Reviews (2)

Jack is good...
Before I saw this film I had now idea why Jack Nicholson was so famous. Now I know. He grabbed my attention right from the begining of this film, and watching him through out the rest of this movie was very very very enjoyable.

Helen Hunt and the other supporting casts had superb performances as well. All the characters had terrific chemistries together. This film is loaded with laughs. From the moment when Jack made his first appearance to the time when he met Helen Hunt. Every moment seemed real and fun to watch. However, Jack made the biggest impact on this movie. Every time Jack comes on, the movie takes on a different track. Lets just say Jack was like the trigger, and without him this movie wouldn't of been "as good".

A real surpise
Jack Nicholsen playing a malcontent, yet successful writer. He seems to write romances, beacause a woman working at his publishing company asks him how write women so well. His reply: I take away reason and go on from there.Helen Hunt did a tremendous job and is well cast alongside Jack Nicholsen. The script is extremely well written and engrossing, and could forget that adorable Brussels Griffen? It really deserved it's oscars and nominations. ... Read more

Reviews (2)

Beautiful, Real, Sad, Profound
Four simple stories to touch the heart. In black and white,shot on location, real immigrants playing the parts, this film probably cost next to nothing to make but is a testament to what film can be. It is worth a thousand big budget blockbusters.

One of the few movies that changed my life
This movie is so moving and so provocative that I have yet to see a movie this good since I saw this one in 1998. Riker uses the techniques of neo-realist Italian cinema to tell 4 poigant stories concerning the lives of Latino immigrants. Each story focuses on characters of different ages and genders, but they share the same struggle to survive in New York's lower east side. There are fables, there are tragedies, but more importantly there is an endurance that the old man, the day-laborors, the seamstresses, and the couple put forth in a ghetto they call America. ... Read more

Reviews (224)

Candy is dandy, but liquor is quicker. ;)
1971's "Willy Wonka & the Chocolate Factory" is a colorful cult classic that includes both a witty score and a morality tale. Based on the children's novel by Roald Dahl, the story concerns Charlie Bucket (Peter Ostrum), a poor yet virtuous paperboy who dreams of a better life. With no father, no money, and four bedridden grandparents to support, Charlie's future seems bleak. However, that changes when a contest is started by the town's mysterious candymaker, Willy Wonka (Gene Wilder): 5 Golden Tickets are hidden among the billions of Wonka bars sold all over the world. The lucky buyers who find the tickets will get a lifetime supply of chocolate AND an exclusive tour through the factory. The first half of the movie shows the worldwide hysteria that results from the frantic search for the Tickets. Eventually, four winners are revealed one by one: Veruca Salt (Julie Dawn Cole) is Great Britain's ultimate spoiled brat. Augustus Gloop (Michael Bollner) is a chubby German who considers eating his most favorite hobby. Violet Beauregarde (Denise Nickerson) bears the rude, disgusting habit of constantly chewing gum. Mike Teevee (Paris Themmen) is a cowboy couch potato who bears a distorted view on reality. When Charlie himself discovers the final ticket, he and his Grandpa Joe (Jack Albertson) both enter the factory to savor the marvelous surprises awaiting them. However, temptation comes into play: Wonka's sinister rival Arthur Slugworth (Gunter Meisner) has offered each of the children $10,000 in exchange for an Everlasting Gobstopper, a brand new product Mr. Wonka was working on.
In the latter half of the film, viewers will meet Gene Wilder's Willy Wonka, whose elusive persona and literary quotes make him strangely appealing. Is this man lying or is he telling the truth? In addition, audiences (old and young alike) will catch the delightful sights of orange-faced Oompa-Loompas, a nightmarish Boat Ride, Fizzy Lifting drinks that cause drinkers to float away, and quadruple-size Geese that lay octruple-size eggs! Throughout the journey, the group's four nasty children (and their equally despicable parents), are eliminated one by one in gruesome yet amusing ways: The gluttonous Augustus falls into a chocolate river and is sucked into a boiler. Violet samples a 3-course-dinner gum (despite Wonka's warnings) and inflates into a gigantic blueberry. When Veruca Salt attempts to steal a Golden Goose, she falls into a garbage chute, one that happens to lead down to the furnace! After trying to get photographed onto Wonka's giant T.V. camera, Mike Teevee is shrunk down to the size of a pen; the only way to restore his size is by stretching him out on a taffy-pulling machine! With imaginative sets, clever confections, and pleasant tunes like "Candyman," "Pure Imagination," and "Cheer Up, Charlie," this movie was made to entertain adults first and children afterwards. It's a guilty pleasure to college graduates, much like H.R. Puffenstuff.
I chose to give this film four stars because I felt that a couple of mistakes were made. For one thing, the nature of Wonka's factory is a little too candy-coated; Roald Dahl himself wanted to have the story as a Grimm fairytale, not a wholesome musical. Also, I personally think that the scene involving the Wonkamobile should have been cut out. The device, which is fueled by gingerale, gingerpop, gingerbeer, and double-bubble burp-a-cola (among other carbonated fluids), really doesn't have anything to do with the story. As a result, it's a little too distracting.
Now that Tim Burton plans to reimagine the tale, I am gleefully anticipating what alterations he plans to make.

Timeless classic!
(Spoiler included) I watched this movie on TV for rhe first time when I was 6 years old and I haven't outgrown it since! It is a wonderful story about the power of imagination and how good things eventually come to those who do the right things.
The movie is based on the Roald Dahl book "Charlie and the Chocolate Factory." Willy Wonka is an eccentric candy maker who starts a contest offering a factory tour to five lucky winners who find a golden ticket in their Wonka bars. One of them is Charlie Bucket, an impoverished, but good natured, child who hopes for a better future for himself, his mother and his four grandparents. The other four winners are nasty obnoxious and bratty children. Augustus Gloop is an overeating glutton, Violet Beauregard is a gum chewing fanatic with no manners (digging up her nose while talking about how disgusting spitting is), Veruca Salt is a spoiled brat who wants everything she sees and whines until she gets it and Mike Teavee is a television addict with a smart mouth. One by one, they are eventually done in by their bad habits. Augustus falls into the chocolate river against Wonka's protests and is sucked into a pipe, Violet chews a piece of Wonka's "meal gum," once again against his objections, and turns purple and blows up into a giant blueberry, Veruca goes on a tantrum when Wonka tells her she can't have one of his giant geese and she falls down a garbage chute and Mike wants to be on television so badly, he willingly gets zapped into the size of an insect by Wonka's TV camera. Charlie, by being the respectable child that he is and by not compromising his integrity, not only completes the tour, he wins a prize beyond his wildest dreams.

The parents make it obvious why their children are so impish. When the children get into trouble at the factory, the parents blame Wonka instead of the kids' own bratty behavior. From the moment they step into the factory, they're complaining and finding fault with everything Wonka does and they take things way too seriously (much like the critics of this film)! I bet if the Oompa Loompas, with their wisdom, raised these little demons, they'd be much better.

Don't miss this film. It is not only a fun to watch diversion from reality, the messages are very timely and it makes you think about the good that still exists in this world. The critics and nitpickers may not get it but anyone who watches with an open mind and doesn't take it too seriouly will.

Still a great one!
OK, I know you are saying to yourself, that movie is ancient ~ my kid wouldn't enjoy it. Well, trust me your kid will enjoy it. It is a great movie! For all who may have missed it over the years (is there anyone out there?), the story is about a giant chocolate factory run by a never seen owner (Wilder). Over the years of the factory's operation he has become quite the legend. He decides to open the factory to a few lucky winners of a contest ~ all but one of the winning kids are truly rotten. And as all good stories go, the bad kids get their just "desserts" (sorry, couldn't resist the pun) leaving the good kid to win. A lot of good lessons taught about sharing, greed, gluttony and theft. Pop some popcorn and enjoy it with your kid; you'll be glad you did.

A Great Metaphor for Life
"Charlie and the Chocolate Factory" was my favorite book as a child, this movie remains a favorite of mine even to this day.

