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| 141. Peter the Great | |
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Reviews (1)
The writers and producers of this film obviously did their homework. Throughout the film, small statements and manerisms from the characters help to make the story more Russian. I would have given the film five stars, except for one difficulty. The detailed attention to Russian culture can come accross as bazarre to someone who isn't familiar with the background of that time period. That is the reason why this movie was not substantialy profitable for NBC. One notable success, however, was the producer's ability to take a primarily Russian, German, and English cast and create a movie that is well interpretted by Americans. The actors did a supurb job on accents. All the German and Russian actors were clear and characterizable as Russian. Above all, the attention to costume, and especially political divisions in Russia, made this movie enjoyable. If you have an interest in Russian Culture and History, you must watch this film. If you are looking for a well done film that is different from the average film, give it a try. ... Read more | |
| 142. Bruce Lee - Master Collection | |
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Reviews (50)
Considering it lacks Enter the Dragon which was probably Bruce Lee's best movie. And that none of the movies have extra features or the original chinese audio tracks, I stil give this box set a 4! I think it is an excellent buy!
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| 143. Mapp & Lucia, Set 1 | |
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Reviews (15)
I had both series one and two on VHS, and was thrilled to find that series one was released on DVD, as I am moving away from tape media. Now, my only question is, when will series two be released on DVD.
The dvd set is ultra-minimal! Not even cast and crew info. Nothing.
Geraldine McEwan (Mulberry, Barchester Chronicles) is impeccably cast as the wealthy, elegant, widow Lucia, a woman with a strong personality and a flair for the dramatic. Her vocabulary is peppered with the Italian, a language in which she is only too happy to let others think she is fluent. She provides (at least initially) a little spice, excitement, and mystique for the villagers in humdrum Tilling. But she is also a woman who knows well how to get what she wants, and her grace, smiles, and impeccable manners belie a shrewd and cunning mind. Mapp (Fawlty Towers' Prunella Scales) is a somewhat dowdy, unwealthy spinster, not to mention an insufferable busybody. So it is no wonder she is less than thrilled that Lucia, having decided to leave her home in Riseholme for pastures new, has set her sights on Mapp's terrain. But Mapp, though lacking Lucia's elegance, wealth, and marital status, is not willing to relinquish her position without a fight. Watching the episodes (which are serial in nature) is a bit like watching a game of chess between unequals. In essence, each woman, with an abundance of outward grace and politeness, seeks to establish (or reassert) her position by bringing the other down a peg or two. Lucia is clearly cleverer and at times seems to toy with Mapp as a cat does with a mouse. But Mapp is nothing if not determined and we wonder is she will, after all, succeed in toppling the grand Lucia. As for a few of the other characters: Lucia is joined by her devoted friend Georgie (Yes (Prime) Minister's Nigel Hawthorne), a rather effeminate, toupee-sporting chap who enjoys painting and petit point. She is also adored by Quaint Irene, a trouser-wearing, cigar-smoking, eccentric local artist who doesn't hesitate to speak her mind and thoroughly enjoys watching the sparring match between Mapp and Lucia. There's also the gruff, masculine, and perennially intoxicated Major Benjy, whose habit of summoning servants with a bellowing "quay-hi" does not endear him to them. Mapp's closest friend is a dowdy and rather timid woman named Diva, to whom Mapp is less than kind at times. In conclusion, albeit a tad quirky at times (like the time the two rivals get swept out to sea on the kitchen table!), I would recommend this series to anyone looking for a delightful, relaxing, and gently humorous drawing-room comedy. It is dialogue-based (as opposed to physical) comedy. In other words, if you're looking for pratfalls, action, hard laughs, or a fast-paced, in-your-face comedy, then you'd best look elsewhere. The pace here is leisurely, the dialogue is deliciously witty and intelligent, and the humour wonderfully subtle, with often as much conveyed through body language--be it the raising of an eyebrow, the sharp intake of breath, or the tensing of a muscle--as through words itself.
