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| 1. National Geographic's Really Wild Animals: Totally Tropical Rain Forest Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (3)
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| 2. National Geographic's Really Wild Animals: Dinosaurs and Other Creature Features Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (3)
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| 3. National Geographic's Really Wild Animals: Wonders Down Under Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (2)
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| 4. National Geographic's Really Wild Animals: Awesome Animal Builders Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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| 5. National Geographic's The Incredible Human Machine Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (2)
However, I always had a unique relationship with THE INCREDIBLE HUMAN MACHINE. On the one hand, I knew that it was a masterpiece, and was continually compelled to watch it. And yet, something about it frightened me. Its images, like the inside of the esophagus and blood pumping through vessels, were somehow more than I could deal with. As a result, I only watched it a very few times. Fortunately, I'm much less sensitive now (I've even become an avid fan of horror movies--a complete turnaround from my childhood), and I recently went back and saw THE INCREDIBLE HUMAN MACHINE. And, while it no longer scares me, there is something unnerving about it. In some ways, it's similar to Stanley Kubrick's 2001: A SPACE ODYSSEY (maybe its flip side, since this is an odyssey through INNER space). There's an awe, a scientific/poetic ecstasy to everything. Maybe it's the uneasy feeling that our boundaries as animals have been broken, that we're seeing things that had previously been reserved for the gods. But why is that? I've seen many other, more technologically advanced (remember, this film is 25 years old) documentaries on the human body, but none moves me like this one. There are several reasons. It's written, directed, and edited with seamless perfection (kudos to Irwin Rosten and Hyman Kaufman) and makes the most of its short running time. At fifty-odd minutes, there's only time to give a thumbnail sketch of each of the bodily systems, and the film does so in a marvelously succinct and resourceful way. But that's only part of it. Far more than just filling us up with facts like most documentaries do, it ventures into the realms of art and philosophy without ever overplaying its hand. It takes the time to present small, incredible images like individual heart cells beating in a petri dish, or an embryo's spine forming, or a zygote expanding and contracting. (Narrator E.G. Marshall compares this last one to an "exploding star," effortlessly linking inner and outer space.) It quotes Shakespeare, Walt Whitman, and Joseph Conrad, while celebrating our bodies through images of world-class athletes and ordinary people. A gymnast performs on uneven parallel bars, a deaf woman hears for the first time, a man in a biofeedback experiment powers a toy train with his mind. Ultimately, the film makes you think about who we are, and marvel that we exist and are capable of so much. (I was unable to fit this into the last paragraph, but I simply have to give special credit to Billy Goldenberg, whose eerie, pulsating music plays almost continuously through the film and greatly intensifies its emotional impact.) I could go on about this film for much longer, but I've made my point. So I'll finish on a personal note of triumph. THE INCREDIBLE HUMAN MACHINE has been here all these years; it just took me a while to be able to fully enjoy it. And now I can, and I will for the rest of my life. I hope you buy it and get out of it all that I have. PS: I wish that National Geographic would issue some of their pre-1975 documentaries on video. Also, with videotape rapidly becoming an outdated medium, they need to reissue their entire catalog (including the pre-1975 stuff just mentioned) on DVD, so the next generation can enjoy these classics. ... Read more | |
| 6. National Geographic's Lost Kingdoms of the Maya Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com So what exactly happened to make the Paris of its time suddenly vanish? Puzzle along with archeologists and epigraphers as they try to piece history back together, one building and astrological codice at a time. Don't expect any pat answers, however. While a few educated guesses endure (overpopulation? deforestation? an out-of-control thirst for war?), the true reason for the Mayan fate might be best summarized in the true if not elegant words of one Mayan expert: "Civilization is a complex phenomenon, and we can screw up." --Bob Michaels Reviews (4)
---------------------AHMED MASHHOOD------------------------------
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| 7. National Geographic's Living Treasures of Japan Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Reviews (2)
It was a BIG hit. I would definitely recommend it. We are watching it again next year without a doubt.
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| 8. National Geographic's Amazon: Land of the Flooded Forest Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (3)
I strongly recommend this video for someone planning to visit the Amazon for the first time, just to have an idea of what to expect and to better be able to understand the explanations guides may give during a trip.
