Reviews (11)

An Unlikely Fan
I am a college age (21) skater kid who loves to surf and knows nothing about european history. I am Hawaiian Chinese. Yet, when I sat down one night, flipping through channels, I stopped at this movie called Aristocrats, about halfway through the first part. I was caught up in everything, and tuned in every sunday for the next three weeks to finish the series. I totally loved it. I feel like I've so much about things I never even thought of before. Get the movie... it is well worth it.

Rich And Elegant
Aristocrats is the epitome of the costume historical dramas the British do so well. It is the story of the five Lennox sisters: Caroline, Emily, Louisa, Sarah, and Cecilia who, as the daughters of the Duke of Richmond and great-granddaughters of King Charles II, stood at the apex of 18th century English society. They lived lives of splendor in magnificent homes with dozens of servants, but their love lives were tumultuous and tortured. Unusually for that period, they held significant political influence through their husbands, sons, and lovers and were witnesses to much climatic history from the mid 1700s through the early 1800s.

If you have only seen the version of Aristocrats shown on Masterpiece Theater in 1999 you are in for an extra treat with this video set in that many deleted scenes have been included, adding to the richness of the drama and making the story much more complete. (We see Cecilia's sad fate, for example).

THE best!
This is the best English costume drama I've ever seen. Beats the
heck out of the buccaneers. Better yet it's the story of a real
family. One reviewer mentioned the fact of there being no interaction between the servants and the upper class....well, I
guess that was how it was then. servants were to be not seen, not heard just do the job. Ah, for the good old days.

Tantalizing piece of history
A very enjoyable production with a story that unfolds well. It does span several years, so large jumps in time do occur but the continuity remains. All in all, a bittersweet tale of a real family with real struggles; living in a time in history of which few of us can fully understand the importance of social and political standing. It may actually make you want to read the book and do further research!!

Flat Aristocrats
Like many sagas, this series suffers from too many characters and too little development of characterization. Even the main characters are so dull and broadly drawn that it is impossible to feel either sympathy or revulsion for them. Like a soap opera, the plot merely rambles along, never seeming to progress toward any culmination other than the family's aging. Characters are sometimes introduced and killed off without any intervening significance to the action. There is practically no interaction between the master and servant classes, an element that usually adds interest to British period pieces. Those in service are treated as truly unseen, and the few Irish peasants presented are wooden props. If one turned off the sound and simply viewed the lavish, intricate costumes and settings, the series would probably be just as enjoyable. ... Read more

Amazon.com essential video

From the moment the young Kunta Kinte (LeVar Burton) is stolen from his life and ancestral home in 18th-century Africa and brought under inhumane conditions to be auctioned as a slave in America, a line is begun that leads from this most shameful chapter in U.S. history to the 20th-century author Alex Haley, a Kinte descendant. The late Haley's acclaimed book Roots was adapted into this six-volume television miniseries, which was a widely watched phenomenon in 1977. The programs cover several generations in the antebellum South and end with the story of "Chicken" George, a freed slave played by Ben Vereen whose family feels the agony of entrenched racism and learns to fight it. Between the lives of Kunta and George, we meet a number of memorable characters, black and white, and learn much about the emotional and physical torments of slavery, from beatings and rapes to the forced separation of spouses and families. Nothing like this had ever confronted so many mainstream Americans when the series was originally broadcast, and the extent to which the country was nudged a degree or two toward enlightenment was instantly obvious. Roots still has that ability to open one's eyes, and engage an audience in a sweeping, memorable drama at the same time. --Tom Keogh ... Read more

Reviews (57)

The spirit and the Spirituals
Two days ago, I finished watching "Roots" ( the re-edited DVD version) , a series I scarcely remembered from my adolescent years. I remembered I had liked it. That was just about it.
Well.....now I'm 40, a musician (choral conductor and educator) and a profound lover of Spirituals and Gospel music. So....let me tell you that "Roots" moved the very bottom of my heart. I cried every episode, deeply touched by the sadness of the story but also by the invincible courage that has led African Americans through a hard history in the U.S. From my knowledge of Spirituals I've always admired this courage, this strength of the spirit reflected throughout all the melodic and rhythmic richness, ( "Hush...hush... Somebody's calling my name") the spiritual and physical beauty of a race, the deep and sincere approach to Christianity!
I think and I do hope that, someday, those "in power" all around the world will open their eyes and finally come to understand that racism, and all forms of discrimination, belong to the darkest and the most ignorant side of the human heart!
Just one last question: Is it possible to buy the printed Screenplay?
Santiago Zuleta. (Bogotá, Colombia)

The Roots of Roots
Warner Brothers has done a wonderful job in bringing David Wolper's 1977 television classic to DVD. This 3 DVD box set comes in an attractive tri-fold insert with an extensive chapter list and summary of each episode of the 573 minute production. The picture is colorful and sharp and the audio is a satifactory digital mono. The box claims "feature-length" audio commentary. Although commentary is extensive and entertaining, it does not run through the entire feature, constantly. There are also video commentaries on each disc from various people who worked on the film, which show highlights from the film as the actors speak on their memories. Some of actors have not aged well. There is also a behind-the-scenes documentary. My only quip is that one can not switch back and forth between the film's audio track and the commentary track at whim. One has to go to the main menu and switch to the commentary feature, much like Warner Brothers's release of Ben Hur, a mild irritation. There is a Spanish language track and English, French, Spanish subtitles. It is interesting to read the subtitles to study subtle nuances of the dialog. It is a pleasure to finally discard my 6 bulky, cumbersome tapes and replace them with 3 thin discs that I can access any portion instantly. If you love the story, you'll want to own this boxset.

Really sad!
All though i only saw first part of these mini-series it's really sad.How kuntah kinte and some other blacks were forced to be in a slaver,get sold to plantation owners and such.And its really heartwrenching when they abuse the slaves and hit them with their whips,anyways this is a cool series.You sometimes think how can other people have treated other people in the past like this.5/5!

Funny & Dramatic
I liked the movie. I mean, I'm kind of young but I really liked the movie. It was funny too. In the way it was funny was when like, they talk in these Southern accents when they come from New York, or something like that. The dramatic part is when they get raped and stuff like that. It's really sad to know that my people was treated like that. You know what I mean? Not the white people's people just the black peoples' people, you know. I think it was a good show. My favorite character was Kizzy my least favorite character was the overseers. You know, the slavemasters. Well, I liked the movie and I can't wait to see the Next Generation.

Great educational series
This is truly one of the great epic mini-series of all time. This series caused me to do research of my own. Everything told in this story happened at various places and times in the United States (both North and South) and some things even worse. One of the glaring things that was left out (that relates to modern times ) was the fact that many of the Africans were sold to Christian White European Slavers or their Black agents by conquering Arabic and Black Moslems (selling people who wouldn't convert to Islam) who were crusading through Africa (and still are). Why would the Whites want to risk getting hurt or killed when they had lots of people willing to gather this "Human" harvest for them? This program of Slavery continues today in Africa and Asia. While you can take my word or not this series should challenge people to find out the truth for themselves. Discover the true "Roots" of the modern world, not just America. Alex Haley did it, but be prepared...Alex didn't tell everything...he was being kind and politically correct. Ask yourself why Mr. Haley didn't become Moslem himself when he had many good friends (he was a very open minded man) who were Moslems. Could it be that he found the idea of converting to a religion that sold his ancestors into slavery unappealing. Buying this DVD and reading the book is a GREAT place to start, but don't stop at the PG version. ... Read more