This film was made back in 1971 and is very simple in its style. The special effects are see-through and campy but the story line is a facinating metaphor for life that is forever timeless in its message. Willy Wonka is the creative genius who becomes a recluse in his chocolate factory because of society and its greed and malice. But he never loses his belief that someone in the world exists who can still believe in imagination and dreams. He finds this person in Charlie, a poor child who lives with his mother and four grandparents in a dirty basement home. Charlie has every reason to become dispirited and negative yet he remains a shining light of great positivity regardless of his circumstances. I suspect his attitude comes from the fact that his Grandfather Joe always supports his dreams, the boy never has to hear the word "can't"!

The chocolate factory holds a contest and several children, including Charlie, get invited behind the doors with Willy Wonka. While on tour they are tested with fame, fortune, greed and honesty until one by one they succumb to the failure of a human heart. All except Charlie, who keeps a smile on his face and wonder in his eyes while being faced with the simple adversities that cause the other children to fail. Sadly I feel the parents are to blame creating children who thrive on material wealth, constant TV watching, gorging on food, and looking for constant attention. The parents of the children who fail refuse to believe in the dream of Willy Wonka surrounding the atomsphere with doubt and negative beliefs. How could anyone survive under such circumstances?

The Chocolate Factory is filled with wonder, color and silly songs. Regardless of your age it will satisfy your sweet tooth and fill even a hardened heart. It certainly brings to life how parent's affect their children with their own actions and attitudes. Telling a child they "can't" accomplish all that they imagine only assists in stopping the world from greatness. Don't be afraid to dream!

Candy is dandy...
The film is based on a much-loved children's book, 'Charlie and the Chocolate Factory', by Roald Dahl. Dahl wasn't always happy with the changes made between his book and the film, and wasn't always consulted on them. Today probably more people are familiar with the film sequence of events than the book. Charlie is a down-on-his-luck boy who is nonetheless optimistic and happy. He and his mother work to tend for their bed-ridden family members, all living together in a one-room home.

One day there is an annoucement that Wonka is going to open his factory to visitors, to be chosen more or less at random through finding the Golden Tickets, contained in Wonka bars (a brilliant marketing device back then). Scenes of shoppers' frenzy are shown all around with world, including a Wonka delivery van shown arriving at the White House.

The five golden tickets are found all around the world - the first one in Dusselheim, Germany, by the fat boy, Augustus Gloop (played by Michael Boliner, who is now a tax accountant in Munich, and is still rather large). The second ticket was found in the UK, by spoiled brat, Veruca Salt (Julie Dawn Cole, the only Wonka child still acting), whose father, Roy Kinnear, is a well-known actor in British cinema. The third ticket was found in the USA, by gum-chewing Violet Beauregarde (Denise Nickerson, now an accountant at a nuclear plant in Colorado), whose used-car-salesman father was played by Leonard Stone (who was selected over Jim Bakus). The fourth ticket was also won in the USA, by Mike Teevee (Paris Themmen, considered a real brat by most of the cast and crew); his frantic mother was played by Dodo Denny (later Nora Denny), who was one of the few minor characters in the film to consistently act after this film. The final ticket at first is reported to be won by some shady businessman from Paraguay, but in the end, that is proven to be a forgery. Of course, Charlie buys a Wonka Bar expecting nothing, and gets the ticket.

An ominous figure, Slugworth (the arch-enemy of Wonka - who knew chocolate makers also made arch-enemies?), appears to each of the winners, whispering in their ears. Charlie is also confronted, and promised a reward should he bring Slugworth an example of Wonka's latest creation, the Everlasting Gobstopper. One wonders why (a) any candy maker would make a candy that never wears out (thus defeating re-sales), and (b) why Slugworth can't just buy one himself when they are released, analyse it and ruin his own factory the same way? But I digress... Gunter Meisner, a very prolific German actor, played the villain, who wasn't in the book (nor was the 'gobstopper plot').

The grand day of the event, the winners enter the factory with great fanfare, meeting Wonka (Gene Wilder) for the first time, and get the first taste of his bizarre sense of theatre. (It is reported not only Wilder's idea for the limping/somersault introduction to the crowd, but also a condition of his accepting the role.) From that point on, what was truth? It is ironic that Wonka's entrance doesn't occur until the film is half over. What we remember of the film comes after this, but over half the film is actually set-up. This is rather like the Wizard of Oz, where most of the film is done before we see 'the major character', although admittedly Wonka is far more prominent than Oz's balloonist.

Wonka, the man of mystery, only ever became even more of a mystery as the tour progressed. He is constantly switching his words ('we have so much time and so little to do'), and there are surprises at every turn. Wonka borrows a lot of his key phrases (Ogden Nash, Shakespeare, Oscar Wilde) and there are a lot of fantasy-inspired elements (Alice in Wonderland, Lord of the Rings).

At each major scene, something ghastly seems to happen, but in epic-fantasy form, it doesn't seem to matter to the majority, who proceed onward with their quest. In the chocolate room, Augustus Gloop meets his untimely exit from the factory by falling in the chocolate river. Violet turns into a blueberry by chewing experimental gum, and has to be squeezed (squoozed?). Veruca, in the room with the geese who lay the golden eggs, turns out to be a bad egg herself, but has a sporting chance of going down a chute with an inactive furnace. Mike Teevee shrinks in the Wonka version of the Star Trek transporter beam, leaving in the end only Charlie, who is denied his prize of a lifetime of chocolate for a minor infraction.

It would seem that Wonka had a sinister side in many ways - the boat that carries the prize winners only seated eight, implying that Wonka knew someone would be missing. The Wonkamobile only had seats for four guests. Of course, the children apparently all had sinister sides, too, including Charlie, until the end. None of them let Wonka know of their Slugworth contact.

In the end, we never know what becomes of the fallen questers - we are led to believe that in this candy factory they got their just desserts. The Oompa-Loompas put the moral to each downfall in song, with a 1970s karaoke-type presentation of the lyrics as they sing. In the end, of course, goodness and justice win out, as the factory is given to Charlie after his act of unwarranted kindness toward Wonka.

Director Stuart always saw this film as a 'realistic' fantasy film. Those things that are not over the top are very ordinary. The people are not superheroes, and the situations, while fantastic, are not beyond the credible. Stuart also did his best for 'real' reaction - the kids had never seen Gene Wilder before his appearance at the door, the chocolate room in the factory, or the Oompa-Loompas prior to the first scene, either, so their reactions are more natural.

A great film for children and adults! ... Read more

Reviews (339)

Well worth your hard earned money
This new two disc set for the Lion King is yet another masterful DVD production job by the Disney folks. The video and audio quality are top notch, with plenty of choices how to see the film (both original and extended). There are an amazing amount of extras included on disc two, it will take some hunting to find them all, and quite a bit of extra time to view the entire contents. A few are overly self promotional, but there is so much stuff here, just skip to the next item if that bothers you. Some of the games are actually fun too.

With both Lion King and Sleeping Beauty being newly released on DVD right now, if you can only get one of them, there is no question this is by far the better choice. The impressive animation, the story, the fantastic sound, the extras are all superior in this Lion King package. This still isn't my favorite Disney release (Roger Rabbit will always have that honor), but maybe top 5--certainly top 8.

Lion King Platinum is well worth the investment for your DVD collection. Your family will get many years of enjoyment from it.

The Lion King
The first time I ever saw "The Lion King" was on September 14th 1995, the day it came out on video. Strangely, I went to all of Disney's releases from "The Little Mermaid" to "Aladdin" (including rereleases of their older classics) but missed out on "The Lion King". Silly me. "The Lion King" is a masterpiece. The film is visually amazing. Some scenes stand out in particular; such as the wild-beast stampede and the opening sequence. The movie wouldn't be completed without the powerful score and songs, composed by Hans Zimmer and Elton John, respectively. The Oscar-winning "Can You Feel The Love Tonight" and the ever-popular "Circle Of Life" are all here. The characters in this movie have also become wildly popular, especially Timon and Pumbaa. The villain, Scar, is the ultimate villian: evil and deceitful, yet wit and sarcastic. In this 2-disc special edition, the film looks like a video-game, in terms of sharpness and clearity. You won't believe of how smooth the image can be. "The Lion King" is a movie that deserves all the praise and success that it had gotten.

