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| 1. Wonder Years, Vol. 1 Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Amazon.com Reviews (5)
With the narration of the young Kevin and the 60s setting it reminds me of the movie Christmas Story. The Messy Marvin actor and the narration of his thoughts/dreams of the Red Ryder bb gun. Another classic! But I digres . . . You have to see this first volume of Wonder Years! It will tug at your heart strings again! You won't be disappointed!
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| 2. Wonder Years, Vol. 2 Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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| 3. One on One with Coach Director: Craig T. Nelson, Andre Belgrader, Alan Rafkin, John P. Whitesell II, James Gardner, Will Mackenzie, Gary Shimokawa, Arlene Sanford, Michael Lembeck, Andrew Chulack, Barry Kemp, Michael Zinberg, John Whitesell, Michael T. Vetrie, Tony Dow (II), Bill Fagerbakke, Philip Rosenthal, Jay Kleckner, Jeffrey M. Meyer, Ted Wass | |
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| 4. The Christmas Wonder Years - The Holiday Episodes Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Reviews (9)
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| 5. The Best of the Wonder Years Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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Reviews (17)
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| 6. I'll Be Home for Christmas Director: Arlene Sanford | |
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Amazon.com Reviews (27)
The movie starts out in California at college where we meet Jake (Thomas) who is planning a vacation on the beach with his girlfriend (Jessica Biel) instead of going home like she wants to. So when Jake calls his family and tells him he's not planning on coming home, his father (Gary Cole) bribes him to come home. He promises Jake if he comes home, he can have the Porsche his father restored. Now he's going home! The problem is, his college rivals play a prank on him and leave him stranded in the desert with nothing and wearing a Santa costume. So to get home, he hitches a ride with a theif who almost killed him with his van while Jake was walking on the side of the road. Then he comes accross a cop who asks Jake for help in getting his wife back. Jake does it because the cop promises to give him a bus ticket home if he succeeds. It's hilarious how Jake does it. Then, while at the bus station, Jake sees on TV his girlfriend with Eddie, who stranded him in the desert. "I'll kill him!" So he chases down Eddie and then ends up stranded again. So he enters a Santa Claus race and the winner gets money. Of course Jake wins because he's competing against old fats guys. I'll let you see the rest. How will he find a way to get home? "I'll Be Home For Christmas" is a holiday classic. Johnathan Taylor Thomas played the best role of his career to date in this movie. He was funny and hilarious. The movie really gets you into the holiday spirit. It always worked for me and it will work for you. Merry Christmas!
The cross-country trip with a deadline and a host of offbeat characters along the way is a time-honored and successful formula. Although I was afraid Jonathan Taylor-Thomas's Jake would be too smarmy and smug to be a character you could root for, he manages to take the edge off just enough so that we are pulling for him to make it. The grannies going to Vegas to see Tom Jones ("Santa yammied in my purse!"), the state trooper and his cow-eared waitress at the Turf 'n' Turf steakhouse, even the bouncing Santa head during the credits -- easy to take Christmas fun.
I remember thinking this film would be fun when it first came out. I was wrong then, and watching it again didn't change my mind. The problem is with Jake. Watching the guy lie and scheme his way across the country for an hour and a half to get a car is hard to watch. You're supposed to be rooting for him, but he's so despicable you want him to fail. And his supposed change of heart at the end is too little too late to redeem him. Because of this, the funny situations along the way aren't as funny because you don't care about the character. Frankly, I find this disappointing because I do enjoy Jonathon Taylor Thomas's work. He's a good actor, but he can't raise the level of the comedy above poor. If you want to get into the spirit of the season, skip this and watch many of the other, better holiday themed movies available. You'll be glad you did.
