Reviews (882)

Scott gets the look, as usual
[This review speaks mainly to the film, not the 3-disc special edition release]

Black Hawk Down is a tough movie to qualify. It's visually amazing--this is some of the best combat I've seen in a movie. It's thrilling, it's realistic, it's exciting. I wouldn't exactly call this an anti-war film because it depicts war as the ultimate thrill, a real game of real bullets and blood. Yes, it's hell, but with Ridley Scott directing it looks like a very, very good video game.

I don't know why this movie was made. There is no political leaning, there is very little context. It's a blow by blow account of what happened when over 100 Army Ranger and Delta Force soldiers were stuck in a hostile part of Mogadishu, Somalia in late 1993. The enemy, as to be expected from a Jerry Bruckheimer film, is given no identity. They are throngs of Africans, many of them kids, firing round after round and coming like swarms of bees even as they get cut down by the superior US firepower.

The problem is that the movie goes to very impressive lengths to play out this story. The production is huge--the battle scenes, the city scenes (filmed in some bombed-out-looking part of Morocco apparently), the gunplay, etc. This is an expensive film, and I have to wonder why the money and resources go into something like this if there is nothing to say. Then it becomes pure entertainment, which is all the film turns out to be. That's fine, but again, once in a while it would be nice to inject some intelligence into a project that obviously commanded so many other resources and considerations.

Why was America in Somalia? Granted, that is not the concern of the film, but some kind of context for the war, the rebels, the aims of the mission, the pov of Somalis who were killing to negotiate, as one Somali says in the only behind-the-scenes bit in the film, would have put the film over the edge and actually made the audience ::gasp:: think about why America fights where it does.

There's also the obligatory war film clichés that are just hard to stomach when we know that these are real soldiers being trivialized for the popcorn crowd. Tom Sizemore, as a veteran and tough-as-nails McKnight, goes back into the fray to rescue more men and walks calmly through the street as bullets ricochet around him, like Robert Duvall in Apocalypse Now. Modern movie special effects can simulate rockets blowing people apart, literally, and leg wounds being operated on with someone's bare hands, muscle and sinew and all. It is typical of Hollywood today: they have limitless resources, but those resources (being able to shoot a film as visually and technically impressive as this) serve a story that could use a bit more tweaking and humanization. But the filmmakers are
not interested in that angle.

It would be nice to know why Mogadishu is hell on earth, with hordes of enemies tearing people out of helicopters and raining rockets on American soldiers. Yes, the soldiers were brave, they were highly trained, but the mission was a disaster, and it does the real story a disservice to portray it as just another chapter in American gung ho-ism. Also, the single most memorable bit of that real story was the body of an Army Ranger being dragged through the streets by an angry mob that spit on him, and much worse. That was a disturbing bit of footage for Americans to watch. Would that have been more tasteless than showing an RPG rocket stuck in someone's side? Massive, gaping wounds? Missing legs? Why clean up real events and their aftermath for the sake of a night out at the movies? Maybe they should put their mouths where the money is.

Make no mistake--I couldn't turn this film off. It's exciting; it made me want to play Ghost Recon or one of those games. It also made me want to find out more about this grim chapter in President Clinton's tenure as Commander in Chief, even though it was his predecessor who landed troops there when he was a lame duck. Somalia was an embarrassment, an event that told America we were no longer willing to sacrifice men--18 as compared to over 1,000 Somalis killed in battle--in some foreign wasteland. The film is not enlightening in that regard. It's exciting, it's Jerry Bruckheimer, folks. Watch it and decide for yourself.

It looks like they went to very impressive lengths to put this out on DVD, as expected with a production like this. Definitely worthwhile to pick up, as multiple commentaries, deleted scenes, and other goodies sweeten the deal.

A Special Operation
It's about time! Sony Pictures finally got around to releasing a deluxe edition DVD of director Ridley Scott's magnificent fact-based war thriller "Black Hawk Down". Fortunately, it's well worth the wait; sporting three discs with every concievable extra feature, it could well be the best DVD package I've ever seen.

Possibly the finest of all pure war pictures and unquestionably the best movie ever made about the Special Forces, "Black Hawk Down" recounts the fierce battle that ensued in Somalia on October 3, 1993 during a mission by the Army's Rangers and elite Delta Force operators to capture two lieutenants of a repulsive warlord.

The film presents a raw, vivid dramatization of the fight, with graphic depictions of violent death on both sides. The difference is that Scott, unlike many of his contemporaries, mostly manages to steer clear of sentimentality, preachiness and jingoism (no small feat when you're making a war movie). Understanding the need for occasional breaks in what is essentially a two-hour-long battle scene, Scott also injects a little comic relief in the form of three lost Rangers and some other great little moments (my favorite is the part where Sgt. Eversmann, played with surprising vigor by Josh Hartnett, has to pause in the middle of battle to pull a scalding-hot spent shell casing from inside his uniform; little details like that are cinematic gold).

The first disc has the film along with three outstanding audio commentaries: one from Scott and producer Jerry Bruckheimer; one from screenwriter Ken Nolan and Mark Bowden, author of the original book; and, most interestingly, another by four actual veterans of the battle, who expand on true elements of the story and comment on some of the film's technical innacuracies ("This scene is really cool - too bad it never really happened").

Disc two features a 150-minute "making of" featurette that explores just about every facett of the production, including technical accuracy, CGI effects and footage of the actors at Ranger boot camp.

Disc three has two absorbing documentaries about the battle from the History Channel and PBS's "Frontline". There's also a feature that allows you to watch the fast-roping insertion scene from multiple camera angles and some Q & A sessions with the filmmakers and actors. There's a nice moment in one of these sessions in which Jason Issacs, who plays the aptly named Capt. Steele, comments on how "BHD" actually made him a better person: "After knowing what these soldiers went through, you feel a bit embarrassed complaining about the size of your trailer."

"Black Hawk Down", simply by virtue of its adherence to telling the story as it happened (as much as is possible, at least, within the confines of a 2 1/2 hour movie), is much more military-friendly than many of the artsy war pictures that depict soldiers as victims or, even worse, as psychopaths. It's also a far cry from the simplistic "super soldier" flicks of the 1980s that stressed a comic book mentality over respect for what real American warriors have endured over the centuries. "Black Hawk Down" is a profoundly patriotic movie, but its patriotism is more subtle, mature and real. The only American flags you really see are patches sewn onto the right shoulder of the troops' uniforms. The flag is backwards, so that the stars are closer to the soldier's heart.

A True Horror Film
It just doesn't get any better than this. I've seen this film 4 times & it never ceases to astound me. The acting is exceptional, Ridley Scott is directing here at the peak of his powers & Pietro Scalia should have received an Oscar for the outstanding editing job. The film itself functions more like a rocket ride than just a war film. The word visceral comes to mind. Violent? Frightening? Absolutely! But to demonstrate the true impact of war, for the soldiers & for us, there is no alternative. I noticed a fellow customer said this film is better than SAVING PRIVATE RYAN; am I the only one who noticed the huge hole in that film's storyline? Move over THREE KINGS, FULL METAL JACKET, THE THIN RED LINE...BLACK HAWK DOWN may just be the greatest war film ever made. Why? Because a war film isn't just bullets & the terrible death of comrades. Ridley Scott has shown us the true horror. I know it will haunt my dreams......

Great War Movie
I recently bought the DVD for this movie and I have to say that I'm blown away by the movie about the operation to capture Adid in Mogadishu, Somalia in October '93. This movie is very accurate in showing the realities of combat and I think that this is a movie that will really convey to people what it's like to fight and die not only for their country, but for each other.

I highly recommend this movie to anyone who wants to know about what it's like in the heat of combat and the courage and fortitude of our soliders.

