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| 101. My Side of the Mountain Director: James B. Clark | |
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Reviews (25)
Students also appreciate that the novel lends itself to ways of evaluating their comprehension beyond the typical "quiz-discussion-book report method" that often does little to promote a love of reading. Our class has had fun as each student used clay, grass,leaves, rocks and sticks to build his/her own idea of how Sam's treehouse might look, as each student wrote his/her own diary in which he/she explained how he/she used some of Sam's own survival techniques to survive in a wilderness adventure, and as each student wrote and illustrated an "ABC" book that showed 26 important aspects of the book. We also really enjoyed finding the book in Amazon's website. My students like reading other people's reviews of the book, and appreciate being able to add their own as follows: Brian Billman-I gave this book an 8 becauseI learned how to survive in the wilderness,but there was not enough action. Heidi Bonnes-I give this story a 3 because Ididn't like how the author jumped from time to time.I also didn't like how it was written in first person. Kerstin Noelle Brooks-I give this book a 10 because I liked how Sam made the clothes and I also liked when he was brave enouph to fight the mother falcon.I rated it a 10 because he had interesting tools and it was interesting when he met the English teacher and didn't over-react to him.He just acted normal.My favorite part was when Sam took the falcon for a pet.You should buy this book because it's great!!I've read it 3 times!!It's great!!!I also like how he made all of stuff.My favorite part was when the skunk sprayed him.So buy that book before it's too late!!!! Lisa Clapp-I loved MY SIDE OF THE MOUNTAIN!!! I would rate it a 10 at the least. I liked the survival tips, how Sam got Frightful, and once it ended, I wanted more!!! John D-I rate this book a 1. The reason I didn't like the book was because it was in diary form. It would have also been better if it had more excitement. Alison F-I would givethe book an 8 because I liked Frightful. Frightful is a perigrine falcon that Sam trained. She is exciting and good at hunting. Kristy F.-I thought this book was unrelalistic because most parents wouldn't let their child runaway. If you ask your parents to runaway I don't think they would say you could. Also it jumped around from thing to thing. I rated this book 3. I thought it was boring,too. Laura G.-I give this story a 9 , because it has alot of survival technigues and it has very good action.I feel the book was exciting. Janette Kielmeyer-I gave the book a 4, because I did not like the way the author jumped from time to time in the book. I did not like the fact the parents let him run away like that. R.M From my opinion,I Hated the book. It would be better if it had more acition. If bando was a robber that was wanted. by the police. Brad Pendy I would give this book an 8 because I didn't like how it jumped from place to place.But I liked the rest of the book. AmandaS.-I would give this book a 3.Because,it was unrealistic how the parents let Sam run away.I aslo thought that it needed more action. John S.- I would give it a 3 because T thought that it was too long. Also seeing it through the eyes of Sam made it seem very dull.But all the survival techniques were okay. Amber T.- I would rate it a 7. I liked the part when Sam climbs a towering cliff to claim a baby falcon, for a pet. If it had more action, I think it would have been more interesting. Kelly W.- I would rate this book a 3 because I didn't like how he jumped from time to time. I also didn't like how he wrote in his diary so much. Andy W -I think it was a good book because you learn about survival in the mountains. I will read it again. I think the book was real good. I give it a 9. William White- I give it a 3 because it gave you survival techniques, but there was not much action. Overall, it was a quality book. Brad Christopher Williams-I would give this book an 8. I liked the book because of the survival techniques. I especially liked the egg boiled in a leaf. END
I mean no offense to other reviewers on this site, but there are a lot of negatitive reviews of this movie. I haven't read the book, but one thing I need to mention is this: I think a lot of people who read the book expect the movie to be just like the book, no more no less. Well, It's unrealistic to expect this-the movie can not be the book and the book can not be the movie-movies are different than books. You got to take what you like about the book and write the script from that. This is done all the time in Hollywood. Sometimes what works on the printed page won't work on screen and vice versa. I like Sam's voice over in this film because it provides insights into his thoughts or what he is writing in his journal. As a bonus you'll learn a new recpe for syrrup and pancakes! So give this movie a try! Ignore the negative reviews until at least you have seen the movie.
