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| 61. Death Camps Director: studio | |
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**And i really recomend this film**
To do this in any real manner is next to impossible. Hollywood has tried to depict the events but falls far short. This is not Hollywood's fault. The Holocaust is too vast, far beyond description, and just how far is in some small way shown in this film. The footage comes from the official film record taken by Allied Forces in Europe. Labelled "The Death Camps," the film documents not only some of the smaller camps, but some of the other institutions of mass murder. Living survivors, like walking skeletons with terror in their eyes along with the callousness of the Germans is all there. Bergen-Belsen is beyond description. Auschwitz is not included because it was captured by the Russians. The film record of Auschwitz is, retrettably, scant. The film is in black and white and has precious little narration. Only one clip with a voice recording. The images are as dispassionately shown as possible. Clearly, this video is shocking and graphic. It is not for the faint at heart, but it is mandatory viewing for any history-social studies educator. Since 1945, there have been more than a dozen attempted genocides. This is a lesson that must be learned if we are going to survive as a species. This is not just a video. It is a historical archive of one of the greatest horrors the world has ever seen.
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| 62. Return of the Jedi Director: Richard Marquand | |
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George Lucas' sci-fi saga comes to a satisfying close in Episode VI, "Return of the Jedi". "Jedi" opens with Luke Skywalker returning to his home planet of Tatooine to rescue his friend Han Solo from the gangster, Jabba the Hutt and his creature co-horts. After bargaining negotiations fail, a spectacular battle commences as the young Jedi (with the help of Princess Leia, Lando Calrissian, Chewbacca, R2-D2 & C-3PO) fights a huge monster called The Rancor and then does a battle royale with Jabba and his horde of weird galactic denizens and servants. The film then jumps to Luke returning to the swamp planet Dagobah to complete his training as a Jedi, only to discover that his master, Yoda, has fallen deathly ill. In his final breaths Yoda reveals the truth about Luke's family ties and gets reassurance, & a final bit of guidance from the spirit of Obi-Wan Kenobi. In order to complete his training, Luke must face Darth Vader again, as well as, Vader's master, Emperor Palpatine. Meanwhile, The Rebel Alliance has prepared for an all out final assault on the Galactic Empire after recieving secret information of a new battle armored space station secretly being built by the Empire. If completed, this new Death Star will spell certain doom to the small band of freedom fighters, as well as, the fate of the galaxy. First off, its hard to top "Star Wars" and "The Empire Strikes Back" (I'm a die-hard fan of the films (yeah, the prequels too, but don't get me started!). "Jedi" comes close to those first two films, but, not close enough (its still better than the prequels!). Directed by the late Richard Marquand, "Jedi" is packed with both special and creature effects alike. The problem is "Jedi" is much like the first two films, but, on a more massive scale. The film's main premise is to tie up all the loose ends of the saga, and it does a great job of doing just that. Highpoints in the film include John Williams' oscar nominted score, the speeder bike chase, the space battle, Jabba the Hutt, the battle on Endor & the redemption of Anakin Skywalker. Lowpoints - the death of Boba Fett (embarrasing to the point where the character is resurrected in the Marvel comic book and survives in the expanded universe), the Ewok Celebration at the films conclusion and the Lapti Nek number in Jabba's palace is an ominous shadow of Lucas' cutesy side that weighs heavily on the prequels (I remember a lot of fans seeing this & going "What the f**k!?!"). The biggest highlight of all is Carrie Fisher as Princess Leia dressed in the metal bikini as Jabba's slavegirl. What a hottie! During filming there actually was a stagehand who had to make sure that she felt comfy in that bikini, making sure that she wasn't getting hurt to vital parts of her bod (that had to be one of the best jobs on the planet at the time of filming). Originally titled "Revenge of the Jedi", making the folks at Paramount Studios retitle "Star Trek II: The Revenge of Khan" to the "Wrath of Khan". Lucas changed the title, stating Jedi don't seek revenge. Nominated for 7 Oscars including original score, costume design, set design, and recieving a special Oscar for the film's SFX (presented to Dennis Muren by Cheech & Chong!). Released on 5/25/83 (for the Memorial Day weekend) "Return of the Jedi" has grossed 309 million at the U.S. box office. "Return of the Jedi" is a satisfying capper to the classic "Star Wars Trilogy" and the conclusion to the most influential and best science fiction saga in film history. ... Read more | |
| 63. The Secret of NIMH Director: Don Bluth | |
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Amazon.com Reviews (106)
