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| 1. It's a Mad, Mad, Mad, Mad World Director: Stanley Kramer | |
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Reviews (212)
After a bouncy, splashy Saul Bass animated title sequence, the story begins with a brief car chase in the California desert. Bank robber Smiler Grogan (Jimmy Durante) wrecks his car, and with his dying words reveals a secret about buried treasure to the seven strangers who stopped on the roadside. 'Look for the big W' in Santa Rosita, he says, and then he kicks the bucket. After a brief attempt at cooperation, the treasure hunt is on and it's every man for himself, in four teams. Mickey Rooney and Buddy Hackett decide to take to the air but their pilot, Jim Backus, gets hammered on Old Fashioneds. Husband-and-wife Sid Caesar and Edie Adams can only find a biplane cropduster. The lone truck driver, Jonathan Winters, can't get gas. And his mother-in-law Ethel Merman fatally hampers Milton Berle, with his wife Dorothy Provine. So all four teams scamper across the landscape, across the broad canvas of this movie, wound tight by desperate greed and calmly monitored by a Sergeant Culpepper, Spencer Tracy. This is the framing story for an amazing string of billed appearances and unbilled cameos so many that at last your senses are sort of dulled. Oh, it's Carl Reiner in the control tower. Oh, look, it's Stan Freberg, yeah. The best cameo, hands down, is Jerry Lewis, who comes barreling down Long Beach Boulevard in a moment of exuberant stupidity and runs over Spencer Tracy's hat. Probably my favorite, I have so many, co-star was Terry Thomas who plays a vacationing Englishman in a rattling station wagon, who picks up Milton Berle. He's talkative. He prattles away (accurately) about why it is that the American male is positively preoccupied with booo-sums, and says things like, "I'll wager you anything you like, if American women stopped wearing brassieres, your whole national economy would collapse overnight!" This sequence, within the context of the movie so far, has a single funny moment when this whole vast farce might come alive, find its voice, and this circus might make sense - Terry-Thomas finds the tone for the rest of the movie. I find it compelling that the aesthetic success of all this footage, all these appearances, all this thoroughly American spectacle, suddenly pivots around a few fussy syllables about breasts. But once the moment passes, Terry-Thomas is efficiently neutralized and dismissed by Ethel Merman, and on we go. The array of challengers eventually reach Santa Rosita, and several unexplainably humorous events occur. These I will not reveal to you and allow you to view the movie on your own time. I must add though, that if you do see this movie, reserve several hours. Like most from its decade its LONG... VERY LONG... But allow me to assure you, you wont be disappointed.
I can see why MGM would want to keep their pristine 35mm print whole and transfer that to DVD but perhaps they should have included a 2nd disc and a 2nd version that patched together all the missing scenes, no matter what condition, and reconstructed the film as best as they could to the longest originally released version.
Cast: Spencer Tracy ... Capt. T.G. Culpeper Intended to be the comedy to end all comedies, with a cast including virtually all the name comedians at the time. Jimmy Durante plays a guy who is in a fatal auto accident, but before he dies, tells 5 bystanders where there is $350,000 hidden under a "W", whuch leads to a chase to find the money. Meanwhile, Capt. T.G. Culpeper (Spencer Tracy) is aware of the stolen money and he and his policemen observe the chase with interest through the desert, mountains, and along the California coast, with the contestants using aircraft, cars, trucks, a bicycle and every method of transportation in their attempt to be first to reach the money. Tracy was ill when the film was shot, and so only worked four hours per day. The long shots and physical stuff was performed by stand-ins. This is a fun movie. If there is a criticism, it is that the comedy is perhaps overdone. With so many top comedians, there is certainly no dearth of funny lines, pratfalls, and laughs--that's for sure. Joseph (Joe) Pierre ... Read more | |
| 2. Sleeping Beauty (Widescreen Edition) Director: Clyde Geronimi | |
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Reviews (12)
This movie is just such a classic. Unllke alot of Disney movies before and after, this one is not so bubbly and happy, in fact it's kind of dark at parts. When I saw it as a kid, Malevalent scared me alot! With the widescreen aspect ration, the sharp classic animation style, and some wonderful music and songs (taken from Tchaikovsky's Sleeping Beauty Ballet themes), in particular, "Once Upon a Dream," this movie is one you should definitely add to your collection!! Oh, I forgot, they don't make it any more (at least not the widescreen version) and it's not out on DVD yet. Hopefully they will come out with it soon, in widescreen, and with some good extras, like the short documentary at the end of the VHS version. A true classic!
