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| 21. Sex and the City - The Complete Second Season | |
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Reviews (140)
Parts of each character are realistic, but ultimately there's an element of satire and "over-the-top" that keeps the reader hooked. (...) And in Season 2, Big comes across as a really decent guy. He accompanies Carrie to a wedding of a couple he doesn't know and to a dinner with her friends. And she comes across as high maintenance. She can't read between the lines to see how much he cares for her so she keeps pushing for more. (...). I believe the episodes work best when they're light-hearted and playful, such as 20-somethings vs. 30-somethings. (...)." Sometimes I think SATC is a litmus test for personalities. Everyone who watches sees something different. Some like Samantha best, others like her least. And some viewers focus on the clothes. What hooks viewers, I think , is the three-dimensional qualities of the four main characters, and even of Big. They have real flaws as well as great virtues. And they have enough money and career stability to spend all their energies on relationships. Sometimes it's exhausting just to watch the quest, but the writers make sure it's never dull.
The second season includes Carrie & Big getting back together and breaking up again (can they ever make up their minds?!), Miranda having a real relationship (with Steve, a bartender), Samantha having a relationship (oh my stars!) with the perfect guy (except for one "little" thing), and Charlotte dating so many guys (your head will spin) and not keeping any of them. It is a whirlwind of laughs, a few tears, and more, more, more. This show has all of the elements that keep you tuning in. This is a must buy for all the non-HBOers out there. Buy it!!!
It then occurred to me after watching a number of these episodes that it is really the story of 4 gay queens looking for a gay partner. At least that is the way it is written. Seen through this prism, the show is actually more poignant. The show -- through its characters -- strives to champion promiscuity as a virtue. And isn't this really at the heart of the gay ideology? But what makes the show so good is that the writers never insert love into the equation. These 4 selfish people constantly indulge in sex, but it is plain that none really have their hearts in it. They bemoan the lack of men who would love them, but they themselves withold their own love. Stingy with offering out their heart, they trade affection for something they do not value, their own bodies. My first experiance with the show was in 1/2 drops every 6 months or so on HBO. But the DVD format allows one to watch the episodes back-to-back. With my infrequent viewings I was impressed with the glamour and adventurousness of the stars. But with seeing the shows back-to-back, the loneliness, neediness, and desparation exhibited by the ladies pops to the surface. There is nothing glamorous about their lives. Commendably, sex isn't depicted as an answer, but more as a drug to take the edge off of their main concern, their inability to win the heart of a man. Intentional or not, it is this truth that makes the show as good as it is. Oh, by the way, the show got cancelled because the 4 ladies just got too old for their make-up to hide. They probably stayed on 2 seasons too long, but at least they got out when they did. How long could anyone watch 4 old ho's whine on about how they missed the boat?
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| 22. The Carson Collection - His Favorite Moments from The Tonight Show | |
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Amazon.com Reviews (16)
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| 23. Sex and the City - The Complete Third Season | |
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From the Back Cover Reviews (101)
teaches me a lot about girls.
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| 24. Son of the Morning Star Director: Mike Robe | |
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Reviews (23)
Gary Cole is very good- although he does not look like a horseman. Unfortunatly, Rosanna Arquette, who plays Libbie Custer the General's wife, seems just to be interested in collecting a paycheck. She is as wooden as it gets. However, I think David Strathairn, a regular of John Sayles' films, does an excellent job as Capt. Benteen. Although, the horrendous wig he is outfited with detracts from his performance, he does capture, IMHO, the cranky complainer personality of Benteen very well. (Anyone familiar with the writings of Fred Benteen can tell you he WAS angry with the world.) "Son of the Morning Star" relied on the services of dedicated re-enactors who brought a sense of authenticity to the uniforms and equipment not seen in other Little Bighorn movie re-creations. Unfortunatly, although re-enactors are great at dressing their parts, they don't often look their parts- the 7th Cavarly was not as heavily populated with middle-aged, overweight men as "Son of the Morning Star" would have you believe. Finally, the outfit Gary Cole is wearing for the Little Big Horn scenes is based on an actual photo. In 1875, a picture was taken of Custer at a picnic near Ft. Lincoln wearing a hat and a white buckskin jacket, which look alot what was depicted in the movie. Of course, we don't know if Custer wore that outfit a year later, but that photo shows that the producers for the movie just didn't make it up. However, the movie's Little Big Horn scenes show Gary Cole with his face shaven and hair immacutely clean, conditioned, and styled. Hardly realistic.