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| 102. 84 Charlie Mopic Director: Patrick Sheane Duncan | |
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Reviews (33)
When I first saw MoPic I had tuned into a PBS airing after it had already started and believed it was actual footage for most of the film. I would try to replicate the feeling (and in a way pay homage to the film maker's efforts at versimilitude) by starting the film with the number countdown and deflecting their questions about "is this real?" until our subsequent discussion. I highly recommend both "84 Charlie MoPic" and "The Things They Carried" individually and paired together.
I was not in Vietnam, but "Mopic," a real sleeper, has to be one of the better presentations of what Vietnam ambush combat was like. The enemy is barely glimpsed, death comes out of nowhere, and long periods of wait and boredom punctuated by noise and terror. It is closer to the mark than the big-budget "Firebase Gloria" and "Hamburger Hill," which struck me as essentialy WW2 style combat movies transposed into the jungle. It may not be saying too much that "Mopic" anticipates the quick-shift, buzzy camera work in "Private Ryan" and "Band of Brothers", on a very small scale. If you can find it, grab it. ... Read more | |
| 103. The Lord of the Rings - The Return of the King (Special Extended Edition) Director: Peter Jackson | |
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Amazon.com One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance.It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film.In fact, "valuable but not critical" might sum up the ROTK extended edition.It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers.We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields.It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see.Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness.As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes.Another big difference is Aragorn's confrontation with the King of the Dead.In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions.If you feel like watching the relatively shorter version you saw in the theaters, you can.If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. --David Horiuchi Reviews (60)
Its no secret that Peter Jackson has finished the version - and that it contains a whopping 65 minutes of additional footage that was cut from the theatrical version, putting the final movie at four hours and ten minutes. Awesome! Apparently there was some rumor that New Line Cinema was going to cheap out on the special effects for the extended release version - and go with a cut-rate American outfit instead of the New Zealand firm they've worked with on the prior two films - but this was just that - a rumor, as far as I've been able to obtain. New Scenes from the book to appear in the extended release version include the following: Confrontation with Saruman at Isengaard in which the Palantir is acquired (tossed out tower by Wormtongue), Parley with the Mouth of Sauron outside the Black Gates, Merry pledging his swoord and allegiance to Theoden, Sam and Frodo, disguised in Orc garb, marching with (and then escaping from) Orc Troop in Mordor, Eowyn and Faramir meet in the Houses of Healing in Gondor, and finally, a scene in which Aragorn reveals himself to Sauron in the Palantir. All in all, good stuff. The only liberty it sounds Jackson has taken with the material is that Saruman is killed in the confrontation at Isengaard - falls to his death from the tower - rather than simply cast from the order, stripped of his power and humiliated by Gandolph, as the book. We can certainly live with that, can't we?
In this Extended Edition, we will see the death of Saruman, which was covered up in the theatrical release with a few cheesy lines from Gandalf and Treebeard. We will also see a pledge scene from Merry to King Theoden. There are many other extended sequences, including a song from Arwen (which makes the White Tree of Gondor grow), a new Palantir sequence where Aragorn reveals himself to Sauron, and a Houses of Healing scene revealing the romantic backstory between Faramir and Eowyn. Another scene that will be added is the confrontation at the Black Gate between the Mouth of Sauron (played by Bruce Spence) and our heroes. Also, an awesome battle sequence between Gandalf and the Witch King will be added and the death of Gamling on Pelennor Fields will be able to be viewed, along with a scene where Frodo and Sam (disguised as orcs) escape a column of orcs marching to Cirith Ungol on their final leg of the journey to Mordor (this is the stupid "Where There's a Whip" scene in the Rankin/Bass "Return of the King"). As for the special features, Peter Jackson will proabably include his usual documentaries, the commentaries by all of the cast members, a few pre-viz and photo galleries, along with a special easter egg of an MTV "Lord of the Ring" spoof (as he has done before with "The Council of Elrond" parody with Jack Black and the MTV Awards Gollum acceptance speech). All in all, this Extended Edition of "The Return of the King" will be a great way to end the Special Edition series. I look forward to watching it.
