Reviews (35)

A Choreographic Tour de force
This is an impressive cinematic experience which borders on pure ballet. What Evita achieved in some measure in its operatic effort (for all that it was worth)the movie Tango unleashes a continuous virtuosic display of stunning dance sequences which is not unlike that of classical ballet. To be sure, the visual (not special) effects assume precedence over any character development, although the main character's angst is to some degree fairly well defined. There is some philosophical adumbrations, some of which betray influences of Jorge Luis Borges; namely, the omnipresence of mirrors, which suggest the reality/illusion references; the encapsulated, closed environment of the mise-en-scene, the inveterate lonliness of the protagonist. Overall the film tends toward the abstract, not unlike a painting in perpetual motion.

Saura does not take a back seat to Spielberg
Much of this extraordinary movie deals with the Tango; its origins, its importance to the Argentine culture. The dancing is superlative, the music is wonderful. Amidst the music and the dancing, is a taut, dramatic love story. The depth of the story is not necessarily in the character development, but rather in the blurring of the imagination and reality experienced by the main character. This "back and forth" between reality and the imagination is marvelously portrayed as a result of Saura's sophisticated direction. At times you think you are looking at the characters only to find that you are looking at reflections. The cinematography and lighting are superb. A moviegoer does not have to have an affinity for the Tango to appreciate this movie. The terrific acting, beautiful use of light and color and the surreal thought processes of the main character are worthwhile in their own right, but the music, dancing and insight into the production of the "show within the show" are truly wonderful. Definitely an eleven on a scale of ten.

Excellent cinematography, a motion picture art piece
Tango is an amazing movie in its exceptional combination of dance, music, camera technique, color, mirrors, and lighting.

At several points in this movie I thought to myself: "Wow, this lighting/camera perspective is perfect, why don't we see more of this in movies?" After watching the movie once, I found myself immediately going back to re-watch some specific scenes just like one may be drawn back to an especially interesting piece of art.

The plot of this movie *is not* what makes this a great picture, although it does effectively tie together the various scenes and the overall context of the film. What makes this a great film are the actors/actresses, dance numbers, music, and cinematography.

The english subtitles were clear and easy to read at all times.

Overall a very different and entertaining movie... Recommended.

A movie about a Tango movie, but not really...
This movie is definitely different than most American movies. It is by far abstract. This is my warning to you folks. Be glad there is definitely Tango in this movie. This is a movie about the making of a Tango movie where the real life of the director is blended into the movie he's making. There's also a dark political message in there.
There are some dramatic Tango and some fun and playful tango during practice. There's a female voice over working on her craft. And an intro to the musicians. This movie really shows the audience every that goes into Tango, not just the dancers. Everyone. Including the lighting director. It has some social aspects of tango, although it could have gone deeper into this.
This movie is great for people exploring Tango, movie making, or the inner workings of a musical.
This movie won't appeal to people who only like mainstream or are irritated by abstract art or ideas. You might even walk away thinking..."was that a movie?"...not really.

There aren't many Tango movies out there. This is better than Assassination Tango. I would give this a 3star if there are better ones out there. The main actor in this movie is really good. I've never seen him before, but I can see he would fit in
perfectly with any American movie.

Now to answer a previous review:"No talent movie". I don't think this movie have to have the BEST TANGO dancers. Just because someone can Tango doesn't mean they can act. In fact, as the movie shows, they make mistakes in the audition and practice.
Would it be realistic to be perfect from dance school to audition to practice to show?

Tedious with not much tango
Long boring monologue about a director's midlife crisis with a young dancer. We don't see much dancing (or even much of her), just his dreary voice and self, with uninspired artsy pseudo-ballet tango fitfully in the background ... Read more

Amazon.com essential video

Expect to be very hungry (and perhaps amorous) after watching this contemporary classic in the small genre of food movies that includes Babette's Feast and Big Night. Director Alfonso Arau (A Walk in the Clouds), adapting a novel by his former wife, Laura Esquivel, tells the story of a young woman (Lumi Cavazos) who learns to suppress her passions under the eye of a stern mother, but channels them into her cooking. The result is a steady stream of cuisine so delicious as to be an almost erotic experience for those lucky enough to have a bite. The film's quotient of magic realism feels a little stock, but the story line is good and Arau's affinity for the sensuality of food (and of nature) is sublime. You might want to rush off to a good Mexican restaurant afterward, but that's a good thing. --Tom Keogh ... Read more

Reviews (98)

Superb - One of the Great Foreign Language Films of Our Time
A thrilling, intoxicating masterpiece, "Like Water for Chocolate" will leave you hungry, happy and hung over with its surreal vision and unforgettable performances. Some of the film's charm lies in its uncompromising vision of what it must be like to be a poor, Mexican woman, surrounded by angry sisters and petty jealousies. The food is a miracle of texture and authenticity that makes the book a recipe lover's dream. But the spiritual aspects of the movie take it someplacve else altogether....by tying food and unseen forces together, the author and director have fashioned love as a cycle of human emotion coupled with betrayal and passion. Believers and non-believers alike are asked to suspend judgement and just BE with this movie, for it raises issues and themes rarely imagined or acheived on film. A few sequences are startling - such as a wedding party where every guest is gastronimically infected by a soup that is stewed with the tears of our protagonist, and they all end up regurgitating the mixture, and in the end, understanding that true love should not be gambled away for money or superiority. Another sequence, where the middle daughter Gertudis, is literally kidnapped by a horse riding gunslinger while she sits alone in an outhouse doing her business, is hysterical, yet also painful to watch, because it symbolizes the woman's need for free choice in a world where men have so much of the power. Besides, any couple who has eloped or married without their parent's blessings will quickly make the connection to their own experience. If you can keep up with the subtitles, I'd advise against a dubbed version, for in its Spanish - eloquent, funny and dramatic - the film c aptures its truest form of communication. And food as metaphor - used in other terrific fims like "Babette's Feast" - has never been presented in such an awe inspiring manner. This is a feast to be savored every step of its delectible way.

A passion for cooking and romance!!!
This has to be one of my all time favorite foreign films. I loved the book and I think the movie is equally good. The story is set around a young woman named Tita, who according to an unfair family tradition, must care for her overbearing, demanding mother. Because of this, she is unable to marry the young man she has fallen in love with and transfers her passion into the meals she prepares(with very interesting results!). Based on the book by Laura Esquivel and directed by her husband at the time (Alfonso Arau, who also directed the Keanu Reeves movie, "A Walk in the Cloud") this film is a captivating fairy tale that is sure to entertain.

a feast of the 5 senses, come to life
after you watch this movie, you will either want to eat, cook (preferably one of the mentioned recipes), make love or all three! i saw the version dubbed in spanish, and also read 3 selected chapters from the book, for spanish class. it's a work of art and genius, and it must be watched all the way through without stopping. the characters are excellently portrayed, and it combines love, feminism, drama, sensuality, lust, hope, passion, and humour, topped with cultural tradition and folklore. i don't know which one is better, the book or the movie. all of the 5 senses are provoked on a deep and perhaps even primal level, especially taste and smell, feverishly yearning for a sum greater than their overall parts (gestalt) - which brings up the sixth sense, intuition.

