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Imagine if an actor's director like Eric Rohmer--whose films consist almost entirely of conversation between pairs or small groups of people--made a film that incorporated elements from movies like Dark City, eXistenZ, The Thirteenth Floor, The Truman Show, and Total Recall. The result might resemble Alejandro Amenabar's remarkable second feature, Open Your Eyes, which favors ideas over effects and offers twist upon twist with mind-warping agility. This film rewards multiple viewings, pushing the viewer toward one perception of reality, then switching to another until reality itself is called into question. Melodrama, love story, and psychological thriller combine with a dash of science fiction, forming a plot that is both disorienting and deceptively precise.

Set in Madrid, the story defies description, but this much can be revealed: young, handsome Cesar (Eduardo Noriega) is vain, rich, charming, and--following a botched suicide-murder scheme by a jilted lover--horribly disfigured. He'd fallen in love with Sofia (Penélope Cruz) but is now an embittered husk of his former self, stuck in a "psychiatric penitentiary" on a murder charge and hiding behind an expressionless mask. His reality has crumbled, but as the film's agenda is gradually revealed, we realize that there are other factors in play. Exposing that agenda would be a criminal offense against those who haven't seen the film; suffice it to say that Open Your Eyes takes you into the twilight zone and beyond, and does so cleverly enough to prompt Tom Cruise to produce and star in an English-language remake, Vanilla Sky. The 2001 remake, directed by Cameron Crowe, costars Cameron Diaz and Penélope Cruz, who reprises her original role. --Jeff Shannon ... Read more

Reviews (83)

Increases emotion and suspense inch by careful inch.
Alejandro Amenabar's "Open Your Eyes (Abre Los Ojos)" operates on the notion that dreams and reality walk hand-in-hand down the path of life. It deals with elements of psychological bliss and disturbance in ways reminiscent of Hitchcock and "The Twilight Zone," evoking a tone of constant underlying dread that remains in the mind long after the movie's earth-shattering climax. This isn't a thriller in the traditional sense, but its thought-provoking plot is a testament to Amenabar's superb storytelling capability.

The film begins normally enough by introducing us to César (played by Eduardo Noriega), a wealthy man with popularity and good looks tucked under his sleeve. He's got a best friend, Pelayo (Fele Martínez), who takes pleasure in chiding him about his involvement with the persistent Nuria (Najwa Nimri), who simply won't take no for an answer when it appears that César has lost interest in her. His birthday party marks the start of a new relationship with the lovely and high-spirited Sofia (Penélope Cruz), yet his reservations about moving too fast with her further infuriate Nuria, who offers him a ride back to his apartment the following morning only to run the both of them down a hillside into a wall.

The accident leaves Nuria dead and César badly injured, with facial scars untreatable by his physicians, who try to convince him of the risks involved in attempting to return his face to its former state. His disfigurement is a burden to him, as well as to Sofia and Pelayo, who find discomfort not in his looks, but in his downtrodden attitude and outlook on his future. Noriega captures this lapse in emotion quite wonderfully, while also sharing a great chemistry with Cruz which keeps us involved with the romantic aspect of the story as well as the forthcoming mystery.

The movie soon reaches a point where everything seems to change... César finds himself in the arms of Sofia, sharing a love he never thought possible; his doctors have come up with a solution to his facial scars, restoring his face back to its handsome look. Everything seems to be going quite well for him, until one night he finds Nuria in his bed and his happy life turned upside down by his friends, who persist in telling him that this woman he clearly despises is Sofia.

The story is good at keeping its audience at bay for information and twists, casting us into a darkness so that César's confusion and delirium soon becomes our own as well. His struggle to recover the clues that will solve the mystery behind his life's sudden downfall is intriguing and effectively induces thought among viewers, who will no doubt find themselves recalling clues, piecing together scenes and characters, lines of dialogue and different objects César has come in contact with. It's all a sense of mystifying wonderment, and Amenabar is able to lay on plot twist after plot twist at just the right pace so that we hunger for more.

Your acceptance of the movie's final resolution ultimately depends on your willingness to suspend disbelief, as well as your scrutiny. It begs its audience to question its intentions, to ask why certain events have come to pass, why certain characters thought to be dead have come back to haunt César; I think most people will be inclined to ask one question (SPOILER ALERT): If César has been creating his own world, then why does he torture himself with his past? This is a question the movie doesn't answer forthright; perhaps it is better left unanswered, as it most likely will take away from the impact the final twist will have.

As I finish this review, I still find myself perplexed by the complex nature and stunning array of twists and surprises that Amenabar supplies his film with. As I watched the film, I found myself straying away from its conclusion, but upon further thought, I realize that it serves the purpose of tying the film together in a manner that does justice to the story that leads up to it. I still have my reservations about the nature of César's final state of mind, but the effectiveness of the overall film easily makes it a minor flaw.

"Abre Los Ojos"...Makes "Vanilla Sky" look very bland...
I saw "Abre Los Ojos" quite a while before I saw "Vanilla Sky," and to me it is far superior. Cameron Crowe's version of this dark and twisted dreamscape is so prettied up and sanitized that much of the impact of the story is lost--as is the case with many Americanized versions of foreign-language films. Eduardo Noriega is amazing (and beautiful)in "Abre Los Ojos," giving the character of Cesar a sense of darkness as well as vulnerability, not to mention the egocentricity of a spoiled child that is expected in the character--Tom Cruise, on the other hand, just seems like a movie star throughout his entire performance in "Vanilla Sky." Penelope Cruz's performance in this original version is much more believable...ironic, considering she and Cruise became a couple. The chemistry between Cruz and Noriega is much more palpable. The Madrid scenery is amazing, and there is a dreamlike quality to the film that comes from excellent cinematography and just plain good film-making...not Hollywood "magic". The characters are believable, and the ending is not as "sugar coated," so that it has an even bigger impact on the audience. Skip the Vanilla...and open your eyes.

Better than Vanilla Sky
Like many in the English Speaking world, I saw Vanilla Sky without realizing that it was the American Remake of the Spanish movie Abre Los Ojos. Once I discovered that, I saw the original. WOW! Typically, Hollywood takes a terrfic non-English language movie and the remake, while glitzierlacks the itensity of the original. It maeks you wonder why Vanilla Sky was even made (aside from making money!) The acting and emotions in the original movie were much better than in Vanilla Sky- even with sub-titles! It is quite interesting, seeing Vanilla Sky first, as it's essentially the same story, except in New York instead of Madrid. Penelope Cruz plays Sofia in both movies, whcih adds to the interest- seeing her do in English and the US what she had done four years earlier in Spain!
Without repeating the story line of both movies (essentially- how can you tell a dream from reality?)-given a choice A between the two nmovies, Abre Los Ojos is the best one- though I liked Cameron Diaz as Julie in Vanilla Sky better than the woman who played Nuria in Abre Los Ojos- but otherwise the Spanish movie runs circles around Vanilla Sky. This is quite typical of foreign movies when compared to their Hollywood "remakes" Don't waste your time or money on Vanilla Sky , unless you wish to compare them

An icy,suspensful film
While I wouldn't classify Open Your Eyes (Abre Los Ojos) under the thriller genre by any means, this film kept me glued to the screen,and certainly gave me a good scare or two. And when the whole thing was over I actually found myself dissapointed because viewing this film for the first time is such a thrilling,suspensful journey- this film does not for one minute let you in on whats going to happen next.

Not giving anything away, I'll say that the film involves a young man named Cesar (Eduardo Noriega) who seemingly has it all. Looks,money,girls,friends-until a devastating car accident plotted by a psychotic ex-girlfriend sends him into a mental and emotional hell.Meanwhile, he has fallen in love with Sophia(Penelope Cruz,loads of charm), and the fate of their relationship becomes unknown.