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| 7. Ally McBeal: Theme of Life/Playing the Field Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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Amazon.com A lively round in the battle of the sexes, "The Playing Field" (first season, episode 18), finds Ally returning to the therapist (Tracey Ullman), worried that the "dancing baby" that plagued her in previous episodes has reappeared as a roller-blading hockey player! ("Get him!" advises the counselor.) Continuing the "baby" theme, Ally finds herself pitted against child prodigy Oren Koolie (Josh Evans), a pint-sized 9-year-old attorney whose negotiation strategy consists primarily of crying when he doesn't get his way. Kelley continues to probe the gender gap in a case of harassment via sexual exclusion, the outcome of which causes a tempest of fury in the office, with Ally and Georgia confronting Fish over his backward theories of gender inequality. All's well that ends well in the closing nightclub scene, where men and women call a truce. --Jeff Shannon Reviews (2)
Episode 18, "The Playing Field," also written by Kelley, finds the dancing baby is becoming aggressive (he plays street hockey now). This is not good news for Ally who is defending Dr. Butters from a lawsuit being brought against her new love interest by Oren Koolie, a nine-year-old genius who is practicing law until he is old enough to go to medical school. What can Ally do against a lawyer who cries before he demands $125,000? Meanwhile, Cage/Fish is also representing a woman who is suing her boss because he only promotes women who have slept with him. The title comes from Ally's conversation with Georgia, who once won a sexual harassment case against her old bos (he transferred her because she was beautiful) and complains that she wished she had fought him on an even field: he gave up when she threatened to make a claim. Ally takes this as a sign that she should ignore the sex-role conventions that stop her from speaking first in a romantic relationship. "Playing the Field" is only a notch below "Theme of Life" but has another great moment when Ally makes the mistake of following Dr. Tracy's advice and treating the Dancing Baby like a hockey puck the next time she sees him--or thinks that she does.
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| 8. Ally McBeal: Pilot/Silver Bells Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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Amazon.com "Silver Bells" (first season, episode 11) is a Christmas episode, following an impasse in the relationship between Fish and Judge "Whipper" Cone (series semiregular Dyan Cannon), while Georgia continues to stew when husband Billy confides in Ally over private marital matters. The episode also deepens the platonic affection between Ally and law-firm partner John Cage (Peter MacNicol), who, like Ally, is at odds with being perpetually single. Culminating in a memorable scene during an office Christmas party, this delightful episode conveys series creator David E. Kelley's expert ability to combine humor and melancholy in a way that perfectly captures the personalities of the characters, all of whom reflect some quirky manifestation of human strengths and weaknesses. --Jeff Shannon Reviews (4)
I tend to collect pilot episodes and so the "Pilot" written by David E. Kelley is of historical importance to me because it is what established the tone for the show. In retrospect, of course, it is interesting to watch this episode again and see how Kelley's vision was quickly refined over the course of that first season. The story of Ally McBeal (Calista Flockhart) begins with an ending as the Harvard Law alumna gets fired by her firm after a lecherous senior partner, Jack Billings, gropes her in the hall and she blows the whistle on him. However, he claims he has obsessive-compulsive disorder (OCD) and she ends up losing her job. Ally runs into Richard Fish (Greg Germann), and the joins the firm of Cage and Fish where we discover that Ally's world is not only quite imaginative but small. That is because Billy Thomas (Gil Bellows), Ally's first love not only works there but has a wife. You can tell this show is going to be different becuse Ally takes four arrows in the chest when she learns Billy is married and there are a dozen songs worked into the episode (including "Neighborhood," "Maryland," "Tell Him," and the theme from "Psycho"). In Kelley's "Silver Bells" (Episode 11 for those counting) Ally takes a case of two women and a man who want to have their unique relationship recognized as a legal marriage (one woman gave birth to three children one of which was the fertilized egg of the other). However, as is usually the case on "Ally McBeal," the case resonates with the characters, causing Judge "Whipper" Cone (Dyan Cannon) to yearn for commitment from Richard, while Ally and Georgia (Courtney Thorne-Smith) are both upset that Billy has been a better love with his wife since his ex-girl friend showed up. Ah, the bitter irony of it all. This episode features the Cage/Fish Christmas party where both Renee (Lisa Nicole Carson) and Elaine (Jane Krakowski) gets to do production numbers and even Fish sings ("More Today Than Yesterday"). Looking back on these episodes what I find most interesting is how Kelley uses legal cases to explore relationship issues. This is obviously truer of "Silver Bells" than the pilot, but in that regards the second episode on this tape is more representative of the series as a whole. You can also see how halfway through the first season the pace of the show had picked up considerably. Everybody has more to say and is saying it faster. Consequently, I am not sure that this is an ideal pairing from Season 1, but I find it insightful. I might have gone with "The Promise" instead of "Silver Bells," although the "Kiss" would be the obvious one to emphasis the Ally-Billy dyad. Since it is not, I kept playing with the idea that this pairing was appropriate until I came up with a rationale that justified the choices. You can decide if the circle gets the square.
