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| 161. Charlie's Angels Director: McG | |
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Reviews (363)
John Forsythe returns from the original series as the voice of "Charlie," the unseen head of a detective agency. His "Angels" are three gorgeous but lethal women who do the detective work. Along for the ride is Charlie's assistant, Bosley (Bill Murray). Drew Barrymore (as tough chick Dylan), Lucy Liu (as cool, elegant Alex) and Cameron Diaz (as brainy but goofy Natalie) have great chemistry as the Angels. The plot involves computers and revenge. Throughout the film there are awesome stunts, cool high-tech gadgetry, hilarious comic bits, and multiple undercover disguises. Musical cues are cleverly woven into the film; much of the film has a James Bond-meets-MTV feel. "Charlie's Angels" is a tremendously fun piece of escapist entertainment, with a nice female-empowerment-and-bonding vibe. The film successfully straddles the line between spoofiness and serious adventure. Congratulations to the filmmakers for bringing back the "Angels."
For a genuine fun time, rent this DVD with a few girlfriends (guy friends?)and turn on the surround sound. Speaking of which, taking note of certain costumes (or lack therof), one wonders who McG intends the audience to be. Nevertheless, Charlie's Angels is a sugar sweet, happy fun movie whose anthem should be "Girls Just Wanna Have Fun."
But if your like me, and see through that BS of there idea that "sex image" sells, then this movie is a worthless waste of time! Even tho Drew Barrymore said, the reason for it is because she is against guns and dosent want to use them.... it dosent mean that [breasts] and bikinis are going to make it all better, and give it a new twist in a plot, because I didnt see much of one ... and when i see 5 star reviews to this garbage, i straigh away know it's a guy whose reveiwing with somthing other thats not his head! Hollywood need to drop this idea of making action movies with woman wearing next to nothing, and make a decent action film with woman who are respectable for there performace, and most of all, ACT!
From the familiar opening strains of the TV show's music to the end, the movie remains true to the original series, yet is modern and updated. Barry is cute, Liu is tough, and Diaz simply dazzles. Lots of humor and action make this film a must-see. There is one especially hilarious scene that makes fun of engineers. Two of the angels dress up as men, and Liu dons a black leather miniskirt to distract the men. It works very well as the engineers are all falling out of their seats and looking at her in awe as she works the "dominatrix" role. And it is great to have John Forsythe back as the voice of Charlie. At least he was a good sport about it; a true gentleman like Charlie! ... Read more | |
| 162. Waking Ned Devine Director: Kirk Jones (III) | |
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Reviews (137)
A subplot of romance between a beautiful single mother and an earnest (but smelly) pig farmer adds to the general warmth of the movie. The end scene is one of the most well-executed ones I have ever seen. It is a real show stopper. My brother and mother watch this movie over and over.
This is a sleeper movie, one that is far better than the public generally knows. Be ready to enjoy a symphony of acting. If you don't like foreign films (I didn't) this may very well be the first you enjoy (and then see Run Lola Run, one that is 100% different from this but another foreign movie for people who don't think they like foreign movies). ... Read more | |
| 163. The Rugrats Movies Video Collection Director: Paul Demeyer, Stig Bergqvist | |
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| 164. The Chosen One: The Legend of the Raven Director: Lawrence Lanoff | |
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Reviews (16)
'The Chosen-Legend of the Raven' is the story of a young woman [Carmen Electra] who is chosen by birthright and circumstance to take up her family mantle (represented by a necklace with mystical powers) to become the Raven fight against an Evil that threatens to swallow the world. The film depicts her transformation and her first battle against said evil, manifested in the Wolf [Shauna Sand]. Nice concept, exceedingly bad execution. The script is very nearly devoid of focus, the acting is almost universally bad (Shauna Sand shows some glimmers of talent, or maybe just carries herself with natural intensity... but this is offset by Carmen Electra's thoroughly wooden and amateurish performance), and the fight scenes are as lame as any ever committed to film. There's not even anything remarkable about the camera work or costuming, and there's no humour to speak of. To top it off, the Raven's enemies seem more pathetic than truly threatening. The only thing I can think of to recommend this film is that it *did* manage to hold my attention. Unlike many other poorly made films the creators here at least had a sense of pacing. My advice? Pass on this one unless you're the world's biggest Carmen Electra or Shauna Sand fan. If you're looking for a film with woman superheroes, get 'The Heroic Trio' or its sequel 'The Exceutioners.' (The latter is more in line with the tone of 'Legend of the Raven, but is a vastly superior flick.) ... Read more | |
