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| 1. Godzilla Director: Roland Emmerich | |
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| 2. Alien Resurrection Director: Jean-Pierre Jeunet | |
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I would love to see Jeunet tackle the sci-fi genre again, maybe a film where he could harness some of his own vision in the story, as well as in the direction. Terry Gilliam's 'Brazil' was a wonderful example of how a highly imaginative director could create his own pseudo-sci-fi world without the cuddly trappings of George Lucas. If you're a sci-fi comic book fan then, 'Alien Resurrection' is definitely one to see.
This movie takes place 200 years after the events of "Alien 3". Ellen Ripley's DNA has been successfully recovered and a mix of Ripley and the alien's DNA have been successfully cloned and now Ripley's 'descendant', actually a clone of her has been brought to life to wage her final battle against the predatory aliens that are now approaching the planet Earth. The 'new' Ripley has Alien DNA within her that makes her capable of 'caring' for the alien creatures. A band of vicious smugglers however comes on board to steal the Alien DNA only to discover that the new breed of aliens is more dangerous than any other ever before and now the aliens are hunting both 'Ripley' and the smugglers and now they must destroy the alien and prevent them from getting to Earth and also try to make it home alive. This movie cuts both ways for me. While certainly not a bad movie overall, "Alien Resurrection" suffers the most from serious flaws more than any of the previous "Alien" movies. While the movie is enjoyable for its special effects and awesome action sequences, I for one agree with many that this was almost not even necessary to be made like this especially since the 1992 third entry was where it should've ended. A lot scenes are pretty gross to look at especially the ones where 'Ripley' tries to 'calm' down the alien creatures or even tries to act like some 'mother' figure to them. I for one feel that this movie is more of like some 'alternate timeline' movie spin-off of some sort that almost feels completely detached from the previous three and that it's almost like thrown together leftovers from them as well. The cast is hit and miss for me. Sigourney Weaver as the 'new' Ellen Ripley is fantastic as usual and is the only one in my opinion who really carries this movie all the way through. Her character is still very good although a step or two down from the previous movies. The rest of the cast however really don't fare anywhere near as good. Winona Ryder really drops the ball on this one and the character she plays is boring and without character or personality even though she isn't as she is thought to be. The male cast comes off being excessively dry and unconvincing and one in particular is almost enough to tick you off at his attitude towards Ryder's character in this movie. The directing by Jean-Pierre Jeunet is really good and this combined with Siguorney Weaver's acting as usual really do a lot to make this flawed movie a good movie worth watching. The movie has its merits though. The special effects are top-rate and the movie has a really suspenseful tone but it starts getting to the point that the formula has been a bit tried since it has already been done three times already. The newest species of alien is really scary and but the face and head look almost like a human skull or even a deformed Freddy Krueger. The movie is saved by a really awesome but gruesome ending which I'm not going to mention out of fear of spoiling it. The ending alone saves this movie along with the special effects. While many movie series seam to suffer from a pattern called the "Fourth Installment Syndrome/Curse" or whatever you call it with examples like "Batman and Robin" or "Jaws: The Revenge", "Alien Resurrection" avoids a lot of this with great special effects and awesome sequences. For a 'Part 4' movie, this really fares so well for a fourth installment and maintains some freshness even if the cracks in the franchise start showing through. The "Director's Cut" edition of "Alien Resurrection" does little to improve this movie and is only like ten minutes longer than the original and of the revamped versions of all of the "Alien" movies, "Alien Resurrection" benefits the least out of them all and the result is disappointing. The movie also has a new intro to it. The second disc like the other films on their newest re-issues has lots of great extras with 'making of', commentaries, and lots of cool Easter eggs. There are plenty of extras in this movie that are worth looking at though and the DVD is really excellent. The picture quality was good to begin with but this "Collector's Edition" really improves the picture quality and the sound quality is amazing to the point that if you have surround audio speakers or can connect your TV to the stereo speakers, then it will feel almost like you're back at the big screen again! The final result for me is that this gets a rating that rounds off to 3 solid stars but at the same time, this movie while good on its own, just never can find it's own place against the shadows of it's predecessors and is ultimately a movie that is more for the die-hard Alien audiences. Looking back on it now, I have to say that despite the weaknesses especially on the last two parts in the series, "Aliens" stands as one of the best sci-fi/horror/action movie franchises of all time and that Sigourney Weaver may be the most remembered by her roles in all of them.
