, everyone's fine & happy. (Maybe there's some plot device w/ the boy reading the book at the same time.) But a kid who has gotten into so serious of a situation that his firebox goes out will not be able to just wake up and shake it off, and won't be able to learn about it for next time either. (Even in Thomas they need a breakdown train to pull them out of trouble.) I don't want my boy thinking there is no danger in the world, only fear, and that "fear is nothing to an engine with determination" (to paraphrase Percy) and should be ignored. Not sure how to discuss this one with him. He already thinks he should be able to cross the street, since if a car comes he'll just "run really, really fast! and jump! out of the way." ("As fast as a car?" "Faster!") If your kid hasn't already discovered it, I'd advise avoiding this. Otherwise some lesson correction may be in order. An animated version of the original story would be nice though. (BTW that book had a lot better drawings of how the tracks, switches and roundhouse were connected, and I could show him how the Little Blue Engine could come up from behind, uncouple the broken one, tow it away, and attach herself to the front, that question has come up before.) ... Read more | |
| 183. The Prince of Egypt Director: Simon Wells, Steve Hickner, Brenda Chapman | |
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Reviews (272)
First of all, it is terribly non-accurate in terms of restoring a "tale" of how Moses delivered his people. And secondly, eew...imagine how the people looked! Many praised this movie for its stunning background design; I personally feel horrible-looking CGI-animated people pale in accompaniment to how "stunning" the audience opines the animation to be - either in a positive or negative way. Why, I think even Don Bluth's "Anastasia" could do many times better! The soundtrack itself isn't all the more that fantastic, despite the several rather meaningful songs like "River Lullaby", "Through Heaven's Eyes" and "When You Believe", due to that familiar sensation from listening to scores of similar tones. I suppose this is the only portion of "The Prince of Egypt" which persuades me to only hang on to it with an unimpressive 3-star rating. Better luck next time, Dreamworks - looking forward to your much anticipated "The Iron Robot"!
After the Oscar-winning Pocahontas, the studios had not been to deliver its best (though I completely agree that The Hunchback Of Notre dame is one of the most underrated animated classics). Fox's Anastasia conquered a large number of hearts with its amazing character-depth and haunting tunes, but a box-office success of a larger proportion was required to dethrone Disney's monopoly. The Prince Of Egypt is easily the best non-Disney feature ever made (followed closely by Anastasia) and in every way, it as unique a classic as Beauty And The Beast or The Lion King. It is emotional, musical, captivating, and inspirational and has a profound moral meaning and beauty. The story remains mostly true to its Exodus origin. It varies from The Ten Commandments in exploring the relationships between the two brothers who are destined to be enemies. The strength of the movie lies in the strong emotional bonds it depicts between its characters, something which The Ten commandments failed to portray. The animation is lush and vibrant, blending both classic hand-drawn cels and Computer Generated Imagery. The backgrounds and visuals and breath-taking and even the CGI sequences such as "The Parting of The Red Sea" are to be marveled at. Dreamworks artists have adapted a new angular style of character sketching which looks refreshingly beautiful on the silver screen. Stephen Swartz's music is melodious and meaningful; from the spine-chilling "Deliver Us" to the soul-searching "When You Believe" which won the Oscar for the Best Song in 1998. (though I must say that I love Pfeiffer and Dworsky's version much more than Mariah Carrey and Whitney Houston's pop reprise). An astoundingly deep, sensitive and piercing score almost overrides the film's music; strongly highlighting the sentimental points with its rich orchestral appeal and Ofra Haza's tantalizing choral accompaniments. Nominated for an Academy Award, it deserved the Oscar for the Best Musical Score category (though I would personally have loved to see Goldsmith win his second Oscar for his incredible score of Mulan). Warbeck's score for Shakespeare In Love which eventually won, though appealing, pales before Zimmer's work or Goldsmith's masterpiece. Then again, I have noticed that Oscars go more by popularity than by talent. David Newman's nominated score from Anastasia was most definitely the Best among the Musical scores of 1997, although the Oscar favored The Full Monty, which could not possibly win in any other field where it had been nominated (owing to Titanic) and so walked away with a very undeserving award. The Prince Of Egypt utilizes a host of acclaimed on-screen actors and actresses; comprising the voice talents of Val Kilmer, Ralph Fiennes, Danny Glover, Michelle Pfeiffer, Jeff Goldblum, Sandra Bullock, Patrick Stewart, Martin Short, Helen Mirren and Steve Martin. It is undoubtedly the most ambitious vocal cast ever assembled for an animated movie. All the actors bring the characters to life with striking warmth and depth. Both Kilmer's as well as Fiennes' work are very praiseworthy. The DVD offers a excellent anamorphic 1.85:1 video transfer which looks very crisp and colorful. The Dolby digital 5.1 sound makes good use of surround, nicely highlighting the score and special effects. Dreamworks has also recently released a DTS version of the DVD in April, 2003 which is an improvised version of the earlier Dolby release. The special features provide an in-depth look at the making of the movie. Also included are two trailers, "When You Believe" multi-language reel, still galleries, interviews with the cast and a "Basics of the Chariot Race" CGI explanation segment. The Prince Of Egypt is nothing short of a masterpiece in animation history. The movie is geared more towards the mature audiences and those expecting fast pace fun-oriented stuff will not find it towards their taste. Young children may find some scenes a little disturbing, hence Dreamworks rated the movie a PG. So go enjoy Dreamworks' first animated motion picture, which is a classic to be cherished now and for generations