Amazon.com

A remarkably ambitious and engrossing project, this 1978 televisionminiseries ran 26-and-a-half hours, cost a then-enormous $25 million, and involved 4 directors, 5 cinematographers, and somewhere in the neighborhood of 100 speaking parts. Based on James Michener's panoramic bestseller about the settling of the American West--as reflected in the history of a fictionaltown called Centennial, Colorado--the story begins in the late 18th century and ends with a typical 20th century conflict over land usage.Centennial, however, largely concentrates on various memorablefrontiersmen, trappers, Indians, ranchers, cowboys, and farmers from longago. Richard Chamberlain shines as the pioneer Alexander McKeag, RobertConrad does some of his best work as French-Canadian Pasquinel, andperformances by Alex Karras, Chad Everett, Sally Kellerman, Raymond Burr,Richard Crenna, David Janssen, and Dennis Weaver effectively add to atapestry of adventure, tragedy, violence, and dubious Western progress.Produced at a time when TV networks were in the throes of acknowledgingAmerica's history of racial injustice, the program paints a starklyvillainous portrait of opportunists exploiting and destroying Indians in the name of manifest destiny. While the project's great length might make onewary of diving in, Centennial is the sort of carefully paced dramathat makes one care about the intertwined destinies of unique characters and how they illuminate America's past. --Tom Keogh ... Read more

Reviews (55)

Magnificent epic equals magnificent story
As a longtime fan of James Michener I have enjoyed many of his works but none of them has been so well represented on film as Centennial. The book was super but was erratically paced and jumped back and forth in history. The miniseries, however, is wonderful. The casting of the characters was right on in both the main and supporting roles. Robert Conrad gave his best performance as the complicated French trapper Pasquinel. Richard Chamberlain was the perfect Alexander McKeag and Gregory Harrison did a terrific job in his ability to cope with his character's aging from a inexperienced farm boy to a likable everyman to an aging hero. Michener's story explores the discovery of the west and shows us heroism and cowardice, greatness and pettiness and is a superb history lesson which everyone will enjoy. The series presents this story in the form of characters you will grow to like, admire, love, hate and remember. People I've watched the series with have shown deep emotion and cried through the depiction of the Indian massacre (actually the Sand Creek Massacre but renamed for the story). They came to admire Dennis Weaver as the cattle drive boss R.J. Poteet and the young cowboys he helped turn into men. You will see characters grow and change. You will identify with many and feel sad as they age and die. Throughout, however, you will be entertained and you will have a greater appreciation of the people who framed the American West.

Memorable, if overlong western epic
The mammoth western epic "Centennial" has always deserved a storied place in television history.

This ambitious effort, based on the James Michener novel of the same name, attempts to cover the history of the state of Colorado, from the days of the Native Americans to the political/environmental dealings of modern times. Clocking in at 24 hours, it's probably safe to say that rarely has so much effort been put into the television medium. Unfortunately, "Centennial" would have been better served to cut it's running time in half.

The first five episodes of "Centennial," dealing with the settling of the American frontier and the eventual clash between pioneers and Native Americans, are some of the finest hours ever produced for television. This 1978 miniseries provides an early sympathetic view of the Native American, from the appealing chief Lame Beaver, played convincingly by Michael Ansara, to his daughter Clay Basket sympathetically played by Barbara Carrera. Throw into this mix the stormy relationship of trappers Pasquinel (Robert Conrad) and McKeag (Richard Chamberlain), and you have great drama on the untamed frontier. Their lives, and the rustic, changing world in which they live, makes for terrific historical fireworks.

Of course, Conrad's performance as Pasquinel, a colorful and memorable character if ever there was one, is one of the finest of his erratic career. As soon as his character leaves the film, there is an emptiness to the drama which is never quite replaced. And this emptiness damages the overall memory of this western epic.

Episode five, which details the disturbing true-life incident of the Sand Creek Massacre, in which hundreds of Native Americans were brutally murdered, is probably the last hurrah of "Centennial." The film soon switches gears to detail ranching life, farming struggles and the Depression. But the sense of wonder and awe seems to disappear, as the film wallows in a series of cliches (Brian Keith as the town sheriff is almost laughably bad) which resembles poor soap opera. The characters are not as multi-dimensional, and certainly not as inspiring.

"Centennial" rebounds somewhat during the twelth and final episode in which the valid question is raised as to what type of industry is best for the state of Colorado -- living off the land as our ancestors did, or mining the countryside for its resources. David Janssen is superb as a ranch owner and descendent of Pasquinel. His brooding intensity practically washes away the bad taste left from the frustrating boredom of the previous four episodes.

"Centennial" boasts one of the most extraordinary casts ever assembled for a motion picture. Almost too many to mention, some nods of respect must be given to Conrad, Chamberlain, Janssen, Chad Everett, Richard Crenna (in a particularly villainous role), Carrera, Lynn Redgrave, Gregory Harrison and Dennis Weaver (absolutely terrific as trail boss R.J. Poteet).

Appropriate kudos must be given to the beautiful cinemaphotography and the exciting musical score of John Addison.

"Centennial," essentially is a television history of the United States, from the early settlers to modern times. No stone is left unturned in this epic journey, and if the ambition was a bit more than these filmmakers could actually achieve given the restraints of the budget and the limitations of its marathon length, one can forgive these starry-eyed dreamers for losing steam during the final episodes.

Based on the first five episodes (11 hours) alone, "Centennial" is one of the finest works in television history. As a whole, the film sputters to a three-star rating. But for patient viewers, there are many diamonds to discover in the rough, unforgiving land known as "Centennial."

PLEASE HURRY WITH THE DVD!!!!!
THIS IS WITHOUT A DOUBT THE MOST INTERESTING,WELL MADE, DYNAMIC
WORK ON THE HISTORY OF THE THE WEST EVER MADE. NOT ONLY DOES IT SHOW THE MOVEMENTS OF THE DIFFERENT MEN AND WOMEN WHO HELPED MAKE THE AMERICAN WEST, BUT IS SHOWS IT IN A WAY THAT IT IS HARD FOR ANYONE NOT TO GET WRAPPED UP IN IT. IT IS REMARKABLY CLOSE
TO JAMES MICHENER'S WONDERFUL BOOK. IT WOULD BE A GRAVE MISTAKE
NOT TO PUT THIS MOVIE/MINI-SERIES ON DVD. TO ME THIS RATES WITH
"THE LORD OF THE RINGS" AND "HARRY POTTER" FOR INTERTAINMENT.
THIS A REAL WINNER.........

DVD NOW PLEASE!! C'mon Universal!
In my opinion the finest mini-series in the history of TV. Universal Home Video must give this the attention it so richly deserves!

Centennial
This TV series was screened once in the UK on Sunday afternoons. It was an epic of it day. It was and is a must view program for all the family. Once you start watching you'll be hooked. The first 3/4s of the series are definately the better part. There is lots of lush scenery and a stronge flowing story with plenty of action.

We seem to have been waiting for ever for it to come out on DVD anyone any idea who we can chase? The money is burning a hole in my pocket. Obviously this is based on the video ... Read more

Reviews (140)

An easy addiction!
What's fascinating is the wide appeal of SATC! I know straight and gay men and women of all ages who watched the HBO version, and I found myself hooked on the DVD's.

Parts of each character are realistic, but ultimately there's an element of satire and "over-the-top" that keeps the reader hooked. (...)

And in Season 2, Big comes across as a really decent guy. He accompanies Carrie to a wedding of a couple he doesn't know and to a dinner with her friends. And she comes across as high maintenance. She can't read between the lines to see how much he cares for her so she keeps pushing for more. (...).

I believe the episodes work best when they're light-hearted and playful, such as 20-somethings vs. 30-somethings.

(...)."

Sometimes I think SATC is a litmus test for personalities. Everyone who watches sees something different. Some like Samantha best, others like her least. And some viewers focus on the clothes.

What hooks viewers, I think , is the three-dimensional qualities of the four main characters, and even of Big. They have real flaws as well as great virtues. And they have enough money and career stability to spend all their energies on relationships. Sometimes it's exhausting just to watch the quest, but the writers make sure it's never dull.

