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| 1. The Neverending Story Director: Wolfgang Petersen | |
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Reviews (219)
I'll leave it up to you to watch "The Neverending Story" and find out what happens, but I don't recommend watching it. I recommend buying it instead. A lot of people probably think that "The Neverending Story" is a movie that is only suit for kids, but they're wrong. I used to watch this movie with my mom all the time when I was a kid, and now I'm 21, and I still enjoy the movie just as much now, if not more than I did when I was a kid. When you or your kids first watch "The Neverending Story," neither of you will probably remember everything about the movie, but what you will remember are the spectacular special effects and the entertaining characters such as Falkor the dragon, a HUGE rock creature, the mean wolf, a giant turtle that has a face that resembles that of E.T., and many other interesting creatures. But trust me, whoever you are, you will want to watch this movie over and over again for years to come and you will learn new things about it every time you watch it. "The Neverending Story" not only has its special effects and plot working full force for it, it also has great acting and an unforgettable and catchy soundtrack. "The Neverending Story" is in my opinion one of the best movies that a kid can watch for many reasons, but it's a great movie for ANYBODY of any age to watch, especially if you're a kid at heart. When I say that a movie is probably the best ever made in its genre, I don't exaggerate any, I compare it to all the others that I've seen of its type. Therefore, you know that I really do like "The Neverending Story" a lot! Purchase "The Neverending Story" for yourself or for someone you care about as soon as you can. You won't regret it!
This is an awesome story about the importance of the story. Yes, the moral lesson of "The Neverending Story" is the importance of the story itself (and by extension the importance of human imagination). If one has read some of Joseph Campbell's "The Power of Myth" one understands this completely. It is that Native American idea of "he who does not have the stories has nothing." The key force of destruction in this tale is "the Nothing" literally non-existence or the lack of imagination. The world in which "The Neverending Story" takes place, Fantasia, is a conglomerate universe composed of the dreams and hopes of all people. Every story ever told and every character who has ever lived exists somewhere in Fantasia. So that somewhere in Fantasia, Paul Atreides wanders a desert landscape while somewhere else in Fantasia Alice falls down the rabbit hole. Fantasia, this conglomerate world of human dreams, is dying. The reason is that people in the real world no longer dream... of anything. It is a very modern tale about the death of the human capacity to, as John Lennon put it, IMAGINE. Without the capability to imagine anything, people become easily manipulated by forces greater than them... this is where the real villain comes in (more about that after the next paragraph). The main protagonist, Atreyu, is the alter ego of the real life boy who is reading the story. The real life boy, therefore, is filled with imagination, brimming with it, in fact. He exists in a real world where nobody imagines anything anymore. Therefore, the alter ego (in Fantasia) of the real life boy with imagination is a young champion who is trying to save imagination itself and its conglomerate world, Fantasia. The real villain of the story is, at least from a Christian context, Lucifer, or the Devil himself. He is the "force behind the Nothing" who is attempting the death of all imagination. This explains the creature known as the Morg. As Sir Adam mentioned in his review, this is the major adversary for Atreyu (and the real life boy who is his generator). The Morg is, in his own words, "a servant of the force behind the Nothing." The Morg is, I believe, a demon, or fallen angel servant who has somehow crossed the border into Fantasia and put on the guise of that mythical creature of destruction, the werewolf. The Wolf image is only a guise used by the demon to try to blend in with his surroundings. Of course, we know who wins in the end. This is a very complex movie and a VERY relevant one to the times in which we are living. I see people around me who are quite literally mental cripples who are incapable of imagination. Without the stories, we are nothing.
I wish this DVD had more special features, but alas it does not. What really bothered me was that it didn't have a subtitle for when Bastian shouts out a name for the Child-like Empress. I was so looking forward to finally finding out what the heck he shouts out for her name, and I get nothing. But I researched it on the net, and apparently it's "Moon Child." It does sound like that's what he's shouting. But I'm baffled that that was his mother's name (unless he changed his mind further into the film and decided to give the Empress a random name rather than his mother's). So overall, the movie's good and the DVD is so-so. Great picture and sound quality, but no special features and no subtitle for when he shouts out the Empress' new name. But it's the only one in the series worth buying I think. Well, maybe the second one was ok.
