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| 41. The Story of English, Programs 1-9 | |
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Description Reviews (6)
ps A very unique feature is that they go to the workplace to hear each variety of English speaker. The common man tells his story and you learn "how" he tells the story. The sub-titles are used to help us make sense of the dialect and "slanguage" as it exists. It is a living oral-biography of the language and the people. This is a loving tribute from start to finish. pps Don't listen to that mook from the not-so great white north.
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| 42. The Duchess of Duke Street, Vol. 1 | |
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Reviews (10)
Gemma Jones, as Louisa, is simply stunning in the role, ably supported by a raft of those fine English character actors whose faces you will recognize with delight, if their names escape you. Like "Upstairs, Downstairs," this series is the REAL DEAL; historically accurate, poignant, hilariously funny, sometimes tear-jerking, as we watch the ups and downs of Louisa's fortunes (and England's) from 1900 to the mid-'20's. The current five tapes cover the period roughly 1900-1910, from the beginning to the end of the Edwardian Age. Further episodes of the series, which went through the First World War and into the Jazz Age, will hopefully be released in due course. This is a definitely not-to-be-missed and you'll-see-it-over-and-over series for those who love the best in British history on video!
Nevertheless, she indeed rises to become a first-rate and much-sought-after cook and the proprietor of London's exclusive and very expensive Bentinck Hotel on Duke Street. Louisa owes much to Bertie, the Prince of Wales, with whom she has a brief affair. But she owes the bulk of her success to her own hard work and determination. The series spans some 30 years, throughout which we are privy to everything the hotel has to offer--from encounters involving aristocrats to the personal problems of the servants. Of course, it is Louisa's life that is at the forefront, and she must make some tough choices as she deals with crises of her own at both a professional and a personal level. A feisty and independent young woman, Louisa is more than capable of taking care of herself, and she's played to absolute perfection by Gemma Jones. So convincing is she as Louisa Trotter that it's impossible to imagine anyone else in the role. As a point of interest, the character was based on a real-life individual named Rosa Lewis, a mistress of the Prince of Wales who set up a London hotel called the Cavendish. She died in 1952 and was personally known to John Hawkesworth. Louisa is joined by a motley group at the hotel. The oldest servant, a butler named Mr. Merriman, came with the hotel when she bought it. He's a perennially wingeing old codger who one expects will keel over at any given moment. Then there's the new doorman, the mysterious Mr. Starr, with his trademark squeaky shoes and fox terrier Fred (upon whose supposedly unerring judgement Starr bases his opinion of potential guests!). Another fixture on the show is the Major (Richard Vernon of Sandbaggers), a decent and well-connected but destitute old war horse for whom the Bentinck has become home. Of course, one mustn't forget Louisa's right hand, the devoted Welsh servant, Mary; or Charlie Tyrrell, Lord Haslemere, a man with a permanent residence at the Bentinck and to whom Louisa owes much. In addition to the regulars, fans of British television will enjoy guest appearances by Robert Hardy (All Creatures), Anthony Andrews (Brideshead Revisited), and Joanna David, amongst others. The series was produced between 1978 and 1980, and the entire series is presented in two video boxed sets. The series was originally televised in episodes of roughly 50 minutes each. For some reason, when releasing the series on video the BBC decided to run three episodes together on each tape, thus creating one long episode of approximately 150 minutes per tape. The editing, however, is beautifully done--apart from a gentle shift in the storyline (ie. old characters gone and new ones arriving), it is impossible to tell where one episode ends and another begins. Overall, the quality of the videos is excellent. In conclusion, this is one of the best period dramas ever produced. Fans of British period dramas in general--of shows like Upstairs Downstairs, for example--are sure to enjoy it. But I'd go so far as to recommend it to anyone looking for a captivating, well-written, and consummately-acted series. This truly is quality entertainment at its very best!