The story remains the same: the princess Aurora is born into King Stephen's royal court, the pride and joy of all the kingdom, where celebrations and gifts are bestowed upon the small child. Tragedy strikes when the lone misfit of the kingdom, the evil and crafty Malificent, rains on their parade to place a curse on the child: "Before the sun sets on her 16th birthday, she shall prick her finger on a spindle of a spinning wheel, and die!" The kingdom is in peril with this news, and so the three fairies, Flora, Fauna and Merriweather conceal the child deep within the forest in a hidden cottage, raising the child under the assumption that she is of no royal relation. But what Disney movie would be complete without the obligatory second act of villainous treachery and heroes saving the day? This movie follows that same pattern, but in such an intense way that outweighs some of the live-action suspense we get from mainstream films. Malificent's curse comes true, and so it is up to Prince Phillip, whose love interest in the young princess drives him on his journey to seek out and rescue the maiden while defeating the creepy witch. Everything in this movie screams the word "medieval," from the animation of the elaborate castles to the creation of the forests and acts of mysticism and nature which accompany them. Attention to detail is great, focusing on such things as woven tapestries decorating the walls and ceilings of the castles, while the clothing worn by the characters dances between the elite society and the middle-class quite nicely. Other important settings in the movie, such as Malificent's castle, are given a gloomy, ominous look, dark and stormy, full of rotting and decay. This is also a classic evil-against-good story as well, attributing its successful execution to thr dazzling displays of magical powers as well as swarthy swordfights. Prince Phillip's treck through the forest of thorns still brings a certain amount of heightened suspense to an audience, while Malificent's character brings unease and restlessness to viewers. She is the embodiment of true evil, which is easy to see, while Prince Phillip is everything we want in a hero: dashing, morally just, and committed to his one true love. Comical relief is provided stupendously within the efforts of the three fairies, whose arguments amongst one another are hilarious and laugh-out-loud funny. Flora takes on the serious role, the one with the level head who makes sure that everything goes according to her plan. Fauna is douty and bird-brained, yet sweet-natured and high-spirited. Merriweather is the rebel, and her machinations in rebellion of Flora's perfect plans bring some funny moments, especially in a battle of the wills at the small cottage as they prepare for Aurora's birthday. The musical score plays throughout almost the entire film, unlike certain Disney films which have breaks in the score. The musical numbers sung by Aurora and Prince Phillip sell us on their love for one another, while the dark and brooding music of Malificent's power and evil fit the scenes perfectly. There are times when the music is frightening, and times when it brings cheer and delight to us. "Sleeping Beauty" remains one of my favorite movies, maintaining all the classical elements of the original work while giving it a wondrous and invigorating look. The visual style is comething to be admired and adored, while the story and the characters are crafted with heart and wit. This is Disney's darkest yet most complex piece, perhaps ever.
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| 3. James and the Giant Peach - Special Edition (Widescreen) Director: Henry Selick | |
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Description Reviews (38)
Another great audio/visual DVD experience from Disney! I'am not sure why they called it a Special Edition. There is just the usual DVD features, nothing special. They probably could have done more extensive interviews with Jane, Susan and the singer/songwritter Randy Newman. Still a great DVD! Next time look at Tarzan or A Bug's Life, Disney!
The movie is a let down from the world I imagined. Also, this movie is not suitable for adults. It hardly held my attention, the songs are weak, and there is very little (if any) embedded adult humor. Adult Burton enthusiasts should avoid this movie.