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| 2. Star Wars - Episode I, The Phantom Menace Director: George Lucas | |
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Reviews (2449)
Anyway - this is an awesome and incredibly well done DVD. Lots and lots of extras. Great commentary by Lucas, the producer, the sound man, etc. Interview with the composer. Lots and lots and LOTS of background materials on the making of the film, and the entire process of putting it together from initial writing to final production, and the making of the DVD itself. The image of the movie is *very* crisp and clean. The deleted scenes are a nice addition to the movie. I am very impressed (and surprised, to be cynical about it) that Lucas has given us the full-featured DVD the first time out, and not offered us one scaled down DVD version, only to offer us a better version in a year, and then the full-scale one a year after that, like he's constantly done with the VHS versions of his movies. Thank you, Lucas, for taking care of your fans this time, and not trying to pad your pockets a few times before giving the fans what they *really* want. Quality-wise, this is absolutely one of the most loaded, best-featured DVDs I have in my collection. (as a p.s. - after hearing Lucas' commentary, and talking about some things coming up in the next movies, I have realized that a few things I criticized about this movie actually make sense oin terms of the upcoming story-line. However, I still think that, overall, the writing for this movie was only a cut above old b-movies)
When Lucas made the first trilogy he was a relativly unknown up-and-comming writer/director full of desire and well, "hunger" to make his mark. That drive lead to the masterpieces of pop culture we know as ANH and ESB. By ROTJ his edge was already waning but thankfully it was the last one... or so we thought. By the time TPM came out he lost it completely and produced a quite mediocre if at best ordinary film. Living like a king for the past 20+ years made him not "hungry and full of desire" but fat and content. He lost his edge. Peter Jackson's LOTR Trilogy is so much better than Lucas' last 2 efforts for this same reason. Jackson has the "eye of the tiger"! Lucas HAS to get his edge back. Most agree AOTC is better than TPM but not by much. Will episode 3 prove that Lucas got it back?? If only reality played out like the fantasy of Rocky III and Lucas brings home a REAL winner....
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| 3. La Espada en La Piedra (The Sword in the Stone) Director: Wolfgang Reitherman | |
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Reviews (50)
Love the movie. Remember it from my youth. Highly recommended for young aspiring kings and princes. It's a laughter-filled romp, and Disney at his best for great storytelling, and great character development. However, this DVD gets only three stars from me because it is in Full Screen format, when the original was widescreen. As usual in these cases, in the tiny print at the bottom of the box, the dreaded words for any 16:9 TV owner: "This presentation has been modified from the original. It has been formatted to fit your TV screen". You'd think by now, the studios would get a clue, ESPECIALLY Disney, and release either the original with letterbox, or put both on the disc like so many do... Does anyone here like "Pan and Scan"? My complaint ends there. It is otherwise a wonderful film to share with your kids... I enjoyed watching it again after so many years, this time with my four-year-old son. We laughed and marvelled together over the antics and magic of the Wizard Merlin, and the adventures of young "Wart". He was ready to see it again as soon as it ended.
The DVD is pretty decent, although the bonus features don't really relate to the film, I have to say that they are just enough to make this DVD acceptable. ... Read more | |
| 4. Toy Story (Spanish Edition) Director: John Lasseter | |
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Amazon.com essential video Lasseter's story is universal and magical: what do toys do when they're not played with? Cowboy Woody (voiced by Tom Hanks), Andy's favorite bedroom toy, tries to calm the other toys (some original, some classic) during a wrenching time of year--the birthday party, when newer toys may replace them. Sure enough, Space Ranger Buzz Lightyear (Tim Allen) is the new toy that takes over the throne. Buzz has a crucial flaw, though--he believes he's the real Buzz Lightyear, not a toy. Bright and cheerful, Toy Story is much more than a 90-minute commercial for the inevitable bonanza of Woody and Buzz toys. Lasseter further scores with perfect voice casting, including Don Rickles as Mr. Potato Head and Wallace Shawn as a meek dinosaur. The director-animator won a special Oscar for "the development and inspired application of techniques that have made possible the first feature-length computer-animated film." In other words, the movie is great. --Doug Thomas Reviews (81)
Now on to "the vaults". Disney is trying to squeeze every last penny out of the cash cow, and have the two Toy Story films under lock and key, no doubt so they can sell millions of "Special Editions" in five years. Once again, Disney appalls me with their unmatched corperate greed. In conclusion, Toy Story is an excellent film and a true must-see.
