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| 61. Life and Death of Malcolm X | |
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Reviews (2)
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| 62. 187 Director: Kevin Reynolds | |
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Description Reviews (47)
This is less "Dangerous Minds" or "The Substitute" than it is "Taxi Driver". Samuel L. Jackson does a superb job with his character Trevor Garfield, a man of deep moral convinctions and idealism who crumbles psychologically throughout the film. The way it is shot, along with the ominous soundtrack, creates an atmosphere of palpable doom and chaos. Garfield's speech to a fellow teacher who is beginning to realize the odd connection between the disappearance of troublesome students and his relation to them is really disturbing. The director should have worked more on the "teacher snapping" bit and had it a little less covert, but overall I would say this movie falls into cult classic, if not classic, range. The darkness is unforgettable, and the film does raise some relevant issues as to how people with values interact with those who have none. There is a certain flavor to this movie, somewhat inarticulate, that for me makes it worthy of the most lavish praise. This is no uplifting, Sidney Poitier film of redemption. It is simultaneously a vigilante film and a comment on conscious man and his place in the world. This is a must own, for Jackson's performance and the powerhouse ending.
and for those of you reffering latin people, its hispanic! not latin. lets get that strait, aight? peaze out yall. smiley
One thing that I would have liked from this film is a slower transition from Samuel L. Jackson's former self to his newer self. The audience believes that they know his character and (quite suddenly) he has snapped and we are a bit unsure of the movement. This film is an intense experience-I found my nerves quite strained at the prospects of the chaos that exists in these communities. Above all, this film neither glorifies the student's actions nor the teacher's retaliation-a fact that prevents it from becoming a simple bloodbath movie. One leaves this film with a sense of loss on both sides and the utterly hopeless situation that we have created in our school systems. Jackson's character does, despite what some may say, have an impact on the students he teaches. But his victory is not without devastating losses; a Pyrrhic victory, as the movie (not so subtly) alludes. Word to the wise: this is not an uplifting film. Do not rent it thinking you're in for a "To Sir, With Love" experience. Just read the title. But if you're in the mood to look at the darker side of life (think "Requiem for a Dream"), by all means. ... Read more | |
| 63. The Preacher's Wife Director: Penny Marshall | |
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Amazon.com Reviews (24)
When you put Whitney Houston and Denzel Washington in the same movie, the sparks are going to fly. Denzel Washington is the "fine" Angel Dudley who is sent to earth to help a young minister see what is really important in life. Courtney Vance plays the part of the minister who is loosing his church, his wife (Whitney Houston) and seems to have forgotten that family is the most important part of life. The Angel Dudley accidentally falls in love with"The Preacher's Wife!" The attraction is very innocent, but holds your attention for sure. There are some movies which will capture your heart with the music and Whitney shines in this one! The gospel music is uplifting and inspiring and sets the tone for the entire movie. You will be getting out the tissues when she sings: "I Believe In You And Me." My cousin sang this to her husband at her wedding a few years ago and there was not a dry eye in the room. She is also the one who introduced me to this movie! Thank you Jewels! The humor is laugh out loud funny and you will just love the minister's mother-in-law! There is great comedy, acting, storytelling and this is one of those movies the whole family can enjoy....(hint, hint...to movie makers everywhere!) There are some movies you just have to own. This is one of them! If it wasn't so late tonight, I would have watched this movie again! A completely wonderful romantic comedy. If only they would make more movies like this one!
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| 64. Miss Evers' Boys Director: Joseph Sargent | |
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Amazon.com essential video Reviews (8)
Much of "Miss Evers'" impact stems from Alfre Woodard's astonishing performance as the title character. Had this actually been a theatrical release, she would likely have walked off with an Academy Award. She had to settle for an Emmy, which was certainly well-deserved. I have seen Alfre Woodard in roles in which she did not appear comfortable, but she inhabits the role of Nurse Eunice Evers totally (or perhaps, Eunice Evers inhabits her). Her performance alone would be enough to recommend the film. But it does indeed have much more to offer--including a great supporting cast (including producer-leading man, Laurence Fishburne, Joe Morton and Craig Sheffer), an intelligent and complex script, and capable direction. Thanks be unto the heavens that someone is still producing powerful, fact-based social drama. We need them now more than ever.
This movie is the antidote for those people. Our government has made some tragic mistakes and this movie exposes one of the gravest mistakes our government ever made. Our family watched this together and we were all incredulous. But it is all true. This movie is based a true incident and amazingly, the whole thing was successfully covered up for 40+ years. This movie had an curious side effect for me - It inspired me to pray for our country and its leaders. The people involved in this heinous scheme need prayers of forgiveness. Hopefully, this could not happen again.
