Amazon.com

After I Spy and before The Cosby Show, Bill Cosby left his own inimitable mark on the arena of stand-up comedy in this live concert showcasing his down-to-earth observations on the rigors and joys of family life. Cosby, using only a microphone and a chair, discusses his take on raising kids and the illogical nature of children and the futility of trying to argue with a child that in the end may be smarter than you. Notable highlights include Cosby's ruminations on the meaning of the all-purpose phrase "I don't know" to kids, and Cosby describing the effect raising children has on his wife Camille's mental state and the pitch of her voice. Containing the basis for the humor of his long-running situation comedy, Bill Cosby: Himself is a polished, occasionally insightful, and frequently hilarious night of comedy from one of the longtime masters of the form. --Robert Lane ... Read more

Reviews (57)

Priceless!
Bill Cosby is wonderfully funny. His humor is timeless, and this show is a sparkling example of a brilliant stand-up comedian at work. I've watched this on tape MANY times over the years, and, like wine, it just gets better with age -- I've realized that the more life experiences I gain, the more I laugh when I see "Himself". I loved the performance when I was in my 20s,and 30s, and now my 40s. My husband I have commented that while all the routines have always been very funny, they take on an entirely new dimension for us now that we're parents (literally making us laugh until we cry in parts). Mr. Bill Cosby is a comic genius and a national treasure. Here's hoping the studio will put this out on DVD soon!! If you haven't seen this show, or haven't watched it in a while, by all means treat yourself and WATCH IT! Bill Cosby "Himself" will make your day.

Hilarious!
I finally broke down and purchsed this tape after a lull of 20 years since I heard it last. Bill Cosby is hilarious and CLEAN (99% of the time), somewhat of an oddity in today's stand-up world. The content of the tape will have you rolling for days, as Bill creates excellent archetypes to which we can all relate. His "I don't know!" portion is especially entertaining!

The only complaint I have is the tape quality. Perhaps someone at 20th Century Fox could step up to the plate and get this presentation cleaned up and digitized onto DVD to help out. My copy is brand new, but the sound and video still suffers somewhat (original recording in 1981 I think). Other than that, this is tape is a GREAT gift idea; highly recommended.

Unintentionally Funny
While the main goal is making the viewer laugh, some parts are eerily funny and cryptic. The film starts out with an hilariously bad song called "It Was A Good Idea At The Time" then the comedy gets underway. At one point Bill jokes on his now-dead son, Ennis. Ennis was being naughty so Bill jokes that Camille wants Bill to "kill the boy...hehehe, kill the boy." Then Bill adds, "...so I go upstairs to kill my son." Morbid, given what would occur nearly 20 years later.

Cool Cos
A classic. While I'm very conservative about buying VHS/DVD's, this one is worth it. If you like Bill Cosby, this is a performance you can watch again and again.

His humor regarding raising his children is especially entertaining.

Bill Cosby, Himself
I saw this tape years ago, when I rented it to show to my sister, who was visiting. She is rather prim, but laughed until she cried.
This is a request to the powers-that-be to get this brilliant comedian on DVD before the tapes degenerate into oblivion. ... Read more

Description

Adapted for the screen from the autobiography he wrote with Alex Haley's assistance, Malcolm X is a stirring portrait of the man whose life has become a rallying cry for millions. ... Read more

Reviews (4)

A Great Portrait of a Man
A truly well crafted documentary where excerpts from Malcolm X's autobiography and footage of his speeches drive the narrative. This is about as close to capturing the spirit of Malcolm X as well as the cultural climate in which he operated as you can get. There is no obtrusive narrator or newsperson offering up their slanted view of Malcolm X here. Archival footage is used to flesh out the scenes Malcolm X desribes in his autobiography, from his childhood to Boston, Harlem, Birmingham, and Mecca. There are also numerous vintage interviews with with Betty Shabazz, Elijah Muhammad,Philbert X, Ella Collins Little, James Farmer and many others. From the opening of the film with Billy Holiday's STRANGE FRUIT to Ossie Davis' eulogy, this is truly the film to watch if you want to see Malcolm X's incredible journey to becoming El Hajj Malik El-Shabazz and the impact he made upon America and the world.

Straight, no chaser
This is raw (in all senses of the word) footage of Malcolm X without much narration. Reading the biography will help put everything into context. But once you're familiar with what's going on, it becomes all the more fascinating. Enjoy.

"Malcolm X-His own Story" Great Hit
Malcolm X ( Denzil Washington)starts as a bad boy and finally gets caught steeling and goes to jail. In jail he meets a guy who is a strong follower of Alijah Muhhamed. He sees the light and becomes a speaker for them when he gets out of jail. The movie is great and slows down a little in the end. I recommend it to anybody who wants to see a great movie about Malcolm X.

The Real Malcolm X
This is an outstanding documentary... mostly all film footage of Malcolm X in his own words. He pulls no punches in his indictment of the slavery/segregation experience of the black people at the hands of the white power structure. With equal moral force, he indicted the NOI leader for his sexual affairs. After his pilgrimage to Mecca, he had a new vision of how white people could overcome their evilness. Knowing that he was soon to be killed, he stood his ground and spoke his truth even as the bullets ripped through his body. He was truly an Islamic teacher and visionary of the first order. ... Read more

Amazon.com

This layered film, a labor of love from director Jonathan Demme and star Oprah Winfrey, covers a lot of turf in its nearly three-hour running time. Part slavery fable, part mother-daughter tale, part ghost story, Beloved demands an audience's full attention from its dramatic, slightly bewildering opening, when a family dog comes down on the wrong side of some angry, unseen force. But Demme and his talented cast provide an unforgettable payoff for those who surrender.

The film traces the life of Sethe (played in her middle years by Winfrey), a former slave who has rebuilt what seems to be a peaceful, productive life in Ohio. Yet through chilling, sparing use of flashback, Demme slowly unveils, as does the Toni Morrison masterpiece on which the film is based, the horrors of Sethe's former life, and the terrible event that led to the haunting of Sethe's home.

While the horrors of slavery and the bloody event in Sethe's family leave undeniable impressions, the film's brilliance is also evidenced in smaller, equally satisfying ways. Rachel Portman's spiritual-influenced score is as uplifting as it is haunting, and the glimpses of the post-slavery African American world--as with a simple family outing to a local carnival, or a ladies' sewing-and-gospel circle--make this a treat for the intellect as well as the heart. The members of the cast, especially Kimberly Elise as Sethe's struggling daughter and Thandie Newton as the mysterious title character, are supremely affecting. --Anne Hurley ... Read more

Reviews (113)

Solid Acting
This movie is beautiful and painful to watch. It tries hard to live up to Toni Morrison's novel and succeeds in capturing many of the book's powerful images. The story's central characters are Sethe and Paul D., two ex-slaves from the "Sweet Home" plantation. Denver is Sethe's teenage daughter, the only of three (living) children who has not been driven away by the baby ghost in Sethe's house. Beloved is a strange young woman who comes to stay with the other three characters, stirring up memories of Sethe's horrible past. Acting awards go to Kimbery Elise as Denver and Thandie Newton as Beloved, who carry the movie with grace and strength. Denver is the movie's heart, and dares you not to look at her each time she crosses in front of the camera. Oprah Winfrey and Lisa Gay Hamilton do very well with the character of Sethe, portrayed at two different ages. Danny Glover is neither special nor offensive as Paul D. The story is easier to follow if you have already read the book, and might even then take more than one viewing to sufficiently grasp. The camera work is skillful, and the sets and costumes add very much to the film. Because of its style and three hour length, seeing this movie feels like watching a really good miniseries. It's an inspiring and artfully made film.