The plot is absolutely joyful and stunningly original. The story revolves around the quiet family home of a quiet town where a boy owns numerous toys with his toddler sister. The toys however, are almost like beings of their own and are 'living' as well but stop 'moving' when the boy comes back into his room. However, a cowboy named Tim is the most popular 'toy' in the boys bedroom and is kept by the pillow almost every night until on his birthday, he gets a fancy astronaut toy named Buzz Lightyear who has many 'gizmos' and in time takes over the toy cowboys place as the most popular toy and Tim gets enormously jealous of this. However, after a botched attempt to remove Buzz, the cowboy himself along with Buzz end up in the hands of a punk teenager who takes joy in blowing up toys with firecrackers and or other means like burning, breaking, or smashing them and/or even taking them apart and re-assembling their parts to create 'mutant' toys and now the clock is ticking for Tim and Buzz to escape from the boys house before they end up being blown to molecules. This movie is absolutely fun and original even by 1995 standards. The computer generated special effects are innovative and unbelievable especially considereing the fact that this movie came out nearly a whole decade ago. The whole tone of the movie is just fun and charming and is for the entire family. Not only that but this was what put the then newcomers Pixas right into the front seat of movie animation and would be the start of an unbroken streak of excellent movies from this dynamite team.
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| 5. Elmo en la Tierra de los Grunones (The Adventures Of Elmo In Grouchland) Director: Gary Halvorson | |
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Reviews (62)
The message viewers are supposed to get is about sharing - after not wanting to share his beloved blanket with his friend Zoe, Elmo loses said blanket down Oscar's trashcan and subsequently into Grouchland, where it is claimed by the colorful villian Huxley, who never shares anything. So our little ones should be learning how to share...unfortunately, one of the more memorable songs is sung by Mandy Patinkin (Huxley) called "MINE." My little boy had never grabbed anything and yelled "Mine!" until he watched this video. He understood about Elmo's blanket, because he has one of his own that's special, but it seems he got the wrong message! The film itself is a bit of a mixed bag of images; Vanessa Williams is stunning as the Queen of Trash, but her appearance is like a short cameo. There's a giant chicken that seems loosely related to Huxley. A conveniently placed talking vegetable. This is not the caliber of education and entertainment I've come to expect from the Children's Television Workshop, or from Henson Productions. I wouldn't recommend the video for children under 3, even if they're Elmo fans (my son was 26 months when we had the "MINE!" problem.) Hooray for Ernie and Bert, though, our time-tested film narrators!
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| 6. The Matrix Director: Andy Wachowski, Larry Wachowski | |
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Description Reviews (2882)
The film itself is the epitome of cool that stands out from the slew of unimaginative science fiction that Hollywood reels out, and with Keanu Reeves and Carrie Anne Moss making an unlikely duo in a post-apocalyptic world ruled by artificially intelligent machines, the film finds itself worlds away from admittedly second-rate sci fi cinema. You could argue, as some critics did, that the film's plot is simply an excuse to hang cool effects on, but the premise slowly shapes into such an intricate plot, where machines have taken over the world (a popular idea for sci fi films, with this having similarities to Terminator 2) and then the small amount of snotty critics are silenced. What the Wachowski brothers have done is so imaginative that no film has ever come close to its intricacies and futuristic ideas. Add hints and nudges from Vertigo, classic Western films and Kung-fu karate films into the story and the amazing journey is made even more fascinating and involving. The visuals incorporated throughout the story are absolutely amazing; with the "flow-mo" being the coolest visual effect those effects boffins have done since that water tentacle flowed through air in The Abyss. Imitated to death, the scene where Keanu's character Neo dodges bullets is nonetheless the pinnacle of uber-coolness. With thought provoking, mind-bending lines like: "It's the smell, if there is such a thing"; the film's script is peppered with fascinating lines concerning the very nature of "what is real?" Hence the clever advertising campaign for the movie's release: "Unfortunately, no one can be told what the Matrix is, you have to see it for yourself". The Matrix has indeed changed cinema. Regardless, it's a great film, loaded to the retinas with out- of- this-world effects, great villians (Agent Smith!), great action set-pieces and awesome stunts from martial arts expert Wu Ping. And with the DVD (awesome stuff, everyone has to own this disc) and upcoming sequel in progress- The Matrix Reloaded, the Matrix is a film that not only has affected filmgoers everywhere, but has also leaked into the fan boy culture of the movie world. To quote Neo: "Whoa".