Custer is a fascinating historical figure because of his symbolism. So many people have such strong feelings about him for what he represents, but so few people really know anything about him. Born the son of blacksmith in a rinky-dink Ohio farm community, Custer was no son of privilege. Yet he was a brigadier general at age 23, a major general at age 25, and fought with great courage and skill in America's most horrific war. It never ceases to amaze me how people throw slurs at the officers and men of the Indian fighting army, but ignore that a large percentage of those men fought with undeniable heroism to re-unite this country and free the slaves. Custer, Reno, Benteen, Cooke, Yates, Keogh, Tom Custer, Smith, and a number of other officers of the 7th Cavalry were all Civil War vets. Attacks on Custer's courage for "fighting women and children" just demonstrates an ignorance of his Civil War combat record and the realities of Plains Indian warfare. Custer graduated college in June 1861 and a month later he saw action at Bull Run. In April 1865, he would receive General Lee's flag of truce near Appomattox. In between, he saw action in almost every campaign in the Eastern theatre of operations. Even after he became a general, he still exposed himself to danger and was often seen fighting in hand to hand combat. At Appomattox, his superior, General Sheridan awarded him the wooden table, upon which General Grant signed the papers of General Lee's surrender, as a gift of appreciation for his magnificent courage and leadership. Yet people believe that such a ferocious combat commander reveled in fighting women and children! Plains Indians didn't fight like Rebels. They had a different concept of warfare from the U.S. Army- guerrilla tactics, hit and run. To the Army, the biggest difficulty of Plains Indian warfare wasn't fighting the Indians, it was finding them! In 1876, the biggest fear the U.S Army had was that the Lakota and Cheyennes would scatter before the Army could attack them and this mentality was the reason for Custer's decision processes on June 25. The Army had been forced to attack villages because this was the only effective method it had of forcing the Indians to stand and fight. Yes, women and children would die as a result and this was regrettable, but so were civilian casualties at Vicksburg and Atlanta. However, on June 25, 1876, the Army completely underestimated the Lakotas' and Cheyennes' willingness to stand and fight. Custer thought he would be pressing the issue, but instead had the battle dictated to him with catastrophic results for himself and his men. This "arrogance" was a mindset held not only by Custer, but the entire U.S. Army and they paid for it on June 25. "Son of the Morning Star" was an attempt to present Custer and the Little Big Horn not just as symbols. Another reviewer mentioned "Little Bigman" as being a more historically accurate potrayal. That is absurd. While "Little Bigman" is a very entertaining film, it's as unrealistic as the 1941 movie "They Died with Their Boots On" which starred Errol Flynn. Flynn's Custer was portrayed as the ideal American military hero for a country that was preparing for World War II. In 1970's "Little Bigman," Custer is shown as a symbol of lunatic American imperialism as the country clashed over the Vietnam War. "Son of the Morning Star" was an attempt to show Custer as a human being without World War II or Vietnam era propaganda. This miniseries does take a lot of dramatic license with its subject, but in comparison to previous efforts on the Custer/Little Big Horn story it's refreshing in its candor.
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| 25. Jesus of Nazareth | |
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Amazon.com essential video Reviews (234)
Although not completely faithful to the New Testament, director Franco Zefferelli embellishes in such a way as to make the story more dramatically compelling and interesting. The performers particularly Robert Powell in the central role all give strong, interesting performances. Powell's characterization is less bland than many of the other versions we've seen and, as such, makes the Christ come alive much more so for the modern viewer. "Jesus of Nazareth" makes a fine companion piece to Mel Gibson's controversial "The Passion of the Christ" focusing on different elements. The big difference between the two films, though, is the level of explicit onscreen violence. Zefferelli's film still shows what happens but with a more subdued touch (due to the constraints of network television censors as it was originally produced for NBC). Both films in their own ways tell what could be termed essential variations on the same great story. Their contrasting styles make each suitable to very different audiences.