I believe that whatever genre of movies you prefer, you can still enjoy Open Your Eyes.It's incredibly original, and will keep you on the edge of your seat-I guarantee. All the way through, the film manages to be both detached, in the sense you're never really sure what's going on-but it adds personal,humane touches which is what makes Abre Los Ojos a truly unique film experience. Definately worth a viewing. It doesn't really have a big moral, or a huge point to make, its basically just questioning and asking you to come along for this wholly entertaining,well thought out, thrilling ride. What does it question? See it to find out.

why did Vanilla Sky even happen???
Like most reviewers, I saw "Vanilla Sky," the American remake of this film, long before I saw "Abre Los Ojos." After finally seeing the original version, I'm left absolutely bewildered why anyone thought that it needed to be remade to begin with. This is a truly beautiful film. Wonderfully acted and written, and done with a fittingly modest budget. Granted, it's not in english, but I don't think the average viewer is as turned off by that as Hollywood seems to think. (How many copies of "Amelie" were sold in the US??? It's probably more to do with poor marketing than actual hatred of "reading" films.)

I will not get into a sprawling review of the film, as there are many reviews already posted which do so adequately enough. Just take my advice, if you found even a little in "Vanilla Sky" that you liked, and yet found it to be a deeply flawed film (as I did), give this version a try. It is a much more complete and well constructed film than "Vanilla Sky" ended up being. Far superior, in my opinion. ... Read more

Reviews (203)

Neve Campbell steals the show
Wild things is an easy movie to love. It tells the story of a Blue-Bay highschool teacher ( Dillon ) who is been accused for rape by two of his female students , spoiled rich kid Kelly ( Richards ) and drug-addict basketcase Suzie ( Campbell ) . Did he really do it ? The script provides more than just a yes-or-no answer during the one and a half hour the movie lasts . It includes a little more than a few plot twists and manages to constantly suprise us and turn things around. In addition to all that this is an extremelly well-made film , surely one of the sexiest movies you'll ever get the chance to see.The love scenes are simply sensational , steamy yet never cheap.All the members of the cast deliver some good perfomances but eventually it's the two girls who stand out. There's a first-class chemistry between Campbell and Richards . Campbell gives her best perfomance yet as confused freak Suzie.She totally crashes her next-girl image and prooves she's capable of playing many different kinds of characters with equally good results.It's actually weird that after that role she disappeared from the spotlight when one might have excpected that then was the time where her star would rise even higher.Denise Richards is really charming as Kelly Van Ryan too.She's one more person i hope i'll be seeing more in movies in years to come.Also great are many of the supporting roles.Bill Murrey , Daphne-Rubin Vega , Theressa Russel and Robert Wagner have all been smartly casted in roles they seem to fit perfectly with their physique . Director McNaughton knows how to handle all the above and achieves to make a movie you won't feel bored with for even a second.Let yourself free to enjoy the guilty pleasures of this film which combines crime , corruption and sexuallity so succesfully you'll have to see it twice to believe it.

This movie left me saying WOW
Wild Things is one of the most draw dropping movies I've ever seen. It had so many twists and turns I had to see it again to believe what I had seen earlier and had just seen again.

Matt Dillon plays a high school counsler at a high school in South Florida. He is well respected and loved by the students. He is really loved by his student played by Denise Richards. She likes to him to a very dangerous point. She later accuses of him of rape to the local cop played by Kevin Bacon along with another student played by Neve Campbell. Matt's character is hated by the community and he hires a lawyer played by Bill Murray to defend him. However, the movie turns into a story of sex, murder, and betrayl that like I said earlier will leave you saying "WOW" and have you watching it again.

Denise Richards is absolutely crazy in this movie. I couldn't believe this was the sweet innocent girl I had seen in Starship Troopers. Denise, Matt, and Neve shoot a soft porn in the movie when they do a three some. I couldn't believe it. I think this is the best acting Denise has done in her young carear. She is a beautiful woman and I love her to death. Most guys become a fan of her from watching this.

Kevin Bacon has a nice role in the film. It's one of the better performances of his carear. I hate his character in the movie. He plays a huge role in the film though, and Bacon liked this movie so much he helped produce it.

This is a different kind of role for Matt Dillon in the beginning of the movie. However, by the end he won't disappoint his loyal fans as he returns to the kind of character he typically plays.

I liked Wild Things. It's an insane sexual thriller. If nudity is not your thing I would not get this movie. Nevertheless if you want to see a movie with a ton and twists and turns this is it. Men will really like Denise in the movie. But like I said this movie will leave you saying "WOW" and will have you watching at again.

Keeps you guessing
...that's for sure! This movie really does keep you guessing until the very end. Just when you think you have it all figured out, you don't and are very far from the truth. It has so many twists in the plot that you really do have to pay close attention to it the first time you watch it or you will miss something vital to understanding the ending. I liked it mainly because I thought I had it figured out but when the end came I was totally wrong. I enjoy movies that are unpredictable, which this one most definitely is. The movie is cast well. It includes Matt Dillon, Neve Campbell, Kevin Bacon, Denise Richards, and even Bill Murrey. I think as far as casting goes the actors were prefct for the parts. Matt and Kevin play somewhat bad guys, which don't they usually. Neve Campbell plays a strange girl from the wrong side of the tracks and just nails the part. I like this movie and would recommend it to those that like a good ending and maybe some of you that want to see Neve Campbell making out with Denise Richards. Not my favorite part, but I know many guys would enjoy that scene.

Best Movie Ever!
This is one of the greatest movies ever made. Its has a mixture of fighting,cat fighting,drowning,betrayl,lieing,decieving, and just everything that makes a movie good. I would reccomend this movie to anyone.

Trash of the Gods!
"Wild Things" is a gloriously lurid and decadent little gem of a movie. I love movies that respect the intelligence of the audience while pandering to their base desires (most studio releases skip that first part), and "Wild Things" fits the bill perfectly.

The plot is - well, the plot is twisted, in every sense of the word. The story that seems to be unfolding ends at the halfway point of the movie - and then the real story begins. And in a technique I've never seen before, it continues through the ending credits, as director McNaughton gleefully fills in the holes.

"Wild Things" offers great, juicy turns from Neve Campbell, Denise Richards, Matt Dillon, Kevin Bacon, Theresa Russell, and especially Bill Murray as a hilariously corrupt small-time lawyer. Along the way we get lots of steamy, lurid peek-a-boo sex and nudity (which is so gratuitous it inspires genuine laughter), violence, and characters motivated by nothing more than pure greed. Put 'em together in the Everglades, and you have one hot movie.

I generally don't like movies that mess with the audience by hiding information, and then springing it on them later as a "twist." But twists work beautifully if the character is just as befuddled by them as the audience. Since "Wild Things" offers nothing but characters who think they have secrets and alliances but are actually only pawns in a game, every twist is justified.

This new "unrated" version incorporates scenes that aren't necessary, but are joyful anyway. If you have the original cut and you've got the money to throw around, go for it. If you haven't seen it, well, it's probably not for anyone. But if the thought of a wicked little Hitchcockian melodrama, dripping with sex and humor and directed with a wink, appeals to you, you can't go wrong with "Wild Things." ... Read more

Reviews (44)

ONE FINE THRILLER
Amidst all the suspense, shocks, and chills of this superbly made thriller stands the awesome performances of Sigourney Weaver and Holly Hunter. Ever since she pioneered the "female buttkicker" in the Alien movies, Sigourney has stretched her range to show the immense amount of talent she possesses. Her role as agoraphobic Helen Hudson is one of her finest; she lets us feel every nuance of her frustration, her terror, her anger, her intense ability to be strong even when she admits she's weak. Matching her performance is the understated portrayal of cop M. J. Monahan by Oscar-winner Holly Hunter. Hunter's bravura etching of this likeable cop is extremely effective in counterbalancing the tormented Weaver. Although the fate of Dermot Mulroney as Monahan's partner is questionably appropriate, it does serve as a motivating factor in Hunter's pursuit of the serial killer. William McNamara's performance as Peter Foley may seem underplayed, but it serves to heighten the normal-ness of this obviously demented young man. Like life, the good guys don't always come out unscathed. The film is dark, brooding and its ending is chilling in that Harry Connick Jr.'s imprisoned psycho is obviously going to continue his quest for revenge on Weaver. A sequel would have been nice; I would have also liked to have had at least one scene with Weaver and Hunter after the explosive ending. But, as far as thrillers go, this is a great addition to a small set of classics.