Sex and the City-Second Season (a guilty pleasure)
The Sex and the City-Second Season is a great item for those who don't have cable TV (unlike me). I get HBO just to watch these shows. Most of the year I don't have HBO, but when June comes, I rush to get it. I have all of the second and third season on tape, but this is a great gift idea for friends. I will probably buy this for one of my family and friends for birthdays or holidays. The great thing about this show is that every woman can see a little bit of herself in every one of the characters. Carrie (Sarah Jessica Parker) is the character I most relate to because of her fashion sense and her personality (very similar to mine). Samantha (Kim Catrall) is the woman that most women vilify, but wish they were like. She is so bold, daring and downright outrageous. There is a little Samantha in everyone. Miranda is the workaholic of the bunch who seeks perfection in everyone in everything. She is bold like Samantha, but in a different way. Charlotte is the one who you find endearing. Her search for her Prince Charming with a Madison Avenue job and Park Avenue apartment is something to watch. She goes through so many frogs, it is hilarious to watch.

The second season includes Carrie & Big getting back together and breaking up again (can they ever make up their minds?!), Miranda having a real relationship (with Steve, a bartender), Samantha having a relationship (oh my stars!) with the perfect guy (except for one "little" thing), and Charlotte dating so many guys (your head will spin) and not keeping any of them. It is a whirlwind of laughs, a few tears, and more, more, more.

This show has all of the elements that keep you tuning in. This is a must buy for all the non-HBOers out there. Buy it!!!

4 ho's, 5 stars
On the surface, this is the story of 4 floozies who complain that no one wants to marry them. They spend their time jumping in and out of beds with the idea that this is the path to matrimony. Someone should have recommended that they read the book "Who Moved My Cheese?" Somehow, though each of these women are portrayed as smart and successful in the businessworld, they exhibit no inkling over the plain fact that steady, reliable men don't marry ho's. Bed them, yes, but marry them? No.

It then occurred to me after watching a number of these episodes that it is really the story of 4 gay queens looking for a gay partner. At least that is the way it is written. Seen through this prism, the show is actually more poignant. The show -- through its characters -- strives to champion promiscuity as a virtue. And isn't this really at the heart of the gay ideology? But what makes the show so good is that the writers never insert love into the equation. These 4 selfish people constantly indulge in sex, but it is plain that none really have their hearts in it. They bemoan the lack of men who would love them, but they themselves withold their own love. Stingy with offering out their heart, they trade affection for something they do not value, their own bodies.

My first experiance with the show was in 1/2 drops every 6 months or so on HBO. But the DVD format allows one to watch the episodes back-to-back. With my infrequent viewings I was impressed with the glamour and adventurousness of the stars. But with seeing the shows back-to-back, the loneliness, neediness, and desparation exhibited by the ladies pops to the surface. There is nothing glamorous about their lives. Commendably, sex isn't depicted as an answer, but more as a drug to take the edge off of their main concern, their inability to win the heart of a man. Intentional or not, it is this truth that makes the show as good as it is.

Oh, by the way, the show got cancelled because the 4 ladies just got too old for their make-up to hide. They probably stayed on 2 seasons too long, but at least they got out when they did. How long could anyone watch 4 old ho's whine on about how they missed the boat?

great show but. . .the dvd sucks
I LOVE sex and the city I am very sad about the ending of the series, but this DVD is horrible(not the actual show but everything else about it). First, of all the caseing is this flimsy plastic material, which breaks easily. Second, there is not play all function of the discs, so if you are trying to watch the dvd all the way through, you have to choose each episode and click play twice(it goes to a synposis first) Last of all there are no special features at all, how can there be no outtakes? if you like s&c the second season is one of my favorite but the dvd can be very fustrating sometimes

Really sucks you in, then rips your heart in two!
This is the season where you really get drawn into the romance between Carrie and Big. When it works, it's really fun to watch, but when it falls apart....you want to just slap Carrie upside the head for being such an idiot! She really did bring a lot of the problems she had with Big on herself. Couldn't just enjoy a good thing when she had it. Oh well! Eventually I'll have to buy the whole darn series on DVD, but I'm going to pace myself. ... Read more

Amazon.com

Now you can achieve multiple viewings of the best Sex on TV.Winner of Golden Globes for Best TV Series and Best Actress, Sex and the City is based on Candace Bushnell's provocative bestselling book. Sarah JessicaParker stars as Carrie Bradshaw, a self-described "sexual anthropologist," who writes "Sex and the City," a newspaper column that chronicles the state of sexual affairs of Manhattanites in this "age of un-innocence." Her "posse," including nice girl Charlotte (Kristin Davis), hard-edged Miranda (Cynthia Nixon), and party girlSamantha (Kim Cattrall)--not to mention her own tumultuous love life--gives Carrie plenty of column fodder. Over the course of the first season's 12 episodes, the most prominent dramatic arc concerns Carrie, who goes from turning the tables on "toxic bachelors" by having "sex like a man" to wanting to join the ranks of "the monogamists" with the elusive Mr. Big (Chris Noth). Meanwhile, Miranda, Cynthia, and Samantha have their own dating woes, few of which can be described on a family Web site. Seinfeld has nothing on Sex and the City when it comes to shallow, self-absorbed characters or coining catch phrases. Episode 2, for example, introduces the term "modelizer": a guy who is obsessed with and will only date models. Some may accuse this series of male bashing. But women, after years of enduring shows with "men behaving badly," will relish the equal time. Some may blanch at the ladies' graphic language and ribald humor, or dismiss some of the situations as unrealistic (Carrie doesn't bat an eye when she discovers that an artist friend surreptitiously videotapes his sexual conquests). Still others will view Sex and the City as documentary. Regardless of your view, this groundbreaking series will have you longing for more. --Donald Liebenson ... Read more

Reviews (236)

Sophisticated & Fun: Loved It!
This must have been great Cable-TV when it was on HBO, to which we don't subscribe. It's even better in the DVD version. High quality resolution AND surround sound via DVD make this a must-see for intelligent, sophisticated viewers who don't find much to satisfy on standard network TV.

In fact, if even movies were this good, we'd be going all the time! The writing is superb, as is the acting, sets and fast-paced story line. If you've ever lived, as a single, in a large urban city and were remotely involved in the 'dating game', then you'll be able to relate to the characters. While mostly women, there are enough male characters for both sexes to connect with the 'dating game' and its ups and downs-- and the characters' ambitions, loves, fears and shared joys. Now I know why there has been so much "buzz" about this series... It's a totally sexy, hip romp! (Note: this is defintely not something that "Christian Coalition" types will admit to liking....!)

A great collection of one of the best shows on TV
Sex And The City and HBO are the only reasons I keep that too-expensive premium cable package. Sex And The City makes it worth it. I only started watching this funny and strike-a-chord series this summer and don't know why I waited so long. Fortunately, you can catch up instantly on the first season and second seasons on video/DVD. Each season has 12-18 episodes, and they're like an amazing batch of chocolate chip cookies. You will not be able to stop and you will not be bored, even if you go through the entire season in one sitting. It left me wanting more. The characters' through-it-all friendship will have you appreciating your own tried and true friends. Carrie, Charlotte, Miranda and Samantha are all likable, real, complex, funny and a pleasure to spend one or eighteen episodes with. If you've been a single woman for more than six seconds, you'll also appreciate the bewildering and recognizable behavior of the men in these friends' lives. New York City as the vibrant backdrop makes the show even more watchable. Interestingly, a male writer wrote several of the episodes, so clearly, there are some good ones out there. And guys, I know several men who are surreptitiously hooked, also ... for any men out there who'd like to know what women think and talk about when they're on their own ... here are all our secrets spilled. I recommend this great series to everyone.

