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| 1. Powder Director: Victor Salva | |
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Amazon.com Reviews (82)
The premise is deceptively simple: Following the death of his last remaining adult guardian on their isolated farm, a young albino man nicknamed 'Powder' (Sean Patrick Flanery) is taken into the custody of local authorities. But his genius IQ and ability to harness electricity - leading to spectacular displays of apparently 'magical' behavior - arouses the suspicions of frightened townsfolk, and while he's able to change some people's lives for the better (and how!), others are too consumed by hatred to accept this strange, unique outsider. Thus, the stage is set for potential tragedy... Writer-director Victor Salva (also responsible for the superb "Rites of Passage", 1998) has constructed a modern parable which works both as a simple entertainment and as a powerful meditation on the nature of Good and Evil. Episodic in structure, the narrative pitches Powder's strange appearance and gentle manner against some of the worst aspects of the human condition - bigotry, mistrust, cruelty - and though Salva makes a brave attempt to portray these shameful characteristics in various shades of grey, his script acknowledges that some people are defined by their hatred and cannot easily be changed. That said, whilst the film doesn't flinch from the rough stuff, it's ultimately a joyous celebration of the human spirit: Though evil flourishes, goodness prevails. "Powder" contains a wealth of memorable moments, but some scenes are truly outstanding, such as Powder's first appearance as a ghost-like figure hovering in the darkness of the cellar where he's been hiding since his grandfather's death; the beautiful/terrible moment in the dining hall of the reformatory when Powder realizes he's never going to be accepted by his peers, no matter how hard he tries; the emotionally devastating sequence with the wounded deer (absolutely unforgettable!); and the sheriff's (Lance Henriksen) last desperate attempt to communicate with his terminally-ill wife (a touching, wordless performance by Dannete McMann). Few other 'fantasy' films of recent years have been so deeply, profoundly moving as this. Production values are top-notch all the way down the line: From Jerzy Zielinski's beautiful, flawless cinematography, to Jerry Goldsmith's low-key score; from Waldemar Kalinowski's unobtrusive production design, to Dennis M. Hill's expert editing - this is the work of talented craftspeople operating at the top of their game, perfectly in tune with the director's intentions. But the real magic is conjured by a superb cast: Top-billed Mary Steenburgen and Jeff Goldblum are quietly effective in virtual supporting roles, while Brandon Smith underplays the part of a bigoted deputy sheriff whose life is changed forever by his encounter with the title character. As always, Lance Henriksen (who also played the lead in Salva's earlier "The Nature of the Beast", 1994) distinguishes himself as a humane but disillusioned lawman whose convictions are thoroughly shaken by Powder's remarkable abilities. Look out, also, for terrific turns by Bradford Tatum (as the leader of the bullies who make life a misery for Powder), Missy Crider (the potential love-interest) and the always-wonderful Susan Tyrrell (the sheriff's well-meaning but narrow-minded housekepeper) in small but crucial roles. But the heart and soul of the picture is, of course, Powder himself, played with heartbreaking sensitivity by Sean Patrick Flanery. Almost unrecognizable beneath an unusual makeup job (by industry veterans Thomas R. Burman and Bari Dreiband-Burman) which preserves much of his natural beauty whilst also emphasizing the characters' appealing otherworldliness, he plays Powder without any trace of self-pity; instead, he highlights the kindness and vulnerability of a Christ-like figure whose greatest curse is his total comprehension of the world and its inequities, and by his understanding that he'll never be a part of it (when a vicious thug whispers in his ear: "You really think you can be like us...?", you half-expect Powder to reply: "Who'd WANT to be?!"). Powder embodies many of the qualities which are largely absent from our own lives - goodness, compassion, and an appreciation of Nature in all its rich diversity - and Flanery captures those qualities with vivid grace. Of all the fine performances in this exceptional film, his is the most dignified and triumphant. Though aimed at the widest possible audience, "Powder"s theme of the persecuted loner will strike a real emotional chord with anyone who's ever found themselves on the sidelines, watching the rest of the world go by. This is a movie which speaks loudest to the outsiders amongst us, the disenfranchised and the dispossessed. It will be warmly embraced by anyone who's ever reached out to others and been rejected...anyone who's ever felt lost and afraid, or found themselves alone in the dark...anyone who's ever believed that the world has turned its back on them because of WHO and WHAT they are...anyone who's ever stood aside from the crowd and refused to relinquish their ideals in the face of overwhelming odds..."Powder" is THEIR movie, their glimmer of hope. Once seen, never forgotten. Hollywood Pictures' region 1 DVD surely deserves a major overhaul. The letterboxed image (1.85:1) is beautifully detailed but prone to all the drawbacks of non-anamorphic encoding, while the uncomplicated 5.1 soundtrack merely serves to reinforce the drama. The disc - which runs 101m 32s - is captioned, but there are no other extras, not even a trailer, which is disappointing. Because of the unfortunate events surrounding the original theatrical release, Salva may not be willing to revisit the picture for any future special edition, but an audio commentary with the director and Flanery - much like Salva's fascinating collaboration with Jason Behr on Wolfe Video's superb DVD edition of "Rites of Pssage" - would be more than welcome. All in all, five stars for the movie, two for the DVD.
