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| 1. Spy Kids Director: Robert Rodriguez | |
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Reviews (182)
It took an odd pairing to create this movie. Its star, Antonio Banderas, gained fame as a very hot lover in movies in his native Spain. Director Robert Rodriguez started out in Mexico making movies that were stylish and creative but extremely violent. Until Spy Kids, his American movies were the same. I don't know what drew them to this project, but I'm glad they chose to do it. Carmen and Juni [Alexa Varga and Daryl Sabara] are kids who live in a cool house overlooking the ocean. Their parents, Gregorio and Ingrid [Banderas and Carla Gugino] are loving but decidedly uncool as far as Carmen and Juni are concerned. Mom is overly protective, and Dad seems to be a wimp. They run a consulting business out of the house. What the kids don't know is that Mom and Dad used to be international spies. Currently, Gregorio and Ingrid are looking into the disappearance of some former coworkers. Juni is obsessed with a wacky children's show starring the bizarre Fegan Floop [Alan Cummin]. The boy, as well as the rest of the family, is about to learn that Floop and the disappearing spies are very much connected. When Gregorio and Ingrid also vanish, the kids set out to find them. It will prove to be the adventure of a lifetime. The sets are colorful and imaginative. There are lots of cool gadgets - crayons that are actually lasers, neat cars that are also boats and submarines and so forth. Floop has a treasure trove of creatures he has created, including the robot children he plans to use to take over the world. My favorite characters are his bodyguards - pudgy, waddling things that are literally all thumbs. Banderas is fun as Gregorio, playing a kind of a parody of himself. Varga and Sabara make the children likable. These aren't the cloyingly cute kids you see in most family films. They have personalities with flair and great senses of humor. Cummin plays Floop as a Pee Wee Herman gone completely mad. He's a great villain. Spy Kids may be about kidnapping and espionage on one level, but it's also about the importance of family, not in the sense of so-called family values, but in the sense of love and loyalty. There will be a sequel in 2002, and, for once, I'm glad to hear it.
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| 2. Spy Kids 2: The Island of Lost Dreams Director: Robert Rodriguez | |
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Description Reviews (76)
THE STORY: Carmen and Juni Cortez (Alexa Vega and Daryl Sabara) are back in a bigger and wilder adventure than before. This time the Cortez siblings are locked in a dead heat to get to the bottom of a mystery concealed by a remote and mysterious island before a rival team of Spy Kids beat them to the punch. THE COOL THINGS: The "Island of Lost Dreams" expands upon the Spy Kids world tenfold as we are introduced to the entire Spy Kids organization including its hierarchies and ultra-cool weapons. The "monsters" in this installment are also more formidable looking (mutated/spliced animals) as compared to the comical mutated humans from the first movie. We also get introduced to the extended Cortez family tree as Ingrid's parents gain a supporting role. In all, seeing the competing Spy Kids and the newer and cooler weapons made this movie more enjoyable. BEST SCENES: 1. The Monster Duel 2. Popstars Carmen and Juni!!! (HILARIOUS!!!) 3. Battle at OSS THE VERDICT: Spy Kids was generally regarded as a good, solid movie not only for kids and families, but anyone in general. It was fun, entertaining and all around enjoyable. Summed in a nutshell, Spy Kids 2: Island of Lost Dreams is even better!!! Highly Recommended
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| 3. Four Rooms Director: Alexandre Rockwell, Allison Anders, Robert Rodriguez, Quentin Tarantino | |
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Amazon.com Reviews (92)
I'll break it down room by room. The first room is sort of just to give us the happy "Ted scored" feeling. Sometimes I'd really rather fast forward through this, as the script is sort of silly in this room. But overall, I've seen a lot worse, and remember, we're not taking this film seriously right? The second room is the mistaken identity room that really shows off Tim Roth's ability to act. I have read other reviews that say he is horrible in this. I disagree completely. You can see every emotion the character feels pass across his face, which makes it very humorous. Jennifer Beals does a good job in this section, but like a lot of dialogue in Tarrantino films, you get the strict, rigid scripted feeling. In other words, the actors spit out this long line of gibberish that noone would really say in real life. People have to take the time to come up with these types of speeches. The third room is probably the best, if not a little bit disturbing. I think everyone did a good job in this section, especially Tim Roth when he was aggravated by the children. The fourth room seems to be plagued by bad acting. In my opinion, only Willis and Roth do a good job. Tarrantino is frightfully bad in his dialogue, and that scripted feeling comes back stronger than ever. Meanwhile, you'd be hard pressed to believe that anyone besides Willis is drunk. I think it was a bad case of overacting on the part of the others. Overall, its still worth watching, and the movie is great if for no other reason than Tim Roth (who is terrific in everything he is in -- See The Muskateer, as his acting is the only thing making the movie worthwhile).