The beginning.
The first season was just ok, it had more of an unfocused feel to it. The show also had more of a grainier texture to it. The first season really doesn't deal with relationships that much, it focuses mostly on random dating, which makes it hard to get a reading on these women aside from their generic label (the sexually adventurous one, the cynic, the uptight one). Only SJ Parkers character is explored deeper, even though her character is mostly negative, self-absorbed, neurotic and prone to relationship sabotage. As for people who critize SJP looks, she isn't supposed to be a model she's supposed to be a normal woman who is comfortable with her looks, a woman normal women can relate to. Overall an ok season. EP

PSEUDO-INTELLECTUAL DRIVEL!
(...)This reveals exactly why the terrorists hate our country. Shallow, materialistic, decadent, pseudo-intellectual drivel. I remember hearing one sentence of the show (before throwing the tv out the window) where the main character said "I finally realized" followed by some pseudo-existential "witticism" with a straight(dumb)face. The only positive aspect of this show is to teach kids to stay in school.

Fresh and fabulous
I got into this series when it was almost over and can recommend it. Yes, it's explicit at times so beware of that, but it's fresh and fun and most importantly absolutely fabulous. The characters are all played wonderfully by this cast and the stories have you chatting later about it with your friends saying things like "GEEZ, I'd never put up with that" etc. Depending on your favorite character as a woman it's easy to find yourself in one of the cast.

LOVE THIS SERIES! ... Read more

Amazon.com

He's a supersuave special agent. He has an arsenal of custom-made high-tech gadgets. Women find him irresistible. James Bond? No, James West, from the fondly remembered genre-bending TV series The Wild, Wild West, starring Robert Conrad as a frontier 007. Posing as "the dandiest dude that ever crossed the Mississippi," West and his partner, master of disguise Artemus Gordon (Ross Martin), foil diabolical plots to, primarily, take over the world. This boxed set rounds up three vintage episodes from the series' inaugural 1965 season. In the pilot, "The Night of the Inferno," President Grant himself recruits West, "the finest underground intelligence officer we have," to stop a revolution. Guest stars include Suzanne Pleshette as the proprietor of, um, a gambling house and Victor Buono as the mysterious Wing Fat. In "The Night of the Double-Edge Knife," Cheyenne Indians are blamed for a series of attacks on railroad workers. Guest stars include Leslie Nielsen (playing it straight as an exiled Army general with a grudge), Katharine Ross, Elisha Cook Jr., and Drew's dad, John Drew Barrymore. "The Night the Wizard Shook the Earth" introduces the villain who would be West's most elusive nemesis throughout the series, the diminutive Dr. Miguelito Loveless (Michael Dunn). That's Richard Kiel, better known as Jaws on The Spy Who Loved Me, as his henchman. --Donald Liebenson ... Read more

Reviews (7)

The West takes on a new look
I remember when I first started watching these (way back when). It was unlike any western I'd ever seen or would ever see. The creativity of this series is phenomenal. The humor is subtle, the action is spectacular, and the gadgets...oh those crazy gadgets...were way ahead of their time. Spielberg probably picked up a few pointers from this one. Just wish I had a train like James and Artemus had. Travel taken to a whole new level of comfort. The movie with Will Smith doesn't even come close to the same level as the series. The movie was just a showcase for Smith. The series is a showcase for creativity at its finest. Guaranteed--you won't waste you money buying these.

WILD WILD WINNER!!
These episodes are very good! They reflect a mass of James West's tools and gadgets and the story lines are done very well! Well written. I'm a big James west fan and will tell you that among all episodes, these are very good and would go well in any Wild Wild West collection.

I know it's crazy...but it's true!
I'll never being tired to see all of wild-wild west TV episodes. Why? Because of Robert Conrad! Conrad was so amazing inthis film...I couldn't imagine the film without him...even Will Smith couldn't replace him for the big screen version. The most important part that I like most is.....when Robert Conrad is Shirtless. Waw....you can see his athletical body and hairy chest of him. Of course...because he's so handsome (when he was young)...it seems that he's the sexiest man that I've ever seen.

WILD, WILD WEST, BETTER THAN THE MOVIE
I LIKE THIS TV SERIES, BETTER THAN THE MOVIE THAT MOVIE WAS A DISASTER IN ALL FRONTS, ROBERT CONRAD IS WONDERFUL, & THE CAST IS GREAT.

An absolute MUST-SEE set of episodes!
I thought all three episodes were really great. They all possess the elements that make watching these volumes an absolute priority. The videos bring out the 007 in West and the master of disguise in Gordon. The episodes are action packed and dig deep into the rare science fiction which is amazingly and marvelously applied to the 1865 setting making "The Wild Wild West" the best western ever. That's just my opinion. Watch the episodes and see for yourselves. ... Read more

Reviews (10)

One of the best British series ever
This series, which premiered on the (old, good) Masterpiece Theatre program in the '70's, covers over 20 years in the life of Louisa Trotter, a thinly-disguised take off on a real-life cockney scullery maid named Rosa Lewis who worked herself up into the "best cook in England," opened a "private hotel for gentlemen" in London, and knew just about everyone worth knowing in her time.

Gemma Jones, as Louisa, is simply stunning in the role, ably supported by a raft of those fine English character actors whose faces you will recognize with delight, if their names escape you.

Like "Upstairs, Downstairs," this series is the REAL DEAL; historically accurate, poignant, hilariously funny, sometimes tear-jerking, as we watch the ups and downs of Louisa's fortunes (and England's) from 1900 to the mid-'20's. The current five tapes cover the period roughly 1900-1910, from the beginning to the end of the Edwardian Age. Further episodes of the series, which went through the First World War and into the Jazz Age, will hopefully be released in due course.

This is a definitely not-to-be-missed and you'll-see-it-over-and-over series for those who love the best in British history on video!

A delicious series
If you loved the BBC mini-series "Upstairs, Downstairs", you will adore "The Dutchess Of Duke Street". Produced by some of the same
people, with many of the same actors popping up in character roles, it almost feels like a re-visiting of the Bellamy household to some extent.
It's the same Victorian-Edwardian time period, similar examinations of the class differences between servants and masters, same colorful,
plucky people going through life discussing politics, war, scandals, etc. Gemma Jones as Louisa Trotter is utterly fantastic in her role, showing
multi-layers of this Cockney girl's character that are absolutely fascinating to watch. Gemma had the role of a lifetime in Louisa, and she is
simply unforgettable. Christopher Cazenove is so handsome as Charlie Hazelmere he just about takes your breath away. He brightens up
every scene he is in with his presence, adorable smile and flashing eyes. Joanna David is touching as the tragic and anorexic Margaret. All the
secondary characters will touch your heart and leave a lasting impression: Mary, Starr, The Major, and the hysterically funny Mr. Merriman
(same actor who played Soames' father in the original "The Forsyte Saga"). This series is definitely worth the money to obtain all 31 episodes
in the currently offered two VHS boxed sets. Just wish it were on DVD. After I purchased mine I watched the entire series straight through
on one weekend; it was completely addictive. The video prints for Dutchess are of much better quality than the ones for Upstairs, Downstairs,
which were grainy and off-colored for the most part. Plus another positive: each tape has three episodes blended into one, without being
interrupted by end titles and music. This allows for smooth transitions and a more enjoyable viewing experience, almost like watching a movie.
Dutchess Of Duke Street is a must-have series for all people who love quality British television.

Wonderful Period Drama/Comedy of 1900-1910's London
After I spied this series on my local library's shelves & saw that it was about a female aspiring chef set in 1900-1910 London, I scooped up all the volumes.
This series really surprised me: It has strong writing and attention to setting. Louisa Trotter is a outspoken, cockney chef who works her way up in her profession and British society with lots of elbow grease, an understanding of human nature, and some luck. Gemma Jones is great as Louisa Trotter and the supporting cast is very solid as well.
I wasn't sure at first if this series was a miniseries or a TV series (It's TV), but it is rather Dickensian in that each episode builds on the previous. And I can pay a series no higher complement than to say that the conflict resolutions are neither trite nor perfunctory. Many allusions to historically accurate events, politicians, and contemporary culture are weaved into the storylines. I feel that I learned more about English classism and social mores from the "Duchess" & the Bentinck Hotel than from my semester abroad in London.
If you like period drama (and comedy) & strong, nuanced heroines with many battles to fight, then you will like "The Duchess of Duke Street." This series stands the test of time. My only complaint is that I did not learn much about the culinary arts, but the writing is so above standard that my complaint is rendered inconsequential.
Although this series began filming in 1976 the production values make it difficult to place. The Duchess of Duke Street is comparable in quality to BBC's 1979 Pride and Prejudice.