Powder is our hero, a teenager who is misunderstood and unloved, even by his own family. When he emerges into our world from his grandparents' basement, he cannot even comprehend how cruel people can be every day. Some films have various layers you have to get underneath before they go to your heart, like Forrest Gump. Powder is a film that will go straight to your heart, and will not leave. The setting in which the movie takes place is rural middle America, but seems like another world. The entire movie is akin to a dream. It will probably wont make you cry when you see it, but rather when you have time to fully digest what you have just watched. The best part about this movie is it provides deep emotion without being visually disturbing or graphic. It keeps a very respectable PG-13 rating. You can even feel sorry for the antagonists in the film, and soon you start to empathize with Powder. You could call it a teen Forrest Gump, although Powder's character is less real, but more beautiful than Forrest. I highly recommend this movie. I have talked to ruffian-type teenagers who saw this movie and they despised it. This is because they saw themselves in the antagonists so vividly, that it deeply disturbed them. I liked that. This movie is 10 stars, all the way. Watch it, think about it, treasure it.
Avoid like the plague. Stay as far away as possible from this movie. Much like young ones should stay as far away as possible from the director. ... Read more | |
| 2. Jeepers Creepers Director: Victor Salva | |
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Reviews (507)
Jeepers Creepers (2001) is a fun, interesting, stylistic film that runs out of gas about halfway through, but still had enough going for it to earn critical and commercial success, spawning a sequel, Jeepers Creepers II (2003) which broke Labor Day box office records for that year. Written and directed by the controversial Victor Salva, who also did the chilling horror film Clownhouse (1988) and Powder (1995), Jeepers Creepers brings to life (or death) a new figure in the Hollywood creature pantheon with the Creeper, a demonic looking figure that awakens every 23 years and feeds for 23 days, according to legend. The film stars Gina Phillips as Trish and Justin Long as her brother Derry, traveling together by car a lonely and desolate country highway on their way home from college. After a scary incident with an old truck, the two witness a sinister, cloaked figure unceremoniously dumping what appears to body sized parcels wrapped in cloth and rope down a large, corrugated metal pipe next to a boarded up church. Also parked nearby is the same truck that nearly ran them off the road earlier. Once past the old church, the two begin to question what exactly they saw, but are soon joined again by the mysterious truck, more intent than ever now to ram their car, and drive them off the road. After losing the truck, the two go back to the church, despite Trish's protests, to investigate. Derry proceeds to do something stupid, and see something no human was mean to see...oh, he did confirm what they originally thought, that the figure was indeed dumping bodies down this large drain, but that's just the tip of the proverbial iceberg. What other secrets are uncovered? What is the nature of the creature? Do Trish and Derry survive long enough to get help? I thought the makeup and such on the Creeper looked quite good and suitably malevolent. And the revelations revealed about this character came at a nice, even clip as the plot unfolded. There were a number of minor points where one could argue that the plot is weak or very thin, and I would have a hard time disagreeing, especially during the last half hour of the film. I really enjoyed the scenes that focused on something in the foreground, but provided enough leeway on the screen to see something in the background, even if it was fuzzy and out of focus, before the characters on the screen understood what was happening. Cheap scares are had here, as things pop out 'and go boo!' but there is also a nice build up of real tension throughout the film, along with a smattering of comedy, usually of the sarcastic kind, to temper the horror. The weakness of the film comes from the predictability of the second half of the film. The original beginning had brought forth high hopes, but these hopes diminished slightly as the film eventually tread the path repetition as most end up doing, but at least this one did so with style and professionalism most uncommon with those in the same genre. You may recognize Justin Long from TV's Ed were he plays Warren Parker Cheswick. It's pretty much the same affable character played in this film, but a little bit older and a little more cynical. Gina Philips is quite lovely, with her flowing, brownish hair and doe eyed appearance that conflicts with her more cynical than her brother attitude. Both actors did a wonderful job, showing a mixture of inherent and hard earned talent, the kind gained through lots of work and dedication. The picture here, available in both wide screen and full screen, looks wonderful and crisp. Special features include theatrical trailers, a photo gallery, deleted, extended, and alternate scenes, behind the scenes featurettes (six), and a commentary track with director Victor Salva. Many of these features are located on the flip side of the disc, with the film being on the other side. I guess the one thing I took away from this film more than anything else is if you see a darkened figure dumping what appears to be bodies down a sewer pipe next to an abandoned church, just keep on moving. You can make a report at the next town, for sure, but avoid actually crawling into the pipe to confirm what you already know. Cookieman108
