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| 1. The Super Mario Bros. Director: Annabel Jankel, Rocky Morton, Roland Joffé, Dean Semler | |
![]() | list price: $9.99
(price subject to change: see help) Asin: 6302941318 Catlog: Video Sales Rank: 12842 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (94)
Their mistake is to watch this expecting a Mario movie. I know, it sounds like the right thing to expect, but hear me out. Fans of the game know what Mario is all about - powerups, angry mushrooms, winged turtles and flying blocks. If you watch this movie expecting that, you'll be disappointed, as you'll find NONE of it. But that's not to say it isn't worth watching. Picture the scene: a couple of directors are asked to make a Mario movie by Nintendo, and they want it to be live action. That was the flavour at the time - take cartoon characters and make them real. Now, these directors know about Mario. They say "No way can that be done. Mario is all about being a cartoon. Jumping on little angry animals, everyone's a mushroom... It's a great game, and it'd make a good cartoon, but a live action version would just be moronic." "Oh, don't worry about that," says Nintendo, "just so long as you get the main elements in, do it how you want." The directors go away, rubbing their chins, trying to think of a way to do that but still do justice to the games. And then they have a fascinating idea. What if they don't do a Mario film, exactly. What if they do a sci-fi film, but fill it to the brim with Mario references, for the keen-eyed game fans? That's what this movie is. If you watch it with that in mind, you will enjoy it. I've tested this theory out already on a friend who thought the film was a bit stupid when he saw it as a kid, but watched it yesterday with my little thesis in mind and he loved it. What you get here is a quite serious (despite the light-hearted script) sci-fi flick about the nightmarish world ours may soon become: crowded, filthy, choked with pollution and overrun with a hate-filled populace who will fight you, yell at you, even try to shoot you if you pass too close. Run by a demonic well-dressed dictator politician (played to amazing effect by Dennis Hopper) who has let this world become the dark horror it is through neglect: there is no water any more, only sludge, and a slimy infestation of fungus has grown over everything, draped in great loops like one gigantic, chaotic spider web. Into this world come Mario and Luigi, similar to their game counterparts but more human, a pair of plumber brothers from Brooklyn who grew up together as orphans. They are trying to save a girl, who has been kidnapped and dragged here, and along the way they get wrapped up in something really horrifying: the president and his people are human, but human descended from dinosaurs instead of apes. He's found a way to revert his citizens back to their prehistoric roots, and with his army of lizard lackeys he's going to bridge the split between worlds (that formed when the meteorite that "killed" the dinosaurs hit) and take over our own. And through all this we find references of the sort that Mario's biggest fans will drool over, so long as they are watching this in the way I suggest. These prove that the film has been put together not by someone ignorant of the games, but by someone very well versed in their lore. A large woman called Big Bertha, dressed all in red, is named in reference to a large red fish enemy from Mario 3. She wears mechanical boots named "Thwomp-Stompers", after the classic ice block enemies, and they are powered by capsules that look exactly like Bullet Bills, from Super Mario Bros 1. Shops are apparently owned by people with the same names as characters from the games (Hammer Bros and Bullet Bill), a protest singer is named after Toad, the happy little mushroom from the games, but his hair is shaved into the pattern on the shell of Lakitu, a fan favourite since day one. These references go on throughout the film and shape its world - the fungus, which turns out to be a conscious entity, helps the brothers in every way it can; they are saved on more than one occasion by mushrooms, in what has become a literal mushroom kingdom. It's all in here if you keep your eyes peeled. Go in ready to watch not a Mario film, but a film that references Mario, and you will love it. It doesn't "change" anything from the games, because it is not any kind of filmed version of them, but it nods to them constantly. Viewed in this light, it is a treat to watch, and a rare treat, because no other film has ever crammed in so many references to videogaming before. Simply put, a live action Mario film could never be made, and the directors asked to make one did a brilliant job at trying something new and original. Well worth the ten dollars for the DVD.