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| 9. Lucas Director: David Seltzer | |
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Reviews (26)
Many people are unaware of this, which is understandable. In 1985's sleeper hit, LUCAS, he is minute and scrawny. He doesn't sport the messy bleached and chopped style he did when swooning teen girls tacked his photos on their bedroom walls, courtesy of TIGER BEAT magazine. During Corey Haim's 15 minutes of fame, I was a tot waddling in diapers. And when Lucas hit theatres, I wasn't even alive yet. But I did see bits and pieces of this movie on the Disney channel when I was about 7 or 8 years old. Only later did I rent the DVD. Is this another teen movie? I think not. Lucas is super-cheery and super-smart, intellectually above his peers. In fact, he skipped not one, but TWO grades. So he's a 14 year-old sophomore in a typical suburban high school. The end of the summer, he meets a new girl named Maggie (Kerry Green). If it weren't for his perseverence, he never would have won her friendship. After gawking at her on the tennis court, and after she implies a good 2 or 3 times she'd prefer to be alone, she finally succumbs to his charms. They spend the last two weeks of vacation attending classical music concerts, looking at different types of insects, and cruising the neighborhood in Maggie's car. Maggie finds a friend in Lucas. She even confides in him about her divorced dad and his 19 year-old girlfriend. When high school officially starts, things change. Lucas is blinded by his infatuation with Maggie. Maggie sees him as a very good friend and nothing more. She's deeply hurt when she sees how some of the jock crowd treats him, humiliating him to no end. One of the exceptions, however, is Cappie, played by Charlie Sheen. "I used to treat him like everyone else does," he laments in the school basement. Cappie changed his ways after Lucus brought him his homework while he was away from school sick. Since then, they've been on friendly terms. But Maggie isn't attracted to Lucus, who is 1 1/2 years younger than she is. She wants Cappie, but he's got a girlfriend, Alise, played by Ally McBeal's Courtney Thorne Smith. When Cappie and Alise break up (which I saw coming), Cappie turns to Maggie for support and a shoulder to cry on. And a new relationship, much to Lucas's dismay. Lucas had previously vowed to stay away from the world of jocks and cheerleaders. In fact, jocks and cheerleaders are everything Lucas is not. Before, he deemed their world "superficial." Now, to impress Maggie, he is willing to do whatever it takes. He wants to be a footballer. Can he do it? Or will is experience out on the field knock sense into him (figuratively speaking, of course)? Will he win Maggie's love or are they destined for friendship and nothing more? Watch and see. I'm surprised that LUCAS received so little recognition. I'm also surprised that Corey Haim tackled the role with such ease, considering that the same boy in LUCAS also starred in a plethora of unmemorable 80s cheese. Charlie Sheen was sexy, subtle, and wonderful. Kerri Green was also fantastic - this movie made me contemplate why she is no longer a Hollywood starlet, being this, along with THE GOONIES, are her only two films worth mentioning. Audiences may expect this comedy to be cheesy and lacking the heart of some 80s classics, yet I'd rank it high on my list. It's got poignant heart and soul and the entire cast gives praise-worthy performances.
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| 10. Shining Through Director: David Seltzer | |
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Amazon.com Reviews (44)
A spy-movie-enthralled young woman named Linda Voss ("half Jewish, half Irish") gets a job with a man named Ed Leland whom she suspects is a spy. Before long, they are lovers, but their budding relationship is dashed by World War II. Before you can say "Berlin strudel" she's whisked off to Germany as an undercover operative, to discover secret plans in the house of a handsome and sympathetic Nazi (the always-good Liam Neeson) One of the problems is Melanie Griffith. She might be good in other roles, but as Voss she fails. Voss comes across as amazingly lucky and none too intelligent, constantly licking her lips in a very distracting way. Michael Douglas is completely convincing as Ed Leland, although he looks slightly embarrassed sometimes. Liam Neeson and Joely Richardson are excellent in their smaller roles. Second problem is the attitude of the heroes. When Voss does not show up in time for the rendezvous, Leland disregards orders in favor of carrying her to the Swiss Border. Though it may seem heartless, an actual spy would have followed his orders and left Voss to die. In fact, we see the evidently smarter Germans such as Neeson's Dietrich and Richardson's Margrete following their orders despite their personal feelings about Voss. Watch the movie if you are interested, but do not expect great accuracy.
