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| 1. Dr. Seuss - Un pez, dos peces, pez rojo, pez azul (One Fish, Two Fish, Red Fish, Blue Fish) | |
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| 2. So Smart - Spanish (For Babies 6-36 Months) | |
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| 3. Scooby-Doo and the Monster of Mexico Director: Scott Jeralds | |
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ADVICE. | |
| 4. Barney: Waiting for Santa | |
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| 5. La Espada en La Piedra (The Sword in the Stone) Director: Wolfgang Reitherman | |
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Love the movie. Remember it from my youth. Highly recommended for young aspiring kings and princes. It's a laughter-filled romp, and Disney at his best for great storytelling, and great character development. However, this DVD gets only three stars from me because it is in Full Screen format, when the original was widescreen. As usual in these cases, in the tiny print at the bottom of the box, the dreaded words for any 16:9 TV owner: "This presentation has been modified from the original. It has been formatted to fit your TV screen". You'd think by now, the studios would get a clue, ESPECIALLY Disney, and release either the original with letterbox, or put both on the disc like so many do... Does anyone here like "Pan and Scan"? My complaint ends there. It is otherwise a wonderful film to share with your kids... I enjoyed watching it again after so many years, this time with my four-year-old son. We laughed and marvelled together over the antics and magic of the Wizard Merlin, and the adventures of young "Wart". He was ready to see it again as soon as it ended.
The DVD is pretty decent, although the bonus features don't really relate to the film, I have to say that they are just enough to make this DVD acceptable. ... Read more | |
| 6. Toy Story (Spanish Edition) Director: John Lasseter | |
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Amazon.com essential video Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 7. Elmo en la Tierra de los Grunones (The Adventures Of Elmo In Grouchland) Director: Gary Halvorson | |
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The message viewers are supposed to get is about sharing - after not wanting to share his beloved blanket with his friend Zoe, Elmo loses said blanket down Oscar's trashcan and subsequently into Grouchland, where it is claimed by the colorful villian Huxley, who never shares anything. So our little ones should be learning how to share...unfortunately, one of the more memorable songs is sung by Mandy Patinkin (Huxley) called "MINE." My little boy had never grabbed anything and yelled "Mine!" until he watched this video. He understood about Elmo's blanket, because he has one of his own that's special, but it seems he got the wrong message! The film itself is a bit of a mixed bag of images; Vanessa Williams is stunning as the Queen of Trash, but her appearance is like a short cameo. There's a giant chicken that seems loosely related to Huxley. A conveniently placed talking vegetable. This is not the caliber of education and entertainment I've come to expect from the Children's Television Workshop, or from Henson Productions. I wouldn't recommend the video for children under 3, even if they're Elmo fans (my son was 26 months when we had the "MINE!" problem.) Hooray for Ernie and Bert, though, our time-tested film narrators!
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| 8. Willy Wonka and the Chocolate Factory Director: Mel Stuart | |
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The parents make it obvious why their children are so impish. When the children get into trouble at the factory, the parents blame Wonka instead of the kids' own bratty behavior. From the moment they step into the factory, they're complaining and finding fault with everything Wonka does and they take things way too seriously (much like the critics of this film)! I bet if the Oompa Loompas, with their wisdom, raised these little demons, they'd be much better. Don't miss this film. It is not only a fun to watch diversion from reality, the messages are very timely and it makes you think about the good that still exists in this world. The critics and nitpickers may not get it but anyone who watches with an open mind and doesn't take it too seriouly will.
