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| 1. Pride and Prejudice | |
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Amazon.com essential video The essence of the story is the antagonism between Mr. Darcy, a wealthy single man who believes Elizabeth to be beneath him, and Elizabeth, who upon being insulted at a dance by the aloof Darcy refuses to associate with him in any manner. Austen evokes incredible tension with the wit and flirtation of the two characters, and director Simon Langton (who also directed Upstairs Downstairs) successfully translates the repartee and conflict in this six-hour miniseries. Dialogue, for the most part, is painstakingly replicated, except when fleshing out and smoothing for modern sensibilities was necessary. Darcy, for instance, is drawn out, giving his personality significantly more depth. The acting sweeps you away to Regency England: Jennifer Ehle (of Wilde) is convincing as the obstinate Elizabeth, who, despite her mother's attempts to marry her off, spurs the attentions of Darcy. And Colin Firth (of The English Patient) will have women everywhere longing for a Mr. Darcy of their own. For those who have been on an Austen binge--enjoying such excellent recent adaptations as Sense and Sensibility and Persuasion--this miniseries will round out the ultimate Austen video library. For those new to these romantic period pieces, this version of Pride and Prejudice will have you hooked and longing for more. One caveat, however: plan to watch it in an entire day, because very few have the self-control to not watch all six hours in a single sitting. --Jenny Brown Reviews (233)
I could repeat the same praise other readers have shared, because the characters are perfectly right, the settings and costumes are lush and the script is just a delight. I especially liked the embarrassing, fickle Mrs. Bennett and the bowing, stupid Mr. Collins. Every sister was instantly recognizable as someone you knew! Lydia was well done as a giggling, boy-crazy apple-of-her-mother's-eye. And Mr. Bennet had the best wry sense of humour. He was teasing his high-strung wife constantly, but it went over her head every time. But the best part of this adaption, I believe, was the tender way the director allowed the story to unfold, slowly. There were whole dances, not just 10 seconds. The sexual tension of the Lizzy-Darcy relationship was brought out carefully. At first I didn't like Darcy at all. It was only through a series of conversations, lingering looks, even flashbacks, that the main characters' hearts were revealed. I think the casting director picked these two gems (Colin Firth and Jennifer Ehle) not just for their acting but also because of their ("fine") eyes...demure and curious in Elizabeth, brooding and expressive in Darcy. In the end I'd fallen in love with both of them myself! A second viewing showed details you won't get with a 2 hour movie. For example, Darcy makes a passing remark about well-read women (as a small compliment to Lizzy, who's of course a bookworm). In a few minutes, the snobbish Caroline Lucas is seen parading around in front of the group, trying in vain to get interested in a book in her hands. Finally she throws it aside and goes back to her favorite past-time, cutting people down. Excellently done! The 6 hours will just fly by! Have an Austen-a-thon this week-end and put this in line as the finale.
David Rehak
I do not believe that I have EVER seen a better suited cast than in "Pride and Prejudice." Typically, in every movie - you always find that several roles have not coincided with your image of who you imagine the character as being portrayed. Not so with "Pride and Prejudice." Especially brilliant is Colin Firth (will he EVER have a better role?) and Jennifer Ehle. These two title roles were SUPERBLY cast. Jennifer Ehle was magnificent in this movie. What makes ALL of the acting so amazing is that the language was so different and yet it was so believable. The costumes were lovely; the dancing was historically accurate AND interesting; the countryside and houses were magnificent. EVERYONE involved in this movie should feel rewarded. I believe that even 50 years from now, it will still be viewed as one of the greatest classics.
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| 2. The Thorn Birds - The Complete Miniseries | |
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Amazon.com essential video Reviews (84)
All the other characters were played well by the actors except for Justine's character. In the book, Justine was a strong, self-willed, determind young woman struggling with knowing she wasn't as treasured as her brother Dane. However, in the miniseries, she came across more as a cynical, whining brat. On the whole, because I've read the book so many times, I watch the movie every once in a while as a guilty pleasure. But I'll always go back to the book to get the whole story that somehow the movie seems to miss. By the way, Meggie's maiden name is not Carson, it is Cleary. Mary Carson was her aunt, Paddy's sister, not her grandmother.