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| 43. Living Planet | |
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Reviews (3)
This title covers just about every life form known to man, from the highest peaks of the Himalayas to the deepest troughs in the Atlantic ocean. The magnitude of what is presented is astounding, but still not overwhelming. Combined with the lively and interesting commentary by renowned ecologist Sir David Attenborough, this is one of those videos that will keep you spellbound for its entire length, after which you will be sorry that is has ended. Then al the more reason to watch it again . . . The video starts with the beginning of life on earth, and how the continents were formed. Then it shows how previously barren, lifeless areas on earth (like Mount St Helens and Krakatau) are slowly being re-colonised by plant and animal life, just like it was done millions of years ago. The video then proceeds to explore the different kinds of life forms on earth, and their relevance to their world. This title is certainly not the cheapest around, but it certainly is worth every cent that you spend on it. What's more, is that it manages to be interesting to both young (pre-school) viewers, as well as those a little older in life. Buy this video and enjoy it - you won't regret it!
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| 44. The Sopranos - The Complete Third Season | |
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Description Reviews (85)
But, because the central components are so strong, there is plenty of room for play - in the way narratives are set up to encourage then defy expectations; in the interplay with canonical gangster texts, especially 'The Godfather'; in the consistently creative use of music - for mood and to emphasise character, yes, but also to create ironic distance, to add montages of 'commentary' over the stories, to connect apparently disparate scenes, to add a depth of texture. Because it is in texture that 'The Sopranos' has really developed - the recklessly confident film-making; the layered scripts; the rich dialogue; and the knowing acting combine to create programmes of truly, yes, operatic density. There are a number of new plot developments in this series - Meadow goes to Columbia University; the FBI (in a supremely funny handful of episodes) attempt to bug the Sopranos; the Russian mafia grow in menacing importance; Janice takes up with a Christian musician; Anthony Jr. becomes increasingly unmanagable at school and at play, but proves an unexpectedly skilful footballer; Ralph (Joe Pantoliano) replaces Richie Aprile as the major made-guy thorn in Tony's side; Carmela feels increasingly guilty about her mob-financed luxury; Tony begins an affair with a beautiful, smart, successful car saleswoman (Anabella Sciorra) who has even more mental problems than he. Most crucial for the series is the role of Jackie Aprile Jr., college-mitching son of Tony's former mob boss and best friend, who wants to see some of the criminal action, and starts dating Meadow as a spectacularly misjudged entree. The major weakness of the second series - the tokenistic continuation of the Dr. Melfi framing scenes long after they've outrun their dramtic usefulness - is corrected by both bringing the psychotherapist (dangerously) closer to Tony's life, and by having Carmela join in the sessions, to comic effect. There is a brooding, elegiac feel to the series, with Tony thinking not just about his mother, but his dead friends, Pussy's actions in the last series, and the future possibilities open to the younger generation. If nothing else, Series 3 boasts the best-ever episode of 'The Sopranos', directed by one Steve Buscemi, which begins farcically, with Paulie and Christopher accidentally killing an irate Russian, and bungling the disposal of his body in a snow-wasted forest; before turning into a nightmare, as they lose their bearings after the corpse runs off, and they are stranded in the middle of nowhere. Loosened from the secure ties and identity-affirmation of family and Family, the episode brilliantly encapsulates what's at stake in the series, as unforgettably as the immortal 'Seinfeld' episode when the quartet can't find their car in the shopping mall car park.
The introduction of Ralphie Cifaretto to the show (played outstandingly by Joe Pantoliano), the hilarious and well acted Pine Barrens episode, the great chemistry and high drama between Tony Soprano & Gloria Trullo (Anabella Sciorra), and Jason Cerbone as Jackie Aprile (nice plot line involving him and besides he's great eye candy), the return of Janice, Carmella's scene in the male psychiatrist's office when she briefly confronts the reality of her life. It's just fantastic and like the entire show so far, it's a must see. Although some were disappointed with Season 5 and truthfully it could have been better, the Sopranos continues to be complex and quality TV. It's more than just a mob show, for sure.
