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| 141. Mysteries of Deep Space - PBS Home Video (Exploding Stars and Black Holes/The Search for Alien Worlds/To the Edge of the Universe) | |
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Description Reviews (1)
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| 142. Life of Leonardo Da Vinci | |
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Reviews (12)
Leonardo Da Vinci was a tragic figure to whom painting came as natural as breathing, giving his portraits a life like quality that was niether equalled nor excelled even by his contempory, Michaelangelo. Da Vinci's fascination with mechanics, anatomy, the weather, flight, and all are well presented in dramatic fashion, allowing the viewer to share in his inpiration and lament in his sorrow at not having accomplished all he had hoped to with his brilliant mind. Leonardo Da Vinci's competition with Michaelangelo is all well documented. Questar's presentation is well worth the money spent on it. In my opinion it is priceless and should be viewed by all who love and study the Renaissance and Leonardo Da Vinci.
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| 143. The Buccaneers | |
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Reviews (33)
The movie opens in America where the girls are scorned by the old money for being new money. One of the girls manages to attract the eye of a black sheep second son of an English lord, and the rest of the girls follow her to England after her marriage. The hope is that after spending a few months in the esteemed society of the English nobility, the New York aristocracy would have no choice but to accept the girls and their families into NY high society. While this would have worked, in England, however, things do not go as planned. Unlike Jane Austen's movies, where the girls always make good marriages in the end, and the bad marriages are always portrayed in a comical way, The Buccaneers portrays events in a much darker, more realistic way. The aristocracy (which at this point in history is suffering, financially) is preying on the young women for their money, and the young women, some of them, are stalking the men for their titles. Most marriages are not made for love, and even in those that are, there is a price to be paid to maintain respectability. With main characters also including a governess, a high-priced mistress, and an un-married matchmaker, this movie also explores the alternatives for women who didn't wish to marry, and the very stiff consequences facing a woman who wished to be free. This is a beautiful, provocative movie.
Unlike Jane Austen's movies, where the girls always make good marriages in the end, and the bad marriages are always portrayed in a comical way, The Buccaneers portrays events in a much darker, more realistic way. The aristocracy (which at this point in history is suffering, financially) is preying on the young women for their money, and the young women, some of them, as stalking the men for their titles. Most marriages are not made for love, and even in those that are, there is a price to be paid to maintain respectability. With main characters also including a governess, a high-priced mistress, and an un-married matchmkater, this movie also explores the alternatives for women who didn't wish to marry, and the very stiff consequences facing a woman who wished to be free. This is a beautiful, provocative movie.
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| 144. Keeping Up Appearances (Angel Gabriel Blue, Rural Retreat, Sea Fever, Entertaining the Hyacinth Way) | |
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| 145. Elvis - The Concert Collection ('68 Comeback Special, One Night with You, Aloha from Hawaii) | |
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Amazon.com Five years before he achieved broadcast history with his legendary 1973 globalsatellite telecast, Aloha from Hawaii, Elvis Presley brought a lessgrandiose but far more urgent mission to '68 Comeback Special. Isolatedfrom his original audience after a long sojourn on Hollywood soundstages, andthreatened by the vibrancy and social gravity of rock, the King sought nothingless than to reclaim his throne. Now this Christmas season network special loomsas the Memphis icon's most substantial achievement as a stage performer. If thecandy-colored sets and hyperactive choreography of its larger production numberssmack of its network packagers' desperation to be hip, Elvis himself rises to ariveting, assured performance at the peak of his powers. Looking fit andrelaxed, and sheathed in black leather, he covers a shrewd song listencompassing early rockabilly hits, gospel (albeit rendered unintentionallyhilarious by its florid dance routines), and comparatively restrainedballads. Originally taped for '68 Comeback Special and never seen during hislifetime, the astonishing live performance One Night with You couldaccurately be described as Elvis unplugged. Taped in a small studio, the sessionis a no-frills, intimate presentation of the Memphis rocker jamming with four ofhis earliest band mates, revisiting early favorites