| 165. Barney: Barney's Magical Musical Adventure | |
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| 166. Jimmy Neutron - Boy Genius Director: John A. Davis | |
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the animation achieves a fluidity rarely seen in CGI animation and very nearly matches the masters--Warner Brothers and old Disney. The colors are bright and kid friendly, yet the dialogue, allusions and spoofs of everything from teen movies to comic books will entertain adults. The animators have decided not to tread down the path that Pixar and SKG have gone with Toy Story and Shrek, i.e. the attempt to "copy" reality, and have, instead, pursued the outlandish whackiness that cartoons used to be known for. If some have criticized the animation, then they have been comparing apples to oranges. We have kept our daughter (4 1/2) away from Nickolodeon because we find it generally tasteless, crass and repulsive--thus we were very pleasantly surprised at the result. The characters are interesting and well drawn and played to the hilt by everyone involved. One can only hope the inevitable sequels are done with as much verve and cleverness. A couple of nitpicky items: I agree with the observations of some that Jimmy's father could be more complexly drawn. In this film he is a mere compliment (pun intended) to Jimmy's fiercely brilliant mother. It would also be a good thing for the children if there were a couple of adults (other than his mother) who were a LITTLE smarter than the actual teachers most of us had in school. To wit, Mrs. Fowl, while funny, comes across as little more than a brain damaged Flo from Alice. Bottom line: if you're a catroon fan you'll enjoy it as much as your younger children will. ... Read more | |
| 167. Our Lady of the Assassins Director: Barbet Schroeder | |
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this movie could be considered the extreme polar opposite of phillip lee williams work, the sentimental american novelist who wrote 'the heart of a distant forest' which detailed a retired professor returning to his family's cabin in the wisconsin? wilderness to die...in peace. fernando's fate as a free living sage in modern day middle america's largest city is an ugly one, without peace or humanity. here, god resembles a monster. and for the eye-opening experience alone, our lady is worth the view. the acting is perfectly suited. throughout the film, i didn't have to ever stop and critique the actor's credibility. the whole experience will seriously suck you in. in some ways, the video quality is the perfect media for adapting the novel: gritty, realistic, portable, etc. it was really really nice to finally find a movie that doesn't require high production values. this is like the great lo-fi of music. it ain't diltuted and could definitely plow it's way through most of american film. if you are of a thinking mind or film afficionado, do not let this get by you!!! clean transfer, but still on a camcorder...
i am a colombian who has experienced gang violence and crime. what people do not understand is that colombia is not compton, where the police come and record a crime. here are some facts less than 3% of crimes in colombia are successfully prosecuted, a rate lower than that of the old west, a time and place taht was supposedly lawless the murder rate in medellin (the city where the movie is set, where my family lives), including rich neighborhoods and slums is 465 per 100,000, compton, california (the birthplace of gang violence in the US and home of gangsta rap) was only 80.2 per 100,000 in 1987 (when things were supposedly much worse) as far as the filmmaking itself, i cannot say it si a well made movie, my interest is solely in teh subject matter the homosexuality adds a confusing dimension to the film that is not necessary when portraying violent crime in the most dangerous place in the western hemisphere RENT, DO NOT BUY and yes, the violence is real, contrary to what you may think living in the suburbs, medellin is the most murderous city in the world, 6 times as murderous as compton, california
