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| 1. Stalingrad Director: Joseph Vilsmaier | |
![]() | list price: $29.98
our price: $29.98 (price subject to change: see help) Asin: 6304287305 Catlog: Video Sales Rank: 30945 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Amazon.com Reviews (149)
All in all, an excellent movie.
But the movie is more than an active display of 1942 militaria. It is an intensely human tale of person within the soldier. For me, the film was strongly reminiscent of Guy Sajer's "Forgotten Soldier", particularly in capturing the deadly misery of the Russian winter and the daily lot of the common soldier. "Stalingrad" will be of interest to military viewers for leader professional development training. In particular, the film is solid precursor to values training and discussions of the boundaries of duty, selfless sacrifice, and loyalty. I am extremely pleased to add this film in my collection and thank you for the opportunity to recommend it further.
Made by the same producers who gave us the seminal "Das Boot" I found it not in that league. The film is overlong, sterotypical, and spends too much time cramming postwar German conscience pangs down the viewer's throat. Moreover, the last hour or so reminds me of those interminable scenes from "Born on the Fourth of July" that seem more interested in punishing the audience than advancing the story. The battle for, and siege of, Stalingrad, was no doubt an experience of horror and misery beyond the power of words or images to describe it, but what I was hoping for here was a German version of "Saving Private Ryan" -- high on combat and confusion, short on moralizing. Unfortunately, all postwar German cinema is filtered through the same revisionist political opinions; this explains why all German war movies inevitably leave you with the feeling like you've been punched in the stomach or clubbed over the head. After about an hour I was hoisting my own flag of surrender; but the pummeling continued. The scene at the airfield, for example, when the wounded men are trying desperately to get out on the last transports, is very hard to watch. From what I've read, however, it seems that discipline in the Stalingrad pocket was maintained until the bitter end, and the airfield scene may more resemble how the producers of the film wanted history to unfold rather than the actual way it did. In fact, the 90,000 men who lived to surrender (all but 5,000 of whom died in captivity) did so only when they were completely out of fuel, medicine, and ammunition, and had no other means to resist; but the producers, of course, permit to trace of pride in military accomplishment to enter into their film. Most American movies and television portray the Germans in World War II as heel-clicking cartoon idiots ("I know nutink! Nutink!"). Most German war movies portray the Germans as either villainous martinet Nazis, or cynical disbelievers who carry arms only for Germany and not for Hitler or the Party. In fact, the record shows that the Germans overwhelmingly trusted Hitler and were deeply inspired by his ideology. It is this fact, and not what was done in the name of National Socialism, that seems to sit very hard in the modern German stomach.
If ever there was a film that could benefit from rudimentary features like a choice of language or subtitles - this is it. Probably one of my favourate war films. Probably the worst DVD in my collection.
I like many other reviewer's here have seen the endless stream of documentories about stalingrad and have heard the accounts from veteran's of the battle and about the horror and suffering that wen't on, but I feel that the word's and tear's from these veteran's never quite sunk in. After seeing this movie I feel like the pain that was depicted has allowed the words of these veteran's to finnally sink in and I have a new understanding of just what these men had endured...and yet I feel like I still dont know the whole truth. This film has a permanent home in my collection....I only regret that this movie was not embraced by the U.S. film industry and shown to a wide audience a long time ago....I recommend that anyone who is fan of war movie's or just curious about the war that changed the world.... this is a movie that you cannot pass up seeing. ... Read more | |
| 2. The Harmonists Director: Joseph Vilsmaier | |
![]() | list price: $9.99
(price subject to change: see help) Asin: B00002EQ0D Catlog: Video Sales Rank: 22778 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Description Reviews (14)
The movie does a great job of showing how the six men had very different personalities from each other but blended together to create incredible music. There was love and bitterness, friendship and joy. The group focusses on singing for their audience, but in the meantime the Nazi power grows. There are three Jewish men in the group, and each one looks at his faith differently. There are also Jewish women involved with the men, and each situation causes friction and difficulty. The group gets more and more pressure to abandon its Jewish members. The group does visit New York, where all but one member want to stay. Because of that one member, though, the group returns to Germany. Shortly after, they are banned from singing and the three Jewish members leave Germany permanently. The actual group, the Comedian Harmonists, are still considered to be one of the greatest groups in Europe and their records are treasured. If you haven't heard of this group before, be sure to watch the DVD! The musical performances are a real treat and the story is quite moving.
