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| 41. Superman: The Movie Director: Richard Donner | |
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Reviews (275)
The DVD honors the Man of Steel like it should. The comic book film is presented in 2.35:1 anamorphic widescreen format. The DVD contains a sharp video transfer and a fine 5.1 Dolby Digital sound with great surround effects. This amazing DVD features an audio commentary with director Richard Donner and consultant Tom Mankiewicz, additional footage including an extended sequence inside Lex Luther's underground gauntlet, behind-the-scenes documentaries, theatrical trailers, deleted scenes and DVD-ROM extras. With such a striking DVD presentation, "Superman" earns an "A".
The audio is remastered and put on a surround sound system instead of the setup I have at home would shake your house to the core. The extra scenes were a good touch as well. Behind the scenes added the great touch of mystique that was Superman. Having Marc McClure host the BTS stuff added a bit of credibility. Until Spider-Man last year and Batman in 1989, this was the film on which Superheroes were judged. The Hulk disappointed and Daredevil and X-2 were moderate hits. Superman still stands the test of time, no matter what your views.
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| 42. Sergeant York Director: Howard Hawks | |
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Reviews (55)
Sergeant York gets saved in a church after being struck by lightening, and after he is saved he is drafted, and spends time reconciling doing what Christ commands with killing people during time of war. (This isn't an easy thing to reconcile, and perhaps especially for a newly saved person, even if most movies act like its nothing.) After reading the bible however, York finds the answer, and goes to war, becoming one of America's great heroes, and in the end, he and his future wife are greatly blessed by God. If all this sounds too heavy, it isn't. Sergeant York is from Tennessee and the movie is actually quite light hearted. I also enjoyed hearing the hymn 'Give me that Old Time Religion'. One of my favorite movies, and worth getting if you are tired of the trash they put on tv, and want some films with Christians in them.
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| 43. Night of the Twisters Director: Timothy Bond | |
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| 44. Star Wars - Episode VI, Return of the Jedi (Special Edition) Director: Richard Marquand | |
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Amazon.com Reviews (212)
The Galactic Empire has begun construction on a new Death Star which is even more powerful than the first Death Star, and meanwhile, Luke Skywalker, Princess Leia, Lando Calrissian, Chewbacca, R2D2, and C3PO are attempting to rescue Han Solo from the evil clutches of Jabba The Hutt. After they rescue Han, they plan for the destruction of the new Death Star and find out that the Emperor is personally overseeing the final stages of the construction of the new Death Star. Han, Luke, Leia, 3PO, R2, and a group of rebel commandos must disable the Shield Generator on the orbiting moon of Endor to allow rebel fighter pilots to fly into the Death Star and destroy the main reactor. While the battle rages on, Luke must face his own destiny and confront Darth Vader in a battle to the death which may spell certain doom for the Rebel Alliance and their cause to restore freedom to the galaxy. The entire movie shines with an epic look whether its a space battle, a sail barge assault above the jaws of a hungry Sarlacc, a Speeder Bike chase through the redwood forests of Endor, or a lightsaber duel between Darth Vader and Luke Skywalker. The emotions involved between Luke Skywalker and the truth about his past grip the audience in the same way that Luke feels, and suspend them above the fate of the Rebel Alliance. Han and Leia's feelings for each other are more developed in this movie, and really tie up loose ends that were left from The Empire Strikes Back. The entire movie actually ties up loose ends and is kind of the resolution point for the Star Wars trilogy. This movie is definitely the best in the trilogy, and worth buying. It is not a disappointment, but one of the greatest movies of all times.