A good thriller.
Serial killer expert Dr Helen Hudson (Sigourney Weaver) lives isolated in her apartment after being the victim of a murder attempt. When a new killer wreaks havoc in San Francisco, the police contact her for help. They soon figure out that the killer is copying old, famous murders. In order to catch the killer, and avoid becoming his victims themselves, they have to try to figure out his next moves.

It's a good thriller with some quite chilling scenes. Sigourney Weaver is good as the traumatized Dr Hudson, and Holly Hunter is charming as always as the good cop. The supporting cast is good as well. If you like thrillers and haven't seen this movie, you've got two thrilling, entertaining hours to look forward to. And it may be worth watching more than once.

Fantastic!
Having watched this movie in Law class, I can definitely say it's one of the best of its genre. It was fast-paced, thought-provoking, and utterly gripping.

Sigourney Weaver turns in a brilliant performance as Helen Hunt, a retired and agoraphobic woman with all the knowledge she'll ever need of the criminal mind - having been nearly murdered at the movie's beginning my Darryl Lee Cullum (Harry Connick, Jr), the man behind everything. The other actors give us great insight of the way things work in a serial case, their mannerisms and skills as actors (especially William McNamara, the seductively charming psychopath) chilling us as we watch the drama unfold.

If you're looking for something new in the Thriller category, you could do much worse than this.

copycat - scary as..
Copycat - very well done thriller , with high empathis put on suspense and shock rather than merely gore an violence, keeps you in suspence and guessing till the end, in the same kind of legue as Silence of the Lambs, Seven ect. one of my favourite all time films as well as one of my favourite horror films - one of the few horror films i can watch numerous times.
Definutly worth watching, makes you think as well - certainly not your average horror film.

One of the best suspense films of the 90's
COPYCAT stands on it's own despite being compared to SILENCE OF THE LAMBS. Truly frightening and suspenseful in scenes, the film works beautifully because of the cast (Holly Hunter and Sigourney Weaver) and the excellent script.

Sigourney Weaver character was stalked by a serial killer some years before, and as a result, is confined to her home where she lives in understandable fear. The police now consult with her in her capacity as a criminal psychologist to find the identity of a new serial killer. In the process, her world is once again turned upside down in a way which will make you want to jump up and lock your door.

CopyCat is a true gem of the suspense thriller genre but overlooked by so many as a 'copycat' of other great films. Trust me, it really does deserve merit for its ability to remain as fresh today as it was upon first release.

Deserves a place in your DVD collection. ... Read more

Reviews (42)

Chow Yun Fat's REAL US debut!!!
"The Replacement Killers" was terrible. It was like a Chow Yun Fat/John Woo movie by numbers and poses. Nothing to speak of in terms of storyline or compelling characters (apart from Chow's) that his best known HK work featured. This movie however features Chow Yun Fat as the sort of conflicted yet ultimately principled man he should play, but with tons of intrigue and a good performane by Mark Wahlberg as a rookie under Chow's wing. It's not very "Hollywood" which is a good thing. It definitely has a feeling closer to a foreign film and that is very welcome. This doesn't have as much action as "The Killer" or "The Replacement Killers" but it had a solid storyline. Hopefully with the success of the phenomenal "Crouching Tiger, Hidden Dragon", Chow Yun Fat's other movies will get the look they deserve. This man shines whenever he's on the screen. He saved "Anna & The King" as well. I forgot to mention that for once New Line has SOME additional features, and they interesting.

Too Long!
Despite bad reviews I enjoyed Chow Yun Fat in the Replacement Killers. It was not up to par with his John Woo stuff but I enjoyed it very much.

The Corrupter is Chow Yun Fat's second American film. He is perfectly cast as a shady New York City cop in China town. Mark Walhberg is also very good as his new partner. Another good performance was by Brian Cox as Walhberg's father.

The film has some great action parts. The film also does a great job contrasting Chinese and US culture. On many levels its a great film about cultural diffusion.

However, despite some great cultural exchanges, good actions scenes, and great acting the film in my opinion was not very good.

Its too long and by the last 20 minutes the story is dragging and dragging. I wanted to like this film very much, but the story itself and its collapse into boredom at the end sank this film for me.

This was a good effort but it failed to cross the finish line. It is worth a rental, but not too buy. You will not want to watch this film more than once.

Again, I really wanted to like this film and wish I could have.

If all bad cops could be this good!
I loved the confrantation that Danny Wallace had with his dad about the contemplation of what to do about turning in his partner Nick Chen .. I won't spoil the quote you have to take it in context of the scenario of the movie. What an impact it made in my life that what I do in my life will be what I live with. I don't know if I over looked the goings on with Nick Chen because after all he was Yun-Fat Chow or that his over looking Uncle Benny's activities was some how a kindness to help May a lost drug addict and prostitute unable to escape her fate he tries to be more then a cop in her heart. The entire movie was tastefully done, story line excellant, directed in a way to make you laugh, cry, sit at the edge of you chair during those action scenes. Not to mention the sound track subpurbly done. I have had always found Yun-Fat Chow a believable actor in all rolls he portray; this movie he stole my heart (more then in Anna and the King).. the ending must be seen to appreciate how to me he was a good cop, with admiration to the writer in whatever message he wanted to leave you at the end. If you thought Mark Wahlberg was exceptional in this roll you should see him in The Perfect Storm and never thought he would play such a sicko in Fear but had me convinced. Lady's don't judge all men by what goes on in this movie but be wise to it's message of common sense. It always amazes me when an actor can play his/her complete opposite. I look forward to watching more of both of these great actors movies. Don't wait to buy THE CORRUPTOR should it go out of print you will regret it! Well I think so. Thanks for listening - Bye. Would welcome your comments too.

Wow!
I was really surprised by how good this movie is. I figured a straight-forward shoot-'em-up and some exotic intrigue was about all it would have going for it. The cover had the usual fatuous nonsense on it: "You can't play by the rules when there aren't any." Why is it 90% of video covers have a reformulation of the same stupid subtitle? Apparently there is some lucky guy out there is employed writing new, yet indistinguishable ways to either deny the existence of Rules/Boundaries/etc. or at least deny their applicability to some beautiful, well-armed people. Good for him.

Anyway, this movie definitely exceeded my expectations. Great direction, but most of all great performances from Chow-Yun Fat and Mark Wahlberg. Wahlberg's relationship with his father was fairly cliched, yet it still came across as believable. The various moral predicaments of the two cops were just as interesting and well-done as the fight scenes. There is one major chase scene, which I found silly after a while, since it gave the impression that there were absolutely no other police cars within ten miles of some maniac with an Uzi blowing away civilians.

But that is a nothing criticism. Really, the only sore spot was the FBI goonish guy, who was both tiresome and one-dimensional in comparison with the other characters. But on the main, an excellent action-thriller. Chow-Yun Fat wasn't limited by John Woo's formula this time around, and his chops definitel show as a result.