Bluth and close to two dozen Disney animators defected from Disney's studios in favour of having a chance to express and explore their artistic visions and creativity. One of their first animated films was "The Secret of NIMH." Other Bluth films include "Anastasia," and "An American Tail." But no other animated film captures the sense of magic and wonder like "The Secret of NIMH." Mrs. Brisby, a recently widowed field mouse, tries desperately to protect her invalid son Timothy from Moving Day, when the farmer's plough will destroy their underground home. She is led to a colony of superintelligent rats, ex-subjects of laboratory experiments at the National Institute of Mental Health. They are led by wise old Nicodemus, a friend of Mrs. Brisby's late husband Jonathan, also an escaped lab mouse from NIMH. The somewhat dark tale does feature light-hearted comedic relief in the form of Jeremy, a trouble-prone young crow voiced by Dom Deluise. The story sticks fairly close to the book version, although several new elements are added and some side plots are cut due to time restraints. The artwork is breathtaking; vibrant backgrounds, clever special effects, the play of light and shadow. The characters are real and you quickly become attached to them. No one breaks into song every five minutes, although there is a very beautiful lullaby on the soundtrack that Mrs. Brisby sings to Timothy. To me, this film is deeper, darker, and more imaginative than anything that Disney has produced. There are no fancy CGI effects, only the skilful work of animators that love what they do. The film carries a message of courage, love, and trust without being preachy or simple. There are plenty of tense, dark scenes, some of which might upset smaller children. But "Secret of NIMH" is a beautiful, intelligent movie that is so much more than a cartoon or a children's fable.
Don Bluth, like Tim Burton, was a very talented artist and animator who broke away from Disney. Both Burton and Bluth could not stand redrawing the same animation cells for other people all day long. Burton found profit, Bluth, sadly, did not. However, that is not to say that Bluth did not create some very fascinating films along the way. This is a tale of wonder and imagination. Watching this film is almost like seeing the equivalent of an American film with Miyazaki style and presentation. If you have ever seen "Spirited Away" or "Kiki's Delivery Service" there is an obvious similarity here between Miyazaki and Bluth. However, Bluth is very much an American, as is the setting for this imaginative tale. It is a tale of rats who were experimented on by humans, who became very intelligent, strange, and different as a result of what the humans had done to them. Eventually, these creatures managed to escape their bondage from humans, and formed their own kingdom far out in the country. This is the tale of Mrs. Brisby encountering this strange race of rats, but it is so much more. Please check it out and experience one of the more unique animated films ever made. This is not Disney, this is a new and different style. Sadly, these films just didn't catch on with the 80's crowd and Bluth was forced to go underground and now, today, makes a living in the straight-to-video kid market (He churns out those Land Before Time sequels just about every month).
A great tale of bravery and overcoming the odds with a touch of magic. ... Read more | |
| 64. The Perfect Weapon Director: Mark DiSalle | |
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Reviews (21)
There is no doubt that Jeff Speakman is a complete martial artist and a good actor who really knew how to express fight sequences in a manner that would catch the attention of the audience. His moves are fluid Continuous and powerful and he has done great justice to the spirit of the late dynamic founder of Kenpo Karate Grandmaster Ed Parker. I wish Jeff Speakman all the best and pray that he continues making such movies to show the world what is a real down to earth Martial art(In other words Kenpo karate) Thank You V.Ram Kumar 2nd gup Red Stripe Belt Tae kwon do(Korean Karate) Chennai,India.
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| 65. High Road to China Director: Brian G. Hutton | |
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Reviews (44)
Bess Armstrong is Eve Tozer, spoiled heiress deluxe. Her inventor father (Wilford Brimly) is missing and if she doesn't find him to prove he's alive she's going to lose daddy's fortune. She finds out he was last seen in Tibet and needs a pilot to help her go look for him. Patrick O'Malley (Tom Selleck) is a former WWI flying ace who has hit the bottle and enjoys it. He spends his time giving flying lessons in a WWI Camel when he's not drunk, and since that's not to often he could use the money and off they go. The cinematography is luscious and there is a beautiful score by John Barry adding to this very likable adventure. Jack Weston as 'Struts' gives fine support, as does Robert Morely as Bentik, who sends killers after them as he will get control of the fortune if Eve does not. There are some pretty great scenes as they escape one scrape after another trying to stay alive. The best thing about this terrific and enjoyable film is Tom Selleck and Bess Armstrong. Their wonderful chemistry saves this meandering adventure more than once as they fight and bicker and bicker and fight all the way across Asia, and of course, fall in love. You'll wonder why Bess Armstrong didn't become a star after you see this. There is just something about her in this film that is hard to define. Selleck gives his typical, great, tongue in cheek performance. Critics might not have got it, but Selleck knows what kind of film he's in. This is pure escapist entertainment and is the perfect film to watch with your wife or girlfried or daughter. It's just a lot of fun. You might have to pay a little more for this one but it's worth it. You'll be watching this one for a long time to come...