Anyway, "Alien Resurrection" does have interesting things: the atmosphere is dark and it's very stylish. Finally we can see a pretty face in the series, Winona Ryder plays a supporting role in this movie. Also, "Resurrection" has scenes packed with bullets, explosions and action. However, "Alien Resurrection" also has low points. Yes, Winona appears here, but her acting talent is kinda wasted. Some plot twists feel very forced, and the movie has its share of grotesque and pointless scenes. But all those things are OK, however, the thing that I can't forgive as a fan of the series is the Alien / human creature, that thing is so grotesque and infamous that the damn thing makes that the final scenes look like an ultra-cheap horror movie. In the final countdown "Alien Resurrection" still is good enough to score a solid 3 stars rating in my scale, but to be honest I would recommend you only the first two movies, "Alien" and "Aliens".
Movie sucked. Stick with the first two definitely, and possibly the third... This one sucks big time. ... Read more | |
| 3. The Mummy Returns Director: Stephen Sommers | |
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Reviews (676)
Fraser has never seemed more smarmy; he doesn't retain a smidgen of his usual bumptious charm. Weisz, who must shift from being a strong woman at one instant to a helpless damsel the next (and endure some really embarrassing fight sequences with Velasquez in flashbacks to her former life in ancient Thebes -- she's been reincarnated -- don't ask), is surprisingly nondescript in all these guises. Even the CGI is a let down: The computer generated Scorpion King is simply awful (the warriors of Anubis are so startingly fake you can feel Ray Harryhausen crying out for vengeance). While roller-coaster rides can be fun, even they need proper timing: they require occasional pauses from the plunges, and certainly shouldn't drag on forever. Oh well, I hope Jurassic Park and Planet of the Apes score better than The Mummy Returns.
Okay, so there are a few 'seen-it, 'been there, done that' moments, but despite this, "The Mummy Returns" manages to pack in the action and keep your eyes glued to the screen. Best points: the story behind the murder of Pharaoh Seti I in the first movie involving Evy, Imhotep and Anck Su Namun - nice follow on there; the FANTASTIC battle between Anubis's army and the Medjai in the desert - great SFX! And the moment of Anck Su Namun betrayal - one of those rare times your heart goes out to the bad guy. Most importantly, the movie is about FUN. Yes, there are things that defy reality, the plot isn't water-tight or rock-steady - so what? It's an action-packed, entertaining, SCI-FI movie with memorable characters, great actors that makes brilliant use of special effects and doesn't take itself too seriously. What more could a die-hard movie buff ask for?