Like Water For Chocolate
In the novel, "Like Water for Chocolate," I found it very interesting that two young people, Tita and Pedro fell deeply in love and they could never marry each other. The best part about the book was that they had to hide their feelings from everyone but they knew they loved each other deep inside their hearts. I liked the fact that they loved each other until the day they died and they died making love to each other. I strongly recommend this book to other people.

Like water for chocolate!
This is a very sensual movie about two lovers who could not be together. I loved it and would watch it again and again. ... Read more

Description

In Dream of Light, the celebrated director of The Spirit of the Beehive, Victor Erice, achieves the miraculous: a direct look into how an artist creates. ... Read more

Reviews (3)

slow down poetry see deep soul (or how to lose your marble)
if the artist this film follows wasn't my favorite living artist i am not sure i would be as enamored by it

perhaps not, but then i loved Erice's "spirit of the beehive" as well

and the way this thing floats into poetic revery is completely compelling

my friends fell asleep, but

i've seen it numerous times and it keeps growing

Charming and Haunting Portrait of the Artist
It is very difficult to capture on film what a painting is about. You cannot really show what goes through a painters mind while he paints all you can really show is the physical act itself and so movies about painters at work are largely unsatisfying. What makes this film watchable is a couple of very simple things: the painter Antonio Lopez Garcia's personality, and Victor Erice's camera which finds poetry in every thing it looks at. Antonio Garcia Lopez comes across as a master craftsman, an utter perfectionist who would like to paint a Quince tree in his backyard but its not just the tree itself that fascinates him but rather the way the light hits it at a certain time of early afternoon. He begins painting in October and the weather quickly turns foul and the light that he so desires to capture vanishes with the seasons before he can finish so after weeks of work he abandons the idea of capturing that elusive light. He then begins again this time concentrating not on the light which is too unreliable but the tree which he draws with a pencil in painstaking detail going so far as to have a painter friend hold single leaves in place while he draws them. It is interesting to see Antonio Lopez Garcia work but what really gives the film a charm is the various people who stop by and the casual chat we hear between painter and friend, between painter and admirers, between painter and family. Also as he works on the painting a group of remodelers are doing some work on the interior of the house and Erice follows their progress as well. The films charms are modest really but there is something magical that builds and by films end you cannot take your eyes away from it. One particularly striking scene calls attention to the fact that this film is a work of art about a work of art: at night we see the shadow of a movie camera on its tripod against a wall as it films some Quinces that have fallen to the earth and begun rotting. The painter has attempted to capture the tree at its most beautiful and failed and yet Erice finds his beauty and poetry in the solitary and perhaps futile attempt to capture or preserve anything from the inevitable decay of time. I think the painter and the film maker have very different kinds of sensibilities and yet that is what gives the film its interest. It is not a mere documentary recording of a painter at work but a film maker commenting in his own signature way about artistic and natural processes(and all of his signature touches are here, Spirit of the Beehive fans will recognize this as the same haunting sensibilty that made that great film). So there is charm and there is depth here. One of the most memorable scenes has the painter lying down and holding a favorite object, a crystal, which he turns and marvels at as it catches the light, that most elusive and magical of all things to a painter, in different ways. He is lying down so that his wife, also a painter, can paint him. Antonio Lopez Garcia comments that perhaps after so much time working on this painting she should start again even though the painting looks nearly finished. His own frustrations and feelings of futility perhaps surfacing. After a while he falls asleep and the crystal drops from his hand and rolls over to his wife at her easel. He seems to exist in his own world, so too his wife in hers. They are each equally meticulous and equally immersed in their own work. Each life Erice seems to silently say with his camera is a separate entity and narrative immersed in its own mystery.

masterful portrait of a master artist
To put this simply, this is the best video portrait of an artist either contemporary or past. The film follows the great contempoary Spanish painter Antonio Lopez-Garcia as he paints a Quince tree in his studio backyard. No frills, no acting. This film is absolutely absorbing. The director has wisely done away with background music and other distracting frills - only the distant city sounds of Madrid in the background. The film explores Lopez-Garcia's legendary intricate working methods as well as his conversations with family, friends and admirers. Required viewing for any painter, especially. Very highly recommended. ... Read more

Amazon.com

Watching the Spanish film Lovers of the Arctic Circle is like slowly falling into a yearning and melancholy dream. Two children--Ana and Otto--meet and instantly know that they're soul mates. Their parents--one of whom is divorced, the other a widow--also meet and fall in love. Now that they share the same house, Ana and Otto (by now teenagers) become secret lovers. But troubles intervene: Otto's mother dies, for which Otto blames himself and his father, and he leaves Ana and becomes a airplane pilot. Though their paths cross again and again throughout their lives, they keep missing each other until the power of their love finally draws them together. But the hypnotic power of Lovers of the Arctic Circle lies in how the movie unfolds, deftly shifting back and forth between the different perspectives of Ana and Otto. The gradual interweaving of their lives accumulates into a metaphysical swoon; rarely is the notion of romantic destiny made so heartfelt and so mysterious at the same time. --Bret Fetzer ... Read more

Reviews (19)

i love this movie!
This is a great movie. It reminds me a little bit of Abre Los Ojos, another of Fele Martinez's films, in its darkness and the melancholy feeling that both movies share of unpredictability. I had no idea what was going to happen in this movie until the very end. I really liked it and I want to see Nimri and Martinez in more films.

A M A Z I N G
Am I glad I decided to rent this movie! Like the theme of this movie, it was a good twist of fate that I got it.

I don't know how to put the brilliance of this movie into words. In the vein of "Pulp Fiction", "Run Lola Run", and "Before the Rain", "Lovers of the Arctic Circle" is a complex movie that dares to defy conventions of storytelling--using multi-perspectives, circular storylines, coincidences. This is not for everyone, since some people just like their stories to be flung onto their plates, challenges aside.

The story penetrates into the psyche by not telling it through one person's eyes--but both--the two lovers, Ana and Otto. This method of storytelling heightens our perspectives and increases the depth of emotion and thought. The story tells how Ana and Otto fall in love as children, and how their love only grows stronger throughout the years, despite trials and tribulations. Both perspectives weave in and out, combine once--and split at the very end. One ending is happy, the other is tragic--one is Ana's, the other is Otto's.

This movie will haunt you for days afterward. It will force you to think about love, life, coincidences, fate, destiny, the unique twists and turns that life gives us, and the beauty of it all . . .

Of all the movies I've seen in a lifetime, and that's a lot for the average human being, this is one of the most profoundly unique I've ever seen.

It is an unexpectated stroke of brilliance.

Something gorgeous...
"Lovers of the Arctic Circle" is the romantic equvalent to the action of "Run Lola Run". I had the fortune of catching this amazing film on tv and fell in love from the start. An amzing story that keeps you wondering and rooting for the two main characters. If you enjoy film that makes you think, then rent "Lovers of the Arctic Circle" and then decide...i guarantee you, this movie will keep you trippin for days!

Somebody PLEASE release this on DVD in America!!!!

Might as well be the best film ever made...
...and as for you, 1goodgame from North Bend, OR, you hit the nail on the head. How did everyone else seem to miss this???!!!