An Outstanding British Period Drama!
Produced and co-written by John Hawkesworth (best known for his role as producer and co-writer of Upstairs Downstairs), The Duchess of Duke Street tells the story of Louisa Leyton Trotter, a young Cockney woman from a working-class background with aspirations of becoming the finest cook in London. The series open in 1900, with Louisa landing a job as a cooking assistant to one of London's finest chefs. It's the chance of a lifetime for her, but her outspokenness threatens to be her downfall.

Nevertheless, she indeed rises to become a first-rate and much-sought-after cook and the proprietor of London's exclusive and very expensive Bentinck Hotel on Duke Street. Louisa owes much to Bertie, the Prince of Wales, with whom she has a brief affair. But she owes the bulk of her success to her own hard work and determination. The series spans some 30 years, throughout which we are privy to everything the hotel has to offer--from encounters involving aristocrats to the personal problems of the servants. Of course, it is Louisa's life that is at the forefront, and she must make some tough choices as she deals with crises of her own at both a professional and a personal level.

A feisty and independent young woman, Louisa is more than capable of taking care of herself, and she's played to absolute perfection by Gemma Jones. So convincing is she as Louisa Trotter that it's impossible to imagine anyone else in the role. As a point of interest, the character was based on a real-life individual named Rosa Lewis, a mistress of the Prince of Wales who set up a London hotel called the Cavendish. She died in 1952 and was personally known to John Hawkesworth.

Louisa is joined by a motley group at the hotel. The oldest servant, a butler named Mr. Merriman, came with the hotel when she bought it. He's a perennially wingeing old codger who one expects will keel over at any given moment. Then there's the new doorman, the mysterious Mr. Starr, with his trademark squeaky shoes and fox terrier Fred (upon whose supposedly unerring judgement Starr bases his opinion of potential guests!). Another fixture on the show is the Major (Richard Vernon of Sandbaggers), a decent and well-connected but destitute old war horse for whom the Bentinck has become home. Of course, one mustn't forget Louisa's right hand, the devoted Welsh servant, Mary; or Charlie Tyrrell, Lord Haslemere, a man with a permanent residence at the Bentinck and to whom Louisa owes much. In addition to the regulars, fans of British television will enjoy guest appearances by Robert Hardy (All Creatures), Anthony Andrews (Brideshead Revisited), and Joanna David, amongst others.

The series was produced between 1978 and 1980, and the entire series is presented in two video boxed sets. The series was originally televised in episodes of roughly 50 minutes each. For some reason, when releasing the series on video the BBC decided to run three episodes together on each tape, thus creating one long episode of approximately 150 minutes per tape. The editing, however, is beautifully done--apart from a gentle shift in the storyline (ie. old characters gone and new ones arriving), it is impossible to tell where one episode ends and another begins. Overall, the quality of the videos is excellent.

In conclusion, this is one of the best period dramas ever produced. Fans of British period dramas in general--of shows like Upstairs Downstairs, for example--are sure to enjoy it. But I'd go so far as to recommend it to anyone looking for a captivating, well-written, and consummately-acted series. This truly is quality entertainment at its very best!

From the Golden Age of Masterpiece Theater
This series is from the golden age of masterpiece theater. The characters are multidimentional and played by extremely talented actors and actresses. It was television worth watching which exists today, but oh so hard to find. If you liked series like Poldark and Upstairs Downstairs, you'll treasure this as well. ... Read more

From the Back Cover

Join Carrie (Sarah Jessica Parker) and her friends Samantha (Kim Cattrall), Charlotte (Kristin Davis), and Miranda (Cynthia Nixon) as they do weddings, funerals, and Bat Mitzvahs; Staten Island, the meat-packing district, and the Playboy Mansion. The third season fittingly includes a host of "A-list" celebrity guest appearances, including Carrie Fisher, Sarah Michelle Gellar, Hugh Hefner, Donovan Leitch, Matthew McConaughey, Alanis Morissette, and Vince Vaughn. So get ready to cross the velvet ropes and enter a world of... Sex and the City. ... Read more

Reviews (101)

Young and Professional--- please apply here.
I love Sex and the City. SJP has said on many occasions that the city is the 5th lady. I agree. The show is shot in the most beautiful place in the world. (can you tell I am a native?)So, it's fitting that the cast reflects the beauty of the city. I love the wonderful writing and the complexity of the characters. It's shows like this that remind the female population that being single isn't a crime and you can be young, sexual and a professional without feeling like maybe the clock is ticking. I have my current boy friend so hooked, that I think that he has watched the DVD's more than I have. I own the first two seasons and love them. I agree with the others that the third is better than the first two. And I sure can't wait for the 4th to be released. So Enjoy city dwellers and always remember, you might find your own, Mr. Big....

Brave, Award-winning writing and acting is hard to find, and
here it is. Sex and The City is the best written, best acted show on TV. I pay for HBO just to get my Sunday night fix. If you're looking for a smart, engaging, funny, introspective alternative to the one-dimensional, superficial characters on most tv shows, then you'll love this DVD. It is the finest of the first three seasons. It is best to watch them in order, so rent the first two seasons first, or better yet, buy them (trust me, you'll want to watch them over and over again). I also want to take this opportunity to defend the show from some previous reviews that claim the SATC characters are superficial, shallow and pathetic. That couldn't be further from the truth! The women on this show may have some character flaws;that is what makes them human, and that is what makes them interesting. Most people can strongly identify with many of the characterisitcs found in each character, and the women learn from their mistakes, learn about their friendships and relationships with each experience that they have. If you look close, you'll see that each of the four girls has their own issues to confront, their own lessons to learn. And they do. (Yes, even Samantha has depth- you have to be a fan to truly appreciate this). Sex and The City is brave writing; it takes you where no other show has ever dared to go. The outrageous sexual themes are interesting, real and sometimes humorous to most, but may be possibly offensive to some; even if you are easily offended, take the time to look past those things, because the heart of the show lies not in the shock value but in the truth of the characters, the excellent acting. Plus, it is also about New York, the best city on Earth. What more could you want?

Just Gets Better with Time
Sex and the City is one of very few TV shows that actually gets better as the seasons go by. Season three shows an incredible amount of growth in the characters (we get to see more of their intellectual and emotional sides, not just the sex lives), a more optimistic view of what the future is going to bring for them, and the usual amount of tasty (and sometimes tasteles) humour that has made many of us die-hard fans from the beginning.
In this season we get to see things that we hadn't expected (although many of us had been hoping for them) such as Carrie's new love interest (this time she meets someone who is actually "available" and loves her sincerely), the subsequent sadness that follows the best moments in such relationship (I won't elaborate much: don't wanna ruin it for those who haven't seen these episodes), Charlotte's engagement and marriage (and the "stiff" moments that she'll be enduring), Samantha's emotional growth, and Miranda's life with Steve (and after).
Some very charming, funny, and sad moments are found in these eighteen episodes. This set, like the previous two, is perfect for a weekend of leisure with a couple of friends, some wine or beer, and a big bowl of popcorn: fun at at its simplest and greatest. Likewise, the packaging is just as nice as the previous two, elegant and sexy. The extras aren't many to be honest, only the usual "annotated" episodes with commentaries from the director. Still, it is in the episodes themselves that the value of this package is found. If I could give this series more than five stars, I would. That's how much I love it. You will too, do not doubt it.
From NY with love :)
Indu Ikki

one night
watched the whole dvd in one night.

teaches me a lot about girls.