Best Chow Yun-Fat film so far, EXCELLENT PLOT
This movie has excellent plot and is not one of those mindless John Woo action films. Acutally, it is the ONLY John Woo films that has a good plot in addition to the usual good actions. ... Read more

Reviews (54)

"You okay?" "I'm gonna be..."
That's the exchange that always stands out every time I see this movie. "Sleeping with the Enemy" is an excellent thriller about a woman, Julia Roberts, who fakes her own death to escape her obsessive and abusive husband, Patrick Bergin. Befriended by a neighbor, charmingly played by Kevin Anderson, she starts to rebuild her life slowly letting go of the fear. To go on would reveal too much, but I can say that not everything that haunts you is a ghost. Even though it creeps me out, every time this movie plays I am compelled to watch it. The characters quickly gain your sympathy (or in the case of Bergin your hatred) and draw you in to this subtle triumph of spirit.

Scissor-Cut Look at Abuse
With the beginning scene in "Sleeping With the Enemy" of a nice, handsome husband and a beautiful, smiling wife living in a lovely, rich house, this movie soon breaks the stereotype perception of an abusive relationship by showing that everything that glitters is not necessarily gold.

Julia Roberts, with a combination of a sense of planning and cleverness, fear and hope, and a desperate will to survive, does the only thing she can - she leaves while faking her own death. (Any abused man or woman will probably be mesmerized by some of the scenes and the feelings evoked in this intense movie.)

The new lifestyle she slowly, but surely creates for herself, against the backdrop of her husband piecing together her escape and his savage determination to find her creates a savvy suspense thriller that could be a classic in anyone's home movie library.

One major blooper...
Unless she knew that her husband was going to force her to go on a boat or that she set up something with the guy who owned the boat why would she be taking swimming lessons?

I liked the movie, glad I rented it - but wouldn't own it.

Husband From Hell!
Julia Roberts plays a battered wife who is reaching her breaking point with her obsessive, controlling , and abusive husband. So she fakes her death during a storm on a sail boat and runs away. She changes her identity and settles down in a small, peaceful town. Trying to forget about her husband and her past, she starts dating her neighbor and begins enjoying her new life of freedom! But little does she know that her psychotic husband is hot on her trail. And is ready to get serious revenge on her. But little does he know that things can always backfire. And a person can only be pushed so far before they give you a taste of your own medacine. Full of action- packed thrills and super suspense! A classic along the lines of "Enough", "Dolores Claiborne" and "Fatal Attraction"!

Good Old Berlioz!
Julia Roberts quickly established herself as one of the most luminescent stars in Hollywood. She has a face which, much like
Garbo's, the camera just never tires of viewing. She can use that face to express pensive worry, both spirited and icy determination, and, of course, her smile can melt glaciers. She also has a talent for rising above middling to mediocre material, so you never blame her the artistic shortcomings of the films she's in. Unfortunately, Hollywood quickly caught wise to her amazing "star power" and just as quickly developed
the "Julia Roberts vehicle."
There's something about "Julia Roberts vehicles" which I find annoying. Ulike the "women's pictures" of the 30's and 40's,
starring the likes of Katherine Hepburn, Bette Davis and Joan
Crawford, which featured strong women confronting and overcoming a lot of conflict, "Julia Roberts vehicles" fall generally into two groups: There's the romantic comedy, which is usually a shameless retelling of the Cinderella myth, like "Pretty Woman,"
or there's the shameless feminist propaganda vehicle, like this one. In the latter vehicle, all men are beasts, and even the good ones are not redeemed until they finally learn to submit to Julia's will.
In this movie, Julia plays the spunky beleagured wife of the husband-from-hell, played by Patrick Bergin. Bergin's character is such a control-freak, he's almost as manipulative as this movie is. One day, Julia fakes her own death in a swimming accident, and runs away, back to her childhood home in the Midwest
to start a new life. It's a bit amazing in the way the filmmakers
expect you to believe that husband-from-hell is bright enough to figure out there's something wrong with his wife's "death," but takes 2/3 of the movie to figure out where she's gone. No matter, that gives our heroine time to start a relationship with a somewhat nerdy, non-threatening, "liberated" male played by Kevin Anderson.
The real surprise of this movie (and perhaps the only one) is the way it engages your interest in spite of how obviously manipulative it is. Julia has a lot to do with this, always conveying just the right combination of spirited spunk with disarming vulnerablity. Best part of the picture? The use of
the "Witches' Sabbath" movement from Berlioz' "Symphonie Fantastique" to set up the final confrontation between the forces
of good and evil. It makes Patrick Bergin more menacing than if he wore a Darth Vader suit!
You could do worse. ... Read more

Reviews (181)

Unwilling Suspension of Disbelief
The Bone Collector is two movies in one; the good movie has some nice acting from Denzel Washington and Angelina Jolie, some creepy special effects, and a couple of really terrifying and suspenseful moments for the killer's victims. That's the movie you'll want to suspend your disbelief for--and that suspension would consist solely of accepting that this serial killer would leave clues to engage the police in a game of Cat and Mouse rather than just go directly for his real target. That fictional convention would have been enough, and had the premise that forensics will triumph been followed though, the film could have been truly excellent.

The other movie just asks too much; that a patrol cop who's never worked a crime scene would be the only policeperson allowed on a scene; that the scene of a crime would reveal only those clues intentionally left behind by the killer (isn't that the whole point of forensics, that you find out things the killer didn't intend you to discover?); and on and on. This second movie apparently takes place on that alternate Earth on the opposite side of the sun from ours, where the writing is all backwards and the superhero the Flash looks like the FTD florist's logo. When audience members find themselves thinking (or saying aloud) "That wouldn't happen!" over and over, there's something drastically wrong with the plot and the screenplay. It's certainly not a problem unique to the Bone Collector; in fact I'd venture to guess that plot implausibility is one of the leading cause of death for Hollywood's hit status, only capable of being overcome by the infusion of massive star power. Washington and Jolie, as attractive as they are, don't quite make it here. All in all, The Bone Collector is probably worth renting, probably not worth owning. I certainly wouldn't bother to see it again.

One of the best
I read over some of the other reviews putting this movie at an "average" rating, but I kinda disagree. First off, I think the director and producer put this movie together perfectly. In case you do not know about this movie, Ill start off by describing it a bit... The main theme lies in the thriller/mystery department, so if you like these kind of films, you will most definitely like this movie. The two main charactors in the movie are Denzel Washington and Angelina Jolie. Denzel plays a disabled Crime Scene Investigator and Angelina plays a rookie police officer who laters finds out her talent as a crime scene investigator. The setting of the story takes place in New York City (which is a perfect spot for this type of movie) and is cast in modern day life. Basically, the plot of the movie is about a phsyco murderer who, very strategically, plans killings by using his job as a taxi cab driver to kidnapp people. I dont want to get too in depth, but the good guys would be Denzel and Angelina and a few other police bureau workers who try to solve the mystery behind all the kidnappings and hopefully get to the crime scene in time to save innocent people. You might have preconcieved notions about this movie being kind of average, but what makes this movie stand out is its outstanding film features. By features I mean, great music and excellent effects (everything such as lighting, settings etc). If your going to watch it, here are some VERY recommended suggestions...

1. Make sure its dark- 50% of the movies general "effect" comes from the ambience in which you watch it. 2. Watch on a fairly large television with a fairly good sound system. - try to get the best TV and sound system to watch the movie otherwise dont even bother with the movie. 3. Must get it on DVD! - Dont watch the VHS version, I saw it and its horrible. Film quality is bad and it doesnt include all the extras which tell about the Bone collector. Sound is also improved on DVD version. Any way you look at it, you need to give the Bone Collector a try. Great movie for all.

A Chilling, Above Average Suspense Thriller
"The Bone Collector," based on Jeffrey Deaver's best-selling novel, is a gothic suspense thriller that takes the viewer below the streets of New York City, to places dark and chilling, where an evil serial killer does his dirty deeds. Creepy!!