The plot and the dialogue would get two-and-a-half stars if you read the script. The acting would bring it up to three stars, as there is some real love-hate chemistry between Selleck and Armstrong. The great action scenes bring it up another half-star. The settings and photography add another half-star. This movie is often beautiful to look at, and could be enjoyed even if you didn't understand English, with good background music to boot. Overall, it's lots of fun to watch.
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| 66. Star Wars Director: George Lucas | |
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This is the great original Star Wars, the 1977 movie in which the world first discovered the allure of The Force and the Jedi Knights. Young Luke Skywalker (Mark Hamill) teams up with Jedi veteran Ben Obi-Wan Kenobi (Alec Guinness) and the mercenary Han Solo (Harrison Ford) to rescue the gorgeous Princess Leia Organa (Carrie Fisher) from the sinister clutches of Darth Vader and the evil empire. A momentous battle between good and evil. With the empire perhaps at the time representing the evil Soviet Empire, which the free world was then fighting against for freedom in 1977. It has that wonderful 1970's feel, and who would not want to rescue the sexy huggable Princess Leia, even if it means battling the goons of the empire and the horrific Darth Vader?
A momentous battle between good and evil. With the empire perhaps at the time representing the evil Soviet Empire, which the free world was then fighting against for freedom in 1977. It has that wonderful 1970's feel, and who would not want to rescue the sexy huggable Princess Leia. | |
| 67. Spirited Away Director: Hayao Miyazaki | |
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Description Reviews (598)
Imagine this: A little girl is riding in a car with her parents. They are headed to their new house. Dad makes a wrong turn, and they wind up traveling along a dirt road which ends at what appears to be a deserted train station. Dad decides that it's really the entrance to a failed amusement park. He and Mom decide to go exploring, and the little girl, filled with trepidation, has no choice but to go along. After awhile, the little family discovers a restaurant that is still operating. The parents gorge themselves until they are turned into pigs. Suddenly alone, the child finds herself in a place full of witches, ghosts, goblins and other assorted spirits. Aided only by an unearthly boy, she must now save her parents and find her way out of this surreal place. The movie was made in Japan by animation master Hayao Miyazaki and his crew. It became the highest grossing movie of all time in that country. The people at Disney bought the American rights and lovingly added an excellent English soundtrack. The company's marketing department apparently was at a loss as to how to sell such an unusual animated movie. It was seen by relatively few Americans in theaters. I suspect that this masterpiece will find its audience here via video and DVD.
From an animation standpoint, "Spirited Away" is astounding. The sheer amount of movement and energy in Hayao Miyazaki's most recent work is quite impressive. Combined with the beautiful scenery (including several awe-inspiring and detailed shots of the bathhouse that can by themselves be regarded as masterpieces), and the realistic textures of the grass blowing in the wind, the flower gardens around the bathhouse, and the interior of the bathhouse, "Spirited Away" is truly a work of art. The only flaw in the otherwise near-perfect film is the dialogue. A few lines sound a little forced, and some intended to be funny simply aren't. Fortunately, these slip-ups are few and far between. Already, "Spirited Away" has earned several prestigous distinctions, including the 2003 Oscar award for Best Animated Feature. Also, "Spirited Away" was anime released in movie theaters, which is rare in the United States. Ever rarer, it became the top-grossing film in America for several weekends in a row. Not surprisingly, it was also popular in Japan, where it became the top-grossing film in that nation's history. Most people I have talked to have been very impressed with the quality of "Spirited Away." Many of these have been adults, mislead by the films "Disney" tag. When they sat down to watch it with their kids, they simply expected another children's movie, but instead found a film they could enjoy and appreciate as well. On the face, the plot is simple enough for younger kids to understand, but the symbolism and artwork is so complicated and intricate that it can be enjoyed by adults and older kids as well. In other words, however cliché those words may be, this film really does have something for everyone, and is well worth your time and your twenty-five dollars.