Somebody PLEASE release this on DVD in America!

very strange, but worthwhile
Creepy, beautiful, and, as someone else has already said, haunting. I don't desire to own my own copy of this movie, or really even watch it again for a few more years... but I was certainly glad I saw it. ...I'm not sure I would advise watching it alone, tho... it's just a little too "wait... what's going on?" for that. *shrug* Certainly, the disjointed style helps add to the ending, but it also started to feel kinda... unsettling after a while. (Then again, I'm easily confused... *grin*)

Alert: Prudish types should watch out for the erotic scene between the children (tho I thought it was very cool, myself...) ... Read more

Reviews (8)

Women, their problems, and more women with their problems...
...typical Almodovar. If you happen to like him for that, then, you will enjoy this film. I like the fact that Almodovar keeps his style unchanged, from working with virtually same group of actors every time to using the same combination of colors every time. This repeatition creates a sence of continuity and familiarity, which allows us to enjoy every film to its fullest.

While this film is not Almodovar's funniest one, it is definitely one of the most exploring, when it comes to the parent-child relationships.

And again, Almodovar, is at his best, when he talks about women... Just how in the world does he manage that? Well, it does not matter how; what matters is that he DOES.

Almodrama
Like all great Almodovar movies, traditional gender roles are subverted in 'High Heels'. In fact for WASP suburbanite America, much of this plot would seem like an episode of Jerry Springer. Mother abandons daughter for singing career, daughter marries mother's former lover, mother continues to have affair with son-in-law while daughter becomes pregnant through a night of passion with a drag queen. How ironic it is then that Almodovar takes much of his influence for this movie from Douglas Sirk. A director noted for his melodramas about late 50's/early 60's family life amongst WASP suburanites in America. In fact this meshing of a traditional film genre with more modern edgy characters has even been given a name - an Almodrama -.

The title 'High Heels' refers to the time when Rebecca was a child and couldn't sleep until she heard the high heels of her mother click-clacking her way home from work outside her bedroom window. Despite being abandoned by her mother, Rebecca never lets go of her love for her and tries all her life to be as 'good' as her in her life and in her loves.

While this movie was critically panned by many critics both in Spain and abroad, 'High Heels' went on to become the then, second highest-grossing film in Spanish history, ('Women On The Verge Of A Nervous Breakdown' being the first!)

"I'm whatever you call me."
The Spanish comedy film, "High Heels" directed by Pedro Almodovar is the story of a daughter, Rebecca (Victoria Abril) who reunites with her mother, the famous actress/singer Becky del Paramo (Marisa Paredes) after years of estrangement. The mother-daughter relationship is already severely strained due to Becky's single-minded devotion to her career--and a string of unfortunate relationships with men, but Rebecca's marriage to the shady and rather unpleasant Manuel, her former step-father, makes the difficult reunion almost intolerable.

Rebecca is now a successful television newscaster, but all her success and confidence is stripped away in her mother's presence. Rebecca has never quite managed to overcome her childhood abandonment, and she has yet to resolve many issues about her mother. Rebecca's desire to understand her mother has led to her fascination with Lethal--a female impersonator at a local night club. Lethal specializes in impersonating Becky's Pop years, and performs Becky's songs wearing a mini-skirt, platform shoes and fishnet tights. But is Lethal just another drag-queen or is he something more?

"All About My Mother" is Almodovar's best film, but "High Heels" is my favourite. I have yet to see a film that depicts a mother-daughter relationship quite as well as "High Heels." This film covers all the usual nasty mother-daughter conflicts of rivalry, abandon, selfishness, aging, and jealousy, but these issues are resolved in the most beautiful way by the story. Victoria Abril is amazing (as always) in the role of Rebecca--the abandoned daughter who can't quite forget or forgive the childhood memories of her mother packing and leaving for professional engagements, and Rebecca's wounds are reopened when her mother returns to Madrid. Abril plays the role with vunerability veneered with toughness. Marisa Paredes, as the elegant Becky del Paramo, is the woman who failed as a mother but succeeded as a star. The reunion of the two women as they finally salvage their relationship is perhaps the most touching event I have ever witnessed on film. Almodovar's message is acceptance and forgiveness of the human failings we all share before the moment passes us by and the opportunity is lost forever.

The film does include one sexually explict scene. Also the soundtrack to the film is simply marvellous, and it was through the soundtrack I discovered the Spanish popstar Luz Casal. She performs two beautiful songs in the film: "Piensa en Mi" and "Un Ano de Amor."--displacedhuman--Amazon.com Reviewer

BECKY DEL PARAMO E HIJA
Although it's not a materpiece, a bit slow in some parts, every Almodovar film is always a gift for the senses, and Tacones Lejanos "High Heels" is not the exception. Exceptional acting performances by Victoria Abril and Marisa Paredes, amazing cinematography, marvelous songs by Luz Casal ("Un año de Amor" and the heartbreaking "Piensa En Mi"), funny impersonators secenes (Miguel Bose aka Letal), and a must-seen for all the fans of the House Of Chanel with big exposure of clothes, jewelry, bags, glasses (eraly 90s collections). At last, i recommend this film for just having a big time with this funny Almodovar.

An intriguing and riveting film.
I watch many foreign films, and have always had trouble getting into the serious dramas, because I have to rely so heavily on the subtitles, which distracts me from immersing myself into the action. Foreign comedies are easy to get into. And, though this does have some humorous bits, it's one of the few foreign dramas with which I really became engrossed. I found myself guessing at every clue of the mystery and calculating every next step of the action. It may be bad form to give away clues to great mysteries, but here's a tidbit to keep you from being frustrated at trying to guess the mystery; the judge and the transvestite are the same guy. Almodovar is a great director. For a lighter fare, with a sadonic bite, try Almodovar's other masterpieces, TIE ME UP TIE ME DOWN or WOMEN ON THE VERGE OF A NERVOUS BREAKDOWN. ... Read more

Reviews (28)

"But I have no regrets."
In "Live Flesh" police partners David (Javier Bardem) and Sancho (Jose Sancho) respond to a call that shots have been heard in an apartment building. They stumble into an argument between a wealthy young woman, Elena (Francesca Neri), and Victor (Liberto Rabal)--a man she's trying to brush off.

Almodovar--the master storyteller of the bizarre twist of fate--picks up the tale 5 years later. Victor is released from prison, and David--now a paraplegic--is married to Elena. Elena has cleaned up her act and devotes herself--and her money--to an orphanage. Victor is bent on revenge, and David, although physically at a disadvantage, wants to protect his wife.

In the midst of all this unfinished business between Victor, David, and Elena, are David's old partner, Sancho, and his beautiful wife, Clara (Angela Molina). Victor's passionate, erotic affair with Clara complicates matters.

No one can begin to make a future until coming to terms with the past, and all five characters collide as blame and retribution exact a heavy cost. "Live Flesh" marks a departure for Almodovar from his usual comedies, and this film deals with some rather painful issues while subtly criticizing the Franco regime. "Live Flesh" is an extremely solid, unflawed Almodovar film--replete with excellent performances from each of the five main characters. Almodovar always creates the most intriguing female characters, and Clara was particularly complicated and interesting to watch. Victor's character was also extremely well done--when he's released from prison and returns to the abandoned hovel he calls 'home', he is immediately a much more sympathetic character.