Loved Beloved
For those who did not understand or found it difficult to follow the story line of this hauntingly strange yet beautiful tale, I'm sorry for their loss. Had I closed my mind to this film after its first five minutes or because of the critics reviews, I too would have missed this powerful drama. Winfrey, Glover and the entire cast have my gratitude and respect for bringing Toni Morrison's story to film. Sethe, Paul Dee and Denver were wonderful strong characters. Beauty is indeed in the eye of the beholder. My eyes beheld Beloved and found it a beauiful well done work of art. Like many, I allowed the critics to discourage me from the theater and almost ignored it completely.

The shock of several scenes depicting the horrors and cruelity of slavery wained after my first several viewings, but I continued to find the story powerful, sad, joyous, strange and hauntingly beautiful. I can't seem to get enough and have returned again and again. My purchase of this movie will be a great addition to my most selective library of films.

This film has stayed with me. I though it should be given a chance and have asked several friends who also passed it up to view Beloved just for their opinion. It seems more people than not truly enjoy this film once they give themselves permission to view it with an opened mind and look pass the five second dog scene. It's a shame Winfrey, Glover and the entire cast were so overlooked for their contributions. This film should be given a second chance. What do you think?

Almost a masterpiece
It took me a long time to watch the movie Beloved due to the fact that it wasn't easily available in South Africa, I truelly enjoyed this movie and was really happy with the way it stayed true to the book which is one of my all time favourites, I've read the book so many times I even know most of the lines, I mostly was anxious to see the movie cos I wanted to see how they would manage to bring such a story to life, thankfully I wasn't dissapointed, the only problem I have with the movie was the casting of Danny Glover in the role of Paul Dee, I strongly feel that he spoiled the movie,they would have done better to cast another actor to the role, If you want to see poetry in motion(which I deeply believe the book is) then you have to watch this movie, Bravo to everyone(except Mr Glover but for whom I would have given this film 5 stars)who was involved in the making of this film. Well done for an outstanding protrayal of what I truely believe must have been the hardest novel ever to bring to life.

Didnt do the book justice
Oprah ruined the whole essence of the book with this movie. I was expected an oscar performance and got garbage. The book was poetic and explained the relationship between the family members, the relationship that blacks have with religion each other, slavery etc etc. The movie did not catch any of that. Most of the movie did not even make sense. I was sorely disappointed.

Love your heart!
I recommend you reading the book by Toni Morrison before watching this movie (which I did) because I can understand the flashbacks being confusing if you have not read the book by the Nobel winning author Toni Morrison. "Beloved" is about a woman named Sethe who was "married" to a man named Halle at the plantation "Sweet Home" during the times of slavery. Sethe escapes slavery and is beaten by some white men while she was pregnant with her daughter Denver, and the white men drank her milk from her breasts. The scar from the cowhide whipping still remains on her back after many years, and it looks like a cherryblossom tree. Her husband Halle saw the whole thing and went crazy because of the experience, and she never saw her husband again. She has her baby with the help of a white girl named Amy Denver who is going to Boston to get some velvet. Amy is the one who points out that her back looks like a tree, and Sethe names her baby "Denver" after the white girl. She goes back home to Halle's mom's house, Baby Suggs, where she has hidden her children. Baby Suggs is an inspirational Christ-like character who gives sermons on loving your hands, skin, and heart because no one else will love them. Her speech scenes are done beautifully. Paul D, a man from Sethe's "Sweet Home," comes into their lives. Sethe's baby "Beloved" is haunting the house.
Beloved comes back in the body she would have been in had she lived. Sethe finally finds out that it is her baby, and she reveals that long ago when the white men came to claim Sethe's babies as property, she killed all of her children except Denver so that they would not be brought into slavery.
It is a beautiful and touching movie, and if you have never seen Oprah act, you are missing something! Glover and Winfry are both beautiful actors in this movie. Don't miss it! ... Read more

Reviews (59)

This movie has game
I must say that Spike Lee did a great job in making this movie. Jake (Denzel Washington) plays a prisoner who is in jail for murdering his wife years ago. He is given a chance to get out of prison if he does one thing. He has to convince his son, Jesus (Ray Allen) to attend a certain college. If he does that, Jake is a free man. Of course, it won't be easy because Jesus has to first forgive his dad for what he did to his mom before he can even think of going to a certain university in his dad's favor.

Denzel Washington and Ray Allen both put on great performances to make this a great movie. The basketball sequences in the movie are exciting, but the drama in "He Got Game" is what makes the movie work so well. I recommend anybody to get "He Got Game."

Compelling Story - Senseless Spike Lee Views....
Once again, rather then Spike Lee making trully great movie that will appeal to everyone; Lee injects his political/social views into what could have been a great movie. Good performances by D. Washington and rookie actor NBA star Ray Allen carry this movie. I thought the story had incredible promise, but Spike Lee once again has to inject his personal agenda while turning off 80% of the people who would go see this film.

First, every women featured in this film is white/latin and a whore/slut. An unusual combination considering this film is about about black inner city basketball. Not one black female shows up this film with any of kind of speaking role or substance.

The story turns into the absurd about half way through and stops making sense. Also, Rick Fox is well, Rick Fox. Nuff said. Listening to him try to sound street/from the hood is very laughable. I imagined he listed to some NWA records to prep for this role.

The most compelling part of the movie is the climax, D Washington playing R Allen in a classic Father/son one on one battle. This scene saves the movie.

Ray Allen who has the lead:great b-ball-player but bad actor
This movie probably could've been at least a little good if SPIKE LEE hadn't casted the NBA-player RAY ALLEN, he joins Dennis Rodman, Shaquille O'Neal & Rick Fox (who also is in the movie) in the list of BASKETBALL-PLAYERS who makes movies but can't act.

Denzel does good work in the film YES but it takes more to make a good movie than one or two people in it who knows how to act (Hill Harper is the second one).

Not a very moving story mainly becouse RAY ALLEN's and MILLA JOVOVIC's horrible acting.

If you thought that rappers were bad actors, they are nothing against b-ball players.

Any SPIKE LEE-movie is better than this one so skip it.

Denzel and Allen Great...
Jesus Shuttlesworth (Ray Allen) is the top high school prospect in the country. His father, Jake Shuttlesworth (Denzel Washington) is in jail for accidently killing his wife. THe govenor has promised Jake that if he can convince his son to play for his alma mater that he will cut his prison time signifigantly. Jesus has never forgiven his father and has hatred toward him. There is tons of symbolism in this movie. Ray Allen had a great debut, especially for a basketball player! He really did a great job, and Denzel also gave a great performance as usual. Go see this movie it is very moving and is my personal favorite of all time.

