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| 1. Remember The Titans Director: Boaz Yakin | |
![]() | list price: $22.99
our price: $20.00 (price subject to change: see help) Asin: B000056VP3 Catlog: Video Sales Rank: 389 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (209)
Boone's determination to win is only outmatched by his drive for racial harmony within the team and coaching staff. By forcing his players to interact he creates bonds and friendships. Throughout all of this he knows he must win or his tenure as head coach will be short lived. He must not only battle the racial tension in the team, but in the town as well. Only his sheer will can guide his team to the promised land. The movie is an outstanding piece of cinema. It adresses a social issue with raw emotional power. It teaches a lesson without screaming it in your face. The acting is without a doubt full of some of the best performances of the year to not have been recognized by Oscar and the likes. While Denzel Washington and Will Patton are phenomenal the show is stolen by the members of the team. Watch this film and you will get the point. An emotional five star film worth watching again and again.
However, once it started, I was captivated by it. The movie is made even better based on the fact it is based on a true story. The jist of it is this... Herman Boone, played by Denzel Wahsinton perfectly, takes over as new head coach at a high school that has been desegregated. Naturally, the town has mixed reactions. We watch as Boone, uses tactics that neither the players, the parents, the townsfolk or even his assistant coaches like to force the players to not only become a team but also respect each other as people. We watch as friendships form, and as a team forms. Eventually we watch as the winning football team, and essentially Boone brings the town together. This movie brings something to the table for everyone. I laughed, I cried, I even cheered during the games. A must see!
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| 2. Fresh Director: Boaz Yakin | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 6303354912 Catlog: Video Sales Rank: 20242 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (33)
I will defend the music and say that works really well in this film. It's not the kind of thing you would go out and purchase seperately, however. The writing is also superb, nary a wasted word, although some lines seem kind of awkward, forced or inauthentic - one of the three. The director Yakin apparently did a lot of research on the streets of some tough neighborhoods in New York to prepare himself to write this drama. All things considered, I think he did a fine job. Sean Young puts in a better than adequate showing, Giancarlo Esposito is captivating as Esteban and Samuel Jackson is wonderful as Fresh's deadbeat, chess-sparing father. Chess, by the way, is a theme tailored to the plot in this coming of age story, as the pieces on the chess board come to represent figures in young Fresh's life; some, er, most of whom he must sacrifice in a gambit that will get him and his heroin-addict sister out of the ghetto.
Directed by Boaz Yakin (who also directed "Remember the Titans"--a *completely* different film), "Fresh" is an astonishingly well-done film that left me stunned long after it ended. By depicting a brutal life through the eyes of a young boy, the film tells a bleak story by taking its viewers on a roller-coaster ride of gut-wrenching scenes, and yet in the process it still manages to engage the audience and finally arrive at a surprising conclusion. Although the first third of the film is basically used to give the viewer a tour of Fresh's neighborhood, the plot soon becomes very complex after one particular scene. Fresh's life literally becomes a game of chess, represented by the moves the pieces make and the strategy used to stay alive. Despite the film's quiet atmosphere, it moves at a rapid pace and forces the audience to listen closely in order to keep on track with the plot. The plot moves unpredictably throughout, but every one of its elements makes perfect sense after a bit of thinking. And although the script is heavy on profanity, it is totally realistic in depicting the everyday life of the characters, and the dialogue between Fresh and his father during their chess matches is especially good. The picture is shot on low-budget film, making the Brooklyn neighborhood feel all the more dark and unwelcoming. But there are no prolonged fight scenes, nor is there a lot of on-screen brutality. There are, however, a lot of tragic scenes that really hit home, and they are shot with rapid film editing and camera work that didn't require any computer enhancements. Simply put, no unnecessary visual techniques are used. The acting is superb all around. Sean Nelson, in his debut role, is stunning as Fresh; he is so compelling in the way he conveys his emotions without having to say anything, and he feels so natural that it seems as if he doesn't even know the camera's on him for more than 90% of the film. For this to come out of a debut performance is impressive enough; but for it to come out of such a young actor is truly astonishing. Supporting roles include Samuel L. Jackson, who expresses a great sense of authority as Fresh's father, and Giancarlo Esposito, who is absolutely chilling as the "black king" of the film. And the ending is unforgettable. In fact, it is not the unpredictable denouement that the viewer remembers best; it is the very last image. In one final shot, all the emotion that had built up to that point bursts out in a brief, silent moment. It is a deeply moving way to end the film, and it gave me a faint sense of hope despite all the sorrow and horror that had already happened. "Fresh" is a tiny film that manages to be riveting, frightening, disturbing, contemplative, poignant, and faintly uplifting all at once, and that alone makes it one of the most memorable films I have ever seen. But with acting, filming, and screenplay all being top-notch without any other frills, "Fresh" is also a brilliant work that uses only the most basic aspects of film to their fullest extent. It features many upsetting scenes and is definitely not for all viewers, and due to the plot and script it can be a very challenging film to watch at times, but it is an unconventional example of a director and cast at the top of their form. I easily recommend "Fresh" to film lovers everywhere.