There are some major plot developments this season. Starting off slowly, the first episode chronicles the synchronized, often comical efforts of the FBI, which is trying to get an electronic surveillance bug in place in the Soprano's household. The season then heats up considerably from thereon. Livia Soprano, Tony's wicked mother and a canker in her children's lives, dies, bringing daughter Janice back from where she had fled, after she had bumped off her manic boyfriend, Richie Aprile, last season. Janice returns with a narcoleptic, musician boyfriend who is the antithesis of Richie. As always, Janice likes to stir up trouble, and her mother Livia's wake and funeral services are fertile country for her new machinations and self-importance. When she tries to stir up trouble with Livia's one legged, Russian caregiver, which leaves the caregiver searching for her missing prosthetic leg, however, Janice soon discovers that she has gone too far, and her chickens come home to roost with a vengeance. Meadow, the Soprano's daughter and eldest child, a college student at Ivy League Columbia University, gets a new boyfriend, Noah Tannenbaum. He is handsome, intelligent, and articulate, and Tony hates him on the spot for reasons the viewer will quickly discern, as Tony pulls no punches with Noah. This will create a certain amount of tension between father and daughter, and an estrangement ensues. When Noah breaks her heart, Jackie Aprile, Jr. is waiting in the wings with her parent's blessing, and Meadow goes from the frying pan into the fire. Anthony Soprano, Jr., the Sopranos' other angst ridden teenager and youngest child, who has turned out to be an unexpected gridiron wonder, is also sowing his wild oats, getting himself in deep trouble at school, much to his parents' anger and dismay. When Anthony, Jr. continues in this vein, there is a big surprise in store for him, causing him to undergo a major life change. He is not, however, the only Soprano family member to do so. Tony finds himself head over heels with Gloria, another of Dr. Melfi's patients. A Mercedes car salesperson, Gloria, the new light of Tony's life, is gorgeous, passionate, and a totally loose cannon. She will cause quite a bit of conflict for Tony as their affair heats up, as Gloria likes to fight fire with fire. Gloria has to watch out that she, herself, does not get burned. Carmela, Tony's long suffering and patient wife, being only human, finds her thoughts increasingly absorbed by Tony's henchman, Furio, the sexy, pony tailed Italian. The problem is that Furio, too, is experiencing deep feelings for Tony's wife, a situation that can only become increasingly dangerous for all concerned. How Furio and Carmela handle their feelings and resolve this potentially dangerous development is of great interest. Dr. Melfi herself undergoes great personal angst this season, following her violent rape at the hands of a stranger. A very conflicted Dr. Melfi finds herself on the edge of taking a path from which there can be no return. This season also finds Dr. Melfi doing husband/wife tag team counseling with both Tony and Carmela, a venture that provides some comic relief and gives rise to potential conflict of interest. Meanwhile, Jackie Aprile, Jr., Tony's godson and Meadow's new main squeeze, the deceptively soft spoken and good looking son of the late mob boss, Jackie Aprile, Tony's best friend, is up to no good. Lying through his teeth about everything to everyone, he is misguided by his seriously unstable step-father, mob made man Ralph Cifaretto, who is busy plying both sides of the coin. It seems that Ralph, dissatisfied with the role to which he has been relegated within the family, is doing Tony dirty, going against his wishes at every turn, and the situation with Jackie, Jr. is no exception, a situation that will culminate in heartbreak for all concerned. Back at the ranch, Tony's other henchmen seem to have their own troubles. Corrado "Uncle Junior" Soprano, the nominal boss of the family, who is kept in check by his nephew Tony, is busy battling cancer and a federal prosecution. Young Christopher Moltisanti, Tony's nephew, gets his long desired promotion, and is told to report to Paulie "Walnuts" Gaultieri. Christopher soon finds out that with Paulie "Walnuts" business is business. Meanwhile, Christopher gets involved in a sideline that bodes ill for him and his fiancee. When Tony sends a resentful Paulie "Walnuts", accompanied by Christopher, on a mission that should have been that of another, Christopher sees an unexpected side of Paulie. When the mission, involving a member of the Russian mob, goes bad at the hands of an angry Paulie, Christopher discovers that Paulie may not be as stand up a guy as Christopher thought. While this is a terrific episode, very funny in a macabre sort of way, it also cleverly sets up Paulie in a new light for future developments. This particular episode, one of my favorites, is a feather in the cap of actor Stephen Buscemi, who directed it. These are just some of the highlights of the third season. There is so much more! The writing continues to be intelligent, and the story lines are as well thought out and engrossing as ever. The performances are uniformly stellar. The late, great actress, Nancy Marchand, whose portrayal of the venomous Livia Soprano was a feather in her cap, left a legacy of memories, having died after creating such a memorable character. She will sorely be missed. This third season's attempt to bridge her death and use existing footage and computer effects to create a dialogue between Livia and Tony, however, was misguided, as its effect is a tad ghoulish, as well as disturbing. Nonetheless, I absolutely love this series!