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| 104. Thelma & Louise Director: Ridley Scott | |
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Amazon.com essential video Reviews (90)
The basic plot: Thelma and Louise go on a seemingly weekend long roadtrip as a brief escape from their drab, unexciting lives. Their first night out, Thelma has a terrifying experience...Louise, in her efforts to save her, commits a major crime. Suddenly, they are no longer two pals going on a trip...they are fugitives running for their freedom and from the law. As the story progresses, their list of crimes grows longer, and their chances at reaching their destination seem to get slimmer as they get closer to it. A thrilling romp through the southwest, with beautiful acting, writing and cinematography, this movie is a classic "buddy movie", "road movie" and "chick flick". Whatever label it is given, it is one of the best of its kind.
If you put the sexual politics aside, what you have is a story of two human beings who have spent their whole lives being oppressed and controlled by other people. Louise (Sarandon) is a waitress with a tragic past and an unreliable boyfriend. Thelma is a housewife with an arrogant, controlling husband. The two decide to embark on an impromptu vacation, but while stopping for a couple of drinks at a redneck nightclub, Thelma is almost raped by a lecherous customer, and Louise shoots and kills him in the parking lot. Instead of going to the police, the two decide to skip the country and head to Mexico, but a string of unfortunate events forces the two to commit even more crimes, turning them into bona fide fugitives and outlaws. Strangely, what the two characters discover is that their new lives as outlaws are more satisfying than the stifled lives they led before. At the end of the film, the two make a choice to remain free and never surrender, despite the consequences. This film asks the question: is the only way to be free in our society to be an outlaw? The answer just might be yes. ... Read more | |
| 105. The Lion King - Special Edition Director: Rob Minkoff, Roger Allers | |
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Amazon.com essential video Reviews (339)
With both Lion King and Sleeping Beauty being newly released on DVD right now, if you can only get one of them, there is no question this is by far the better choice. The impressive animation, the story, the fantastic sound, the extras are all superior in this Lion King package. This still isn't my favorite Disney release (Roger Rabbit will always have that honor), but maybe top 5--certainly top 8. Lion King Platinum is well worth the investment for your DVD collection. Your family will get many years of enjoyment from it.
Simba is a young lion in the Serengeti(they call it the Pride Lands though) who just can't wait to be king. However, he's a mischievous little cub who gets into trouble a bit easy. When a terrible tragedy strikes, Simba exiles himself where he meets a warthog and meerkat and develops a carefree lifestyle. Now an adult, he returns to the Pride Lands to reclaim the throne from his evil uncle, Scar. Sounds a bit like Hamlet huh? But you won't care. Many impossibly catchy songs, funny moments and jokes and words that even appeal to adults(do you really think a kid would understand "illustrating the differences in your royal mangerial approaches"? Exactly.) Voice acting is top notch, animation is absolutely gorgeous, and it's done by hand by the way, none of that Finding Nemo/Toy Story/A Bug's Life CGI stuff. There's a reason why this is considered the best Disney film but you owe it to yourself to find out why.
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| 106. Two Brothers Director: Jean-Jacques Annaud | |
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Reviews (12)
If you've ever seen Director Jean-Jacques Annaud's other animal film, "The Bear," it's told in much the same way -- very little dialogue between the human characters. The animal trainers and the director did an amazing job with the tigers so, at times, I could almost tell exactly what was going through the tigers' minds. Also, Annaud films some of the scenes from their point of view to give that additional depth to the characters. Guy Pearce shows some fine work as McRory who is torn between the spoils of hunting and his love of Kumal. Great scenic shots of the Asian jungles, too. It's just a great family film.