Best from Spike Lee ever!
To me, this movie was and still my all-time favorite movie dealing with Basketball.The Plot was superb. Denzel acting chops were on point in this or any movie he has been in. Ray Allen was amazing in acting debut.I give it two thumb or ten toes up!!!
Go cop that DVD! ... Read more

Amazon.com

This true story of the black flyers who broke the color barrier in the U.S. Air Force during World War II is a well-intentioned film highlighted by an excellent cast. Proud, solemn, Iowa-born Laurence Fishburne and city-kid hipster Cuba Gooding Jr. are among the hopefuls who meet en route to Tuskegee Air Force Base, where they are among the recruits for an "experimental" program to "prove" the abilities of the black man in the U.S. armed services. Fighting prejudice from racist officers and government officials and held to a consistently higher level of performance than their white counterparts, these men prove themselves in training and in combat, many of them dying for their country in the process. Andre Braugher costars as a West Point graduate who takes charge of the unit in Africa and in Italy (where it's christened the 332nd). The film is rousing, if slow starting and episodic, but it's periodically grounded by a host of war movie clichés, notably the calculated demise of practically every trainee introduced in the opening scenes (ironic given the 332nd's real-life combat record--high casualties for the enemy, low casualties among themselves, and no losses among the bombers they escorted). Ultimately the Emmy-nominated performances by moral backbone Fishburne and the dedicated Braugher and the energy and cocky confidence of Gooding give their battles both on and off the battlefield the sweet taste of victory. --Sean Axmaker ... Read more

Reviews (19)

Excellent portrayal of courage regardless of race.
This is an inspiring movie about how African-American pilots overcame great odds on and off the battlefield. I have seen many war movies and this is one of the best, especially since it is based on a true story. Until I saw this movie, I wasn't aware of the great achievements of these pilots during WWII. This movie is definitely a testimony to the fact that courage is not dependent upon a person's color.

American History at its very best
The story of the magnificent 332nd Fighter Group is woven into a dramatic tapestry of the horror of war and the disjointed approach of many Americans to a difficult time and a situation many would have preferred to ignore. The performance of the pilots who graduated the Tuskegee Training Program (they NEVER lost an escorted bomber to enemy action!) unfolds against the backdrop of misunderstanding, racism and political machinations that nearly destroyed the entire enterprise. This film does a magnificent job of telling the tale without being melodramatic, preachy or snide, but does full justice to the accomplishments of the pilots and their eventual victory against both German pilots and their own nation's refusal to recognize their talents. For the student of World War II, this is a well-known and much-respected story. For the student of African-American History, it is a tale of pride which shines as brightly as the stars on the American Flag these men so courageously defended. Fishburn and Cuba Gooding are superior as men caught between their own humanity and the de-humanizing effects of war. If ever a film deserve a 5-Star rating, this one does.

Outstanding film about outstanding men! Long overdue!
This film is long overdue! The Tuskegee Airmen were one of the bravest groups of men to ever grace the uniformed services. They fought so much than just the "official" enemy. They fought racism on levels that most of us can never comprehend. Imagine the stress they must have been under at all times. Yet, they still took a stand for their country and changed things for all of us, regardless of race. These men have been so under-appreciated by the country, and especially by our home state, Alabama.

This movie should be incorporated into every Alabama history class in the state and every American hstory class in the country. It is an outstanding movie about an outstanding group of men. Every American should own it!

Note: In spite of what others may feel about the bravery and "kill counts" of the German fliers, the 332nd never lost a bomber that they were assigned to escort and even saved a few that they were not assigned to escort! Talk is cheap when there is documented proof! The Tuskegee Airmen rocked!

Outstanding!... But Could've Been Better
I was thrilled to hear about the coming of this movie--then saddened to realize that it was only to be shown as a TV movie. It seemed to me that the saga of these marvelous aviator warriors--treated as they were as second-class citizens by their own government--is one which deserved to be a silver-screen triumph. Our four-engine bombers were being punched out of the sky by the Luftwaffe, but NEVER when the Tuskegee pilots graced their wingtips. Their combat record was nothing short of amazing. The movie was well done, with great story, great actors, great acting. Still, I came away wishing that it might have been better in one respect: During the aerial combat segments, you hear the pilots bantering back and forth loudly over the radios using these rediculous phrases: "Take that, Gerry!" "That's for yo mamma, Gerry!" This was such a great movie; why did they have to dip into corny dialogue during the dog-fighting? It was a flawless procduction till it went hackneyed in those moments.
Aside from that, it was awe-inspiring, moving, even gripping. I just hope the subject is not dropped, and that someday the Tuskegee heroes' story is given even better homage--on the silver screen. This is a far more important story than, say, the sinking of the Titanic.

Proud of these heroes
I'm a white 64 year old Air Force veteran. Watching these heroes of WWII in dedicated, valorous performance, who never lost a bomber to the Nazis, brought tears and pride from me for them. For those still on the ground and for those still "On Patrol", thank you! ... Read more

Amazon.com

Boy meets girl, and boy loses girl--no more and no less than that--in this romantic story of young, upwardly mobile African Americans navigating through Chicago club culture to the perilous shores of a relationship. The film was surprisingly popular at a couple of key film festivals in 1997, but there isn't anything particularly noteworthy about it aside from its rare emphasis on a love affair between black urbanites. Larenz Tate and Nia Long are fine in the leads (Tate makes a convincingly self-centered boy-man), and director Theodore Witcher aims for his small target and hits it squarely. --Tom Keogh ... Read more

Reviews (76)

Acting with style.............
This movie had reminded me of watching the old black and white movies with my dad. More true to life characters looking for love, being in love, and loosing it. Old story fresh view. Larenz Tate was so Cary Grant in style as the character may have been in a clumsey situation, but the actor kept him from looking silly and like a cardboard cut out.
Nia Long has always been a favorite of mine she is sweet even whe she is tough, almost like a Kathrine Hepburn.
This is one of his best work and showing that he is better than always playing an angry black man.

Great movie an great performance bye all.....BUY THIS MOVIE!!!

When Harry Met Sally: Urban Style
Love Jones is a film worth upholding. It is a beautiful love story full of realistic characters. It is one of the few black films in the last twenty years that deplicts blacks like we truly are: intelligent, cultural and just as obsessed with being in love as anyone else.

Larenz Tate plays Darius. Being an author myself I could relate fully to his character. While struggling with his upcoming book he meets Nina played by Nia Long. Nina is a photographer who's struggling just as much as he is, but her feet appear to be on the ground more firmly than Darius'. Darius and Nina begin a passionate love affair that is cut short when Darius' friends and Nina's ex get too involved. This is the perfect example of how a relationship can suffer due to too many " outside " opinions. Darius and Nina realize they cannot focus on their careers because their hearts and minds are on each other. Nina returns to the spot they first met: the sultry poetry and blues club where Darius first spied her. Nina delivers a touching poem in Darius' honor unaware that he is around. The two pick up where they left off and declare their love for one another.