Police detective Lincoln Rhyme, (Denzel Washington is wonderful in this role - but isn't he always?), is considered to be THE genius of forensic science. His books on the subject are mandatory study at the Police Academy. During an investigation, four years before, Rhyme was involved in a terrible on-the-job accident which left him a quadriplegic and bedridden. Attached to life sustaining machines, he is only able to move one finger and his head and neck. He is subject to seizures that threaten to leave him a vegetable. A very angry man, he is bored and, at times, suicidal. Still an official member of the force, his former colleagues visit him constantly and involve him in difficult cases. A new, troubling case forces them to seek his help, yet again.

Rookie cop, Amelia Donaghy (Angelina Jolie), works with the city's troubled youth. By chance she discovers the half-buried body of a powerful New York City businessman, near a railroad track. She, almost intuitively, knows what to do to protect the forensic evidence. Sending a witness off to buy a disposable camera, she takes photos of the crime scene before a rainstorm can wash away the evidence. She then, single-handedly, stops a train to preserve valuable clues. Rhyme decides she has natural forensic talent and demands she be placed on the case. So she reluctantly joins his team. Donaghy does the leg work, connected by a headset to Rhyme, while he instructs her. The two puzzle over clues and work the case from his bedside. And the leg work is brutally grim. This killer, intelligent and demented, thinks up some awful ways to commit murder. The crime scenes are elaborately set-up and clues are purposefully left that would stump the most avid puzzle addict. The gruesome crimes remind me of those in the movie "Seven."

The mystery is intriguing and the forensic work absolutely fascinates. The chemistry between Rhyme and Donaghy is palpable. This is more than a student-mentor bond, although it takes them a while to get the relationship off the ground. He is cranky and imperious - she is just plain ornery. Amelia brings him to life again and he stops contemplating euthanasia. In turn, he brings new energy to Amelia's life and forces her to open up. Queen Latifa (as Rhyme's nurse) and Luis Guzman (as a fellow cop ands friend) are show stealers.

This is no "Silence of the Lambs," but it is good entertainment. The camera gives the ambiance a dark and brooding look and provides some interesting angles. Often predictable, there are still surprises and the growing closeness between the detective and the cop is very well done and subtle. Although "The Bone Collector" is not a "must see," it is certainly an exciting way to spend a rainy night.

Fractured Bones
Why does almost every film about a serial killer, made after Silence Of The Lambs, have to be compared to it? I can't think of one example where that turned out to be true. Despite the prescence of Denzel Washington and a usually surehanded director, behind the camera, The Bone Collector is just another predictable thriller, devoid of any real spark.

A murderer is loose on the streets of Manhattan. The killer leaves a trail of cryptic messages hidden at the scene of the crime. Clues which only a brilliant mind can interpret. Lincoln Rhyme (Washington) a gifted New York City detective specializing in forensics, was one of the the country's leading criminologists. Rhyme has a keen eye for details and a nose for clues. Following a near fatal injury in the line of duty, Rhyme is left bed-bound, his arms and legs useless, and with little will to live. Now as the city lives in fear, Rhyme is persuaded to help with the case. A rookie cop Amelia Donaghy (Angelina Jolie) is assigned to become Rhyme's eyes, ears and legs. The two must work together in order to get inside the mind of this madman and defeat him before the next victim falls.

Phillip Noyce, the man behind the intense Dead Calm, and actioners Patriot Games & Clear And Present Danger, certainly knows what he's doing. But as is the case with the thriller, the film rises and falls, with its script. Unfortunately, the screenplay, based on the book by Jeffery Deaver, adapted by Jeremy Iacone is pretty weak. The killer reveal and other twists and turns are easy to figure out. It's a shame that Washington makes almost no connection with Jolie. In one of her other thrillers, Taking Lives, she had similar troubles with Ethan Hawke---Do I sense a pattern here? What tension the film does have, is moot, thanks to the problems the movie has.

As far as the extras found on the DVD are concerned, most of it, comes across as fluffy filler. The audio commentary track from director Noyce is worth a listen, if only to get insight on directing in general. The "making of" spotlight on location is just a pre release bloated commercial for the film. The theatrical trailer, production notes, filmographies, and previews for other Universal products, top off the disc.

The Bone Collector is just for those Washington fans or when there's nothing else to watch

My opinion: Waste of time!
Shallow characters and a story with many holes. Judge for yourself, if you must...I want the time I wasted watching this BACK! ... Read more

Reviews (3)

Interesting Fact Based Thriller
Based on actual events, "A Show of Force" was based on the scandalous Cerro Maravilla incident that rocked Puerto Rican politics in 1978. On July 25, 1978, two young independence-seekers were ambushed by island police and murdered in cold blood near Cerro Maravilla. Police reports claim that the activists were trying to sabotage a radio transmitter to air pro-independence messages throughout the island, however after a serious investigation by the Puerto Rican government, it was discovered that this was a planned murder sponsored by the governor at the time, Carlos Romero Barcelo, and members in his pro-statehood administration.

The scandal which left a major mark on the dirtiness of Puerto Rican politics, helped paved the way to Barcelo's defeat by pro-Commonwealth governor, Rafael Hernandez Colon, and destroyed the statehood party's reputation forever.

This film, directed by Brazilian director, Bruno Bareto, stars Amy Irving, as Kate, an investigative reporter working for a local newspaper. After uncovering the truth behind the massive cover-up by the governor, Kate is determined to uncover the truth even more so than before. However, danger lurks around, as both FBI and the governor's allies monitor her moves.

Based on actual events, "A Show of Force" is partly-fictional, however it does open the viewer's eyes that injustice, oppression, and corruption can exist even in a democratic free country as the United States. Although some of the film seems to be outdated and/or inaccurate (clothes, economic development, etc..) other parts of the film remain interesting enough to retain the viewer in a suspenseful state.

Amy Irving, who later married Bareto (after her divorce from Stephen Spielberg, she began filming in Puerto Rico) is an excellent actress, and her role is believable. Lou Diamond Phillips is excellent as a villain you will love to hate, and Andy Garcia's role is indeed a "glorified cameo". While the film ends on a different note (the film has Kate capturing the police chief's confession on tape, when in fact it took more than 15 years of senate hearings and investigations by human rights groups to finally reveal the truth about the cover-up) the film will allow many who have little or no knowledge about Puerto Rico's complex colonial situation with the United States to gain a broader understanding.

Filmed in San Juan, Puerto Rico and neighboring suburbs, this film should be watched by all who support human rights throughout the world.

Kinda corny...
The only thing that actually made this movie watchable was that Kevin Spacey was in it. Any movie he's in is watchable. The plot is cheesy, and there are about 50 million other movies like it, but if you're a Spacey fan, go for it. Lou Diamond and Irving fans could probably watch this too.