Fans and critics have raved about the film's mind-blowing special effects and fight scenes, but they are only part of the film's excellence. The superb performances of the actors are equally important. Particularly noteworthy is Laurence Fishburne's as Morpheus--his is a performance of controlled but passionate intensity. And Carrie-Anne Moss' performance as Trinity brings to the film a tenderness and humanity which greatly complement the high-tech milieu. "The Matrix" is a wonderfully literate film whose dialogue includes references from Greek mythology, the Bible, Christian theology, and English literature. And one of the central themes of the film--the defiant resistance to an enslaving force--is one that can be found in many of the world's great works of literature. Watch "The Matrix," and then read the 1845 classic "Narrative of the Life of Frederick Douglass, An American Slave"--you'll appreciate the film even more.
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| 7. Red Planet Director: Antony Hoffman | |
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Reviews (143)
It's the middle of the 21st century and a dying earth reaches out to colonize Mars as a last hope. Val Kilmer, Carrie-Anne Moss (The Matrix), Benjamin Bratt, Tom Sizemore and Terrence Stamp represent all humankind in the first landing on the mysterious red planet. Also on board is the extraordinary, multifunctional robo-assistant AMEE. But, wouldn't you know it, a malfunction has forced her into a relentless killing-machine mode hell-bent on destroying the crew. And that's not all the crew must deal with; barren Mars has breathable oxygen and -- other inhabitants. Like the poster says: "They didn't find life on mars. It found them." This somewhat by-the-numbers adventure is saved because it's looks great (the sets, locations and props are always credible) and the action never lets up. The striking Martian landscape is rendered vast and real and, yes, red. Recommended. (Color, Widescreen, Dolby Surround, 107 Minutes, Rated PG-13)
So why can't Hollywood make a decent movie about Mars? The latest flaccid attempt, "Red Planet", is a joyless ride through outer space that brings out every cliche in the book and pastes them together with little coherence or seeming forethought. Characters get into fights for no reason; the plot is told through flashbacks and voiceovers (the lazy man's way to make a film--why bother having people act when you can simply TELL the audience what's going on?); and the most basic laws of science are simply ignored. Here's a note to the director and screenwriters: flashbacks are not necessary to tell a good story. If you'd simply shown the scenes in order, you'd have made the characters ten times more interesting. The story, such as it is, goes like this: In the year 2057, humanity has at last overtaxed the natural resources on Earth. Desperate for a solution, we seed Mars with genetically taiored algae to generate oxygen so we can colonize the planet. Suddenly, our remote monitoring of Mars goes quiet, so a manned mission has to be assembled to check it out. Commanded by Navy Commander Kate Bowman (Carrie-Anne Moss), things go wrong for the crew of Mars-1 almost as soon as they enter Mars orbit. A freakish solar flare fries the ship's electronics, forcing an emergency evacuation to the surface of Mars. This sequence is terrific and exciting, especially the crash landing, which had members of the audience gasping for breath. Things get worse for Our Heroes, though; the ship's self-directed robot navigator, AMEE, has gone into lethal "military mode" and begins stalking the stranded astronauts, picking them off one by one. Unfortunately, this movie goes straight downhill from there. Despite the presence of stars like Val Kilmer (as self-described "space janitor" Robby Gallagher and Terence Stamp as scientist-cum-philospher Dr. Chantilas, "Red Planet" goes nowhere fast. When one of the astronauts is critically injured during the landing and insists on being left behind, do any of the others try to talk him out of it? Do they even stand around and say goodbye to him? With the exception of Val Kilmer's Gallagher, the answer is nope--they just take off. Yeah, right--you just spent the last six months with this guy and you're just going to bail on him. Some friends. By the time the final credits rolled, I found myself just not caring about the stupid, cliched plot or the stock characters or the numbskull "science" that a fifth-grader could refute. As an example, the film's explanation for what happened to the algae is in direct contradiction with even basic biochemistry. Didn't the filmmakers care? 'Cause it sure looks like they didn't even try. As Andy Griffith used to say, "I'm mighty disappointed." -terry-