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| 107. Osmosis Jones Director: Peter Farrelly, Bobby Farrelly | |
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Reviews (60)
The scenes bounce between live acting and full animation, determined by whether we are outside or inside the body of Frank. The casting for this silly and peculiar movie was expertly chosen for both live and voice roles. Live, we have Bill Murray as Frank, in his most disgusting character since Caddyshack. Chris Elliot plays his brother Bob, and manages to challenge Murray in the "disgusting slob" category. Murray eats a hard boiled egg that landed in monkey doodoo, and thus introduces Thrax into his body, a red-death virus determined to take over Frank and kill him. (voiced by Laurence Fishburne) Inside of Frank, we go to the animation where Chris Rock is the voice of our hero, a white blood cell named Osmosis Jones. Jones is a detective for the City Of Frank, where William Shatner does the voice for Mayor Phlemming. Jones knows something is wrong, but the Mayor denies any illness could occur in Frank. But just to be safe, he "manually overrides" Frank and has him take a cold pill. Meet Drix, the huge and snotty cold pill, whose voice is played by David Hyde Pierce (Frazier's brother Niles). Jones and Drix make an unlikely team as they hunt down Thrax and try to stop him from killing Frank. Nothing is taboo here; they go to the nose and get caught up in the wave of snot when Frank's allergies act up, they travel to The Zit, Frank's hottest new club where Kidney Rock is playing (Kidd Rock), and Jones reminisces about the time he hit the "Panic Button" in Frank's stomach, causing him to vomit all over his daughter Shane's teacher. (played live action by Molly Shannon) Boogers, snot, vomit, farts, and zits; its all here. Ron Howard even does a guest voice as Tom Colonic, running for Mayor against Phlemming, who broadcasts his campaign commercial from The Bowels. This is visceral entertainment with a squishy feel to it, riotously funny and well endowed with toilet humor; silly campy comedy at its very best. In David Litton's excellent review below, he mentioned that this was a "Fun Time-waster". Indeed it is, David. Enjoy!
I think the movie would have been better without any of the live action characters (Bill Murray, Chris Elliott, etc.) for two reasons. First of all, they're just disgusting. Too disgusting. It got to the point where I'd watch all of Bill Murray's scenes with my hands over my face, peeking between my fingers. Between the running snot, exploding pimples, and ingrown toenails, the "gross-out factor" just goes way, way over the top. To me, it stopped being amusing and became just repugnant early on. Like, his first scene. Second, I think the final scenes, when Bill Murray ends up in the emergency room, are far too intense for younger viewers. He basically dies on the table in front of his young daughter (Elena Franklin), who's led away sobbing by nurses. He comes back from the brink of death, of course, and all ends well, but it's still pretty traumatic and graphic. The animation sequences, however, are just wonderful. Bill Murray's character is the "City of Frank," complete with a police force (the white blood cells, featuring Chris Rock), a highway system, airport (Frank's stomach), and even a political campaign (with William Shatner as the incumbent mayor in "Cerebellum Hall" and Ron Howard as his challenger). The whole city system inside Frank was a really clever idea and very well executed. David Hyde Pierce is also wonderfully "uncool" and fussy as over-the-counter cold pill, Drix ("I was developed at the University of Chicago, where I graduated Phi Beta Capsule"). It's a whole new take on the "good cop, bad cop" movies. All this having been said, I'm pretty sure I would watch thie movie again, but I'll be fast forwarding through the live action sequences. Just cartoon germs for me, thank you.
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| 108. Tarzan and His Mate Director: James C. McKay, Cedric Gibbons, Jack Conway | |
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Reviews (14)
This film stresses the marriage relationship of Tarzan and Jane more than subsequent entries in the Tarzan series. The sex is implied, of course, but one can easily infer that the jungle couple is not celibate. The costumes (especially Jane's) are very revealing for the time period in which the movie was made. There is a riveting "nude" swimming scene that is a wonderful erotic interlude. This segment had been censored for years, but is included in the restored version. The plot involves two wordly white men (including Jane's old friend) that show up to entice Jane away from Tarzan, and to desecrate the elephant graveyard for the valuable ivory. Tarzan takes a dim view of these unfriendly intentions. Lurking in the brush there are fierce savages that stalk the safari. Just when things can't get any worse, the natives openly attack the safari, kill the porters, murder the two white men stealing the ivory, and, as Jane is about to be devoured by lions, well, you get the idea. Before anyone dismisses this movie as a typically trite Tarzan movie, it's fair to mention this was only the second film in the MGM series and it set the pattern for much that followed. The fast pace of the story, the almost nonstop action, the sexual overtones, and the primitive setting all make this an entertaining jungle adventure film. Don't expect subtleties of plot and character development, and you will be pleased.