"Jesus of Nazareth" sports a cast of Academy Award-winners (Lawrence Olivier, Anne Bancroft, Ernest Borgnine, and Peter Ustinov, to name a few) and nominees (James Earl Jones, James Mason, Christopher Plummer) as well as a support from an international group of performers. Olivia Hussey brings just the amount of warmth and humanity in the role of Mary; Rod Steiger deftly portrays Pontius Pilate as a man torn between duty to his country and awe of this man called Jesus; Michael York is stunning as John the Baptist. Robert Powell brings to the movie the definitive portrait of Jesus. His passionate performance is the stuff of legend. Prior to this motion picture, there had been few instances wherein Christ had been seen; it is as if the screen was awaiting the right man for the part. Powell proves that to be true; he is perfect! If I have motivated even one soul to purchase this masterwork, then I have accomplished the goal of this review. Money could not be better spent.
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| 26. M*A*S*H TV Season One - 3 Tape Box Set | |
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Reviews (159)
This VHS set: This is a three-tape set giving you the 24 episodes of the entire first season. I've been watching the reruns on late-night TV for years, and did not realize how much had been edited out of those (to squeeze in more commercials). Now, these tapes bring us the episodes uncut. It's fun watching them and going, "Hey, I don't remember that!" A good buy; a good set of tapes to have on the shelf for rainy (or snowy) days.
M*A*S*H is a brilliant show. Funny, yet touching. I have seen every episode at least 50 times but only in reruns, since I was only four when the series debuted. It was fantastic seeing these episodes uncut. Syndication takes it toll on the series and they cut many of the really funny parts for commericals. Epsiodes like "Chief Surgeon Who?" and "Pilot" show how much talent was in the writing, directing and acting of this excellent show. My favorite is "Sometimes You Hear the Bullet" with a very young Ron Howard. I plan on collecting every season, just to have a complete library. M*A*S*H is one show I never get tired of. Now, if they would just do the same thing with "I Love Lucy"!
The first season is less serious than later seasons, which were not shy about dropping the gags in order to throw serious topics into the mix. The actors, too, were still finding their tone and pacing during this first season. But still, few shows can match these "baby steps." Hilarious from start to finish. This DVD set is bare bones, though not poorly produced. We get the episodes spread out over three discs (all in a sturdy triple-case) and a small booklet with info on each episode. And that's it. No extras, no commentaries. Just the episodes. Which is just fine, because the episodes are great. Good, crisp picture far better than reruns, and good sound. And the bare bones format pays off. With TV-on-DVD sets routinely breaking the $50 to $70 range, $35 sounds pretty darn good. A no-brainer buy for M.A.S.H. fans. ... Read more | |
| 27. War and Peace Director: King Vidor | |
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Reviews (25)
Hepburn's then real life husband, Mel Ferrer, does a pretty good job as Prince Andrei and Henry Fonda is Pierre, who despite sounding like "Young Mr. Lincoln", gives a convincing performance, and has several fine scenes. Nino Rota's score is a curious one, as the beautiful Italian-flavored melodies we're accustomed to hear from him are replaced by Russian folk tunes and battlefield music. Perhaps too many big names and too many writers (6 of them !) made the heart of the book get lost, but this is Audrey's movie, and she's a delight to watch.
I've seen it several times since, but all I can get here across the pond, is a second hand video at an extortionate price of nearly £ 40. Please can we have it on DVD? SOON!