It's very consistent with a gay-subject matter film now playing, "Our Lady of the Assassins," [La Virgen de los Sicarios], also set in Columbia. This is a movie about this despair. The central character, Fernando relentlessly embodies a spirit of negativity towards absolutely everything - even his young loves (teen-aged boys) are assassins. Considering the director's last name (Schroder) I'd guess there's a literary allusion here from his own background. In Goethe's Faust the Satanic emissary, Mephistopheles, is memorialized as " "Der Geist der ewig verneint," the Spirit which forever denies, and that's certainly Fernando. He's as much a cause of that spiritual "Colombia" as he and his loves are symptoms of it. After all, if you deny any salvation, you must repeat the hopelessness of everything, make hopelessness inevitable. Step by step Fernando exposes young Alexis to the death to which that boy is destined, a strange "being hatefully in love," as one of Alexis' lines has it. He's that ill-starred boys' codependent as, time and again, he does nothing to avert the youngster's fate, and everything that almost provokes the inevitable. Fernando, in his own rejection of hope, is as much a death-bringer as his young assasins, whatever his protestations. The proof of this guess at a literary background for the film is Fernando's reminiscence that in childhood he had a family parrot named Fausto. There it is, Goethe's great work, and the key to Fernando's unwittingly Mephistophelian character. Fernando's despair is less than his own "negation" of all trust, all hope. He's in despair of himself, and, in that, I suppose, serves as a metaphor for self-reflective Colombia. Vargas Llosa, the Peruvian novelist, recently pointed that out in the Latin American character, that profound distrust of all social institutions, that spirit of negation which undermines them even as people struggle to make them work. On one hand there's passionate self-sacrifice (even like young Alexis who throws himself in front of Fernando) and, on the other, profound corruption by mistrust of everything that might work. No accident, that the film is replete with themes of faith and utter doubt, salvation and slaughter in one character. Fernando's despair is I think true but obvious; what's truer and beneath the surface is his own fatal negation of anything that might relieve his despair. Inevitably he loses one boy (whom he makes no effort to save), and, when he's offered a second chance, tries to save another when it's too late. So much of Latin America has something of this at work in it - those themes of love and death get handled with quite some consistency in those somber films. The predecessor of that film, by the way, was Rodrigo D, a cinema verite treatment of the youngsters' gang battles in Colombia in the eighties. By the time the film was ready for release, seven of its twenty "street boy" actors were dead through that senseless, inevitable violence.
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| 168. Selena Director: Gregory Nava | |
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| 169. SpongeBob SquarePants - Sea Stories Director: C.H. Greenblatt, Aaron Springer, Walt Dohrn, Dan Povenmire, Sam Henderson, Paul Tibbett, Sherm Cohen, Jay Lender | |
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"Gary Takes a Bath" "Life of Crime" "Pickles" "No Free Rides," "Sailor Mouth" "No Weenies Allowed" "Jellyfish Jam" "The Algae's Always Greener" "Shanghaied" (with 3 different endings) It also contains a music video and video game hints and tricks. This is one of the best TV shows around, so you have to buy the DVD because it's worth every penny.
Gary Takes a Bath: 4/5 Can only watch it once. Hooky 4/5 Funny, but gets old after a while. Life Of Crime 5/5 One of my favorites - shows how stupid Patrick is. "Liar, liar, plants for hire." Pickles 5/5 I like when Spongebob tries to remember how to make the Krabby Patty. No Free Rides 4.5/5 Good episode Sailor Mouth 5/5 One of my favorites. Spongebob and Patrick learn a new word... No Weenies Allowed 6/5 One of the best episodes. My favorite besides the Krusty Krab Training Video. It's really funny. Jellyfish Jam 3/5 The jellyfish episodes just sort of annoy me. The Alge's Always Greener 4.5/5 Funny - Plankton switches lives with Mr. Krabs. Shanghaid 5/5 Hillarious and it comes with three different endings. Overall, it's a great DVD. Also, has some special features.
The VHS edition contains five episodes, all of which are insanely funny: While all the episodes contain fairly innocent humor (that parents and everyone alike will laugh to) when compared to other past cartoons (such as "Ren and Stimpy"), I'd advice parents to stick around when your children watch SpongeBob. He can provide you with some valuable tools to get your children to understand certain things, but by the same token, he can twist some things that might later complicate matters (making certain things confusing in their minds), considering the easy way in which the kids connect to the character. All in all, far from a bad influence and very funny. The only aside: just keep an eye on the kids and talk to them about the episodes, if you feel it is appropriate.
It has 10 quality episodes, including my personal favorite, Sailor Mouth. Now that is one funny episode, but back to the DVD. Overall, 10 episodes, including Shanghaied with 3 different endings. A music video that is really nothing more than snippets of action from other shows, video game hints and tips and they are all in full screen format. All the characters are here, so pull up a chair, grab a Krabby Pattie and enjoy the show without hesitation matey!