1.) Do not sacrifice plot for action. After so many sequels that bombed because of this, the producers still fell for it anyway. Do you know what made "The Mummy" so awesome? The lure of all the ancient Egyptian lore and myth, which, when interspersed with action, brought the entire movie alive. We don't need more brawls and swordfights and self-consuming cities--we need more of the MAGIC. 2.) Don't reference the original more than twice. It's not as if we don't remember the books and the plagues and the happy romance. If anything, constant reflections insult us as an audience. It's another bad trap that sequel-makers fall into, and again, it happened here too. 3.) Don't wreck the memory of a beloved setting. Hamunaptra was chock-full of all that we as Americans want from ancient Egypt: vast treasures, sarcophogi, curses, booby traps, juicy mummies. And what did we see of it in the second film? Sand, teeming with people who couldn't even find it eight years before. Huge electric lights illuminating what once could only be seen by torchlight. Trucks, instead of camels! And some really strangely reincarnated Anck-su-namun. The moviemakers effectively ruined the magic of Hamunaptra, and they didn't have to. Shame! 4.) Never, ever, ever pull a stunt like a CGI Rock again. Could they not afford to pay him for the final scenes? Just imagine the heroic fight between Rick, Imhotep, and the Scorpion King--only all three are in the flesh! People would have been cheering in the theatre watching the Rock fight with Brendan Fraser and Arnold Vosloo. But noooo...let's pull CGI out of our butts for the eighty millionth time. Shame shame! 5.) Don't ruin the best moments of the film by shortening them. Were we too busy playing around with CGI Rock to choreograph a great fight scene between Anck and Evie? I think we might have been. I understand that having Anck shy away from fighting helped set up her not being brave enough in the end for other things, but even just extending the fight a little longer would have helped. Anck could have given her best in an extended fight but still lost, and then we could have watched her bravado melt away and become her undoing. All that being said, there are some bright spots. The mummy himself, for one. And the character of Jonathan was as lively and funny as ever, thank goodness; Ardeth Bay (Oded Fehr) was even more campily serious and apocolyptic, and that was fun, too. Enough can't be said for Brendan Frasier, who IS the action hero of the the new millenium--handsome, funny, totally self-aware, and he puts his heart into everything completely. I hope they make a third "Mummy." There's a lot left of ancient Egypt to explore, especially since in the time period of the movies not everything had been discovered yet. I think all the main characters would have to return, and that the plot with the most potential still remains that between Imhotep and Anck-su-namun. With all the money they have in Hollywood, the producers should be able to hire a team talented enough to write a movie as magical as the first.
As usuall Brendan Frazer is at his silly best with his now on screen wife, Rachael Wiess a still overly beautiful adventurist. This time they have an equally inqusitive son who simple can't leave things alone... ... Read more | |
| 4. The Relic Director: Peter Hyams | |
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Filmed inside Chicago's Field Museum, the movie centers around a horrific brain-feeding beast and its curious link to a missing paleontologist who disappeared while researching a native tribe in Brazil. This monster, designed by special effects master Stan Winston, is unlike anything you're likely to see ever again. As in most other movies like this, you don't get to glimpse it right away. Its presence is more or less represented by an unsettling wheeze that will make you wonder what on earth could be making such a sound. I won't reveal anymore, other than to say it doesn't merely chase its victims down dark and murky underground tunnels--IT GALLOPS AFTER THEM! Forget what's been said about how overly dark this film was or how much of a letdown it was from the book. If, like me, you are any kind of horror fan who enjoys in-your-face monster movies, you owe it to yourself to buy this and watch it right now! Watch for an amusing cameo by Audra Lindley, better known as "Mrs. Roper" from "Three's Company."
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| 5. My Mom's a Werewolf Director: Michael Fischa | |
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Now, stop for a moment and try to anticipate where this story is going. If you are thinking anything along the lines of "Teen Wolf," or a comparable horror comedy where being a monster turns out to be a good thing, this is not what writer Mark Pirro and director Michael Fischa come up with for their little film. Leslie's daughter Jennifer (Katrina Caspary), finds out mom's little secret when the hair, the fangs, and the craving for raw meat becomes rather obvious. But it turns out the transformation is not yet complete and Jennifer tries to save her mom from having to go live happily ever after with good old Harry (Harry, get it? The werewolf's name is "Harry"). At least "My Mom's a Werewolf" acknowledges that it is going for the yucks. All of the characters are overblown stereotypes and at one point it dawned on me that if this film had been made a decade later it might have been a direct to MST3K film. In addition to Blakely the cast as John Schuck ("MacMillan and Wife") as the husband, Ruth Buzzi ("Laugh-In") as Madame Gypsy, and Marcia Wallace ("The Bob Newhart Show") as Peggy, all of whom are other former familiar faces from television who have to be wondering what happened to their careers. Actually, Blakely's performance is the best of the bunch and there is something rather sad that this particular injury is added to the insult of her home life.