in a relaxed and unrehearsedsetting. With the musicians seated in a circle, facing one another whilesurrounded by a small but rapt audience, One Night with You is farremoved from the more conventional staging seen elsewhere in his videography.Elvis's warm interaction with his old allies meanwhile refers directly back tohis earliest stage and TV work in trio and quartet configurations. For fans, thecomeback special itself still looms as an unsurpassed feast of Presley music atthe artist's peak. But this 53-minute companion, first aired by HBO, stands onits own as the tenderloin. Fans still remember the ambitious 1973 network TV special Aloha fromHawaii as a zenith in Elvis Presley's performing career, punctuated by itsextra-musical achievement as the first global satellite broadcast devoted to asingle entertainer. Both the broadcast and its companion album captured the Kingin his most grandiose persona, fueled by Hollywood scale and Vegas glitz, as acaped pop superhero. He may have looked trim, but posthumous accounts confirmwhat a second look suggests--on this evening, Elvis was alternately overwhelmedand distracted, bravura renditions of signature songs (most triumphantly, the"American Trilogy" medley originated by Mickey Newbury) offset by less-focusedreadings. Fans may still savor a generous and diverse song list, but viewedbeside Presley's earlier, more consistent performances, this legendary concertanticipates Presley's imminent decline. --Sam Sutherland Reviews (1)
Five years after the mighty Comeback, he did another TV special, "Aloha From Hawaii." This one is missing songs too, but is a highlight of Elvis' '70s career. These three Elvis videos are among the best concert films you can get. ... Read more | |
| 146. Best of on the Road With Charles Kuralt | |
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Reviews (1)
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| 147. Joseph Campbell - Mythos, Vol. 2: The Shaping of the Eastern Tradition | |
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| 148. Desmond Morris' The Human Sexes | |
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Reviews (2)
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| 149. The Simpsons Political Party, Boxed Set | |
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Amazon.com Reviews (12)
Even when he's relegated to the sidelines, Homer Simpson is the glue that holds this marvelous achievement of pop culture together. The ultimate selfish, oafish, boorish, and just about every other pejorative -ish you cand find, Homer's sole redeeming quality is his childlike quality and this, ultimately, is why he is such an endearing character. Comparisons to Archie Bunker are misplaced. Homer may be ignorant, but there isn't a mean-spirited bone in his body, that ultimate tribute to flabbiness. The episodes in this volume, given their "political" nature, include some of the most subtle, intelligent and all around hilarious writing in the show. That such a marvelous, rich and textured piece of entertainment came out of TV is little short of a miracle. Buy this now and enjoy it in the intimacy of your home with a cool, refreshing Duff beer.
However, for a mixed-bag collection, this box set is admittedly a good buy.
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| 150. Keeping Up Appearances - Giftset 1 (Rural Retreat/Sea Fever/Angel Gabriel Blue/Entertaining the Hyacinth Way) | |
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Reviews (8)
Patricia Routledge as "that Bucket woman" is arguably the second-greatest TV comedic actress of all time (I supposed Lucille Ball would have to get a nod for first place). Certainly she is the greatest British actress in a comedy series. Her timing, expressions and mannerisms are simply superb. Her interplay with Richard, played divinely by Clive Swift, is always absolutely hilarious. How many times will you say, "poor Richard!" while watching Hyancinth's ridiculous social-climbing antics? And my favorite character of all, the fat, sloppy guy with a heart, Onslow, played to perfection by Geoffrey Hughes. Don't you just love how he always says "Oh... nice!" with that delicious sarcastic edge? They're all here: beautiful, dipsy Rose, the sex-addicted Daddy, the McCartneyesque Vicar and his cute-as-a-button wife and the cringing neighbors. It's impossible not to fall in love with the entire ensemble cast. This is television without equal and the quality on this casette is exceptional. Enjoy it as much as I have.
Just the introduction of each episode will clue you into everything that you need to know to enjoy the show to its max.
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| 151. House of Eliott | |
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Amazon.com Reviews (16)
It is such an accurate document of the fashions of the time. I love the clothes from the 20's and have been trying to recreate them. This series has helped me tremendously. I am quite sure there is a second series, which I have not seen, and would love to get the videos (if they are out). This is must see if you are a 20's sort of person, it will surely delight and help.