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| 28. Nostromo | |
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Description Reviews (6)
The BBC attempted not much less converting this perhaps best ever work of literature into film. I congratulate them first for their enormous courage, their incredible endurance, and for their excellent production. After having tried to read this wonderful literary work most of my life, how wonderful it was to relax and through the medium of film have it revealed. I could criticize this work, but it would be like critizing the dragon for having too many scales, or the elephant for its ugly
The usual BBC miniseries apparata are at play here: solid cinematography, script, editing, directing, etc. The problem lies directly in the lap of the casting director (and the Producers, who have the final say in such matters). Two more incompetent actors could not have been conjured up for the crucial roles of Martin Decoud and Antonia Avellanos. I've spent a good part of my life involved in theater, and put simply, Lothaire Bluteau and Ruth Gabriel shouldn't be allowed a job in the most nondescript summer stock company in Amazonian Brazil. They are so inept and so miscast that they bring down the foundations of all scenerey, lighting, etc in their radii. They lack all acting skills. Sans elocution. Sans characterization. Sans any emotion faintly resembling human. Too bad, because they really do blot out what could have been an absorbing miniseries. Even though Albert Finney is basically reprieving his Geoffrey Firman part in UNDER THE VOLCANO, he is still fun to watch. Claudio Amendola (notice you've never heard of these people?) is a passable Nostromo, though the part demanded a more dimensional, star quality actor. Joachim de Almeida chews the scenery as the nefarious Colonel Sotillo. Colin Firth does a commendable job as Charles Gould, though Serena Scott Thomas as Mrs Gould is another wrong person in a wrong role. A young Julie Christie is what is called for. Serena doesn't have the chops. It looks indeed like the budget for this series was spent on location work and cinematography. If they'd done the thing on a soundstage in Warwick and spent a bit more on hiring a quality cast, it might have ended up as a worthy representation of Conrad's masterpiece. As it stands, I would imagine that David Lean is rolling over in his grave, every time this less than spectacular attempt is viewed. BEK
Gould (Colin Firth) arrives with his naive new bride, Emilia (Serena Scott Thomas), and for a while, the political climate is one of optimism. The small country is run by a benevolent, democratic governor, and soon Gould's mine is back in full operation with railroads shipping the silver from the mine to the port of Sulaco. However, the political largesse does not last, and before long, numerous factions all want a share of the silver. Everyone demands their tribute--the local bandits, a local priest, various corrupt officials--they all want a share of the silver. After a bloody coup, various factions vie for possession of the mine, and military officers and civilians alike change sides whenever the political winds seem to favour one side over another. There is a benefit to watching the film "Nostromo" before reading the book--I came to the film with no visual expectations of the characters whatsoever. There are many 'big' names in the cast list. Colin Firth was simply marvelous as the mine owner, Charles Gould, and Brian Dennehy plays a small role as the American Joshua C.Holroyd (the man who finances the entire venture). Claudia Cardinale plays Teresa Voila--the Italian wife of an Innkeeper. Albert Finney plays Dr Monygham-a crippled drunk who managed to survive the last revolution only to face another. I preferred the scenes with Albert Finney sober--or almost so--it's just boring to watch Finney playing yet another role of a drunk. I found the on-screen romance between Martin Decoud and Antonia Avellanos completely unbelievable. There was no spark between them, and yet we were supposed to believe that Martin returned from France to almost certain death for his love of Antonia. All I saw was a few hysterics, and it all fell flat. This was unfortunate and it did alter my perception of the film overall. Some of the revolution scenes were a bit cheesy too. One of the most interesting aspects of the film, however, was the development of some of the characters over time. Charles Gould wavers when making decisions in the beginning of the story, and he seems just a little unsure of himself, but by the end of the film, Gould has hardened into the ultimate capitalist. Emilia Gould is a giddy bride who metamorphoses into a neglected, unhappy wife. Moynham's character is fascinating. He has no illusions--no faith left, but he still rustles up chivalrous feelings towards Emilia Gould, and she uses these to her advantage. Nostromo is the 'dark horse' in the story. It is not clear at first what motivates him. He seems to be owned by no one--a true free spirit, and not subject to the corrupting desire for silver. Nostromo, in fact, refuses to leave the service of Capt. Mitchell for higher pay from the American Holroyd, and Nostromo boldly states, "you can't buy me." Exactly what characteristics make Nostromo tick--ego, vanity, and pride--develop over time. And it is the story here that makes the film worth watching. All throughout the film--right until the powerful closing scene, I heard the words 'money is the root of all evil' in my head. This production does not have quite the usual standard that I have come to expect from the BBC. While the lush location added to the atmosphere of the story, somehow the film had the feel of a prime time television series. Nonetheless, I was still extremely interested in how the story and the characters developed. Now I shall have to read the book. displacedhuman.