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| 3. Band of Brothers | |
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Description Reviews (703)
Incredibly real and gut wrenching, the miniseries begins at 101st Airborne Division training camp at Camp Toccoa, USA. Whereupon we learn about the tough reality of being in the Airborne Division and the severity of living under a military chain of command. Under the command of Lt. Sobel, Easy Company is trained and drilled every single day until they become on of the best companies in the Division, a fact that will prove to be woeful in battle. At long last (2 years in training) the Allies have concocted a plan to start the invasion/liberation of Nazi occupied France and Europe. D-day is gruesome but Easy Company is more terrible events are yet to come. As we follow along the story, we slowly get into knowing people like Lipton, Luz, Perconte, Winters, Buck, Bull, Skip Muck, Popeye, Guarnere and many memorable characters who we see triumph, survive and perish in the cruelty of war. A miniseries all WWII fans and followers are sure to enjoy, hands down a top 5 stars and Thumbs Up. You will enjoy it.
Co-produced by Tom Hanks and Steven Spielberg, HBO's epic 10-part miniseries (based on a terrific bestselling book by the late Stephen E. Ambrose) was the most expensive TV undertaking of its day, costing a massive $120 million to produce. And, as the old saying goes, every penny is up there on the screen. Borne from the success of Spielberg's SAVING PRIVATE RYAN (1998) - with which it shares a similar dramatic and visual style - BAND OF BROTHERS' recreation of a glorious (and hard-won) chapter in American history assumed an even greater patriotic significance during its initial US broadcast, when it coincided with the horrific attacks that destroyed the World Trade Center in September 2001. Written with economy and grace, and directed with emotional intensity by a series of directors (including Phil Alden Robinson, Richard Loncraine and Hanks himself) whose combined efforts achieve a genuine aesthetic uniformity, the movie is a masterpiece of storytelling and historical documentation. Punctuated by horrific battle sequences, in which the camera is placed within mere inches of the death and destruction, the film manages to transcend its educational remit by its relentless focus on the human cost of war. Almost every episode opens with testimony from surviving members of Easy Company (none of whom are identified until the end of the series), which further strengthens the emphasis which BAND OF BROTHERS - book and film - places on the bonds which drew them together in times of conflict. And, because it's a true story, there's no telling from one episode to the next which of the 'characters' will live or die, which makes it all the more potent and visceral. The entire production represents quality writ large: Beautifully filmed on various European locations (including the UK and Austria), the movie is noble without being the least bit pompous or austere, and it manages to humanize a large cast of essential characters with small touches of humanity and humor, all of which serves to heighten the sense of terror as they descend into the maelstrom of conflict. The first - and longest - episode is deceptively staid, featuring David Schwimmer (a long way from TV's 'Friends') as the bullying, cowardly commanding officer Herbert Sobel, whose tyrannical methods nevertheless shaped Easy Company into a fighting force which eventually cut a swathe through the heart of occupied Europe. Brit actor Damian Lewis takes the spotlight thereafter as Easy Company's most respected platoon leader, Richard Winters, with Ron Livingston as his right hand man, Lewis Nixon. Other standout performances in a flawless cast include Matthew Settle as battle-hardened platoon leader Ronald Speirs whose wartime career was distinguished by numerous acts of bravery (fuelled by a unique - if morbid - personal philosophy), Shane Taylor as company medic Eugene Roe, Neal McDonough as 2nd lieutenant 'Buck' Compton (laid low by his horrific combat experiences), and Donnie Wahlberg as 1st sergeant C. Carwood Lipton, who maintained the morale of his fellow soldiers, even when the odds seemed stacked against them. Every episode has its merits, but stand-outs include David Leland's 'Bastogne' (ep. 6), which recounts the horrendous circumstances surrounding Easy Company's involvement in the Battle of the Bulge, and David Frankel's 'Why We Fight' (ep. 9), in which the full horror of the Nazi regime is uncovered in a German forest. Additionally, the closing moments of chapter 10 ('Points', directed by Mikael Salomon) are truly heartbreaking. Like the movie itself, HBO's region 1 DVD is magnificent. Housed in a beautifully embossed metal case, all ten episodes are spread across five discs (running a total of 624m 23s). The image is letterboxed at 1.78:1, anamorphically enhanced, and picture quality is stunning throughout, with faded colors (a deliberate artistic choice) and strong contrasts. The Dolby 5.1 soundtrack is spectacular and horrific, designed specifically to immerse the viewer in some of the most terrifying battle scenes ever captured on film. Closed captions are included, though there are no open subtitles. Crucially, each disc contains biographical information on the soldiers represented in every episode, which allows the viewer to keep track of an extensive array of characters, and there's a useful glossary, map and timeline of Easy Company's advance across Europe. Perhaps the number of chapters per episode could have been doubled (as it stands, there are six for each instalment), but that's a minor glitch in an otherwise exemplary presentation. The sixth disc in HBO's package contains a fascinating, feature length documentary on the real members of Easy Company (essential viewing), and a series of video diaries by actor Ron Livingston of the boot camp to which many of the cast were subjected in preparation for filming, during which the actors seem to have cultivated the same bonds of friendship experienced by real soldiers in combat situations. It's doubtful that a more fitting tribute to the men of Easy Company could have been devised than BAND OF BROTHERS, a truly remarkable experience, given the Rolls Royce treatment on DVD. By turns engrossing, provocative and deeply, profoundly moving, it stands as a testament to those who fought and died for our freedoms, almost a lifetime ago.