When James and the group decide on a plan to go to New York City, they're journey is stalled by several dangerous adventures which include a metallic shark, dead caribbean pirates, and the hazardous condition which threaten to end their journey. However that isn't stopping anyone and James and his friends, as a group are determined to make it New York and James is determined to make his and his parents dream come true.... As you can see you can describe the movie any better than better, and the movie itself is loaded with amazing special effects that elevate this entertaining fantasy world that James has now come into contact with. In fact when I first looked at the effects, I thought I was watching another classic fantasy film like in "The Nightmare Before Christmas", and guess what both films were directed by the same great director, Henry Selick. I was success and an eye for greatness embodied in fantasy is a signature for Sony Imageworks and a trio of great animators provide the stop motion technology and animation that make the world of James and The Giant Peach so fantastic. Speaking of fantastic the voice talents in this film are all great with Sarandon, Dreyfuss , Leeves, and David Thewlis as Mr. Earthworm are great, you can tell DVD Details: Ah, the DVD is excellent coming up with several extra features: *Commentary *Behind the scenes on the making of the movie * A special music video by Randy Newman who wrote several songs for the movie * A beautiful transfer of the movie shown in letterbox format. *Theatrical trailer * About 13 character sketches on the characters themselves giving a glimpse * Dolby Digital Surround sound. As you can see a good DVD definitely worth checking out especially if you want | |
| 4. Lady and the Tramp Director: Hamilton Luske, Clyde Geronimi, Wilfred Jackson | |
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Reviews (65)
This Limited Edition DVD, brings nothing in Bonus Features, this title really needs a much better release and it will get it since it has been officially announced as part of the Platinum Edition line, which will give the title a much better release.
Mykenna Tremblay age #12 ... Read more | |
| 5. Return to Oz (Widescreen Edition) Director: Walter Murch | |
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Reviews (177)
Of course, that depends on your expectations of this trip to Oz. Although there are no sugary sweet characters bouncing about singing and dancing, there is an abundance of subtle beauty in the ways of costume and set design. Instead of the cutesy munchkins and radiant Glinda, there are the horrible Wheelers and the pretty-yet-terrifying Princess Mombi. Additionally, there are some scenes (i.e. the Hall of Heads, the Deadly Desert, the Nome King Showdown, etc.) that may frighten young children (it scared me, but I love the movie nonetheless). The point is, like many movies, you'll enjoy "Return to Oz" if you go in open-minded and ready for anything. :) This movie and the 1939 musical classic were produced by two different companies, with different budgets, different set managers, different actors, different screenwriters, and different directors. It just so happens that "The Wizard of Oz" was an enormous hit during the "Golden Age" of movies (esp. musicals) and has remained a family favorite ever since. Any follow up to such a successful movie is going to be criticized unless it is even better than the "original." A large number of fans enjoy "Return to Oz" so much because it parallels L. Frank Baum's original stories closer than the Judy Garland adaptation. Please don't get me wrong--I adore each and every aspect of "The Wizard." I just like "Return to Oz" as well and feel it is worthy of a second glance/chance. Try it and see for yourself. I'm sure there will be something about it that you will never forget! :)
Anyway, fast forward to Oz. The yellow brick road is crumbled, the Emerald city has been turned to stone and Oz has a modern day Wicked Witch (sort of). The characters were nothing like the originals, Dorothy seemed to grow younger, and chickens can talk. Some good new characters, like Tick Tock the wind up loyal soldier and Jack, the scarecrow with a pumpkin for a head. But overall, not that terribly great IMO. ... Read more | |
| 6. Something Wicked This Way Comes (Widescreen Edition) Director: Jack Clayton | |
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Reviews (43)