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| 3. Jeepers Creepers 2 Director: Victor Salva | |
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Reviews (152)
The movie begins with the basic "rules," by informing us that every 23 years, for 23 days, it gets to eat. We then find out that we are up to day 22 where the Creeper (Jonathan Breck) snatches his next victim and kicks off the major subplot of the film, which is the quest of farmer Jack Tagger (Ray Wise) to get the thing that took his boy. We then jump ahead to day 23, at which point we are introduced to a bus full of teenagers and I start counting all the things that bug me about this film. Ready? (1) The bus has a high school basketball team that has just won the state championship, so where is the trophy? I was expecting it to be used as a weapon at some point. Plus, have you ever seen a less unhappy championship team once the signing stops? (2) The team only has three cheerleaders, although all the cheerleaders at my high school had pom-pons. (3) This is a team that has just won state and yet none of the parents are caravaning with the team. Yeah, right. (4) I understand the bus is on a back road that nobody takes anymore because of the interstate, but I still would like to know the odds that the only car that passes them the entire time they are stuck comes along the first minute. (5) The equipment manager really left equipment on the bus after the track meet? Bad equipment manager. (6) I think having a cheerleader have a vision that provides exposition for the Creeper was awfully convenient. This was almost as bad as the original version of "The Thomas Crown Affair" when Faye Dunaway just picks Steve McQueen's photo out of a pile and announces he is the guy. (7) The same thing applies to the idea that the only times the radio on the bus works is when we get to hear updates on what the Creeper has been doing and when the sub-plot shows up to join the main plot. (8) In terms of the exposition, what is this nonsense about the Creeper making menu selections? I find it hard to believe it only kills for food, especially after the first film. (9) Oh, and if the Creeper is jumping around the county in its feeding frenzy, flying around in broad day light, how come the cops are not criss crossing the area like crazy? (10) Once the cops find the Creeper's lair and 300 bodies sewed together, would that not up the ante on the situation and triple the number of cops brought into the county? (11) Without even taking into account the aerodynamics of this thing's wings, how comes the Creeper flies slower when chasing kids in a pick up truck than when it is normally swooping down on its prey? (12) Who cares if something cannot die if you can slice and dice it? (13) If the Creeper is supposed to return to the ground ever 23 years, what happens if it does not? Okay, I will stop now. My explanation for most of the above consists of me holding up my hands and wiggling my fingers, but not my thumbs. The idea is that I am miming typing and it means that the above things happened because somebody wrote them that way. The main goal is to have the Creeper terrorize a bus load of teenagers on a lonely stretch of rural highway and that is exactly what we get in this film. If logic gets in the way of the proceedings, defy logic and keep on filming. Remember the episode of "South Park" where the kids were stuck on a school bus? Now that's what I call getting out of a sticky situation. There are some things I like about the film, such as the opening scenes were we are dealing with terror in bright sunlight, a fairly different idea), and the Creeper running through the corn field stalking the bus. What happens when the sub-plot catches up with the main plot certainly results in some innovative stunts, including a creative war for cutting a bus in half. A lot of it reminded me of "Jaws" and I was actually thinking Ray Wise was going to comment about the taxidermy man have a heart attack when he sees what our heroic farmer is bringing in (which would have been rather apropos given the final scene of the film). But even at that point I am still number counting off things that do not make sense. (14) Are pick up trucks really made that well that you can still drive them after taking a beating like that? (15) Did we ever see the Creeper actually creep in either of these films? Okay, I will stop now.