With the exception of its length (over ten hours) this is right up their with a big bedget movie. It has great actors, awesome cinemetogrophy, and great war special effect. Don't let the fact that this tv miniseries is a wimpy piece of junk. It's not! Because it was on HBO, the makers made sure to keep it realistic with the violence (lots of blood, injures, lossed limbs, etc...), theirs bad language and even a little nudity. So don't let a little kid watch this. The late Michael Kamen provides the excellent score and really provides a ambient backdrop to the sorrow and loss and horrible side of war. If you are at all interesting in Worl War II or like war movies in general. You must do yourself a favour and check this masterpiece out. You will not be dissapointed. ... Read more | |
| 4. Roots | |
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Amazon.com essential video Reviews (57)
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| 5. Queen | |
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Description Reviews (10)
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| 6. Rocky (Five-Tape Boxed Set) | |
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Reviews (87)
Rocky Balboa certainly qualifies as one of the most unique and determined heroes in cinema. His story is truly an inspiraton to us all. In the first movie, of course, he starts out with basically nothing, gets a chance to fight Apollo Creed (Carl Weathers), and loses. In the second movie, he wins the heavyweight title from Creed in a rematch. By the third movie, Rocky is basking in the glow of his success; he and Adrienne now have a son. But Clubber Lang (Mr. T) has been making his way to the top as well, and he challenges Rocky to a match. Rocky trains hard and tries his best, but his concerns about his manager Mickey's (Burgess Meredith) health make it difficult to concentrate, giving Lang the advantage...and Rocky's title. With encouragement from Adrienne and his former rival Apollo Creed, who takes over as manager after Mickey's death, Rocky rediscovers his Eye of the Tiger in the rematch and puts Lang in his place. In the fourth movie, Apollo is killed in battle by Russian champion Ivan Drago (Dolph Lundgren). In one of the most intense boxing matches of the entire series, Rocky finds the "chink" in the Russian's seemingly impenetrable armor. It's worth getting the fourth movie just for that match. But, by the time of the fifth and final movie, things are quite a bit different. (As I'm writing this, I've just finished watching the fifth one for the very first time.) Not only do Rocky and his family find out that they're broke, but Rocky seems to be suffering from brain damage as a result of his fight with Drago. He becomes a manager for a new young fighter, Tommy Gunn (upsetting his son quite a bit), who allows his ego to cloud his judgement, thus luring himself into the sleazy side of the boxing business. When Tommy gets a shot at the heavyweight title, the audience is already in a bad mood because Rocky isn't there on stage with him. But when Tommy takes the title in just over three rounds, the audience is REALLY in a bad mood; at least Rocky had class. Rocky and Tommy end up resolving their differences in a street fight, and for several agonizing minutes it looks like it could be the end...but Rocky has the spirit of Mickey with him, and for the fourth time, the Italian Stallion wins, proving that he's still a champion and always will be, even after fifteen years. Whenever I watch these movies I can still feel the excitement of seeing them for the first time. When the odds are stacked against him, even in the face of several brushes with death (Tommy Gunn makes Ivan Drago and Clubber Lang look like pussycats somtimes), he still manages to triumph. I love you, Rock...you the man!