Best Film of Post-WW2 Combat
Prior to "Black Hawk Down", "Apocalypse Down" was hands down my favorite non-World War II war movie. Time and distance works wonders, and Ridley Scott proves he can film modern combat, like sci-fi ("Alien") with the best of them.

This is a post Private Ryan film, which means that the street combat scenes are jumpy, erratic, and extremely violent. But like Spielberg, Scott does not lose sight of character development, particularly Harnett's character who becomes marooned with his "stick" of Rangers overnight in the centre of Mogadishu surrounded by thousands of screeming, RPG-toting Somalis who can use cell phones to mobilize and direct their forces. The movie builds like "Alien", to the point where it becomes incomprehensible that anyone is going to get out alive. The movie does not take sides when commanders sacrifice four or five soldiers to save one - it just happens.

Some reviewers have referred to the book as a "novel" - it is not. This battle really happened, but once we left Somalia (or were pushed out, depending on your point of view) it got quietly shunted aside as a bad sideshow until Mark Bowden wrote his book of the same title, which is a MUST read for people who loved the movie (it goes into greater detail of the Ranger culture and background politics). Lots of lessons abound for our current escapade into Mesopotamia.

Sizemore, who is also in "Private Ryan", is by leaps and bounds the best hard-nosed NCO anywhere. Ewan McGregor, who has had to suffer through Lucas' recent disasters, gets to demonstrate his versatility. Harnett is terrific.

No review should pass up the incredible sound, which demands a 5.1 system and heavy on the subwoofer. The soundtrack (with the exception of the vaguely Celtic ooh-ahhs at the end) is the best I recall of any war movie. ... Read more

Reviews (1047)

Spider-man spins a complex web of humanity in characters
An excursion to Columbia University science lab transforms the bespectacled Peter Parker (Tobey Maguire) with miraculous vision, sculpted body after a genetically-altered spider bits him. He possesses agility in leaping from skyscrapers and can spin webs from his wrist. Henceforth he assumes the identity Spider-man to combat evil manifested in the form of the Green Goblin (Willem Dafoe), a Species-look-alike perpetrator that terrrorizes the city with a glider that drops bombs.

Spider-Man embodies the heroics created by Stan Lee and Steve Ditko who had graced the popular Marvel Comics to become an comic icon as a crime-buster - and now the film further increases the fanaticism. It is a US 140 million blockbuster and gaudy with sleek costumes and galvanizing stunts. It is digitally-enhanced F/X to capture panoramic swings in its most realistic and The Times Square action-sequence is one of the most dazzling in cinematic history.

Yet the superhero adventure fails to surprise because of its conventional storyline of good-vs-evil. The self-discovery and mutation renders so much punch that the second-half falls relatively lack-lustre. Fortunately Spider-Man spins a complex web of humanity and empathy for the characters - and Tobey Maguire as the lead is the emotional core who captivates with his vulnerability in handling his growth traumas, doubts and fears. No less sterling is Willem Dafoe who is all hysterics and maniacal in his split personality inherited from the aftermath of a blundered experiment. Kirsten Dunst as his love-interest Mary Jane, James Franco as his buddy and even his uncle Ben played by Cliff Robertson show surprising dimensions.

Spider-Man is thus an evocative tale of a hero struggling with his adolescence, betrayal and murder. And Sam Raimi displays the same sensitivity here with his eariler works like Darkman with his flawed avenger. He directs it with eye-popping visuals like Army of Darkness and the comic hero resonates in its true-self. Its brooding hero is what makes Spider-Man a nifty web - and Maguire has definitely triumphed the cynics with his soulful spin.

Spinning A Worthy Web
Spider-Man is an entertaining film that is a great summertime, popcorn movie. The film explores the origins of the transformation of Peter Parker from nerdy high school student to the web slinging superhero Spider-Man. Tobey Maguire is quite good in the title role. He plays the character with the right amount of torment as an outcast who has been put down all his life, but injects pride, joy and happiness into the Peter from his newly bestowed powers. Kirtsen Dunst is Peter's next door neighbor, Mary Jane Watson. Ms. Dunst is not given much to work worth in the character, she is the requisite love interest, damsel in distress but she is appealing in the role. Willem Dafoe is plays the Green Goblin who is the villain in the film. The Goblin's alter ego is Norman Osborne who is the rich father of Harry (James Franco), Peter's best friend and roommate. Mr. Dafoe is perfectly cast as the Goblin and he handles the character's schizophrenic outbursts with creepy aplomb. Mr. Franco plays Harry sullenly and he appears as if he is moping through the picture. J.K. Simmons plays Daily Bugle editor J. Jonah Jameson as a pushy, demanding blowhard who listens only to himself with hilarious results. People have criticized the fighting and action scenes, but they are really no better or worse than most current action films. There are some Matrix like sequences with the slow motion, but these scenes actually help show Spider-Man's spider senses that allow him to anticipate and react quickly to danger. The film was a box office smash and we should expect to see numerous sequels that will hopefully be as appealing as the first installment.

ETMR - Spiderman
1. Humanity: What events in the film drove Peter Parker to adopting his vigilante attitude toward crime?

2. Implications: How is Spiderman's understanding of "with great power comes great responsibility" an example of contemporary American thought? Think specifically about the nature of evil and the propensity toward intense individual classification when one's existence becomes threatened.

3. Evolution: Spiderman was a hero born out of the 60s, springing from both the dangers of genetic manipulation and the problems of substance abuse (in the form of Oscorp Chemicals). Raimi makes little mention of the chemical abuse in the story, and paints it in a much simpler picture of the probable evil in man's soul and the strange world of pseudoscience. Therefore, it is obvious that in many ways, the film departs from its traditional conditioning while remaining loyal to the original personalities of the characters. In which ways is Spiderman the hero shown to be a creation of the contemporary age, versus a creation of the 60s, in the film?

4. Realism: America has a long history, not only in comics but in legendary history, of people who take the law into their own hands. If a being like Spiderman existed, could he survive in our real world, or is he only a dream?

5. Stageplay: Spiderman is classicly a cynic, an individual thinker, an avid contemporarian (someone "in" the times), a man of passions (versus someone who could care less), an irreligious jokester and a man who is not sure of his destiny, but lives to succeed. Do you feel Maguire fulfills this role? Some critics say he is too much of a "boy" to fill Spiderman's shoes, while others claim it is his boyishness that charms us into belief. What do you think?

Spiderman
This was a good movie with lots of great special effects and action sequences. If you like superhero-type movies you'll really enjoy this family oriented movie. I would recommend this movie.

Spiderman, Spiderman, watch this movie when you can
This movie has exceeded my expectataions of it far beyond my belief. Probably because I went in thinking that it would suck. I'm just not into this kind of stuff. Of course, I'm a closet "Batman" fan so I guess it does say something. Anyway, I really enjoyed this movie. The cinematography was awesome! From all the camera dynamics following Spidey's twists and flips, you really felt that you were flying through the air with him. The cinematography also had a warm, upbeat feeling to it. It was one of the main reasons the movie kept my eyes glued to the screen.

The second reason is, of course, the actors. From Tobey Maguire's clumsy but lovable Peter Parker to Kirstin Dunst's beautiful Mary Jane Watson to Willem Dafoe's deliciously evil Green Goblin, the actors most definitely made the movie. The producers certainly picked the right people to handle the characters.

The only downside to this movie was that the opening credits were too long and too boring. ... Read more

Reviews (10)

Great Gumby vehicle that your kids will love
This is a clever Gumby movie, created in the mid 1990s, with lots of interesting characters. It has somewhat of a low budget feel to it, and not as sophisticated as the claymation of Nick Parks's Wallace & Gromit or Chicken Run. The music soundtrack is largely a one-man synthesizer, with the exception of the rock songs played by Gumby and the Clayboys, which are slick. The audio mixing is a little annoying since the sound engineer pumped the character voices through a cheesy digital effect, thus making the characters sound like they're talking into a tin can. Nevertheless, the movie plot holds up well and, most importantly, my kids love it and use the story line as a springboard for imaginary play. My copy of the video had a small Gumby action figure included under the shrink wrap.