Almodovar films launched Antonio Banderas into Hollywood, and Javier Bardem was soon to follow the same career pattern. Penelope Cruz appears in a small role as Victor's prostitute mother. Nudity, adult themes, erotic sessions--in other words ... Almodovar--displacedhuman

A brilliant erotic thriller
Almodovar here shucks his tendency to blend campy sexuality and what he calls "screwball drama" for a strong work that instead fuses intense, real eroticism and the violence of a thriller into a powerful drama of fever-pitch emotionality.

Victor, born on a bus in a more typical Almodovar opening sequence featuring Penelope Cruz as his mother, is a loner and a man on the edge. He stalks Elena, a junkie-prostitute-drug dealer and forces his way inside her apartment. When two cops subsequently bust her for possession, they don't count on Victor, there with her, who pulls a gun on the cops in a scene that ends with one of them being paralyzed from a shot to the base of his spine.

Victor is nabbed and sent to prison. On his release, he discovers that Elena, whom he still lusts for, is now married to the paralyzed cop. And of course Victor cannot leave well enough alone.

It's the interplay of the second cop, the second cop's wife, Victor, and Elena that brings the emotional fluids here to a boil. The story development including surprising revelations establishes a momentum that results in a climax more than worthy of the preceding events, and that more than justifies the label of thriller for this film.

Lust, jealousy, murder, betrayal--all the juicy stuff that thrillers are made of--are, in the hands of a unique Spanish director, given a searing life of their own. It's truly a wonder to see this perfect mesh of out-of-control emotions, Spanish culture, and dazzling eroticism.

A brilliant film. Although All About My Mother is superb, it is more a return to Almodovar's sensibilities. Live Flesh is unique and is even unique for Almodovar. This makes it really special.

another reason i love modern european cinema
Besides just simple good film-making, I've figured out WHY European dramatic cinema is better than that found in the U.S.

They make more REAL honest movies about human behavior. Whereas in the U.S, a great percentage of films are juvenile comedies, trash pop culture flicks or shallow horror movies. The more you make the more likely you're able to turn out quality- and this film from Spain is no exception.

My Spanish cinema experiences are few, but I've enjoyed what I've seen... one of which being the wonderfully creepy movie: "The Devil's Backbone"

so, go order this or buy it, turn the lights down, pour your drink, and get comfy for a good quality movie...

and hey, it's one of Penelope Cruz's first movies!

Heady stuff that never compromises - typical Almodovar
"Live Flesh" begins with Victor Plaza being born on a bus in Franco's Spain in 1970 and ends, twenty six years later, with... well, I wont spoil the ending; but typically with Almodovar, it is fitting and poetic. In between, we follow Victor on his journey into manhood, as he learns the hard way about disillusion, betrayal, love, lust, life, death, and tragedy.

As a young man, Victor believes that a one-off sexual encounter with a beautiful Italian junkie is something more than it is, and pesters her to such an extent that she draws a gun on him in order to get him to leave. A struggle ensues. The gun accidentally goes off, and although noone is hurt, it brings the unwelcome attention of two policemen. Another struggle ensues. Another shot is fired. One of the policemen is paralysed from the waist down. From then on, all four of their lives become tragically entwined; with deception and misunderstanding leading towards bitterness and envy. Inevitably, the lies are stripped away, unwanted truths are revealed, and all the various dilemmas are resolved amidst a scene of emotional and actual carnage.

This must sound like heady stuff, almost melodramatic? It is. This is Almodovar, after all. There is the usual complex plotting that reveals the strains that pull apart and bring together relationships while the emotional lives of the characters are laid bare. There is the relentless drive to resolve the emotional dilemmas while avoiding sentimentality. In short, there are all the usual touches that one expects from Almodovar, including the wonderful acting from the cast. Wonderful! A film that will draw you back again and again and again.

Powerful
(Read above for storyline)

Another incredible film from Pedro Almodovar!
He never fails to tell the most incredible, tragic stories with warmth and genuine affection for all of his characters, no matter what they have done, or how they live their lives.
A powerful film and tragic film, with powerful performances from all the leads. ... Read more

Reviews (98)

Superb - One of the Great Foreign Language Films of Our Time
A thrilling, intoxicating masterpiece, "Like Water for Chocolate" will leave you hungry, happy and hung over with its surreal vision and unforgettable performances. Some of the film's charm lies in its uncompromising vision of what it must be like to be a poor, Mexican woman, surrounded by angry sisters and petty jealousies. The food is a miracle of texture and authenticity that makes the book a recipe lover's dream. But the spiritual aspects of the movie take it someplacve else altogether....by tying food and unseen forces together, the author and director have fashioned love as a cycle of human emotion coupled with betrayal and passion. Believers and non-believers alike are asked to suspend judgement and just BE with this movie, for it raises issues and themes rarely imagined or acheived on film. A few sequences are startling - such as a wedding party where every guest is gastronimically infected by a soup that is stewed with the tears of our protagonist, and they all end up regurgitating the mixture, and in the end, understanding that true love should not be gambled away for money or superiority. Another sequence, where the middle daughter Gertudis, is literally kidnapped by a horse riding gunslinger while she sits alone in an outhouse doing her business, is hysterical, yet also painful to watch, because it symbolizes the woman's need for free choice in a world where men have so much of the power. Besides, any couple who has eloped or married without their parent's blessings will quickly make the connection to their own experience. If you can keep up with the subtitles, I'd advise against a dubbed version, for in its Spanish - eloquent, funny and dramatic - the film c aptures its truest form of communication. And food as metaphor - used in other terrific fims like "Babette's Feast" - has never been presented in such an awe inspiring manner. This is a feast to be savored every step of its delectible way.

A passion for cooking and romance!!!
This has to be one of my all time favorite foreign films. I loved the book and I think the movie is equally good. The story is set around a young woman named Tita, who according to an unfair family tradition, must care for her overbearing, demanding mother. Because of this, she is unable to marry the young man she has fallen in love with and transfers her passion into the meals she prepares(with very interesting results!). Based on the book by Laura Esquivel and directed by her husband at the time (Alfonso Arau, who also directed the Keanu Reeves movie, "A Walk in the Cloud") this film is a captivating fairy tale that is sure to entertain.

a feast of the 5 senses, come to life
after you watch this movie, you will either want to eat, cook (preferably one of the mentioned recipes), make love or all three! i saw the version dubbed in spanish, and also read 3 selected chapters from the book, for spanish class. it's a work of art and genius, and it must be watched all the way through without stopping. the characters are excellently portrayed, and it combines love, feminism, drama, sensuality, lust, hope, passion, and humour, topped with cultural tradition and folklore. i don't know which one is better, the book or the movie. all of the 5 senses are provoked on a deep and perhaps even primal level, especially taste and smell, feverishly yearning for a sum greater than their overall parts (gestalt) - which brings up the sixth sense, intuition.

Like Water For Chocolate
In the novel, "Like Water for Chocolate," I found it very interesting that two young people, Tita and Pedro fell deeply in love and they could never marry each other. The best part about the book was that they had to hide their feelings from everyone but they knew they loved each other deep inside their hearts. I liked the fact that they loved each other until the day they died and they died making love to each other. I strongly recommend this book to other people.