1. Armageddon Out of all of these, "Apollo 13" is the best, simply because it's a true story that was made with emotional honesty and a compelling narrative. Here's everything you need to know about "Red Planet": -the best actor (Terrence Stamp) the dies first Plot synopsis: In an attempt to terraform Mars because Earth is so polluted, the "international community" has been seeding Mars with large algae mats to make its atmosphere more human-friendly. Something goes wrong, and a team is dispatched to Mars to investigate. As they enter Mars' orbit, the ship is exposed to a large solar flare, which fries much of its circuitry. Most of the crew go to the Mars surface, with the pilot staying on-board to try to save the ship. The crew jettisons the landing gear and lands, fatally injuring the surgeon/philosopher. The survivors march to a nearby base previously set up by un-manned missions. The base is kaput. One survivor kills another without the others knowing it. They discover that they can breathe the air. The pilot tells them that if they can get to an old unmanned rover several hours away, they can make it back to the ship. Along the way, one survivor goes nuts and is killed by a damaged robot navigator (jettisoned with the landing gear) and some bugs. The biogeneticist figures out why the air is breathable and kills himself before the bugs can eat him. Meanwhile, the pilot has repaired the ship. The lone survivor gets to the rover, fights the robot, steals its battery, and makes it back to the ship. End of story. There. In 15 sentences (including "end of story"), I have told you THE WHOLE STUPID MOVIE. That's it. There's nothing else to know about this movie. The premise of the conflict is wholly absurd and serves as the engine of a barely-mediocre flick. In order to make near-future sci-fi compelling. the science must be relatively sound. So here are the two big science stinkers (leaving aside the whole atmosphere issue) that make this movie wholly implausible: 1. There are things called circuit breakers and other safety devices to prevent power surges from frying stuff. All satellites and space equipment using solar panels have these devices and have survived many many solar flares. Why would they build a ship without these precautions? 2. None of the Mars survivors consumed water once they reached the surface. With demanding physical activity and little-to-no atmospheric moisture, they would have died of dehydration sometime during the second march, if not on the first day. Don't waste your time with this movie. Rent something good. Heck, if you just have to see bad sci-fi, watch "Jason X" - the visuals are just as good, and you'll be much more entertained. This movie gets 2 stars for graphical competence and having Terence Stamp utter a few lines. Can I have my money back?
The special effects are not bad. The science IS bad, and inconsistant, but since this is a movie and not a documentary, so I suppose that's allowable. I would have loved to see more Terrance Stamp. The relationships between the crew are not well explained and take unexpected turns here and there. The flashback- oh yeah - this happened - scene to explain the Kilmer-Moss relationship irritated me. Why on earth (or Mars) not show it as it happened - then we might all understand the situation. At times, I was wondering "Why are they acting like this?" Not bad - SF fans will still like it - keep expectations low. Mike ... Read more | |
| 8. Harry Potter and the Sorcerer's Stone - Spanish Edition Director: Chris Columbus | |
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Description Reviews (1789)
While I haven't read J.K. Rowling's books, it must have been chock full of detail I don't know of the movie:book accuracy ratio, but for director Chris Columbus to fit it in two and-a-half hours, it must have been a book spectacularis. Witches and wizards were persecuted throughout the ages, regarded as threats more than freaks as Harry's aunt did her sister, and more often than not, burned at the stake. With Harry Potter and the Sorcerer's Stone, the song remains the same, only this time, his uncle, aunt, and obnoxious cousin treat him contemptuously, as if he's an unwanted burden. Who knows how his life would have been without the flurry of invitations to Hogwarts School courtesy of one-day owl delivery? Fortunately, giant Rubeas Hagrid comes crashing to the rescue. The real adventure begins from there. Daniel Radcliffe gives a performance competentus and credibilis as the totally likeable title character. Of the troika of main characters, he's the most human. However, Emma Watson as the resourceful and well-read Hermione Granger steals the show wands aloft. Despite being snooty and knowing who she is, she proves herself to be a cut above others in classes (see her frantically waving on Professor Snape to call on her, and her proficient wand handling). She does have feelings, though, as she angrily stomps past through Weasley, who fed up with her conceit, was verbally