My son loves Gumby
My 2 year old loves Gumby. He found the tape hiding in our VCR cabinet and wanted to watch. It was love at first sight. He has to watch the movie all the time. I just wish you can find more things on Gumby.

Gumby Returns!
I am probably the biggest Gumby fan alive. I was a member (proudly) of The Gumby Fan Club back in the mid 80's when Gumby was on Channel 5 and 9. He disapeared for a long time. I was in college when I saw that "Gumby:The Movie" was playing, and was sorry that I couldn't see it on the big screen.I didn't rent it- I bought it ASAP! Great for kids, and die hard fans, but too long and it doesn't know when to quit. Still it's hard not to love Gumby.Magical, as Gumby enters the story books and meets adventure at everyturn. You'll see scenes re-created by Gumby and Pokey from "Star Wars", and "Terminator". Why this didn't come out in the 80's when Gumby was riding high, is a mystery. Still, I'm glad Gumby finally made it to the big screen. Not for everybody's taste.

A great video for kids & adults!
A wonderful video - that we all enjoy! My two year old loves this video as he dances as Gumby strums the guitar. He sings along with the tunes in the video! One movie where he actually watches the video from start to finish! Great story plot that entertains not only the kids but the adults as well! I'm off to purchase another gumby video!

the gratest one of them all
I think that this is a great movie if you have never seen it before do not rent it buy cause you are going to love it. It is a funney movie and if you like books you will like it also so watch tihs movie and it will make you laugh more than laugh. ... Read more

Reviews (140)

The BEST action/adventure film ever made.
Errol Flynn at his best...swashbuckling at its best...action and adventure galore. This film is simply the best of the genre. The casting is perfect, from Flynn in the best role of his career, to Herbert Mundin as Much the Miller's son. The 3-strip color photography remains as vibrant today as when it was released 61 years ago. The dialogue between Flynn and Oliva de Havilland, between Flynn and Basil Rathbone, between Flynn and Claude Rains, is always lively, always fun. And Miss de Havilland's costumes are absolutely gorgeous, as is she.

The film moves, never stops, and you are never bored. If you watch this movie alongside Kevin Costner's ill-advised Robin Hood, Prince of Thieves, you realize why one should never try to improve on perfection.

As the New York Times said in its original review in 1938, this film entertains everyone from 8 to 80. No argument here!

The Greatest Robin Hood ,Flynn now a fantastic WB DVD set!
Warner Brothers (WB) Studios has begun meticulously digitally restoring its action classics of the 1930's & 40's under the "Two Disc Special Edition" Series. This 1938 TECHNICOLOR (awesome) film "The Adventures of Robin Hood" starring Errol Flynn, Olivia deHavilland, Basil Rathbone & Claude Rains is still the best rendition of this fictionalized English tale.

Warner Brothers has given us with this 2 Disc set the complete movie theatre experience circa 1938. DISC 1 - First we get a complete "Night at the Movies" program. Introduction by film critic Leonard Maltin explaining for your 10 cent investment what you got in a 1938 movie house. Next the entire continous show with; coming attraction, news reel, Bugs Bunny Cartoon, short subject feature and then the main feature, "The Adventures of Robin Hood". This is a totally ingenius idea!!! Also on Disc 1 - you have 12 Errol Flynn movie trailers and finally an indepth feature commentary by film historian Rudy Belhmer.

Disc 2 - Includes 3 hours of everything about Robin Hood, the movie, the stars, documentaries, cartoons, and a most informative documentary about TECHNICOLOR and why even today it still was the best color process ever.

I love this fun filled DVD set. My hat is off to Warner Brothers for their dedication to the golden age of Hollywood and bring back the grandest of movies for us to see again & again better than their original release. Enjoy.

great movie ....second DVD is amaaazing!
This is more a review of the package than the movie , which is a classic and extremely well presented on disc one....vivid colors , crisp images....not a complaint there....and the bonus features are very good....a comprehensive set of Errol Flynn movie trailers...WB night at the movies....(an exhausting Rudy Belmer commentary track that will have you gasping for air).
the SECOND disc is just ridiculous in its amount of archival coverage..
a wonderful documentary on the movie
a great feature on the history of Technicolor....
two very fun looney tunes cartoons with a Robin Hood theme...
outtakes from the movie!
home movies shot during filming!
a long lost Errol Flynn movie about yachting..
and a positively thrilling short film about archer Howard Hill...
and more.
HOURS of fun and informative viewing on disc two alone!
Warners should be congratulated for such a comprehensive set ....buy this and encourage them to keep this type of content coming!!!

Errol Flynn: Truly The Sheerwood Forest outlaw
One of the Greatest action/adventure films of the 20th century. The epic swashbuckling adventure of one of history's greatest heroes.the dashing Errol Flynn as Robin Hood or as they also call him "Sir Robin of Locksley" was perfect. He was what a swashbuckler should be and probably the greatest of all swashbucklers. Basil Rathbone and Claude Rains were brilliant as Robin's foes, Sir Guy and Prince John. Oliva DeHavilland was glamorous as the love of Robin Hood, Maid Marian. My Favorite scene was Robin and Sir Guy's sword fight during King Richard's return. Flynn and Rathbone two of cinema's sword fighting experts. I love the sound of sword clangling. If your looking for a classic film or a swashbuckler film, this is a great one. Because this a film that created Pirates of the Carribean, "Long Live King Richard."

The Kids Loved It!
This was one that our boys (ages 7 and 10) watched with their grandfather, who caught it in the theatres when it first came out. It's hard to say who enjoyed it more! A fun, spirited and utterly charming film, this one has aged beautifully. Everyone loved the bonus features, too. The DVD transfer is exceptional. Add some popcorn, and you've got a wonderful mulitgenerational hit that will enchant the whole family. ... Read more

Amazon.com

There is no more ringing title among World War II movies than Thirty Seconds over Tokyo, and the mission it celebrates was unquestionably historic: a 400-mile bombing raid to carry the war to Japan itself mere months after that nation's sneak attack on Pearl Harbor. Yet the film is less memorable than many WWII pictures with less exalted factual basis. At the time, critic James Agee eloquently defined both its virtues and limitations as "a big-studio, big-scale film, free of artistic pretension ... transformed by its not very imaginative but very dogged sincerity into something forceful, simple, and thoroughly sympathetic in spite of all its big-studio, big-scale habits." That remains true today, but perhaps the movie--and its unimpeachably noble, admirably life-sized characters--wouldn't seem so stuck in the amber of a bygone era if Mervyn LeRoy and company had pumped a little "artistic pretension" into it.