As far as the animation in the movie goes, it is never less than excellent. that plays out in heiroglyphics on the palace wall is an effective use of The storytelling is also very well done. I have read reviews that say it The music, for the most part, is very good as well. "River Lullabye" and One complaint: The Steve Martin/Martin Short scene is bad, bad, bad. The
I am still waiting for a good account of the Exodus to show up on film. Perhaps (instead of using their imagination to fill in the gaps) the writers should just follow the biblical text when making their movie... It has lasted and will last longer than their films will anyway. Was the movie a good biblical account? Not bad, but not good either. The author took alot of his own inspiration when making the film. Is the movie good for kids? Perhaps some will like it... But most of the ones I know left the room before the end of the movie.
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| 184. Barbie in The Nutcracker Director: Owen Hurley | |
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Amazon.com Reviews (83)
Keep in mind that this is strictly a children's movie. That's the only reason I'm giving it three stars. If I were a two or three year old girl, I'm sure I'd think this is the best movie ever.
Anyway, there is an EASTER EGG in the DVD. Click on the up arrow, 5, 4, 48, 3855, 000, Setup, 9, and you will see outtakes. If you listen VERY closely, you will hear farting sounds. If you watch it in a plasma-screen TV I swear you will faint. That is Barbie farting out there! She trips on dolls too, and she had REALLY BAD BREATH. ... Read more | |
| 185. The Beginner's Bible: The Story of Noah's Ark | |
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Reviews (3)
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| 186. Kipper - Pools, Parks & Picnics Director: Mike Stuart (II) | |
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Amazon.com Reviews (11)
Its stories and characters are refreshing in today's fast-paced world. It has a simple animation that will be a relief from all the flashy, fast-paced cartoons. We think this lack of complexity is what first caught our daughter's attention. It isn't violent, it isn't demeaning, and it is worth every cent. I never get tired of watching it with my daughter and how many children's shows can you say that about. At 15 months, she still loves it. We own four of the Kipper DVD's now and love every one of them, but Pools, Parks, and Picnics is one of my personal favorites.
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| 187. Rover Dangerfield Director: Bob Seeley, Jim George (II) | |
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Description Reviews (10)
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| 188. Chrysanthemum and More Kevin Henkes Stories (Scholastic Video Collection) Director: Virginia Wilkos | |
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Description OWEN (Narrated by Sarah Jessica Parker; Music composed by Ernest V. Troost): Owen isnt happy when his parents wont let him bring Fuzzy, his beloved yellow blanked, to school. Luckily, Owens mother has the perfect solution. A WEEKEND WITH WENDELL (Narrated by Mary Beth Hurt): Sleepovers are usually fun, but spending a weekend with Wendell is anything but fun and games. Sophie shows Wendell that, sometimes, she has to be boss too. Reviews (3)
You get 6 stories: Chrysanthemum, Owen, A Weekend with Wendell (all Henkes), The Picnic, Monty and The Wizard for an hour of enjoyable stories. I highly recommend the DVD for young kids.
Of course, when I saw this DVD, I had to order it immediately. I was worried that it would just be pictures from the book with a big-name guest reading the story. I'm happy to say that I was wrong! The animation is simple, flowing gently like Henkes' illustrations. Meryl Streep's reading is a reflection of her well-known talent. She and Sarah Jessica Parker give the readings real heart. 5-year old Molly gives this DVD 5-stars, and so does 8-year old big brother. (And he's a Yu-gi-oh playing, GameBoy-toting, sports-playing "tough guy"!!! It proves that Henkes brings out a gentle humor in everyone!) Sorry to gush, but this DVD is worth twice what I paid for it. In fact, I just ordered 2 more for gifts. I just hope they follow up with a "Lilly's Purple Plastic Purse" DVD. Or--heaven forbid--a TV show! If you liked the "Little Bear" cartoons, you'll like these. ... Read more | |
| 189. Kipper - Cuddly Critters Director: Mike Stuart (II) | |
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Amazon.com Reviews (3)
We have had this video for well over a year and my daughter still asks to watch it. It is a wonderfully relaxing show, rather than filled with needless violence or conflict. I highly recommend the Kipper series to anyone with toddlers. It is such a great change from the typical video fare.