Melanie Griffith plays Linda Voss, a young woman of mixed Irish and Jewish ancestry in World War II. Because of her linguistic skills, she's hired as a translator for Ed Leland (Michael Douglas), who works for the government as a spy (he keeps denying it, but she's seen movies so she knows better!). They become lovers, until his work comes between them. But no sooner have they been reunited than a spy is needed to sneak into Germany to find some bomb-related plans. She's accompanied into Germany by Konrad "Sunflower" Friedrichs (Sir John Gielgud, who looks like he's always thinking "What am I doing in this movie?") and his niece Margrete Von Eberstein (Joely Richardson). Her position as a chef blows up on the first night, and she quickly finds herself hired as a nanny by elite Nazi official Franz-Otto Dietrich (Liam Neeson, Richardson's now-brother-in-law). And now that she's inside his house, she has only a limited amount of time to find the plans. I don't think the people who made this movie wanted me to like the Nazis more than the Americans, but unfortunately the Nazis are a lot more likeable. Richardson comes across as competant and multifaceted, divided in her loyalties; Neeson comes across as a loving father, a nice sensitive guy (we don't ever hear of him actually doing anything bad!) with big puppy-dog eyes. Frankly it's hard not to like him, especially compared to the insensitive clod Leland. Douglas looks unhappy and embarrassed all throughout the movie, he's as stiff and cold as a pine board, and Griffith's performance is the stuff of nightmares. It doesn't help that the best description of Linda is "ditzy blonde." She gets all her info about spies from movies, whines when Douglas goes on missions, and thinks she's qualified to be a spy because she can make strudel. (In one scene she runs through a crowded street chanting a secret password out loud!) She also mouths off to everyone in a way that would not be tolerated in a mere secretary (prepare to cringe when she says "My other half's Irish"), and bungles everything spy-related. I would say this is a movie best shown to young children but there's a fair amount of profanity, violence, and a detailed sex scene. The direction is pretty terrible -- you'd think WWII included only a handful of people. The Nazis have none of the casual amorality that the real people did. There are one or two creepy, freaky moments that work, like the German woman who exults that the house they took from a Jewish family had everything they wanted (even bedsheets with correct monograms), but they're few and far between. If they'd had Dietrich doing something, anything wrong, then it might have worked. There are a few moments of intentional comedy ("That pompous little (butt) ate a raw bird to prove it was edible!") but most of the comedy is totally accidental. ("What's a war for if not to hold on to what we love?" Gaaaaaggg!) I only can recommend this to fans of Joely and Liam, because they are the only ones who actually have good roles to play. "Schindler's List" this ain't!
That said, there are some strong performances in the movie. Douglas's stiffness makes much more sense in the context of the book, but doesn't work in the movie as filmed. Griffith is Griffith--you either love her or hate her. Liam Neeson is good, as is Joely Richardson (although the "Mein Gott, you have guts" line is a bit over the top). There are some suspenseful moments in the scenes in Nazi Germany. At times the movie's enjoyable, but overall, it disappoints.
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| 11. Lucas Director: David Seltzer | |
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Amazon.com Reviews (26)
Many people are unaware of this, which is understandable. In 1985's sleeper hit, LUCAS, he is minute and scrawny. He doesn't sport the messy bleached and chopped style he did when swooning teen girls tacked his photos on their bedroom walls, courtesy of TIGER BEAT magazine. During Corey Haim's 15 minutes of fame, I was a tot waddling in diapers. And when Lucas hit theatres, I wasn't even alive yet. But I did see bits and pieces of this movie on the Disney channel when I was about 7 or 8 years old. Only later did I rent the DVD. Is this another teen movie? I think not. Lucas is super-cheery and super-smart, intellectually above his peers. In fact, he skipped not one, but TWO grades. So he's a 14 year-old sophomore in a typical suburban high school. The end of the summer, he meets a new girl named Maggie (Kerry Green). If it weren't for his perseverence, he never would have won her friendship. After gawking at her on the tennis court, and after she implies a good 2 or 3 times she'd prefer to be alone, she finally succumbs to his charms. They spend the last two weeks of vacation attending classical music concerts, looking at different types of insects, and cruising the neighborhood in Maggie's car. Maggie finds a friend in Lucas. She even confides in him about her divorced dad and his 19 year-old girlfriend. When high school officially starts, things change. Lucas is blinded by his infatuation with Maggie. Maggie sees him as a very good friend and nothing more. She's deeply hurt when she sees how some of the jock crowd treats him, humiliating him to no end. One of the exceptions, however, is Cappie, played by Charlie Sheen. "I used to treat him like everyone else does," he laments in the school basement. Cappie changed his ways after Lucus brought him his homework while he was away from school sick. Since then, they've been on friendly terms. But Maggie isn't attracted to Lucus, who is 1 1/2 years younger than she is. She wants Cappie, but he's got a girlfriend, Alise, played by Ally McBeal's Courtney Thorne Smith. When Cappie and Alise break up (which I saw coming), Cappie turns to Maggie for support and a shoulder to cry on. And a new relationship, much to Lucas's dismay. Lucas had previously vowed to stay away from the world of jocks and cheerleaders. In fact, jocks and cheerleaders are everything Lucas is not. Before, he deemed their world "superficial." Now, to impress Maggie, he is willing to do whatever it takes. He wants to be a footballer. Can he do it? Or will is experience out on the field knock sense into him (figuratively speaking, of course)? Will he win Maggie's love or are they destined for friendship and nothing more? Watch and see. I'm surprised that LUCAS received so little recognition. I'm also surprised that Corey Haim tackled the role with such ease, considering that the same boy in LUCAS also starred in a plethora of unmemorable 80s cheese. Charlie Sheen was sexy, subtle, and wonderful. Kerri Green was also fantastic - this movie made me contemplate why she is no longer a Hollywood starlet, being this, along with THE GOONIES, are her only two films worth mentioning. Audiences may expect this comedy to be cheesy and lacking the heart of some 80s classics, yet I'd rank it high on my list. It's got poignant heart and soul and the entire cast gives praise-worthy performances.