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| 65. The Mack Director: Michael Campus | |
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Amazon.com Not only is the film one you can chuckle at in the postmodern, ironic mode, it is also a window on the world of today's rap superstars, many of whom have sampled, invoked, or quoted lines from this gaudy paean to pandering. In other words, The Mack is a kind of godfather to a future stark frankness about life on the streets. But forget the sociological hooey and dig into the piece as an urban costume picture with a greasy/funky score by R&B genius Willie Hutch. Also, it features an amazing supporting turn by Richard Pryor, who, playing Tonto to Julien's Lone Ranger, unleashes torrents of nearly incomprehensible verbiage in the film's finest moments. Mind you, such brilliance is a direct comedy-organ transplant from Pryor's stand-up act: he was performing his "Pimp on Blow" routine at about the same time The Mack was filmed. Seventy percent of this piece is dross, but the other 30 is the apex of urban surrealism. One vignette to tantalize: Goldie hypnotizing his "ladies" into docile submission as they sit in a planetarium, mechanically repeating his words: "I will remain a lady at all times..." --David Was Reviews (24)
The movie opens with two men, Goldie (Julien) and Slim (Pryor), involved in a gunfight in a junkyard. Seemingly out numbered, Goldie tells Slim to take off (wouldn't have been my choice as Slim is sporting what appears to be a M16 while Goldie's sporting a handgun). Slim manages to split, while Goldie gets picked up by the police, and subsequently sentenced to five years in a penitentiary. Serving some particular hard time, Goldie gets released, and tries to put the pieces back together. He visits his brother, Olinga, played by Roger E. Mosley (Magnum P.I.), who is involved in trying to educate and empower the community, in a character fashion after Black Panther leader Huey Long. Basically. Goldie is presented with two options; follow his brother in focusing on making a difference through psuedo-political means, or follow the path of the Mack, becoming a flesh peddler, and gaining empowerment through the acquisition of money. Goldie chooses the latter, hooking back up with Slim and taking advice from an older blind man, sort of a Obi Wan Kenobi of the underworld, who shares his knowledge with Goldie on how to deal with women in the Mackin' game, the importance of controlling their minds rather than just their bodies. Goldie soon recruits some ladies of the night, and has to deal with corrupt police detectives, rival players, and various other underworld characters during his meteoric rise (he gets chosen as The Mack of the Year at an annual players ball). As Goldie's popularity, or notoriety, increases, so does the pressures, both internal and external, along with the violence, and begins carrying over into his family, and forces Goldie to decide where it's at... The Mack certainly does seem to glorify these men who deal in the flesh trade, with their extravagant lifestyles, flashy cars, and great wads of cash, but the glamour is quickly overshadowed by the harsh realities presented as the stories progresses, and just how much one has to give up to be a success in that particular business. There are a lot of laughs to be had here, maybe not intentional, but the film is pretty dated. Between the dialog, stereotypes, and trash-talking criminals, there was an underlying sadness for me in the realness of the disgusting attitudes depicted towards the women, objectified to the point where they weren't even people anymore, merely tools of the trade, a means to obtaining material possessions through the sale of their bodies, and also how many look up to these men, idolizing them, thus perpetuating their activities. Shot on location in Oakland, and featuring actual individuals within the community, the film forgoes the slickness of a Hollywood budget, but gains a real grittiness one wouldn't be able to reproduce on a soundstage. The dialog, a lot of it improvised, and some indistinguishable, only adds to the realistic quality of the film, but also isolates it, in my opinion, within the time period in which it was made. The funniest part had to be when Goldie had his women at a planetarium, using the effects of the simulated stars and a microphone to subliminally enforce his will through their repetition of his player mantras. I did like how the film ended, nicely book ending the beginning, bringing the main character full circle. Presented here is a very good looking wide screen version of the film, which runs approximately 110 minutes. Special features include an original theatrical trailer, a commentary track featuring star Max Julien, producer Harvey Bernard, director Michael Campus, and actors Richard Anthony Williams, Annazette Chase, Don Gordon, and George Murdok, along with an excellent 38 minute featurette titled Mackin' Ain't Easy, which looks back on the making of the film, detailing all the problems and issues that arose, especially those filming on location within Oakland in the early 70's. To some extent, I found this almost more enjoyable than the movie. Cookieman108
Anyway, this Mack in my mind was to be a powerful pimp who took no s**t. Instead, he is a laughing all of the time, guy who seems to not be concerned with what's going on around him. I won't go into details as I don't want to waste much more time on a film like this, but it is hard to watch and one of the corniest of the 1970's black films, or films starring more black people than white people, so they are black. I did not want to see this again. Most of those films I keep in my mind with the idea of adding them to the collection, but not this one. This film has too much hype! Where is "Three the Hard Way" on DVD?