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| 190. Peter and The Wolf (Walt Disney Mini Classics) | |
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Reviews (1)
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| 191. Little Bill - Big Little Bill Director: Mark Salisbury, Robert Scull, Jennifer Oxley, Olexa Hewryk | |
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Amazon.com Reviews (6)
If you looking for a book/video series that is both educational and entertaining that you both can enjoy (where you don't have to worry about the content) THIS IS IT. It has something for both the child and the parent (the jazz touch is great, like Bugs Bunny with the classical music). Not too mention the familiar voices of Ruby Dee, Phylicia Rashad, Gregory Hines, etc.) We just purchased the Merry Christmas, Little Bill video. The first one will pull at your heartstrings, the second and third are just a fun look at children and their imaginations. Parents will find themselves wanting to watch Little Bill almost as much as the child. I agree with reviewer Karl W Berner, it is the most entertaining and delightful children's television show airing today.
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| 192. The Magic School Bus - Gets Ants in its Pants Director: Charles E. Bastien, Larry Jacobs | |
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| 193. Little Bill - Me and My Family Director: Mark Salisbury, Robert Scull, Jennifer Oxley, Olexa Hewryk | |
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Amazon.com Reviews (3)
It is really refreshing to hear an animated child character whose voice (as far as I can tell) is actually *performed by a child*. Again, it adds to the reality. And underlying all that is the simplicity and believability of the storylines. Nothing too presumptuous or grand, but always charming and stimulating. If I would make a criticism, it is that the series seems to have a lot of preschool messages, for a character who attends school. So some episodes will appeal to younger viewers more than others. Our child is almost 3-1/2 and is developing an interest in the show, but I don't think all the episodes are equally appealing to one that young. Time will tell whether the stories remain appealing, as our child gradually approaches Little Bill's age. But that's pretty subtle and is a faint criticism. Meanwhile, I think it's fantastic that the same jazzy musical score that appeals so much to us as parents is also appealing to our little viewer. Yes, toddlers of one race can be fans of cartoon characters of another race. Yes, a simple animation style is adequate to convey life issues that matter to little kids. Yes, toddlers can enjoy jazz soundtracks in their TV diet. Hats off to Cosby and his team, as well as Nickelodeon, for bringing this to the screen. Now, let's see more episodes on tape and DVD!!!
It is wonderful seeing Little Bill interact with the rest of his family while delivering important life messages that even young children can absorb. My 10 year old son also enjoys watching this video (even though he probably won't admit it). ... Read more | |
| 194. Disney's Sing Along Songs: Aladdin - Friend Like Me | |
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Description Reviews (3)
1.A non standered musical score was used during the title presintation and not the theme song. 2.After the theme song there was no intro with professer owl saying "And now here's our friend, Jiminy Cricket"after the theme we see Jiminy right away.
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| 195. The Beginner's Bible - The Story of Jesus and His Miracles | |
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Reviews (2)
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| 196. DuckTales the Movie -- Treasure of the Lost Lamp Director: Vincent Woodcock, Clive Pallant, Mathias Marcos Rodric, Paul Brizzi, Bob Hathcock, Gaƫtan Brizzi | |
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Amazon.com Reviews (12)
The only improvement needed is to make Treasure of The Lost Lamp a DVD. Even on the old VHS, it still deserves a 5 star rating.
All this plays out like a workprint version of Disney's classic "Aladdin," which debuted two years after the DuckTales release, but that's not nessesarily a bad thing. There's a lot to like about "Treasure of the Lost Lamp," and a lot of fun to be had here, including many comic moments. Also, the breezy 74-minute runtime is just right for young viewers' attention spans. While the visiuals and somewhat choppy editing are nothing compared to the Feature Animation-created Disney efforts of the time, the movie recaptures the look, feel, and spirit of the TV show, making it good fun for fans and a very worthile watch for others. In fact, it's best to think of this as an episode of the TV show with an extended runtime. When you use that point of view with this film, you'll have a lot of fun following the epiosodic adventures of the characters. The opening sequences while searching for (and finding) the treasure feel a lot like an animated Indiana Jones and it's a shame there wasn't more time put into this part of the story. All in all "DuckTales" provides a solid, simple and entertaining story, great vocal delivery from all the cast (most noteable in this department is Christopher Lloyd as the villian), and a lot of laughs with genuine humor behind them. Highly reccomended viewing for a lazy afternoon, but this might not stand up to repeated showings unless you're a big fan of the show. If you are a fan, don't hesitate to buy this - you'll be pleased. Others who just want a taste of what the show was like, this will fit the bill nicely and is suited to a rental.