Earns its place among the old Disney classics
Animation films are incredibly tricky. Adults(or just mainly uptight people view animated films as kids only. However kids see them as great pieces of film that they "get". For once, Disney gets it right. This was really a powerhouse film when it came out and held the record for the biggest animated film of all time(until recently when a so-so film about finding a fish called Nemo came out).

Simba is a young lion in the Serengeti(they call it the Pride Lands though) who just can't wait to be king. However, he's a mischievous little cub who gets into trouble a bit easy. When a terrible tragedy strikes, Simba exiles himself where he meets a warthog and meerkat and develops a carefree lifestyle. Now an adult, he returns to the Pride Lands to reclaim the throne from his evil uncle, Scar.

Sounds a bit like Hamlet huh? But you won't care. Many impossibly catchy songs, funny moments and jokes and words that even appeal to adults(do you really think a kid would understand "illustrating the differences in your royal mangerial approaches"? Exactly.)

Voice acting is top notch, animation is absolutely gorgeous, and it's done by hand by the way, none of that Finding Nemo/Toy Story/A Bug's Life CGI stuff. There's a reason why this is considered the best Disney film but you owe it to yourself to find out why.

This is NOT a violent movie for kids
I'm sorry, but if you found this movie to be too violent for kids over the age of five, then you're robbing your children of a valuable experience. Yes, there is death. Yes, it is not a safe and simple death. But kids CAN handle it. An evil man killed a great man. It's not a theme that kids should enjoy, but it's one that is of particular resonance to us as Americans. This movie is simple, beautiful and moving- seemingly one of Disney's last treasures. While the Broadway show may be even more moving, this movie has the power to move us. I hope you'll see it if you haven't. I hope you'll let your kids watch it if you haven't. And I hope you'll enjoy it as much as I have. Humbly submitted, -Matt Calcara, Overland Park, KS

Best movie of all times
I really love this movie it was so cute and the songs were great I gave my neice this movie when she was born and she watches it all the time and she is 7 years old now Thanks to everyone who created it your the best ... Read more

Reviews (224)

Candy is dandy, but liquor is quicker. ;)
1971's "Willy Wonka & the Chocolate Factory" is a colorful cult classic that includes both a witty score and a morality tale. Based on the children's novel by Roald Dahl, the story concerns Charlie Bucket (Peter Ostrum), a poor yet virtuous paperboy who dreams of a better life. With no father, no money, and four bedridden grandparents to support, Charlie's future seems bleak. However, that changes when a contest is started by the town's mysterious candymaker, Willy Wonka (Gene Wilder): 5 Golden Tickets are hidden among the billions of Wonka bars sold all over the world. The lucky buyers who find the tickets will get a lifetime supply of chocolate AND an exclusive tour through the factory. The first half of the movie shows the worldwide hysteria that results from the frantic search for the Tickets. Eventually, four winners are revealed one by one: Veruca Salt (Julie Dawn Cole) is Great Britain's ultimate spoiled brat. Augustus Gloop (Michael Bollner) is a chubby German who considers eating his most favorite hobby. Violet Beauregarde (Denise Nickerson) bears the rude, disgusting habit of constantly chewing gum. Mike Teevee (Paris Themmen) is a cowboy couch potato who bears a distorted view on reality. When Charlie himself discovers the final ticket, he and his Grandpa Joe (Jack Albertson) both enter the factory to savor the marvelous surprises awaiting them. However, temptation comes into play: Wonka's sinister rival Arthur Slugworth (Gunter Meisner) has offered each of the children $10,000 in exchange for an Everlasting Gobstopper, a brand new product Mr. Wonka was working on.
In the latter half of the film, viewers will meet Gene Wilder's Willy Wonka, whose elusive persona and literary quotes make him strangely appealing. Is this man lying or is he telling the truth? In addition, audiences (old and young alike) will catch the delightful sights of orange-faced Oompa-Loompas, a nightmarish Boat Ride, Fizzy Lifting drinks that cause drinkers to float away, and quadruple-size Geese that lay octruple-size eggs! Throughout the journey, the group's four nasty children (and their equally despicable parents), are eliminated one by one in gruesome yet amusing ways: The gluttonous Augustus falls into a chocolate river and is sucked into a boiler. Violet samples a 3-course-dinner gum (despite Wonka's warnings) and inflates into a gigantic blueberry. When Veruca Salt attempts to steal a Golden Goose, she falls into a garbage chute, one that happens to lead down to the furnace! After trying to get photographed onto Wonka's giant T.V. camera, Mike Teevee is shrunk down to the size of a pen; the only way to restore his size is by stretching him out on a taffy-pulling machine! With imaginative sets, clever confections, and pleasant tunes like "Candyman," "Pure Imagination," and "Cheer Up, Charlie," this movie was made to entertain adults first and children afterwards. It's a guilty pleasure to college graduates, much like H.R. Puffenstuff.
I chose to give this film four stars because I felt that a couple of mistakes were made. For one thing, the nature of Wonka's factory is a little too candy-coated; Roald Dahl himself wanted to have the story as a Grimm fairytale, not a wholesome musical. Also, I personally think that the scene involving the Wonkamobile should have been cut out. The device, which is fueled by gingerale, gingerpop, gingerbeer, and double-bubble burp-a-cola (among other carbonated fluids), really doesn't have anything to do with the story. As a result, it's a little too distracting.
Now that Tim Burton plans to reimagine the tale, I am gleefully anticipating what alterations he plans to make.

Timeless classic!
(Spoiler included) I watched this movie on TV for rhe first time when I was 6 years old and I haven't outgrown it since! It is a wonderful story about the power of imagination and how good things eventually come to those who do the right things.
The movie is based on the Roald Dahl book "Charlie and the Chocolate Factory." Willy Wonka is an eccentric candy maker who starts a contest offering a factory tour to five lucky winners who find a golden ticket in their Wonka bars. One of them is Charlie Bucket, an impoverished, but good natured, child who hopes for a better future for himself, his mother and his four grandparents. The other four winners are nasty obnoxious and bratty children. Augustus Gloop is an overeating glutton, Violet Beauregard is a gum chewing fanatic with no manners (digging up her nose while talking about how disgusting spitting is), Veruca Salt is a spoiled brat who wants everything she sees and whines until she gets it and Mike Teavee is a television addict with a smart mouth. One by one, they are eventually done in by their bad habits. Augustus falls into the chocolate river against Wonka's protests and is sucked into a pipe, Violet chews a piece of Wonka's "meal gum," once again against his objections, and turns purple and blows up into a giant blueberry, Veruca goes on a tantrum when Wonka tells her she can't have one of his giant geese and she falls down a garbage chute and Mike wants to be on television so badly, he willingly gets zapped into the size of an insect by Wonka's TV camera. Charlie, by being the respectable child that he is and by not compromising his integrity, not only completes the tour, he wins a prize beyond his wildest dreams.

The parents make it obvious why their children are so impish. When the children get into trouble at the factory, the parents blame Wonka instead of the kids' own bratty behavior. From the moment they step into the factory, they're complaining and finding fault with everything Wonka does and they take things way too seriously (much like the critics of this film)! I bet if the Oompa Loompas, with their wisdom, raised these little demons, they'd be much better.

Don't miss this film. It is not only a fun to watch diversion from reality, the messages are very timely and it makes you think about the good that still exists in this world. The critics and nitpickers may not get it but anyone who watches with an open mind and doesn't take it too seriouly will.