With Return of the Jedi, the space opera saga/cultural phenomenon that began with Star Wars in 1977 and continued with The Empire Strikes Back in 1980, comes to a close. This perhaps the most difficult film to categorize as far as quality and living tup to expectations. Executive Producer Gary Kurtz parted ways with Lucas after Empire, and Jedi would have been a different film in many respects had he and his ideas stayed put. However, Lucas wanted certain things and would not buge, and what the viewer gets is a climactic and spectacular, if somewhat unfocused, conclusion to one of the most beloved film trilogies of all time. Luke Skywalker, an older and wiser man for his defeat at Cloud City, attempts a daring rescue mission in the seedy lair of the gangster Jabba the Hutt, a mission to free Han Solo who is being kept as a showroom piece by the ruffian slug. This premise gives birth to the first in a string of incredible action set pieces ranging from monster pits to desert oceans to the blackness of space to the luch forrests of the forrest moon of Endor. Moving the action along, the plot is more daring even than that of the first movie. The Rebel Alliance, having learned of a new, more powerful Death Star, prepare to mount a final resistance against the station in the hopes of ending the war with one swift stroke. To help accomplish this, Luke, Han, and Leia must deactivate the generator that keeps the Death Star shielded. However, this won't even be as easy as it sounds. Luke no knows that Darth Vader is his father, and he must confront him if he is to become a fully-fledged Jedi Knight. Han and Leia are caught by a legion of Imperials and must fight a fierce geurilla battle with the help of some unexpected (and sickeningly cute) allies. The Repel fleet is caught between a rock and a hard place - literally - and must contend with both the might of the Imperial Navy and the destructive power of the Death Star while our heroes race to accomplish their mission and restore freedom to the galaxy. There are parts of Jedi where it really shows that George was going this one alone, particularly the inclusion of the Ewoks (cute, furry, evil Teddy Bears of DOOM), but even with a few marketing concessions and a bold narrative, Jedi still manages to do a LOT of things right. Luke is a more confident character, taking charge of the movie and making you care about him more than ever before as he battles Vader, the Emporer, and the Dark Side. Han and Leia, though not as prominent in Jedi as they were in Empire, are still a joy to watch, particularly in the case of their sometimes-bumbling relationship. Even Lando is given a good deal more screen time, and more importance. Though the characters seem driven by the plot rather than the other way around, this is really the only way the concluding chaper ot the Star Wars Saga could have played out. As for the Special Edition of Jedi, it is perhaps the most despised of the three. In addition to the requisite digital additions, Lucas added in an entirely new ending sequence of galtactic (literally) proportions to play along with the Ewok celebration after the battle, going so far as to include all new music. Sure, it's still nice, but why mess with something when it's so good? Either way, this is still a darn good version of a darn good movie, and one that had a hefty bill to fill coming out of the gates. No movie collection is complete without the Star Wars Trilogy, and the trilogy isn't complete without Return of the Jedi. And hoestly, it's really such a FUN movie that it shouldn't be any other way. If you don't have this, buy, it, or, even better, wait for the DVD release later this year. Either way, the Force will be with you, always.
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| 45. Star Wars - Episode V, The Empire Strikes Back Director: Irvin Kershner | |
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Reviews (191)
The Empire Strikes Back, the middle story of the original trilogy, is probably one of my favorites (it's so hard to pick one!). The characters really come out in this episode, and you can't help but enjoy watching this film. Watch the exciting battle on the ice planet Hoth, the budding romance between the Princess Leia and the "scoundrel" Han Solo. See the breathtaking Cloud City, the murky swamps of Dagobah. Listen to the tutelage of wise Yoda, the fantastic musical score. And it all leads up to the critical battle between Luke and Darth, in which Skywalker makes his greatest mistake and Vader's dark secret is revealed. Definitely the darkest of the trilogy, ESB leaves the viewer wanting more. We want to see the fate of Han Solo, how Luke reacts to startling news, and the further efforts of the Rebel Alliance ~ even if we've already seen the trilogy dozens of times. Watch this movie for a great story in a wonder-filled world.
My dissertation,lol,on the film is near the final when Vader tells Luke that he is the father. On a Freudian level, this could be called the Oedipus complex theory with Luke deciding to not join his father. I presume Luke was apprehensive to join in because he believed it was a confidence game that would result in his own termination/castration. Just a speculative theory. When ESB was released in 1997 I had a standing date to go see it on the big screen. Way back in 1980, I remember being on summer vacation and going to see it for the first time. When the movie ended, I could not believe that we (the audience) were left hanging on a cliff for the next 3 years. Talk about tease, lol.......:)
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| 46. Where the Red Fern Grows Director: Norman Tokar | |
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Reviews (35)
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| 47. Labyrinth Director: Jim Henson | |
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Amazon.com essential video Reviews (769)
As is standard with Jim Henson movies, there is a wonderful mixture of characters, which interact together brilliantly. The acting may not be the best, but it is important to remember that Jennifer Connelly who plays Sarah (the lead character)was only 14 when she made this movie and is having to act with puppets which can't be easy. The great David Bowie gives a convincig performance as the goblin king, providing musical interludes, which admittedly, I found somewhat tedious as a youngster but enjoy now. All the elements blend to make a lively, innocent adventure movie which will be enjoyed by all ages. The Dvd also provides a wonderful trove of extras, including a delightful 'making of' documentary which gives some really interesting insights to the movies creation.
Jeniffer Conolly is superp as Sarah, and David Bowie even more superb as Jareth, The Goblin King. The casting couldn't have been more perfect, as both artists became legends in their own right in that their appeal has lasted through the decades, and so, has the film. It remains a cult classic. If anything, the lack of special effects has made it's appeal even more undeniable, as it cannot be dated. Too many times has it occured with films that as speical effects develop, the films lose their appeal. As the film relies on the fantastic nature of not only the genre, but the spectacular muppetry, the film retains it's beauty, despite it's simplistic cinematics... A must see for all lovers of the fantsy genre...and of course Jim Henson or David Bowie fans...