Spencer Tracy--as James H. Doolittle, architect of the raid--rates the most towering screen credit, and he's superb. But his role's an extended cameo; the emotional core of the film is B-25 pilot Ted Lawson (Van Johnson) and his wife, Ellen (the glowing Phyllis Thaxter). Lawson's bestselling memoir (with Bob Considine) of his training for the secret mission, his group's launching from the aircraft carrier Hornet, and his crash landing and protracted ordeal in China--where he lost a leg--has been faithfully served. The film is long on homely detail and all-American decency (including a remarkably outspoken regret over the unavoidability of civilian casualties) but achieves its greatest impact in the raid itself.That sequence, in addition to boasting Oscar-winning special effects, is mostly shot in riveting silence. --Richard T. Jameson ... Read more

Reviews (25)

Excellent
This movie is a refreshing respite from such current over-hyped and unrealistic war movies as Pearl Harbor. The movie realistically and unsentimentally tells the story of the daring Doolittle raid, concentrating on the crew of one of the 16 bombers, headed up by Van Johnson as captain, where he turns in a fine performance. But the other characters are also nicely drawn and neither over-romanticized nor over-sentimentalized. Some of the action sequences, such as the actual bombing raid at low altitude over Tokyo, are truly spectacular. I don't know how they did it, without modern technology, but this scene could stand up to any modern movie's special effects any time. The movie also realistically portrays the training for the mission, where the crews are taught to take off in 500 feet instead of 1500 feet, the normal take-off distance for a B-24. As a result, you get to see a lot of the inside of the planes as well as the outside, again adding to the overall realism. Interestingly, Tracy doesn't have that big a part in the movie, compared to Johnson and his crew, but when he does appear, usually to just brief the men on their upcoming mission, he's nevertheless superb. Another interesting aspect of the movie is Doolittle's discussion of civilian casualties, and that any pilot who objects to killing civilians can withdraw from the mission without penalty if he so chooses. All in all a fine movie that shows that the old Hollywood greats knew how to make a better war movie than the moderns with all their extra resources and technology. Big Steve says go see it (or in this case rent it or buy it), and don't Bogart he popcorn.

An historic mission and authentic view of WW2 patriotism
This 1944 film, shot in black and white, is based on a true story. Four months after Pearl Harbor had been bombed, Lieutenant Colonel Jimmy Doolittle devised a plan for a daring raid on the heart of Japan itself. To do this he had to train army bomber pilots to do something no one ever dreamed possible - launch 16 fully loaded bombers from an aircraft carrier. It was a success. And this film is a tribute to those men.

Van Johnson stars as Lieutenant Ted Lawson and he does a great job as the fighter pilot who is sometimes scared, confused and very human. The supporting cast includes Spencer Tracy as Doolittle, and Robert Mitchum, Don Defore, Robert Walker and a dozen other young actors whose names never did become household words. Phyllis Thaxter is cast as Van Johnson's young wife and the romance scenes they have together, complete with background violin music, are the only scenes I found a bit too overdone for modern tastes.

The rest of the film however, was full of action. I can well understand why it won an Academy Award for special effects because it put the audience right there on those little planes along with the men and used newsreel footage to supplement the scenes shot inside the planes. I really learned about the mission and the nature of the training, and felt the authenticity of a film that was actually made in 1944, not just a revisionist historian's interpretation. Here, the slang was real. They got the "dope" on what was going on, found out that everything was "swell" and the women were called "girls". Everyone smoked cigarettes too, a reality the recent politically correct "Pearl Harbor" seemed to ignore. Also, considering the hatred that raged during the war, I was surprised that in one scene Van Johnson says that his family had a Japanese gardener and he didn't seem like a bad guy. And when Doolittle addresses his men before they take off, he talks about the fact that the men will be taking civilian lives as well as the military targets. The raid was successful but the film doesn't end there. Van Johnson and his crew were shot down over China and were treated like heroes by the Chinese. Some of the scenes that followed, where Van Johnson's leg has to be removed are harrowing and displayed his fine acting skills.

To get a good understanding of what it must have been like in 1944 in America, this video is a must. Not only do we get a feeling of the patriotism, we also hear the music, hear the slang and get a sense of time and place that is impossible to re-create 50 years later. Highly recommended.

I lost my ship !
My father was a B-25 flight instructor in WWII. Jimmy Doolittle is part of the Holy Trinity in our house. The Doolittle Raid is burned into all family members at an early age. One of the first times I ever remember my mother laughing at my father's humor was when he was imitating Van Johnson standing in the surf crying, "I lost my ship ! I lost my ship !"

What a great movie.

Each year the Doolittle survivors meet at a different part of the United States in the spring for a reunion. There's less than twenty still alive. Their reunion weekend is open to the public with fees going to charitable events. GO. If you think their heroism is exaggerated over the decades, keep this is mind: A bomber had NEVER taken off from a carrier; for all they knew, every single plane was going to crash into the ocean. And every single crew knew that they were taking off too far away from Japan and that they would NOT reach the Chinese airbases. No one backed out.

Amazing story. Great movie.

An Historic Event
The Doolittle Raid was an historic event, not propaganda, as suggested in another review.

The raid carried out in 1942 conveyed two messages: one to the Japanese people, that we could bring the war to their shores and the other message was to the American people, who need shoring up after Pearl Harbor.

It was a daring mission and will be long remembered in our military history.

The cast was very good and I thought Spencer Tracy was excellent as Lt. Col. Doolittle.

An Excellent Movie About the Doolittle Raid
Sometimes when movies are made about historical events, many aspects are either left out completely or they are stated incorrectly. Neither is the case with this highly exciting movie. Starring Van Johnson, Spencer Tracy, and Phyllis Thaxter, this movie does an excellent job of accurately portraying the events of the Doolittle raid as it actually happened. Van Johnson stars as Ted Lawson, an actual pilot in the Doolittle raid. The story of the raid is told through his eyes. I've read several books about the raid, and I was pleased that the producers of the film were so correct in their filmmaking. The movie shows the entire process from beginning to end. From the training at Eglin base in Florida to the take-off from the deck of the USS Hornet, each minute detail is covered with historical correctness.

Lawson himself was an advisor to the film. This helped even more with the historical aspect. Van Johnson was an excellent choice to play Lawson. His performance throughout the film made it a pleasure to watch. Phyllis Thaxter does a wonderful job as Ellen Lawson. Top billing for this film went to Spencer Tracy as Jimmy Doolittle, but his role is really an extended cameo; Lawson and his crew are the real stars of the movie.

Perhaps the best part of the movie was the actual take-off from the Hornet, the bombing of Tokyo, and the crash landing in China. unable to parachute from their plane, the crew of Lawson's B-25 were forced to crash land. Lawson was thrown through the cockpit glass upon landing and suffered many broken teeth as well as a severely damaged leg which would later have to be amputated. Fortunately, the crew was aided by many Chinese who risked their lives to keep the flyers safe and eventually they are returned to safe ground. Lawson is concerned about how his wife will feel about him after his leg had been removed, but the ending tells it all. I highly recommend this excellent film. World War II movie fans will surely enjoy this one. ... Read more

Amazon.com essential video

Technically ambitious but artistically underwhelming, this 1961 epic by Anthony Mann (Man of the West) stars Charlton Heston as an 11th-century hero who drives the Moors from Spain. The film has been described as "glum," and that is indeed apt for a story that focuses so much on its central character's losses in the face of his simultaneous, mythic approbation. Then again, Mann has always been interested in the hidden weaknesses in prevailing myths, so that's not unusual. What is unusual in El Cid is the degree to which technology takes over his filmmaking, as it does here with so many grandiose and bravura moments with a roving camera that don't add up to anything beyond spectacle. As an achievement of Hollywood's technical advancements in the postwar years, and also as part of the filmographies of Mann and Heston, the film is well worth a look. But it is not the artistic equal of other epics of its day, such as Lawrence of Arabia. --Tom Keogh ... Read more

Reviews (60)

'The Perfect Knight' a PERFECT Film!
'El Cid' is the IDEAL film for any fan of great tales of Knighthood, the Age of Chivalry, and great tales of adventure! Directed by Anthony Mann with reverence to the best elements of the genre, shot on location in Spain, the mammoth production stars perfectly-cast Charlton Heston as Rodrigo Díaz de Vivar, a warrior held in such respect by both friend and foe, that he is nicknamed 'El Cid' (The Man). Sophia Loren is luminous as his ladylove, Jimena (one might quibble that she NEVER ages through the film, but Loren is so radiant in the role, who cares?) The battle scenes are epically staged, the color photography is rich and tapestry-like, the sets and costumes capture the feel of medieval Spain, Miklós Rózsa's score is sweeping, wildly romantic, and, in its organ finale, triumphant; EVERY element in this film WORKS, and is a labor of love!