In particular, Geraldine McEwan (also in Barchester Chronicles) is exquisite. Her little comic mannerisms are absolutely hilarious, and she makes the character endearing in a way that I never thought possible. Again, "inspired" is the only appropriate word. The same with the much-missed Nigel Hawthorne's Georgie. Absolutely perfect casting. And Prunella Scales (of Fawlty Towers fame) bites into her less-sympathetic role of Mapp and does not let go until she wrings every last laugh from it. As is particularly true for British series, the supporting cast is also excellent at bringing their own eccentric characters to life in just a few brushstrokes. I was very much looking forward to the Mapp and Lucia DVD, because I had not seen this series since it was televised in the mid-1980s. I'm happy to say that the DVD quality is excellent, and my opinion of the series has only elevated through time. Many British comedies have come and gone in the years since Mapp and Lucia, but it remains the most delightful, in my book. As other reviewers have mentioned, the series is also highly addictive, so we Mapp and Lucia fans -- you'll be one too after you see this -- are eagerly awaiting the release of the second part of the series on DVD. Please, Acorn Media/Granada (who released this DVD), make haste!
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| 144. Rhodes-Life & Legend of Cecil | |
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Description Reviews (1)
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| 145. Ernesto Che Guevara, The Bolivian Diary Director: Richard Dindo | |
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Amazon.com Reviews (3)
Included in this film are photos of Che's original diary. Also included were interviews with people who met him during the Bolivian struggle. The most impressive interview was with a village schoolteacher who had a conversation with him moments before his execution.
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| 146. Andrei Rublev Director: Andrei Tarkovsky | |
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Reviews (63)
Set in Russia in the early 15th century, this film is based on the life of Andrei Rublev, an icon painter and arguably Russia's first great artist. It's told in a series of vignettes that don't always focus on Rublev; many times he is either a background observer or not involved at all. He is a device that Tarkovsky uses to tell a grander tale, a tale about art, life, humanity, history, faith, good, evil and other philosophical ideas that most filmmakers fear like the plague. This film is much more than a historical epic, it is a work of art, and possibly more than that a path to enlightenment. Like many of the greatest directors, Tarkovsky is more than just a filmmaker. He is an ARTIST, possibly more so than any director I've ever encountered. For example, most directors use techniques like music and editing to elicit specific emotions from the audience, but Tarkovsky uses few to no manipulative devices. Scenes are typically wide, sweeping, epic shots, which often linger for up to several minutes. The viewer is allowed to absorb the situation and the imagery, to internalize them and let them sink into the subconscious. If one is still and contemplative, one will enter into a dialogue with the film and begin to experience it on a higher level. The film lacks a tightly knit plot, and there's no pat morality tale. Rather it is LIFE, boiled down to its essence. Scenes feel real, and often play out in real time according to the rhythm of life. Characters will sit and wait, and we wait with them. Incidents unfold in real time, with no cuts and nothing edited. Tarkovsky uses the natural world a great deal. For instance, a character will chance upon the carcass of a snow-white egret mired in the swamp, or a somber procession will scale a snowy embankment where the mud has bled through like a pair of weeping eyes. It's a work of art, I've established that, but I also love the historical setting. Fifteenth century Russia was grim and unforgiving. Orthodox Christianity was the official religion, but paganism was still commonplace. Boyars, kings and princes frequently skirmished with one another. Tartars from the south took advantage of the regional instability to sack villages and cities. Plague and sickness were rampant, and the vast majority of people lived in abject poverty. But the so-called "Dark Ages" were nearly at an end. Art and ideas from West were steadily infiltrating the East. Rublev himself was inspired by a Greek painter named Theophanes, a relationship depicted in the film. Tarkovsky captures the period perfectly in "Andrei Rublev", and to me it seems like the next thing to being there. Having said ALL that, I cannot in good conscience recommend this film to most people. Here are all the reasons a modern filmgoer probably would not like "Andrei Rublev": it was filmed in black and white; it's old (originally released in 1966); it's long (the unedited Criterion release is nearly 3 and a 1/2 hours); it's in Russian with subtitles; at least one animal was brutally killed during the filming (for which there is NO excuse - shame on Tarkovsky); scenes linger for several minutes without cuts or editing; it's arty (though not pretentious); it's very difficult to understand; it requires repeated viewings and you may never fully "get it"; it's told in a series of vignettes with only a loose overarching narrative; etc., etc. If none of that scares you off, you should definitely check it out, because it's a real gem.