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| 197. The Lion King II: Simba's Pride Director: Rob LaDuca, Darrell Rooney | |
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Amazon.com This all sounds familiar since all of Disney's straight-to-video sequels have played it very safe, nearly repeating the originals' story, tone, and pace. Perhaps there were too many cooks for this production. Besides the two screenplay credits, there are eight other writers credited for additional written material. The look of the film has none of the surprise of the original but is far superior to other animated videos. In fact, the film played in European theaters. For kids, the sequel will be a favorite. The comic antics of Timon (Nathan Lane) and Pumba (Ernie Sabella) are enjoyable, as is Andy Dick as Nuka, the mixed-up older son of Zira. And there's plenty of action. The best element is the music. Relying on more African-influenced music, the five songs featured are far superior to those in Disney's other sequels. Zira'ssong of revenge, "My Lullaby," was cowritten by Buffy the Vampire Slayer creator Joss Whedon. The standout opening number, "He Lives in You," was created for the Lion King Broadway smash and now finds a whole new audience. --Doug Thomas Reviews (188)
I...was...hooked... Then I saw it at a friends house four years later. I...was...still...hooked... Now I have it on DVD and I watch it whenever I get the chance. There isn't really anything bad I can say about this movie. However, I would not recommend it for children under seven. I'm actually quite surprised it's not rated PG at the very least. "The Lion King 2" is actually a pretty dark story, about Kovu, Scar's heir who was destined to follow in his pawprints and become king. Nuka, Kovu's brother and Scar's son (Kovu is NOT Scar's son!), is quite jelous and is always trying to impress his mother, Zira, to make her change her mind. Zira is the bad lioness of the story. Meanwhile at Pride Rock Simba's daughter, Kiara, is destined to become future queen. But Simba is a little...over-protective. Zira trains Kovu to kill Simba. But as the story progresses, and his chances of killing Simba and Kiara grow nearer, Kovu cannot bring himself to do it. You know, the usual stuff. This is a VERY dark and emotional story. But good just the same! Rent or buy? - Buy. No questions there.
The concept was nice enough, I suppose. But I found the move to be lacking in so many ways. The music made me wince - that was probably one of the worst things in the film. The songs were completely forgetable, and cheap. Don't get me wrong - I adored the Lion King. And I thought it was interesting to have the daughter fall in love with Scar's son. But it was a poor follow up to that wonderful first film.
And it was. In 1998, Disney got most of the principal voice-over actors back from the original---Matthew Broderick as Simba, Moira Kelly as Nala, Nathan Lane and Ernie Sabella as Timon & Pumbaa, respectively, and of course, Robert Guillaume as the hilarious Rafiki---and made THE LION KING II: SIMBA'S PRIDE, which follows our favorite Lion hero (and King) & family as they pick up from where they left off in the first film. Now Simba is the King and his young offspring is a lioness cub named Kiara; he's the worried dad in this one, always fearing for the safety of the young precocious girl, but they're nevertheless a happy family just the same. Of course, danger lurks in the shadows, as Zira (Suzanne Pleshette---yes, *that* Suzanne Pleshette), the villainous ex-mate of Scar, is training her young son Kovu to grow up to avenge Scar's death by killing Simba. However, Rafiki, the silly-acting but nevertheless wise monkey, finds out to his horrified amazement that Kiara and Kovu are destined for each other. Sure enough, Kiara and Kovu meet each other as cubs and take an immediate strong liking to each other. Can true love overcome true evil? This film, by itself, is very well-written and acted, with excellent production values for the fact that it is a direct-to-video sequel. It has really no flaws of its own, just one obvious inconsistency between it and the first film: Scar's 'ex-mate' Zira (and, by extension, Kovu) simply did not exist in the original THE LION KING! She was obviously made up just to have a sequel. However, this is the only major thing to overlook, and if you can forgive this movie for it, then you should be able to easily enjoy yourself. As I said, this is a good animated movie, and I recommend it for any fan of the original. This sequel isn't quite as dark; however, I still would not recommend showing it to very young kids. Suzanne Pleshette does a surprisingly good job as the evil, scheming, vengeful Zira (basically a female versdion of old Scar himself). Neve Campbell does a solid job as the voice of the adult Kiara, and Jason Marsden does excellently as the conflicted Kovu, who wants to do good, but...he made a promise to his mother...didn't he?! Listen, THE LION KING II: SIMBA'S PRIDE is not the masterpiece that THE LION KING is...however, it is much better than it perhaps should be. Fans of the original should definitely own it. RECOMMENDED, AGES 8 & UP ... Read more | |
| 198. Blue's |