The screenplay, by Philip Yordan, Fredric M. Frank, and Ben Barzman, uses Vivar as the definition of Chivalry; noble, with lofty ideals, he opens the film by defending the Crucifix in a small Spanish town, defeating a band of Moors, then showing them mercy, which earns their respect, and gains the blessing of the Church (the symbolism of 'El Cid' and the Cross is clearly juxtaposed; he is truly sent as an answer to Spain's prayers!)

He and the beautiful Lady Jimena, daughter of the King's Champion, are to be wed, but when Vivar is forced to face him in a duel, killing him, as the elder attempts to defeat him by treachery, Jimena is sworn to avenge her father's death!

Inheriting by default the title of Champion, Vivar is immediately thrust into a spectacular combat against a rebelling city's Champion, fought with an array of medieval weaponry; this scene is the first of many highpoints of the film, and is incredible! The hard-fought victory 'vindicates' Vivar's new title, and Christendom and Spain has its true Champion against the Moor!

The film has all the classic elements; heroism and betrayal, pure love and jealous hatred, divine purpose and petty manipulations. Above all of this towers 'El Cid', whose lofty ideals are never compromised, whose only dream is to serve a united Spain. Nothing, not even death itself, will prevent him from fulfilling his destiny!

If you have only one film about Knighthood or Chivalry in your collection, this should be it! No other movie even comes close to 'El Cid'...it is truly a triumph!

A superbly crafted and highly under rated masterpiece
I saw El Cid soon after its release in 1962 when I was just 12. I was then in an armed forces training school at Dehradun, India, and the entire college had to march five miles to the theater to see it as an inspiring and motivational film for future military leaders. We had never heard of the Cid or any other Spanish hero till then. But, when we left the hall, after seeing this 3-hour magnum opus, we were never to forget him. Since then I must have seen this film on video and in theaters scores of times. On every occasion I was moved afresh by the heroism and sacrifice of 'the man who rode away into legend'- El Cid. I do not think, except for Ben Hur, Sound of Music and Titanic, any other English film has made such a lasting impact. Yet, surprisingly and sadly, El Cid has never figured in the all time greats of Hollywood. Both Charlton Heston and Sophia Loren have given splendid and unforgettable performances, probably their best ever. Their characters and role have been superbly etched by a screenplay, which has done justice to a long but very well knit story. Both the indoor settings and outdoor locales, in which the film was magnificently shot, are so beautiful and natural, that one is literally transported into Spain in the Middle Ages. The lance duel on the plains of Calahara is superbly picturized in the timeless tradition of Hollywood immortal scenes. By the time the movie reaches its unforgettable climax you feel a hollowness creeping into your heart, for you realize that the magic of one of the greatest cinematic epics is about to end and you have no choice but to return to the dreary everyday world! I eagerly look forward to replace my ageing video cassette with the newly released DVD, which I am sure will give me viewing pleasure for as many years ahead as the tape and film versions had given me in the past.

Preservation of a magnificent, splendidly cinematic event
My sentiments are pretty much identical with the ones of the gentleman Sri, from India. I am very disapointed that this magnificantly depicted story has not found favor with the DVD formating industry. After all stories such as 'Tale of two cities', 'Count of Monte Christo', 'Man in the iron Mask','Scarlet Pimpernel', the list goes on..;has been formated in DVD format. I can only wonder if the reason for not having 'El Cid' on disc was a matter of preference or economics at time of decision? I understand that not everyone may enjoy this 'Genre'but personally I believe it's one of the best re-telling of a magnificent, by-gone era and is certainly worthy of DVD formating-if for nothing else but to retain History. I truly wish that this masterpiece of cinamatic splendor would be re-formated and re-mastered digitally. It is such a great story and so masterfully depicted that it most certainly worthy of telling to future generations-and what better way to preserve this on DVD format, since it keeps a lot better than Tape?

DVD available on amazon.fr
This film deserves a Criterion DVD complete with a restored print. It certainly is a timely film and I find its vision of mutual tolerance and charity between Christians and Muslims particularly welcome at the present moment (especially with all those frothering neocons yapping about a clash of civilizations). It will be interesting to see Ridley Scott's forthcoming Crusades film, which looks to be an avatar of El Cid.
There is curently a DVD available from amazon.co.uk, but do not buy it. It is full screen, not widescreen. There is a DVD available from Amazon.fr, however, which does have widescreen. I saw the film when I was eight (for my birthday) in 1962 and saw it on television (wth a pan and scan edit) which butchered the 70 mm Technirama print. The fullscreen (tv) format gives one only less than two thirds of the actual frame. It's a wonder to see the French DVD version on my 23 inch flat computer screen. the only problems with htis DVD are that the print is not a great one--there are scratches every now nad then, and hte sound track is momentarily off for a few seconds. More troublesome is that the French subtitles were burned into the print, so they can't be removed when you watch the DVD in English (there is also a French dubbed version). And the various menu features don't work except for film and language tracks. Still, I'm glad I got it and recommend it until a DVD here becomes available.

Rodrigo's Christians against Ben Yussef's Moors
This grand, epic film tells many stories but the main thread is about the selfless, noble sacrifice of the gallant El Cid, Rodrigo Díaz de Vivar, who was able to effect an alliance of Christians and Moors to defend Spain against Ben Yussuf and the very real threat of a Moorish invasion from North Africa. El Cid faces many trials and tribulations in his quest for peace and freedom in war-torn Spain, where palace intrigue and plots, treachery and assassinations threaten the country's stability. Charlton Heston's Rodrigo is a man of courage and bravery who is also just and sees the senselessness of killing Emirs and spares the lives of five captives after a battle in order to spare the citizens from Emirs seeking revenge for the killing of their soldiers. Thus begins Rodrigo's long, lonely and often thankless struggle to free Spain from the fear of Ben Yussuf. Rodrigo's battle to defend his father's honor against the slurs made by Chimene's father is only the first of many trials he faces until many years later when the final battle and victory against the Moors is at hand and will bring peace and unity to Spain. Sophia Loren is quite lovely as Chimene who finally embraces Rodrigo as her husband and realizes that it is he who represents Spain's only hope for peace and freedom. The battle scenes are well done, with much of the action shown in close-quarters combat and the beauty of Spain's castles and countryside is captured in beautiful widescreen Technicolor. The superb production has a wonderful music score by Miklós Rózsa that is evocative of the beauty and sorrow of this quixotic land on the Iberian Peninsula...a land of contradictions with its own unique character and mystique. ... Read more

Reviews (3)

Entertaining But Somewhat Uneven
LASSITER is a movie about a jewel thief in London during the years just before World War II. After an arrest he is pressured by British law enforcement and the FBI into attempting to steal a horde of gems from the German Embassy.

The film is a fairly entertaining romp but there are problems with the script and some of the actors seem to be miscast. The movie does have many excellent sets and Tom Selleck gives a strong performance as Lassiter. The supporting cast includes Jane Seymour, Laura Hutton and Bob Hoskins. Hoskins is particularly good in the role of Inspector John Becker.

Another movie that deserves a DVD release
This little known movie stars Tom Selleck as an American jewel cat thief in pre-World War II London. It's a great movie and has an incredible supporting cast including Bob Hoskins as a police officer doggedly on the title characters trail.
With OTT Nazi's as the villains this movie truly is a great ride and a DVD release is long overdue.

Lassiter
naive and childish but elegant and oh-so pleasing
bob hosckins - excellent scoundril ... Read more

Reviews (1)

A Tired Goose Chase
This is a movie that threw away all the potential it had to be at least better than average. We are introduced to Captain Aubrey and his crew, who are chasing down a French ship and constantly being thwarted. And that's it. By about halfway through the movie, one wonders when this chase will get interesting, or if it will harken back to the good old days of pirate movies, ala Errol Flynn. It does neither. The characters are so bland that the names are even hard to recall.