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| 4. From Dusk Till Dawn Director: Robert Rodriguez | |
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Amazon.com Reviews (167)
The film depicts the story of the infamous Gecko Brothers', Seth (George Clooney) and Ritchie (Quentin Tarantino), odyssey from their violent southern Texas exploits to their arrival at the unforgettable Titty Twister bar. Along the way, the Gecko brothers inadvertently blow up a liquor store, hallucinate flirtations and verbal taunts, "accidentally" rape and murder a seemingly docile hostage, and kidnap a disillusioned pastor's family and their motor home on their way to their bar rendezvous across the Mexican border. Though these characters may seem to be the most unsympathetic characters to be rooting for. Tarantino's knack for instilling humanity into his criminals is second to none, and along the way towards the bar and the film's personality switch, through absorbing dialogue, gritty performances, and realistic plot developments (in the Tarantino half), we are given unusually affable characters that allow the audience just enough audience identification with the characters before they are literally placed into hell incarnate. While watching From Dusk Til Dawn, it crucial to note the film's story arc is essentially one-half Tarantino crime tale/ one-half gory horror gore opus. This was done I believe to introduce the characters, personality dynamics, and innate personal tendencies of the people in their real environments before establishing the horror. What happens quite often in horror films of the last two decades is we, the audience, are immediately transported to the improbable before we even really know our characters. The characters of a movie are our conduits into the realm and the story of a movie. Doesn't it seem probable that if we have an enhanced understanding of the characters we might enjoy the film's narrative a lot more? From Dusk Til Dawn follows this mentality to its most logic summation as character and style overcome commercial convention. Since it release, From Dusk Til Dawn consistently besieges it audiences with an intoxicatingly visceral affront of violence, mayhem, elaborate chaos, and inventive havoc that entertains and delights beyond anyone's expectations. Though definitely not Academy Award material so to speak, From Til Dawn remains a superlative horror extravaganza. As for the film's new DVD Collector's Series edition, FDTD contains an informative Rodriguez/Tarantino commentary track, a feature length documentary entitled "Full Tilt Boogie", extensive outtakes, deleted scenes, two music videos, the theatrical trailer, and much much more. A Definite Must for any Horror Fan.
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| 5. Spy Kids 3 - Game Over Director: Robert Rodriguez | |
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Reviews (127)
Anyway the BOTTOM LINE is: THIS MOVIE WAS GREAT ,STALLONE IS BACK, AND THE IDEA OF THE SPECIAL EFFECTS WAS THE MOST ORIGINAL THING SINCE THE 1ST MATRIX !!!
As bad as it is, it's all worth it to watch Rodriguez's commentary, to hear him discuss the process of making a 3D movie, the future of digital cinema, and how he saved money and made a mildly entertaining (and hugely financially successful) movie under strict time and budget constraints. Some of my favorite parts of the commentary: "We didn't have this animation done on time, so we just had the character complain how it looked like an old video game." "I wasn't sure if people would get splitting headaches from the 3D, so I made the movie only 80 minutes. That way, if it was a problem, at least it would be over soon." The funniest parts are slightly apologetic, but there's plenty more to learn from, and he's never at a loss for words. Unlike typical DVD commentary, there isn't any dead time while he thinks of some bit of trivia about what's on the screen. ... Read more | |
| 6. The Faculty Director: Robert Rodriguez | |
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Description Reviews (246)
A group of high school students led by super-senior Hartnett (in his debut role) are shocked to discover that their teachers are actually alien invaders. It's up to dweeby Elijah Wood, snobby Jordana Brewster, and a handful of jocks and outcasts to stop them. As it turns out, the beings that live inside their hosts have a fatal reaction to the ingredients in the class drug dealer's stash. Using the contraband as their weapon, the group heads to the high school where the teachers are ready and waiting. While it does provide some tense moments, this movie seems to play it safe a little too often. Rather than sacrifice its more popular characters, it always seems to stick them in escapable situations and pander to what the audience would like to see happen with them. The kids, who are on a "Breakfast Club" tip very rarely seem to be in any authentic danger. This seems more like a kiddie-version of Heinlan's "Puppet Masters" than a real serious sci-fi thriller. For all its faults, at the very least, this film has fun with its cast which includes Robert Patrick, Jon Stewart, Famke Jannsen, Usher Raymond, Duane Martin, and a dressed-down Salma Hayek. Hartnett, in particular, has very rarely been as good. Williamson's always-overwritten characters aren't quite as obnoxious as they were in his "Scream" scripts though subsquently, Rodriguez's style feels just a little toned down. What many had assumed to be his trademark Mexican stand-off style mentality of directing is not quite the case here. He's moving in a different direction and while I am a fan of his other style, it is good to see him try something different. The collaborative efforts of both seem to combine for an entertaining if somewhat predictable and harmless new take on an old story.