This film was made back in 1971 and is very simple in its style. The special effects are see-through and campy but the story line is a facinating metaphor for life that is forever timeless in its message. Willy Wonka is the creative genius who becomes a recluse in his chocolate factory because of society and its greed and malice. But he never loses his belief that someone in the world exists who can still believe in imagination and dreams. He finds this person in Charlie, a poor child who lives with his mother and four grandparents in a dirty basement home. Charlie has every reason to become dispirited and negative yet he remains a shining light of great positivity regardless of his circumstances. I suspect his attitude comes from the fact that his Grandfather Joe always supports his dreams, the boy never has to hear the word "can't"! The chocolate factory holds a contest and several children, including Charlie, get invited behind the doors with Willy Wonka. While on tour they are tested with fame, fortune, greed and honesty until one by one they succumb to the failure of a human heart. All except Charlie, who keeps a smile on his face and wonder in his eyes while being faced with the simple adversities that cause the other children to fail. Sadly I feel the parents are to blame creating children who thrive on material wealth, constant TV watching, gorging on food, and looking for constant attention. The parents of the children who fail refuse to believe in the dream of Willy Wonka surrounding the atomsphere with doubt and negative beliefs. How could anyone survive under such circumstances? The Chocolate Factory is filled with wonder, color and silly songs. Regardless of your age it will satisfy your sweet tooth and fill even a hardened heart. It certainly brings to life how parent's affect their children with their own actions and attitudes. Telling a child they "can't" accomplish all that they imagine only assists in stopping the world from greatness. Don't be afraid to dream!
One day there is an annoucement that Wonka is going to open his factory to visitors, to be chosen more or less at random through finding the Golden Tickets, contained in Wonka bars (a brilliant marketing device back then). Scenes of shoppers' frenzy are shown all around with world, including a Wonka delivery van shown arriving at the White House. The five golden tickets are found all around the world - the first one in Dusselheim, Germany, by the fat boy, Augustus Gloop (played by Michael Boliner, who is now a tax accountant in Munich, and is still rather large). The second ticket was found in the UK, by spoiled brat, Veruca Salt (Julie Dawn Cole, the only Wonka child still acting), whose father, Roy Kinnear, is a well-known actor in British cinema. The third ticket was found in the USA, by gum-chewing Violet Beauregarde (Denise Nickerson, now an accountant at a nuclear plant in Colorado), whose used-car-salesman father was played by Leonard Stone (who was selected over Jim Bakus). The fourth ticket was also won in the USA, by Mike Teevee (Paris Themmen, considered a real brat by most of the cast and crew); his frantic mother was played by Dodo Denny (later Nora Denny), who was one of the few minor characters in the film to consistently act after this film. The final ticket at first is reported to be won by some shady businessman from Paraguay, but in the end, that is proven to be a forgery. Of course, Charlie buys a Wonka Bar expecting nothing, and gets the ticket. An ominous figure, Slugworth (the arch-enemy of Wonka - who knew chocolate makers also made arch-enemies?), appears to each of the winners, whispering in their ears. Charlie is also confronted, and promised a reward should he bring Slugworth an example of Wonka's latest creation, the Everlasting Gobstopper. One wonders why (a) any candy maker would make a candy that never wears out (thus defeating re-sales), and (b) why Slugworth can't just buy one himself when they are released, analyse it and ruin his own factory the same way? But I digress... Gunter Meisner, a very prolific German actor, played the villain, who wasn't in the book (nor was the 'gobstopper plot'). The grand day of the event, the winners enter the factory with great fanfare, meeting Wonka (Gene Wilder) for the first time, and get the first taste of his bizarre sense of theatre. (It is reported not only Wilder's idea for the limping/somersault introduction to the crowd, but also a condition of his accepting the role.) From that point on, what was truth? It is ironic that Wonka's entrance doesn't occur until the film is half over. What we remember of the film comes after this, but over half the film is actually set-up. This is rather like the Wizard of Oz, where most of the film is done before we see 'the major character', although admittedly Wonka is far more prominent than Oz's balloonist. Wonka, the man of mystery, only ever became even more of a mystery as the tour progressed. He is constantly switching his words ('we have so much time and so little to do'), and there are surprises at every turn. Wonka borrows a lot of his key phrases (Ogden Nash, Shakespeare, Oscar Wilde) and there are a lot of fantasy-inspired elements (Alice in Wonderland, Lord of the Rings). At each major scene, something ghastly seems to happen, but in epic-fantasy form, it doesn't seem to matter to the majority, who proceed onward with their quest. In the chocolate room, Augustus Gloop meets his untimely