The movie's one redeeming quality, and why I gave it two stars instead of one, was the historical accuracy involved. We get a glimpse into the past that is neither overblown or trite. However, even a documentary needs interesting commentary. ... Read more

Reviews (7)

One of the greatest films of all time
I want to thank Mr. Ritchie for a film that will be with me for the rest of my life. I only hope that it comes out on DVD sometime.

I have a hard time believing that anyone could walk away from this film and think that you have to love skiing to enjoy this film. I hate to ski and I hate snow.

Loneliness of the Downhill American Ski Champ
This film caught my attention immediately because of the writer, James Salter, so I was surprised at how little dialogue or actual talking goes on. Its one of the most physical films I've ever seen which is certainly appropriate given the subject matter, downhill ski racing. Redford came to this fresh off of Butch Cassidy and the Sundance Kid but he looks much younger without the moustache. The topic of ski competition is exciting and fun as most of the film takes place on the mountain with great ski footage or in ski lodges in Europe which are romantic to say the least. Also attractive is Redfords European girlfriend. She gives the film another dimension completely as the embodiment of the experienced and scrupulous European versus the innocent and clumsy(and socially naive)American. Gene Hackman as the coach is absolutely great as he tries to instill more than just athletic virtues into his team members. There are also scenes of Redford, the rising star of the team, visiting home in the American midwest somewhere which I suppose tells us both why winning is so important to him and why he is so clumsy socially. Its not a perfect film( the midwest scenes seem a little too simplistic for such an otherwise smart and uncliched film) but one that tells a great sort of story rare in 69 in that it puts forth a value system instead of knocking one down. Redford has called the film an examination of American ideals about success. It is that. The ski scenes capture the excitement of the sport, and the hotel scenes capture the rewards given to success. But success in sport as in all fields is fleeting and you best enjoy the prize while at the top because if you finish second you are nobody again and all the rewards vanish as quickly as they were given. Effective cutting technique throughout the film emphasizes the ruthless pace and nature of a life forged in the heat of competition. Redford is caught surprise by the transient nature of this life. But the film has a great sort of ethic being put forth, that being that in a world where everything can be gained or lost in a split second one must not focus so keenly on the prize immediately at stake that one loses sight of those things which sustain us through both ups and downs, ie friends, coach, Dad, old girlfriend, dog.

Dated, but worth a look
"Downhill Racer" is either a skier's movie with a better plot than the average ski flick (Warren Miller notwithstanding), or it's a drama of sorts with skiing and romance mixed in. It's in the same league as "Bobby Deerfield," with Al Pacino as a race car driver looking for success both on and off the track.

Redford plays a convincingly arrogant, self-absorbed loner from Idaho whose only shot at glory is on the struggling U.S. ski team. Gene Hackman delivers spare yet superb scenes as the team coach. He recognizes Redford's talent on the snow but wrestles with his maverick attitude. I think the film sums up the important themes in small, quiet touches. When another skier carps about Redford's aloofness, his teammate (Dabney Coleman) reminds him that "it's not exactly a team sport, is it?" And when a European journalist asks Redford what his plans are after the Olympics, his nervous and stoic answer is "this is it." He knows there's not much outside of skiing.

Even romance offers no success for Redford's character. His sometime girlfriend back in Idaho is chatty and distracting: she represents all that is holding him back at home. In Austria, he encounters a fast-moving, highly sophisticated woman who leads him on and is more than a match for his self-centeredness. All he can rely on are his skis and his hunger to go faster. What the movie shows in the end (though it's easy to miss) is that the archetypal brash athlete can only win the gold if his heart and mind are there as well as the raw skill (what Hackman's coach calls the "regard for the sport... the desire to learn"). Think of Tom Cruise in "Days of Thunder."

"Downhill Racer" hasn't grown in stature as a drama of sport, but it is worth a viewing. The characters are more contemplative than talkative, and the fashions are dated, but the focus is on the challenge of the hill and what's in one's heart - just like skiing itself.

For visuals only
Downhill Racer is essentially, a movie to see only for the terrific skiing sequences. Although there is a story here, Robert Redford's character, a skier trying to make the U.S. Olympic team, is so bland and unsympathetic that you wonder why to care about him at all. Gene Hackman, in an early performance, adds nicely, but this is a film that could be watched with the sound off, and it wouldn't make much of a difference.

Not one of Redford's better films.
Downhill Racer is a terrible, cheesy film. What little dialogue there is is awful, and the skiing is definitely not Warren Miller. The script is shallow, predictable, a sports story told too many times before and since. ... Read more

Reviews (52)

See Exodus
The screenplay by Dalton Trumbo differs from the book but captured the essence of the story of Exodus. A close obsever and listner will learn much of the climate and environment of the time, noted scene, the broadcasting of news to refugees aboard the Exodus while declaring a hunger strike in a harbor on the island of Cyprus. Paul Newman is not particularly strong as Ari Ben Cannon. The character in the book was a bit more masculine. Eva Marie Saint and Sal Mineo are great, and Sir Ralph Richardson. Sal Mineo desrved an oscar. Otto Priminger was atypical for the day, choosing to film outside of a sound stage on location as much as possible. There are mistakes, shadows of the camera on the faces of actors at times but his unique style of direction is the film's power. Ernest Gold's score is stirring and powerful and beautiful. Some may find the story telling a bit slow by today's standards. If patient, a complex, historical and significant drama will unfold. This is an excellent film. See Schindler's List first and then Exodus. Actually, the sequence here should go somthing like this: Lawrence of Arabia, Schindler's List, and Exodus. What a history lession of the Middle East. Enjoyable, too. The widescreen format is the only way to thoroughly enjoy this film.

Where are the pompadours?
Remember the gladiator movies from the 1950's where all the men wore pompadour hairstyles? If this movie had been made five years earlier we would have seen Paul Newman with puffy hair. Sadly, we missed it. Suffice it to say this movie is really quite bad. It is filmed as if the actors were all on holiday and there just happened to be cameras around. In several spots the sound quality is really quite poor. If you are a Paul Newman fan you should give this movie a miss.

Beautiful and tragic
This tale of the subjugation of the Palestinian people will appeal to hard-core Israelites, but will seem amazingly brutal to those of us who still harbor questions about the Zionist Cleansing Experiment.

Right up there with "Bonnie and Clyde" in making you cheer for the bad guys -- and feel badly thereafter.

A Slice of History!!!
This is one of the best films of all time. With Paul Newman, Eva Marie Saint, and Lee J. Cobb, and Sal Mineo, among the ensemble cast, it doesn't get any better than this. The movie tracks the crew of a ship which ultimately wants to go to Israel- they are Jews from Europe who want to repatriate, and Paul Newman is highlighted as the son of Lee J. Cobb, who represents Ben Gurion.

There's lots of action in this movie, and the additional casting of Peter Lawford as an American attache is real interesting as well. There's intrigue, a prison break, romance, a great soundtrack, and an ending which points to the headlines of today.

A marvelous film, and highly recommended!!