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| 48. Witness Director: Peter Weir | |
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Amazon.com essential video Reviews (62)
ACTORS -- Most of the actors gave career-high performances in this movie. "Witness" helped establish Harrison Ford as a serious (i.e., non-Star Wars) action hero, and he demonstrates emotional range in this movie that doesn't show up very often in more recent films. Kelly McGillis is compelling, gradually and believably transforming from a shy widow out of her element to a strong, spirited member of her Amish community. Lukas Haas, who plays her son, offers a level of child acting that has only recently been matched by Haley Joel Osment. As other reviewers have noted, his wordless scene with Ford in the police station is a brilliant piece of acting -- an enormous amount of information and emotion is conveyed in complete silence. And Alexander Godunov brings a gentle grace to his role as the Amish farmer competing with Ford for McGillis' affections. It's sad that he didn't get more opportunities to demonstrate his acting ability before his death a few years later. CINEMATOGRAPHY/SCORE -- As with most of Peter Weir's films (cf. "Dead Poet's Society"), "Witness" is visually stunning. The shift from the gritty heart of Philadelphia to the rolling hills of Amish country is jarring, and leaves one with a palpable sense of longing. I think the barn-raising scene in the middle of the movie is one of the most beautiful scenes I've ever seen filmed, both visually and thematically. Underscored (so to speak) with music reminiscent of Copland's "Appalachian Spring," it drives home the value of community and shared endeavor. It's a marvelously uplifting segment. ROMANCE/EROTICISM -- The relationship between Ford and McGillis is very well done. The attraction that arises between them (driven in no small part, apparently, by Ford's kindness to the young boy) is constantly and realistically tempered by the awareness that they come from fundamentally different cultures. That slows the development of a relationship between them, which provides the movie with a delightful undercurrent of romantic tension. That tension reaches a peak in a powerful scene in which Ford sees McGillis giving herself a sponge bath. There is nudity in this scene (McGillis turns and shows herself, topless, to Ford), but it seems to be precisely the kind of nudity that, as actresses like to say, "is essential to the story." Given the way in which the Amish are portrayed in this film, McGillis' character is making a very bold (and risky) offer, and the difficulty of Ford's refusal is evident in his face. There certainly is a lot of gratuitous nudity in film, but "Witness" is not in that category. This movie is aging extremely well, in large part because of the sweep of its vision, the powerful simplicity of its story, and the skill of its execution. It is a terrific movie.
Woven into the more grisly details of murder and police corruption are scenes of humor and beauty. Dancing in the barn to "Don't Know Much About History". Having to wake up at 4 a.m. to milk the cows. It's funny to see how the cop, John Book, tries to fit himself into Amish life the best he can. And it's very moving to see his growing love for the Amish woman who nursed him through a bad gunshot wound and has enchanted him with her character and beauty. The movie's climax is also riveting; it's not often that one sees gunfighting at an Amish farm.
The story revolves around Samuel a little boy who has witnessed the murder of an undercover police officer, his mother Rachel (McGillis)and John Book (Ford) who investigates the murder discovering corruption, deceit and a conspiracy at it the heart of his department. After he discovers that his witness isn't safe, Book whisks them back to their Amish farm where he's forced to hideout as well. One of Weir's finest films to focus on America, this so-so transfer looks grainy and has lots of compression issues. The transfer isn't a widescreen anamorphic transfer but is presented in that format (i.e., it's presented with the black bars at the top and bottom of the screen but the transfer isn't high definition). The picture occasionally comes across as soft and the rich use of color and light that vividly brought the film to life in theaters isn't well represented here. Hopefully Paramount will update this and remaster it the way it deserves to be done. The extras include an interview with Weir obviously done around the time the film was made or first appeared on video and the original theatrical trailer. I would have expected a commentary track but since Weir isn't all that big on them to begin with, that would be hoping for too much. A great film just a poor translation to DVD.