exit from the factory by falling in the chocolate river. Violet turns into a blueberry by chewing experimental gum, and has to be squeezed (squoozed?). Veruca, in the room with the geese who lay the golden eggs, turns out to be a bad egg herself, but has a sporting chance of going down a chute with an inactive furnace. Mike Teevee shrinks in the Wonka version of the Star Trek transporter beam, leaving in the end only Charlie, who is denied his prize of a lifetime of chocolate for a minor infraction. It would seem that Wonka had a sinister side in many ways - the boat that carries the prize winners only seated eight, implying that Wonka knew someone would be missing. The Wonkamobile only had seats for four guests. Of course, the children apparently all had sinister sides, too, including Charlie, until the end. None of them let Wonka know of their Slugworth contact. In the end, we never know what becomes of the fallen questers - we are led to believe that in this candy factory they got their just desserts. The Oompa-Loompas put the moral to each downfall in song, with a 1970s karaoke-type presentation of the lyrics as they sing. In the end, of course, goodness and justice win out, as the factory is given to Charlie after his act of unwarranted kindness toward Wonka. Director Stuart always saw this film as a 'realistic' fantasy film. Those things that are not over the top are very ordinary. The people are not superheroes, and the situations, while fantastic, are not beyond the credible. Stuart also did his best for 'real' reaction - the kids had never seen Gene Wilder before his appearance at the door, the chocolate room in the factory, or the Oompa-Loompas prior to the first scene, either, so their reactions are more natural. A great film for children and adults! ... Read more | |
| 9. Saludos Amigos Director: Jack Kinney, Bill Roberts, Hamilton Luske, Wilfred Jackson, Norman Ferguson | |
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"Saludos Amigos" is comprised of 4 shorts, "Lake Titicaca", "Pedro", "El Gaucho Goofy", and "Aquarela De Brasil". Many classic Disney characters are included, including the slapstick Goofy and Donald Duck. New characters are introduced, which include Jose Carioca, the samba dancing friend of Donald. There is also an array of bonus features, including an original theatrical trailer from 1943, and a documentary on the making of the film, which displays many of the films' crew members at work. Overall, I think this is a very charming feature film.
The DVD, as all the other Gold Collection titles does not bring much in bonus features, but since this isn't one of Disney's most majestic titles, it will do. This edition only brings an original trailer and a documentary featurette, not much, but enough.
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| 10. La Bella y la Bestia (Beauty and the Beast) - Special Edition Director: Gary Trousdale, Kirk Wise | |
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Beauty and the Beast really is one of Disney's top 4 animated films. How they managed to combine a massive cast of characters into the main plot is amazing. Beast is one of my favorite Disney characters after re-watching this. There's so much emotion inside of him. Anger, rage, pity, ambition, and love. You'll really care for him from the moment he appears on screen. Belle is possibly the most humble heroine to date. She doesn't see that she's beautiful, but just cares for helping others and reading books. The supporting cast is just as good. Gaston, the villain, is just a....well I can't use the word. You can bet your money you'll feel the same way. But the characters are just the icing on the cake. The story is what the strong point's always been. Disney did a great job adding so much more to it, whereas the original didn't focus on anyone but Belle and the Beast really. But I'm sure you all know the story, so I'll just get into the features on this DVD. On the first disc, you get 3 different versions of the film- theatrical, work in progress, and special edition. The theatrical is what you saw in theaters or on the home video release. Work in progress is mostly drawings in black and white while the voices and everything else is put in. The special edition has a few lines changed here and there, and the added musical "Human Again" into the film. Personally, I hated "Human Again". It comes right after and before other songs in the film, making you want them to just get on with the story. Plus the animation in it really stands out since it's newer and has those annoying shadows on every character that you see in so many made for video animated movies. There's also a commentary track that adds a lot of depth and information, and a game that unlocks another game. People complain about the picture quality of the movie, but it's not that bad. On a scale of one to ten, I'd give it a 7.5. The second disc has a well done documentary on the making of Beauty and the Beast, story origins of a few other Disney movies, art galleries, music videos, more games, and much more. Amazon lists that the Broadway Musical is on this, but it isn't. It's mentioned in the documentary, that's all. This sets the standard for extras on Disney special editions of their movies. It's too bad The Lion King has nothing compared to this. Either way, if you like Disney at all...or just movies, you should go for this while you can. It's a masterpiece, and getting harder to find.