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| 66. I'm Gonna Git You Sucka! Director: Keenen Ivory Wayans | |
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Amazon.com In the tradition of Airplane! and Naked Gun, I'm Gonna Git You Sucka pokes fun through satire and offensive comedy. The film also features some of the players that would end up on In Living Color and has appearances from such varied actors as Clarence Williams III, Eve Plumb (better known to most as Jan Brady), and Chris Rock as a rib-joint customer. --Shannon Gee Reviews (29)
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| 67. Martin Luther King Commemorative Collection | |
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Amazon.com Reviews (1)
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| 68. Black Samurai Director: Al Adamson | |
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Reviews (12)
NOTE: I bought the VHS version thinking it would contain the edited footage, but it does not. Seems there is no fully uncut version available, because someone wrote the DVD version is edited. Ripoff. Jim Kelly is a classic, and when he delivers the line "your credibility has reached an all time low", he is unforgettable.
What this movie is, however, is absolutely, although unintentionally hilarious. I laughed so hard my eyes watered up several times. But let's be clear: there are no jokes in Black Samurai. Black Samurai IS the joke, and I think Jim Kelly was in on it. First of all, the title is horribly misleading. Jim Kelly, while indeed black, is no samurai. There is one scene where Kelly practices with a katana and some nunchucks, but that was apparently just to keep him sharp for later movies; they never appear again. Secondly, for a government agent, Black Samurai is one evil dude. Even though Kelly is apparently some manner of law-enforcement official, he doesn't arrest anyone. He deals out his own brand of justice: knocking most people out, while selecting a few at random for life-altering injury. In one instance, Kelly chooses a seemingly random opponent and yells THE single most classic line in '70s film: "You never gonna walk again, sucka!", whilst snapping his spine. You cold as ice, BS. But you don't just have bad titling or random acts of evil to glean cheap laughs from! You still have the veritable treasure trove of laughter that is the sound editing and effects! First, the punches and kicks for some reason sound just like gunshots. Actual gunshots sound like gunshots too, which sounds confusing, but when you're watching the movie trust me, it'll be the least of your concerns. Here's the best part: there are entire scenes complete with dialog where nobodys mouths move. Yes, really. No, I'm not making this up. There's a five minute scene where Kelly and an opponent move around sizing each other up. They're talking the whole time, but no mouths move. Maybe they're doing it telepathically. Also, apparently Kelly saw the movie after it was filmed and refused to do the dubbing for his character, hoping the movie would die, because there are several occasions where Kelly is supposed to be talking, but someone else's voice comes out. This isn't a B Movie. This is more like an H movie. It's WAY down on the chain. I'm buying it anyway! I want to show it to my kids someday when they tell me classics like Ferris Beuller and Spaceballs suck. "...no little Timmy, THIS sucks."
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| 69. Roll of Thunder, Hear My Cry Director: Jack Smight | |
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Reviews (38)
Well...... When this movie first came out on TV, it had EVERYTHING! The whole book, I mean it was 4 hours long! They cut it down and heavily edited it later, making it a far worse movie. Still, I think if people saw the unedited version, it might be better, it might not, but please stop bashing about how this movie is soooooo bad because of its order, when in real life, it had the WHOLE BOOK fit into it before the edits!
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| 70. Cleopatra Jones and the Casino of Gold Director: Charles Bail | |
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Description Reviews (5)
"Cleo" is full of outrageous costumes, hip dialogue, action, and funky music composed by Dominic Frontiere (starting with the opening credits song, "Playing with Fire"). There is a fair amount of graphic violence. Cleo is a fun character; she's sort of like an African-American female James Bond (in fact, I found the tone and pacing of this film to be similar to that of the Bond flicks of this time period). The film makes good use of its Far East setting. Dobson gets solid support from the rest of the cast, but I especially loved Norman Fell (an actor best known as TV's Mr. Roper from "Three's Company") as Cleo's grouchy but likeable boss. Fell and Dobson have a really enjoyable chemistry in their scenes together. "Cleo" is a fascinating film that could, I imagine, inspire some lively analyses grounded in race, gender, economics, post-colonial politics, criminology, and other fields of inquiry. Or you could just enjoy it as a fun, slightly campy adventure flick with a kick-...heroine.