cutting her down a peg to Harry, finishing with "No wonder she doesn't have any friends." If Hermione's character leads more children to flip pages instead of flipping bad guys on their PS2's or X-Box's, so much the better. Rupert Grint, as Ron Weasley, makes a good foil for both his counterparts, being a fellow explorer and Christmas holiday companion with Harry or someone for Hermione to impart knowledge. The other performer to whom this show belongs to is veteran actor Robbie Coltrane as the friendly giant gameskeeper Rubeas Hagrid. After Krull, Nuns On The Run, two James Bond movies, and From Hell among others, he has finally become a recognizable face on American shores. American audiences should have warmed up to this talented performer earlier, and that's something I should've said. As for other veteran actors, Richard Harris, Maggie Smith, and Zoe Wanamaker do wonders as the professors of Hogwarts, but Alan Rickman turns in a solid performance as the sinister Professor Snape, who doesn't seem to like Harry all that much. People, (or should that be muggles?) this is one movie specialus. The special effects, while spectacular, do not detract from the character development or dialogue, like certain films I'm not going to name. They merely support the magic whether it's the entrance to the square or the action scenes, such as the Quidditch match. Well, review terminatus, and see you at the theatres for the Chamber of Secrets
Richard Harris, Maggie Smith, Robbie Coltrane and Alan Rickman help to back up the principal child stars and give this film some real presence. Daniel Radcliffe is rather flat as Harry Potter and Emma Watson, as the precocious Hermione Granger, is excessively theatrical and both are shaded by Rupert Grint who is excellent in the role of their cynical friend, Ron Weazley. No doubt all the child actors will improve with time, given that they stay with the series. At the moment they are still finding their feet. There are plenty of special effects to amaze and amuse and I can't imagine how such a film could have been made without them. The cinematography by John Seale, ACS, is excellent and the whole film has a very pleasing look. The two-disc DVD set has many extras, some of which seem to require an intimate knowledge of magic to access. On the whole, I thoroughly enjoyed this film and I wait with baited breath for the sequels. It is not a five star film; I did not expect it to be, but it certainly rates considerable merit. I have yet to figure out why WB chose to release it as anything other than "Harry Potter and the Philosopher's Stone", since that is both the title of the original book and the title of the film in any other market than the US. Apart from a few little blemishes, an excellent movie. Kids will give it five stars; parents will enjoy it, too. Thoroughly recommended.
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| 9. Blade Director: Stephen Norrington | |
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New Line gives "Blade" an outstanding "Platinum Edition" presentation. The film is presented in its original 2.35:1 widescreen format. The DVD has a fine video transfer with rich colors and excellent sharpness. The 5.1 Dolby Digital sound is truly clear with amazing surround effects. Its supplemental features include a detailed audio commentary by cast and crew, deleted scenes, behind-the-scene featurettes, production designs and DVD-ROM extras. With such winning presentation and great supplements, "Blade" earns a solid "B+".
Wesley Snipes is not one of my favorite actors but he did a great job playing the role of a dark and mysterious warrior, he is almost bounty hunter like. Blade is a major vampire hunter, and has a really deadly arsenal of weapons, mainly consisting of a big sword that he uses to slash vamps. Blade prowls the city streets and underworld at night seeking the growing number of vampires that are planning to rule the earth. His strength and skills are heightened because of his genetics- he is part vampire. This idea works well for me, you have to be able to explain how he is able to be so successful as a hunter, how he can identify the vamps and over power them. Along with a new found female companion, Blade is lured into the final confrontation that will determine the fate of the world. Nothing new here, but the big showdown is well done and holds your attention till' the cliffhanger climax. When these vampires die they puff up and explode, I've seen a few vampire movies, and I would have to say that Blade easily beats "John Carpenter's Vampires" and "Fright Night" which are two of the most popular ones, but it's not a fair fight since Blade is more action than horror. Blade is a movie that oozes coolness, I would describe it as a mix of the Batman films, The Matrix, Highlander, Fist of the North Star, and From Dusk Till Dawn. I highly recommend it.