How the Movie Exodus Influenced My Life
The movie 'Exodus' has been a very big influence in my life. The first time I viewed it was when I was 10 years old, right after it was first released back in 1960. My older sister explained to me that it was the true story of the rebirth of the nation of Israel in 1948 in fulfillment of bible prophecy ("...shall a nation be born in a day?" Isaiah 66:8). I didn't fully understand it back then, but it made a big impression on me and became a seed in my heart that continued to grow for another 38 years. During that period of time I never forgot the movie or what it represented. The seed came to fruition in 1998, the 50th anniversary of the State of Israel, when I was blessed to be able to visit Israel for the first time. A few days prior to my departure I obtained a copy of the movie and viewed it again. The memories flooded back, but with a much more enlightened understanding of the miracle of Israel and the return of the Hebrews to their ancient covenant land after 2000 years of dispersion ("...I [God] will gather you from the nations and bring you back from the countries where you have been scattered, and I will give you back the land of Israel" Ezekiel 11:17). How could anyone not see that the God of Abraham, Isaac and Jacob has proven He keeps His word and continues to watch over His word to perform it??!! Why is He doing this? "I [God] do not do this for your sake, O house of Israel, but for My holy name's sake... I will sanctify My Great name...and the nations shall know that I am the LORD" Ezekiel Chapter 36. In other words, God keeps His word and this proves it. And if God can redeem Israel and the Hebrews He can redeem anybody from any nation if they will repent and acknowledge Him as Lord. I recommend the movie, it will help you relive the miraculous moment, and give you a taste for that which is yet to come. The epic musical score is unforgettable... if only it were still available. ... Read more

Amazon.com essential video

There's no getting around a simple, basic truth: watching Lawrence of Arabia in any home-video format represents a compromise. There's no better way to appreciate this epic biographical adventure than to see it projected in 70 millimeter onto a huge theater screen. That caveat aside, David Lean's masterful "desert classic" is still enjoyable on the small screen, especially if viewed in widescreen format. (If your only option is to view a "pan & scan" version, it's best not to bother; this is a film for which the widescreen format is utterly mandatory.) Peter O'Toole gives a star-making performance as T.E. Lawrence, the eccentric British officer who united the desert tribes of Arabia against the Turks during World War I. Lean orchestrates sweeping battle sequences and breathtaking action, but the film is really about the adventures and trials that transform Lawrence into a legendary man of the desert. Lean traces this transformation on a vast canvas of awesome physicality; no other movie has captured the expanse of the desert with such scope and grandeur. Equally important is the psychology of Lawrence, who remains an enigma even as we grasp his identification with the desert. Perhaps the greatest triumph of this landmark film is that Lean has conveyed the romance, danger, and allure of the desert with such physical and emotional power. It's a film about a man who leads one life but is irresistibly drawn to another, where his greatness and mystery are allowed to flourish in equal measure. --Jeff Shannon ... Read more

Reviews (278)

DVD the best looking version yet
Apart from the slightly soft, washed-out picture quality during the opening credits of the movie, the DVD edition of LAWRENCE OF ARABIA is superb. The movie itself is spread onto 2 discs, with the disc break occurs just before Intermission. The Overture, Intermission, and the exit music are all played to a black screen, as per director David Lean's original wish. The picture quality looks as fresh and clean as, quite frankly, any film made in the 90s. In the dramatic shot where Lawrence appears on the far horizon after he rescued his Arab companion, the higher picture resolution of DVD makes it possible for us to notice his tiny figure whereas on VHS tapes or laserdisc it is so small it is almost impossible to see. Anyone who is serious about watching this film should get this DVD instead of any other version in order to appreciate the opulent cinematography and majestic atmosphere of this epic.

The disc has over 100 minutes of old and new documentaries and news footage about the making of the film, plus two well-designed DVD-ROM features (for Windows PC only): a interactive map showing the various journeys undertaken by the real T.E. Lawrence, and a "split-screen" feature that simultaneously plays the movie and shows you text of behind-of-scene information of the particular chapter of the movie that is playing. Since the DVD lacks a second audio commentary, being able to watch the film while reading facts about it is not a bad substitute.

The included "booklet" is a reproduction of the 1961 program given to theater goers, we are told. A nice touch: the disc case resembles Lawrence's diary in the movie.

Arabian Winner
Lawrence Of Arabia is one of the biggest and grandest films ever made. Director David Lean crafted a stunning epic that tells the tale of World War I British soldier T.E. Lawrence. Lawrence joined the various desert tribes of Arabia against the Turks and the desert battle scenes are breathtaking. Peter O'Toole is amazing as Lawrence in what would be a star-making turn for him. Omar Shariff, Anthony Quinn and Alec Guinness provide strong support, but this is Mr. Lean's film through and through. His direction provides sweeping shots of the desert vistas and gives the film its big look, but he also allows the story to flow and we really get inside the complicated head of Lawrence and see his psychological foibles. The film is beautifully transferred to DVD and it brings justice to the film that had previously suffered on video transfers. The movie was a major success as it swept through the 1962 Oscars winning Best Picture and Best Director, but Mr. O'Toole lost out on what would be the first of his of his seven unsuccessful Best Actor nominations.

Conservatives support slavery? This movie makes the case
Hi. My name is Steven Thulen. You might know me from such reviews as "Bowling For Columbine" and "My Life." I am here today to talk to you about "Lawrence of Arabia." While this may shock and astonish you, I will offer a long-winded review without actually discussing this film.

I am that good.

First, a history lesson. In the year 1492 Columbus sailed the ocean blue. He landed in Haiti and raped the native there, then enslaved them. Later, many Africans were captured and made slaves by white people. White people continued to terrorize other races throughout the latter half of the 19th Century.

Finally, World War I took place. During that war, many people died, including white people. Some people who were too cowardly to serve in the world fled to California, where they became subpar sports writers. Later, World War II took place. In that war, white people dropped atomic bombs on Asians.

Peter O'Toole was probably gay and acted really well in this movie.

STEVEN THULEN
AUTHOR OF "JIMMY KEY: BASEBALL'S BATMAN"
(...)

The Greatest Historical Epic Ever
LAWRENCE OF ARABIA is, without a doubt, the greatest historical epic ever filmed and the crowning achievement of David Lean's career. It's also the film that makes best use of the majestic desert landscape with shots of extraordinary rock formations, dunes, shimmering "mirages," and caravans making their way across seemingly endless sands.

LAWRENCE OF ARABIA tells the story of T.E. Lawrence and his adventures in the Middle East during World War I as he led the Arab revolt against the Turks. It is loosely based on Lawrence's book, THE SEVEN PILLARS OF WISDOM.

Even though there are battle scenes in LAWRENCE OF ARABIA, this film is, first and foremost, a character study of Lawrence who was, by anyone's account, a fascinating figure. Even the battle scenes serve to enhance the character of Lawrence rather than detailing the horrors of war and we see Lawrence's dark, embittered side as well as his heroic one.

Although Peter O'Toole wasn't David Lean's first choice to play Lawrence (both Marlon Brando and Albert Finney were offered the part), I can't imagine anyone else in the title role.

Omar Sharif is impressive as Sherif Ali Ibn El Kharish. Prior to this film, he was a virtual unknown, but LAWRENCE OF ARABIA launched Sharif on a long career that made him instantly recognizable the world over.

Even though O'Toole and Sharif weren't well-known when they starred in LAWRENCE OF ARABIA, the film's supporting case is certainly stellar: Alec Guiness, Anthony Quinn, Jose Ferrer and Claude Raines.

Although I think LAWRENCE OF ARABIA is best viewed on a large theatrical screen, this doesn't mean anyone should pass up the DVD. It's just too good for that, especially the Director's Cut (but do make sure you get the widescreen edition; this film demands it).

Don't watch LAWRENCE OF ARABIA expecting to get a history lesson. Watch it to learn more about the fascinating man who was T.E.Lawrence. If you do, I can't see any way you'll be disappointed.