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| 109. The Flight of the Phoenix Director: Robert Aldrich | |
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Of course, we have one of the finest American actors in the lead, but Mr. Stewart is ably supported by a blue-chip international cast, including Richard Attenborough, Peter Finch, Hardy Kruger, Ernest Borgnine and Ian Bannen. As the sun gets hotter and with no rescue party in sight, this unfortunate group displays all of the human qualities that arise in desperate situations--resentment, fear, arrogance, assignment of blame, madness, cowardice and courage. Richard Attenborough is the sensible voice of reason and compromise, which makes the scene where he finally "loses it", even more compelling. Peter Finch is the typical British "stiff upper lip " officer--stubborn and brave-- though I doubt that this role was much of a challenge to such a talented actor. Ernest Borgnine gets to chew up a little scenery as a guy who is pretty unhinged even before the plane crash--that blazing sun doesn't do him any good at all ! Well--it's 1965 and you need someone to play a brainy, cold, arrogant German--Hardy Kruger, come on down ! The other actors are excellent--Ian Bannen, in particular, is effective as a guy who would get under your skin even at the North Pole ! As another reviwer has noted, the film is perhaps longer than it needs to be, although it does give the characters plenty of time to interact with one another, and display the psychological aspects of the plot. After a while, you--the viewer--will also start to feel that oppressive heat and sand, and the tension of being trapped in this hell-on-earth. I can't really comment on the feasibility of the plan that Hardy Kruger's character comes up with to save everyone--I'm not an aeronautical engineer ! It certainly gives the film an exciting climax though. I found the DVD picture to be beautiful--the sound typical for an almost 40-year old film. "Phoenix" gave Jimmy Stewart another great role, later in his career, and with the supporting cast--and a liberal amount of suspense--this nice DVD could appeal to a variety of viewing tastes. Recommended.
The movie has a slightly dated "manly" feel...there are no women, but it isn't a "tough guy" movie, a la, THE DIRTY DOZEN, let's say. These are military men, mostly, each with his own idea of how to escape. How all these efforts play out is at the heart of the movie. Everyone is very good. Richard Attenborough is very good, and Peter Finch even better. What a underrated actor he was. He is certainly someone who should have had more work. Hardy Kruger is very fine...and his character holds the key to possible escape (and a VERY BIG humdinger of a surprise too!!). And James Stewart is at the top of his game. We so often remember him in romantic comedies like PHILADELPHIA STORY, and impersonators have done him no favors with their stammering, slightly dim-witted approach. When he was a mature actor (not an older, more feeble man)he could be very strong, and very unlikeable if need be. This is one of those roles. He is a convincing tough guy...not just a bland hero, but a hard-headed, sometimes wrong, leader. I put this right near the top of my Jimmy Stewart list. If you haven't seen this movie, and you are an adult viewer who doesn't require lots and lots of noise and special-effects to have a good time...you MUST see this film. It is a nearly forgotten classic, in my estimation, and one that bears up very well with repeated viewings.