Herrington High is the ordinary high school, in all its grubby, cruel, clique-ridden glory. We are introduced (via little name scribbles during freeze-frame, just in case we forget who they are) to several characters: We have Casey (Elijah Wood), a picked-on geek with a heart of gold, who has a unspoken crush on Delilah (Jordana Brewster), an acid-tongued cheerleader who is dating Stan (Shawn Hatosy) who plans to quit the football team and focus on his grades, and who is secretly longed-after by the black-clad antisocial loner Stokely (Clea DuVall), whom perky blonde new girl Marybeth (Laura Harris) is trying to befriend. Then, rounding out the cast is Zeke (Josh Harnett) as a drug-and-porn-dealing bad boy with a brilliant streak. (Confused? Don't worry, not so befuddling when you actually watch it) The actual plot kicks into gear when Casey finds a strange insectlike creature on the football field -- it becomes a vaguely fishlike creature that reproduces asexually in a tank of water -- and has nasty little teeth. Suddenly strange things begin to happen: one of the teachers becomes bizarrely ill. Students begin behaving angelically. The coach becomes less of a jerk. There are huge amounts of bottled water being brought to the faculty lounge, and the teachers are drinking enormous amounts of it. And then Casey and Delilah catch a glimpse of the coach forcibly infecting the nurse with a strange alien creature. As they scrabble to find out what is happening and how they can stop it, this group of geeks, popular kids, and loners must band together. I didn't come in expecting much, and I was not disappointed. The best words to describe "Faculty" are "fun enough." Pretty much everything is done in moderation. There are streaks of brilliance and streaks of cheeze, with okay acting and okay writing. The exception to that last is the conclusion about the alien "queen" -- the teens come to this conclusion with nothing but SF movies to back them up. My eyes were rolling so far, I thought they were going to stick. Much ado is made about Josh Harnett, but he hardly registers here. He doesn't possess the pizazz to play a convincing bad boy, and comes across as a person pretending to be a bad boy. Jordana Brewster does a pretty good job, especially when called upon to be sinister, as did Laura Harris, who seamlessly shifts from one kind of acting to another. Clea DuVall did what she could with what she was given, which wasn't much. Shawn Hatosy is okay, nothing more. Elijah Wood is the sole really outstanding performance in this film. Fans of his performance in "Lord of the Rings" may want to check this out, as there are some similarities between his performance in that film and the physically unimpressive, smart, pleasant, scared witless, unlikely hero Casey. (Though admittedly, Frodo Baggins never got slammed crotch-first into a flagpole) He manages to pull off some real groaner lines like "Maybe they're simply preparing us for what's to come" and "I don't think a person should run unless he's being chased" that a lesser actor could not have. He projects his emotions more vividly than any of the other actors; when we see Casey huddled on the ground with a look of misery on his face, the heart bleeds. Yet he's also the most driven and enthusiastic. He's the little geek who could. Special effects depend. Some of it is cheese incarnate, especially when some of the teachers are stabbed or sprinkled with scat. Their physical responses are unabashedly dumb. The morphing thing is well done, as are the alien "goldfish" and the scene in the swimming pool. Directing is actually pretty good. With the exception of some later scenes, where all subtlety is abandoned, the first eighty percent of the movie is quite suspenseful. Among the good ones: The football players enthusiastically playing their game -- and infecting the opposing team as they go. Casey being approached by an infected character on one side and a horde of ravening football players on the other. The tense, suspicion-laden scene where they have to take Zeke's stash of drugs to determine who is an alien; the part where Casey starts giggling uncontrollably, with a gun pointed at his head, is too funny to miss. This is not a kids' movie, and some older teens can probably handle it. There's loads of profanity, very little of it necessary to the script; it seems like the f-word was used an average of once per sentence. There is also a lot of violence, but very little of it is realistic. Neither are the beasties, which are very well-done, CGI-wise, especially the shots in the swimming pool, and of the alien creatures in the tank. The deteriorating teacher was the scariest thing I saw. There is no dirty content, though there are many references, and one of the characters goes wandering around in the nude near the end, but you can't see any details. I don't particularly care that it rips off "Bodysnatchers" or "The Thing." It's a nice piece of fluff entertainment, and a pleasant enough way to pass an afternoon.