The founder of the group is a jew, Harry Frommermann. He is a talented singer/arranger and his vision is to bring together an exceptional group of men to sing "jazzed up" and highly stylized versions of popular songs. Harry is a perfectionist and the first third of the film shows him first cajoling and then badgering his singers to develop a musically unique and visually entertaining style. He succeeds beyond even his ambitious dreams. Soon the Comedian Harmonists are a feature act in demand not only in Germany, but internationally. Unfortunatley for the Harmonists, Hitler comes to power in 1933, just as the group is headed for true stardom. Jews in Germany are beginning to feel the impact of the racial hatred that will end in the holocaust. Of the six members of the Harmonists, three are jews and as the story progresses, first restrictions and then cancellations of their concerts prevent the group from finding an audience in Germany for their work. They head to New York and find success there. Harry would like to remain in America, but the rest of the band still believes there is a chance for some success in Germany, so they head home again. The Harmonists' error in judgment is typical of the mistake of many jews in Germany who thought they only needed to patiently wait for reason to return to their country. At the end of the film we see the Harmonists on stage in Munich performing to an audience that knows that something very special is being lost to them. The Harmonists disband and the jewish members escape to freedom. The group left in Germany tries to reconstitute the band, as does the group that leaves, but they do not experience the success of the original members. If it were not for the music, which is truly first-rate, this story would be interesting, but not worth four stars. Because the music is so much a part of the film, those viewers who enjoy vocal singing at its very best are sure to enjoy this unusual film.
The group member with the initial idea to "do something" is shown eating bird seed, implying he can not even afford groceries. Once gathered, the ensemble reheares for months without pay, for the sheer chance at eventual success. Of course they do make it big; too big for the liking of certain political party sympathisers. For fans of the original music (including the FDR Presidential Campaign song "Happy Days Are Here Again") this film delivers. Many of the legendary tunes are worked into the plot. The "naughty" suggestions in "Veronika, der Lenz ist da" are accepted by even respectable upper class theater guests, paving the way for recording contracts and world stardom of the newly discovered "Comedian Harmonists". This German/Austrian co-production filmed in German has high production values. The setting reminds of "Cabaret", however the story (although based on true events) is rather thin. The overuse of some of the above mentioned situations becomes unnecessary and boring. As a viewer with a background extremely partial to this story I looked for detail and could see several obvious embellishments for the sake of drama. There must have been more than wine, women and song to tell about. The final minutes somewhat redeem the earlier shortcomings, delivering a tear-jerking love story along with sad good-byes amidst still-cheering audiences.****
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| 3. Brother of Sleep Director: Joseph Vilsmaier | |
![]() | list price: $98.99
(price subject to change: see help) Asin: 6304474709 Catlog: Video Sales Rank: 26423 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
The point I see in this movie is rather general. Human society develops a rigid idea of what to embrace and what to ignore, and outsiders and strangers belong very much to the second category. Despite his love and desire, plus that of Elsbeth and Peter, Elias is shown to be unable to enter society, even in its most basic form of a partnership. The only direct communication between Elias and Michel right at this point is a logical consequence to the observer. Do they both feel they are doomed, that it goes downhill from there? It is left to the spectator to believe that the film portrays the middle ages and similarities to the global village of today are faint. I myself, however, was left disturbed and scared. I think the movie addresses a problem that we face much more today than in the past. Despite that I am wondering about two questions: (i) Is the point of the movie similar to Albert Camus' The Stranger, and (ii), is the relationship between Elias and Michel modeled after that between Jesus and John.