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| 12. National Geographic - Lewis & Clark - Great Journey West Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Description Reviews (12)
If you possibly can, though, catch this one in its IMAX version. The movie's story is entertaining enough but imagine it on a screen several stories high - literally larger than lifesize - with a powerful sound system to match. Imagine how much cooler shooting those rapids is in the IMAX form! If you can't find an IMAX, make sure you've got a big screen and turn the sound up. This is history as exciting as it was when it happened the first time.
This review, however, is of the Special Edition DVD. Disc 1 is the standard movie playable in a regular set top DVD player hooked up to your TV. Disc 2, however, contains a high definition 720p version of the film for playback on a fast computer. At first glance of the DVD cover and the generic instructions included inside, one realizes that a fairly recent and rather powerful PC is required. Okay, for a fair number of us, that's not a problem, and it was not a problem in my case. For those of you with a PC slower than 2.4Ghz, your computer doesn't even meet the minimum requirements. So, I was fairly excited to see what such high definition playback looked like on my 2.8Ghz PC. I noticed that there was no 1080p version of the film on the disc, as the generic instruction card inside the DVD case indicated, but I later realized that the instructions were indeed that, generic, and simply didn't apply to this particular title. Okay, at this point, the documentation goes from bad to absolute crap extremely quickly. Putting the disc into my DVD-ROM player began Autoplay. Well, immediately an ActiveX control error appeared and suggested I look at www.wmvhd.com for a solution. Actually, that website couldn't have any less technical support for this problem than if it had been written in Latin with a black pen on a black wall and viewed in pitch darkness. Trudging through the Microsoft website links off the main WMVHD page gives precious little useful information, so after Googling on the problem for a while, I found out that this whole scenario is a Microsoft marketing ploy to sell its five-year-old Digital Rights Management scheme to content providers to eliminate media piracy. Wow, talk about shooting the baby when dumping out the bath water. This DRM anti-piracy product is downright draconian in its implementation. Setting all ActiveX controls, cookies, and security/privacy settings to the lowest possible did not resolve the ActiveX error, nor did disabling my Anti-Virus, Firewall, or anti-Spyware software. Hunting through the Microsoft Support Knowledgebase came up totally empty. Good grief, is this technology ever poorly documented and supported even in house! Well, after some more Googling, I finally found a piece of advice in an AV forum to just run the main movie file directly from Windows Media Player, but AFTER running the License Registration executable in the root of the DVD directory. Running licgen.exe doesn't appear to do much at first, but apparently it will authorize the playback of the main movie file by unlocking the key encrypted within it. Okay, at this point, surely one is thinking "Hey, I finally get to see this movie on DVD in high def on my PC". Well, yes, you do, but here's the kicker: THE PLAYBACK LICENSE EXPIRES IN 9 DAYS!!! While the movie is playing in Windows Media Player and looking and sounding nice and pretty, right-click on the filename in the playlist column on the right of the screen and look at the License information. Sure enough, you'll see that there is a limited duration playback period! What in the world?????? Where was this stated on the DVD packaging anywhere? Truly pondering if this scheme meant that disc 2 of this special edition amounted to some sort of a self-destructing DVD, I ran the license request executable the next day to see if the playback duration would get reset, but no, it didn't. Keep in mind that none of these limitations are clearly documented anywhere in the online product description, on or in the DVD box, or even anywhere prominently on the WMVHD website. However, if you dig far enough off of that website into the Microsoft sales information for why content providers should use DRM software, it becomes quickly apparent how very anti-consumer this anti-piracy scheme really is, especially as it concerns limiting the playback options for a movie DVD that is not at all advertised in good faith as having such restrictions. So, whether or not this High Definition DVD ends up being a frisbie in a week remains to be seen, but the poor support and documentation in getting the movie to run in the first place only to learn that it may be self-destructing is absolutely inexcusable. I wonder for this particular release if National Geographic even fully understands what they are selling here. Again, the movie content itself is terrific. This MS WMV HD DRM DVD, however, is beyond bizarre.