Still a great one!
OK, I know you are saying to yourself, that movie is ancient ~ my kid wouldn't enjoy it. Well, trust me your kid will enjoy it. It is a great movie! For all who may have missed it over the years (is there anyone out there?), the story is about a giant chocolate factory run by a never seen owner (Wilder). Over the years of the factory's operation he has become quite the legend. He decides to open the factory to a few lucky winners of a contest ~ all but one of the winning kids are truly rotten. And as all good stories go, the bad kids get their just "desserts" (sorry, couldn't resist the pun) leaving the good kid to win. A lot of good lessons taught about sharing, greed, gluttony and theft. Pop some popcorn and enjoy it with your kid; you'll be glad you did.

A Great Metaphor for Life
"Charlie and the Chocolate Factory" was my favorite book as a child, this movie remains a favorite of mine even to this day.

This film was made back in 1971 and is very simple in its style. The special effects are see-through and campy but the story line is a facinating metaphor for life that is forever timeless in its message. Willy Wonka is the creative genius who becomes a recluse in his chocolate factory because of society and its greed and malice. But he never loses his belief that someone in the world exists who can still believe in imagination and dreams. He finds this person in Charlie, a poor child who lives with his mother and four grandparents in a dirty basement home. Charlie has every reason to become dispirited and negative yet he remains a shining light of great positivity regardless of his circumstances. I suspect his attitude comes from the fact that his Grandfather Joe always supports his dreams, the boy never has to hear the word "can't"!

The chocolate factory holds a contest and several children, including Charlie, get invited behind the doors with Willy Wonka. While on tour they are tested with fame, fortune, greed and honesty until one by one they succumb to the failure of a human heart. All except Charlie, who keeps a smile on his face and wonder in his eyes while being faced with the simple adversities that cause the other children to fail. Sadly I feel the parents are to blame creating children who thrive on material wealth, constant TV watching, gorging on food, and looking for constant attention. The parents of the children who fail refuse to believe in the dream of Willy Wonka surrounding the atomsphere with doubt and negative beliefs. How could anyone survive under such circumstances?

The Chocolate Factory is filled with wonder, color and silly songs. Regardless of your age it will satisfy your sweet tooth and fill even a hardened heart. It certainly brings to life how parent's affect their children with their own actions and attitudes. Telling a child they "can't" accomplish all that they imagine only assists in stopping the world from greatness. Don't be afraid to dream!

Candy is dandy...
The film is based on a much-loved children's book, 'Charlie and the Chocolate Factory', by Roald Dahl. Dahl wasn't always happy with the changes made between his book and the film, and wasn't always consulted on them. Today probably more people are familiar with the film sequence of events than the book. Charlie is a down-on-his-luck boy who is nonetheless optimistic and happy. He and his mother work to tend for their bed-ridden family members, all living together in a one-room home.

One day there is an annoucement that Wonka is going to open his factory to visitors, to be chosen more or less at random through finding the Golden Tickets, contained in Wonka bars (a brilliant marketing device back then). Scenes of shoppers' frenzy are shown all around with world, including a Wonka delivery van shown arriving at the White House.

The five golden tickets are found all around the world - the first one in Dusselheim, Germany, by the fat boy, Augustus Gloop (played by Michael Boliner, who is now a tax accountant in Munich, and is still rather large). The second ticket was found in the UK, by spoiled brat, Veruca Salt (Julie Dawn Cole, the only Wonka child still acting), whose father, Roy Kinnear, is a well-known actor in British cinema. The third ticket was found in the USA, by gum-chewing Violet Beauregarde (Denise Nickerson, now an accountant at a nuclear plant in Colorado), whose used-car-salesman father was played by Leonard Stone (who was selected over Jim Bakus). The fourth ticket was also won in the USA, by Mike Teevee (Paris Themmen, considered a real brat by most of the cast and crew); his frantic mother was played by Dodo Denny (later Nora Denny), who was one of the few minor characters in the film to consistently act after this film. The final ticket at first is reported to be won by some shady businessman from Paraguay, but in the end, that is proven to be a forgery. Of course, Charlie buys a Wonka Bar expecting nothing, and gets the ticket.

An ominous figure, Slugworth (the arch-enemy of Wonka - who knew chocolate makers also made arch-enemies?), appears to each of the winners, whispering in their ears. Charlie is also confronted, and promised a reward should he bring Slugworth an example of Wonka's latest creation, the Everlasting Gobstopper. One wonders why (a) any candy maker would make a candy that never wears out (thus defeating re-sales), and (b) why Slugworth can't just buy one himself when they are released, analyse it and ruin his own factory the same way? But I digress... Gunter Meisner, a very prolific German actor, played the villain, who wasn't in the book (nor was the 'gobstopper plot').

The grand day of the event, the winners enter the factory with great fanfare, meeting Wonka (Gene Wilder) for the first time, and get the first taste of his bizarre sense of theatre. (It is reported not only Wilder's idea for the limping/somersault introduction to the crowd, but also a condition of his accepting the role.) From that point on, what was truth? It is ironic that Wonka's entrance doesn't occur until the film is half over. What we remember of the film comes after this, but over half the film is actually set-up. This is rather like the Wizard of Oz, where most of the film is done before we see 'the major character', although admittedly Wonka is far more prominent than Oz's balloonist.

Wonka, the man of mystery, only ever became even more of a mystery as the tour progressed. He is constantly switching his words ('we have so much time and so little to do'), and there are surprises at every turn. Wonka borrows a lot of his key phrases (Ogden Nash, Shakespeare, Oscar Wilde) and there are a lot of fantasy-inspired elements (Alice in Wonderland, Lord of the Rings).

At each major scene, something ghastly seems to happen, but in epic-fantasy form, it doesn't seem to matter to the majority, who proceed onward with their quest. In the chocolate room, Augustus Gloop meets his untimely exit from the factory by falling in the chocolate river. Violet turns into a blueberry by chewing experimental gum, and has to be squeezed (squoozed?). Veruca, in the room with the geese who lay the golden eggs, turns out to be a bad egg herself, but has a sporting chance of going down a chute with an inactive furnace. Mike Teevee shrinks in the Wonka version of the Star Trek transporter beam, leaving in the end only Charlie, who is denied his prize of a lifetime of chocolate for a minor infraction.

It would seem that Wonka had a sinister side in many ways - the boat that carries the prize winners only seated eight, implying that Wonka knew someone would be missing. The Wonkamobile only had seats for four guests. Of course, the children apparently all had sinister sides, too, including Charlie, until the end. None of them let Wonka know of their Slugworth contact.

In the end, we never know what becomes of the fallen questers - we are led to believe that in this candy factory they got their just desserts. The Oompa-Loompas put the moral to each downfall in song, with a 1970s karaoke-type presentation of the lyrics as they sing. In the end, of course, goodness and justice win out, as the factory is given to Charlie after his act of unwarranted kindness toward Wonka.

Director Stuart always saw this film as a 'realistic' fantasy film. Those things that are not over the top are very ordinary. The people are not superheroes, and the situations, while fantastic, are not beyond the credible. Stuart also did his best for 'real' reaction - the kids had never seen Gene Wilder before his appearance at the door, the chocolate room in the factory, or the Oompa-Loompas prior to the first scene, either, so their reactions are more natural.

A great film for children and adults! ... Read more

Reviews (22)

poor but beautiful Cuba!
I have to say that I haven't been to Cuba but I will definetely visit one day. By watching this movie you'll know how primitive, how original, how poor and also how beautiful, how friendly, how much the Cuban people cherish their land, their lives. This is one of my favorite movies so far and you should watch it and own it as well.:)

Gave a Great Laugh to A Cuban Family
When our family sat down to watch Guantanamera we all new the Cuban song from the beggining. Watching this was like going back to Cuba when we traveled across the land. Switching Cars people selling banannas, No road signs, just plain Cuba. The actors in the movie did a great job portraying Cubans. Because you may not believe that's the way real Cubans act, unless your Cuban, but it's what we are really like.