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| 4. Stalingrad Director: Joseph Vilsmaier | |
![]() | list price: $29.98
our price: $29.98 (price subject to change: see help) Asin: 6304287313 Catlog: Video Sales Rank: 22581 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
|
Amazon.com Reviews (149)
All in all, an excellent movie.
But the movie is more than an active display of 1942 militaria. It is an intensely human tale of person within the soldier. For me, the film was strongly reminiscent of Guy Sajer's "Forgotten Soldier", particularly in capturing the deadly misery of the Russian winter and the daily lot of the common soldier. "Stalingrad" will be of interest to military viewers for leader professional development training. In particular, the film is solid precursor to values training and discussions of the boundaries of duty, selfless sacrifice, and loyalty. I am extremely pleased to add this film in my collection and thank you for the opportunity to recommend it further.
Made by the same producers who gave us the seminal "Das Boot" I found it not in that league. The film is overlong, sterotypical, and spends too much time cramming postwar German conscience pangs down the viewer's throat. Moreover, the last hour or so reminds me of those interminable scenes from "Born on the Fourth of July" that seem more interested in punishing the audience than advancing the story. The battle for, and siege of, Stalingrad, was no doubt an experience of horror and misery beyond the power of words or images to describe it, but what I was hoping for here was a German version of "Saving Private Ryan" -- high on combat and confusion, short on moralizing. Unfortunately, all postwar German cinema is filtered through the same revisionist political opinions; this explains why all German war movies inevitably leave you with the feeling like you've been punched in the stomach or clubbed over the head. After about an hour I was hoisting my own flag of surrender; but the pummeling continued. The scene at the airfield, for example, when the wounded men are trying desperately to get out on the last transports, is very hard to watch. From what I've read, however, it seems that discipline in the Stalingrad pocket was maintained until the bitter end, and the airfield scene may more resemble how the producers of the film wanted history to unfold rather than the actual way it did. In fact, the 90,000 men who lived to surrender (all but 5,000 of whom died in captivity) did so only when they were completely out of fuel, medicine, and ammunition, and had no other means to resist; but the producers, of course, permit to trace of pride in military accomplishment to enter into their film. Most American movies and television portray the Germans in World War II as heel-clicking cartoon idiots ("I know nutink! Nutink!"). Most German war movies portray the Germans as either villainous martinet Nazis, or cynical disbelievers who carry arms only for Germany and not for Hitler or the Party. In fact, the record shows that the Germans overwhelmingly trusted Hitler and were deeply inspired by his ideology. It is this fact, and not what was done in the name of National Socialism, that seems to sit very hard in the modern German stomach.
If ever there was a film that could benefit from rudimentary features like a choice of language or subtitles - this is it. Probably one of my favourate war films. Probably the worst DVD in my collection.
I like many other reviewer's here have seen the endless stream of documentories about stalingrad and have heard the accounts from veteran's of the battle and about the horror and suffering that wen't on, but I feel that the word's and tear's from these veteran's never quite sunk in. After seeing this movie I feel like the pain that was depicted has allowed the words of these veteran's to finnally sink in and I have a new understanding of just what these men had endured...and yet I feel like I still dont know the whole truth. This film has a permanent home in my collection....I only regret that this movie was not embraced by the U.S. film industry and shown to a wide audience a long time ago....I recommend that anyone who is fan of war movie's or just curious about the war that changed the world.... this is a movie that you cannot pass up seeing. ... Read more | |
| 5. Charlie and Louise Director: Joseph Vilsmaier | |
![]() | list price: $9.98
our price: $9.98 (price subject to change: see help) Asin: 6304898711 Catlog: Video Sales Rank: 51114 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (1)
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| 1-5 of 5 1 |