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| 6. The Exorcist (The Version You've Never Seen) Director: William Friedkin | |
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The only good about the "Version You've Never Seen" is the added spider-walk scene which is very creepy; although it may be so strong that it attracts too much attention to itself, causing some unbalance in the film. I recommend the 25th Anniversary Edition, which is the original version. It is also better paced. Another added scene in "The Version You've Never Seen" is of Regan's first visit to the hospital for tests; it comes too abruptly, and Regan being in her mother's bed, telling her that she couldn't sleep because her own bed was shaking, doesn't really seem to warrant it. ... Read more | |
| 7. The Toxic Avenger Director: Michael Herz, Lloyd Kaufman | |
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I love all the violent scenes in this film. It shows you what would happen if you did something like that to someone, but you were to afraid to do it. The violent scenes are also hilarious! There aren't too many jokes told in this one. But whenever there are, they are just as funny as Melvin sticking a mop down some guy's throat. This is the best TOXIC AVENGER film ever. It's a shame that Part 2 & 3 were so bad. Those next two films were horrible. If you want to know what I thought of them, then go check out the sequels and look in the reviews for my name. I'm not going to act like God and tell you to stay away from them. If you want to see them, then go ahead! I would've actually given this three and a half stars, but since I can't, I'll just give it a fair rate of three stars. I hope my review was helpful to you!
One of the Troma Greats, the Toxic Avenger is a classic movie in which good seeks out evil, and finds true love... It is a shame that there are only five stars, because this movie breaks the limit. Go for it, you won't regret it at all!!!
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| 8. Bless the Child Director: Chuck Russell | |
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The story is about a modern second coming of Christ, with the little Christ girl being born to a drug addict (Angela Bettis) and left with her Aunt Maggie. The child is being sought out by the disciples of Satan with the intention of converting her to the dark side or killing her. The army of inept devil worshipers keeps kidnapping her and our mousy heroine single handedly keeps outwitting them and stealing her back followed by interminable car chases pursued by a stretch limo. Meanwhile, a group of nuns gets together and prays aloud that God will protect Maggie and the child in one of the film's most laughable scenes. All this culminates in a showdown between God and Satan including some lame visual effects. A number of reputable actors are wasted on this hack script. Jimmy Smits is a good actor who gives his standard solid cop portrayal. Kim Basinger can be excellent in the right role. She is good in sexy roles, certain dramatic roles and has even proven to be an effective comedian at times. However, an action heroine she is not and will never be. The most convincing performance is given by Angela Bettis as Jenna, who looked genuinely strung out on heroine. Supernatural thrillers provide unlimited possibilities for creativity and imagination. This pedestrian script is a trite treatment of a familiar story that is poorly written and directed. I rated it a 3/10. If you are intent on seeing a ridiculous supernatural thriller see "End Of Days" with Arnold Schwarzenegger. At least you will get some good action footage with your tripe.
Here we have a small army of worthless, punked out goths, shooting it up and doing what comes naturally. Not sure about all of the'messages' .......after all considering this rock we inhabit - it's not really prime time galactic territory for the gods - now is it? I'd rather be in control of the entire pulse ..... For thrills - it does the job .... great sound design! [Now, 'Unman, Wittering and Zygo' .... there was something....]
Like for example, the fact it expected us to think an old woman was a frightening enemy. And also the idea that limos are great vehicles for car chases. Poor goths...they keep getting a bad rap in movies. I've known lots of goths, and very little of them worship Satan and go after little girls with razor blades.
Good to see a hollywood film that honours God instead of blaspheming Him. ... Read more | |
| 9. The Devil's Advocate Director: Taylor Hackford | |
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Aside from that, "Devil's advocate has many other flaws. Al Pacino as John Milton/The Evil One is laughable. And I like Pacino. If Satan was half as idiotic as Pacino portraits it, the world would be an eternal rainbow-sunshine scene. The plot of this movie is so thin I already forgot it. All other characters (with the exception of the two women) are just ridiculous sidekicks in the unfinishable story of the battle of Good against evil. I can't remember one single actor in this movie other than Reeves, Pacino, Theron and Nielsen. The final confrontation scene and the whole situation it involves is so grotesquely scripted that the movie looses even the aura of "fable", something that could save parts of the story. I give "Devil's advocate" two stars because of Charlize Theron and Connie Nielsen. The south african is extremely beautiful, and a competent actress that draws attention whenever she's on screen. The dane , though barely opening her mouth, has an unforgettable facial expression, and is also very beautiful. Watch this only if it runs on TV on Wednesday night and you have absolutely nothing else to do.