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| 170. Barney: Sing and Dance with Barney | |
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| 171. Tank Girl Director: Rachel Talalay | |
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But like other reviewers, I am quite, quite disappointed in the DVD version of this film. From the trenches you hear grumblings that there was a lot of edited stuff that COULD HAVE been put on the DVD. Why don't DVD makers do more than reprint what we already have on video for us to (silly consumers we sometimes are) just rush out to buy anyway? The picture quality of the DVD is not significantly higher than that of the video-- the only real bonus is that you can do still pauses and get some cool screen shots for that conference paper presentation you're doing... There is nothing more than the video on this DVD. Not even any nifty "Making of Tank Girl" footage, or sketches of other rejected cartoon scenes, or whatever! Even an oldie/goodie Cherry 2000 has more than this one, and surely the DVD makers could have done better. I'll just hope that Men In Black is correct, and someday, when we get the next alien form of media (I guess I'll have to buy the White album again) the next makers of whatever futuristic thing we'll all have to rush out and buy will heed this advice-- put more on your big media! There's no real reason for me to excercise my insane consumerism if you don't fill up my big old plate!
Even if you are not familiar with the comic book, this is a female empowerment, "riot grrrl" movie. Tankie Fears NOTHING! If you like movies with female strong leads and a wacky sence of humor this is it! No tears for this one. This is like Boys on the side and Beaches for a younger minded audience without all that pesky death to veil your judgment. When I went to the movies I did not think Lori Petty could pull off Tank Girl, but it was a nice surprise to watch her. Petty Captured Tank Girl by the Bullocks! Naomi Watts as Jet Girl and Malcolm McDowell as Kesslee were great in it as well. Don't let the critics feed you a line of bull on this one. INSTANT cult classic Just because there is no HUGE life lesson in this, it should not take away from this lighthearted movie. Sometimes all you want to do is press play and enjoy, not rattle your brain. If you have the mentality to like the bands on the soundtrack (Bjork, Hole, Joan Jett, L7, Portishead, Stomp, etc.) you will LOVE this movie..... stop reading and go get it! PA-PA-PA-POW!
Not even close. "Tank Girl" is not about quality, it's about attitude, and Lori Petty has attitude to boot. Her constant puns and jokes could come off as annoying, like they do in the Batman movies, which have ended up aging about as well as milk, but Petty really pulls it off, with her Gwen Stefani style, dirty mouth, and a seemingly endless stream of energy. Plot (not like it matters) is as follows: 2033, there's nothing but endless sand. There's even a shortage of water! All that's left is in the hands of a huge, evil corporation. So, as it has been and always will be, wherever there's power, there's protest. Tank girl and her friends are out to bring down the company, but a surprise attack forces Tank Girl alone to go up against all of her oppressors. The style never ends. From the awesome soundtrack (including 2 Bjork songs, and Portishead's "Roads") to a very cool animated sequence, "Tank Girl" is sure to dazzle viewers who enjoy funny, campy, avant garde films. GO TANK GIRL!
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| 172. The Sound of Music Director: Robert Wise | |
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"The Sound of Music" is such a popular movie that people can't enough of making fun of it, which is understandable: I mean, a nun, seven children, songs by Rodgers and Hammerstein, and Austrian landscape. In reality, most of these people probably haven't sat down and watched this movie, because it is an absolutely unforgettable experience. Julie Andrews is absolutely magical as Maria. When she runs on the mountaintop and starts singing the famous lyrics "The hills are alive...," it sends chills down my spine to this day. Christopher Plummer cuts a good figure as the captain but gave a rather stiff performance: he doesn't bring anything extra to the role. Eleanor Parker, as the Baroness, was wasted--a role like that was far beneath her talents. But the children were all wonderful, especially Charmian Carr who was charming as Liesl. This movie is ultrasentimental and proud of it. But I'll stick with this rather than some of those one-dimensional slasher flicks which are in fashion these days. It has a plausible story, some of the world's most remembered songs, and the glorious Austrian and Swiss Alps in the background. Overall, I can't say anything other than I loved it.
So this is a must buy. Also the commentary is very good here. But given the price for this on Amazon, just buy the 2 set version. I got the one disc version at a very good price so it is not a bad buy. But for $6 more, why not enjoy the double DVD? This is a must get for any movie fan, and if you are not into the extras, by all means buy this one. This movie, like all of Rogers and Hammerstein's work is emotional without ever being fake or sentimental. It is full of sentiment and completely honest sentiment at that, but never sentimentality. It totally puts to SHAME almost every director and producer and writer working in Hollywood today. Complete and total shame and disgrace. Nothing coming out of Hollywood today can hold a candle to this. Entire director's careers with academy awards can't even begin to even compare to just this one movie. So get some version, especially if you have young ones. Sit them down, and let them experience what a real movie can be.