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| 7. Once Upon a Time in Mexico Director: Robert Rodriguez | |
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Reviews (245)
Perhaps "film" is a misnomer, for within the opening credits, writer/director Robert Rodriguez makes it quite clear that none of what is about to transpire is to be taken seriously. Rather than use the standard tag, "A Robert Rodriguez Film," or perhaps, "A Film By Robert Rodriguez," the filmmaker chooses the much cheekier "A Robert Rodriguez Flick." The credits go one step further in setting the tone, when we find out that the movie was "chopped" instead of edited by Mr. Rodriguez. "Once Upon A Time..." is billed as the final chapter in Rodriguez's now-legendary "El Mariachi" saga. It's strange then, that the star of the movie is not Antonio Banderas' El Mariachi, but instead is Johnny Depp in his second scene stealing turn in as many films (his last being Capt. Jack Sparrow in this summer's Pirates Of The Caribbean.) Depp is masterful as the corrupt Agent Sands, a CIA operative who uses Mexico as if it were his personal playground, and delights in wearing the cheesiest of tacky t-shirts (Cleavage Inspection Agent anyone?) The "flick" seems to have been written with the Sands character in mind, with the El Mariachi stuff added in afterwards to fill the gaps. The beautiful Salma Hayak is unforgivably underused, getting what amounts to a glorified cameo's worth of screen-time. Admittedly, the screen time is put to good use, as in one particularly thrilling scene in which Banderas and Hayak escape from would-be assassins while bound together by chains. Overall, this was a fun picture, but I don't quite understand the four star ratings it's been getting in the press.
Buy it only if you are a J.Depp fan. If you are looking for a fast paced fun action movie get Kill Bill Vol.1 or check out 2004's remake of "Dawn of the Dead", both are much better.
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| 8. Desperado Director: Robert Rodriguez | |
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Reviews (94)
Skin tone! Wow! In the Superbit version there's a dramatic difference in skin tone, it looks a lot richer and is a much truer color. The DTS audio track is as dramatic a difference as the picture. Most noticeably is when El Mariachi jumps backward from the top of the building firing his pistols. In the DTS audio track you hear a thud as he lands, something I didn't hear in either the old or new Dolby Digital tracks. Of all the Superbit Titles, Desperado is the easiest to recommend as a 'replacement' DVD for someone who already owns the original version. The improvements in the Superbit version are significant enough to warrant a purchase and you don't give up anything going to Superbit, as the original release didn't have any special features. However, there was also a double feature release (yep, Superbit makes release #3), which had Desperado on one side and El Mariachi on the other, so that's a pretty huge special feature to give up (and the only way to own El Mariachi on DVD). [Geoffrey Kleinman, DVDTalk.com]
I suppose I should summarize.... "Desperado" rocks. Plain and simple, if you're looking for an above-average action thriller with lots of goofy humor, this is the way to do it. And if you're really ambitious, I highly recommend seeing "Desperado" and "El Mariachi," Rodriguez's original feature debut, in one sitting and comparing the two films. "El Mariachi" is much better, but since it was filmed on a shoestring budget, it doesn't feature some of the more mind-blowing fight sequences you can find in "Desperado." It's up to you to decide which is better, but for sure, "Desperado" is one of my top picks for a guilty pleasure. 4 of 5 stars.