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| 68. Prince Brat and the Whipping Boy Director: Sydney Macartney | |
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Reviews (4)
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| 69. Star Wars - Episode I, The Phantom Menace Director: George Lucas | |
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Amazon.com Among the host of new characters, there are a few familiar walk-ons. Wewitness the first meeting between R2-D2 and C-3PO, Jabba the Hutt looksyounger and slimmer (but not young and slim), and Yoda is as crabby asever. Natalie Portman's stately Queen Amidala sports hairdos that makePrincess Leia look dowdy and wields a mean laser. We never bond withJedi Knight Qui-Gon Jinn (Liam Neeson), and Obi-Wan's day is yet to come. Jar Jar Binks, a crossbetween a Muppet, a frog, and a hippie, provides many of the movie's lighter moments, while Sith Lord DarthMaul is a formidable force. Baby-faced Anakin Skywalker (Jake Lloyd) looks too youngand innocent to command the powers of the Force or wield a lightsaber (much less transmute into the future Darth Vader), but hisboyish exuberance wins over skeptics. Near the end of the movie, Palpatine, the new leader of the Republic,may be speaking for fans eagerly awaiting Episode II when hepats young Anakin on the head and says, "We will watch your career withgreat interest." Indeed! --Tod Nelson Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 70. Escape to Witch Mountain Director: John Hough | |
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| 71. Double Indemnity Director: Billy Wilder | |
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Amazon.com essential video Reviews (80)
Although it received a total of six Oscar nominations (With no wins), none of the nominations went to Fred MacMurray as Walter Neff ("Insurance salesman, age 35"). Neff is very successful at what he does (He's been at it for eleven years). He visits the home of Mr. Dietrichson to renew automobile insurance but soon finds himself falling in love with his wife Phyllis Dietrichson (Barbara Stanwyck), who convinces Walter to have Mr. Dietrichson sign an accident insurance without his knowing it so he can be killed. But it's the Double Indemnity clause that gets them really involved, since they will get double the pay. Stanwyck provided, for me, a superb performance as the cold, calculating Mrs. Dietrichson, who used Neff so she could get rid of her husband and collect up some money. Meanwhile, Walter finds himself getting involved with her step-daughter Lola. He discovers from Lola that her ex-boyfriend has been seeing Phyllis, suggesting perhaps that Phyllis has plans for him. One of the most memorable performances in the movie is Edward G. Robinson's Barton Keyes, the claims manager, a brilliant fellow who is by hunches when a claim doesn't seem right. He's the one who figures out that the Dietrichson claim doesn't seem right, but can't quite figure out who assisted. In fact, most of the safeguards put into the plot by Neff were done so to prevent Keyes getting any major suspicions. "I did it for the money and for a woman. I didn't get the money and I didn't get the woman". These words said by Neff form a sense of irony. The murder fell apart not because of the authorities, who were too dumb to figure it all out, but because of themselves. Murder's never perfect.
Basically, Double Indemnity is about a less-than-brilliant insurance salesman, Walter Neff(Fred MacMurray), who falls for a beautiful married woman (Barbara Stanwyck) who wants to use him to get rid of her husband for the insurance money (hence the title, Double Indemnity). Although he resists her at first, Neff soon falls for the scheming woman and decides to help her plan the perfect murder. The movie itself starts after the murder has been completed with Neff leaving a message for his boss confessing what occurred and then goes back in time to the beginning of the scheme. Double Indemnity is a great film - the idea behind it, interesting in itself, was brilliantly executed by the legendary director Billy Wilder. Consequently, Indemnity is a true film noir classic and must-see!