Pacino plays this character beautifully - he is sly, charismatic, chilling, and seductive all at once. One of my favorite scenes was the elevator scene where Milton bates Kevin's mother by calling her "Mrs. Lomax" and asking her slyly that "surely this wasn't her first trip to New York". Absolutely wicked! Then, as Milton casually wisks Kevin off to a night on the town at the Flamingo club and the boxing match (naturally Don King would have an alliance with Satan), I was mezmerized watching Milton weave his spell and reel Kevin smoothly into his web. Pacino's climaxtic argument is brilliant as he exclaims that he's a fan of man and why. As I watched Kevin's descent from Maryann,(Charlize Theron and Keanu had wonderful chemistry as a married couple),I was reminded of how we all make certain decisions then try to justify our actions later, usually with the precursor that, "It wasn't MY fault, it was the work of Satan... then, like Kevin, we make the same decisions over and over. I thought Keanu Reeves was perfect as the cool, arrogant, hotshot attorney who knows that he is so...good. I am completely baffled by all the haters panning Keanu's acting, he did a great job. I thought the casting of all the actors were on point in this movie, everyone connected with each other and with their characters. My only complaint is that the deleted scenes cannot not be viewed without the director's commentary. The sub-titles can't even be displayed. While this DVD has one of the best director's commentary's, it would be nice to have the option of watching the deleted scenes on their own since these scenes contribute to the continuity of the story and clear up questions a viewer may have. Overall, this movie is just outstanding!
Charlize Theron delivers a performance the caliber of which I didn't think she was capable. She portrays the stages of madness through which her character stumbles through very accurately, cryptically, and passionately. Her character (Keanu Reeves' wife) is slowly isolated and cut off from her husband through the doing Pacino, who uses the seven deadly sins to manipulate Keanu and keep him as far away from his wife as possible while at the same time manipulating her with a various assortment of devilish tricks. The dialogue in this movie is incredible. The conversations in this movie alone are worth watching. Pacino generally has the most thought-provoking lines in the film, though Keanu's mother and Theron have their moments. I can't think of a single flaw in the character chemistry and interactions within this movie. It's perfect. Half the movie you feel your stomach writhing and twisting as you find yourself thinking and re-evaluating issues and aspects of your life you'd either forgotten about or taken for granted. These aren't the only time in which you'll feel your stomach doing helixes in your bowels, however. For the other half of the movie, your insides will squirm with discomfort. This movie is one of the most R rated movies I've ever seen. Chalked full with graphic images including nudity, horror, blood/guts, violence and dialogue that includes some seriously disturbing topics, this movie becomes increasingly difficult to sit through as you go on. The director makes it very clear he's not sparing the viewer for anything. The camera rarely ever cuts or zooms in during the appropriate moments. Instead, he captures everything in startling detail. For instance, a suicide scene in which a character slits their throat is very, very graphic and terrifyingly realistic. Another scene of sequence of violence goes back and forth between Pacino talking about humans greed and a character in the movie being beaten to death by two demons (supposedly sent by Al Pacino). Other examples of disturbing images would be a series of scenes that feature Charlize Theron, one in which you see her completely nude with large gashes and slashes across her body, and another scene which could easily be classified as horror and is too difficult to really describe. It suffices to say that it involves Charlize Theron and a baby child within a conjured halucination of Pacino's; yet another way of driving Theron's character mad. When these two elements combine, it makes for a compelling and thought provoking film pot-holed with graphic imagery and disturbing themes. Even the climax of the movie includes an impressive amount of nudity, sexual content and violence. Despite all of this though, "The Devil's Advocate" is a very worth-while and ultimately poweful film, if not completely comfortable to watch all the way through. I don't recommend this movie for family viewing or young children. It's a movie that you need to mentally prepare for, and perhaps have an "antidote" movie lined up, perhaps a good-hearted comedy. There is one more good thing I can say for this movie; it has a satisfying ending. It's a film where the ending could make or break the entire feel of the movie. If you're going to sit through a movie that feels twice as long as it is with the constant assaults on your senses and comfort with controversy, adult themes and disturbing images, you're holding out for a good ending. Well, without a doubt, "The Devil's Advocate" delivers. In short, this movie is worth seeing simply for it's thought-provoking dialogue and plot-line.