Such a fun series
I can't decide which season I like the most. With every season, there is that episode that really stands out, but so far every season has been good, and they keep getting better. I know this is a series I will watch for years to come and I'm happy it's out on DVD. ... Read more

Reviews (159)

The First Season of a Great and Timeless Series
M*A*S*H the series: Hawkeye Pierce (Alan Alda), Trapper John (Wayne Rogers), Radar (Gary Burghoff), Klinger (Jamie Farr), Colonel Blake (McLean Stevenson), Hot Lips Houlihan (Loretta Swit), Father Mulcahy (William Christopher), and Frank Burns (Larry Linville) are the core of a great cast telling the story of a Mobile Army Surgical Hospital, just a few miles from the front in the Korean War, trying to stay sane in an insane situation. Great irreverent comedy, with the early cast.

This VHS set: This is a three-tape set giving you the 24 episodes of the entire first season. I've been watching the reruns on late-night TV for years, and did not realize how much had been edited out of those (to squeeze in more commercials). Now, these tapes bring us the episodes uncut. It's fun watching them and going, "Hey, I don't remember that!" A good buy; a good set of tapes to have on the shelf for rainy (or snowy) days.

It's About Time
It's about time that Fox put out M*A*S*H for the public (and without those stupid subscription/shyster video clubs). Thank heaven for DVD!

M*A*S*H is a brilliant show. Funny, yet touching. I have seen every episode at least 50 times but only in reruns, since I was only four when the series debuted. It was fantastic seeing these episodes uncut. Syndication takes it toll on the series and they cut many of the really funny parts for commericals. Epsiodes like "Chief Surgeon Who?" and "Pilot" show how much talent was in the writing, directing and acting of this excellent show. My favorite is "Sometimes You Hear the Bullet" with a very young Ron Howard.

I plan on collecting every season, just to have a complete library. M*A*S*H is one show I never get tired of. Now, if they would just do the same thing with "I Love Lucy"!

Truly a classic TV show
"M*A*S*H" is definitely one of the greatest shows to ever grace the small screen-I recently purchased the first season episodes on home video-These episodes introduced us to a memorable cast of characters:Captain Benjamin Franklin Pierce aka "Hawkeye",Captain John Mc Intyre aka "Trapper",clueless Colonel Henry Blake,pompous Major Frank Burns,no nonsense head nurse Margaret Houlihan,alias "Hot Lips",myopic company clerk Cpl Walter "Radar" O'Reilly,& the cross dressing Cpl Max Klinger-Ironically,"M*A*S*H" didn't become a top 10 Neilsen favorite until the following season-I didn't realize that the reruns seen in syndication had been trimmed to allow for the airing of more commercials-That was clearly evident when I watched the first batch of episodes-Someone asked if the show was still on somewhere-It's presently seen on cable's Hallmark Channel-Unfortunately,I don't happen to receive that particular station-Thank God I can watch these classic episodes in this format.

The best of M.A.S.H.
The first series is my favourite, so I'm delighted to have it on DVD at last. It contains my two favourite episodes. 'To Market, To Market' is the one where Hawkeye and Trapper steal Henry's new oak desk to swop for medical supplies with a Korean black marketeer ("You know how it is, Colonel, we all look alike"). Even better, my all-time favourite episode " Tuttle" where Hawkeye and Trapper convince everyone that the imaginary Captain Tuttle is a real person. Every episode has a cracking script, and the cast are all wonderful, especially Alan Alda as Hawkeye and gorgeous Wayne Rogers as Trapper (how I adored him, it broke my heart when he left the series). And Maclean Stevenson is wonderful as daffy Colonel Blake, and Loretta Swit is brilliant as belligerent Margaret Houlihan, before they made the terrible mistake of softening her character and turning her into a nice, cuddly person (yuk). I've lost track of how many times I've watched this wonderful series over the years, and now I have it on DVD I can watch it even more.

Where this classic series got started
What can be said about M.A.S.H. that hasn't been said already? Among the longest running and best sitcoms ever made, it stands the test of time despite its very specific setting. The gags still work, the characters are still wonderful, and the show still enjoyable.

The first season is less serious than later seasons, which were not shy about dropping the gags in order to throw serious topics into the mix. The actors, too, were still finding their tone and pacing during this first season. But still, few shows can match these "baby steps." Hilarious from start to finish.

This DVD set is bare bones, though not poorly produced. We get the episodes spread out over three discs (all in a sturdy triple-case) and a small booklet with info on each episode. And that's it. No extras, no commentaries. Just the episodes.

Which is just fine, because the episodes are great. Good, crisp picture far better than reruns, and good sound.

And the bare bones format pays off. With TV-on-DVD sets routinely breaking the $50 to $70 range, $35 sounds pretty darn good. A no-brainer buy for M.A.S.H. fans. ... Read more

Amazon.com

Culled from 30 years of material, this collection of moments from The Tonight Show Starring Johnny Carson contains some of most inspired bits of lunacy ever recorded. Whether cajoling with Hollywood's biggest stars or normal folk with special talents, Carson was a master of finding the right joke, with timing second to none. Along with bits of his opening monologues, skits, and early standup appearances from the likes of David Letterman and Eddie Murphy, there are many highlights with perhaps the perfect Carson guest--exotic animals that stole the show. This collection was released shortly after Carson's reign ended in 1992. Although most of the tapes of his first decade are lost, there are plenty of highlights from the '70s through the '90s. Also included is Carson's touching and historic "Final Show," which finds the host simply talking to his audience and showing highlights--or just the faces--from his years on the set. Although many followed--and a few have even succeeded--Carson's Midwest charm made him the king of TV in a period when America was defined by television. --Doug Thomas ... Read more

Reviews (16)

The Man Behind the Desk
In today's era of David Letterman and Jay Leno, younger generations should remember that Johnny Carson (along with his "Tonight Show" predecessors Jack Paar and Steve Allen) defined the talk-show format which made late-night television an enduring and immensely profitable enterprise. From 1962 to 1992, Carson reigned supreme as a comedian and broadcaster. Unlike Letterman and Leno, Johnny did his homework when it came to nightly conversation. No matter who sat on the couch, he remained an astute and observant host. "The Ultimate Johnny Carson Collection" is an expanded three-DVD set of "Tonight Show" highlights selected by Johnny himself, with the welcome addition of his final two programs. The set also includes the 1982 NBC special "Johnny Goes Home" -- a nostalgic, affectionate look at Carson's return to his hometown of Norfolk, Nebraska. Loaded with extras (and some recently discovered film clips from the early 1960s), the DVD collection provides first-rate material at a reasonable price. If this set leaves you wanting more, the six-DVD "Timeless Moments" series is highly recommended -- allowing viewers to see previously unavailable Carson monologues, interviews and sketches in their entirety.

Still the King!
As one of the millions that sorely miss the wit and wisdom of Johnny Carson, I was especially pleased to receive this "best of" DVD collection. The three DVD's feature the best moments from the show - divided by decade - from the 60's through the 90's, and also include the complete second-to-last show (with Bette Midler and Robin Williams) and the final show, along with a documentary on Johnny I had never seen before. The remastering quality is great. There is a fun little short film called "Danger Johnny", and one of the most interesting things about the DVD's are the ISO CAMS, that allow you to pick the camera angles to view some of the programs. You can even view scenes from Johnny's perspective. The menu options are terrific, and the packaging very deluxe. If you are a fan of classic television, this is a great addition to your library - and I plan to send them as gifts to family members I know miss Johnny too.

Disappointed
I was disappointed with this set. It doesn't give you a sense of what made you love Johnny, really. There is minimal development of the material. A couple of gags would be OK, but gag after gag left me feeling empty. Maybe Johnny is not the right person to toast with snippets; his charm came from watching an entire show, or was built up over months, years. Likewise his skill as an interviewer is lost in the short clips. Had I known, I would have taken on a pass on this purchase. Furthermore,the production is rushed and uncreative.