BASED ON A TRUE STORY
Shots shatter the silence a top a foggy mountain in the tropical island, as the two dead bodies fall to the ground...Government conspiracy, political cover up, spies and corruption are the ingredients of this film based on the true story of the events that happened back in the 70'S, about the murder of two puertorrican students that were in favor of Puerto Rico's independence, in a time where people who favored this political view were being black listed and harrassed, by the government.One of the students was the son of a well known writer. Having been in Puerto Rico when all of this took place,and when the movie was shown in theaters there, I have to say that this movie is only a brief portrayal of the much more complex true story.The film is based on the book Murder under two flags, by Anne Nelson. Interesting to watch , even with it's geographical and cultural inaccuracies. In one scene, we see the students taking a cab to the Cerro Maravilla which is deep in the country side, however the cab is going in the wrong direction towards Old San Juan( Old San juan sits in a peninsula/island conected to the larger island by one bridge, which they had left behind). Also, they show the locals wearing clothes from the 40's, and make the island look like a banana republic which I thought was ridiculous. They show old trucks hauling chickens, people wearing straw hats, and a third world kind of atmosphere that even for that time, is inaccurate. Andy Garcia wears a hat, and dresses like Orvil Reddenbucker, bow tie and all! Needless to say we all laughed outloud in the theater,it was insulting and funny at the same time. The real life Rivera Cruz-the prosecutor- actually wore designer suits, and no hat! I guess Hollywood will never let a latin american country be shown as a modern city with well dressed,clean cut, educated people. We need Latin directors and producers who know the culture, to start pointing out this things to the big studios, because the people who do the research on culture for set and fashion design are way off, believe me,I know, I'm puertorrican, born and raised. The director, Bruno Barreto, is brazilian, and probably meant well by trying to show us a 70's Puerto Rico.Next time they should first contact the Instituto de cultura de Puertorriqueño(Cultural institute of Puerto Rico)and they gladly will provide the historical and cultural background needed for this type of movie. The movie is good although I didn't like the ending, it was too cliché. The movie features great puertorrican actors like, Tony Chiroldes, Michelle Corbiere, and Claribel Medina to name a few. These three are fully bilingual and I wonder why they haven't appear in more films, because I know there is a shortage of well train bilingual spanish/english speaking actors in the industry.All in all is a movie that shouldn't be missed. I bought it. ... Read more

Reviews (47)

Ace Action
This movie made me drool at the cinema. The action scenes are incredible and this movie is very well made. The bouncing, shaking, wobbling camera was very impressive on the big screen. And the music was just totally awesome too. Randy Quaid and Morgan Freeman were very good in this film although I don't think Minnie Driver was good at an American accent.

Don't be to hard on this film. It wasn't made to move CITIZEN KANE off its throne. Christopher Young's score is hugely action packed and very loud throughout the film.

The film was originally called THE FLOOD and had numerous other characters in it and had many daylight scenes. But because of an abundance of disaster movies at the time it was reshot as an action movie that was set totally at night. And practically in real time too.

The DVD is in Dolby 5.1 and is letterboxed at 2.30:1.

Twisted plot, but still a good movie
Hard Rain might have a twisted plot, pitting an armored truck guard against some robbers who are trying to steal 3 million dollars, but that doesn't really make it a bad movie. All the while, they're surrounded by a massive flood as their main obstacle. Hard Rain has some of the best actors such as Morgan Freeman and Randy Quaid playing the leading roles and they all do great jobs. Hard Rain also has some good action sequences and a lot of suspense throughout the film. It's like a wet and wild goosechase with everybody trying to catch Christian Slater in order to get the money. The special effects with all the water and rain couldn't have been done much better. Hard Rain is just another usual action movie until Morgan Freeman joins Christian Slater and they both team up and try to survive against the other robbers. That's when this movie gets a lot better with all the suspense and action.

If you like good action movies with some suspense added in, you will probably like Hard Rain. The only drawback is the twisted plot, sometimes you might wonder what the movie is really about. But watch it and you'll figure it out without a problem.

Quite Entertaining Nonsense
It's set, entirely at night, in the small Indiana town of Huntingburg which is being evacuated as a serious flood develops. But there are a few folk still around: Christian Slater and Edward Asner, the drivers of an armoured truck with $3M in the back; Morgan Freeman, the leader of a small gang of thieves with their sights set on the same 3M, Randy Quaid, a sheriff with some unappealing character traits; Minnie Driver, a churchwarden who has lingered rashly to protect her beloved stained glass windows; Richard Dysart and Betty White, an elderly couple stubbornly refusing to leave for fear of looters, thrown in for comic relief. Slater escapes from Freeman and his pals with the money which he hides in a cemetery. They pursue him on jet skis... Everyone gets very wet. Explosions. Gunfights. Hair's breadth escapes by lead characters trapped in rising floodwater. General mayhem. Credulity strained to breaking point. Significantly above average American action movie. More original than most. Quite good fun. Nothing special. But worth a look if you like this sort of thing.

TERRIBLE
Absolutely awful. Poor script, plot and acting was stagey. It looked more like a Jr. High School play rather than a full length feature film. Christian and Morgan are two great actors but you couldn't tell in this chaotic mess. Skip it and save your money.

a wet ride
begins good put the end with Quaid is sorta a letdown but all throughtout its a hell of a ride with Slater running back and forth being chased by Freeman and his 3 henchmen after his uncle got killed(Edward Asner) and then he has to deal with Driver's safety and then Quaid and his pals and they all want the same thing. the bags full of money. the flood sequences are the best with all the rising water and the fires and the gunplay. Solomon directs a nice flood thriller. ... Read more

Reviews (344)

A nice change of pace for Pfeiffer
After 'Scream' rehashed the horror genre, 'Lake Placid' tried to do the same for the horror genre. The ghost genre inevitably came next, but fared somewhat better. Take 'The Sixth Sense' and 'House On Haunted Hill' for example, both well above your average scary movie. Now this film sold itself on the basis that it was an 'adult' horror movie. By that it simply meant old-fashioned, for supposed teen flicks such as 'Scream' were actually far more intelligent. This is just sophisticated.

Still, it's nice to see a movie where Harrison Ford and Michelle Pfeiffer manage to move away from type-casting and prove that they can both act. Also impressive is the fact that director Zemeckis filmed this whilst on a hiatus from his other film 'Castaway'. Unfortunately though, it drags a lot at the start. After things hot up a little you'll be at the edge of your seat but for a long while it's a little dull. Of course, this was passed off as being adult and a great tension-builder and no-one dared say anything. It was just kep quiet about whilst everyone raved about the ending.

If you're not accustomed to the genre then this is probably a really good start to ghost movies. But there are far better ones out there and this is little more than ordinary. In fact, it is only really a fantastic turn by Pfeiffer that makes it anything special. Watch out throughout the movie for key points that are heavily earmarked as future plot elements - what's with the mysterious (and conveniently misty) lake? the old photos? and the seemingly insignificant fact that you can't get mobile phone reception on the deserted bridge?

Highly entertaining in parts, very dull in others.

A brilliant, complex and masterfully engaging horror.
What Lies Beneath, a brilliant, masterfully played out homage to Hitchcock is quite frankly the scariest movie I have ever seen. I came out of the cinema pale and shaking and while I was watching the film I was so scared I even had to shield my eyes at parts. All the scary parts are brought to life by a great score with manages to grab you in the nuts at the most unexpected times. The movie is over 2 hours long but never tires. I have watched this about 5 times now and every time I get the chills and always appreciate the film more. Robert Zemeckis excellent direction reminds us of how many great movies directors can do in 1 year. Cast Away and this film were both brilliant experiences and Zemeckis directs them both brilliantly. The performances excel, with Michelle Pfeiffer excellent as Claire Spencer who, while trying to uncover a masterful mystery, is slowly losing her mind. Harrison Ford brings up many shocks and takes a surprising back seat. His performance is fabulous. What Lies Beneath builds its suspense - especially in one horrifyingly Hitchcockian bathtub sequence - and always uses its ideas. I couldn't find many plot holes but the film can be complex at times. If you watch the film carefully and take note of everything that's happening I'm sure you'll understand the ending and the mystery that is slowly unlocking. What Lies Beneath has many great camera shots too like Michelle's toe peaking above the bath water, her hand clutching the side, her grabbing a sharp piece of glass and it reflecting her terrified face and a freaky close-up on Harrison Ford's eye. I love this movie, and it will always be a heart-stopping and fun experience for me to sit through.

verrry suspenceful
i was focused on this movie the whole time, and i'm the type of person wondering when it's going to be over. i was litterallyon the edge of my seat for some of the parts. if you like scary movies, you should see this one. it was great.