The film is cast in the autumn (the autumn of life?) and a small town around turn of the century America (our dream of what America should be?). Two boys, Will Halloway and Jim Nightshade are excited to hear of a carnival coming to town (remember our youth when autumn always brought some sort of carnival to your town?). However, this carnival is no ordinary one. It's proprieter, Mr. Dark, offers people what they desire most -- at a fearsome price. Jim and Will discover the underlying nature of Mr. Dark, his menions and the carnival and end up as quarry for the mysterious, sinister man. Will's father, Charles Halloway - the town librarian - is an unlikely hero who faces his own fears and temptations to protect the two youths from Mr. Dark. Not really bloody or scary, I'd say the theme of this movie (that of facing the realities of life) creates uneasiness because of the familiar setting and its dealing with normal everyday people and their dreams/wishes. The movie is well done and entertaining. Certainly worth a look. You might consider before allowing younger children to view it - it would probably give them dreams. ~P~
Something Wicked This Way Comes, is available in paperback, ISBN: 0380729407 based on the screenplay, Dark Carnival by Ray Bradbury, based on the short story, The Black Ferris (1948), by Ray Bradbury available in ISBN 0-394-51335-5
Some viewers are surprised to learn that this somber film is a product of the Walt Disney Company. Though there are the lovable small-town characters that one expects from Disney, it is admittedly rare to find a Disney flick with an incorrigibly evil character such as Mr. Dark (obviously the Devil in all but name). It is also unusual for a Disney film to have such a grim atmosphere, at least one that is not regularly punctured with puerile comedic relief, but SOMETHING THIS WAY COMES has a consistently spooky ambiance and an earnestly frightening plot, both of which elevate it to the level of a genuine horror film DESPITE its Disney label. The performances in SOMETHING WICKED THIS WAY COMES are top-notch. Jonathan Pryce is deliciously wicked as the enigmatic Mr. Dark--genre fans might recognize Pryce as the actor playing Governor Swann in the 2003 blockbuster PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL--and Jason Robards does a fine turn as the wise librarian father of young Will. Vidal Peterson and Shawn Carson, the two young actors portraying Will and Jim, are relative newcomers whose lack of substantial experience is an asset rather than a liability, as it actually adds to the realism of their characters' youthful innocence. Some of the seasoned actors that fill supporting and background parts also contribute greatly to the quality of the film. The gorgeous Pam Grier, star of several popular "blaxploitation" flicks in the 1970s, plays the carnival's witch-like fortune-teller; Diane Ladd plays Jim Nightshade's mother, a woman who is raising her son alone after both were abandoned by the boy's father; and Ellen Geer, daughter of the late Will Geer of TV's THE WALTONS, portrays the mother of Will Halloway. Horror fans might recognize the late Royal Dano in the role of Tom Fury, the lightning-rod salesman. During his lengthy career, the ubiquitous Dano appeared in such genre favorites as Hitchcock's THE TROUBLE WITH HARRY (1955), 7 FACES OF DR. LAO (1964), and KILLER KLOWNS FROM OUTER SPACE (1988); and also in episodes of genre TV shows like LOST IN SPACE, NIGHT GALLERY, AMAZING STORIES, and TWIN PEAKS. Although the script does not have the same scope and attention to detail found in the novel, Bradbury has still done an exceptional job of translating to screenplay the novel's eerie essence and moral subtext. And director Jack Clayton does almost as well in visually interpreting Bradbury's script. He generates the perfect atmosphere for some genuinely creepy moments, and he is also quite adept at evoking Bradbury's primary theme of innocence lost. SOMETHING WICKED THIS WAY COMES generates most of its chills and scares the old-fashioned way--through atmosphere, suggestion, good plotting, and great characterization. Unfortunately, the flick was originally released during the peak of the first big wave of slasher films in the early 1980s, and it was therefore unfairly ignored by moviegoers and panned by critics. But thanks to the cool folks at Anchor Bay, this little beauty has a new lease on life via DVD. Anchor Bay's disc is short on extras, offering only the theatrical trailer and the option of viewing in either pan-and-scan or 1.66:1 Letterbox formats. But the digital transfer looks nearly pristine--even when viewed on a widescreen HDTV-- with only a few minor defects from the source print noticeable. In keeping with the subject matter, the film was shot with dark tones and subtle hues, and these come through wonderfully on the DVD. Serious collectors of horror films on DVD won't want to let this genre gem slip away.