I rated this movie a Four Star because the movie has great laughs for "Cubanos y Gringos". All the irony with cars meeting, people dieing, well I don't want to ruine it for you. But Watch the Movie whether you buy or rent. You'll enjoy it!

'Fresa y Chocolate' better, but watch them both
Filmmakers Tomás Gutiérrez & Juan Carlos Tabio made 'Guantanamera' almost back-to-back with 'Fresa y Chocolate' (Strawberry and Chocolate), and that's how I recommend you view them - rent/buy them as a pair and watch them chronologically, 'Fresa' first.

First, there's the thrill of seeing Mirtha Ibarra and Jorge Perugorría in repeating appearanences, portraying vastly different characters. Of special note is Perugorría's demonstrated range and acting ability. I spent the first half-hour of Guantanamera thinking "That just can't be the same guy."

It was. Amazing stuff.

Also, the film itself presents a take on Cuban life that, while patently absurd to any American, no doubt rings all too true with anyone who has experienced life under Fidel's heavy thumb. Taken together, these two films represent 3 hours of what movies are all about: for me, they were enjoyable and educational; for the filmmakers, they scored a direct hit on the target of their disdain and sarcasm.

Left me laughing and crying all at the same time!!!
As much as I loved "Fresa Y Chocolate" (Strawberry & Chocolate), I love this one even more. The script is superior, and we have the opportunity to meet a wider range of characters, with equally brilliant casting and filming.

If you have seen "Fresa Y Chocolate", then you already love Mirtha Ibarra and Jorge Perugorría. If not, then you will after having seen this film.

If Cheech & Chong, the Marx Brothers & Woody Allen had all collaborated, they couldn't have come up with a film more irreverent, more bitingly satirical, or more delicious with both romance and irony.

And speaking of irony, it seems both impossible that such a film could have come from Cuba in the 1990's, and yet equally impossible for it to have come from any other place. For we have been told, on the one hand, that such burlesque of the Cuban government is not tolerated. Yet, it has always seemed to me that the greatest art arises from the greatest suffering. And Cuba is one of the world's greatest examples of this paradox of human nature. For few nations have suffered as much as the people of Cuba have suffered through out her entire history. And yet, from that island emerges the most beautiful music on earth, and now this!!!

Do yourself a big favor: Don't miss this film!!!

A refreshing Cuban road movie not lacking a sense of irony
The last movie that Cuban director, Tomás Gutiérrez managed to put together alongside his partner, Juan Carlos Tabio, before his death, Guantanamera pretty much can be considered a road movie, but with a very peculiar twist. Irony, an exquisite sense of the most Cuban humor and an important dose of reality can be found in this production, that came only one year after their super-successful "Strawberry and Chocolate," with repeating stars, Mirta Ibarra and Jorge Perugorría, who proved how versatile of an actor he could be: playing a gay character on the first one and a straight macho man on this one. Check it out. You will find it delightful and refreshing. I just give it four stars because it does fall short compared to S&C, its predecessor. ... Read more

Reviews (98)

Superb - One of the Great Foreign Language Films of Our Time
A thrilling, intoxicating masterpiece, "Like Water for Chocolate" will leave you hungry, happy and hung over with its surreal vision and unforgettable performances. Some of the film's charm lies in its uncompromising vision of what it must be like to be a poor, Mexican woman, surrounded by angry sisters and petty jealousies. The food is a miracle of texture and authenticity that makes the book a recipe lover's dream. But the spiritual aspects of the movie take it someplacve else altogether....by tying food and unseen forces together, the author and director have fashioned love as a cycle of human emotion coupled with betrayal and passion. Believers and non-believers alike are asked to suspend judgement and just BE with this movie, for it raises issues and themes rarely imagined or acheived on film. A few sequences are startling - such as a wedding party where every guest is gastronimically infected by a soup that is stewed with the tears of our protagonist, and they all end up regurgitating the mixture, and in the end, understanding that true love should not be gambled away for money or superiority. Another sequence, where the middle daughter Gertudis, is literally kidnapped by a horse riding gunslinger while she sits alone in an outhouse doing her business, is hysterical, yet also painful to watch, because it symbolizes the woman's need for free choice in a world where men have so much of the power. Besides, any couple who has eloped or married without their parent's blessings will quickly make the connection to their own experience. If you can keep up with the subtitles, I'd advise against a dubbed version, for in its Spanish - eloquent, funny and dramatic - the film c aptures its truest form of communication. And food as metaphor - used in other terrific fims like "Babette's Feast" - has never been presented in such an awe inspiring manner. This is a feast to be savored every step of its delectible way.

A passion for cooking and romance!!!
This has to be one of my all time favorite foreign films. I loved the book and I think the movie is equally good. The story is set around a young woman named Tita, who according to an unfair family tradition, must care for her overbearing, demanding mother. Because of this, she is unable to marry the young man she has fallen in love with and transfers her passion into the meals she prepares(with very interesting results!). Based on the book by Laura Esquivel and directed by her husband at the time (Alfonso Arau, who also directed the Keanu Reeves movie, "A Walk in the Cloud") this film is a captivating fairy tale that is sure to entertain.

a feast of the 5 senses, come to life
after you watch this movie, you will either want to eat, cook (preferably one of the mentioned recipes), make love or all three! i saw the version dubbed in spanish, and also read 3 selected chapters from the book, for spanish class. it's a work of art and genius, and it must be watched all the way through without stopping. the characters are excellently portrayed, and it combines love, feminism, drama, sensuality, lust, hope, passion, and humour, topped with cultural tradition and folklore. i don't know which one is better, the book or the movie. all of the 5 senses are provoked on a deep and perhaps even primal level, especially taste and smell, feverishly yearning for a sum greater than their overall parts (gestalt) - which brings up the sixth sense, intuition.

Like Water For Chocolate
In the novel, "Like Water for Chocolate," I found it very interesting that two young people, Tita and Pedro fell deeply in love and they could never marry each other. The best part about the book was that they had to hide their feelings from everyone but they knew they loved each other deep inside their hearts. I liked the fact that they loved each other until the day they died and they died making love to each other. I strongly recommend this book to other people.

Like water for chocolate!
This is a very sensual movie about two lovers who could not be together. I loved it and would watch it again and again. ... Read more

Reviews (2)

Waiting For Santa staring BARNEY
My young grandaughter just had to watch it daily. We allowed it because it brought fourth a good message to little ones. She also enjoyed it because she could sing the "Family song" with 'Barney' as well as her cousins and me. She learned to memorize words and act out things so well that her heart was just broken when her Video broke! So I am getting her one for this Christmas. I think it was one of the better videos of Barneys.This 'Waiting For Santa' has also been her most favorite.

A good video for little barney fans
Waiting for Santa is one of Barney's earlier video's. It has been one of my son's favorite Barney videos for a long time. It is a great video for toddlers who are just beginning to show interest in Barney. They do alot of singing which will keep a child's attention alot longer than just talking. I think this video is better than some of the more recent Barney videos if you are looking for something for a small toddler ( 1 to 2 years old ) ... Read more

Reviews (130)

A Great Story in a Great Package
Myself, my wife, and my 3yo daughter saw this in the theater and loved it. We bought it as soon as it hit the shelves here on the east coast, and we were not disappointed. I would have to say that the DVD release is the most feature-filled package I've ever owned or rented! This thing is busting at the seams! 3 commentaries (including a hillarious character commentary track that will have parents and older children rolling on the floor), a great studio tour by Phil, outtakes and rendering error... you name it!

The movie itself was really good itself. Jonah is a hard story to follow, and if you're not christian and you're shocked by the religious content - hey, it's Jonah. I mean, c'mon... You're watching a bible story and you're surprised by the religious angle?

I thought Big Ideas did a good job of bringing the story to kids without corrupting it. I think they did an even better job of bringing the story to our homes in a way that'll keep us poking through the features for weeks!