1. AS A SEQUEL As a sequel, i don't like this movie one bit. Afters the first jeepers creepers, i was expecting another suspencefull movie where a few characters would be chased all across the country until the creepers has it his way. Instead, we get an entire bus full of incredibly uninteresting and unsympathetic characters, standing still along the road, trying to fight off the creeper whoms looks had totally changed and suddenly looks like a giant bird of prey. And what's with the psychics? It has nothing in common with the first movie except for the annoying stuff. 2. AS AN INDEPENDENT MOVIE if you watch this without knowing the first one, it's a pretty entertaing monster movie. It's just another slaher-movie really, but this time the pretty standard victims are fightinh off a giant bat in stead of your average demon or zombie. The setting with the bus is pretty original, and you will be entertained if Friday the 13th is the only standard it has to live up to. If you still can, i recommend watching this movie before the prequel! This one is just an entertaining horror story, you'll be amused. Then watch the first one, just to see that this monster could also actually be scary. ... Read more | |
| 4. Nature of the Beast Director: Victor Salva | |
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Description Reviews (4)
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| 5. Clownhouse Director: Victor Salva | |
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Reviews (30)
Clownhouse attempts to exploit that popular fear by giving us three escapees from the mental institution dressed as clowns, terrorizing three young brats. Casey is really afraid of clowns to begin with. He has some pretentious explanation at the beginning of the film so I won't go into it. Let's just say he freaks when he sees them. His oldest brother is a bully and the middle brother is the understanding, bookish one. They are left alone on a night that falls somewhere between Friday Oct. 13 and Halloween. Scary. After several Halloween-worthy cat-and-mouse moments, Casey must face his fears and beat back the clowns. If it seems like I'm being overly impudent here, it's because the movie just hasn't aged that well for me. I remember seeing it on cable about twelve years ago and being scared to death. Now, I just find myself irritated at the oldest brother and his witty banter with the others. I also found myself wondering how long it took to do the clown make-up and did one psycho help the other psycho put his on. Otherwise, how would you know if you got the back of your neck white enough? Ahem. This one is a really good one to start with if you want something bloodless and scary, but it doesn't hold up to repeated viewings like Halloween does. Mild recommendation.
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| 6. Clown House (Amazon.com Exclusive) Director: Victor Salva | |
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Description Reviews (30)
Clownhouse attempts to exploit that popular fear by giving us three escapees from the mental institution dressed as clowns, terrorizing three young brats. Casey is really afraid of clowns to begin with. He has some pretentious explanation at the beginning of the film so I won't go into it. Let's just say he freaks when he sees them. His oldest brother is a bully and the middle brother is the understanding, bookish one. They are left alone on a night that falls somewhere between Friday Oct. 13 and Halloween. Scary. After several Halloween-worthy cat-and-mouse moments, Casey must face his fears and beat back the clowns. If it seems like I'm being overly impudent here, it's because the movie just hasn't aged that well for me. I remember seeing it on cable about twelve years ago and being scared to death. Now, I just find myself irritated at the oldest brother and his witty banter with the others. I also found myself wondering how long it took to do the clown make-up and did one psycho help the other psycho put his on. Otherwise, how would you know if you got the back of your neck white enough? Ahem. This one is a really good one to start with if you want something bloodless and scary, but it doesn't hold up to repeated viewings like Halloween does. Mild recommendation.