So, I watched it last night. It was interesting in that I remembered so much, even some small details about it. So it really did impress me that first time when I was young. This time, I enjoyed it, but I wouldn't say it is a film I would watch over and over again, as I watch some classic films. To see it once more was enough to just satisfy my curiosity about my memories of it. I did feel they portrayed the Amish quite well, with the clothes and such. What they did wrong about the portrayal was that in no way would it be allowed for an Amish woman to tend to a wounded man who wasn't her husband, by herself in a room alone with him. It just isn't proper, isn't done. In reality, a man would have done that, or an older woman would have done it, with another woman there. I think the movie allowed the Rachel character to have way more "access" to a man alone than would be allowed in a real Amish or Mennonite community. I doubt he would have really been allowed to stay in the house. In reality he would have been placed in a home with a family who had a bunch of boys and he would work with them and the father, and not have all that time alone with Rachel. I don't like violence...I knew that the bad part happened in the train station in the beginning, so we were able to fast forward that part. Also, we were able to fast forward the ending "shoot out" stuff. I didn't care for the bad language. The scene with Rachel taking her sponge bath, well when I was young and not a Christian, I found that very romantic. Now, I found it rather silly. A devout Amish girl/woman would not have just calmly turned around and let a man stare at her while unclothed. And later on, when she and he finally "meet" for the romantic moment, I found that sort of offensive. Why kiss out in the yard where anyone could see you? Eli could have easily looked out the window (a real Amish father would have kept better tabs on his daughter with a strange man around the place). I felt that scene was very much just an animal passion thing...sort of vulgar. Not at all romantic, truly loving or gentle. It seems people sure knew how to kiss and show romantic love a lot better in the old movies! And right before she went out there, she took her prayer veiling off. Which again, no Amish woman would do. But then she obviously was rebelling. There was that other time too, when she and John Book were in the barn listening to his radio, and she had it off then, and I am not sure why, for no Amish or Mennonite woman will go without it in front of people or outside the house. The ending left me wondering...would Rachel just go ahead and marry Daniel? Would she really be happy with him? She really would have to repent of her sins with John Book to be truly happy. I also noticed that the film never showed a church service. Also, none of the Amish folks never seemed to care to tell John Book how to be a Christian. But then there are many Amish who are not born- again Christians, but just are "culturally Amish"...they live the way they do because they have always done so. These must have been that type of Amish. It did seem that Grandfather knew the Bible...he quoted some good verses when talking to the boy about the gun. That was good to see, yet sad that such violence had to even be witnessed by this child. Oh, of course any film with Amish must have a barn raising scene, and this one did. Also, so many movies with cows mus have the scene where the city person doesn't know how to milk a cow. Of course John Book must learn. He makes a joke about "teats" in this scene, and grandfather Eli laughs at it, which again, I doubt a devout Amish man would do. Well, these are my thoughts. It was interesting to revisit this film again. In closing, I would say it is an okay film for adults but I would not recommend it for children. ... Read more | |
| 49. Harry Potter And The Prisoner Of Azkaban | |
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Things that were left out -cho chang things that were changed basically i think the movie was really good as long as i don't think about it being the same as the book. parts of it were really good. i'm just kind of annoyed that i knew the book too well to really enjoy it. i sppent most of my time going "that never happened" (harry serching for peter pettigrew)
The third installment was indeed a pleasant one. A new director,Alfonso Cuarón, handled the performances perfectly. Daniel Radcliffe ...Harry Potter is becoming a fine actor and he is great in this movie. He loses his temper with his Aunt and he plays the scene brilliantly. The visuals of Hogwarts and it's grounds were beautiful and for me the high point was flight of the Hippogriff with Harry. The Hippogriff was an amazing creation. I reccomend the movie even if you are a total muggle.
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| 50. The Motorcycle Diaries Director: Walter Salles | |
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| 51. The Last Unicorn Director: Arthur Rankin Jr., Jules Bass | |
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Amazon.com Reviews (419)
The plot of the movie is based on the book by Peter S. Beagle(read it if you like fantasy!), but I have to say that I like the movie better. Of course, the author did the screenplay, so that might explain why the movie is so good. It's about a unicorn searching the world for others of her immortal kind. On her journey, she meets humans who help her on her path, like Schmendrick(sp?) the bumbling magician who transforms her into a human woman to carry out her quest, Molly Grue the cynical outlaw, and Prince Lir who becomes a hero for her sake. But some of those she meets, like Mommy Fortuna the witch and King Haggard with his castle by the sea, will try to stop her from solving the mystery of her lost people. Will she be able to hold onto herself long enough overcome the ominous Red Bull who drove the other unicorns down all the roads long ago? Again, I say that this is one of the movies that defined my childhood, one of the things that convinced me I wanted to be a writer and believe in the magic of imagination. This is a great movie for kids, but there's plenty there for an adult to appreciate as well. Buy it and watch it!!! It's worth it.
This particular print has several major defects. First this movie suffers more than most when cutting it from widescreen to full screen. But the pan-and-scan job (the technique used to make a widescreen film fit on a regular television) was also totally botched leaving many scenes showing only half a face or character. There is also many color problems. The print is biased to red. Dark scenes, of which there are many, show a red tint. Related to this is that the greens are subdued. Many objects that should be green show as blue. The print is also grainy showing more video noise than normal. The soundtrack is extremely harsh sounding making it dificult to listen to. I'd recommend you seek out the widescreen version which has none of these problems.
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| 52. The Last of the Mohicans Director: Michael Mann | |
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