I bought the easy piano scores for her to play the songs on the piano, and singing lessons on CD "Voice Lessons TO GO", by Vaccarino (They're great and a lot cheaper than private voice lessons!) for her, (even though I use them when she's at school). So she is confident to sing along while she plays her Edelweis and Do a Dear. We love it. ... Read more | |
| 173. El Bruto Director: Luis Buñuel | |
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| 174. Acqua e Sapone Director: Carlo Verdone | |
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| 175. The '60s | |
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| 176. Blade II Director: Guillermo del Toro | |
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Blade (Snipes) is enlisted by the Vampires to help destroy a genetic nightmare-being called the Reapers, which even have the Vampires themselves on the run. Assisting Blade is a re-juvinated Whistler (Kristofferson) and the Bloodpack, an elite group of Vampires trained to hunt Blade led by the lovely Leonor Varela and Ron Perlman. Blade is now the leader of the Bloodpack as they must try to defeat the Reapers. Two hours later, you're going to have to catch your breath outside of the theater. Del Toro's direction is incredible, as you are right in the thick of the action. All the stops are pulled out for this sequel. However, the only drawback is the lack of a solid plot, but you pretty much forget about that after you get taken in my all the action sequences. The computer effects are equally dazzling, and adds to the gore of the film (which is definately a factor). Everything is just right in "Blade II". The film is casted well, everything is shiny and glossy with a kick-butt attitude towards it. Camera shots and frame rate are queued with perfection, and the fight scenes during the film are what makes this production top-notch. A must see and a definate buy when released.
What's the Marv Wolfman Touch you may ask. Wolfman and Gene Colan of course was the original Marvel comics team which created Blade from a subplot in their most popular horror comic Tomb of Dracula in the 1970s. Those dudes pretty much knew they were creating comic books stories and never, never took themselves 100% too seriously. Blade II loses the light touch--as much as fables of vampirous goings on could indeed have a light touch--and goes for the jugular, pun intended. I found myself wishing for one of those campy, talky Vincent Price death scenes since most of the creatures here explode in a special effects blast into dust and immediately into oblivion type of thing when killed. The crew of offending vampires creepily open the flesh on their cheek, jaws and upper neck to--bite yer neck and suck yer blaad! Yeesh! And Snipes smiles sadistiaclly thru-out the entire thing. It was a chore to look at it 'cuz it is busy, so many of those vamp things disintergate and no one is having that much fun. I'll watch a video featuring Sesame Street's Count any day insteada this mess.
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| 177. Simon of the Desert Director: Luis Buñuel | |
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Bunuel is usually, simplistically characterised as an anti-clerical or anti-bourgeois satirist, but this is to miss the ambivalence behind a statement such as 'Thank God I'm an atheist'. From the opening scene, Simon is compromised - he breaks his vigil to accept the gift of a wealthy benefactor. His miraculous abilities don't change a barbarously unjust world in which robbers' hands are lopped off, and the religious hierarchy have the murderous powers of the Inquistion. His miracles don't transform the souls of those he helps, instead amplifying their material self-interest. As MacHeath suggested 'Food is the first thing, morals follow on'. There are doubts about Simon's integrity, the extremity of which is often comical, and which is powerless against the sexual petulance of the Devil. Nevertheless, this very human frailty and hopelessness makes this lisping, Hispanic Charlton Heston quite sympathetic - he does have suernatural powers, which he uses for the good; and he is quicker to forgive than those in religious authority. The framing of Simon against the sky constantly cuts him off from the desert world and community he looks down on, but he achieves, on occasion, an ecstasy they have no access to. 'Simon' is one of Bunuel's funniest and most perfect films, bursting with memorable scenes, such as the dwarf eulogising his goat's teats to an innocent young priest; the frothing exorcism of a hypocritical elder; or the dream-memories Simon has his former, youthful life. The silent onlooking of his mother on the margins gives the film a melancholy, while the slow, steady camera moves towards Simon are appropriately dizzying. Although this comic look at relgious fervour anticipates the irreverance of Monty Python's 'Life Of Brian', Bunuel never breaks the integrity of his world, never gives his characters a modern consciousness, is faithful to the look, smells, emptiness and sounds of the desert (crunching sand, whistling winds, bleating animals, bells etc.) and its people.
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| 178. Scary Movie Director: Keenen Ivory Wayans | |
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If you're a fan of crude humor and film satire, | |