This film is touching without being as mushy as some romance movies. Larenz and Nia have wonderful chemistry despite the fact that Long is five years older than Tate. The supporting characters include the wonderful Isiah Washington and MTV's Bill Bellemy. If you keep your eyes open you'll see Khalil Kain playing another delightful supporting role as Nina's ex.
I am a big Larenz Tate fan and I've liked Nia Long since her days on " Guiding Light ". The two have both grown tremendously as actors and they prove it in this film. I wish there could be a sequel. I'll keep my fingers crossed. If you haven't seen this movie you've been cheated out of one hell of a love story. It's a modern " starcrossed lovers " romance suited for all ages and professions.

O.K.
I watched this movie about four times before I could begin to like it. It's still not one of my favorites but it does showcase admirable performances by both Larenz Tate and Nia Long.

Not Bad At All
It was great to see Chicago look so beautiful in this well told love story. I hope we get more movies like Love Jones. The DVD is a wonderful edition to my collection.

great love story
i felt as fof that it has happen to me as the characters played on throughout the story. I felt i was well written and the ending was great. ... Read more

Description

Play throws Kid the 'mutha' of bachelor parties when the high-haired one decides to get married. Starring Kid 'n Play, TLC and Bernie Mac. ... Read more

Reviews (8)

Hip-Hop Love Boat
This movie has a revolving door with LOTS of "characters" who are fun to watch. They must have known the franchise was at an end, and threw in everything but the kitchen sink. No real story to get in the way. But it's fun and can be played (and sort of watched while you read or something) over and over. Why only 4 stars? Because I've been conditioned by The Man who says Citizen Kane is a classic. Yawn. HP 3 is as fun as 1 and 2, if not as "good" by conventional standards of story and character development, or even good laughs. But TLC and Immature and Chris Rock, Bernie Mac and the old guy who says his wife is "MY ho" to Mac, etc... make this one fun. Kick It!

IT'S GETTIN OLD NOW
THIS TIME, KID GETS ENGAGED, AND HE THROWS A BACHELOR PARTY AT HIS HOUSE. MY QUESTION IS WHO CARES? KID N PLAY HAD GOTTEN PLAYED OUT AS RAPPERS BY THE TIME THIS MOVIE CAME OUT. THE ONLY FUNNY MOMENTS COME FROM BERNIE MAC AND REYNALDO REY. I WAS GONNA GIVE THIS ONE JUST 1 STAR, BUT AFTER SEEING HOUSE PARTY 4, I DECIDED TO CHANGE IT TO 2 STARS. BUT STILL, AVOID THIS TRASHY SEQUEL.

It just keeps getting worse and worse
I first said that this movie was better than House Party 2, but boy, was I wrong. The only saving grace to this movie was Bernie Mac. Immature had some okay moments in here too, but the whole House Party movie theme was becoming stale by the time 1994 rolled around. And the jokes were just awful.

Better than the second, a lot
[...] i saw the good in the series when I saw house party 3. there are cool groups like immature, kid n play, TLC, R.a.s posse. This is a movie to top all movies, I mean with actors like Bernie Mac, Chris Tucker. This movie all fits together after immature [mixing] up orders and telling everybody that the bachelor party is their house. the characters are good too. Kid n play, plays fiancee vita, marques, romeo, Ldb, sex as a weapon, and many others. The only problem this movie has is IT LACKS [...]!!!!! Other than that, the movie is good. catch this movie on starz next time it comes on, word out.

A return
this is a Return to the classic status of the first House Party. this is also By far the funniest movie of the three by far. Bernie Mac was an excellent choice to play Kid's uncle Vester. he looks and acts like the Late Robin Harris. Bernie adds the needed punch that House Party 2 lacked. Anthony Johnson as the caterer puts in some hilarious moments. Michael Colyar as Showboat has the return of the "villain" that House Party 2 lacked. The groups Immature( at the time) and TLC add the charisma and catchy tunes that made the first one classic and the music that House Party 2 lacked( no disrespect to Raphaal Saadiq). An Excellent Movie that you can watch over and over and not get tired of it. This along with the first one will never go out of style. Even Cidney makes an appearance in this film. Lets not forget Reynaldo Rey's performance as Vita's father.......Hilarious as well as Aunt Lucy who must have alzheimers or something as she sometimes spews out mindless lines that have nothing to do with the conversation. Chris Tucker makes one of his first Movie appearances also. A Must See. they definitely went out and left a huge impression as one of the greatest trilogies ever. Again A Must See. ... Read more

Amazon.com

One of the greatest and most memorable moments in the civil rightsmovement occurred when 200,000 people marched on Washington, D.C., on August 28, 1963. Not only was the gathering of so many united people extraordinary, but that day Martin Luther King Jr. stood before the marchers anddelivered his most eloquent and inspiring speech. This video offers the "I Have a Dream" speech in its entirety, as well as footage of the opposition the protesters faced, such as the fire hoses the police in Alabama used to disperse the crowds. The narrator explains that the hoses shot 700 pounds of pressure, enough to strip the bark off a tree. However, the grimness of this era is not the only focus in this video. Dr. King had so much hope and faith in thesuccess of the civil rights movement, and the greatest demonstration of this is in the famous speech. He uses modern metaphors and poetry to get his message out clearly, as when he describes the capitol as having given blacks a check marked "insufficient funds," but he reminds us that they will refuse to believe the bank of justice is bankrupt, that they will cash their check for riches of freedom and security of justice. Throughout the speech he emphasizes his mission: nonviolence as a method of overcoming ("Soul force against militant force") and the importance of walking together as a unified group, and never walking alone. Although the video ends with his death, it still leaves the viewer feeling uplifted with Robert Kennedy's memorial address, pleading with Americans to hold on to Dr. King's views and adopt them as their own. A concise video with one of the greatest speeches of our time. --Samantha Allen Storey ... Read more

Reviews (5)

Content - Thumbs Up; Video - Thumbs Down
I do not remember seeing the entire length of Dr. King's famous "I Have A Dream" speech delivered on the steps of the Lincoln Memorial nearly forty years ago. As I was preparing to speak to a group of high schools students in a program titled AVID --- Advancement Via Individual Determination --- I was excited by the thought of seeing Dr. King's speech. What better example of a leader with an inspiring vision for the future? What better example of someone who put their skills and experience to their highest and best use to fulfill their dream? What better example of someone who gave their life to something of value and significance?

Dr. King did not disappoint me. As I strained to pick out his figure --- nearly lost in a sea of over 300,000 faces crowded beneath the Lincoln Memorial --- I heard the voice that stirred souls to action in tumultuous times. I heard the cadence, rhythm, and volume of it. I heard the phrases rising and falling like waves crashing on the shore. I felt a lump in my throat as I considered the power and importance of the message.

And I wondered if we are already too far removed from this message. Nearly two generations hence, are we closer to Dr. King's dream? Does today's generation understand the price paid for its freedom? Are we cultivating leaders who will rise to the needs of tomorrow? Leaders of character, integrity, vision, action, teamwork, and service? This was the example and spirit I sought to inspire those students.