The key to this film is that Bradbury captured the tone and flavor of his book perfectly. While nowhere near as complete as the book and the story told therein, it is, nonetheless, complete in and of itself. There's nothing missing for those who haven't read the book. But, if you liked the movie, go find a copy of his book and read it one dark and stormy night. If you've seen some of the weird science before in other films, most likely it was because Bradbury wrote about it first. He is and was the Stephen King of his generation with such strange tales as The Illustrated Man and The Martian Chronicles (both are actually linked anthologies of his short stories). If you haven't read the description of the film, it is a story about Middle America early in the first half of the Twentieth Century and two boys sharing their childhood. One comes from a respected, if unexciting family and the other from a less than honorable setting. Yet they live beyond their differences and hold on to their own special fantasies and memories in a Norman Rockwell sort of way. Life was simpler then than it is now, and yet it has its dark side, as the boys soon find out. Mr. Dark's Carnival has come to town in as mysterious way as it did in another time, many decades before, affecting all who became involved. The film is deliciously handled with a flare that defies description, probably because Bradbury graced it with his retelling through the screenplay. Coupled with the compelling music that adds flavor and color to the outstanding cinematography, the film draws us into a Twilight Zone of the familiar and macabre. The film is treated as one for children. It decidedly is not one for little ones who are half-awake, and yet the story is more disturbing to those who will think upon the hidden messages that are as old as time itself and what every parent dreads... What is to become of us? What is to become of our children? This is the very heart of the fear that is so omnipresent once the carnival arrives that dreadful night. Don't just watch this story once. See it twice, but not on the same night. Give it some time to develop in your subconscious, and then, one autumn night, when the leaves are turning color, give it another look, ignoring the cliches it has spawned in other, later and lesser stories.
Something Wicked This Way Comes is very scary. Not only have the censors totally misjudged this film but it is still classed as a children's movie! What rubbish! This is horror through and through, although albeit it can still be watched by kids but most adults will think twice about what they have just shown to them. PARENTS SHOULD WATCH THIS BEFORE SHOWING IT TO THEIR KIDS. This is not your average "darker" childern's flick like the Dark Crystal or the Black Caldron. It is much darker than that. I also remember a very graphic hand crushing scene. ... Read more | |
| 7. The Cat From Outer Space (Widescreen Edition) Director: Norman Tokar | |
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Reviews (20)
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| 8. The Iron Giant (Widescreen Edition) Director: Brad Bird | |
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Reviews (317)
Like the book, the picture takes place in 1957, during the height of The Cold War. The Soviet Union's satellite, Sputnik, flies across American skies. Our country is filled with paranoia. What else may they have launched? One stormy night off the coast of Maine, a huge object falls from the sky. A frightened sailor sees it and swears that it is a giant made of metal. The townsfolk chalk the tale off to the sailor's love of drink. A giant made of metal, indeed! A night or so later, young Hogarth Hughes, whose Mom is working overtime at the local diner, gets mad when his TV starts acting up. He goes to the roof to check the antenna and finds it missing. He then notices huge footprints leading away from the house and into the woods. He grabs his deceased Dad's old army rifle and a flashlight and goes off in pursuit. He soon discovers that there is indeed a metal giant. In fact, he saves it when it bumps into some high voltage utility wires. The adventure has begun. Rarely has a movie for children - or adults! - addressed the need to search for a peaceful solution to our problems as gently or as wisely as The Iron Giant. It never preaches and is always accessible. It does not address us from on high. It remains at our level. It also shows how clever we can be at overcoming the most unexpected obstacles. It reminds us that things alien to us are not always hostile to us. In fact, it is we who often initiate the hostilities. Perhaps best of all, The Iron Giant examines these and other issues in the guise of a wonderful story that should hold almost anyone's attention. The animation is first-rate. Most of the voices are good, especially Harry Connick, Jr.'s as Dean Cooper, a hip young artist. As Hogath's voice, Eli Marienthal speaks like a real boy, not a cartoon boy. Speaking for Hogarth's mother, Annie, Jennifer Anniston gives her a loving quality. Vin Diesel does well with the most difficult voice, that of The Iron Giant. Rated PG for a couple of spooky scenes and a few mild profanities. Recommended without reservation for children seven and up.