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| 13. National Geographic's Volcano: Nature's Inferno Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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| 14. National Geographic - Inside the Vatican Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Reviews (6)
The Papacy has its beginnings with St. Peter, Prince of the Apostles, and leader of the formative Church. He is the first Pope, who ministered the flock in Rome at the time of Nero, and was martyred at Vatican Field in a circus in the outskirts of the city. The disciples recovered his body and buried it in the same field, which became a center of pilgrimage in the ensuing centuries. The exact spot of his crucifixion was preserved by tradition, and is now marked by an altar. Constantine the Great built a basilica at the site of his tomb, which has been replaced with the magnificent renaissance structure of today. Of particular interest are the priceless documents from the last two millennia in the Vatican's Secret Archives. One can see letters from Michelangelo to Pope Julius II, the request of Henry VIII for the annulment of his marriage (this was denied, and led to the formation of the Anglican Church), and even a demand from the Mongol Emperor that the Pope pay homage to him! (Of course, denied.) Great attention is given into a "normal" day in the Vatican: the restoration of priceless tapestries by Raphael; the cleaning of Bernini's colossal baldachino; meetings of international figures with the Vicar of Christ. In addition, one can see the blessed ministry of Pope John Paul II, a man of great compassion. Particularly moving is footage of his visit to a leper colony in Korea: the Holy Father embraces and kisses these poor souls, not shying from their diseased flesh, but rather sharing with them the love of Christ. Truly the Gates of Hell have not endured against Christ's Church. The successors of Peter have served the Church, and will continue doing so, throughout the ages. HIGHLY RECOMMENDED.
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| 15. National Geographic's The Sharks Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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| 16. National Geographic's Asteroids: Deadly Impact Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (2)
After the last lunar landing impact was established as the overwhelmingly dominant process at work on the lunar surface, but such impacts on Earth were generally still denied. Despite the fact that the Alvarez theory gained ground from 1980 until the middle of 1994, impact as a common occurence continued to be denied. After the SL9 impact on Jupiter (well covered in this video) the last significant resistance to the K-T impact as the mechanism of extinction for the dinosaurs was swept away. That this catastrophe on another world brought about an overnight change in the sciences was appropriate. Now there are many impact craters recognized AS impact craters found throughout the world and not just in some comfortably remote location like the Moon or Jupiter. It is now much cheaper to read constrasting views about such events since the anti-impactors' books have appeared in the remainder lists. Asteroids Deadly Impact is my favorite National Geographic video of all time, and I believe I've seen them all. Perhaps it would be a much better world if people would tune out the daytime (and nighttime) tv garbage and watch stuff like this. Certainly would be worth a try.
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| 17. National Geographic - Submarine I-52: Search for WWII Gold Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
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Amazon.com Reviews (1)
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| 18. National Geographic's Dolphins: The Wild Side Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
![]() | list price: $19.95
our price: $19.95 (price subject to change: see help) Asin: 0792254775 Catlog: Video Sales Rank: 24675 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (3)
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| 19. National Geographic Video - The Incredible Human Body Director: William Kronick, Jack Kaufman, Bert Haanstra, Irwin Rosten, Terry Sanders, Nicholas Clapp, Nick Cominos, Jeff Myrow, Ed Spiegel (II), Nicolas Noxon, Robert Guenette, Jack Haley Jr., Barbara Jampel, David Seltzer, Dennis Azzarella, Alexander Grasshoff, Walon Green, Aram Boyajian | |
![]() | list price: $19.95
our price: $19.95 (price subject to change: see help) Asin: B000067DDQ Catlog: Video Sales Rank: 14284 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Description Reviews (4)
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