Good movie, catchy songs, great moral
We bought the DVD for our family and saw it for the first time on Easter Sunday. As in the Veggie tales videos and DVD's, the songs are catchy (in fact, they stick in your head like glue), the storyline is humorous and the Veggietales folks manage to teach a good lesson. In this case, the moral is that God is merciful and compassionate, that we should be the same, but Jonah just "didn't get the point" (he wanted God to destroy the Ninevites(sp), and in fact, was looking forward to witnessing their destruction). The Jonah tale ends just as is does in the Book of Jonah; my son had seen me reading the Bible, requested to see the Book of Jonah (thanks Veggietales people for inspiring him), and the Bible indicates that Jonah does not repent and show compassion towards others. Not a happy ending, which is why the Veggietales people probably wrapped the modern-day plot around it and ended the movie with a big musical number.
My four-year-old has been watching the DVD almost every day and
has learned what "mercy" and "compassion" mean. In fact, this past Sunday was the Feast of Divine Mercy, and sure enough, when
the priest made the announcement during mass, my son picked up on the word "mercy" and related it to the Jonah DVD.
We also enjoyed the second DVD; I especially enjoyed the studio tour and my son and teenage daughter liked the outtakes.
In summation, I'm glad that we added this movie to our DVD/video collection. I just discovered Veggietales a couple of months ago (I checked a few out of the local library). I wish I had known about the series 10 years ago, when my two teenagers were younger. However, all three of my children love to sing along with the CD's and sing-alongs, as well as watch the videos and DVD's. Shhhh...even I play some of the Veggietunes when I'm alone in the car. Those songs are TOO catchy! :)

The question is, "What did YOU learn?" A lot of fun!
The question is, "What can I say?" Even for a Veggie Tales movie, I love taking it in with my little girl. I do not get sick of it, not at all. And it is well worth the lesson learned throughout the film. I think it is just as entertaining as "Harry Potter", which I refuse to watch, or even read for that matter. The people behind Veggie Tales are just awesome, because they are not looking for credit, and they deserve a lot. They do so much for God's kingdom! They don't ask for the world, yet they reach the world, and this generation of our children, and even some of the adults who need a wake up call every now and then!

I love how they made someone such as Archibald Asparagus the character of Jonah. But yet it still has Larry the Cucumber, Bob the Tomato, Pa Grape, and even a silly caterpiller to stick with Jonah, almost all the way! The song at the end (Jonah Was a Prophet) should hit home with everyone, not just as a "lesson", so to speak, but also as a song of fun and entertainment. All of the songs are wonderful, as the movie begins strictly on a fun note with "Billy Joe McGuffrey" and everyone cutting up and just having a blast in the van on the way to the Twippo concert. It also it gives me a very sobering look at myself and how many second chances I've had in my pathetic life! Yeah, I actually admit that! I've come a long way in 29 years. God is so good to us, let's not take that for granted. That's another thing that this movie very strongly states. (Don't you get it?!) I still have a long way to go.

Compassion and mercy, and a whole lot of fun! And you have to watch the movie all the way to the very, very end, especially the credits!! HEY HEY HEY HEY HEY HEY HEY HEY!!!!!!!! HEY HEY, OH HO HO!!!

Y ou Have to get this Video!
Boy is this cute! What a great way to show the story of Jonah to your kids. It's neat how the pirates explain at the end of the movie how Jonah really didn't understand God's compassion for the people of Nineveh, the fish slappers! Boy, how funny - fish slappers! It's pretty funny seeing the Ninevites going around slapping each other with fish. The imagination of these guys just is something else. Wonder how old they REALLY are?! But, the song "Second Chances" is worth the price of the video alone. The gospel group Anointed sings it and by golly are they talented! I'd never heard them before but wow, what a great song! Feels like church! My three-year-old just looked at me and said, "Mommy, that's a great song!" So yes, we dance to that song hands down. The only thing is that it may not hold the attention of the younger toddlers since it is a movie and things have to be explained more. i.e. what is Nineveh, why is Jonah going there, etc. But it definitely is worth every penny you spend on this video. I am just so very glad that we got it. Archibald Asparagus is awesome as Jonah and his camel Reginald has a looking glass just like Archibald. Very, very imaginative, entertaining and fun. Thanks Big Idea!

Jonah Scores
You just can't get any funnier than the Veggie Tales movies! Wholesome viewing with zany, well written scripts that pretty much stick to the Biblical stories which inspired the movies. Jonah is not a disappointment. The Jonah character is haughty, snobby, and very much human as he struggles to submit to orders from God that he finds totally unacceptable. He ultimately hooks up with a group of Pirates who give sailing the high seas hilarious new meaning! These guys are lucky to get the boat out of harbor. Carlisle, Jonah's pushy traveling buddy, is a hoot and proves that friendship can be a powerful thing. An angelic choir visiting Jonah in the belly of the whale gives the movie an energetic, soulful uplift. The writers who create the Veggie Tales movies are so good at tongue in cheek humor - listen close and you'll find some sly humor that will make adults chuckle. Great movie!!! ... Read more

Reviews (13)

Film as art
This movie by Carlos Saura is an ambitious attempt at recreating the life of celebrated Spanish artist, Francisco Goya. The cinematography is spell binding as the artists works are recreated masterfully, only to be matched by the magnificent time period recreation. The acting is very good, good enough to garnish a Goya(Spanish equivilent of an Oscar) for leading actor and actress. Veteran actor Francisco Rabal, who bears an uncanny resemblance to the real Goya and Maribel Vernu as Cayetana, the Dutchess of Alba, both won a Goya for their performances. If all this reference to Goya is confusing it is because I'm laying the foundation for the problem with this movie. The story of Goya is told to his daughter through a series of flashbacks that are at times very perplexing. It is not so much that they are confusing but that no explanation is given to the circumstances of Goya's life. Saura makes the leap that everyone knows about Goya rather than explaining. Maybe everyone in Spain knows about Goya but not all viewers are Spanish. It helps to be up on your Spanish history prior to viewing to understand the political nature of the times and the reason for his self imposed exile to Bordeaux in his later years. I did some reading afterwards but it would have been better to know the why before viewing. Anyway the sets and lighting are works of art in themselves as the paintings and walls in one sequence come to life. These hallucinations are part of the torment that Goya suffers and is reflected in his art. Some insights are given into the life of Goya but it is hard to distinguish fact from fiction. Goyas mixing in the royal court and hob nobing with the rich and famous are perfect backdrops for his cavorting with Cayetana. Saura has created a work of art in his homage to one of Spains master painters. Goya's life and death, as represented in this film, is the end of an era linked to Velasquez and the birth of modern art in Spain. Recommended for art enthuisists with deep pockets.

Film as art
This movie by Carlos Saura is an ambitious attempt at recreating the life of celebrated Spanish artist, Francisco Goya. The cinematography is spell binding as the artists works are recreated masterfully, only to be matched by the magnificent time period recreation. The acting is very good, good enough to garnish a Goya(Spanish equivilent of an Oscar) for leading actor and actress. Veteran actor Francisco Rabal, who bears an uncanny resemblance to the real Goya and Maribel Vernu as Cayetana, the Dutchess of Alba, both won a Goya for their performances. If all this reference to Goya is confusing it is because I'm laying the foundation for the problem with this movie. The story of Goya is told to his daughter through a series of flashbacks that are at times very perplexing. It is not so much that they are confusing but that no explanation is given to the circumstances of Goya's life. Saura makes the leap that everyone knows about Goya rather than explaining. Maybe everyone in Spain knows about Goya but not all viewers are Spanish. It helps to be up on your Spanish history prior to viewing to understand the political nature of the times and the reason for his self imposed exile to Bordeaux in his later years. I did some reading afterwards but it would have been better to know the why before viewing. Anyway the sets and lighting are works of art in themselves as the paintings and walls in one sequence come to life. These hallucinations are part of the torment that Goya suffers and is reflected in his art. Some insights are given into the life of Goya but it is hard to distinguish fact from fiction. Goyas mixing in the royal court and hob nobing with the rich and famous are perfect backdrops for his cavorting with Cayetana. Saura has created a work of art in his homage to one of Spains master painters. Goya's life and death, as represented in this film, is the end of an era linked to Velasquez and the birth of modern art in Spain. Recommended for art enthuisists with deep pockets.