This violent, shoot-um-up-to-the-max was definitely 'death dancing to it's own rhythm'. I viewed the Superbit DVD, but never having watched either of the previous two DVDs nor the video, I can't make any comparison. I can say the DTS was awesome. The picture quality was excellent. It doesn't get any better than this, especially since the tiny shrinking cinemaplex theaters have made my surround-sound and 32" TV the theater of choice. Sex and guns and music from Los Lobos interwoven with campy humor, Antonio being...well Antonio (ladies, need I say more), with great support from the likes of Steve Buscemi (in one of his best roles I think), Cheech Marin, and the sultry Salma Hayek; what more could you want in an action movie. I found this film far superior to and much more enjoyable than 'Dawn To Dusk'. Now that 'Desperado II - Once Upon A Time in Mexico'is in the works for a 2003 release with the return of Antonio and Salma and the addition of Johnny Depp and Enrique Iglesias, once again under the direction of Robert Rodriguez, we can look foward to finding out just where the loving couple rode off to into the sunset. Seems I repeatedly say these two things: I am not your run-of-the mill young western fan - wrong gender, wrong age, but I enjoyed it anyway; and also reminding those who picked-at the flaws, degraded and jeered at the plot (?), questioned the reality, and just plain didn't get the campiness, to just let yourself go! Don't take yourself and the movies so seriously. Enjoy the humor. Enjoy Antonio or Salma, whichever one sets your pulse-to-racing. Heck, just enjoy the movie!
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| 9. Roadracers Director: Robert Rodriguez | |
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Description Reviews (14)
The movie has a weird atmosphere, where you know it's supposed to be the 50's, but the styling is a bit weak. Especially weak is the arch enemy, who has long greased hair!!! Overall a really cool movie, Robert Rodriguez's 1st movie after El Mariachi. Cool to see what he did with 13 days and a 1 million dollar budget!
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| 10. Desperado (Widescreen Edition) Director: Robert Rodriguez | |
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Reviews (94)
Skin tone! Wow! In the Superbit version there's a dramatic difference in skin tone, it looks a lot richer and is a much truer color. The DTS audio track is as dramatic a difference as the picture. Most noticeably is when El Mariachi jumps backward from the top of the building firing his pistols. In the DTS audio track you hear a thud as he lands, something I didn't hear in either the old or new Dolby Digital tracks. Of all the Superbit Titles, Desperado is the easiest to recommend as a 'replacement' DVD for someone who already owns the original version. The improvements in the Superbit version are significant enough to warrant a purchase and you don't give up anything going to Superbit, as the original release didn't have any special features. However, there was also a double feature release (yep, Superbit makes release #3), which had Desperado on one side and El Mariachi on the other, so that's a pretty huge special feature to give up (and the only way to own El Mariachi on DVD). [Geoffrey Kleinman, DVDTalk.com]
I suppose I should summarize.... "Desperado" rocks. Plain and simple, if you're looking for an above-average action thriller with lots of goofy humor, this is the way to do it. And if you're really ambitious, I highly recommend seeing "Desperado" and "El Mariachi," Rodriguez's original feature debut, in one sitting and comparing the two films. "El Mariachi" is much better, but since it was filmed on a shoestring budget, it doesn't feature some of the more mind-blowing fight sequences you can find in "Desperado." It's up to you to decide which is better, but for sure, "Desperado" is one of my top picks for a guilty pleasure. 4 of 5 stars.
This violent, shoot-um-up-to-the-max was definitely 'death dancing to it's own rhythm'. I viewed the Superbit DVD, but never having watched either of the previous two DVDs nor the video, I can't make any comparison. I can say the DTS was awesome. The picture quality was excellent. It doesn't get any better than this, especially since the tiny shrinking cinemaplex theaters have made my surround-sound and 32" TV the theater of choice. Sex and guns and music from Los Lobos interwoven with campy humor, Antonio being...well Antonio (ladies, need I say more), with great support from the likes of Steve Buscemi (in one of his best roles I think), Cheech Marin, and the sultry Salma Hayek; what more could you want in an action movie. I found this film far superior to and much more enjoyable than 'Dawn To Dusk'. Now that 'Desperado II - Once Upon A Time in Mexico'is in the works for a 2003 release with the return of Antonio and Salma and the addition of Johnny Depp and Enrique Iglesias, once again under the direction of Robert Rodriguez, we can look foward to finding out just where the loving couple rode off to into the sunset. Seems I repeatedly say these two things: I am not your run-of-the mill young western fan - wrong gender, wrong age, but I enjoyed it anyway; and also reminding those who picked-at the flaws, degraded and jeered at the plot (?), questioned the reality, and just plain didn't get the campiness, to just let yourself go! Don't take yourself and the movies so seriously. Enjoy the humor. Enjoy Antonio or Salma, whichever one sets your pulse-to-racing. Heck, just enjoy the movie!