There will never be another...
Watching this set of dvds left me with a sense of melancholy and loss. Like spent youth and good times/people gone by. This will not... it cannot... ever happen again. Carson was a master of the Late Nite format in a very special time in our history. It was a time when true stars walked the Earth. Real S*T*A*R*S like Dean Martin, Bob Hope, Jimmy Stewart, John Wayne, etc. would show up on the Tonight Show to trade quips with Johnny and we knew that we were in the presence of greatness... not foul-mouthed little Irish gits like Colin Farrell whose every second utterance is a four-letter swear-word, or the assorted giggling bimbos and boring, scuzzball, here-today-gone-tomorrow boy bands who frequent the Leno show. This rather pricey 3-disc extravaganza will take you back home and leave you wanting more. BEWARE though! The set is advertized as over 7 hours long and that is not the case. Here is the breakdown: BEST OF THE '60s & '70s (48 mins), BEST OF THE '70s & '80s (46 mins), BEST OF THE '80s & '90S (52 mins), JOHNNY GOES HOME (47 mins), SECOND LAST SHOW (32 mins), FINAL SHOW (35 mins). I work it out to just about 4 and a half hours on 3 discs. Mind you, the packaging, picture quality and menus are superb. Definately worth a purchase, but my advice would be to shop around for the best price.

Will Never Be Equaled
A wonderful look back at 30 years of late night class. It just goes to show what an awesome talent Johnny was and how far late night TV has declined. The picture and sound quality is excellent, and the extras are good, too. Johnny's 1982 special where he visits Norfolk is fun to see again as well. My only gripe is that the music montage from the last show is missing, but this probably has to do with getting all the clearances from the artists, which can be difficult. Highly recommended for all us baby-boomers who grew up with the one and only King of late night. Johnny......WE MISS YOU!!!!!!!!!!!! ... Read more

Amazon.com

A thousand years in 10 hours is an ambitious project, to say the least. But the team at CNN succeeds with its now-typical aplomb, as the team that brought us Cold War shares with us Millennium."We know the history of our own country," narrator Ben Kingsley intones. But this series purports to give us "history from a global perspective, not through the eyes of the West." Using reenactments and impressive computer graphics--used with inspiration for everything from rebuilding the 11th-century Pueblo Bonito to representing Freud's idea of the subconscious--the history of the world for the past 1,000 years is re-created. Each episode covers 100 years, from the 11th century's "Century of the Sword" to the 16th century's "Century of the Compass" to the final 100 years of the millennium in "Century of the Globe."Segmented by time and place, Millennium focuses on five topics in five separate locations in each episode.The wealth of topics is mind-boggling: the spread of Islam,Mongol conquests, the rise of Gothic spires across Europe, Australian Aborigines,the trail of Marco Polo, Black Death, Chinese naval power, the Ottoman Empire, the religious conversion of the Mayans, the Mogul Dynasty, science, slave trade, the Industrial Revolution, to name just a fraction of the stories told. Granted, given the constraints of covering 1,000 years in a mere 10 hours, the video may leave you longing for more, but what a way to whet your appetite for history. --Jenny Brown ... Read more

Reviews (1)

Best series yet, I hope another 1,000 years is made soon.
I am a football coach and not some profeesor, but a video series like this has never been made. Just turn on the VCR and learn why we live the way we do. This video set is by far the best and most enjoyable out there. The facts enlighten even the most naive viewer to the history of the world as it will be seen hundreds of years from now. People only understand the view of religion, culture, and history as that of there own country. This amazing set opens your eyes to facts your history teachers never understood, and does so with the use of great computer graphics to take you back to the age talked about. One can only wait for the wonders of knowledge CNN/TIME will offer in the future. I am waiting for the previous 40,000 years to be made. ... Read more

Amazon.com

In its second season, The Sopranos sustains the edgy intelligence and unpredictable, genre-warping narrative momentum that made this modern mob saga the most critically acclaimed series of the late 1990s. Creator-producer David Chase repeatedly defies formula to let the narrative turn as a direct consequence of the characters' behavior, letting everyone in this rogue's gallery of Mafiosi, friends, and family evolve and deepen.

That gamble is most apparent in the rupture of the relationship that formed the spine of the first season, the tangled ties between capo Tony Soprano (James Gandolfini) and monstrous matriarch Livia (Nancy Marchand), whose betrayal makes Tony's estrangement a logical response. Filling that vacuum, however, is prodigal sister Janice (Aida Turturro), whose New Age flakiness never successfully conceals her underlying calculation and opportunism. Soprano's relationship with therapist Jennifer Melfi (Lorraine Bracco) also frays during early episodes, as she struggles with escalating doubts about her mobbed-up patient. At home, Tony contends with wife Carmela's ruthless ambitions on behalf of college-bound Meadow, as well as son Anthony Jr.'s sullen adolescent flirtation with existentialism--the sort of touch that the show handles with a smart mix of sympathy and amusement.

Without spoiling the surprise of the season's climactic last episode, it's worth noting that only on The Sopranos could we expect a scene that sets up a mob hit with a perversely funny touch of magic realism--a talking fish, lying on a fishmonger's iced display, speaking with the voice of the victim. It's a touch at once morbid and goofy, and consistent with the show's undimmed brilliance. --Sam Sutherland ... Read more

Reviews (86)

The Second Season: Nearly as Great as the First
THE SOPRANOS had a tough act to follow after that remarkable first season. With so many characters having gotten wacked by the end of the first season, the show faced the always-tricky challenge of integrating new characters into the mix.

Although there are some lulls early in the second season, the show ultimately surfs the transition extremely well. Episode 14, the first of the second season, reveals what became of Big Pussy Bonpensiero; it also introduces us to Janice, Tony's ne'er-do-well sister from the West Coast. In episode 16 we get a blunt introduction to Richie Aprile (brother of the late Jackie Aprile Sr.). Richie has just been released from prison, and we immediately know that he's going to be a nasty thorn in Tony's side. But frankly, you could skip over episodes 17 and 18 and you would barely miss a thing. By far the most significant long-term development in those episodes occurs when Tony brings Furio back after a "business trip" to Italy.

Things really start cooking in episode 19 when we meet Tony's high school buddy and "degenerate gambler" David Scatino, brilliantly played by the underrated actor Robert Patrick. (Frank Sinatra Jr. has a cameo in this episode). It would be unfair to newcomers to detail any more plot twists beyond this point.

The sessions between Tony and Dr. Melfi remain the prism through which the entire show is filtered. One of their best and most pointed exchanges occurs in episode 22. Dr. Melfi asks Tony if he believes that his nephew Christopher will burn in hell because of his mob activities. Who among us really belongs in hell? "The serial killers, the people who kill for pleasure, the child molesters, the Hitlers, the Pol Pots. Those are the [...] who belong in hell, not my nephew," Tony responds (I'm paraphrasing a bit). After all, "Rockefeller and J.P. Morgan were crooks and killers too." But those Gilded Age elites needed Italian immigrants "to build their cities and dig their subways and make 'em richer." The rise of La Cosa Nostra early in the twentieth century, Tony concludes, was simply a class struggle in which the hard-working sons of Italian immigrants claimed their rightful "piece of the action." Not even Dr. Melfi can stomach this much moral equivalence. In one of the few times that she blows her stack at Tony, she angrily asks, "Does that justify EVERYTHING you do?"

The show's little touches are almost as impressive as the big ones. For example, episode 23 begins with an eyewitness telling the cops about a murder. Later we see him at home, sipping wine and reading ANARCHY, STATE AND UTOPIA. This episode also reveals Richie and Janice's unorthodox (and hysterically funny) lovemaking techniques, which only the two of them could have dreamed up.

One could go on and on about what makes this show so special. The key to the show's success, I believe, is that it tends to be character-driven, whereas too many other shows are strictly plot-driven. That explains why THE SOPRANOS almost always rings true. Thank God this show is on HBO and not regular network TV.