Like most of Tarkovsky's films, Andrei Rublev is extremely artistic, conjectures much on the human condition, metaphysics and Russian life - that all seem to have some hidden meanings that contains the film's truth that Tarkovsky expounds on - namely the wickedness of men and the temptations that they face. It is also about triumph of the will and the nature of man. This is all done via the "narrative" and the look of the film. Tarkovsky mixes moments of dialogue about the metaphysical (a doctrine that would continue to be a theme in all of this other films giving a sense of what was to come - especially the intricateness of Stalker, Solaris), arrestingly simple and slow cinematography (his trademark water shots), complex action sequences (there are full scale battles like from a Kurosawa movie) and visionary set designs (15th century villages, towns and cities). This is Tarkovsky's biggest film ever (and quite possibly the biggest Russian film ever). The premise is complex. Andrei Rublev, a monk with the gift of painting, is invited to paint churches around the country and in Moscow. Between travelling from job to job he encounters - monks who have lost their faith, monks with too much faith in themselves, fools who are imprisoned for their beliefs, Wicca festivals (the pagan ceremonies of St. John's night), murder, torture (the Russian crucifixion), death, error, the sacking of towns by the Tartars (the sacking of Vladimir), vows of silence and of course the most striking final piece of the film - the making of the bell (the casting of the bell). Characters appear and disappear (a cinematic technique found in The Thin Red Line), but there is also a lot of hidden imagery (every time you watch it you find something new), in particular scenes of novice monks putting dirt on their cheeks which makes no sense at the time yet later on we seen Andrei put the same dirt as a stain on a church he has painted because of the bureaucratic blinding of artists (an extremely violent scene of which there are many. As a note: Andrei Rublev happens to be an extremely violent film and there are several disturbing scenes. Also a scene where a horse falls down a stairs was cut because of animal cruelty but this has been restored for the DVD). All of these scenes are done via several chapters that each tells a story in which Andrei Rublev is present either as the central character of focus, a participant or an observer. If you pay close attention to the chapters you will realize that the themes of each chapter are contained in all the chapters. Tarvoksky plays with the audience in so many ways that you can only hope to watch the film again and again until you make ALL of the connections. You will likely not see a more striking film for imagery. The ending is obviously what got Kubrick working on his trip scene in 2001. Tarkovsky returned a nod by filming Solaris. Andrei Rublev is shot in monochrome although the ending does a little Wizard of Oz for us. The story is divided between two discs. You have 86 minutes in the first disc and 99 in the second for a grand running time of 185 minutes. This DVD is PRICEY but this is Kino Art at its finest and worth every penny. The extras are many and there are some very important historical interviews about Tarkovsky. However I will say that DVD is totally unsuitable for Tarkovsky's films and possibly you will do better to watch a widescreen video or even better a 35mm print of the film in the cinema next time it comes to town. Even though the transfer is sublime for a 1966 picture (a Russian one at that) and there has been a lot of digital correction, the DVD produces artefacts on nearly all of Tarkovsky's films because of his complex imagery, but this is just quibbling and is not the fault of the DVD producers. Tarkovsky has simply exceeded the limits of what DVD mpeg compression can handle, even after this film is spanned over 2 discs... and that says a lot about the quality of this man's vision. Kino Art does not come much better than Andrei Rublev.
Most people like movies that entertain, but not all films do that. I am a longtime fan of Russian cinema and find this to be a good example of "art house" cinema. This movie contains some scenes that some persons may find unsettling. There is a scene where a man kicks a dog to death, a scene of a horse falling down a set of stairs breaking its leg, and another where a cow is on fire. There is also nudity. The film itself was banned in the Soviet Union, but later released in a heavily cut version. The film has many religious references and quotes from the Bible. (The subtitles on the Criterion Collection DVD use the King James Version for translation of the Bible which is my favorite.) The film follows the story of real life 14th-15th century icon painter Andrei Rublev. Not knowing too much about him, I cannot give a clear comparison between the film and his life. The movie is well photographed and has an excellend full color sequence at the end of the film showing his acutal paintings. The Criterion Collection DVD has numerous special features. | |
| 147. The Century-America's Time (Boxed Set) | |
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Amazon.com essential video The first episode, for instance, begins with the influx of immigrants at the turn of the century and touches on Jim Crow laws, moving pictures, planes, Henry Ford, the sinking of the USS Maine, child labor, suffragettes, the Panama Canal, imperialism, and more, right up to the beginning of World War I. The archival footage is stunning and interviews with historians, veterans, journalists, POWs, politicians, authors, celebrities, and common people help bring the past to life again. Mickey Spillane discusses the speakeasies of the 1920s; Dennis Hopper talks about Easy Rider in the '60s; Tom Wolfe reads from The Bonfire of the Vanities for the episode on the '80s. Eudora Welty, E.L. Doctorow, Martin Scorsese, John Updike, Pat Buchanan, Oliver Stone, Stephen E. Ambrose, among many others, lend their voices to this documentary. Yet, despite the great names, at times the pictures and people are allowed to speak for themselves, without intrusive narration--the stark images of the Challenger explosion or the sad words of a political activist mourning the death of his partner to AIDS are more powerful because of it. This chronological tale (with the exception of the last episode, "Then and Now," which is arranged thematically) is an insightful and poignant reminder of all the marvels--and tragedies--of America in the 20th century. --Jenny Brown Reviews (19)
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| 148. Art of Western World | |
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| 149. The Best of The Simpsons, Boxed Set 1 | |
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| 150. The Simpsons Trick or Treehouse Box Set | |
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| 151. Fatal Fury-Motion Picture Director: Masami Obari | |
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Despite dragging a little bit in the middle this movie has high paced action mixed in with great directing calls by Masami Obari. With a plot worthy of a Greek Tragedy, Terry Bogard yet again struggles with both the finding of a new love and the struggling question of why he fights. Is it because he knows no other life or because he protects those around him? Subtle innuendos like that run through the movie and help to make it what it is. A story of four incredible fighters in a quest to help a complete stranger save her brothers' life and quite possibly his soul. High paced figths, well thought plot, and well designed characters both good guy and bad guy alike, this is well worth adding to your video collection.