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| 11. From Dusk Till Dawn (Widescreen Edition) Director: Robert Rodriguez | |
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Reviews (167)
The film depicts the story of the infamous Gecko Brothers', Seth (George Clooney) and Ritchie (Quentin Tarantino), odyssey from their violent southern Texas exploits to their arrival at the unforgettable Titty Twister bar. Along the way, the Gecko brothers inadvertently blow up a liquor store, hallucinate flirtations and verbal taunts, "accidentally" rape and murder a seemingly docile hostage, and kidnap a disillusioned pastor's family and their motor home on their way to their bar rendezvous across the Mexican border. Though these characters may seem to be the most unsympathetic characters to be rooting for. Tarantino's knack for instilling humanity into his criminals is second to none, and along the way towards the bar and the film's personality switch, through absorbing dialogue, gritty performances, and realistic plot developments (in the Tarantino half), we are given unusually affable characters that allow the audience just enough audience identification with the characters before they are literally placed into hell incarnate. While watching From Dusk Til Dawn, it crucial to note the film's story arc is essentially one-half Tarantino crime tale/ one-half gory horror gore opus. This was done I believe to introduce the characters, personality dynamics, and innate personal tendencies of the people in their real environments before establishing the horror. What happens quite often in horror films of the last two decades is we, the audience, are immediately transported to the improbable before we even really know our characters. The characters of a movie are our conduits into the realm and the story of a movie. Doesn't it seem probable that if we have an enhanced understanding of the characters we might enjoy the film's narrative a lot more? From Dusk Til Dawn follows this mentality to its most logic summation as character and style overcome commercial convention. Since it release, From Dusk Til Dawn consistently besieges it audiences with an intoxicatingly visceral affront of violence, mayhem, elaborate chaos, and inventive havoc that entertains and delights beyond anyone's expectations. Though definitely not Academy Award material so to speak, From Til Dawn remains a superlative horror extravaganza. As for the film's new DVD Collector's Series edition, FDTD contains an informative Rodriguez/Tarantino commentary track, a feature length documentary entitled "Full Tilt Boogie", extensive outtakes, deleted scenes, two music videos, the theatrical trailer, and much much more. A Definite Must for any Horror Fan.
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| 12. El Mariachi Director: Robert Rodriguez | |
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Reviews (20)
Director Robert Rodriguez, making his first feature film here, takes action to a unique level in this straightforward and, sometimes, jaw-dropping movie, which is full of so much that moviegoers love, it's almost impossible not to like it. Carlos Gallardo plays a young man who wants to earn a name for himself as a mariachi, a beloved, legendary kind of guitar player. He walks into a town hoping for luck. But, instead is mistaken for a brutal killer by the hired hands of a local crime lord. At a tightly-wound 81 minutes, "Mariachi" starts up the steam and never lets up. The action scenes are loaded with energy and the story complements them with good characters and good actors that make it all work. The sequel, "Desperado", missed the mark and is not very memorable. It missed all of the elements that made "Mariachi" so good and so much fun to watch. Stick with this film for all it's ingenuity and brilliance, it is a film that should not be ignored.
Carlos Gallardo (very convincing in his role) plays a mariachi looking to make a name for himself. But, things start getting out of control when a crime lord mistakes him for a brutal killer. The camerawork, which is done entirely by Rodriguez with one camera, is so involving and amazing to watch. It adds to the suspense and tension that Mariachi feels as he tries to outrun the bad guys. The movie is very tight at a slim 81 minutes, but it doesn't matter. The film has a cool, little story about mistaken identity kicked up with great elements. The sequel, "Desperado", is okay, but it never complemented "Mariachi" because it missed out on all of the elements that made it so good. Stick with this one. It's the best.
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| 13. El Mariachi Director: Robert Rodriguez | |
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