Cleopatra Jones tends to find herself up against Evil White Lesbian dope queens, and Stella Stevens is certainly nicer to look at than Shelly Winters (in the original). Her climatic fight scene ... with the foxy black Cleo is OVER THE TOP! The ladies must have been covered with bruises after shooting this (NO stand-ins apparent!). As for Stella's "wild" outfits, they are conservative compared to the title heroine's! A "must see" for Blaxploitation fans!
You might remember Warner Brothers once produced "Enter the Dragon" featuring Bruce Lee, which became a worldwide hit, and probably this fact influenced the studio's judgment to shoot the film in Hong Kong. The film is full of shoot-outs and kung-hu fights, but unfortunately, not as good as Lee's deadly fighting style, but still it is mildly entertaining. The final action sequence, chain of good stunts using motorcycles running in a casino, with its riders shooting machineguns (!), is the showdown of the film, and though the film nearly gets so close to ludicurousness, still remains enjoyable as a whole. And check out Stella Steven's outrageous costume.
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| 71. Super Soul Brother Director: Rene Martinez Jr. | |
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Reviews (5)
Unlike Rudy, Wildman Steve isn't even funny. He's the black version of Joe DeRita, the least Stooge ever. Steve whines and blubbers through this film. No one else seems to do much of anything. The acting is awful and most of the characters are totally repulsive, especially Dr. Dippy and the crook who looks like Chuck Berry after a night of hard drinking. This is truly one of the worst films ever made, and its not even enjoyable in an Ed Wood way.
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| 72. Muhammad Ali - The Whole Story | |
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Description
Reviews (17)
Some of the rarest and greatest footage I've ever seen! It felt like a treat to watch the fights I've only read about - I watched both Liston fights! - how many people can say that? As the fights are concerned - you get to see them! - you get to watch Ali dance and dance - you get to watch him float like a butterfly and sting like a bee - you get to watch him apply his craft - I've never seen the amount of Ali fights as I did on the day I watched these videos. To be fair - some of the fights you only get a couple of important rounds - but as a whole this is the greatest of any Ali VHS/DVD I've ever seen. You get to see some others interviewed about Muhammad Ali - from his brother - To Angelo Dundee - to Malcolm X - it' just incredable the amount of footage that this makes available to you. I know it's said a lot, but if you're an Ali fan you HAVE to own this...you have to!
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| 73. The Story of Jazz | |
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Amazon.com Reviews (2)
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| 74. Superfly Director: Gordon Parks Jr. | |
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Amazon.com Reviews (43)
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| 75. The Soul Brothers of Kung Fu | |
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Reviews (4)
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| 76. Boxing's Best - Joe Louis | |
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Description Reviews (3)
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| 77. The Negro Soldier Director: Stuart Heisler | |
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Reviews (2)
The content of the film, which runs for forty minutes, is presented in a most interesting way, as it is narrated by a minister in an African-American church. Seeing several soldiers among the congregation, the minister decides to forego his planned sermon and speak to the importance of the war effort. Strangely enough, he has a copy of Mein Kampf with him and reads several pertinent passages as part of his introduction to the subject at hand. He first points to a number of important African-Americans in each of America's wars, starting with the Revolutionary War and working his way up to World War II, while we are treated to a montage of videos illustrating the stories of such men as he describes. The minister then takes time to praise the role of African-Americans in the building and continuing prosperity of the country and its infrastructure. At one point, a woman in the congregation gets up and reads a letter from her son, who has just been made a lieutenant; to the backdrop of this letter, we are taken through the boot camp experience to see the making of a soldier. In closing, the minister speaks to the current war effort itself, and the film closes with a medley of patriotic songs. The Negro Soldier portrays military service as a challenge but one that offers nothing but benefit and reward to those who don the uniform. While it foregoes any mention of hardship for African-Americans in "this man's army," it does offer an inspiring and historically significant look at a somewhat neglected aspect of American military history.
Moss plays a minister giving a sermon, which acts as the centerpiece for this film. He speaks about the noble history of African Americans in the United States on and off the battlefield. Intercut with his sermon is footage of a soldier going through basic training along with historical footage highlighting black achievement. While by no means an exciting film, it is quite honorable and provides a welcome alternative to the often stereotypical and negative portrayals of people of color in Hollywood films of the era. It should be required viewing in schools and a welcome addition to any family's video collection. ... Read more | |
| 78. Magic Johnson - Always Showtime | |
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