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| 45. Cats - The Musical (Commemorative Edition) Director: David Mallet | |
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Reviews (436)
"Macavity , Macavity theres not one like Macavity there never was a cat of such deceitfullness and suavity he always has an alabi or one or two to spare at what ever time the dead took place Macavity wasnt there" These are only two of the great songs in the show! it is really really good; great songs, funny, good acting, good dancin!
I'm no great Andrew Lloyd Webber fan, but that's not really the point. I don't think that you need to be to recognise when something is well done. And whilst it may help? to have seen the stage show before, it's clearly not essential to enjoy the DVD. Sometimes it can be the opposite, as people may feel a film version does not live up to their expectations/memories of the live show. If you are considering buying this then please do, and for goodness sake, do not worry AT ALL about this being unsuitable for children. Some previous reviews commenting on it's unsuitablity for children are way off the mark. I can only imagine they live in households where table cloths are required to reach to the floor, lest young ladies in the house are offended by the sight of the table legs! Unreal...
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| 46. The Civil War - A Film by Ken Burns (Boxed Set) | |
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Amazon.com essential video Reviews (144)
To hit on a couple of criticisms in other reviews, slavery as a cause of the Civil War is an argument bordering on the level of a holy war, itself. Recent magazine articles and essays have done a good job of discussing it. The result is that both Burns' view and the "Burns' is wrong, it was all about states rights" views are both simplistic. Burns' documentary does a good job of capturing the Southern view of slavery and abolition but he does over state the view of the north as abolitionist. While there were Southern abolitionists and Southern soldiers who didn't care one way or another, Burns shows quite well that without slavery there would have been no war. (The statement that the South only fought for "states rights" was actually championed in the 1880s. If states rights were the only reason for fighting the war, why did the Confederate Constitution prevent any Confederate state from passing a law against slavery, even if that state wanted to abolish it?) To the point of Grant being the first Lt. General since Washington, Burns is both right and wrong. Winfield Scott was made Lt. General, but it was a brevet (something a little more than honorary) rank. It was a brevet specifically so that Washington would be the only man to have officially held that rank. This changed when Grant was given the rank.