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| 9. A Very Brady Sequel Director: Arlene Sanford | |
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Amazon.com Reviews (33)
In this hilarious sequel, everything is just perfectly normal in the Brady household until a man comes to the house claiming to be Mrs. Brady's first husband. But secretly, he's really after a valuable horse statue in their home. Of course, the Brady gang believes him and invites him to stay for awhile. Then, when they are really starting to get to know each other, the man reveals who he really is, kidnaps Mrs. Brady, and takes her out to Hawaii where he is supposed to sell the horse statue! And of course, the rest of the Bradys go after her... I think this is just as good as the first Brady movie. Both were pretty good. There is a smarter script to the Brady sequel, too. And Jan gets a boyfriend! Greg and Marcia also start feeling affection for each other, too. This is wicked funny and I recommend it for anybody who loved the TV series or the first movie!
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| 10. Ally McBeal: Cro-Magnon/The Attitude Director: Dennie Gordon, Kenny Ortega, Joe Napolitano, Mel Damski, David Grossman (III), James Frawley, Peter MacNicol, Ben Lewin (II), Arvin Brown, Bryan Gordon, Allan Arkush, Greg Germann, Barnet Kellman, Sarah Pia Anderson, Jace Alexander, Bill D'Elia, Adam Nimoy, Dennis Dugan, Arlene Sanford, Victoria Hochberg | |
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Amazon.com "The Attitude" (first season, episode 7) finds Ally struggling to navigate the stormy seas of romance. She's coping with close proximity to Billy, the former love of her life, and the tension increases when Billy's wife, Georgia, is invited to join the firm of Fish & Cage. While Ally defends a woman (Brenda Vaccaro) who's been wrongfully expelled from her synagogue, Cage takes on Georgia's ex-boss on a sex-discrimination charge. During a disastrous dinner date Ally obsesses over salad dressing on her date's chin, and later she simultaneously offends and attracts the young rabbi who ousted her client, leading Ally to trade her pursuit of "Mr. Right" for more pragmatic dates with "Mr. Not-Likelys." As usual, this episode is blessed with Kelley's rapid-fire dialogue, but it's best remembered for the superbly written scenes between Ally and Georgia, who forge a friendship despite their shared history with Billy. Calista Flockhart and Courtney Thorne-Smith really shine here, making this one of the first season's pivotal episodes. --Jeff Shannon Reviews (2)
"Cro-Magnon" (Episode 12) finds Ally (Calista Flockhart) and Renee (Lisa Nicole Carson) are taking a sculpture class where they discover that Glenn, the male model, is rather "gifted" (they need more clay). Georgia (Courtney Thorne-Smith) joins the class but it is Ally who actually dates Glenn. Meanwhile, in court our heroine is defending 19-yeard old Clint, who punched out a guy for insulting the virtue of his date and who's cute little behind has become the object of his lawyer's attentoin. The title of the episode comes from Ally's declaration that she likes a little Cro-Magnon in her man. Actually, this episode is one of the more heavy handed ones, with the contrast between the girls oggling the model and the guys watching a prizefight on pay-per-view lacking subtlety. "The Attitude" (Episode 7) has Ally getting the hots for district attorney Jason Roberts, a colleague of Renee's, who fortunately asks her out before the theme from "Jeopardy" ends. Ally's client this week is Karen Horwitz, who is trying to get Rabbi Joseph Stern to grant her a divorce because her husband is in a coma (the poor guy was hit by a bus before he obtained a "get," the formal Jewish divorce decree). Ally cannot get the rabbi to change his mind, but she does get another offer for a date. I would not label either of these as classic Ally McBeal episodes, but they are certainly representative of Ally's love life in Season 1, before things became increasingly bizarre in Season 2. I would have paired up "Cro-Magnon" with the follow up episode, "The Blame Game," where Ally and Renee take vengeance on Glenn by giving him "the penguin," but that is just my impulse towards narrative completeness.
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| 11. Frank McKlusky, C.I. Director: Arlene Sanford | |
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| 12. Frank McKlusky, C.I. Director: Arlene Sanford | |
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| 13. The Wonder Years (Vol. 1 & 2) Director: Art Wolff, Beth Hillshafer, Andy Tennant, Ken Topolsky, Michael Dinner, Arlene Sanford, Neal Marlens, Nancy Cooperstein, David Greenwalt, Thomas Schlamme, Steve Miner, Richard Masur, Jim McBride, Arthur Albert, Bryan Gordon, Peter Baldwin, Robert C. Thompson, Stephen Cragg, Peter Horton, Matia Karrell | |
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