"The House of Eliott" concerns the two sisters' struggle to make a name for themselves in the face of poverty, officious, patronising relatives and social values that inevitably work in favour of men. Using their talents for dressmaking, and dealing with life and relationships at the same time, the Eliotts eventually set up a fashion house. There are clues dropped in the first episode, as we see the sisters sketching out designs in a cafe, which indicate where their future lies. "The House of Eliott" is an entertaining drama that isn't purely about fashion. Issues like class, etiquette and the perils of fragile romance are also covered. It can also, on a superficial level, teach you how to deal with clients and run a business. Even though I know next to nothing about fashion (there was a time when I thought "chic" was pronounced "chick"), it's worth watching to see how the sisters will overcome the next obstacle Fate puts in their way. My mother's cousin is also an award-winning fashion designer, so there's a link there too. "The House of Eliott" is currently being shown on television on Sunday evenings at 6.30. We are now up to the third series. I keep thinking of the comedy sketch done by Dawn French and Jennifer Saunders, "The House of Idiot". That was a parody with French (as an overweight Evangeline) and Saunders (as a clueless Bea) combining bits and pieces from numerous episodes, as well as adding some obvious anachronisms. The central story involved a crisis over some missing buttons, while Jack Maddox was repeatedly fobbed off by Bea. French and Saunders got a shock when the real Eliott sisters (and Tilly) made a surprise appearance. I'm not sure how realistic "The House of Eliott" is, as I'm too young to remember the 1920s, but the show still makes compulsive viewing. Acting, costumes and plot are all high quality.
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| 152. Ally McBeal Boxed Set | |
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Reviews (58)
For you hardcore Ally fans I'll give you some handy advice. Save up for a multi-region dvd player or a computer that plays dvds. Go on over to amazon.co.uk and purchase the season box sets! Good luck!!!
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| 153. That Girl Box Set | |
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Reviews (18)
This first collection of episodes is an attempt at capturing an overview of the series. While this effort is for the most part successful, it could have been arranged better. Anchor Bay should be applauded for including nine episodes of "That Girl" on this first release. Total runtime is a whopping 225 minutes. Compare that to Star Trek's standard two episodes per DVD. Instead of being arranged in chronological order, the episodes are subdivided into three thematic groups, which may not have been the best idea. The series first aired in 1966, and ended in 1971. During that time, the characters, particularly Ann and Donald undergo significant changes in appearance and wardrobe. There is no mistaking the Ann of 1966 with the Ann of 1971. By not following chronological order, we see the characters changing appearance significantly between some episodes, disrupting continuity. Also, two consecutive episodes feature instances of Ann's employer making a pass at her. Once again, a little more thought could have gone into how the episodes were arranged. These are minor quibbles, but as a result, the overall flow of the episodes is somewhat uneven, and doesn't feel quite right. For any future releases, I suggest that the episodes be arranged closer to chronological order. The fact that there are no bonus materials is also a major disappointment, especially as this is the first collection of episodes to be released. The printed booklet is a good start, but this series deserves much more. A series retrospective would have been nice. An interview with Ms. Thomas, the only member of the principal cast who is still with us, would have been appropriate. Anchor Bay should be aiming to build the audience for the forthcoming releases. Overall video quality is very good, although focus does suffer at times. Despite these criticisms, "That Girl" is not to be missed. Take a trip back to a world far removed from today. The signature hairstyle, the music, the bowling ball stuck on the toe, and Ann dancing in a chicken suit, are all waiting for you. Experience the charm of "That Girl". Can't wait for Volume 2.
1. Don't Just Do Something, Stand There 2. Anatomy of a Blunder 3. Counter Proposal 4. Call of the Wild 5. Nobody Here But Us Chickens 6. The Snow Must Go On 7. This Little Piggy Had a Ball (Rob Reiner and Teri Garr have a cameo) 8. Pass the Potatoes, Ethel Merman (guest starring -- you guessed it -- Ethel Merman) 9. Those Friars (Milton Berle and Danny Thomas guest star) As for my opinion on the disc itself, I think it's a nice, well-rounded grouping of some of That Girl's best moments. Watching this disc, I like the show even more now than I already did. It was interesting seeing how Donald met Ann Marie, and the very funny episode where Donald is supposed to meet Ann's parents for the first time, but a run of bad luck seems intent on ruining any good first impression he might make on them. The episode where Donald finally proposes to Ann is included on here as well. Another thing I found interesting was seeing how much fashions changed during the show's run.
Thanks!
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| 154. The Samurai Trilogy | |
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Description Reviews (16)
First, the "darkness." I think it could've very well been prevented through editing, but the publisher neglected this. You cannot see half the movie due to overwhelming darkness. This is especially bad when it comes down to the fighting scenes, where you cannot see anything at all. It's extremely frustrating not being able to see. Second, I will say that the story roughly follows that of the book, Musashi - by Eiji Yoshikawa. You get the overall story, but there are a ton of things that have been changed for the sake of the trilogy. I really think that the film has deviated far too much from the book which it is based. Read the book and you will surely know what I mean. It would be best to wait for the various Japanese TV series on this story to come to the US (or seek them out from overseas) than to buy this. It's nice to see Toshiro Mifune, but it is a shame to see something that could've been done much better. I think the biggest fault lies with the publisher.