An Exploration on the Role of the Artist in Society
Saura's newest film follows in the tradition of <>, <> and his most recent film <>. All explore the role of the artist as <> within society. <> is no exception. The film features Francisco Rabal, now the elderly Goya, who recounts his life to his young daughter in a series of artistic flashbacks, many of which cross the boundaries of time and space. Integral to the plot are his recollections of his affair with Cayetana, the famed Duchess of Alba, and who torments his thoughts throughout the course of the film bringing an element of reality to the artist's sometimes surreal world, a world where Goya's paintings serve as backdrops to illustrate the historical period. In addition, unusual lighting and music contribute to the film's artistic flare, all blending into a lush and virtual feast for the eyes. I truly enjoyed this creative experiment. It is a must for Saura fans and for those who enjoy Spanish art and history.

love goya
i don't watch too many foreign films, not really my kind of thing, but this is easily one of my favorite movies. has a wonderful look to it. if you like foreign movies you should check this out.

Indeed, a masterpiece
After seeing this film twice at the Vancouver Film Festival, visiting from my home in Mexico, I could hardly wait to own it, even though it was only available in VHS. I find it fascinating and disturbing that Saura's masterpiece, as non-linear and right-brained as any great work of art, should be maligned by critics such as Roger Ebert, and others. Here's to those who've written their praise for the film on these pages!
This is extraordinary creation, a fusion of both outer and inner realities that the logical mind cannot grasp - and why must it? Does it really matter what happened factually to Goya? Aren't those fiery skies and the music of Boccherini, reflecting the fire and brimstone in Goya's mind, enough to tell us that the film is mythic? Shakespeare did the same thing with his tragic heroes because the Elizabethans and the alchemists believed in "as above, so below". Macbeth's turmoil is reflected in the storms outside, and the bloody battles raging around him. Yet that's fiction and we believe this world is reality..
I buy few films, and I cherish this one. I'm still longing for "Providence" to come out on DVD because Resnais interweaves life and art from the same perspective...an old man, a writer, dying among his living, breathing creations. I live in an Mexico's oldest city, on a street named "Cinco de Mayo" Every day I'm reminded of Goya's painting, and this film is shown at least once a month on TV because the Mexicans love it - the Latin world has no problem suspending reality in the name of art - which is why Andre Breton called Mexico the ultimate surrealism. Thank you Saura, once again. ... Read more

Reviews (25)

Antonio Banderas Was Better When Euro Film Star
I watched Banderas in his European movies before he became an American movie star. I really liked all of his work then whereas now his work is very uneven in quality. "Evita" is the only work of his I've admired since his "conversion." This film was his very best prior to his coming to America. I'll confess that director Pedro Aldomovar's 2 most commerical films, of which this is one, appeal to me more than his other films. The other is "Woman On The Verge of A Nervous Breakdown." Perhaps this is because these two works involve heterosexual love affairs and are also comedic and satiric. They're broadly played but enjoyable for a bigger audience than Aldomovar's work normally gets. Banderas is incredibly sexy in this film as the patient fresh from a mental hospital who wants a regular married life and seeks to find it with a porno star woman. Bringing these two together for a black comedy was a stroke of genius. The Tie Me Up, Tie Me Down in the title refers to the woman's liking kinky stuff and Banderas's literally tying her up and down to the bed. This is a very sexy, romantic even, film and for those who feel Aldomovar's films typically are aimed to please only gays and not straights, this film should convert them to becoming fans of his considerable talent. It will also make them sad that Banderas decided to become an American movie star.

Tie Me Up! Tie Me Down!
Tie Me Up! Tie Me Down! (¡Átame!) is one of the two movies by renown director Pedro Almodóvar (the other being Women on the Verge of a Nervous Breakdown) that got wide attention in the US, albeit in the art house scene. Nothing since Tie Me Up! Tie Me Down! (made in 1990) has gotten nearly as much attention, despite several efforts since than by Almodóvar. Both movies have a similar style, but Tie Me Up! Tie Me Down! is a bit more disturbing as it revolves around a kidnapping.

Marina Osorio (Victoria Abril) is a former porn actor and junkie trying to make a more respectable living as a B movie actor. Ricky (Antonio Banderas), is a troubled youth who has just been released from a mental institution where he had spent the last several years due to his constant running away from orphanages and reform schools. Somehow Ricky has decided that Marina is his future wife and after some very lame attempts to get her attention on the set of her new movie, decides to break into her apartment and "kidnap" her until she is convinced to love him as he does her.

This seems somewhat straightforward, but most would assume that this would be a terror-filled, disturbing film about stalkers and people who's reality is warped. It is disturbing, but not for those reasons, but rather for its very light-hearted atmosphere and slapstick comedy in the face of this rather serious situation. One might call it a black comedy, but the mood is generally so light, that a better term might be "gray comedy." Marina, though occasionally showing some terror, seems more angry and annoyed at being tied up and kept captive than in fear for her life. One thing ran through my mind when watching this - that quote from Die Hard with the expert commentator on the news talking about how kidnapped victims sometimes go through the "Helsinki Syndrom" and start empathizing with their captors. Well, it does not take all that long for Ricky to actually convince Marina to love him. This again, leads to the very light-hearted and surreal nature of the film, and everything in the film seems to have this quality, almost as if what is happening is not real, but being acted on stage. This relates to the film that Marina is acting in at the beginning of this movie, where likewise, everything is pretty fantastic and unreal.

Other than the shear oddity of this film, the main other noteworthy quality seems to be in its steamy sex scenes with Abril and Bandaras. The film actually got an NC-17 rating due to this, which shows the hypocrisy of the MPAA which gives incredibly violent films like Saving Private Ryan an R, but because of a little sexual content will brand a film with NC-17 and make it hard to sell at the box office in most communities.

The DVD is lackluster, containing no special features except for a Trailer. The anamorphic transfer is a good one, very clear with vibrant colors. The audio is the original mono Spanish and is very clear for a mono soundtrack.

If you are a fan of the offbeat, you may enjoy this film for the shear "different" quality it has compared to most mainstream movies, but its light treatment of very disturbing theme may be too much for others.

"You can't be that kinky."
Pedro Almodovar's film "Tie Me Up, Tie Me Down" stars one of the director's favourite leading ladies--Victoria Abril as Marina--a former adult film star with a nasty narcotic habit. Marina is trying to stay clean with the help of her protective, responsible and non-stop talking sister, Lola. Marina has almost finished making a second rate horror film, "the Midnight Phantom." The film's wheelchair bound director, Maximo is obsessed with Marina. There's something about Marina's fragile sensuality that makes men want to protect and possess her. Ricky (Antonio Banderas)--just released from a mental hospital--is also obsessed with Marina. Ricky decides that he will kidnap Marina and keep her tied up until she falls in love with him.

Of course, there's a fundamental flaw in Ricky's plan, but Almodovar's playful script shows how the obstacles to Ricky and Marina's relationship are overcome. Victoria Abril is--as always--splendid, and Banderas is at his best. As with all Almodovar films, "Tie Me Up, Tie Me Down" is full of great, eccentric characters (the pistol-packing pharmacist, for example), and Almodovar's humour, acceptance and generosity towards human flaws always ensures some sort of good outcome.