Being the first movie ever based on a game (unless you count Clue), and also being inspired by a series that didn't call for the slightest bit of realism, this movie didn't have much call for reality. It's not sci-fi, but pure fantasy (meaning the plot's fiction isn't just the existance of the story's elements, but every plot sequence is based on how the world the movie takes place in is much unlike our own). Luckily, the screenplay, while sometimes quirky and silly, does call for some great moments, usually revolving around Koopa's idiot cousins Iggy and Spike (my favorite example - Spike:"Wrong again...how many times have we gotten it wrong?" Iggy:"YOU've gotten it wrong five times!" Spike:"Over five...OVER five...what percent is that?" Iggy:"I don't know, let me think......I don't know, but it's not good!" -- they couldn't figure out 100%!!). Also going with the movie on a few other nice points are the performances of the main characters: Mario, Luigi, Koopa, Daisy, Iggy & Spike, which are nice and solid, despite that they don't really resemble the image of the characters themselves (especially Koopa). Hoskins does great in a more laid back role than say in 'Who Framed Roger Rabbit?', while John Legizamo starts off his more energetic personna that was used very well in his standup routine in the late 1990's, and he was enjoyable to the point in which whenever I see 'Moulin Rouge', I'm always like "YEAH!! LUIGI!!" (not to knock Moulin Rouge, a masterpeice in it's own, albeit weird). Samantha Mathis is another strong performance, as well as a beauty on screen as Daisy, the princess in distress, albeit she doesn't have many good moments to herself. And Dennis Hopper, whether you like him or not, is undeniably good in villainous roles like this...here he plays a meglomaniacal dictator of an entire civilization, but again, sadly he has fewer memorable moments than Mario and Luigi, which is a shame, as Koopa is one of the most popular villains of all time. However, if you don't think the screenplay or casting were anygood, there are four things that this movie excells in, that are undeniable: superb special effects (from puppets to some amazing CGI for 1993), art design that's out of this world (from fungus to flashy lights to spikes on the clothes and walls of the buildings), intense action sequences, which are very high in pyrotechnics, flashing lights, and explosions, and a brilliant musical score, courtesy of Alan Silvestri (responsible for almost 80 movies so far, from the Father of the Bride movies to Roger Rabbit, to the Predetor's, to the Mummy Returns)! In my opinion, these three aspects warrent this movie a watching, as it's very high in production values! I really can't understand why people hate this movie. It's not sophisticated, but it is intelligently enjoyable....Con Air is undeniably smart, although I certainly wouldn't call that movie sophisticated, would you? I think not! Yet still it's a great movie! Perfectly combining parody, B-movie aspects, and advanced sci-fi, this movie spells out perfect cult-classic, and I'm one of those who does like it! I won't even try to talk you into it if you hate it, but I just feel that this movie is good for its own reasons. If you're into zany, partially senseless, partial sci-fi type movies, this one just might be for you.
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| 2. Firestorm Director: Dean Semler | |
![]() | list price: $6.98
our price: $6.98 (price subject to change: see help) Asin: 6304926413 Catlog: Video Sales Rank: 45048 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (30)
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| 3. The Patriot Director: Dean Semler | |
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(price subject to change: see help) Asin: B00000IO4L Catlog: Video Sales Rank: 14582 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (46)
There's almost no subtlety in this film, even when it's really called for. No plot twist comes off as inventive or even interesting, and many outcomes are very easily guessed. There was one moment of anticipation that turned out opposite from how you'd expect, but even that was just sort of cheesy. Character development is pretty much limited to identifying which stereotype a person falls into (disgruntled idealist, concerned doctor, wise native, etc), so that without plot or characters, action is left as the selling point of the film. The action's almost non-existant, and very sporadic. It more or less consists of Seagal occasionally needing to distract a person, grab their gun, and knock them unconscious. And finally, the film's dramatic scenes are poorly done, as they're either really standard and not very forceful at all, or they're done in a strange way that minimizes their effect (for example a potentially thought-provoking scene at the end that's just sort of done in a sappy way). Poorly made. ... Read more | |
| 4. Firestorm Director: Dean Semler | |
![]() | list price: $6.98
our price: $6.98 (price subject to change: see help) Asin: 6304926421 Catlog: Video Sales Rank: 102495 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (30)
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| 5. Firestorm Director: Dean Semler | |
![]() | list price: $6.98
our price: $6.98 (price subject to change: see help) Asin: B00008YLTN Catlog: Video Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (30)
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