The story is that Terry Bogard, Andy Bogard, Joe Higashi, and Mai get recruited by this frightend girl Sulia to stop her Brother Lalcorn from gathering the armor of Goddamous, and ancient God back in the Days of Alexander the Great. Throughout the movie they search for clues as other Warriors get taken out in the meantime. Eventually the four of the Square off against Lalcorn and his Henchmen in an action packed finally. This movie did what hollywood could not, capture the essence of the video game inside the movie and create an incredible story around it. To date from my personal viewing the only other Anime series to date that has done this task was Street Fighter 2V. If you are just getting into Anime, or an Action Anime fan than this is a title to check into.
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| 152. James Bond 007 Collection Volume 3 | |
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| 153. Six Feet Under - The Complete First Season | |
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Like the Sopranos, this is a series the hype for which I didn't give in to orginally. Then I saw some reviews by one of my favorite Washington Post critics that teased me. So I watched, probably close to half way through the first season. It hooked me instantly. First, as others point out, the acting is incredible. My spouse and I are wondering each episode who's the best actor. In one of the DVD episodes tonight, I felt it was Frances Conroy (Ruth) who I usually do. I've always been in love with Lauren Ambrose (Claire). All right, I have many friends with daughters older than she. What I mean is, I envy the kid. She's got a great future with her acting talent (and her expressions which will break you up!) The others are all fabulous too. Jeremy Sisto (Billy Chenowith) really does convince you that he's absolutely nuts...a change from his portrayal of Jesus in a TV movie a few years ago! And I've never seen his sister Brenda (God help me, I can't think of the actress's name) slip into her New Zealand accent. Again, they all vie for best actor/actress each episode! There is an uncannily good mix of humor and drama. That's why I say it beats anything else on the tube. If I thought of getting rid of HBO, it's this series...and maybe The Wire...that would keep me. For months in advance my wife and I talk about the coming season; we can't wait for it. It's risque without being gross. The gay issue is intelligently handled. Oh, and I've always wondered if Peter C. Marshall (David) and Matthew St. Patrick (Keith) were straight in real life. Among the extra features of the DVD set is that you learn that they are. Another feature of the DVD set is the discussion among all those responsible for the opening sequence and theme music. Then there's the discussion with cast members as to their favorite scenes. (My favorite is also Lauren Ambrose's, when she's lethargic about being in love. A gem!) It's a fabulous series that can't be beat. Well, my inlaws wouldn't like it. And don't show it to any of your guests or relatives who are prudes. I got in trouble with some family members at the beginning of one in the second season. And some of the gay scenes while, again, not gross, are threatening to people not accustomed to gay scenes. But it covers oh so many subjects you don't normally see covered...too many to even mention here. The scripts are brilliant, the acting the best. And the added benefits of the DVD series are well worth the cost of the set, in addition to having those superb episodes to watch again and again. They'll never bore you, believe me.
The disc features the following episodes: Pilot Disc 2: Disc 3: Disc 4: Buy this! You'll be glad you did! HBO at its best!