"Tie Me Up, Tie Me Down" contains a controversial scuba-diving gadget scene, and many Almodovar fans will note a very similar scene in "Talk to Her." (...). I loved the scenes when Maximo's frustration is shown by his endless circling in the wheelchair, and when he dances in his chair with Lola. The film also includes some amazing Spanish music. Almodovar and Abril fans will not be disappointed in this film--displacedhuman

A loving kidnapping drama...
Ricky (Antonio Banderas), a newly released mental patient, enters society with hope of building a family after have convinced the woman in his life that she loves him. This woman is Marina (Victoria Abril), a former heroin addict and porn star, that is filming a horror film with a director who has recently suffered a severe stroke. Ricky enters the film studio and retrieves Marina's keys, which he uses when he breaks into Marina's apartment and kidnaps her. In doing so Ricky wants Marina to get to know him and fall in love with him as they have had a brief affair once before, which changed Ricky's life.

Pedro Almodóvar knows how to make the absurd feel authentic and in this story he does it well as Marina and Ricky get to know each other. The story is planned down to every last detail as both characters have some heavy luggage from their pasts, which serves as a solid foundation for them to relate and understand one another. Almodóvar uses vibrant colors that improves visual representation of the likes and dislikes between Ricky and Marina as it expands on the audience's understanding of what is going on. There are also several interesting shots that are out of the ordinary as they draw attention to the characters and develop the persona around the characters. Tie Me Up! Tie Me Down! fades away from the silver screen with a good cinematic experience, which can be pondered over a glass of sangria.

Subverting types!
When originally writing this film, Pedro Almodovar asked himself the question "Can love be calculated or sketched the same way one could study for an exam?" This is certainly the conviction of the Antonio Banderas character who seeks to capture his former lover and eventually convince her of her love for him. Although one could initially interpret the theme of the film as overtly misogynist - man tries to physically force woman to love him - gender stereotypes are typically subverted in true Almodovarian fashion.

It would seem that the women are the figures of power in this film and both Ricky and wheelchair-bound film director Maximo are at a loss in trying to seduce the object of their desire in any conventional sense. They are both addicted to Marina, but the only thing she's ever been addicted to is heroin. By the end of the film the Antonio Banderas character is almost totally domesticated, making food, cleaning the appartment, making sure Marina has enough drugs etc.

There's also the reference to the Sacred Heart at the beginning of the film and masochism has often been perceived in some of the more archaic rituals of our Roman church.

None of these subtleties were apparantly noticed by the American classification board who initially wanted to give this film an 'X' rating because of playing with toys in the bath! (?) ... Read more

Reviews (22)

A Very Charming Little Picture...Not Dull and Boring
While most of the reviews have been critical of this 1943 "package feature", it is really cute and informational. It is a Disney classic, featuring the animation of many classic artists and animators, such as Mary Blair, Fred Moore, Norm Ferguson, Les Clark, Milt Kahl, Ward Kimball and others. It is the first feature which combines live action with animation, and would pave the way for other features to come, such as "Mary Poppins", "Bedknobs and Broomsticks", and many others.

"Saludos Amigos" is comprised of 4 shorts, "Lake Titicaca", "Pedro", "El Gaucho Goofy", and "Aquarela De Brasil". Many classic Disney characters are included, including the slapstick Goofy and Donald Duck. New characters are introduced, which include Jose Carioca, the samba dancing friend of Donald.

There is also an array of bonus features, including an original theatrical trailer from 1943, and a documentary on the making of the film, which displays many of the films' crew members at work.

Overall, I think this is a very charming feature film.

Fair Disney movie
Being a fan of the Three Cabalerros I was excited to hear that this movie would finally be available on home video minus a previous laser disc release. This movie was slightly a dissappointment. Not because of the film, just its length. 42 minutes just doesn't constitute as a feature for me. Other than that squabble, I enjoyed it. The DVD transfer is sharp and clear once again in the animation scenes, but the live action 16mm stuff is grainy but will probably will never look better. The extra "South of the Border" featurette is a nice addition but it reuses a lot of the material from the feature. Losing 2 seconds of footage of Goofy smoking is really no big deal to me, if Disney wants to "protect" children, whatever, it doesn't change the plot and is really insignificant.

Not as lively and exciting as The Three Cabelleros.
In this film, we see Disney and his fellow animators travel to Latin America. In this however, you feel as if you are watching the Discovery channel with a little Disney thrown in. The film is whimsical when you come across a Disney cartoon, but all the inbetween bits are lackluster and boring. If maybe you traveled along with Mickey or Goofy it may have been more exciting. Sorry. Good but lacks.

Disney's 6th Animated Masterpiece!
Walt Disney took his staff on a special trip to South America where the animators found all the needed material to create this wonderful, although rare, feature. The film does not really have much of a plot but it is very entertaining, the animation is wonderful and it briefly describes all the good things in South America, from their beautiful landscapes, to their sweet music. One of my favorite scenes is when Donald tries to cross a suspention bridge on a llama, it was very funny. The film has four different cartoons, as I said, not much of a storyline but really something fun to watch once in a while.

The DVD, as all the other Gold Collection titles does not bring much in bonus features, but since this isn't one of Disney's most majestic titles, it will do. This edition only brings an original trailer and a documentary featurette, not much, but enough.

For True Disney Fans
This film was made during the war and Walt didn't have the money to turn out another full length animated film. To appease his fans, he made a film which is basically a trip with him and some of his best animators "South of the Border." The animators where then inspired to make several short animated films, which are all packaged together to make this feature. The back of the box says "Total Running Time: Approc. 75 Minuites." By total running time, the mean with special features. The film is only 45 minuites, and the bonus "South of the Border With Disney" was a television show he did. If you are not a Disney fan, I don't recomend this film to you, because it is not like the other well known animated films you are used to. The picture and sound are not very good. Disney didn't feel the need to tough it up because hardley anyone knew of it's existance. ... Read more

Reviews (143)

THE BEST MARS MOVIE
A lot of people are confusing this very satisfying sci-fi action adventure with the laughably pretentious, boring, goofy, message-laden atrocity MISSION TO MARS! The two mars-themed films couldn't be further apart.

It's the middle of the 21st century and a dying earth reaches out to colonize Mars as a last hope. Val Kilmer, Carrie-Anne Moss (The Matrix), Benjamin Bratt, Tom Sizemore and Terrence Stamp represent all humankind in the first landing on the mysterious red planet. Also on board is the extraordinary, multifunctional robo-assistant AMEE.

But, wouldn't you know it, a malfunction has forced her into a relentless killing-machine mode hell-bent on destroying the crew. And that's not all the crew must deal with; barren Mars has breathable oxygen and -- other inhabitants. Like the poster says: "They didn't find life on mars. It found them."

This somewhat by-the-numbers adventure is saved because it's looks great (the sets, locations and props are always credible) and the action never lets up. The striking Martian landscape is rendered vast and real and, yes, red. Recommended. (Color, Widescreen, Dolby Surround, 107 Minutes, Rated PG-13)

A golden opportunity wasted.
I'm a huge science fiction fan. Always have been. And I've always loved stories set on Mars, for some reason.

So why can't Hollywood make a decent movie about Mars?

The latest flaccid attempt, "Red Planet", is a joyless ride through outer space that brings out every cliche in the book and pastes them together with little coherence or seeming forethought. Characters get into fights for no reason; the plot is told through flashbacks and voiceovers (the lazy man's way to make a film--why bother having people act when you can simply TELL the audience what's going on?); and the most basic laws of science are simply ignored.

Here's a note to the director and screenwriters: flashbacks are not necessary to tell a good story. If you'd simply shown the scenes in order, you'd have made the characters ten times more interesting.

The story, such as it is, goes like this: In the year 2057, humanity has at last overtaxed the natural resources on Earth. Desperate for a solution, we seed Mars with genetically taiored algae to generate oxygen so we can colonize the planet. Suddenly, our remote monitoring of Mars goes quiet, so a manned mission has to be assembled to check it out.

Commanded by Navy Commander Kate Bowman (Carrie-Anne Moss), things go wrong for the crew of Mars-1 almost as soon as they enter Mars orbit. A freakish solar flare fries the ship's electronics, forcing an emergency evacuation to the surface of Mars. This sequence is terrific and exciting, especially the crash landing, which had members of the audi