"A Thriller"
Well Harrison Ford has a heel turn in this movie, well the whole movie until the last 30 min of it he trys to kill his wife cause she finds out he killed a student.Well this was a great movie.

horrific horror (that means good)
this is a good horror movie, but i don't know if it would still be suspensful the 2nd time around. (i only like em super scary.) ya. that's it. ... Read more

Reviews (94)

Mystery and Suspense Without Sherlock Holmes
One of the finest suspense movies that I have seen in long time. Avery has had the unfortunate luck to have his sister kidnapped and ransomed for $2,000,000. Unfortunately, neither he nor his father have that kind of money. So he and his friends kidnap retired mob boss Charlie Bartolucci (expertly played by Christopher Walken) so that he can use his contacts to find the girl and pay the ransom. Shocked, angered, and ultimately amused by his novice captors, Bartolucci agrees to help with Avery's sister. While doing so, one of his contacts lets him know that the kidnapping had help from an inside party. Slyly playing the friends against each other with this information, the tension slowly continues to boil until the movie's explosive climax. With an underrated but excellent supporting cast (including Jay Mohr, Sean Patrick Flanery, and Denis Leary), this movie keeps you on the edge of your seat the entire time because you're never sure who to trust. Perhaps the most brilliant aspect of Josh McKinney's script is the unending depth of the characters. Denis Leary's role is a perfect example: as Bartolucci's lieutenaant he posesses an expected viciousness and sarcasm. However, he allows a good soul to shine through at odd moments: like when he shows up to question a friend of the boys and instead protects her from the forced advances of her stepfather. Filled with tension that is only heightened by the film's biting humor and its complex characters, this is a great flick to watch with a bunch of friends so you can all guess whodunnit and be shocked by the ending.

Very Funny and Dark
"Suicide Kings" is a very good movie with a great ensemble cast. Different viewers will chose their particular favorites, but if you are an admirer of Christopher Walken you have all the reason you need to see this film. Denis Leary is the second best aspect of this film, and that is largely due to his smaller, but critical role. His defensive riffs on justifying his $1500.00 Stingray boots that others acknowledge as, "fish-boots", is quality stand up material.

Four prep-school, rich kid, lifelong friends, and a fifth that they mislead as only friends can do, decide they need to kidnap Christopher Walken for his diplomatic skills. His character is a modern version of Don Corleone so a decision to detain him against his will is poor judgment at best and lethal at worst. When Walken contacts his attorney to unravel this mess his first comments include, "don't send your kids to boarding school". The unwitting friend Ira, as played by Johnny Galecki is a riot as he frets over his parents newly finished floors and marked liquor labels, while, "The Godfather", is duct-taped to his father's favorite chair.

Christopher Walken is an amazing actor that deserves more recognition than he has been given. If there is an actor who can play a more sinister, purely evil character, without raising his voice, I have never seen him. This role is comparable to the part he played in another film when he introduced himself as the Anti-Christ. As brilliant a, "Player", as his character is, there is also a pair of low level goons that are the mob's equivalent of Laurel and Hardy.

The R rating is appropriate for the violence, and language that may or may not offend some viewers. There are no, "adult situations".

A movie to watch time after time
I don't exactally know what made me watch this movie. I think my dad picked it up from some $5 bin and one day while bored out of my mind I picked it up a random movie and decided to watch it. But I am glad that I watched it for sure. It is a movie that I have literally watched twice in the last week (well that could be due to the fact that I have nothing better to do...) and cracked up thru both times. and everytime i watch this movie knowing the ending I am still questioning who the inside player is and how everything is going to end. basically it is in my top 5 favorite movies of all time and it is a movie tht i recommend to everyone who likes dar comedies and doesnt mind blood and cussing.

Christopher Walken the Great.
Great script, great directing, great acting, great movie. it is a blend of crime drama and thin satire. it combines very smoothly the abilities of great actors (Christopher Walken)with the exuberance of young prospects. and Dennis Leary was born for his role in this motion picture.
this is a must have for any christopher walken fan, and movie lovers in general. you will not be dissapointed, especially with the deleted scenes and alternate endings extras. enjoy.

1 of my favs
christopher walken is a mob boss kidnapped for ransom by a bunch of college kids who didnt plan well dennis leary is the mob boss hitmen coming to find the kids who kidnapped his boss to compound the problem the kids cutoff the mob boss fingers then regret it and panic a dark comedy/thriller many people have not seen cause its an independent film buy this killer dvd today ... Read more

Reviews (26)

Super movie, overlooked and underrated! Gene Hackman
I can't believe how much people focus on Paul Newman in this movie. Gene Hackman is great. 70 year old actors are more capable than younger actors. Susan Sarandon looks wonderful... Stockard Channing has a great chemistry with Paul Newman. This movie will take you away to a place where loyalty still means something and people care about each other. James Gardner plays his part well. I don't like to reveal too much with a mystery, the other supporting characters are good. This is a gritty, true to life mystery. Reese Witherspoon was very fortunate to have this as one of her first movies, anyone with any sense would have taken their clothes off to work with this cast! She plays the spoiled daughter well. It compares to LA Confidential in my experience...

The Fall of Twilight
Director Robert Benton (Kramer vs. Kramer, Places in the Heart) has crafted a film reminiscent of the 1940's in this complex and character driven film with an ensemble cast of screen veterens and one future star in her first adult role. The mystery is engrossing and the performances are stellar as Benton shows how age sometimes shades the black and white of right and wrong to gray.

The story revolves around former P.I. Harry Ross (Paul Newman) attempting to do a favor for Jack Ames (Gene Hackman) that leads to blackmail and murder, and may involve Jack's beautiful wife Catherine Hayward (Susan Sarandon). A twenty year old murder comes into play as well as Harry slips back into a life he left behind when the Ame's spoiled little brat Mel (Reese Witherspoon) brought him some bad luck a few years prior down in Mexico.

Newman is terrific as he reluctantly tries to fix things for everyone as the bodies pile up. It's a task that gets more difficult as he gets closer to the truth. The unspoken attraction between he and Catherine is cause for concern as well in this character driven mystery. Stockard Channing gives a nice performance as Harry's old flame Lt. Verna Hollander, and Reese Witherspoon acquits herself nicely in her first adult (she has a nude scene) film.

Benton has added some humor to this story also, giving it the feel of reality. This film was not designed for the teen driven box office of today but for the rest of us. It has some terrific performances from the entire cast and some true to life moments.

It is James Garner who truly shines though as the old pal of Harry and Jack, Raymond Hope. Garner always makes it look so natural and easy his performance sometimes gets overlooked. He is really great here and the interplay between he and Newman as they discuss growing older and the events taking place are priceless. It may seem clear what happened twenty years ago but it is the relationships that drive this story and the ones that are shattered forever when Harry finally peels away the gray to reveal the black and white.

This is a fine film that subtly shows what can happen to people who become used to having everything work out for them. As Garner's character Raymond tells Harry, "There's them, and there's us, Harry." Benton has crafted an old style film that you won't want to miss if your tired of the teen box office fare. It is a mature and thoughtful mystery and a meditation on friendship and growing older. This one is worth watching.

Not too bad...could've been better.
Just look at all that talented acting. Sarandon, Newman, Hackman and Garner kind of wasted. They had the star-power, but it was wasted with the weak plot. The film just never reached its full potential. But had some good moments and is certainly good for a one-time view. Great for the murder/mystery/thriller buffs or if your a fan of one these fine actors then its worth it. Yes, Yes, Reese Witherspoon gets all naked, this alone makes the movie worth a rent :)

If you like detective stories...
Normally, the main selling point of this movie would be an outstanding cast that includes none other than the likes of Paul Newman and Gene Hackman. However, in the case of this film, that factor is trumped by Reese Witherspoon waltzing around topless.