Like water for chocolate!
This is a very sensual movie about two lovers who could not be together. I loved it and would watch it again and again. ... Read more

Description

Robert Carlyle (THE FULL MONTY) stars as George, a Glasgow bus driver who risks his job by giving a free ride to a beautiful Nicaraguan woman with no money. From the moment that he sees her, George becomes infatuated. He soon finds her a place to live and learns the reason behind her sadness - her boyfriend has been killed by the Contras. George accompanies her to Nicaragua where he helps her come to terms with her past, and at the same time, discovers more about himself. ... Read more

Reviews (3)

Great film
In this film, Director Ken loach sucessfully crystalized his unshaken belief on humanity.
there's clear difference between his former film "land and freedom", both films descrive one indivisual goes through wartime in foreign country and the end of personal relationship they confront in the middle of chaotic situation. However, unlike "Land and freedom", the hero,Jorge,bus driver in Glassgow,never has been politically motivated character in the first place. He went to nicaragua together with his girlfriend, Carla, to help her to face her past by finding her ex-boyfriend and to overcome inner trauma and scar. Jorge eventully started being frustrated with his powerlessness against the inhuman crisis ongoing in her homeland.
Contrally to "land and freedom" The story moves on from personal reality to political reality. Yet more importantly, this film beautifully captures one's spiritual growth through relationship.

I think that's what makes this film so real, powefull and thought provoking one.

ken loach comes to america
in carlla's song, ken loach explores love in the midst of hell when a reckless and irresponsible bus driver (robert carlyle) falls in love with a beautiful but suicidal nicaraguan refugee(oyanka cabezas). she is suffering from severe case of survivor's guilt and as the driver falls deeper and deeper in love with her, it becomes obvious that he is going to have to quelle her nigtmares and that means taking her back to a nicaraguan war zone to confront her demons. Ken loach's matter of fact ease with situational dialogue translates well into all of the necessary languages, and the result is a very special movie.

Excellent film
Possibly Ken Loach's finest work. If you only know Robert Carlyle from The Full Monty, then view this. Thee won't be a dry eye in the house. The DVD transfer is disappointing & the extras are minimal to say the least but the quality of the story & film making outshine any technical misgivingd ... Read more

Amazon.com essential video

Pedro Alomodóvar made this misfired, rambling comedy about a romance novelist (Marisa Paredes) whose crumbling marriage has left her depressed and unable to work. At a low point, she writes a scathing indictment of her own books (which are penned under another name), with no one realizing critic and author are one and the same. Almodóvar (Law of Desire) has the start of a great idea here, and for once, he's direct about his sympathy for a character. But nothing else about The Flower of My Secret is so clear. Despite its unusual allegiance to the straightforward "women's films" of the 1950s, this movie blows it by becoming needlessly complicated over extraneous junk, forcing one to grope in the dark for Almodóvar's point. --Tom Keogh ... Read more

Reviews (9)

Quiet restrained Almodovar with love to Spanish Culture
A quiet restrained Almodovar movie, rich with symbols and style (artistic shots made through different patterns - mirrors, straw chair patterns, etc.). This movie is also a tribute to the Spanish culture - dance, food and various elements of the folklore which appear in lace making, landscape and portrayal of "country people".
This is the story of Leo (Marisa Paredes) who is a writer. Leo writes her stories under a pseudonym as she is not proud of the sugary love stories she writes. This "real/unreal love" is one of the main themes and conflicts of the movie. Leo, under again another pseudonym attacks her own love stories while Angel, her new boss and friend writes in favor of the sugary author. Should we believe the dramatic love story which always comes with a happy ending but is somewhat untrue or should we write / or dream about everyday truthful life where love, like other achievements comes after hard work?
In the opening scene Leo has trouble getting her boots off - the boots are a present from her husband and she wears them although they are so tight she cannot breath. In what is later understood as a very symbolic act she tries to take the boots off in various ways but succeeds only after her friend Betty manages to help her. Betty works in the transplant section of the hospital (transplants and the detailed process of explaining the death of a dear one to his relatives also appear in Almodovar "all about my mother" and Almodovar is definitely doing a great service to this matter). Leo drinks a lot. She is very miserable and misses her husband who is in the army. Leo knows they are having problems but it seems that the viewer is in a better position to understand the nature of their relationship. Leo is both aware of problems yet blind to several facts that are presented to her face (blindness is another motive - as Leo's mother who was brought from the country to live with Leo's sister in the city is half blind, yet there are several things she can "see" very well). When Leo finally understands the truth - she falls apart and is aided back to life by her family and new friend.
This is first of all a love story, but more then that this is a story of loyalty vs. infidelity (on the one hand we have Blanka, Leo's faithful maid and on the other side her close friend), city vs. country, and once and again the question of truth - in relationships, in writing, and maybe in art in general (through the story of Blanka and her son dance group).
Marisa Parades is convincing and is aided by a lovely group of actors of which I would like to mention Leo's sister, Rossy de Palma whose face is so memorable you cannot forget. This actress has also participated in Almodovar movie "Kika" and makes a strong impression.

Hooray for Hollywood
You either love or hate Aldomovar films. This one may win over a new legion of fans but is very unlike most of his movies. So which is the real Aldomovar, the straight romanticist or the outrageous dierctor? Probably both but more bizarre than stright considering his style leans more to wacky characters verses isn't she sweet characters. This movie is different from any of his previous works in that it is, well for lack of a better word, mundane. This is not one of my favorite Aldomovar movies. The plot is simple, a woman is in crisis in her life, unhappy in her marriage, writing (romance) novels that are about everything she is missing in her life, and her denial of what she needs, real romance. Marisa Paredes, who has beeen hilarious in other Aldomovar films is just ok as the novelist in the story, Amanda Gris. Her full talents are not utilized though as she is not as funny in her depiction of Amanda, it's just not in the character I guess. Check out some of her other roles and you'll see what I mean, she's better in the other movies. Her husband is consumed with his career and other "projects". It is a bit of a sad story and maybe too close to real life, that is why some will love it and others not. More women will like this than men, translation dare I say, chick flick. This is more of a mainstream movie that departs from Aldomovar's usual flair for the unusual usual suspects. For me this movie and the performances were just to ordinary. That said many will love it.

My favorite Almodóvar
I agree with what the second reviewer says about this sensitive, passionate, lyrical portrayal of a courageous, strong, disciplined woman whose nemesis, as always, results from the heart. The betrayals she suffers are as profound as her love is and Marisa Paredes comes through as one of the half a dozen or so most important film actresses of the decade. One particular scene, the mother returning to her native village, provides one of the most exquisite moments in film: the background text and the sight and the voice becoming a separate moment of intense recollection and joy. Nothing misfired about this genuine masterpiece. ''Mamadoc'' s.marie

Perfect story about people's search for love and comfort...
This film is perhaps especially telling to people in their 40's and 50's, because character's search for love and comfort can only be fully appreciated by people of this age, who are more or less in the same situation as this woman-novelist with numerous emotional problems and no solution to them.

She does find a solution eventually, but you have to wait until the end of the film to see that. It will not dissapoint you at all; in fact, it might surprise you a great deal...

Wonderful supporting characters (e.g. novelist's mother and sister) make this film an outstanding thinking piece about human life. Very deep!