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| 7. Holocaust (SP mode) | |
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It is now 2004. I am watching a rebroadcast of the Holocaust. After all these years, it still ellicits strong emotions from me - tears, anger and fear. Yes, fear. Fear because something like this may happen again. Fear because antisemitism is growing throughout the world. Fear because people are trying to deny the truth of the holocaust. This miniseries gives me hope though. Hope that people will never forget and never want to be a party to such inhumanity, cruelty and horror. The strong performances, historical accuracy, and excellent writing make this miniseries not only a great piece of filmmaking but also a piece of evidence that hopefully will keep any human being from treating another like a piece of garbage.
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| 8. North and South: Book 2 | |
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My next question is When are they going to make a movie from the 3rd book. Heaven and Hell?
I think it is a wonderful story to be enjoyed by all, keep in mind there are some passionate scenes, of course by today's standards that may be a stretch. ... Read more | |
| 9. Jesus of Nazareth | |
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Amazon.com essential video Reviews (234)
Although not completely faithful to the New Testament, director Franco Zefferelli embellishes in such a way as to make the story more dramatically compelling and interesting. The performers particularly Robert Powell in the central role all give strong, interesting performances. Powell's characterization is less bland than many of the other versions we've seen and, as such, makes the Christ come alive much more so for the modern viewer. "Jesus of Nazareth" makes a fine companion piece to Mel Gibson's controversial "The Passion of the Christ" focusing on different elements. The big difference between the two films, though, is the level of explicit onscreen violence. Zefferelli's film still shows what happens but with a more subdued touch (due to the constraints of network television censors as it was originally produced for NBC). Both films in their own ways tell what could be termed essential variations on the same great story. Their contrasting styles make each suitable to very different audiences.
"Jesus of Nazareth" sports a cast of Academy Award-winners (Lawrence Olivier, Anne Bancroft, Ernest Borgnine, and Peter Ustinov, to name a few) and nominees (James Earl Jones, James Mason, Christopher Plummer) as well as a support from an international group of performers. Olivia Hussey brings just the amount of warmth and humanity in the role of Mary; Rod Steiger deftly portrays Pontius Pilate as a man torn between duty to his country and awe of this man called Jesus; Michael York is stunning as John the Baptist. Robert Powell brings to the movie the definitive portrait of Jesus. His passionate performance is the stuff of legend. Prior to this motion picture, there had been few instances wherein Christ had been seen; it is as if the screen was awaiting the right man for the part. Powell proves that to be true; he is perfect! If I have motivated even one soul to purchase this masterwork, then I have accomplished the goal of this review. Money could not be better spent.
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| 10. Nostromo | |
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The BBC attempted not much less converting this perhaps best ever work of literature into film. I congratulate them first for their enormous courage, their incredible endurance, and for their excellent production. After having tried to read this wonderful literary work most of my life, how wonderful it was to relax and through the medium of film have it revealed. I could criticize this work, but it would be like critizing the dragon for having too many scales, or the elephant for its ugly
The usual BBC miniseries apparata are at play here: solid cinematography, script, editing, directing, etc. The problem lies directly in the lap of the casting director (and the Producers, who have the final say in such matters). Two more incompetent actors could not have been conjured up for the crucial roles of Martin Decoud and Antonia Avellanos. I've spent a good part of my life involved in theater, and put simply, Lothaire Bluteau and Ruth Gabriel shouldn't be allowed a job in the most nondescript summer stock company in Amazonian Brazil. They are so inept and so miscast that they bring down the foundations of all scenerey, lighting, etc in their radii. They lack all acting skills. Sans elocution. Sans characterization. Sans any emotion faintly resembling human. Too bad, because they really do blot out what could have been an absorbing miniseries. Even though Albert Finney is basically reprieving his Geoffrey Firman part in UNDER THE VOLCANO, he is still fun to watch. Claudio Amendola (notice you've never heard of these people?) is a passable Nostromo, though the part demanded a more dimensional, star quality actor. Joachim de Almeida chews the scenery as the nefarious Colonel Sotillo. Colin Firth does a commendable job as Charles Gould, though Serena Scott Thomas as Mrs Gould is another wrong person in a wrong role. A young Julie Christie is what is called for. Serena doesn't have the chops. It looks indeed like the budget for this series was spent on location work and cinematography. If they'd done the thing on a soundstage in Warwick and spent a bit more on hiring a quality cast, it might have ended up as a worthy representation of Conrad's masterpiece. As it stands, I would imagine that David Lean is rolling over in his grave, every time this less than spectacular attempt is viewed. BEK