Despite the animated characters, I felt like I was watching an old musical. The movie opens with a scene reminiscent of "The Sound of Music," with our heroine, Belle, singing on a hilltop about wanting more out of life. The "Be Our Guest" scene, featuring a Lumiere (the Maurice Chevalier-inspired singing candlestick), dancing dishes and champagne corks popping like fireworks, reminded me of the Busby Berkely musical extravaganzas of the '30s. A big appeal for me is that Belle is a much different heroine than the Disney princesses of my childhood. Belle isn't looking for a man to rescue her from her life of drudgery. She loves to read and longs for a more interesting life. She already has the "town catch," Gaston, wanting to court her, but she's having none of it. Belle's escape from "her provincial life" begins when her father, a kooky inventor, doesn't return from his travels. (He has sought shelter from a snow storm in a spooky enchanted castle and is being held prisoner by the Beast.) Belle tracks down her father and, out of concern for his ailing health, takes his place in captivity. The Beast, who has been placed under a spell, wonders if Belle might be "the one"--the young woman whose love will return him to his original human form. The enchanted furniture, candlestick, clock and dishes added lots of fun characters to the traditional story. Cogsworth, a stuffy clock, and Lumiere, the match-making candlestick are a great comic duo. Cogsworth's romantic advice to Beast about wooing Belle is especially funny: Give her "flowers, chocolates, promises you don't intend to keep." Gaston, meanwhile, wants to woo and wed Belle himself. He sings about his he-man attributes in one of the funniest ode to a redneck that I've ever heard: "I use antlers in all of my decorating," Gaston sings about himself. When Gaston realizes that Belle loves the Beast instead of him, he stirs up an angry mob to head to the castle. In another twist on the traditional fairy tale ending, Belle ultimately rescues the Beast--not the other way around. "Beauty and the Beast" is a delightful classic whether you are a child or a grownup who knows how to feel like a child at times.
BEAUTY AND THE BEAST has no down moments, with each fresh plot advancement heralded by stunningly effective animation and song. This film was a deserved nominee for Best Picture in 1991, and with repeated viewings, one may rest assured that the alternately gloomy and resplendent halls of the Beast will eternally resonate with the same cachet that gives Tara, Oz, or Rick's Cafe a ticket that allows the bearer to see just how awesome the human spirit can be.
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| 11. Liar Liar Director: Tom Shadyac | |
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But that's the theme of the movie. Jim Carry plays the part of Fletcher Reede, a young, promising (and very unscrupulous) lawyer who always manages to win his cases. But there is a darker side to his life. His wife has divorced him because of several affairs, and his son (who he dearly loves) has been neglected for his professional career. Clearly, Mr. Reede is a man who never settled down to the more serious business of life and responsibility. However, Reede's day of come-upance has arrived. Forgotten about one too many times, his son makes a birthday wish that his dad would have to tell the truth for 24 hours. An outside wind blows the cake candles out and the stage is set. Mr. Reede intends to go about his daily, lie-ridden life (his natural style) but is flabergasted to suddenly find that whatever he tries to say, the truth always comes out - and with hilarious results ("I can't believe I said that"). Jim Carrey has the gift of gab, and God, does it come out in this film. Either he is very adept at learning complex lines or he is a natural comedian to whom words flow like water. There are sight-gags in the film, but these are really secondary to the dialog -- which is priceless. Unlike "The Mask", this film has a more serious side in the pathos of a neglected family and a wrecked personal life. Still, the movie is light-hearted and fun to watch. Jim Carrey does it once again. ~P~
What follows is one of Jim Carrey's best films ever. If you like Jim Carrey and haven't seen this movie yet, you will love it. The thing he does best in this movie in my opinion is his physical comedy, especially the scene where he beats himself up. Highly recommended for Jim Carrey fans who have not yet seen this one or for anyone who likes slapstick comedy movies that have a point in the end.