Six Feet Under is written by Alan Ball and he directed American Beauty. American Beauty is one of my favorite movies and there are a few similarities in between both. When I say similarities I mean that both American Beauty have a great sense of dark humor and great drama. I found both of Alan Ball's works to be one that make you sit back and reflect on life. After watching American Beauty you look around for the beauty of things on earth and in life. The same applies with Six Feet Under but questions are brought up like "Why do we have to die". I liked American Beauty and I felt right at home with Six Feet Under. The characters in this show are relatable and even though they have a different way of making a living I still found them relatable. The main characters I would say are Nate, David, Ruth, Claire, & Nate Sr. Of course they are the Fisher family who own the funeral home. Another few huge character on this show are Brenda and her brother Billy. Of course there are other big characters but I can't name everyone. In the pilot episode the Nate Sr. dies in a horrible bus accident and he has to hand over the funeral home to his two sons Nate and David Fisher. Even though he his dead Nate Sr. watches over his family and communicates with his family. Alot of the scenes he appears in are hilarious. Oh ya did I mention he is dead! His sons both have good developing characters who are very different in their own ways. David Fisher is a cool character who is very businesslike and is also gay. He has a boyfriend named Keith is a cop. You will find there relationship evolve as the season goes on. The other brother Nate, has never worked a day in the funeral business because he left for Seattle to pursue his own life. Nate is a pretty cool character but his world is in a blender with the passing of his father and his relationship with his newly met girlfriend Brenda. His girlfrend Brenda in my opinion is the star of the show. She is full of crazy/cool energy and always has an appetite for sex. You never know what to expect with her character. The mother, Ruth Fisher is kinda of a control freak who seems very depressed, worn out, and saddened over the loss over her husband. She snaps very quickly and she is too a memorable character. Finally the Claire Fisher is another cool character. She is the youngest of the bunch and she is a teenager in high school. She is somewhat of a loner but she has alot of character and she is far from ordinary. She drives a freakin hearse to school!!! Enough about the characters I can't spill everything out or I will spoil the season for you. I know what your thinking. Your like well ok thats great Adam but you know what, if I come home with this the wife will have my head on a platter. I will admit it is pricey but I think Six Feet Under is a great enough show to where the quality over shadows the price. It is on HBO so there is alot swearing, sex and other stuff you would never see on regular television. I think HBO produces great television shows. Just watch The Sopranos, Sex & The City, Oz or many of there other series. You know it is quality and they are great television. Well guess what Six Feet Under plays on that same field. I find it to be my 3rd favorite television show behind 24 and the Sopranos. Well let me conclude by saying you will be satisfied with Season One of Six feet Under. I haven't seen the other seasons of this show but I will definetly be buying Season 2 when it is released in June. If you like quality acting, drama, and dark humor give this show a shot. ... Read more | |
| 154. The Seven Deadly Sins Director: Claude Chabrol, Roger Vadim, Jean-Luc Godard, Max Douy, Edouard Molinaro, Philippe de Broca, Jacques Demy, Eugène Ionesco, Sylvain Dhomme | |
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In the 'sloth' segment I saw the most beautiful body on earth. I was a twenty year old college student when I viewed this movie at the Times Fine Art theater in Milwaukee in 1962. Her name, I believe, is Danielle Aubry. I have made love to women with gorgeous... but Danielle is still #1 even after all these (40) years. There are also some socially redeeming qualities about this film but I forgot what they were. GM ... Read more | |
| 155. Winky Dink and You Magic Kit | |
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Amazon.com Reviews (6)
Who would have guessed that such a simple concept would be so much fun? Our 4 year old loves it. We're looking forward to inviting over friends so she can play again with them.
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| 156. Vietnam-Ten Thousand Day War | |
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| 157. Body & Soul | |
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God does have a way of breaking one out of his/her comfort zone. In this case Sr. Gabriel is forced to confront the outside world as she is summoned to help her pregnant sister-in-law. Her dutiful brother committed suicide and now left his sister with quite a mess to handle. Sr. Gabriel enters into the world of grief, squawking children, hideous dress and hairstyles, a hysterical sister-in-law and the family mill which is about to go under. Kristen Scott Thomas gives a superb performance of a nun coming to grips with her faith and the various emotional and spiritual turbulance that she finds in both worlds. Sr. Gabriel finds out that one's cell can be stifling. Her other self, Anna, discovers a world that is cruel, painful, and frightening but at the same time filled with joys that she never experienced before. Body and Soul deals with a woman's need to make peace within herself and become a whole woman in the midst of the chaos surrounding her. The great mystery is can this woman do it? Is she replacing one cell wall for another? This is an entertaining film that gives you great insight upon the temptations that plague all of us.