But, the DVD packaging is just horrible. The literally paper thin disk container fell apart on the second day that I had it. I have a fairly large DVD collection with many, many box set collections and this is by far the cheapest presentation I have ever encountered. Now, had this been a budget box set designed to be low cost so as to make itself available to the greatest number of people possible, I would accept this. But as you must know, this set is actually quite expensive compared to most box sets. Therefore, the ridiculously flimsy packaging is inexcusable. This series deserves better. I STRONGLY urge you to wait until a higher quality presentation is put on offer. ... Read more | |
| 47. My So-Called Life (Box Set 1) | |
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Reviews (14)
The reason is... This is one of the best shows network television has ever seen. It is well written, directed, and acted. It is so moving - you'll laugh, you'll cry (especially when you find out there are only about 18 episodes). I think many of the posts talking about how "real" the show is are not quite accurate. It is much like real life but seen in a more perceptive and poetic fashion than we see our own lives. The teens are are all very real - nary a 90210 personality among them. The adults are equally well-painted. The relationship between the lead character's parents is realistic and complicated and messy, but not in a contrived way. It shows their close moments, but also the times when mis-communication or temptation threatens them. You really feel for all the characters and become invested in the choices they make in life. When you don't agree, you understand. The show is just brilliant. Buy it now! ... Read more | |
| 48. Back to the Future - The Complete Trilogy | |
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Reviews (313)
Christopher Lloyd and Michael J. Fox have chemistry. You actually believe that these guys could be friends in real life. Crispin Glover also plays a classic nerd. Even when he's "hip" in the future, you still know that he's a madeover nerd. It just works for him. Thomas F. Wilson plays a good bully. He looks the part, and he plays the part. Great casting by all. I rank these movies in order of release. 1 is best, 2 is great, and 3 is good. If you don't already own this, I suggest you add it to your DVD collection. Others have said it, and I will too...you won't be disappointed!
Michael J. Fox and Christopher Lloyd stars as the troublesome teen and madcap scientist who do their time-travelling in style, courtesy of a revamped DeLorean. Their adventures over the course of the three incredible movies take them from 1985, to 1955, back to 1985, on to 2015, 1985 again(!), 1955 again(!!) and the wild wild west of 1885 (!!!) before returning home to 1985 in time for tea and a couple of Huey Lewis tracks. It features quite possibly the only sequel ever in which a large chunk takes place within its own predecessor, and definitely the only trilogy to feature Christopher Lloyd leaping around the outside of a moving train rescuing a damsel in distress. Lea Thompson, the brilliant character actor Crispin Glover, Elisabeth Shue, Billy Zane and the marvelous Thomas F. Wilson are among the other members of a fine supporting cast. And is that really Flea from the Red Hot Chilli Peppers popping up as squeaking bad boy Douglas J. Needles? Yup, that's right , something for everyone! Go out, buy this collection, watch it repeatedly and, when you're not watching, keep the three discs in a glass display case which only very special friends are invited round to see. At this price, there are NO excuses. Do it now. Right now. Go. You'll thank me later, why are you still here?
The most controversial part of the video concerns the framing of the image for widescreen viewing. When Universal went back to the full-frame, open-matte negatives to do the DVDs, they made some changes, intentional or not, from the laser disc framing. Then they issued an official press release as follows: "Universal Studios Home Video is aware of a minor technical framing issue on the 'Back to the Future Trilogy' widescreen DVDs. The framing appears differently from the laserdisc releases for approximately two minutes during 'Back to the Future II' and four minutes during 'Back to the Future III.' The framing difference is unnoticeable to widescreen DVD viewers and does not detract from or interrupt the viewing experience. Consumers with further questions can call (888) 703-0010." The studio is probably right in saying that the differences are unnoticeable (whether they meant "widescreen" or "full screen" or whatever), because unless a viewer has a photographic memory of the theatrical versions or has the laser discs on hand for direct comparison, there is little to notice. It's doubtful that anyone but the most meticulous "Back to the Future" partisan need worry about any possible framing problems. ... Read more | |
| 49. North and South: Book 2 | |
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Reviews (28)
My next question is When are they going to make a movie from the 3rd book. Heaven and Hell?
I think it is a wonderful story to be enjoyed by all, keep in mind there are some passionate scenes, of course by today's standards that may be a stretch. ... Read more | |
| 50. The Sopranos - The Complete First Season | |
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Reviews (232)
And I was right. I still don't get HBO, but when I think of the past five years where I could have been watching this show on DVD instead of "Paradise Hotel" on FOX, I kick myself. I've only watched the first season and am looking forward to what comes next. "The Sopranos" is a meticulously crafted drama that's unlike anything else I've ever seen on television. Frankly, I was always just into comedy sitcoms because I didn't have the interest or patience for this type of TV. But, in "the Sopranos'" case, I'll make an exception. I'd only be cheating myself if I didn't. I might be five years late, but at least now I understand what the hype is all about. Highly recommended for other late bloomers.