While I have never been a huge fan of detective stories, this one was fairly entertaining. The narration is much like the famous ones from the 1940s / 1950s era.

This was the first time I've seen James Garner surface in quite awhile. While he is pretty-much a one dimensional actor, he still possesses a decent screen-presence and keeps up with Newman and Hackman nicely.

For those viewers who would be more interested in Witherspoon, this movie is a can't miss. To my knowledge, this is the only nude scene she has ever done. It also happens within the first 5 minutes of the film, so you don't have to wait too long in anticipation.

a sleeper worth seeing
Admittedly Robert Benton's neo noir "Twilight" suffers from leaden pacing and a script that lacks any real suspense or suprise (two invaluable ingredients in the genre). It also possesses a strange similarity to Arthur Penn's excellent "Night Moves" (also starring Gene Hackman).

That said, "Twilight" proves a most effective small film that benefits from an excellent cast playing at the top of their game.

Robert Benton has always worked wonders with an ensemble cast and ,in "Twilight", he continues his excellent track record as an "actor's" director. Benton's willingness to sit back and let some of films' greatest artists work their magic makes much of the aforementioned pacing issues almost a moot point. Gene Hackman, Susan Sarandon and the always excellent and grossly underrated James Garner all turn in subtle performances here. It really is a sheer privilage and joy watching these veteran masters spin their polished craft. A young Reece Witherspoon and Liev Schriebner also turn in fine performances.

Of course at the center of "Twilight" stands the beautiful artist Paul Newman. Few actors in Hollywood history have consistently turned in as many excellent peformances. Newman proves yet again that a superb actor can transcend a less than stellar script.

This is an actor's film. Anyone craving watching a concert of well tuned instruments played by masters need to look no further. None of the performances are Oscar worthy, which makes them all the more special. Sometimes the best acting occurs when the audience cannot see the wheels spinning and the strings pulling.

Along with gorgeous cinematography, "Twilight" with its fine performances is a sleeper well worth seeing. ... Read more

Reviews (121)

Here's To Successful Negotiations!
The Negotiator is an action flick starring Samuel L. Jackson and Kevin Spacey. Samuel L. Jackson plays Chicago Police Department Hostage Negotiator, Lt. Danny Roman. Roman is an expert at dissolving critical hostage situations, keeping a level head and making quick on-the-spot decisions. When Roman's partner approaches him with information about money embezzlement within the department, cool methodical Roman decides to investigate. But before he can begin, Roman's partner is killed, and Roman is framed for murder. With no where to go except jail and his back against the wall, Roman does the only thing he can do - He takes the one man he believes responsible for the murder as his hostage. In to talk with Roman about releasing his hostage is Lt. Chris Sabian, played by Kevin Spacey. As the plot thickens, we learn that everyone is suspect, including Roman's friends within the hostage negotiations unit.
Expertly played by Samuel L. Jackson. It seems he can do nothing wrong. Kevin Spacey is excellent as Lt. Sabian. Fast-paced, action-packed, and unpredictable at times, this movie is great for anyone who loves action and suspense.

Negotiator negotiates with an negotiator
Intense, packed of 140 minutes of action. Witty and demand the audience as a certain intelligensia, the Negotiator delivers a good, quality entertainment.

Focal upon the corruption and misuse of welfare fund in the Chicago Police Department, the Negotiator Danny Roman (played by Samuel Jackson)found his friend dead and himself in this web of dirty little tricks. He was convicted of murdering his friend with his own gun and accused of making up a fictitious informer.

Asking for justice, he became a hostage-taker of his own colleagues and several innocent citizens, he locked himself and others in the internal investigation office. He called for Chris Sabian (Kevin Spacey), a cool and cerebral negotiator from another precinct, to begin a negotiation process of finding the truth. The bad and corrupt guys within the Police, however, determined to thawrt Danny's plan.

Director F. Gary Gray successfully tells of a very realistic story with, on occassions, powerful images. You hold your breath tight, waiting for the next step both negotiators might take. The result is a constantly engaging experience, interlocking story and a complete satisfaction.

The Negotiator (1998)
Director: F. Gary Gray
Cast: Samuel L. Jackson, Kevin Spacey, Ron Rifkin, John Spencer, J.T. Walsh.
Running Time: 135 minutes.
Rated R for violence and language.

When the director has the lucky chance to work with not just one, but TWO of the most exceptional modern actions of the past decade, he should have been licking his chops in anticipation. Director F. Gary Gray (whose previous work was with Ice Cube and Chris Tucker in "Friday") uses the likes of Samuel L. Jackson and Kevin Spacey to his advantage, creating a fast-paced action-drama that uses both actors as chess pieces that are intertwined in a suspenseful race against time.

Jackson stars as an extremely successful hostage negotiatior who loses his partner in an accident. When he is framed for the accident as murder, he takes matters into his own hands by taking hostages himself. Kevin Spacey is the top-of-the-line officer assigned to assist the police department with consultations with Jackson, only to find himself in the most unique hostate situation he has ever encountered. Both must learn to trust each other, with Jackson attempting to find the true answers about his partner's death and Spacey trying to keep his incredible reputation in tact.

Gray does a fine job using the intense script (which unfortunately does have a few logical lapses), producing a motion picture that possesses all the essential ingredients to be a successful and enteraining flick. Jackson is very good in the lead role, while Spacey is as his usual best. Although F. Gary Gray was lucky enough to have excellent people for support, he does a fine job pulling off one of the better action thrillers of the year.

An Smart Action/Thriller.
One of the finest Police Hostage Negotiator:Danny Roman (Samuel L. Jackson) is framed for murdering his best friend (Paul Guilfoyle) and for embezzling money from his union`s pension fund. When nobody doesn`t want to believe him for not killing his partner & embezzling money. He decides to takes Hostages & try to clear his name. The only person, who could help him in this Situation is another Top Negotiator (Two Time Oscar-Winner:Kevin Spacey).

Directed by F. Gary Gray (Friday, A Man Apart, Set It Off) made a entertaining, suspenseful, action-thriller made surprisingly believable, thanks to Jackson & Spacey terrific performances and especially the Supporting Cast are Strong. The film wasn`t a Hit, when it was release in the Summer of 1998, despite Good Reviews by Critics & Audiences, who seen the film. This film did much better on Video. The Script might have some logic lapses but it`s a gripping & well-made taut thriller. Gray`s Best Film to Date. Written by James DeMonaco & Kevin Fox. Super 35. Grade:A-.

Action Jackson.
Samuel L. Jackson has become quite adept at portraying intense characters who are both likeable and bothersome. His cop in "The Negotiator" is a desperate man, who although perhaps innocent of the charges against him is certainly capable of having done them. By taking hostages, he automatically guarantees himself prison time even if he is exonerated of the murder charges against him, and yet this character cannot help but be likeable and sympathetic in Jackson's hands. Kevin Spacey's negotiator is both arrogant and clever, and the climax of the film shows his expertise at both negotiation and deception. A good suspenseful action film, with Jackson at times over the top but always in charge. ... Read more

Reviews (3)

A father's love, a daughter's eternal sleep...
This is a strangely beautiful yet sensual film about the love of a father for his dead child. When a man's seven-year-old daughter suddenly dies his grief is terrible and he visits her grave regularly, finding comfort in the knowledge that he can be near to her. But after twelve years the tomb she has lain in is to be demolished so he is forced to take her body to be buried elsewhere.

However upon opening up the tomb he is shocked to find her body in a state of perfect preservation. It is as if she is just sleeping. The man's superstitious but deeply religious neighbours see a miracle in their midst and support him in his bid to take on the Roman Catholic Church with the story ending in Rome and the true Miracle happening in the last few minutes of the film which will surel