Lovely and Touching . . .
. . . and maybe those aren't words fans normally associate with Almodovar, at least when not linked to words like "junky," "transvestite," or "porn star." I disagree with the reviewer who termed this a misfire--it's simply a more thoughtful film by this usually over-the-top director. Visually, one of his most arresting films, Almodovar chooses to focus this time on the distance between true love and idealized love as seen in romance novels and how they sometimes intersect in surprising ways. Marissa Paredes shows stunning range as the main character--at times both critically stung and deeply needy and yet passionate and cocky . . . boy, do you root for her. And the scene in which she is literally pushed by a mob of protesters into the arms of the man she could be truly happy with is one of the best in movies. NOT a disappointment at all. ... Read more

Reviews (5)

Legends do tend to be hidden at times.
Fantastic film of the Cuban diaspora in its initial stages. Yes, it was situations that the movie portrays, that were the nightmare of many Cubans. I think the films ending is about the dream that many Cubans had and have achieved.

The film does project a lifestyle that was commonly seen in other non Cuban latins. In reality, Cubans did not make their abode in Upper Manhattan for too long, and most achieved the American dream in a matter of years.

Hidalgo-Gato, we will miss you dearly.

GREAT MOVIE!
A MOVIE UNLIKE ANY I HAD EVER SEEN, CLEARLY MADE BY THE LENS OF SOMEONE WHO HAS LIVED THE EXPERIENCE OF BEING AN ALIEN IN A NEW COUNTRY. WITTY, FUNNY AND PROFOUND AT THE SAME TIME. HIGHLY RECOMMENDABLE.

cuban immigrant issues-great acting and directing
If you are Cuban or have been around them, you will go ape with this one, more so if you have lived part of their "nightmare". A classic, although geared toward a selected audience.

POIGNANT! A MASTERPIECE!
tHIS IS A WONDERFUL MOVIE ABOUT A HUMBLE CUBAN FAMILY IN EXILE. THE ACTING IS SUPERB. THE PHOTOGRAPHY AND THE DIRECTION FLAWLESS --AND IT HITS THE HEART OF ALL THOSE WHO HAVE HAD TO RUN AWAY FROM YOUR COUNTRY AND START ANEW! HIGHLY RECOMMENDED,

This is a Wonderful Film!
I have seen this movie three, times, and I love it more and more every time. This view into a Cuban family's life in New York, is a gem. The characters are great, and very realistic. This is a great film, I highly reccomend it! ... Read more

Description

In a country torn apart by Civil War, two travelling entertainers find themselves trapped on the wrong side of enemy lines. Will a show to end all shows save their lives, or finish them? ' 'Funny, moving and irresistible!' ' (The Village Voice) ... Read more

Reviews (4)

Great film set during the Spanish Civil War
The great director Carlos Saura started with an outstanding cast and authentic detailed war time sets to create this superb film about republican vaudeville entertainers who take a wrong turn during their road show and wind up in the hands of fascist troops. Expecting to be executed, they are given a chance to entertain the fascists and obtain freedom by a stage struck Italian officer. But a chance encounter with Polish international brigade prisoners of war creates an emotional conflict for Carmen Maura. She must go through with an act that she finds distasteful and dreads the possibility that the POWs will be in the audience. The details of wartime Spain are excellent and the supporting cast is outstanding. The title of the film is taken from a charming Civil War song which also happens to be the name of the act, Carmela y Paulino. Saura has created a film that is both light and charming but with an underlying seriousness about this great tragic period of Spanish history.

Novios de la muerte.
The Spanish Civil War seen as a vaudeville show for the brutal Franco troops, where the terrified performers try to save their skins and their conscience, knowing they can't have both. Carmen Maura shines (what else is new?) as the outspoken partner in a sing-and-dance couple, but Pajares clearly steals the show as her chaplinesque, panic-stricken husband.

For SCW buffs, the movie is top notch. Down-to-the-last-detail production truly re-creates wartime Spain in every aspect, from uniforms, vehicles, weapons, posters, fashions, jokes, songs and dances, to even the streets themselves, for it seems the producers had to destroy an entire Spanish village in order to shoot the film. The menacing background radio broadcasts real-life Franco speeches, war news bulletins and fascist hymns, whereas the movie score is powerful and nostalgic. A gripping, yet comic, tale about the unsung heroism of your fellow man, I personally prefer it to Benigni's much vaunted 'La Vita E Bella!'. Don't miss it!

Burguesía y resistencia.
En esta historia, enmarcada en la Guerra Civil Española, donde los Franquistas dominaban las manifestaciones artísticas no del agrado de ellos, encontraron la censura y el rechazo, manifiesto en la osbstrucción y el abuso. La resistencia que apenas se podia sostener, enfrentaba el fusilamiento o la desaparición imprevista. Carmela representa esa resistencia. Es la voz del pueblo que no se resigna a abandonar lo que cree y lo que vive, su arte, como expresión sublime del ser humano. Esta película es una de las mejores muestras de la lucha sostenida entre las clases dominantes de la burgesía y los trabajadores del arte.

Carmen triumphant
This is a beautiful movie exploring the courage of a woman surrounded by confused, helpless, or cowardly men. Carmela during the Spanish Civil War faces down the fascists and turns the tables on them in a play they thought would ridicule their victims, but which Carmela forces to the logical exposition of the basic cowardice of fascists (from Francisco Franco and Benito Mussolini to George W. Bush and Ariel Sharon), whose courage consists in the murder of unarmed opponents, like the heroic actress. ... Read more

Reviews (45)

Ole!
La Bamba is one of my top 25 favorite films. Lou Diamond Phillips comes across for real. I was surprised when I saw a picture of the real Ritchie Valens. I had forgotten what he looked like (when I was a teenager). Lou doesn't look like him, but who cares? This is a great suspension of disbelief.

Esai Morales doing a great job as the troubled brother Bob. it is easy to feel his pain. And it is almost impossible to tell the difference between Los Lobos' rendition of the title song and the original Ritchie version. The hint is in those couple of seconds of silence that Los Lobos does near the end. And then there are those excellent imitations of Buddy Holly, the Big Bopper, Jackie Wilson and others.

The DVD has two feature-length commentaries that are worth listening to. Beyond this, I have also turned on the Spanish-language track and watched the film a few times that way. If you have some understanding of both languages, it helps to show how they get the nuances across it slightly different ways.

One of the best rock biopics ever.
I saw La Bamba the other night for the first time in many years, and was delighted to see how well it had held up. Of the many tragedies in the history of rock, there are few more bitterly poignant than that of Ritchie Valens, and director Luis Valdez makes us feel the full force of the tragedy. He makes us love not only Ritchie (Lou Diamond Phillips) but also his supportive mother Connie (Rosana De Soto) and his troubled brother Bob (Esai Morales), then ends the film as he should, on a note of raw, unmitigated grief. On the way to the tragic end, however, we also get marvelous recreations of vintage rock songs by Los Lobos, Brian Setzer, Marshall Crenshaw, Howard Huntsberry and others. Seeing La Bamba again brings up a smaller tragedy: why Phillips, Morales and De Soto didn't become bigger stars, as they clearly deserved to become from their performances in this movie. Only Phillips came at all close to stardom, and for every step forward he took--his change-of-pace villainous role in Courage Under Fire, his Broadway triumph in the revival of The King and I--he took two steps back with some straight-to-video flick. But in any case you can still see them in La Bamba, and laugh, cry, and applaud.

fantastic
I love this film!! after being introduced to it by my older sister i have never looked back!!! Lou diamond Phillips is amazing as Ritchie Valens and Esai Morales is equally great!!! the supporting cast helps what is already a fab film become a classic!! The soundtrack is great and the end music that they play in the final scenes makes it so emotional. The film really reminds us what a loss it is when someone as talented as Ritchie Valens was dies so young... The film has never stopped making me cry and i am sure i will continue to love this film.. it is a timeless piece which is a fitting tribute to one of Rock n Roll's finest!