I was, however, disappointed by the quality and integrity of the video. I was at first surprised to hear Peter Jennings of ABC News narrating the video. As I watched, it became clear the content of the video was an excerpt from a narrative on the life of Dr. King, yet I could find no credit to Mr. Jennings, ABC News, or other source material. It ended abruptly as if it had been hastily or carelessly editted. I found this distracting and disappointing.

If I had an opportunity to select an alternative source for Dr. King's speech, I would select a better one.

Surreal!
In many publications this speech was named the number one speech of the 20th Century. I will not disagree. I have never been able to see the whole speech until now. Dr. King's words ring true 37 years later. Guaranteed to give you chillbumps! A must for any collection!

Outstanding Archival Look at The Dream Speech
The video begins with a brief look at various 1960's era civil rights protests and the violence that often followed such demonstrations. Using footage (much of it somewhat raw) shot during the marches and demonstrations and narrated by Peter Jennings, the montage of video "highlights" of the 1960's civil unrest provides a strong setting for the showing of MLK's "I have a dream" speech at the foot of the Lincoln Monument.

The video does not show the entire speech, but it does present enough to gain a good understanding of its content. Perhaps the single most important reason to watch the video (as opposed to reading a text version of the speech) is to witness King's change in tone, demeanor and style as he reaches the end of the speech. As he begins to call for "letting freedom ring" he abandons his notes and begins to seemingly speak extemporaneously, and the passion in his voice begins to rise. It is a powerful visual, lost in any textual version.

The video concludes with a brief explanation of the assassination and memorial service.

a great speech
the power of mr king's words are timeless.they have shaped and influenced the world.it's a shame that to often only the excerpts of the speech are ever broadcast.the whole speech needs and deserves to be heard.the man had a vision for a better future for all.he has left a life lasting impression on me.this video is history and will last thru the end of all time.a must have for all people that respect human life.

Most effective speech ever
I have heard reference to this famous speech many times over the years but I had never seen the entire speech. After seeing the entire speech for the first time it was easy for me to conclude that this is the best speech ever given by any public speaker with respect to: -sense of urgency created -references for all stakeholders -appropriate emotion and sincerity -skillful use of voice (tone, inflection)

I recommend this speech to anyone who is interested in seeing a very skilfull speaker. In addition, the subject matter of the speech is moving and relevant to many of the issues facing America today. ... Read more

Reviews (30)

excellent docu-drama
What an excellent movie. A moving portrait of the 1922 massacre in Rosewood, Florida. Without shedding too much blood or jeopardizing the truth of the story through unneccessary action, director John Singleton narrates the tragic events over New Years' eve weekend, leading to the destruction of a peaceful black town. Ving Rhames & Jon Voight are the characters crossing the racial lines in their effort to save at least some women & children from the raging crowd. And all, because of a single lie.
Highly recommended for everybody interested in history.

Powerful Filmmaking, Sadly Overlooked
This tale of a Florida Black town and racism and hatred gone unchecked is one of the most powerful, emotional films I have ever seen. You won't hear about this tragic event in public school, that's for certain. A certifiable massacre, brought about by a WHITE woman's infidelities, this movie still resounds in my head after only one viewing. Ving Rhames as the heroic "Mr. Man" helps save some of Rosewood's citizens from slaughter, but he can't prevent the horror the white mob brings to the town. A haunting example of ignorance unchecked, it's hard to decide whether this is a drama or a horror film. Jon Voight's portrayal of the reluctant shopkeeper is stellar, and the entire cast is wonderful. John Singleton makes great movies that sadly get overlooked. This movie should be known everywhere for it's unflinching depiction of a terrible stain on America's history. A film that would be dangerous to forget.

Shameful Democrat past once again rebuked
This film reminds us of the horrors that the Southern Democrats inflicted upon African Americans. As Wayne Perryman reminds us in his book, "Unfounded Loyalties",

"One party and their abolitionist supporters believed the Bible instructed them to lay down their lives for the slaves, the other party and their supporters believed the Bible gave them the right to take the lives of blacks if they rebelled against being slaves.

"On the issue of slavery, one party and its supporters gave their lives to expand it (to Northern states) and the other party and their supporters gave their lives to ban it.

"One party was heavily influenced by the Abolitionists and the radical wing of their party ... and the other party was influenced by the Ku Klux Klan and other terrorist groups.

"One party and its supporters started the Freedman's Bureau and other programs to help build communities for blacks, the other party and their supporters engaged in practices to hinder those efforts and to destroy those communities (Wilmington, North Carolina).

"One party and its supporters established quality schools and colleges for blacks, the other party and their supporters engaged in practices that attempted to close some of those schools or diminish their quality.

"One party passed laws and Constitutional Amendments (13th , 14th , 15th) to include blacks as part of mainstream society, the other party passed laws to exclude them from the mainstream (Jim Crow Laws and Black Codes). ..."

Sadly, many do not know that that "one party" was the Republican Party, while the "other party" was the Democratic Party. I myself didn't know at the time I watched this stirring film. I suppose burning crosses make us assume the bad guys are aligned with the religious right. Unfortunately, the "other party" used a nonsensical interpretation of the "curse of Ham" to justify slavery; fortunately, "one party" saw through it.

This film is also a great example of how history is being rewritten or dumbed down. While many films have shown lynchings and other abuse of African Americans, they usually leave you with the impression that the bigots were "Bible bashers" ... as you can see, this is only half the truth. Very rarely are we reminded that it was Republicans who laid their lives on the line to defend blacks, based on their Christian faith.

We are all sinners. Perhaps the shameful past that the Democrats are trying to forget - indeed, most youngsters today do not need to forget, they haven't even been taught - will spur them onto greater deeds that may even outshine the "one party".

Powerful Unfortunate History
"Rosewood", starring Jon Voight and Ving Rhames, is a gripping true story about an all African-American town that was burned by an all white lynch mob in 1923, which killed many. Its powerful message sends an eyeopening attack in audiences' hearts. The filmmakers deserve tremendous respect for deeply exploring these chain of events to such levels. This was highly necessary for people to understand the impact of violence and racism. The intensity is so groundbreaking that it forces audiences inside the movie. Their research is highly obvious, making it very educational. The movie plot is brilliant, keeping the heart and soul alive in every scene:

A small town, Rosewood, is usually a peaceful, loving town. In New Years Eve 1922, everything functioned as usual. Around that time, a woman from a nearby town, Sumner, falsely accuses a black person of raping and assaulting her (it was actually a white man, but there was no rape). Once word is out, all hell breaks loose.

The recreation of the town is perfect. Every detail is flawless, including the styles of the early 1920's. Every building structure and creation is flawless. The costume designs are as flawless, looking like actual 1920's clothing.

The acting was intensely great. Everyone offers their own heart and soul sense into this movie, making it more powerful. Jon Voight and Ving Rhames capitalize the acting talents. This is Rhames's best role in years. His tough warrior image never fades for a second, which is very convincing. His presentd talents were wrongfully overlooked in the 1997 Acadamy Awards for Best Supporting Actor. Jon Voight's role as a man who comes to terms of what a true ally is. His heartdrenching role forces audiences to feel his character's learning progress and emotions.