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| 158. Kronos Director: Kurt Neumann | |
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Amazon.com Reviews (25)
An example: I won't even get into the cheesy special effects - let's just say they're good for a chuckle. Also had to laugh at the scientist who is "possessed" by the alien life force...is it me or does this guy look like a psychotic Walt Disney? Watching (and fast forwarding through) the film, I had a nagging thought that the makers of KRONOS could have pared the film down to half its running time and shown it as part of a double bill with some other edited-down flick from the same era. Would have been a vast improvement.
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| 159. Diva Director: Jean-Jacques Beineix | |
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BEWARE OF THE OTHER DVD VERSION (with the gangster portrait on the box). IT HAS HORRIBLE SOUND WHICH IS FATAL FOR A MOVIE CONTAINING OPERATIC AND CLASSICAL MUSIC.
All the characters in the movie were quite well-developed, except for that of the title character, the Diva, played by Wilhelmenia Fernandez. She is in real life an American opera singer, and as such I probably should not have expected so much from her as an actress. Nonetheless, her lackluster performance did not sabotage the great work by Frederic Andrei, who was superb as a naive, lovestruck Jules. Other notable performances were given by Richard Bohringer, the fabulously enigmatic Gorodish, the Zen-man with an answer for everything; and Thuy An Luu, his incorrigible, shoplifting girlfriend. I also loved the slapstick humor provided by the crime lord's two henchmen. Diva is an all-around enjoyable film that capitalizes on the sense of sound in the same manner that "Like Water for Chocolate" culled from the sense of taste. You will hear a certain aria over and over again from this film, but the music that will actually stay with you is a haunting piano piece by Erik Satie (when Jules and Cynthia are in the park). I highly recommend this movie, especially if you liked "Run Lola Run."
The not-so-good-news first: while superior to the earlier DVD release (which I had never seen, but heard about) the film suffers a little from some muddy sound, and at the worst times: during the operatic performances. Yet, the chase scenes have incredibly crisp sound. But I can't let that spoil the fact that the movie has held up incredibly well after 20+ years. While the fashions are of a by-gone era, everything else holds up perfectly. The plot, the direction, the performances are all as engaging as anything that's come out in recent years. Younger viewers may feel that this is a little old-fashioned, but I doubt it. This is a great film that has a little bit of everything: drama, love, comedy--and the strangest villains in cinema history! Give DIVA a chance.
But even if the movie had no plot and the acting was absolutely terrible (which it isn't), you could still just sit back and enjoy the music and the pictures (the lighthouse scene is absolutely gorgeous). Thuy An Luu is very tantalizing and a joy to watch, especially skating around Gorodish's warehouse / home. Vladimir Cosma's piano sequences like the "promenade sentimentale" are masterpieces in their own right and I highly recommend the soundtrack. I've seen this movie many times in the theatre. Owning this DVD is the next best thing to the real experience on the big screen and this was one of the first purchases I made after getting a DVD player. ... Read more | |
| 160. Hamlet (Widescreen Edition) Director: Kenneth Branagh | |
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(price subject to change: see help) Asin: 0780629450 Catlog: Video Sales Rank: 10978 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (211)
Although 4 hours in length (mainly because every word in the play is inserted in the script), the stunning effect of the play is extraordinary. The backdrop for the ghost of Hamlet in the opening scene, the mirror used when Hamlet (Branaugh) is making his "To be or not to be" soliloquy, the palace in which Hamlet and Laertes fight, and the snowy landscape in which Fortenbras and his men arrive are all instances of using scenery and directing to update this version of the play. Although the setting and interpretation of what Shakespeare intended are left in doubt, the movie itself is visually stunning and the acting is great. Although Branaugh hired a few American actors to take on some of Shakespeare's characters (for instance, Robin Williams plays Osric and Billy Crystal plays one of the gravediggers), there "American" accents are hardly noticed in the film. As an educator, I also think this is a fantastic version to use as a resource for a study of the play. Because the dialogue is accurate to the play, it works well. Also, this version seemingly makes the work of Shakespeare easier to understand. (Although, as a warning, there is one scene with Winslet (Ophelia) and Branaugh (Hamlet) that is definitely "adult" in nature). Overall, a great gamble by Branaugh to update Shakespeare's work into his own insight. There is also a few extras on the VHS version: interviews with many of the cast members as well as a behind the scenes about the movie. Also recommended: Hamlet (Mel Gibson version)
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