The world is secretly under the control of vampires (much like in the Vampirella stories). Blade was born of a woman who was dying from vampire bite. Thus he has many of the vampire advantages without the limitations. He has teamed up with Kris Kristofferson who was also a vampire hunter and has weapon making skills. Together they are waging a war against the vampires. The vampires are led by a council of vampire family heads. There are two types of vampires: those born as vampires and those turned from humans by a bite. The leader of the made vampires is tired of ruling from behind the scenes and is pushing for vampires to take overt control. The ancient leaders are very wary of such actions. But the made vampire has a plan for vampiric triumph. Some ancient vampire texts hold amazing secrets but the secret of translation has been lost long ago. Computers have made it possible to learn these secrets a la Jennie Calendar. The text reveals the existence of an ancient vampire device that can bring about the Blood God. It is to this end that the head of the made vampires is striving. With the sacrifice of the heads of the ancient vampire houses, he can become indestructible. His plans are carried out and Blade must find a way to defeat him. While this movie has the trappings of vampires and vampire slayers, it is really an action flick with the emphasis on Blade's fighting style. There really are some very good moves here. The rest of the film is pretty good but not excellent. I am usually pretty indifferent to most of Snipe's movies but he seems to be well-cast in this role. There are many good reasons to see this film but it is on the violent and gory side so be warned.
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| 10. Shrek Director: Vicky Jenson, Andrew Adamson | |
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It is easy to see with every kind of company. It's sweet, it's bitter. It's plenty of laugh and plenty of love. Music is really a big part of the film and every tune is perfect. I don't know of anybody who dislike this film. Extremely enjoyable. ... Read more | |
| 11. Superman IV: The Quest for Peace Director: Sidney J. Furie | |
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After a poor test screening, it was decided that more than 35 minutes of footage would be edited out, leaving us with a very poorly edited film---filled with obvious plot holes that left some viewers scratching their heads. Another problem was the fact that the effects budget was slashed and boy does it show. The Salkinds refused to sell the equipment that made Reeve "fly" so well in the past, to the new producers, which also hurt the look of the film...At least original cast members Margot Kidder and Gene Hackman were both recruited to return to active duty. Made at a time when President Reagan challenged Gorbachev to tear down that wall, the film takes a look at how our hero might deal with a still raging cold war. Superman (Reeve) is asked by a young boy to, "rid the world of all nuclear weapons" Troubled that Earth may suffer the same fate as Krypton's, he agrees, and for a time our world is safe. Lex Luthor (Hackman) has other plans. He decides to create a Nuclear Man (Mark Pillow) to defeat Superman once and for all, while rearming the world for his own financial gain. It's a shame that the film has so many problems. Still, I wouldn't mind seeing the uncut version of the film anyway, and then let the chips fall where they may. Directed by Sidney J. Furie, Superman IV gets higher marks than third movie, because of Reeve and the return of Hackman. Both actors elevate the film in ways that Richard Pryor could not in Superman III. The theatrical trailer is the DVD's only extra. With the relaunch of the franchise taking forever, let's see both Richard Donner's version of Superman II, and Superman IV uncut.
The special effects are B-Movie like and don't help the movie much either. Plus on top of it the movie is directed like a day time soap opera and seems like one too. It even has a date scene where Superman has to try and have a date with Lois Lane and Lacy Warfield (Mariel Hemingway) at the same time. That's lame and doesn't give Christopher Reeve and Margot Kidder a chance to form any of the great chemestry that they had in the first 2. Just like in part 3 Lois is used as just a side character basically. All the actors still try hard, especially Gene Hackman. They just didn't have a good script to work with. It's too bad that Christopher Reeve can't do another with a bettter story and direction to make up for this one.
Cause of its terrible cuts, the story appears to jump and some voice overs can be seen in the film. I beleive that if Superman 4 remained at its 134 min version, Superman 4 would have been a far greater success. According to film resources the extra footage no longer exists. But there was budget restrictions on Superman 4 which is why it was totally filmed at Pinewood Studios. Superman 4 The Quest for Peace actually feels more like a TV movie than an epic blockbuster. A poor end to what started out as a great series of films. ... Read more | |
| 12. Godzilla Director: Roland Emmerich | |
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| 13. Alien Resurrection Director: Jean-Pierre Jeunet | |
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our price: $12.98 (price subject to change: see help) Asin: 6304844956 Catlog: Video Sales Rank: 62551 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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I would love to see Jeunet tackle the sci-fi genre again, maybe a film where he could harness some of his own vision in the story, as well as in the direction. Terry Gilliam's 'Brazil' was a wonderful example of how a highly imaginative director could create his own pseudo-sci-fi world without the cuddly trappings of George Lucas. If you're a sci-fi comic book fan then, 'Alien Resurrection' is definitely one to see.
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