Gould (Colin Firth) arrives with his naive new bride, Emilia (Serena Scott Thomas), and for a while, the political climate is one of optimism. The small country is run by a benevolent, democratic governor, and soon Gould's mine is back in full operation with railroads shipping the silver from the mine to the port of Sulaco. However, the political largesse does not last, and before long, numerous factions all want a share of the silver. Everyone demands their tribute--the local bandits, a local priest, various corrupt officials--they all want a share of the silver. After a bloody coup, various factions vie for possession of the mine, and military officers and civilians alike change sides whenever the political winds seem to favour one side over another. There is a benefit to watching the film "Nostromo" before reading the book--I came to the film with no visual expectations of the characters whatsoever. There are many 'big' names in the cast list. Colin Firth was simply marvelous as the mine owner, Charles Gould, and Brian Dennehy plays a small role as the American Joshua C.Holroyd (the man who finances the entire venture). Claudia Cardinale plays Teresa Voila--the Italian wife of an Innkeeper. Albert Finney plays Dr Monygham-a crippled drunk who managed to survive the last revolution only to face another. I preferred the scenes with Albert Finney sober--or almost so--it's just boring to watch Finney playing yet another role of a drunk. I found the on-screen romance between Martin Decoud and Antonia Avellanos completely unbelievable. There was no spark between them, and yet we were supposed to believe that Martin returned from France to almost certain death for his love of Antonia. All I saw was a few hysterics, and it all fell flat. This was unfortunate and it did alter my perception of the film overall. Some of the revolution scenes were a bit cheesy too. One of the most interesting aspects of the film, however, was the development of some of the characters over time. Charles Gould wavers when making decisions in the beginning of the story, and he seems just a little unsure of himself, but by the end of the film, Gould has hardened into the ultimate capitalist. Emilia Gould is a giddy bride who metamorphoses into a neglected, unhappy wife. Moynham's character is fascinating. He has no illusions--no faith left, but he still rustles up chivalrous feelings towards Emilia Gould, and she uses these to her advantage. Nostromo is the 'dark horse' in the story. It is not clear at first what motivates him. He seems to be owned by no one--a true free spirit, and not subject to the corrupting desire for silver. Nostromo, in fact, refuses to leave the service of Capt. Mitchell for higher pay from the American Holroyd, and Nostromo boldly states, "you can't buy me." Exactly what characteristics make Nostromo tick--ego, vanity, and pride--develop over time. And it is the story here that makes the film worth watching. All throughout the film--right until the powerful closing scene, I heard the words 'money is the root of all evil' in my head. This production does not have quite the usual standard that I have come to expect from the BBC. While the lush location added to the atmosphere of the story, somehow the film had the feel of a prime time television series. Nonetheless, I was still extremely interested in how the story and the characters developed. Now I shall have to read the book. displacedhuman.
As the film opens, a local demagogue mounts a popular insurgence against the hated foreigners, during which spasm the mine owner is slaughtered. The storyline quickly moves forward a couple of decades when the owner's son, Charles Gould (Colin Firth), arrives with his wife Emilia (Serena Scott Thomas) to reopen the abandoned mine, make a fortune for the investors, and bring relative prosperity to the local labor pool. Charles is a benevolent exploiter. Gould must accomplish all this in the face of self-serving politicians, greedy army officers turned self-serving politicians, opportunistic banditos, another rebellion, and the disloyalty of a trusted native worker, Nostromo (Claudio Amendola), elevated by Gould to a high level of responsibility. Business as usual in a Third World armpit. The beauty of the shoot's locations doesn't mitigate the fact that the film is five hours of tedium made possible by a succession of on-screen characters that inspired nothing but yawns. Somber taciturnity, which was integral to Colin Furth's role as Darcy in PRIDE AND PREJUDICE (1995), renders Charles just a monumental bore. At least Emilia shows some spirit, but she ultimately has no effect on the outcome of anything. Nostromo, who's apparently so important to the story that the book and film are given his name, is such an uncharismatic, minor player in the first two reels that by the time he becomes the Great Tragic Figure in the last I didn't care in the slightest. Dr. Monyghan (Albert Finney), the Has-Been physician that lives in a personally more glorious past, and the venomous snake Colonel Sotillo (Joaquim de Almeida), are marginally interesting for the their first few minutes of respective screen time, then become tiresome because they offer no surprises. The good friend that loaned me NOSTROMO is aware of my opinion, and called it a "rant". Now that I've put it in writing and made it public, perhaps I'll become a Horrid Person. The bottom line is that any nascent kernel of interest I may have had to read the original Conrad novel was smothered by the torpid pace of this TV miniseries evidently padded with ho-hums to fill a predetermined time slot. So, that rant went well, don't you think?