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| 51. Jean De Florette/Manon of the Spring | |
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Reviews (2)
It's the harmonica music [TOOTS THIELEMAN] that always stays with you, brings back the memories of standing on one of the dry hills, smelling the hot pine needles on the night air - all of that sensory [stuff]! For the romantic? Daniel Auteuil's face, THAT face of utter despair. The population? There's Yves Montand as the stoic, dessicated old uncle/landowner, a bitter, vitriolic, poisoned person. An underrated artist. Auteuil, as the nephew, returns from WWI with those perfect carnations, and the cycle begins ..... Gerard Depardieu,now the unassuming giant of French Cinema, a worthy successor to Jean Gabin, moves in next door as the hunchback farmer-neighbor. [His then real wife, Elizabeth plays the spouse, even son Guillaume is present in a minor role]. An epic of greed and frustration - it deserves to be held high for the absolute reflection of consequences it presents. Like a delicate souffle, slightly burnt, almost bland, with an odd bitter aftertaste it surprises you with a deep heartburn of the soul. A work about loneliness, and loss giving a fragment of hope and satisfaction at the end. Beautifully photographed on location, Claude Berri's work well deserves to be seen over and over again. It's for those moments when you feel bad about life - and need a little cheer! Companions: The original "Fanny" Trilogy [different, but soulmates].
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| 52. The Very Best of the Bob Newhart Show Box Set | |
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Description Reviews (6)
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| 53. The World At War - 9 Volume Gift Set | |
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Amazon.com essential video The Second World War was different from other wars in thousands of ways, one of which was the unparalleled scope of visual documents kept by the Axis and Allies of all their activities. As a result, this war is understood as much through written histories as it is through its powerful images. The Nazis were particularly thorough in documenting even the most abhorrent of the atrocities they were committing--in a surprising amount of color footage. The World at War was one of the first television documentaries that exploited these resources so completely, giving viewers an unbelievable visual guide to the greatest event in the 20th century. This is to say nothing of the excellent, comprehensible narrative. Some highlights: The World at War will remain the definitive visual history of World War II, analogous to Gibbon's Decline and Fall of the Roman Empire. No serious historian should be missing The World at War in a collection, and no student should leave school without having seen at least some of its salient episodes. Rarely is film so essential. --Erik J. Macki Reviews (75)
Narrated by Sir Laurence Olivier and covering all aspects of the war, this definitive series is used by many colleges and universities as a source for History and Documentary Film courses. There is an incredible depth of archive footage used; skilfully woven with interviews of major figures in the War from Britain, US, Canada, Europe and Japan. Many major eye-witness leaders and ordinary people who were still alive in 1981 contributed sometimes surprising, sometimes incredible, and sometimes haunting interviews. Yet, for all its skilful editing and historical sophistication, it is clearly presented and emotionally compelling. In my opinion, it is, along with Kenneth Clark's "Civilisation", the best ever produced British documentary. What makes this a stellar and overpowering account of the War is Olivier's narration. Never blustery, patriotic, or theatrical, Sir Laurence delivers pointed, thoughtful analysis with his incredible command of English and oration. Music for the series was composed by Carl Davis and even the opening credits set an unforgettable tone in a haunting image of a child in a photograph, dissolving in flames. This series is for those trying to make sense of a 6 year period when the world went mad. Five Stars PLUS.
I wanted to give 4.5 stars and only knock a half off for the sometimes annoying menu (it could have been presented in a more orgnaized fashion, I thought), or other small problems, but half points aren't allowed on the system. Very close to perfect!
If you are a war buff, particularly WW2, this is the set to have. Can't say enough good things about it. ... Read more | |
| 54. The Avengers '66, Set 2 | |
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