As the film opens, a local demagogue mounts a popular insurgence against the hated foreigners, during which spasm the mine owner is slaughtered. The storyline quickly moves forward a couple of decades when the owner's son, Charles Gould (Colin Firth), arrives with his wife Emilia (Serena Scott Thomas) to reopen the abandoned mine, make a fortune for the investors, and bring relative prosperity to the local labor pool. Charles is a benevolent exploiter. Gould must accomplish all this in the face of self-serving politicians, greedy army officers turned self-serving politicians, opportunistic banditos, another rebellion, and the disloyalty of a trusted native worker, Nostromo (Claudio Amendola), elevated by Gould to a high level of responsibility. Business as usual in a Third World armpit. The beauty of the shoot's locations doesn't mitigate the fact that the film is five hours of tedium made possible by a succession of on-screen characters that inspired nothing but yawns. Somber taciturnity, which was integral to Colin Furth's role as Darcy in PRIDE AND PREJUDICE (1995), renders Charles just a monumental bore. At least Emilia shows some spirit, but she ultimately has no effect on the outcome of anything. Nostromo, who's apparently so important to the story that the book and film are given his name, is such an uncharismatic, minor player in the first two reels that by the time he becomes the Great Tragic Figure in the last I didn't care in the slightest. Dr. Monyghan (Albert Finney), the Has-Been physician that lives in a personally more glorious past, and the venomous snake Colonel Sotillo (Joaquim de Almeida), are marginally interesting for the their first few minutes of respective screen time, then become tiresome because they offer no surprises. The good friend that loaned me NOSTROMO is aware of my opinion, and called it a "rant". Now that I've put it in writing and made it public, perhaps I'll become a Horrid Person. The bottom line is that any nascent kernel of interest I may have had to read the original Conrad novel was smothered by the torpid pace of this TV miniseries evidently padded with ho-hums to fill a predetermined time slot. So, that rant went well, don't you think?
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| 29. The Wild Wild West, Vols. 1-3 | |
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Amazon.com Reviews (7)
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| 30. The James Bond Collection Volume 2 | |
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Reviews (49)
For action, Dr. No and Her Majesty's Secret Service are two of the best of the series. The Spy Who Loved Me and The Man with the Golden Gun offer two of the most stylish of the series, with lavish sets and larger than life villians. This set would have received five stars had it not included "Moonraker," one of the two weak Moore movies (the other being "A View to A Kill") and the Bond producers response to "Star Wars;" however, since "For Your Eyes Only" had been issued on the previous set, that was not possible. At Amazon's price, this set is a must for Bond, and other action, lovers, and I'd recommend it.
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| 31. Richard Simmons - Blast Off The Pounds (3 pack) | |
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Reviews (6)
The music includes songs by Ricky Martin, Enrique, Madonna, Cher, and others. The music on all 3 tapes is phenomenal. You can't help but feel incredibly happy exercising to this music. The cool down sessions are great. The toning segments WORK. I've gone from "I don't want to exercise" to "I can't wait" because these tapes are so much fun and you will see results! Richard uses much more effective moves in these tapes. His cueing is still terrible. But once you do them a few times, you'll have the moves down. And you'll be having so much fun doing them! I've lost 10 lbs. and one pants size in 3 weeks with just these tapes. Thank you for making me a "mover" again, Richard! And please, make more videos like these!
There are a couple of things that I object to about these videos. They are a little harder to follow than Richard's other videos, and those of you who have tried his videos before know that he really borders on dance with some of his moves. I gave up all together trying to follow the Latin Blast Off. I also object to the way some of the women are dressed in these videos. Richard usually uses real people in real clothes in his workouts. Many of the women in these look like they are auditioning for an adult film, especially in the Latin video. All in all, though, I enjoy the challenging but shorter workouts offered by this set. ... Read more | |
| 32. Queen | |
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Description Reviews (10)
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| 33. Sign of the Beaver Director: Sheldon Larry | |
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| 34. Lighten Up with Loretta Gift Set | |
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