Wait for some other distributor to release it. Wonderful film. Totally botched DVD release. Wait for it... ... Read more | |
| 72. Spider-Man 2 Director: Sam Raimi | |
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Amazon.com Reviews (251)
Two years after the events of the first movie, Peter Parker is still saving the day as Spider-man, while at the same time shirking his other responsibilities and trying to maintain and ordinary life. As he tries harder and harder, he comes to realize that for Spider-man, there is no ordinary life. He's failing college classes, losing his job, and not keeping up with his friends and family. Things get rougher when Harry Osborn's new ticket to progress has an accident. Professor Otto Octavius demonstrates the ability of his fusion device that will generate new, reusable power when something goes wrong. His additional limbs that were used to manipulate the fusion environment have been fused to his own spine. While the ads focus heavily on Doc Oc, the real plot here is Peter Parker's dilemna. Doc Oc might have seemed like an after-thought had not the writers kept Harry closely involved with Peter, reminding him again and again how he wants to kill Spider-man for what he did to his father. I don't blame the critics who dislike the movie. For most of it, Peter is in misery, as his life spirals down the toilet due to the conflicting sides of Spider-man and Peter Parker. There's humor dispersed evenly throughout to make the experience a little lighter. It's a hard movie to watch because of this, as Peter has to decide between what he wants and the responsibility he has, and even I was a little uncomfortable as his suffering continued. But Sam Raimi's never been one to leave the audience without a pay-off, either. His love for the material continues to show as it did in the first movie, making Spider-man 2 even more visually dynamic and dramatically endearing than its predecessor. Bruce Campbell also makes a cameo, but people probably guessed that months before it was announced, and that was still months before the movie was released. The musical score is as spectacular as before, and Danny Elfman wisely maintains the theme he composed for the first movie. Rather than simply supporting the movie or carrying it, the music works with it, something rarely accomplished in film. I honestly can't think of something negative to say about this movie. I don't think I could have been more pleased. The goal set after Spider-man was a hit was to make the second one even better, and the film-makers succeeded. I can only wonder if they will be able to do the same for the third after such an excellent film as this.
Toby McGuire once again stars as Peter Parker/Spiderman, now confronting a new enemy Dr. Octopus (Alfred Molina). The special effects were awesome, no doubt about that, however unlike the first one, the second half is pure nonsense and I was left unsatisfied. Alfred Molina as Dr. Octopus is tremendous, just like Willem Dafoe's characters as "Green Goblin" we see his rise to power. (Spoilers) Yet Raimi's dumb writers in the second half of the film have him playing as a patsy. Spiderman clashes with Dr. Octopus several times and actually the fights are fair, however Dr. Octopus eventually gets Mary Jane (Dunst, who really doesn't do much as far as acting) and uses that to his advantage while creating a new weapon. Tobey as Spiderman again like the first film is not a strong presence, yet I know some nerds are trying to hype him up to be like Christopher Reeve but please give me a break. He will never have the same charisma as him. Alfred Molina is great as Dr. Octopus, but the story seems to go nowhere and we get the same crap from the same movie, like Parker, still being the nerd recluse who is unable to go after what he wants, though this is hilarious in retrospect, but then becomes tiring. The special effects and action are what saves "Spiderman2" from being a disappointment as far acting and plot go, and that wasn't a surprise was it. Still though I was left wanting more, and the cheap ending and the way Dr. Octopus out of the thin blue sky has a change of hear for not killing "Spiderman" was pathetic though, that wouldn't have happened really, still I know there will be many nerds seeing the movie 10 times and saying it was the greatest movie ever, but they aint kidding anybody. "Spiderman 2" is what it is a great special effects bonanza with some great action scenes, but not great character development and predictable plot lines.