-Anamorphic widescreen format with Dolby Digital 5.1 sound. -Eight never-before-seen additional scenes with introductions by Brad Bird, including an alternate opening sequence. -13 mini documentaries revealing the origin and the in-depth development process of The Iron Giant. -Interviews with creative consultant Teddy Newton on the storyboard sequence development process. -The Voice Of The Giant: Brad Bird and Vin Diesel discuss voicing The Iron Giant. -Scene-specific commentaries by filmmakers -A motion gallery of original animation -A letter from Ted Hughes, author of the original book upon which the film was based. -DVD-ROM access to the original web site and Easter eggs revealing the behind-the-scenes filmmaking process. The only thing I see wrong with this is the box/case. Click on the image here to see a larger version, and you'll see that it's the horrid snap cases. Oh well, at least the movie's getting the treatment it deserves. Pick this up when it comes out.
-Eight never-before-seen additional scenes with introductions by Brad Bird, including an alternate opening sequence. -13 mini documentaries revealing the origin and the in-depth development process of The Iron Giant. -Interviews with creative consultant Teddy Newton on the storyboard sequence development process. -The Voice Of The Giant: Brad Bird and Vin Diesel discuss voicing The Iron Giant. -Scene-specific commentaries by filmmakers -A motion gallery of original animation -A letter from Ted Hughes, author of the original book upon which the film was based. -DVD-ROM access to the original web site and "Easter eggs" revealing the behind-the-scenes filmmaking process. This is the treatment the movie should've got in the first place.
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| 9. The Brave One (Widescreen Edition) Director: Irving Rapper | |
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| 10. A Challenge for Robin Hood Director: C.M. Pennington-Richards | |
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| 11. Time Bandits (Widescreen Edition) Director: Terry Gilliam | |
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This new two-disc edition in Divimax is a state of the art hi-def transfer. The bonus disc features interviews with Gilliam and Palin and a career retrospective that includes Brad Pitt, Shelley Duvall, David Warner among others.
A british kid goes on adventures with a bunch of hammy-acting little people. At the end, his parents die for no apparant reason. (Before some film school moron e-mails me with the reason, I got it. It was just dumb.) Get "Brazil" or "Munchausen" instead. Gilliam's off his game here. Or try "12 monkeys." That's a great film
This film was marketed as being for children. I thought that this film is too morbid for small children and recommend that children be at least 8 years old to watch it. In this film, a young boy joins a troupe of dwarves who travel through 'holes' in time with the aid of a time map stolen from a deity. They rob famous historical figures such as Napoleon and Agamemnon. Later they are captured by an evil sorceror who takes the map from them. This film has several creatures in it that I think would frighten younger children I urge parents to watch the film by themselves before showing it to their children. The Criterion Collection has special features including a theatrical trailer, a slide show of production photos and a video, and full-length audio commentary by selected cast & crew. ... Read more | |
| 12. The Music Man (Widescreen Edition) Director: Morton DaCosta | |
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This DVD release is equally marvellous. A fitting tribute to one of Hollywood's finest efforts of all times. The Music Man is one of the movie industry's brightest stars, and this DVD edition will be a prized possession in any movie collection. Even if you "don't know one note from another," you'll love this spirited romp through 1912 small-town Iowa, and through some of the best music ever written for the stage or screen. The transfer to DVD is excellent. Vivid colors, sharp images, beautifully remastered soundtrack, the whole package is excellent. The extras on the disc are also great, including a 30-minute special on the making of the musical and the movie, narrated by Shirley Jones and with comments by Buddy Hackett, Onna White (the choreographer), and Susan Luckey (Zaneeta Shinn). This DVD is one of my most prized possessions. My only complaint is I wish Warner Brothers would package it in a better-grade all-plastic case rather than the cardboard snap case. It won't hold up over time as well, and this baby will be in my collection for a very long time!