Good but it has major problems too
Film needed more period flavor. What's with Ritchie's brother Bob's hairdo? Too 80's. Also, the film gets goofy towards the end with the Big Bopper going around saying "Hello Baby" to everyone and a weak performance by Marshall Crenshaw(Sp?) as Buddy Holly.

all musicians should see this
this movie is about late 50s rock n roller ritchie valens who along with buddy holly and the big bopper died in a plane crash ritchie was an amazing talent with a beautiful voice he was only 17 lu diamond phillips does such a wonderful job portraying how hard it was coming up as a latino in the 50s and how ritchie loved a whitegirl but her parents wouldnt let them be together but they found ways anyway and he was going to propise to her before he got killed this movie has alot of great moments and music by the band labamba youll end up crying once u realize what a musical loss ritchie valanz buddy holley and the big bopper were to that generation and generations after all musicians should buy this dvd right away if u havent seen it u owe it to these founders of rock n roll ... Read more

Reviews (13)

Film as art
This movie by Carlos Saura is an ambitious attempt at recreating the life of celebrated Spanish artist, Francisco Goya. The cinematography is spell binding as the artists works are recreated masterfully, only to be matched by the magnificent time period recreation. The acting is very good, good enough to garnish a Goya(Spanish equivilent of an Oscar) for leading actor and actress. Veteran actor Francisco Rabal, who bears an uncanny resemblance to the real Goya and Maribel Vernu as Cayetana, the Dutchess of Alba, both won a Goya for their performances. If all this reference to Goya is confusing it is because I'm laying the foundation for the problem with this movie. The story of Goya is told to his daughter through a series of flashbacks that are at times very perplexing. It is not so much that they are confusing but that no explanation is given to the circumstances of Goya's life. Saura makes the leap that everyone knows about Goya rather than explaining. Maybe everyone in Spain knows about Goya but not all viewers are Spanish. It helps to be up on your Spanish history prior to viewing to understand the political nature of the times and the reason for his self imposed exile to Bordeaux in his later years. I did some reading afterwards but it would have been better to know the why before viewing. Anyway the sets and lighting are works of art in themselves as the paintings and walls in one sequence come to life. These hallucinations are part of the torment that Goya suffers and is reflected in his art. Some insights are given into the life of Goya but it is hard to distinguish fact from fiction. Goyas mixing in the royal court and hob nobing with the rich and famous are perfect backdrops for his cavorting with Cayetana. Saura has created a work of art in his homage to one of Spains master painters. Goya's life and death, as represented in this film, is the end of an era linked to Velasquez and the birth of modern art in Spain. Recommended for art enthuisists with deep pockets.

Film as art
This movie by Carlos Saura is an ambitious attempt at recreating the life of celebrated Spanish artist, Francisco Goya. The cinematography is spell binding as the artists works are recreated masterfully, only to be matched by the magnificent time period recreation. The acting is very good, good enough to garnish a Goya(Spanish equivilent of an Oscar) for leading actor and actress. Veteran actor Francisco Rabal, who bears an uncanny resemblance to the real Goya and Maribel Vernu as Cayetana, the Dutchess of Alba, both won a Goya for their performances. If all this reference to Goya is confusing it is because I'm laying the foundation for the problem with this movie. The story of Goya is told to his daughter through a series of flashbacks that are at times very perplexing. It is not so much that they are confusing but that no explanation is given to the circumstances of Goya's life. Saura makes the leap that everyone knows about Goya rather than explaining. Maybe everyone in Spain knows about Goya but not all viewers are Spanish. It helps to be up on your Spanish history prior to viewing to understand the political nature of the times and the reason for his self imposed exile to Bordeaux in his later years. I did some reading afterwards but it would have been better to know the why before viewing. Anyway the sets and lighting are works of art in themselves as the paintings and walls in one sequence come to life. These hallucinations are part of the torment that Goya suffers and is reflected in his art. Some insights are given into the life of Goya but it is hard to distinguish fact from fiction. Goyas mixing in the royal court and hob nobing with the rich and famous are perfect backdrops for his cavorting with Cayetana. Saura has created a work of art in his homage to one of Spains master painters. Goya's life and death, as represented in this film, is the end of an era linked to Velasquez and the birth of modern art in Spain. Recommended for art enthuisists with deep pockets.

An Exploration on the Role of the Artist in Society
Saura's newest film follows in the tradition of <>, <> and his most recent film <>. All explore the role of the artist as <> within society. <> is no exception. The film features Francisco Rabal, now the elderly Goya, who recounts his life to his young daughter in a series of artistic flashbacks, many of which cross the boundaries of time and space. Integral to the plot are his recollections of his affair with Cayetana, the famed Duchess of Alba, and who torments his thoughts throughout the course of the film bringing an element of reality to the artist's sometimes surreal world, a world where Goya's paintings serve as backdrops to illustrate the historical period. In addition, unusual lighting and music contribute to the film's artistic flare, all blending into a lush and virtual feast for the eyes. I truly enjoyed this creative experiment. It is a must for Saura fans and for those who enjoy Spanish art and history.

love goya
i don't watch too many foreign films, not really my kind of thing, but this is easily one of my favorite movies. has a wonderful look to it. if you like foreign movies you should check this out.

Indeed, a masterpiece
After seeing this film twice at the Vancouver Film Festival, visiting from my home in Mexico, I could hardly wait to own it, even though it was only available in VHS. I find it fascinating and disturbing that Saura's masterpiece, as non-linear and right-brained as any great work of art, should be maligned by critics such as Roger Ebert, and others. Here's to those who've written their praise for the film on these pages!
This is extraordinary creation, a fusion of both outer and inner realities that the logical mind cannot grasp - and why must it? Does it really matter what happened factually to Goya? Aren't those fiery skies and the music of Boccherini, reflecting the fire and brimstone in Goya's mind, enough to tell us that the film is mythic? Shakespeare did the same thing with his tragic heroes because the Elizabethans and the alchemists believed in "as above, so below". Macbeth's turmoil is reflected in the storms outside, and the bloody battles raging around him. Yet that's fiction and we believe this world is reality..
I buy few films, and I cherish this one. I'm still longing for "Providence" to come out on DVD because Resnais interweaves life and art from the same perspective...an old man, a writer, dying among his living, breathing creations. I live in an Mexico's oldest city, on a street named "Cinco de Mayo" Every day I'm reminded of Goya's painting, and this film is shown at least once a month on TV because the Mexicans love it - the Latin world has no problem suspending reality in the name of art - which is why Andre Breton called Mexico the ultimate surrealism. Thank you Saura, once again. ... Read more