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| 155. The Sensual Art of Bellydance (Boxed Set) | |
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Reviews (36)
I have Basic Dance and Mystical Dance. I enjoy both tapes, although, I find Mystic Dance easier to follow. I think it's because the movements on that tape are slower and more sensuous. The routine you learn on the Basic Dance tape is fast and sort of perky (well, as "perky" as belly dancing gets). I'm just not confident enough in my movements to go that quickly. But, I do enjoy both tapes and the instructional methods in both of them. Neena and Veena are excellent instructors, who clearly and carefully demonstrate each movement. The sound quality is also excellent. Both music and voice-overs for instruction are bright and audible. I'm really looking forward to being able to afford "Beyond Mystic Dance", although, I'm saving to get the whole set on DVD.
I have become an ardent fan of bellydance in the last three months. The greatest appeal, for me, is the lack of complications to this exercise. No weights, mats, or any other special equipment is required. You can wear traditional fitness gear, or wear a dress, or wear nothing at all. It is movement and stretching that feels good all over!!! The Bidasha twins have single-handedly (or double-handedly) changed my life. I feel very differently about my body (I'm severely overweight.) This art form makes me feel fit and beautiful and I am losing weight and building muscle tone. I made the error of purchasing the videos seperately. Believe me you may as well purchase them all. However, my one complaint is regarding Mystic Dance which has less actual dancing and teaches more hand gestures and veil movements. Still, all of this adds to character and expression when you dance so it is still valuable. For the most part, the pictures were very clear and audible and the movements were demonstrated in an understandable fashion. Occasionally, I thought the cameras focussed more on the dancers' upper body and faces when I really needed to see the whole body, but this was really rare. I also reccommend Bellydance Fitness for Beginners if you feel silly purchasing a Bellydance instructional tape. These are quick and uncomplicated thirty minute workouts that give you energy and tone you up. Believe it, if you hate exercise, this is the workout for you!
I don't keep up with exercise very well, but I've been working out to tape one for a year now. I feel as if I have mastered it so I have just moved on to the second tape. Both tapes have been challenging and fun. Also I'm losing weight, and hey that's always a bonus :) But the best thing of all is how you feel during and after. The elegance that is associated with bellydance can lift anyone's self image... and this is coming from someone with a very large "image" ;)
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| 156. Victory at Sea-Collector's Set | |
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Reviews (13)
Starting with "Prelude to War," each episode of the series focuses on a distinct naval engagement or campaign in the Second World War. Captured enemy film from various Axis sources enhances the vast collection of U.S. Navy and other Allied and private sources used to compile each episode. The narration by Leonard Graves is superb and the writing for the narration is equally prominent. Narration is always just right and never excessive allowing the viewer to relish the award-winning musical score with its familiar and sometimes haunting refrains. Three long-playing recordings of the original soundtrack and variations thereof from the series were released in the heyday of "high fidelity" recordings. Soundtrack CDs are currently available for those who enjoy the music as much as the video images. All footage is in black and white and there are some technical "deficiencies" for the purists among the viewing audience. However, considering the series made its television debut in 1952, the historical accuracy, content and balanced perspective are truly remarkable. In the episode centered around the climactic naval and island battle for Okinawa, Leonard Graves describes the kamikaze threat to the U.S. fleet off the island as a "duel between gunners who fight to live and pilots who fight to die." There is no judgment of kamikaze fanaticism a mere seven years after the end of the war. Episode after episode, it is a factual account of what occurred on the vast oceans and seas of the world without political inclination of any sort. "Victory at Sea" is a true classic documentary of American television with the bonus of one of the most enduring soundtracks of any film presentation of any kind. It is a mandatory addition to the video library of anyone interested in World War II -- especially all aspects of the war at sea. Selections from the series should be used to educate the youth of the nation in the secondary schools to convey the scale and sacrifice of so many six decades ago.
Skip this dinosaur and go directly to World at War, the great BBC series from the 1970s.