"Rosewood" is a great movie for those looking for an factual intense drama. This will surely educate audiences about reality. This movie will become a classic in the near following years as it deserves.

An excellant movie about what happened in Rosewood
I first watched this movie on HBO, after viewing it with my wife we decided to rent it so our children could see what realy happened in Rosewood and learn about history, we are a white family and I feel it is important for my children to learn what realy happened there. After watching the movie we took a ride to the site that was once Rosewood, the only remaining structure is mr. Wrights house, the town is gone, we walked through the area that was once Rosewood and tried to imagine it as it was in the movie, we then went to Sumner and saw the site that was once the mill,we found some relics there, along with some buildings that had housed the residents of Sumner who worked in the mill, we then visited Mr. Wrights grave in Sumner, all in all the movie was great as it taught my family and myself about the history of the town and how horrible racism was back then. ... Read more

Reviews (22)

THE Movie That Set the Style of 70s
All of Pam Grier movies in the 70s, "Coffy" is the most famous. She deserves it; watch this movie, and you see what so-called blaxploitation films are all about.

The fast-paced "Coffy" starts with a dynamite opening, in which Pam's character Coffy lures her enemy into a nasty surprise, and she blows away poor fool's head with a shotgun literally. Then, her mission of eradicating drug racket goes on until a very bitter ending. There are actions, fighting, nudity, and battling girls at a party where Pam uses most unexpected weapon -- salad! Frankly they look rather bland by today's standard, but good soundtrack by Roy Ayres is still wonderful.

Probably the most interesting thing about "Coffy" is its gorgeous 70s fashion: music, clothes, and hairstyle. even if you find its story a little stale, you never get tired of watching dresses, glasses, hats, and everything -- they are so big! And surprising thing is that the film to certain extent reflects the political condition of those days (see how a black congressman address a speech about drug issues among Afro-Americans).

"Coffy" is one of the movies that set the style of the 70s. Those who are interested in that period should watch it (and the original "Shaft") once.

Vigilante action with Pam!
Pam Grier is Coffy, an inner-city nurse whose younger sister's life has been destroyed by illicit drugs, and who is now out to avenge her by killing the drug dealers. Her method is to lure the dope pushers by offering them her sexual favors, and then blasting them with a sawed-off shotgun!

And what man can resist such a statuesque beauty? Many a dope pusher meets his Maker after making it with Coffy. Pam Grier has some outstanding nude scenes in this movie, and that alone makes this DVD worth the price, but director Jack Hill's commentary is an interesting bonus. This DVD is a must-have for every Pam Grier fan!

One vengeful mama.
For a blaxploitation movie this one isn't too bad, thanks largely to Pam Grier. She is one tough lady in this interesting retooling of "The Bride that Wore Black," only in this case it is little sister who Coffy is seeking vengeance upon. There is plenty of violence and nudity to thrill, but the movie actually develops a story and posits the moral question whether vengeance is justified if criminals can't be brought to justice. Ultimately, Coffy enters the world of prostitution, posing as a sultry Jamaican bombshell, to get the top crime boss in the city. The movie is vintage 70's with luscious babes lounging around swimming pools, garish interiors and love-inducing fireplaces. Too bad Pam Grier had to wait such a long time to get the plum role of Jackie Brown, building her fame on Jack Hill movies.

Errors and omissions
From the information from other sites I am to believe that this is not an 'Anamorphic/16:9 enhanced' DVD. Foxy Brown is. All Region 2's in the MGM Blaxploitation-series are...

They call her Coffy and she'll cream you!
This was a pretty enjoyable movie, but I have to admit that I enjoyed Foxy Brown just a little more. This movie is basically about Pam Griers' character getting revenge on those who have hurt her and her family. She starts out with lower level pimps and pushers, and workers her way up the power structure to the head sleezebags. The one thing that didn't really sit well with me was the way she portrayed the moments of remorse her character felt about what she was doing. I am not saying that a person who becomes a vigilante wouldn't have these feelings, but I just didn't really buy it coming from her. I know, I know, maybe I am delving too deep into the character, but if they're going to go there...anyway, it didn't make me enjoy the movie any less. And it's always nice to see as much eye candy as there was in this movie. Pam Grier is really hot and made most of the other women in this movie look kinda dumpy. To sum it up, it's a fun movie, some minor slow points, but it kept me interested throughout. If funk with a dash of groovitude is your bag, then this movie is for you. ... Read more

Amazon.com essential video

The curiosity of Quentin Tarantino's Jackie Brown is RobertForster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The AcademyAwards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell(Samuel L. Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40s-ish flight attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town.

Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: two neo-stars glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas ... Read more

Reviews (167)

Dynamite Cast + Good Fun = Excellent Film
First off: "Jackie Brown" is not a disappointment. After the surprise success of Tarantino's "Pulp Fiction" in 1994, everyone was looking for him to fail on his next attempt. Sorry, friends, but this just isn't the case. In many ways, "Jackie Brown" is a more enjoyable ride. After repeated viewings of "Pulp Fiction" and "Reservoir Dogs," one can easily pinpoint the weaknesses in Tarantino's style. He uses similar references to '70s action and blaxploitation films, he uses relic music hits from the same era, and he even uses similar character names (Marvin with no ear, meet Marvin with no head). The violence is always there, and the incessant use of profanity is always there. But "Jackie Brown" is different from these previous efforts. There's no appearances by either Harvey Keitel or Tim Roth; instead, the film is headlined by the queen of the '70s blaxploitation flicks, the eternally sexy Pam Grier. The supporting cast includes Robert Forster, a staple of cheesy B-movies, Samuel L. Jackson in a return to the world of Tarantino, and the very interesting threesome of Michael Keaton, Bridget Fonda, and the ever-versatile De Niro to round out the cast. So what, besides the cast, makes the film such a knockout? While the profanity level has been toned down, Tarantino's script loses no edge and maintains a constant freshness and sense of humor. Grier has never been much of an actress, but she's always had a certain charm, and she uses this charm effectively in "Jackie Brown." Forster gives his most memorable performance here, playing the role of Max Cherry with complete control and positive cool. Fonda is great as Melanie, and Keaton has a blast playing ATF agent Ray Nicolet, but De Niro steals the show as Louis Gara. De Niro has one of his better supporting roles here, and he makes the most of it. Louis is something of a dimwit, but only De Niro could inject the character with as much humor as he has here. The film, at 154m, is probably too long and overindulgent, but Tarantino presents us with an interesting plot, and some equally interesting subplots to boot. The most effective of these is the relationship that builds between Grier and Forster; there is an attraction there, but the insecurities of each character prevents this from ever reaching a climax. The film is colorful, has solid (but not brilliant) direction, and, aside from some serious lapses in logic, the script flows seamlessly. And guess what? There's no guest appearance by the man himself, who must have realized after "From Dusk Till Dawn" that, while he may be a writer and a director, and actor he is not. "Jackie Brown" reveals the limitations of Quentin Tarantino, but the film is still a riot, and one of the most entertaining of 1997. That's more than I can say for James Cameron's "Titanic," which fails on all levels for me, despite what the critics say. "Jackie Brown" delivers a knockout punch. It's great to see that some Elmore Leonard novels are finally getting the big-screen treatments that they deserve.