A decent cast for this movie, set in the unbearable heat of the central Sahara desert. Plane crashes and there is seemingly no way out. Someone has the idea of cannibalising the damaged plane to build another airplane to get them out of there as the only other way out is to walk and the surrounding natives are none too friendly. The design of the plane is undertaken by Hardy Kruger, who claims to have designed airplanes before. Unfortunately the only designs he has done are for children's model planes. Nevertheless, Attenborough, Stewart and the gang dig deep and finally make something flyable. But do they have enough cartridges to get the engines started? Watch and find out. A gripping movie suitable for most ages. ... Read more | |
| 110. Tall Tale Director: Howard Storm | |
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Description Reviews (13)
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| 111. Wings Director: William A. Wellman | |
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Amazon.com Reviews (21)
The real storyline is between pals Jack Powell and David Armstrong (played expertly by Buddy Rogers and Richard Arlen). Anyone interested in the First World War will find this film a real treat! The training scenes I found particularly interesting. Then there are the many aerial fighting scenes. They are so well done they look like documentary footage. Scenes shot from the pilot's point of view put the viewer right into the action! Scenes like these make the "two guys in love with the same girl" plot seem so insignificant. You also get two brief but excellent performances by a very young Gary Cooper and an aged Henry B. Walthall from Birth of A Nation fame. Although only 49 in this film, Walthall does an amazing job portraying a crippled old man grieving the departure of his son.
It certainly suffers at times for being a silent film; dialogues have to be displayed on the screen, and this happens quite often because the story here is sometimes quite complex. Not only do the characters talk a lot, but the story also often requires some explaining, and some of the explanations can be quite long. The action sequences are not as "big" as in they would be in movies today, but they are a lot more impressive in their own way. I was just amazed at how they could have shot some of those sequences; I got the impression that the person who was shooting was probably in quite a lot of danger, because I knew that they could not have used special effects in 1927; what I was seeing was the real thing. It was quite exhilirating to see those old, unsafe, WW1 planes in the air. I do not think that any director today would be crazy enough to duplicate something like this with real planes, so this is probably the only chance anyone has to see these planes in action, and feel like you're right in the thick of a dogfight. That having been said, the film does stretch out for a bit too long sometimes. It never really gets boring, but it never really gets particularly interesting for most of the movie either. Most of the time, it's just entertaining enough to keep you watching it. The reason I gave it a "4" is because the ending, when it comes, is quite good (don't let anybody spoil it for you; watch for yourself), and also because of the action sequences. The film is also quite funny in a few spots, notably in any scene with the patriotic Dutch aviator (I wish we had seen more of him), and in the Paris "drunken man" scene. Overall, not a bad movie, and one that I know others may like more than me; so go ahead and see it (don't forget, though; it's 131 minutes)!
Like Eric Player, I saw this film many years ago, and it too is one of those rare flicks that remains imprinted on one's memory. I don't know if any of my fellow reviewers have seen this film as it was meant to be seen -- in a pristine restored print, shown on an actual movie screen with live organ accompaniement. And Not on VHS tape (yuchh)!!! I live in the Washington DC area, which also happens to have, outside of Hollywood, two centers of film preservation and restoration: the Library of Congress Motion Picture archives, and the American Film Institute. Some 15 - 20 years ago, I attended a screening through the AFI, as part of its great classics film festival, and was blown away by this presentation. The quality of the restored print was so startingly crisp that it looked as if it was shot the day before. No need to expound further upon the performances, nor the plot, save to say that Wings just about has everything that makes a special film great. Incidentally, the always handsome Charles Buddy Rogers had a special regard for this film, and often in his later years, accompanied Wings when it was shown at festivals and college film classes. Rogers lived into his early nineties -- the last surviving star of the film -- and died just around 5 years ago! ... Read more | |
| 112. Return to Never Land Director: Donovan Cook, Robin Budd (II) | |
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Description Reviews (92)
Well this sequel of Peter Pan I enjoy it a lot and is a very special movie to me beacuse it was the day of my birthday when they realesed it, I was very excited I saw it in spanish an I loved it!! the songs in spanish are sang by Tatiana, her marvelous voice makes this movie even better than the original english version and makes extra magic. If you own the DVD please take a look at the spanish version and listen to the songs.
Overall: Decent, 3 and a half stars for PETER PAN 2: RETURN TO NEVERLAND. Hey wait a minute! Where's Tiger Lily? I thought she was cute! My advice: If you really want a TRUE sequel created by Disney, buy The Rescuers Down Under Gold Collection DVD (it may very well ALWAYS be Disney's greatest sequel! ... Read more | |
| 113. Hidalgo Director: Joe Johnston | |
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