The story, unlike the original, instead focuses on the negatives of being Spider-Man; Peter Parker is struggling to balance a life of his own, but Spidey always gets in the way. He even forgets his own birthday! And it also shows the effects it has on his family and friends, especially Mary Jane. And to top it all off, Doctor Otto Octavius, a brilliant scientist, is turned into Doctor Octopus, complete with four mechanical arms attached to his body, thanks to a failed fusion experiment. The battles between Spidey and his foe were terrific, unsurpassed by most action films to date. But I found myself wanting more of these scenes...in the end, you really sympathize with Peter, but I just wish we could've seen our favorite webslinger in action more. But at least the ending was good (left WIDE open for Spider-Man 3.) ... Read more | |
| 73. The Blues Brothers Director: John Landis | |
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Amazon.com Reviews (141)
Saturday Night Live Alum together with a Who's Who list of the greatest Rhythm and Blues artists ever assembled in one film, make for one very entertaining, funny, action packed musical.The hard part of this review is keeping myself from revealing every funny line, and all the classic scenes that came from this film(and also all the great cameo performances you'll spot throughout the story).For those too young to remember this classic comedy, or if you haven't seen it for a while let me just refresh your memory(just a little)..... Jake "Joliet" Blues(the late great John Belushi)has just been released from prison. Brother Elwood Blues(Dan Aykroyd) picks him up and they're off to fullfill a promise to visit "The Penguin". Sister Mary Stigmata(Kathleen Freeman), the head nun at the Catholic Orphanage where they grew up informs them that the Orphanage will have to close down unless she can come up with the Five Thousand Dollars neccessary to pay the property taxes.No problem for "The Blues Brothers", they'll have the money she needs by tommorrow. But NO! NO! NO!, she does not want their filthy bank robbery money, and they are not to return until they can "redeem themselves"! While on a visit to church, where you'll find James Brown as The Reverend Cleophus James leading the congregation in song, Jake literally "sees the light!".They'll just put "The Blues Band" back together for one big night and raise the money for "The Penguin" and the Orphanage. Getting the band back together is easier said than done though.Along the way, we are treated to some musical performances by these great names..Aretha Franklin, Cab Calloway, Ray Charles and even Chaka Khan. The hysterical action also heats up as they make enemies all along the way. They are being chased by the cops,the Nazis(led by one very funny Henry Gibson), and a very angry ex-girlfriend(Carrie Fisher) who has a thing for Flame Throwers. They leave a path a destruction in their wake that is unsurpassed in chase scenes. It's a riotous romp, directed by John Landis(Animal House/Trading Places), that will leave you wanting more..and luckily...there's a sequel! "Blues Brothers 2000", which has the terrific addition of John Goodman to the cast.This VHS tape is terrific. Not only does it have a great picture in the original widescreen image(1.85:1), but the sound is digitally mastered, and is excellent in the stereo surround. There are even a couple of bonus features on this edition. There is the "Making Of" the sequel, talking with all the stars about coming back to do it again, and after the credits, you'll find the "making of" for the original, which clues you in on lots of little trivia details. If you're looking for something really funny, something with a great music, a great script, and one that will be a terrific addition to your classic comedy collection, look no further, you've found it! And don't forget to look for all the great cameos along the way..(I think I restrained myself pretty well from giving them away... don't you?)
Jake and Elwood Blues are the creation of Saturday Night Live veterans Dan Aykroyd and the late John Belushi. They took the first step to the big screen amongst the countless other Saturday Night Live and SCTV characters (The CONEHEADS, WAYNE'S WORLD, ONE NIGHT AT THE ROXBURY, SUPERSTAR, THE LADIES MAN, STUART SAVES HIS FAMILY and STRANGE BREW amongst them.) And THE BLUES BROTHERS is the film to compare all of these too. That is bad news for them because this is an entertaining musical comedy. Filmed with the gritty look of a drama, the musical is indeed a surprise but with Jake and Elwood as 'musicians', what else can you expect. The storyline follows the brothers as they try to raise money to save an orphanage. This means putting the band back together. As they piece it all back together, they encounter more colorful characters looking to block their success. John Candy, Charles Napier and Carrie Fisher take their hunt seriously. They also encounter assistance by Aretha Franklin, James Brown, Ray Charles, Cab Calloway and Frank Oz amongst them. There are even small appearances by Paul "Pee Wee Herman" Reubens as a waiter and Steven Spielberg as a clerk in the finale. Now, this is Aykroyd and Belushi's film as they nonchalantly ignore life-changing catastrophes. Director John Landis brings these huge occurrences to the screen like a master. You can just feel the fun put into this production. The greatest charm in the film is the musical numbers. Wherever the boys go, people just seem to break out into infectious song. You'll find yourself tapping along. With the exception of the 'restored' material, this is a nice DVD with a good video transfer and audio transfer that'll put your receiver to the test. Also a recent making-of documentary is included. If you get a chance to join Jake and Elwood, I recommend it.
This production was the linchpin event for the Saturday Night Live characters that wore black suits and sunglasses before the equally fashion-challenged "Men In Black" showed up. Along with "Animal House", this flick reminds me what a great comedy career John Belushi would have had in cinema had he lived more safely (as long as he stayed away from bombs like "1941"). Back to the film...this is loaded with great music, music from many 20th Century ages, music that makes you want to hum, tap your toe, dance, delight, smile, kiss your girlfriend and say hello to God. The plo | |