Reviews (39)

camcorder, schmamcorder...still remarkable
this film would destroy hollywood if it could. in fact, the whole city of medellin, as chaotic and nihilistic as anything i'd ever witnessed, would gladly settle their issues with hollywood in a good-ole fashioned machete fight. but they can't, so the people (that is to say the drug runners, the real leaders of third world middle-south american countries) celebrate their dope deliveries to the states with a huge barrage of fireworks. it seems all is the remarkably fitting setting of the cynical fernando (a retired writer returning to his hometown to die).

this movie could be considered the extreme polar opposite of phillip lee williams work, the sentimental american novelist who wrote 'the heart of a distant forest' which detailed a retired professor returning to his family's cabin in the wisconsin? wilderness to die...in peace. fernando's fate as a free living sage in modern day middle america's largest city is an ugly one, without peace or humanity. here, god resembles a monster. and for the eye-opening experience alone, our lady is worth the view.

the acting is perfectly suited. throughout the film, i didn't have to ever stop and critique the actor's credibility. the whole experience will seriously suck you in. in some ways, the video quality is the perfect media for adapting the novel: gritty, realistic, portable, etc.

it was really really nice to finally find a movie that doesn't require high production values. this is like the great lo-fi of music. it ain't diltuted and could definitely plow it's way through most of american film. if you are of a thinking mind or film afficionado, do not let this get by you!!!

clean transfer, but still on a camcorder...

believe it or not, its real
i have read so many reviews of this movie saying "it's too fake, the violence is unconvincing."

i am a colombian who has experienced gang violence and crime. what people do not understand is that colombia is not compton, where the police come and record a crime. here are some facts

less than 3% of crimes in colombia are successfully prosecuted, a rate lower than that of the old west, a time and place taht was supposedly lawless

the murder rate in medellin (the city where the movie is set, where my family lives), including rich neighborhoods and slums is 465 per 100,000, compton, california (the birthplace of gang violence in the US and home of gangsta rap) was only 80.2 per 100,000 in 1987 (when things were supposedly much worse)

as far as the filmmaking itself, i cannot say it si a well made movie, my interest is solely in teh subject matter

the homosexuality adds a confusing dimension to the film that is not necessary when portraying violent crime in the most dangerous place in the western hemisphere

RENT, DO NOT BUY

and yes, the violence is real, contrary to what you may think living in the suburbs, medellin is the most murderous city in the world, 6 times as murderous as compton, california

Watch it...AGAIN !
This movie is worth seeing again. If you see the movie, you will WANT to see it again.
The subtle nuances of the film and character interplay are excellent! Fernando's sardonic wit is wonderful.
The camera work is amazing, and the pasodobles are great.
It is too bad that this movie's subject matter has hindered it from more acclaim. Another example of the many great films that didn't come out of the plastic Hollyweird movie machine.
Great characters, great director, great movie...see it, AGAIN!

The Satanic emissary, Mephistopheles from Faust......
I've been slowly getting acquainted with Central and South American journalism - and what strikes me more and more is the resignation and sadness that seems to inform so much of it - it's as if the world were portrayed in terms of bankruptcy, incompetence, poverty, and cruelty that just can not be overcome, no matter what.

It's very consistent with a gay-subject matter film now playing, "Our Lady of the Assassins," [La Virgen de los Sicarios], also set in Columbia.

This is a movie about this despair. The central character, Fernando relentlessly embodies a spirit of negativity towards absolutely everything - even his young loves (teen-aged boys) are assassins.

Considering the director's last name (Schroder) I'd guess there's a literary allusion here from his own background. In Goethe's Faust the Satanic emissary, Mephistopheles, is memorialized as " "Der Geist der ewig verneint," the Spirit which forever denies, and that's certainly Fernando. He's as much a cause of that spiritual "Colombia" as he and his loves are symptoms of it.

After all, if you deny any salvation, you must repeat the hopelessness of everything, make hopelessness inevitable.

Step by step Fernando exposes young Alexis to the death to which that boy is destined, a strange "being hatefully in love," as one of Alexis' lines has it. He's that ill-starred boys' codependent as, time and again, he does nothing to avert the youngster's fate, and everything that almost provokes the inevitable. Fernando, in his own rejection of hope, is as much a death-bringer as his young assasins, whatever his protestations.

The proof of this guess at a literary background for the film is Fernando's reminiscence that in childhood he had a family parrot named Fausto. There it is, Goethe's great work, and the key to Fernando's unwittingly Mephistophelian character. Fernando's despair is less than his own "negation" of all trust, all hope. He's in despair of himself, and, in that, I suppose, serves as a metaphor for self-reflective Colombia.

Vargas Llosa, the Peruvian novelist, recently pointed that out in the Latin American character, that profound distrust of all social institutions, that spirit of negation which undermines them even as people struggle to make them work. On one hand there's passionate self-sacrifice (even like young Alexis who throws himself in front of Fernando) and, on the other, profound corruption by mistrust of everything that might work. No accident, that the film is replete with themes of faith and utter doubt, salvation and slaughter in one character.

Fernando's despair is I think true but obvious; what's truer and beneath the surface is his own fatal negation of anything that might relieve his despair. Inevitably he loses one boy (whom he makes no effort to save), and, when he's offered a second chance, tries to save another when it's too late. So much of Latin America has something of this at work in it - those themes of love and death get handled with quite some consistency in those somber films.

The predecessor of that film, by the way, was Rodrigo D, a cinema verite treatment of the youngsters' gang battles in Colombia in the eighties. By the time the film was ready for release, seven of its twenty "street boy" actors were dead through that senseless, inevitable violence.

One of the BEST films ever made!!!
I do not praise films easily, but here is a movie that just BLEW ME AWAY, with its subtle recounting of a man's dying wish and finding ephemeral relationships in a lawless land. The violence is never gratuitous, beautifully shot by a seasoned filmmaker. This is no doubt his best work to date - and the most underrated.
A MUST SEE. ... Read more

Reviews (18)

Coming Of Age In A Time Of Treachery
...I have seen so many coming of age films, especially foreign ones, that only a few stand out for me anymore as 5 star films. The movie's first half, set in 1930s Spain, is rather heart warming about a young boy and his elderly teacher. The teacher singles the boy out for special kindness and tutoring, including giving the boy a butterfly net and their using the net to explore and understand the natural world. The teacher explains to the boy all the characteristics of a certain insect before setting it free again. However, the Spanish Civil War creeps into the movie's second half and it divides its citizens so that they start turning on one another and urging one another's arrest to avoid the same themselves. The story continues to follow the boy and the teacher through this growing ugliness until they themselves are enmeshed in the same conflict of citizen persecuting fellow citizen that every Civil War entails. The boy now sees the natural world at his own level of existence, indeed comes of age, and grows up by following his own survival characteristics.

The tongue of butterflies is called Proboscis
Shortly after Franco died (1975), Spain saw a flurry of movies, TV series and books about the Civil War. Almost without exception, the story was told from the "other" side, the side of the losers. That is quite understandable, as for 40 years they had never had the opportunity to explain in their own words how things had happened. I thought that after 25 years of democracy, maybe the subject of the Civil War had already been examined backwards and forwards. Therefore, I was quite surprised to encounter this very recent movie on the subject. My take on it is that something as painful as a war between brothers must take many years to digest.

This movie tells the story of a young boy, Moncho, going to sc