I do not intend to reveal anything else, since all of the interesting surprises will be presented in the intense and inspiring climax. This is probably Reeves' best performance. He manages to create a believable character - a kind of example, a role model for the American way of life. Kevin's wife, Mary Ann, is most likely the hardest character to play, since she goes through a complex and difficult emotional evolution. From being strong, devoted and ambitious (a female copy of her husband) to vulnerable, hurt and on the verge of madness. Charlize Theron gracefully floats into this character. The most interesting of performances and characters is John Milton - the essence of Kevin Lomax's temptation. Al Pacino is nothing less than astonishing, an award worthy performance that is as good as anything seen this year. An inspiring thriller, visually stunning as well as thought provoking, 'The Devil's Advocate' should be viewed with an open mind. ... Read more | |
| 10. The Astronaut's Wife Director: Rand Ravich | |
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Reviews (109)
The film is about an astronaut's wife (Theron) who finds out that her husband (Depp) has come back from space and has been posessed by some alien force. He now has plans on Earth for world domination after he impregnates his wife with his alien children. This is where Morton comes in as he desperately tries to tell the astronaut's wife what is happening. The story moves along at a brisk, yet somewhat predictable pace, and it's really only the ending that proves to have any jolt of suspense and breathless unpredictability. Overall, if you enjoy this type of genre, "The Astronaut's Wife" is well worth your time and money to see.
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| 11. Bride of Chucky Director: Ronny Yu | |
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Oh, to further compliment the movie, Spook master Rob Zombie is the main attraction on the soundtrack. With Rob Zombie you can't lose!
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| 12. Wolfen Director: Michael Wadleigh | |
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This is an ambitious bill to fill, and "Wolfen" doesn't quite manage to pull it off. You can appreciate Wadleigh's goals, but he often trips over trying to do too much. The political grandstanding makes for a thoughtful horror movie, but it also slows the film down and overbalances it. Sometimes, you just want action and scares, and "Wolfen" frequently drags. It would have rocked at ninety-minutes, but at nearly two hours, it goes on for too long. The open moves rapidly, and the ending delivers the right amount of apocalyptic violence you expect, but in the center the spaces between the wolf attacks start feeling longer and longer. Some of various elements never fit together, and a few plot points just left on the ground. The mystery surrounding the creatures is, however, appropriate -- sometimes it's better for a horror film to avoid spelling out everything for you. Where "Wolfen" works best is in Wadleigh's superb visual style and the realistic performances. The use of a polarization effect and a steadicam to represent the wolves' POV is quite stunning and eerie. Wadleigh also expertly films New York City and its run-down slums. The film absolutely breathes with a battered, decayed atmosphere. Wadleigh really goes all out with unusual visua; approaches, and it gives the film a polished and inventive feel. Albert Finney and Diane Venora are both good in their roles; Finney especially projects a wonderful world-weariness that matches the setting around him. The film thankfully doesn't load him down with excess psychological baggage. We don't need to have his troubles explained to us; we can SEE them in the world in which he lives. Edward James Olmos is also memorable as a Native American who draws Finney's suspicions early in the movie. Gregory Hines, however, is too exaggerated in his semi-comic role (the only comedy in the film) of the coroner working with Finney. The movie also has an excellent early score from James Horner (composer of "Titanic" and "Aliens"). The DVD has an extremely good transfer, which is surprising considering the film's age. The print looks almost pristine and is gorgeously formatted in widescreen. Warner Bros. usually doesn't put this much effort into back catalog movies like this. The Dolby Surround Stereo is adequate (I occasionally noticed some synch problems) and a bit low in volume. The extras are skimpy: the trailer, a page listing the cast and crew, and a few screens of text on the history of werewolf movies. (An earlier edition advertised audio commentary on the back of the snap case, but this was a misprint.) "Wolfen" is worth a look for horror fans, or people who want some social commentary and intelligence with their thrills. If you can make it through the slower sections, you'll find it a rewarding viewing experience.