Fond-a Weapons
Jackie Brown: rated R, 2 hours and 40 minutes

Jackie Brown is an incredibly well played movie about guns, drugs, and money. Half a million in cash is up for grabs, and the only way to obtain it is by figuring out who is playing whom.
When Jackie (a stunning Pam Grier) is caught at an airport carrying a veritably large sum of money and a bag of crack, the outline of the story is formed. Jackie is held in custody facing possible time in prison, when the deceptive Ordell, played by black talking Samuel L. Jackson steps into the picture. Ordell hires an honest bailbondsman, Max Cherry, to release Ms. Brown. While Ordell takes care of business, we see behind-the-scenes conversations between the spaced out Robert De Niro, as Lewis, and the dim-witted Bridget Fonda, as Melanie, two of Ordell's main connections. Jackie becomes caught between two sides, both with equal objectives. Ray (Michael Keaton), the cop that apprehended Jackie earlier is after small time arms dealer, Ordell, and Ordell is pulling Jackie into his scheme of acquiring the cash. Meanwhile, Lewis and Melanie have their own plans of taking the money. Jackie can't afford to get into any more legal trouble, and if she doesn't cooperate with the man she owes her freedom to, she will be killed, which sets the stage for the perfect swindle.
Quentin Tarantino, creator of Jackie Brown, is master of 'film noir', and adds an interesting perspective to one scene in particular. Jackie is forced by the feds to frame Ordell, and according to Ordell, she is supposed to double-cross them. Caught in the middle, Jackie must fake an exchange of marked bills, in order to seem loyal to both. The switch is shown through three different viewpoints, adding greatly to the effect. The first time, Jackie is shown leaving the bag of money in a dressing room. Next, Lewis and Melanie are shown actually making the exchange, with the real bag of money left behind in the dressing room, and a suspicious Max Cherry watching. Lastly, Max Cherry watches as Lewis and Melanie swap bags, and the actual bag of cash left for him to pick up. By doing this, the big picture is seen through bits and pieces. Tarantino deserves much credit for its ingenious execution, and Jackie Brown in its entirety is recognized as a success, with phenomenal acting by the whole cast, primarily Pam Grier.

Great! Awesome! Fantastic!
Nobody and I mean nobody makes movies like Quentin Tarantino. JACKIE BROWN is one of the greatest movies of all time. Personally, This is my favorite of Quentin Tarantino's films. So get your copy of JACKIE BROWN today!

Not bad, De Niro is fun
Jackie Brown is certainly not Tarantino's best but it is amusing. As in pretty much every movie Samuel L Jackson plays a pretty important part as a gunrunner. He lives in a LA house with the very hot Bridget Fonda. A friend who just came out of jail lives with him and helps him. This is absolutely the funniest character in the movie, played by De Niro. He is a little dumb, lazy and slow but funnily played.

Key to the movie is Pam Grier as Jackie Brown, the smartest person in the movie because she can play both sides, the feds and the criminals and ends up with a lot of dough.

Not a super movie and with 150 minutes definitely too long, but still fun.

Not quite PULP FICTION, but certainly worthy Tarantino
I love Quentin Tarantino. You watch him speak about his art in interviews, and while I realize what I'm responding to might simply be a cleverly-wrought public persona, his energy and enthusiasm for his craft is just so infectious that one cannot help but be energized too. That energy certainly carries over into his movies, and while he may not be the most thrillingly visual director, his undeniable gift for dialogue more than compensates in his films.

PULP FICTION, as of now, is my favorite movie; the dialogue sparkles with wit, and I could hear those lines over and over again without ever getting tired of them. JACKIE BROWN, his follow-up to PF, is just as good as PF, if not quite its superior. Many complained upon its release that this movie was too sluggish and slow-moving (the above Editorial Review calls it "decaffeinated"). Sure, the plot of this movie certainly could become a taut, exciting thriller under another director's hands. But clearly writer-director Tarantino isn't aiming merely for action-movie thrills. He is also focused on his characters, particularly with the two older characters, Jackie Brown (Pam Grier) and Max Cherry (Robert Forster), two characters who have an unspoken attraction to each other that brings an intriguing undertone to a majority of the crime story. If Tarantino takes his time developing his characters and laying out the plot...well, the characters' dialogue is consistently full of life; the characters are interesting (and the performances terrific across the board, particuarly Forster's); and the convoluted plot, when it kicks into high gear, is a source of fascination as well. Watching it, I hardly ever felt that it was too slow for its own good: I was too fascinated by what I was seeing and hearing to notice any possible deficiencies in pacing. (Another Elmore Leonard adaptation, Steven Soderbergh's OUT OF SIGHT, took a similarly leisurely approach to its crime plot, and it worked just as well in that film, too.)

In short, JACKIE BROWN is an underrated Tarantino masterpiece. It may not be quite the film PULP FICTION is (since it had a more palpably energetic feel to it, despite both films' running 154 minutes), but it is certainly a worthy follow-up. ... Read more

Amazon.com

Watching Pryor go from imitating a drinking deer to a woman debating about going in the woods gives just a hint of the comedic genius of the man. Crude, foul, and real, this is the first and best of his concert films. Pryor does dead-on impersonations of the respective races, cussing, trying to act tough, getting kicked in personal spots. But it's his imagination that elevates him to a different level. He gives his impressions of what animals think, from his own animals (a monkey, a Doberman) to police dogs, and it seems so exact, so prescient. Not to mention the fact that he is self-deprecating in the extreme, and has as much fun skewering himself as any other subject. Still vibrant, still funny.--Keith Simanton ... Read more

Reviews (33)

Material 5 stars; Mastering no stars
One can't say enough about how really funny this concert is. This concert shows Richard Pryor at his very best. There are so many bits, including "The Heart Attack," "Shooting the car," "The Pet Monkey," that it's unfair to begin to list the laugh-so-hard-that-you're-crying material. Now, to the bad news. The mastering of this tape is the worst I've ever seen. Period, bar none. While the picture is acceptable (obviously no time or expense to improve on the VHS product), it is the sound that is really disconcerting. A good half of the DVD, the sound is out of sync with the picture (I know this because I returned my first copy as being defective and got a new one that was exactly the same). It is unforgivable to see the lack of care that was put into this product. No extra features of notable mention. It is trully a shockingly poor representation of one of the all-time great comedians at his comic best.

I Couldn't Stop Laughing!
This is by far Richard Pryor's best taped concert. I saw it with my college roommate for the first time. He had already seen it, and he was laughing at me because I was laughing so hard that it literally brought tears to my eyes!

Then I bought the tape a few years later and watched it with my wife. She was laughing so hard that she missed most of the dialogue the first time around. She had to watch it again to catch what she had missed.

It's Richard Pryor at his rudest, crudest best-talking about his squirrel monkeys, run-ins with the police, heart attacks, drug use, sex, hunting and being an amateur boxer.

If you want to laugh your ... off, get this tape! It's hilarious!