Read the book, then watch again in awe.
I have seen this masterpiece many many times, but only after reading T.E. Lawrence's book "The Seven Pillars of Wisdom" this year do I now begin to understand. This movie is a product of two of the century's greatest minds, one an author and soldier, the other a film maker. The power of Lawrence's descriptions of the desert matches the great cinematography. No film could fully project the power of the inner thoughts of this most introspective man; for that you absolutely need the book to fill in the gaps. Many of the scenes take on a much deeper meaning once you have read the book in detail. The Columbia Tri-Star two-DVD edition is faultless, something I will always treasure. I find it hard to believe that someday a better movie could possibly be made, but we can hope against hope. ... Read more

Reviews (41)

great family entertainment
i love this movie as much as my children. we saw it two times in the theater and countless times at home.michael j fox is the perfect choice for the voice of chance the pup. i also love don ameche as shadow the older dog and sally field as sassy the cat.the movie is a great combination of humor and adventure, plus the scenery is just beautiful. even though i've watched the movie over and over,i always find myself crying at the ending.

Faithful pets overcome obstacles to reunite with family
This wonderful remake of the 1963 Disney feature rivals its predecessor in warmth and beauty. -- A family needs to relocate for a brief period, but cannot take along their 3 pets; a cat and two dogs. Left in good hands on a farm, the animals feel abandoned by their masters, determined to find them. The 3 pets 'escape' only to endure many challenges. Upon hearing what happened, the family begins a desperate search for their beloved pets. -- Of course, all ends well. This film does more than give a mushy account of a pet/master reunion; there are serious 'situations' dealt with honestly and with feeling. A stepfather at last is accepted by the children of his new wife. The ultimate triumph of this movie is the plea to NEVER LOSE HOPE!

One of the last great PG-rated movies
I haven't seen Homeward Bound in almost a decade (I eventually lost the VHS tape our family bought a few months after it hit theaters), but I have so many fond memories of it as a teen. I absolutely adored this movie back then, and I still do now. Homeward Bound is wonderful for all audiences, and it isn't something parents would hate sitting through. I've been going through all the movies I loved when I was young, and nearly all of them are entertaining for everyone, and didn't try to dumb anything down for their target audience. It's a shame that there's been a somewhat recent shift in what's "suitable" even for a PG movie. PG movies are much more tame than they were from before 1996. In this day and age, it seems that all G and PG-rated movies are made for the 10 and under crowd, but back before 1996 so-called "children's" movies were enjoyable for everyone from the kids they was meant to entertain all the way up to the adults who plunked their kids down in front of them. Homeward Bound was one of the last great PG movies that everyone could love. It's exciting, adorable, and funny. These are some of my favorite "edgier" G and PG movies that don't insult children by being too tame: Teenage Mutant Ninja Turtles: The Movie (1990), Beetlejuice (1988), Return to Oz (1985), Labyrinth (1986), and The Last Unicorn (1982).

Heartwarming Nature Adventure with 3-Hankie Finale!
This is the wonderful remake of the 1963 Disney feature "The Incredible Journey" and rivals its predecessor in warmth and beauty. Both are based on a true story.

A family needs to relocate for a brief period, but cannot take along their 3 pets; a cat and two dogs. Left in good hands on a farm, the animals feel abandoned by their masters, determined to find them. The 3 pets 'escape' only to endure many challenges. Upon hearing what happened, the family begins a desperate search for their beloved pets.

Of course, all ends well. This film does more than give a mushy account of a pet/master reunion; there are serious 'situations' dealt with honestly and with feeling. A stepfather at last is accepted by the children of his new wife. The ultimate triumph of this movie is the plea to NEVER LOSE HOPE!*****

Better than the second. 16th april 2004.
Seen both, the first is a little bit better than the second. They are both very similar so if you hated the first, you probably wouldn't like the second. It is about 3 pets sassy, chance and shadow who's owners have just left to go on holiday. The 3 pets are left with a woman for a few days until the father as finished what he doing over there. The pets don't feel safe, so they decide to run off in the forests and lakes to find there family. It is a dangerous world out there with the lions and bears and mountain lions. But they spend a whole journey to find them. Chance dosen't like the pound, none of them do but he is mad on not going in again. They end up going there eventually, they are found safe and sound by police officers that have reported about them. But still they refuse to go to the pound, especcially chance he pulls and pulls to not get into danger again when actually they are trying to help them. There family are worried, they head off home to the pound where they have herd thats where they are. But the only thing is, they manage to get away from the pound and when there owners come to pick them up, they arn't there. They head home. But there family manages to get home first and still they haven't found them. They bark and meaow[sassy the cat] and they know it is them they are home at last. ... Read more

Description

Jim Moore is a tough-as-nails Drill Instructor with a chip on his shoulder: Pvt. Owens, who isn't quite up to snuff. Sgt. Moore is convinced that "there's a man underneath that baby powder" and sets out to force the private to rise to the occasion. Instead, he drives Owens to bail out altogether. Things only get worse when the Captain steps in and givesMoore three days to make the a Marine out of the petrified private. ... Read more

Reviews (15)

A great glance behind the scenes of 1950s Parris Island
Jack Webb portrays a tough Marine drill instructor trying to mold his platoon of recruits into United States Marines. Resistance from one of the recruits provides dramatic interplay. Webb's infrequent visits to town include a not-well-developed romantic angle. The training shown is for real, though understated -- the viewer doesn't see how tired and hungry and frustrated a recruit can get. Anyone who has been through Marine boot camp will identify with many of the scenes in this film. Of historical interest to former Marines: the credits show Webb playing a "Tech Sergeant" and several of the advisors to the film hold that grade, yet Webb is called by the more familiar "Gunny" throughout the movie. Yes, Gunnery Sergeants officially disappeared from the Corps for a few years, though Marines never let go of the term. This film is highly recommended, both for Marines who want to remember and for those who have not served in the Corps who want to catch a glimpse of what it takes to make young men into Marines.

One of the Best
This film having been produced in 1957, was seen by me in 1958 while serving as a D.I. AT P.I. It showed for two consecutive nights and I think every D.I. on P.I. somehow arranged to see it. We wanted to see if they got it right I guess. I viewed it again recently and it was most nostalgic. A most memorable time and the film was reasonably accurate for the times. I highly recommend it.

Greatness In Film Making -- Why Not On DVD?
Pardon me for venting... Why is a great film like this not in DVD? Or for that matter, "Thirty Seconds Over Tokyo"? Or "Battle Hymn"? Or "The Last Days of Patton"? It makes me wonder why idiotic drivel like "American Idol" or "The Real World" pop right onto DVD, and the best things are left in the can in a dusty archive waiting for a building fire.

I walked the walk and talked the talk
I served as a Marine Drill Instructor at Parris Island S.C. from 1978 to 1981. In my opinion this is the best movie depicting what it takes to be Marine second only to the Discovery channel following real recruits in boot camp.

Fan for 45 years
I love this movie. I saw it with my brother when it first came out and I loved it then. I had it on tape from a TBS showing but the tape was poor quality and I was happy to buy it on amazon. I heard the actor who played the D.I. in Full Metal Jacket (he was a real DI) mention on the radio he liked Jack Webb as a DI in the movie. I have often wondered what happened to the real Marines who played the platoon. I know that Dan Dubbins was a Marine in real life and died quite a while back. He was one of Webb's recurring character actors on Dragnet. The actor who played the Captain is still alive and living with one of his kids in LA. Anyway, great film. ... Read more

Reviews (151)

"It will remind us...after all...that we are not God..."
"It will remind us...after all...that we are not God..."

--Leslie Nielsen as Commander J.J. Adams in the final scene of FORBIDDEN PLANET.

SENSATIONAL SCREENPLAY!!! FANTASTIC MUSIC!!!
EXCELLENT ACTING!!! The producers of FORBIDDEN PLANET took Shakepeare's "The Tempest," teleported the play on the flying saucer C 57-D in the year 2200 AD past the speed of light to the planet Altair 4, threw in a mad scientist, Dr. Edward Morbius--veteran of 100 movies, Canadian Walter Pidgeon--played him opposite a young, rugged handsome space commander--another Canadian, Leslie Nielsen as J.J. Adams, an unusual blend of leading man, space captain, military man, and d