Dave W
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| 13. Storm of the Century Director: Craig R. Baxley | |
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Reviews (132)
Now, for the rest... A weird guy shows up in an island in Maine (King's favorite State), and kills an old lady for no real reason. But he doesn't go away - he waits to get arrested. In this case, however, the real prisoners are the residents, some of whom are murdered in vicious ways by the stranger, with the help of his ominous-looking cane. Colm Feore is terrific in the role of the evil man, while Tim Daly does a decent job as the town grocer and Constable. The really cool thing about this film is that you never notice the length (close to 4 hours!), as scene after scene captures your imagination and tortures your soul. Small town mentalities and moralities are exposed for what they are - cheap, narrow, selfish, and deadly. Each character has (or has had) a past (or present) that they'd never like the world to ever know. But the stranger (the Legion) knows EVERYTHING about everyone. As secrets come out, and as hidden conflicts are brought out into the open, one can see the characters change faces. When the main objective of the stranger is revealed by him during a town meeting during the course of the storm, it's time for soul-searching and morals-testing. None emerges unscathed, except Tim Daly and his wife, though in completely opposite ways. The ending is definitely not satisfactory, and seems forced to deliver some sort of closure to the viewer. In summary- Positive things: 1. Good, strong character development. 2. Powerful storyline. 3. Intelligent, relevant screenplay. 4. Good photography. 5. Excellent acting by most. 6. Wonderful music score. Negative things: 1. Length (some people will definitely groan!) 2. Unsatisfactory ending. 3. Colm Feore is not used very well. 4. Slow beginning, with a few scenes of really bad dialogue delivery and acting.
This movie had to be good, because Stephen King himself wrote the screenplay - which was an original screenplay and no adaptation from one of his story. King wrote this sinister little tale especially for ABC television and I have to admit, that beside the fact that it is a good story for a cold night, snow piling up outside, it is a very good mvie as well. I loved the actors, the filming and just every minute of the 4-hour mini-series. I even watched the whole thing just listening to Stephen King's commentary (although I skipped the parts director Craig Baxley commented) - the commentary was as good as the movie itself, because it was not some poor strawhat talking about something, but Stephen King doing what he can do best: not commenting, but telling. Stephen King gives very delightful inside-information on the making of the movie and talks about works related to this movie, how he came across the idea for the story (it was partly influenced by a play by Friedrich Dürenmatt King had a part in when being in High School), how he tried to work it out, stuff like that. So this is a very interesting bonus for every Stephen King fan: you get a very good movie and a very fine commentary by Stephen King, with all the information and all the amusing details 'n' extras. Story's Rough Cut: Small town off the coast of Maine, Little Tall Island, the setting of "Dolores Claiborne" - "life on the island is different from the life on the mainland." Stranger makes the small township aware of his evil presence by murdering an old woman, Martha Clarendon, and therefore arrested - "because I choose," as the stranger, André Linoge, claims. Linoge knows all the dirty little secrets of the clean-shirted islanders and he wants what he inevites, unless he will not go away. What exactly Linoge wants, you have to find out for yourselves, sorry. It is worth finding out, believe me, just this one time! ;-) Let me finish with a praise for the movie by some newspaper I do not remember, "it is a high-voltage, spine-tingling shocker, which has been called one of the best King films ever!" It sure is.
Was that annoying? Now you know how I felt going through this film. He wants a kid. That's what he wants. He wants a kid. There, I just saved you three hours of agonizing torture.
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| 14. The Mummy Director: Stephen Sommers | |
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Reviews (7)
There is kinda of a touching romance between the lovely young British girl and Brendan Fraser's character. However, the more enjoyable charasters were young lady | |