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| 11. The Black Candle Director: Roy Battersby | |
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Bridget Mordaunt is a wealthy young woman with a mind of her own and a heart of gold. Intelligent, practical, and fair, she is a no nonsense business woman who has a soft spot for Joe Skinner, a working class, honorable, young man who has broken away from his lazy, trashy family. He works in the factory that Bridget inherited from her deceased father who taught her the business. Unfortunately, Joe Skinner is in love with another young woman, Lilly, a factory worker who has been wronged by Lionel Filmore, the profligate scion of an impoverished member of the gentry. Joe marries Lilly, vowing always to protect her good name and knowing that the child she carries is not his. Bridget's cousin, Victoria, who lives with her and whom she supports, is in love with Lionel, who mistakenly believes Victoria to be the factory heiress. On the day that Victoria expects their engagement to be announced, Lionel discovers that Bridget, and not Victoria, is the heiress. As this threatens to destroy the future that Victoria is seeing with rose colored glasses, Bridget steps in and makes a business deal with Lionel, not knowing just how despicable a blackguard Lionel really is, thinking that by doing do she is ensuring Victoria's happiness. When the disparate worlds of the Skinners and Filmores collide one day, it leaves Joe accused of a murder he did not commit. What happens, as a result, will change the lives of all involved, as that murder acts as a catalyst for a series of events and revelations that will leave none concerned unscathed. No matter what happens, however, Bridget is at the core of this film. This is a film worth seeing if one is interested in period pieces, the novels of Catherine Cookson, or a simply entertaining film with a first rate cast.
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| 12. North and South | |
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Reviews (69)
The series begins with Orry Main (Patrick Swayze) of Mount Royal, South Carolina setting off to go to the Military Academy at West Point. On his way he rescues the very beautiful Madeline Fabray(Leslie-Anne Down) from a buggy accident and a snake. After taking Ms. Fabray to her destination, he is back on his journey to West Point. Another character that Orry meets on his trip is George Hazard(James Read) and they soon become life long friends. North and South follows both Orry and George during their time at the Point, the Mexican War and after. There is an all-star cast too many to mention. This first installment of the North and South Trilogy follows the lives of both Orry and George and their respective families through the period leading up to the Civil War. North and South written by John Jakes is the best historical fiction book I have read and this Miniseries has stayed true to form. Because of the historical correctness I would say that this movie has enough appeal for those men that can't get enough of Civil War history or even general war history. The main characters in this are fictional, however there are references to historical figures like Lincoln, Grant and Lee to name a few. However there is certainly plenty of appeal to women, namely Swayze and there is an excellent love story as well. That being said I definitely recommend seeing this miniseries as well as North and South Book Two: Love and War.
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| 13. War and Peace Director: King Vidor | |
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Hepburn's then real life husband, Mel Ferrer, does a pretty good job as Prince Andrei and Henry Fonda is Pierre, who despite sounding like "Young Mr. Lincoln", gives a convincing performance, and has several fine scenes. Nino Rota's score is a curious one, as the beautiful Italian-flavored melodies we're accustomed to hear from him are replaced by Russian folk tunes and battlefield music. Perhaps too many big names and too many writers (6 of them !) made the heart of the book get lost, but this is Audrey's movie, and she's a delight to watch.
I've seen it several times since, but all I can get here across the pond, is a second hand video at an extortionate price of nearly £ 40. Please can we have it on DVD? SOON!
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| 14. Poldark | |
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