So when Max makes a wish that for 24 hrs that his dad cannot tell a lie, he never expected it to actually come true. Unfortunatly in the affected 24 hours, Fletcher has a HUGE divorce case to settle and his fabricated story cannot be told. At the same time, Max's mother Audrey has been offered a marriage proposal from her boyfriend and plans to take Max to Boston with them. Now Fletcher must deal with not being able to lie and try to change Audrey's mind before he loses Max forever. One of Jim Carrey's best movies, it made me lol the whole time.
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| 12. The Others Director: Alejandro AmenĂ¡bar | |
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As you probably have known by now, beautiful Nicole Kidman plays Grace, whose children are allergic to light (and this disaease really exists, you should know). With ritual-like meticulous rules, she manages her household works, employing new servants in a huge, dreary countryhouse, which ever-hanging fogs mystriously surround. But there is (or are), she comes to know, some intruder(s) here, of which existence her children are convinced. And sooner or later, Grace comes to feel that, too. It is a natural but unfair comparison if you point out that "The Others" resembles at some places a certain Oscar-nominated film, because the director Amenabar does it with completely different touch. I cannot tell you much, but let me say, like Hitchcock's classic "Rebecca," the heroine (and the audience) is lured inexplicably into the mystery of the old house and its past. Also using the classic frameworks of ghost stories used in the original "Haunting" (Robert Wise version, NOT THAT remake), the film makes us jumping in the seats, sending lots of chill in spine, and, moreover, it treats a universal subject of love between mother and children in a subtle fashion. On top of that, the film goes further, to make the mother Grace not exactly an ideal one for kids, and it succeeds eventually in depicting the fraility of humans -- in short, you really don't know what you think you know. Anchored by strong and believable acting given from underrated Nicole Kidman (why did Oscar ignore her work here, preferring that musical ... well, but all right, I understand), and aided effectively by other well-cast players whose uncanny presence unnerve us greatly, "The Others" will rivet your eyes on the screen, especially when you are a connoisseur of old-fashioned horror film. Keep your eyes open when you see the details of the film: furniture, photoes, everything. Something is wrong with this house, but how and what is not clear. This bizzare sensation is another asset of the film, and you will find what you missed with repeated viewing. For those who have enjoyed this (and I bet you did), the story is perhaps inspired by Henry James's novella "Turn of the Screw," which deals with the similar situation. You may as well read that equally well-crafted, creepy story. Trivia: look closely at one of the old photoes of the dead: one of the three men on the bed is director Amenabar himself (and one of the others is Mateo Gil, director of Spanish film "Nadie conoce a nadie" of which music Amenabar composed, and of which star Eduardo Noriega was featured in the two previous Amenabar film in Spain, "Thesis" and "Open Your Eyes." The former one is a must-see for anyone loving blood-curdling thriller. But hey, appearing in a photo? This is exactly what Hitchcock did in one of his earlier films about a life-boat, another masterpiece about the people in a confined place !! Surely Amenabar loves his master.