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| 7. Rites of Passage Director: Victor Salva | |
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Reviews (35)
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| 8. Rites of Passage Director: Victor Salva | |
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Reviews (35)
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| 9. Jeepers Creepers Director: Victor Salva | |
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Reviews (507)
Jeepers Creepers (2001) is a fun, interesting, stylistic film that runs out of gas about halfway through, but still had enough going for it to earn critical and commercial success, spawning a sequel, Jeepers Creepers II (2003) which broke Labor Day box office records for that year. Written and directed by the controversial Victor Salva, who also did the chilling horror film Clownhouse (1988) and Powder (1995), Jeepers Creepers brings to life (or death) a new figure in the Hollywood creature pantheon with the Creeper, a demonic looking figure that awakens every 23 years and feeds for 23 days, according to legend. The film stars Gina Phillips as Trish and Justin Long as her brother Derry, traveling together by car a lonely and desolate country highway on their way home from college. After a scary incident with an old truck, the two witness a sinister, cloaked figure unceremoniously dumping what appears to body sized parcels wrapped in cloth and rope down a large, corrugated metal pipe next to a boarded up church. Also parked nearby is the same truck that nearly ran them off the road earlier. Once past the old church, the two begin to question what exactly they saw, but are soon joined again by the mysterious truck, more intent than ever now to ram their car, and drive them off the road. After losing the truck, the two go back to the church, despite Trish's protests, to investigate. Derry proceeds to do something stupid, and see something no human was mean to see...oh, he did confirm what they originally thought, that the figure was indeed dumping bodies down this large drain, but that's just the tip of the proverbial iceberg. What other secrets are uncovered? What is the nature of the creature? Do Trish and Derry survive long enough to get help? I thought the makeup and such on the Creeper looked quite good and suitably malevolent. And the revelations revealed about this character came at a nice, even clip as the plot unfolded. There were a number of minor points where one could argue that the plot is weak or very thin, and I would have a hard time disagreeing, especially during the last half hour of the film. I really enjoyed the scenes that focused on something in the foreground, but provided enough leeway on the screen to see something in the background, even if it was fuzzy and out of focus, before the characters on the screen understood what was happening. Cheap scares are had here, as things pop out 'and go boo!' but there is also a nice build up of real tension throughout the film, along with a smattering of comedy, usually of the sarcastic kind, to temper the horror. The weakness of the film comes from the predictability of the second half of the film. The original beginning had brought forth high hopes, but these hopes diminished slightly as the film eventually tread the path repetition as most end up doing, but at least this one did so with style and professionalism most uncommon with those in the same genre. You may recognize Justin Long from TV's Ed were he plays Warren Parker Cheswick. It's pretty much the same affable character played in this film, but a little bit older and a little more cynical. Gina Philips is quite lovely, with her flowing, brownish hair and doe eyed appearance that conflicts with her more cynical than her brother attitude. Both actors did a wonderful job, showing a mixture of inherent and hard earned talent, the kind gained through lots of work and dedication. The picture here, available in both wide screen and full screen, looks wonderful and crisp. Special features include theatrical trailers, a photo gallery, deleted, extended, and alternate scenes, behind the scenes featurettes (six), and a commentary track with director Victor Salva. Many of these features are located on the flip side of the disc, with the film being on the other side. I guess the one thing I took away from this film more than anything else is if you see a darkened figure dumping what appears to be bodies down a sewer pipe next to an abandoned church, just keep on moving. You can make a report at the next town, for sure, but avoid actually crawling into the pipe to confirm what you already know. Cookieman108
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