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| 157. The Avengers '65: Set 2 | |
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Amazon.com Reviews (4)
For those who miss the earlier Honor Blackman crime melodramas in the series, "The Murder Market," "Two's A Crowd" and "Dial A Deadly Number" will fit their bill. "A Surfeit of H2O," "The Hour That Never Was" and "The Man-Eater of Surrey Green" provide a bit of sci-fi and action/adventure, and "Too Many Christmas Trees" - a favorite in anyone's book - is a wonderful psychological suspenser in the espionage/murder vein. But better than all of that is simply the magnificent chemistry between stars Patrick Macnee and Diana Rigg, which livens-up even the weakest episodes in the series with wit, humor and a great abundance of charm. Rarely has any show been so graced with two such appealing actors, let alone writers sparkling enough to make adept use of their native talents. There is a depth of feeling, commitment and moral fortitude, in the characters of John Steed and Emma Peel, that is rarely seen anymore, and is sorely missed. Enter the world of The Avengers - or reacquaint yourself, if you're already a fan - and immerse yourself in excellence.
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| 158. Landmarks of Western Art | |
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| 159. Horatio Hornblower - The New Adventures Director: Andrew Grieve | |
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Reviews (20)
Likewise the stories and acting are fabulous. Horatio is given command of the Hotspur and is forced to deal with a new crew (with some old faces), the French, spies, and rebel Irishmen. Coming through with flying colors, Hornblower tackles the unthinnkable - marriage. This second film, Duty, is the best of the series. The central theme of 'duty' is so thoroughly woven into the fabric of the story that almost all of the relationships in the narrative are faced with the question of duty. Ioan Gruffud continues to give a truly inspiring performance as Captain Hornblower. He continues to let the character grow and mature, while at the same time maintaining the core identity of Hornblower - an honorable, intelligent, courageous soldier who is wholeheartedly devoted to Britain and her navy. The relationship between Hornblower and Admiral Pellew continues to become more of a father-son relationship. Paul McGann (of Doctor Who fame, among many other things) returns as Lt. Bush. McGann gives a strong performance as Hornblower's second in command, showing that that he is more than capable of both being a leading man and an excellent supporting character. Something that many may find as a negative is the lack of totally new music. Much of the score seems to be a reworking of the major musical themes found in the first four films of the series. Personally, I find this a 'plus.' It helps establish a certain continuity to the series that is nice. I always find myself grinning when the "Horatio has done it again" theme begins playing across the cheers or astonished looks of the other characters! For those of you who have seen the Gregory Peck film, Horatio Hornblower, the A&E series is just about to catch up (chronologicall) to the events portayed in that film. Let's hope that A&E continues producing the films until the complete life & times of Horatio Hornblower are done with such excellent acting and production values! Hip-hip Horay! Hip-hip HORAY! HIP-HIP! HORAY!
Those who dig rip-roaring stories of the sea will enjoy this one. The writing and direction are excellent. There is enough historical information to please purists. There are swordfights, spies, war, cannons, Napoleon, and enough things blowing up to please action fans. Still, the series is suitable for older children, as the violence is rather tame and the lack of sparks between "Horrie" and the dumpy Maria translates into prim kisses but little else. The relationship between Hornblower and his superior, Admiral Pellew, is distinctly father and son, and between Hornblower and his second-in-command, Lieutenant Bush, distinctly brotherly. Shades of gray do not appear in Forrester's stories as A&E has brought them to the screen; characters are mostly polarized as good or bad. The turncoats aboard Hornblower's ship are entirely devious, the loyal ones entirely good. The somewhat priggish Hornblower is idolized near-completely by his crew, especially when he throws himself on a bomb thrown on board the Hotspur and claps it out with his hand-knitted gloves (two guesses who lovingly knit them). Then he orders it thrown overboard. Why not just throw it overboard to begin with? Then he is too modest to mention it in his report to the Admiral. When Maria reads of his bravery later, she starts blubbering, as per usual. I love Julia Sawalha, and she does her job well here, as Maria is too googly for words. The effects aren't half bad, but the same picture of the harbor standing in for Portsmouth every time got a bit tiresome. Comic moments abound, my favorite being with the hapless Styles, who gets into trouble at every turn. "Who's first down the privy, then? Styles?" Barbara Flynn as Maria's conniving mother and Hornblower's landlady, seems to have trotted directly out of a William Hogarth illustration, albeit she's about fifty years out of date. Also brilliant is Greg Wise as Major Cotard, the Frenchman "frog dandy" who Hornblower suspects may not be on the side of the British after all. He is almost, but not quite, as dashing as Mr. Gruffudd, who appears to have a nifty little franchise going here in the upright Hornblower. Let's hope he gets a spirited woman companion to loosen him up a little in later episodes. All in all, most will enjoy the story, acting, and production values. It appears to remain true to the novels. Rent it or buy it, you will not be disappointed.
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