The 2 disc DVD set is pretty good even though it all could have probably fit on one disc. The features are made up of documentaries and featurettes. The most intriguing of which, is on the aforementioned disorder, seen in the film. The still gallery includes rather typical looking photos from the film. I would have liked for a commentary track, but I know that not every DVD has to have one to be solid. Nicole Kidman makes this film more than just a story about "things that go bunp in the night" Recommended
Grace Stewart (Nicole Kidman) and her two children, Nicholas (James Bentley) and Anne (Alakina Mann), live in a manor off the British coast. Three strangers arrive one day in answer to a placed advertisement for domestic help. For some strange reason, the three strangers prove to be familiar with Grace's house. Mrs. Mills (Fionnula Flanagan), Lydia (Elaine Cassidy), and the gardener Mr. Tuttle (Eric Sykes) soon immerse themselves in the daily routine of the manor, but the mood of the house suddenly seems changed with them around. Is there something to the strangers or is Grace's imagination just getting the better of her? "The Others" revels in its simplicity. This is a film reminiscent of an earlier era in terms of filmmaking craft but it does not at all feel like a time-displaced relic when viewed through the filter of modern sensibilities. A legitimately unsettling atmosphere is created under the deft direction of Amenabar and Kidman is granted a wonderful opportunity to put her acting talents on display. She takes full advantage of her chance to carry a film on her own and succeeds admirably. Kidman is the emotional and dramatic catalyst of the story and the film as a whole would have been far less effective had she faltered. Flanagan, Cassidy, and Sykes are also great as the sweet but creepy strangers. From the outset, we know that there is something amiss by their arrival on the scene but we cannot put our finger on it. A tip of the hat to Amenabar for keeping us in suspense until the very end. Good work all around.
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| 13. The Incredibles (En Espanol) | |
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| 14. Flickback 1959 Director: Jorge Cervera Jr. | |
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| 15. Superman IV: The Quest for Peace Director: Sidney J. Furie | |
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After a poor test screening, it was decided that more than 35 minutes of footage would be edited out, leaving us with a very poorly edited film---filled with obvious plot holes that left some viewers scratching their heads. Another problem was the fact that the effects budget was slashed and boy does it show. The Salkinds refused to sell the equipment that made Reeve "fly" so well in the past, to the new producers, which also hurt the look of the film...At least original cast members Margot Kidder and Gene Hackman were both recruited to return to active duty. Made at a time when President Reagan challenged Gorbachev to tear down that wall, the film takes a look at how our hero might deal with a still raging cold war. Superman (Reeve) is asked by a young boy to, "rid the world of all nuclear weapons" Troubled that Earth may suffer the same fate as Krypton's, he agrees, and for a time our world is safe. Lex Luthor (Hackman) has other plans. He decides to create a Nuclear Man (Mark Pillow) to defeat Superman once and for all, while rearming the world for his own financial gain. It's a shame that the film has so many problems. Still, I wouldn't mind seeing the uncut version of the film anyway, and then let the chips fall where they may. Directed by Sidney J. Furie, Superman IV gets higher marks than third movie, because of Reeve and the return of Hackman. Both actors elevate the film in ways that Richard Pryor could not in Superman III. The theatrical trailer is the DVD's only extra. With the relaunch of the franchise taking forever, let's see both Richard Donner's version of Superman II, and Superman IV uncut.
The special effects are B-Movie like and don't help the movie much either. Plus on top of it the movie is directed like a day time soap opera and seems like one too. It even has a date scene where Superman has to try and have a date with Lois Lane and Lacy Warfield (Mariel Hemingway) at the same time. That's lame and doesn't give Christopher Reeve and Margot Kidder a chance to form any of the great chemestry that they had in the first 2. Just like in part 3 Lois is used as just a side character basically. All the actors still try hard, especially Gene Hackman. They just didn't have a good script to work with. It's too bad that Christopher Reeve can't do another with a bettter story and direction to make up for this one.
Cause of its terrible cuts, the story appears to jump and some voice overs can be seen in the film. I beleive that if Superman 4 remained at its 134 min version, Superman 4 would have been a far greater success. According to film resources the extra footage no longer exists. But there was budget restrictions on Superman 4 which is why it was totally filmed at Pinewood Studios. Superman 4 The Quest for Peace actually feels more like a TV movie than an epic blockbuster. A poor end to what started out as a great series of films. ... | |