There has never been a better performance!
It's clear that NO other comedian in a live stand-up show can equal to "Richard Pryor Live in Concert". This was a rare magical night when everything went right. Amazingly, he put 100% plus into this comedy act and it shows!

Known for his observational humor, he takes on his family with respect, like the bit with his grandmother's funeral. In his act, he seems to show little more respect for women than some comedians do. Pryor pokes a lot of fun at himself, his wife and the law. While he has a huge stage to himself, he uses it for some very funny physical routines that warrant its use.

He brilliantly takes on the voices of many characters and furthermore, he interjects the voice and thoughts of his dogs, and monkeys and he even takes on the voice of internal pain if you are not in shape. He also becomes the voice of body parts, such as the hilarious words from his heart (the organ while experiencing a heart attack.) It is funny to hear him when, vocally, he imitates the "white person."

He doesn't display the angst many of black comedians do, that is why his humor works for many! Yes, there is profanity, but he is NOT as disgusting or crude as so many others. Like most comedians of his type, there are always the sex routines.

To say this is funny is an understatement. It is hysterical with nonstop laughter throughout. Some routines are his fear of swimming, running to be in shape, the Chinese stutterer, in the woods, boxing, and his role as a parent, that classic bit when he finds his kid in a lie.

This 1979 90-minute performance is a classic! It's easy to see why Pryor is a major influence on the best comedians around....(...)

Pryor is great, DVD sucks
This DVD is a travesty. This is one of the great stand up comic shows of the last 50 years and yet the DVD sound track is off by so much that it is distracting. Stay away. Perhaps the VHS tape is better.

DO NOT BUY!!!!!
This is the funniest 90 minutes of my life!

However, the audio syncing on the DVD is SO BAD that it is extremely distracting. Buy the VHS version. ... Read more

Amazon.com

Once upon a time, a boy named Michael Jordan lived in Wilmington, North Carolina. Young Michael dreamt of becoming a professional basketball player. He began by participating in drop-in games with his brother, although at first he could not beat the older, heavier, more experienced sibling. As time went on, though, something grew inside of this child, a will and determination to beat anyone and anything that stood in the way of his success on the court. Playing basketball for his high school team, Jordan won a scholarship to the University of North Carolina. It was there that he first gave the world a glimpse of his greatness.

In a fitting tribute to this legendary player, His Airness examines the life of Michael Jordan, from his boyhood exploits to his final year in the NBA. This absorbing retrospective shows what made this man so remarkable: his constant quest for improvement. Even after his first retirement, in 1993, he returned to the court reborn, galvanized by a desire to win and to be on top of the game once again. He was a great ambassador and icon, as a number of basketball greats, from Magic Johnson to Isiah Thomas, testify to in interviews. Dignified, classy, determined, awesome, driven--there are not enough superlatives to describe what Jordan meant to the game of basketball and to sports in general. Legendary player Bill Russell summed it up best when he claims that the reason Jordan sustained his level of excellence was because "he was determined to be Michael Jordan every night." --Jeremy Storey ... Read more

Amazon.com

Friday is the rarest specimen of African American cinema: a 'hood movie refreshingly free of the semiseriousness and moralism of shoot 'em up soaps such as Boyz N the Hood, yet still true to the inner-city experience.

Scripted by rapper Ice Cube, Friday is a no-frills tale of a typical day in the life of a pair of African American youth in South Central. Cube plays Craig, a frustrated teen who endures the ultimate humiliation: getting fired on his day off. Then unknown Chris Tucker plays Smokey, a marijuana-worshipping homeboy whose love for the green stuff lands him in predicament after predicament.

Sitting on the stoop of Craig's rundown home, the two hilariously confront a kaleidoscopic array of gangbangers, weed dealers, crack heads, prostitutes, scheming girlfriends, and neighborhood bullies--all of whom, it should be noted, come off as sympathetic even as they are being caricatured, a true achievement in the crass, "booty call" environment of '90s African American comedy. --Ethan Brown ... Read more

Reviews (173)

A Weekend Classic (5 Stars)
You can't go wrong with this movie. While there wasn't much of a plot, the action and the humor made you forget about all that. The cast alone makes this the best out of the entire series of movies, but what really makes this movie stand out from the other three was the impact it had. Ice Cube was brilliant as Craig, Chris Tucker stole the show as Smokey, and Tiny Lister became America's favorite bully (and in some places, his name is slang for bully now) as Deebo. And the rest of the lineup was perfect too. You had John Witherspoon (Mr. Jones), Bernie Mac (The Reverend), Faizon Love (Big Perm, I mean, Big Worm), and who could forget the hilarious A.J. Johnson (Ezell)? You can sift through the entire movie and find one liners and dialogue that people STILL use today. You can't say that about the other two movies. Even though Next Friday and Friday After Next are funny in their own way, they will never come close to the original. When I first saw it, I laughed so hard that I started crying. Even the opening scene was hilarious (when the Jehovah's Witnesses get the door slammed in their faces). I can watch this movie everyday for a week and still find it just as funny as the first time I saw it. If you haven't seen it by now, then you must not want to see it. Go out and get it, you'll love it. Trust me.

Classic Ghetto Comedy
Ice Cube pulls off a great performance as Craig, who is the straight-laced guy who recently got fired from his job and he has a lot of crazy friends, his best friend 'Smokey' (Chris Tucker) is a pothead who is smoking the weed that he was suppose to be selling for 'Big Worm'. Later we meet the street thug Deebo who is a huge guy and he's the kind of guy who'll mess with you if you ever step in his way and the situations that Craig and Smokey get into are hilarious, Meanwhile Big Worm is getting fed up with Smokey playing with his money and he tells Smokey that if he doesn't have his money by 10:00, he's killing to kill him and Craig and together they try to come up with ideas on how to come up with the money, later on we get to the highlight of the movie when Craig beats the living ... out of Deebo.

If you love gangster comedies, then you'll love Friday, also recommended are Don't Be a Menace and Friday After Next.

Best of Three
If you want to laugh your ass off buy this movie. It stars Ice Cube as Greg, and Chris Tucker as Smokey. Chris Tucker makes this movie good with his winny girly voice and always smokin weed. Ice cube delivers a good performance as Greg the guy who gets fired on his day off for stealing boxes and gets high for the first time. There are other great charecters like Debo the tall bully of the hood, Disel the crack head who will doing anything for two dollars, and daddy Gregs bog catching father who has to use the bathroom constantly. Over all this movie is hilarious just like the second and third one.

Hey Craig...Lemme borrow yo VCR right quick!
"Ain't nobody out here man I don't even know why I'm trippin, Don't nobody wanna mess wit da Smoke Dog Rooo Rooo, roooo rooo, Roooo Roooo!....who dat?!?"

"It ain't dem niccas that act hard...."

"Oh SHHHHHHHHHHH!!!!!!!"

Man this movie is hands down the greatest comedy I have ever seen. Even when it turns serious and they are about to get smoked it is still funny. And when Craig was finna get beat up by Deebo, the classic line that makes me laugh everytime comes up "yeah put that gun down Craig and get knocked out like ya father used to!"
There are so many