Any movie musical is bound to split into two separate films: the exquisite musical numbers, with their witty rhymes, elaborately choreographed dance sequences, and impact on the plot; and then the perfunctory, stilted dialogue bits that bridge those numbers (if you want to see this theory in action, rent "West Side Story"). Thanks to Willson, "The Music Man", however, is perfect in that its linking "book" portions are just as successful as the musical numbers. And we're talking some pretty heavy musical numbers too. Nearly every song in the film is worth memorizing -- if you can manage to catch all the words! I thought I had them commited to memory years ago, but then I watched the DVD release with the English subtitles on, and realized I'd been missing entire lines -- good lines, too. The DVD presentation is sound. The audio quality suffers, most notably during the dialogue-only portions. As I said, the presenttion is "sound". The extras are minimal, as to be expected from the perfunctory Warner Brothers back catalogue, but the 30-minute documentary bears viewing and sheds new light on the film. I'm not sure that a separate commentary track would work here, but I don't have to worry because, as usual, WB doesn't provide one. It can be viewed all at once, or you can skip straight to select chapters and watch the film as a series of music videos, as I did on the first night. But whatever you do -- don't damage the flimsy cardboard packaging! :)
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| 13. Anastasia (Widescreen Edition) Director: Don Bluth, Gary Goldman | |
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Reviews (153)
Story: Anastasia, her grandmother, and the rest of the Romanov family are enjoying a royal ball in their palace. But alas, there's always a bad guy,.......Rasputin in this case. He says that Anastasia's whole family will die soon, and that happens (off screen of course). Well, everybody except for Anastasia and her grandma. Her grandma escapes to Paris. "Anya" falls off a train, hits her head, and ends up in an orphanage. 10 years later, two conmen named Dimitri and Vladamer are "collecting" girls that look/act like Anastasia. This is because Marie (Anya's grandma) is holding a grand reward of 10 million rubels for anyone who finds her lost granddaughter. And Anastasia? She is finally released from the orphanage. But instead of going "fishing" like the lady at the orphanage tells her to, she goes to St. Petersburg to find her family. Following her is the undead Rasputin (ha, and you thought he was dead). He's trying to get revenge since Anya lived. The rest of the story follows the journey's of Anastasia, and how she finds her grandmama. As for the historical record? Well, Rasputin was actually a "friend of the family" as you might call him. He helped to cure little Alex, Anastasia's brother, from a fever. From what I've heard, I guess Anya's whole family (including her) was killed. Not a very happy ending is it? Of course, they can't let the kids know this, so it's all "re-arranged". As for Pooka (the dog), who knows if the Romanov family had a dog or not. Dimitri? He looks suspiciously like Alex dosn't he? And what about Bartok (the bat)? Of course, he is purely fictional. I have to admit that he seemed like the main character more than Anya, since he had the most "personality". Kind of a cute little guy actually. Overall, it's fun, cute, and whimsicall. Sounds like a kids movie dosn't it? That's because it is!! But all in all, I think you'd enjoy it.
When the Russian empire falls (in a fortnight due to Rasputin's curse), young Anastasia escapes with her life but not her memory. An old member of the court and an old member of the palace staff look for a girl they can pose as Anastasia in order to collect a reward. The girl they pick turns out to be the genuine article. After some harrowing adventures made more difficult by the efforts of Rasputin from beyond the grave, Anastasia is reunited with her grandmother. Then, just as all obstacles and plot complications are out of the way of romance the final showdown with Rasputin occurs. One of the main reasons I had wanted to see this film was that it was the first true challenge to Disney's animation empire. I was very surprised to find out that Don Bluth (All Dogs Go To Heaven and other dogs) was behind the film. Bluth seems to have finally figured out how to make a good film and Anastasia will hopefully not be the last. There are a few faults (of course) with the overall plot and the dealings with history but if one accepts this as alternate history they are not a real problem. For one, Rasputin dies by accident (although he does dr | |