Every time I think I'm out, it pulls me back in!
Things are going pretty well for Tony Soprano at the beginning of the second season of "The Sopranos." With most of his enemies safely sidelined, he is the unchallenged boss of the New Jersey mob, with lots of lucrative business opportunities presenting themselves. Yet, as always, new problems present themselves. His kids Meadow and A.J. are as rebellious as ever, and wife Carmela is increasingly fed up with Tony's absences, infidelities and fits of temper. Janice, his hippie-dippy sister, shows up unexpectedly. Richie Aprile, a mobster so greedy and violent that he scares even Tony, is released from prison and starts muscling in on Tony's business. Dr. Melfi, Tony's shrink, refuses to talk to him. And then, as always, there are the feds... As always, "Sopranos" creator David Chase and his superb team of writers cook up a fascinating, mesmerizing witch's brew of money, murder and various misbehaviors, enacted by what may well be the best ensemble cast in the history of television. (If there were a Nobel Prize for TV acting, James Gandolfini and Edie Falco certainly would be on the short list every year.) Once again, if you're offended by rough language, nudity and violence, stay away. Otherwise, be prepared to get hooked.

The 21st Century Is Awesome, So Is This Cable TV Show
Thank God for the 21st century, we live in a great time of great
movies like The Lord Of The Rings Trilogy, Crouching Tiger
Hidden Dragon, A Beautiful Mind, and Chicago. A great time of
great music like: Linken Park, and Fisher Spooner. A great time
of miniseries: Band Of Brothers, the miniseries of Ken Burns, and Angels In America. A great time of Books: Film books, and
all other types of reading. And also a great time of great TV:
HBO's Oz, Deadwood, Six Feet Under, Aqua Teen Hunger Force, Family Guy, and of course The Sopranos. What I love about this show is everything, it is completely flawless from the fascinating storylines to the outstanding performances from
everyone involved. James Gandolfini not only plays mafia family
man Tony Soprano with character and depth, but with his persona-
lity he captures the works of Hollywood legends Robert De Niro,
and the late Marlon Brando, who was such a legendary actor with
classic films like The Godfather and On The Waterfront (I coulda
been a contender) which De Niro used for his Jake La Motta role
in the flawless masterpiece Raging Bull. Edie Falco brings
human emotion to her role in the show as Carmella Soprano, and
another standout is Michael Imperolli (Who played Spider in
Goodfellas). This is what TV should be. Five Stars.

Can you survive thirteen episodes with The Sopranos?
I was totally looking forward to this second series of The Sopranos. Its amazing writing and compelling story lines are the finest ever to emerge from TV. Never as a TV show had the same effect on you as a movie does.

Series Two is a lot better than series one and contains more depth in the characters. If the Sopranos just went about killing one another we wouldn't really care about it, but because it could almost be described as a psychological drama (with guns) it is fantastic. I'm Italian American and don't mind one iota at some of the humor in this and appreciated every second this DVD had to offer.

If the creator David Chase is reading this (ha) then when The Sopranos finishes, how about a prequel/spin off with JOHNNY 'BOY' SOPRANO in the fiftys? It'll be a sure hit.

It's a Family Thing....
The Sopranos is one of HBO's greatest achievements (although I admit that I think it lost some of its momentum and spark with seasons three and four). When I first saw the show, I was hooked. I'd watch anywhere from three to four episodes a day. One of the great things about first watching this show on DVD was that I could watch any number of episodes instead of just watching one per week.

"The Sopranos: The Complete Second Season" has to be my favorite season. As much as I love the first one, this was when things were really funny, intense, dramatic and involving. The season doesn't let us down when it comes to Tony having more problems than ever before. Both in his Mafia Family and his immediate family, Tony can never get a break. His wife gives him grief while his kids keep doing things that upset him. And don't get me started on his ill mother and self-centered sister. Life isn't much better in his Mafia Family when the brother of Jackie is released from prison and is giving Tony a hard time both personally and professionally. Not to mention that his long time friend, Big P. comes back from a long hiatus when he was first suspected of turning rat to the Feds. All of this leads to one incredible and unpredictable season that showcases the show like none other.

For me, this was the most entertaining season of them all. I loved the characters, the constantly changing storylines, and the personal and business life of Tony Soprano, which is superbly balanced in this season. There's still the much appreciated humor in these episodes that were found lacking in the next two seasons. It doesn't feel like a soap opera, but a more enhanced look into the Mafia world. There's plenty of action as well as dramatic storylines that will make everybody happy for the most part.

This season comes in a set of four discs, totaling at 13 episodes. The great thing about the show is that it is presented to us in a widescreen format that is enhanced for widescreen TVs. This really makes the show that more effective because you feel like you're actually watching a movie rather than a show on cable. The picture and sound quality is great and really shows. There are some nice little extras, such as featurettes, brief previews and recaps of episodes, web-links and more.

"The Sopranos: The Complete Second Season" is a bundle of laughs, suspense, drama, action and surprises. You're always on your toes and you never know what's coming next. One thing's for sure; this is the most unpredictable season out of the four seasons (the fifth one looks pretty promising thus far). While you'll want to start with the first season if you've never seen the show before, you'll know that you will have something special to look forward to once you get to the second season. In my opinion, this is where Sopranos is flawlessly at its best. -Michael Crane ... Read more

Description

Some suburban households have two cars. Some have two houses. But Tony Soprano has two families. This could be why the FBI is going to such lengths to wiretap his home. Why the son of his dear late friend Jackie Aprile is causing him such agita. Why a Russian housekeeper is searching for her missing leg. Why his son is vandalizing school property and his daughter is getting her heart broken. Why his wife Carmela is both consulting a psychiatrist and confessing to a priest. And it's also why Tony Soprano is still seeing Dr. Melfi for his anxiety attacks. It isn't easy heading-up the mob in New Jersey. But that's what puts dinner on the table for the two families of Tony Soprano. ... Read more

Reviews (85)

A series that just gets better and better.
The third series of 'The Sopranos' consolidates the brilliance of the first two, rather than taking it in any radically new directions. The characters, their relationships and their environment are so strong; the dramatic irony between our sympathy with and enjoyment of these people, and our knowledge of their brutal and unhypocritically presented crimes, is so complex, that any blatant originality merely for the sake of it would be a betrayal.

But, because the central components are so strong, there is plenty of room for play - in the way narratives are set up to encourage then defy expectations; in the interplay with canonical gangster texts, especially 'The Godfather'; in the consistently creative use of music - for mood and to emphasise character, yes, but also to create ironic distance, to add montages of 'commentary' over the stories, to connect apparently disparate scenes, to add a depth of texture. Because it is in texture that 'The Sopranos' has really developed - the recklessly confident film-making; the layered scripts; the rich dialogue; and the knowing acting combine to create programmes of truly, yes, operatic density.

There are a number of new plot developments in this series - Meadow goes to Columbia University; the FBI (in a supremely funny handful of episodes) attempt to bug the Sopranos; the Russian mafia grow in menacing importance; Janice takes up with a Christian musician; Anthony Jr. becomes increasingly unmanagable at school and at play, but proves an unexpectedly skilful footballer; Ralph (Joe Pantoliano) replaces Richie Aprile as the major made-guy thorn in Tony's side; Carmela feels increasingly guilty about her mob-financed luxury; Tony begins an affair with a beautiful, smart, successful car saleswoman (Anabella Sciorra) who has even more mental problems than he. Most crucial for the series is the role of Jackie Aprile Jr., college-mitching son of Tony's former mob boss and best friend, who wants to see some of the criminal action, and starts dating Meadow as a spectacularly misjudged entree. The major weakness of the second series - the tokenistic continuation of the Dr. Melfi framing scenes long after they've outrun their dramtic usefulness - is corrected by both bringing the psychotherapist