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| 3. Uptown Girls Director: Boaz Yakin | |
![]() | list price: $9.94
our price: $9.94 (price subject to change: see help) Asin: B0000VJG5E Catlog: Video Sales Rank: 1680 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (71)
Cocky and not-so-bright Britney Murphy (Just Married, 8-Mile) plays a aristocratic well to do teen who suddenly looses what she ahs to find out she needs to get a real job. In her attempt she is befriended by a mother played by Heather Locklear (Looney Toons Back In Action, The First Wives Club) who needs a caretaker - babysitter for her young daughter played by Dakota Fanning (I Am Sam, The Cat In The Hat). The two teach each other a valuable lesson about life. One - Brittany needs to lean how to grow up, the other - Dakota - needs how to learn to have fun. The two are forced to tolerate each other in order to appease the mother. However, in the process of hating each other, they learn a lesion in family friendship and that people are not what they seem to be on the outside. That's the warm fuzzy! Really nice heart - it does get a little slow in parts, but the chemistry of little Dakota with everyone on screen is amazing. You can't help not liking her even after she plays this temperamental little brat. As far as the theatrical experience, a good film for the teens and young adults but it is not really for the really young or middle aged crowd - it does have a syrupy side that may give some a tooth ache. This would be a great DVD to have for the family. Let me know what you think. (11-12-03)
This movie will make you laugh, cry and more! Very refreshing movie and a must have. ... Read more | |
| 4. A Price Above Rubies Director: Boaz Yakin | |
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(price subject to change: see help) Asin: 6305051089 Catlog: Video Sales Rank: 7413 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (42)
A carefully and compellingly rendered drama of a contemporary woman's stirring discovery of self, "A Price Above Rubies" is set in the context of a Hasidic Jewish/American community. Beautifully photographed, this film's acting sparkles -- and renders a reasonably accurate portrait of an easily caricatured community. Renee Zellweger establishes herself as a talent of unlimited possibilities. ... The film's feminist perspective is gracefully realized without belittling all guys -- which greatly enhances the film's power! (And lowers my blood pressure!) Production design is exceptional! Those Orthodox Jewish critics who are angered by this film's portrayal of Jewish Orthodoxy might have us believe that the world of Orthodoxy is monolithically benign. It is not. ... Traditional thought and practice -- orthodoxy in many settings -- has its beauties and strengths and -- like most things human-- it has its dark, shadow side as well. "A Price Above Rubies" depicts the delicate balance gone awry. For a very different, also wonderful film which depcts both light and shadow sides of Ameriocan Jewish traditionalism, but less critically of Orthodoxy, try "The Chosen" (1982) (adapted from Chaim Potok's book), with Robby Benson (quite good in this film, to my surprise), Rod Steiger and Maximillian Schell -- available on VHS, not yet on DVD. For me "The Chosen" is a five star, among my all-time top 10 films!
A beautifully rendered drama of a contemprary woman's stirring discovery of self, "A Price Above Rubies" is set in the context of a Hasidic Jewish/American community. Beautifully photographed, this film's acting sparkles -- and renders a reasonably accurate portrait of an easily caricatured community. Renee Zellweger establishes herself as a talent of unlimited possibilities. (I wrote these words of promise when the film was 1st released, long before Renee's fame via the fluffy "The Diary of Bridget Jones" and the incredibly wonderful "Chicago"! Now I saw hor on the cover of Cosmo!) The film's feminist perspective is gracefully realized without belittling all guys -- which greatly enhances the film's power! Production design is exceptional! Those Orthodox Jewish critics who are angered by this film might have us believe that the world of Orthodoxy is monolithic. It is not. In my own family and beyond, many people experience forms of Jewish Orthodoxy which are fulfilling and wonderfully peaceful. On the other hand, abusive conduct does creep in to parts of this world, as exemplified most vividly by the 1999 Amos Gitai film, Kadosh -- a terrifying portrait of the worst side of Orthodox Jewish patriarchy, which makes "A Price Above Rubies" seem like a fairy tale. In my own community, we have learned of an attempted horrific Orthodox shunning and boycotting of a wife and doctor after she reportedly sought a divorce alleging substantial physical abuse. (Who can say whether the woman's charges were true! The vengeful letter writing and attempted boycott are fact, however.) Traditional thought and practice has its beauties and strengths and -- like most things human-- it has its dark, shadow side as well.
To me, the movie was NOT about the Hasidic way of life. I could see this film holding just about as relevant even if I replaced the community potrayed in it with any other. It is about the marital suffering of two people who are very different in their moorings. Renee Zellweger, the pivot, does a very convincing job of showing the desperation in a young woman's personal search, Sonia, who embarks on a search for not only herself but also her place in the world -- for the duration of the film Renee gave Sonia the precise dignity and emotion that the role deserved. The supporting cast were strong, Juliana Margulies certainly showing that she's doesn't always play the 'nice girl'. Christopher Eccleston was convincingly wicked and Glenn Fitzgerald puts in a credible performance as Mendel, the husband, capturing the essence of the role commendably. Bordering sometimes on being a chick-flick, the movie generally deals with feminine issues, and I would think that the emotional dominion would have it seldom appeal to a male audience. Which is quite evident in the other belittling reviews here. I recommend this film highly, although it is an intense one and perhaps not for every Joe Blogg. Make sure you're in the mood.
The movie starts off as a slow-as-molasses slice-of-life story about an orthodox Jewish family in NYC. But it ends as the heroic struggle of a Jewish woman yearning to be free -- free of paternalistic controls, free to decide on her own fate, free to pursue beauty in life, a rebellious street-smart and hard-headed woman who wants to be free enough even to judge the wisdom of God, an ultimate heresy for the social milieu she was raised up in. She goes through hell, but at the end she hangs on to her dear freedom. And that has a "price well above rubies" and diamonds. RZ is a star! She is burning with talent and heart.
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